#and i know it was living in my head for years already at that point

[marragurl]

I have this VISCERAL need for an AU where everyone’s perception of Ratiorine is completely skewed and they all think they hate each other when in reality they’re actually married.

They had a small ceremony years ago, fully live together, have matching pajama sets, cutely bicker and have inside jokes with each other, constantly use endearments when referring to one another in public, have a combined 20 step hygiene routine, are each other’s first choice if there’s a mission that require 2 people, AND NO ONE BELIEVES THEY’RE MARRIED! OR EVEN IN A RELATIONSHIP!

AVENTURINE EVEN SIGNS HIMSELF AS AVENTURINE RATIO ON INVITES OR LETTERS OR PAPERWORK (Kakavasha Ratio on their marriage certificate, I like to think in this AU they’ve worked through their past trauma together already), BUT EVERYONE THINKS IT’S A TYPO AND HE MEANT TO WRITE THEM SEPARATELY SINCE THEY’RE ALWAYS ASSIGNED ON MISSIONS TOGETHER.

The only people who know are the Stonehearts, and that’s only due to Aventurine’s contract/work as IPC, so they were the ones who officiated/were witnesses to the wedding.

Everytime they all go out to get a drink or something, I need Topaz in the back looking insufferable as Ratiorine are in full lovey-dovey mode AND NO ONE NOTICES. I’d be the same girl, they could broadcast their honeymoon and STILL people would think it’s some weird powerplay hate thing, Topaz is later found crying to Jade about how she finally understands why Ratio calls everyone idiots, how are people so blind?! They’ve even started using the same motions and same phrases Jade, WHY CAN NO ONE ELSE SEE IT???

The only reason the Penacony plan goes off without a hitch is that everyone has the biggest preconceived notion that Aventurine and Raio despise each other WHEN IT’S JUST THEIR USUAL MARRIED BICKERING. NO ONE CAN EVEN FATHOM THE TWO OF THEM LIKING EACH OTHER, LET ALONE MARRIED???

(In this AU, Aventurine gives up his room because the Reverie made the same mistake of not understanding the signature and assigned him and Ratio to different rooms, and now there’s a nice clean way of getting rid of the extra room, making a connection with the Astral Express, AND rooming with his dear husband, what great luck!)

I want it to get to a point where they could fully make out in front of Sunday and the man would STILL believe that Ratio would betray Aventurine. Aventurine during the entire interrogation scene is just constantly in the state of “my husband is such a good actor, I’m so proud of him” *heart eyes and winks to Ratio when Sunday isn’t looking* and Ratio is just straight up looking worried for Aventurine and immediately rushes after him when it’s all over AND NO ONE BATS AN EYE

Ratio just mentally apologizing to Aventurine after every little fake fight they have and dying on the inside and doubling down on every bit of affection he can in between (and even during) the fights, and Aventurine is just having fun having his husband’s attention all to himself no matter the form. (plus the rush of knowing just how much they trust each other always makes him warm)

Aventurine is fully ok with this weird perception people have of him and his husband since it always helps with his schemes and gambles paying off, and while Ratio wants to bash everyone in the head for even daring to think he hates his husband, he keeps quiet because he trusts that Aventurine will always come back to him and make it all work.

But that’s not enough to stop him with showering Aventurine with adoration and love in public. If the public are too much of idiots to realize something as obvious as their love, Ratio won’t stop it from showing his dear husband just how much he means to him.

This is fully AU of course, we all know canon Ratiorine is the longest softest pining game in history. Funny enough, Topaz is still suffering in the back due to their relationship shenanigans. She better be getting some financial compensation for this, I just know Aventurine complains to her about his crush. Ratio is fully at his own place writing out thesis after thesis about the meaning of love and psychoanalyzing his own feelings. He forwards them to Topaz for review because I like to think she’s somehow become a weird bouncing board for his frustrations about her coworker. Topaz is crying.

[theminecraftbee]

just revisited scs, and was wondering if pearl still joins hermitcraft in season 8 as she does? and if so, what are three's thoughts and feelings on this? if we go by hermitcraft rules, it'd have to had voted her in, and it does care about pearl in some capacity due to her link with martyn and jimmy so it'd want her somewhere safe, but is their relationship still rocky at that point? has it gotten better? and how does it evolve through their time on hermitcraft? is boatem still a thing, or do three and pearl give each other more space?

sorry if you've answered something like this before, but i'm curious

so here's how it goes in my head, although as always, anyone is free to have their own headcanons for it:

so by season eight, given the messy timeline i've created, three has had some time and distance. additionally, i like to think that it and everyone else DID keep up their promises to stay in contact. pearl and three's relationship will probably never be as close as pearl and grian's, but pearl is TRYING and three is willing to give her a shot when they're not standing right next to each other and she isn't in the middle of grief as much, so they form a tentative bond.

pearl doesn't join season eight because of three; three doesn't invite her. however, i'd like to think that pearl, maybe on the prodding of "her friends are actually talking to her again", has tentatively started doing her own builds again and showing them off and something like that dragon build of her blows up. so when names are being floated for season eight, and someone's already floated gem as a possibility, someone says pearl's name. and three doesn't know. three doesn't know if they'll be able to handle each other living on the same server. but it's now been at least a year and a half since scs and with scs's messy timeline probably longer, right. three is much more self-assured and has a better idea of who it is. and like, it thinks about it, but maybe pearl gives away she's still living on evo in a call, and three thinks about it, and...

the thing is: three had needed someone to say "you can come here when you run away" two years ago about the same thing. it can at least try.

this is to say: pearl joining hermitcraft is not three's idea or three's invitation. but three gives her its endorsement, and eventually its vote. pearl joins in season eight. three and pearl then proceed to try to completely avoid each other for like, at least a month. i don't want to take pearl and impulse bonding away from the world, so i think maybe pearl still bases near there, but the friendship groups in three's timeline are a little shifted ANYWAY, even if they're similar, so we can shift people around a little. maybe three drags mumbo off to go follow iskall and etho into the shattered savannah. god, can you imagine, actually, that would be hysterical.

but the thing is, even though the hermits spend a lot of time alone, they also spend a lot of time together, and like... three IS friends with impulse. and it is Conspicuous that they're avoiding each other, and they can't do it forever. it's pearl who screws her courage to the sticking place first and invites three to help her with an interior room of her build. three, not actually quite good enough at emotions to recognize "here come do an interior, thing i know grian hated but you like" as the very deliberate olive branch it is but good enough at emotions to know it probably shouldn't avoid, accepts.

and it goes... well. it surprises both of them how well it goes, actually. maybe it shouldn't; they've been in contact after all, and they've had time to soothe and process their relationship. they part back to their own bases again with the promise to do it again, and they do not avoid each other for the rest of the season. they don't seek each other out, often--they're not quite ready for that--but they don't avoid each other, either.

it's not perfect. pearl still sometimes looks at three like she's looking at a dead man. three still sometimes wants to scream when she does.

but there are many times, now, when they can forget how they met in the first place, and just chat about build pallets and pranks and shapes and llamas and everything else together.

that's close enough to healing.

[justsigma-bsd]

A Blank Page, Torn From A Book Without Name

Well, I ended up trying to put the word salad in my head into actual, coherent words after all.

First of all, everything here is just my take on things. The theories and thoughts I've had on certain things. I don't think any of it is official, but if anything of it is, in fact, confirmed to be true or false, feel free to tell me!

Some of the panels were taken from a YouTube video, which I'll link at the bottom!

TW for: Human trafficking, dehumanization

Ok, so first things first, some of this stuff I've already written down a while back for writing reasons. I found some of my old notes, and noticed that, after rereading the panels, they make more sense than I previously thought.

Let's start here: what stands out the most to me isn't that he's in the desert, not even the ticket. No, it's the simple »[...] or even who I was«

Because who, indeed, is Sigma? Sigma does not have an identity. He has no history, no nothing. Just the clothes on his back, a ticket that seems to be useless and earrings, for some reason.

Without a name, you don't have an identity and without identity you don't have a name.

Then there is this, too:

»I gave myself a name. Sigma. A man of the casino«

I don't believe he had a name upon being created. I don't think he had one for a long time, because in the same panel that he mentions giving himself a name, he also mentions the casino- which came much, much later. Sigma existed for three years by the time the series started. However, the timeline is wonky as heck.

Because how long did he stay with the traffickers? How long was he on his own after escaping? How long ago did Fyodor find him? Questions upon questions, but since I've already mentioned the lack of a name and the traffickers, let's get to my thoughts on that, specifically:

»They captured and enslaved me« along with »And once they knew that I had a skill [...]« makes me wonder: how long did it take for them to find out?

I haven't researched anything about human trafficking, but it's basically slavery, from what I've gathered through the previous things I've heard and read. And he does say so himself, too.

Sigma, three days alive, spent his early life a slave. It's confirmed that he was shackled, seeing that he is wearing them in the panels.

(As a side note, I do believe that he has scars from the shackles around his wrist. He wears a tight, wrist-long turtleneck beneath his coat, and I think it's to hide the scars. Both from others and himself.)

His first human interaction was plain horrible. Did he know and understand that? Did he understand that this wasn't normal? I don't think he knew how wrong this was at first. I don't believe that he understood it immediately. If he didn't know who he was, why would he know that being treated like this is wrong?

I believe that he realized it at some point, but not as soon as it started. I think he lived like that for a while, thinking it was normal, before getting some sort of wake-up call. Perhaps through his ability, or a fellow prisoner. Maybe both, or neither.

He must've gotten whiplash, once people genuinely looked up to him when he was the manager at Sky Casino.

I also think that he, probably, does tend to forget that being treated like that is, in fact, not normal or okay. Our upbringing leaves some sort of mark on all of us, experiences define us, give us habits and a feeling of what's normal and what isn't.

Which means that his "normal" is skewed and he expects being used rather than kindness, probably even after learning that some people are genuinely kind. I'm guessing that his mindset is, due to that, a simple "If I'm alive I'm alright".

I don't think he'd complain about being treated wrong and or left behind, or admit when he's injured. Or at the very least attempt to keep it a secret as long as possible- especially from those he sees as authority figures.

However, I also think that he was isolated, as per this panel:

Not only the text, but also the background paint a picture that causes me to believe that.

I almost skimmed past this panel while making my analysis, before pausing and taking a closer look. I thought this was in Sky Casino at first, until I looked closer and realized three things:

1, the background does not match Sky Casino in the slightest

2, he isn't wearing shoes or his current outfit, but the old clothes he had when wandering the desert

3, the shadows aren't from the light of a window, they're bars from a cell

While I did believe before that the traffickers kept him isolated from others (due to wanting to keep him unaware of the wrongness of his situation as well as to make sure he doesn't learn things he should/other prisoners finding out things that Sigma got to know by accident), this sort of put the final nail in the coffin for me.

But, at some point, he did realize that it was wrong. Perhaps he'd had a bad feeling from the start. Maybe he hated being treated like this. Who knows? Point is, he escaped. This brings us back to this page:

»No matter how kind someone seemed, they used me and then tried to kill me for knowing too much«

Sigma, after escaping the traffickers, after escaping the life of a slave, probably still didn't know much about living.

And I firmly believe that Sigma is smarter than even he himself thinks. There's just one issue: Sigma is naive (at least in my eyes), and it's not even his own fault. He simply tried his best to survive, and what was the reason the traffickers kept him around? His ability, most likely.

Problem is that his ability truly is something people would love to exploit, and it seems as if they did. Which makes me believe that he has a talent for running into murderers thinking they're nice people, only to get a not-so-nice surprise.

»The last one to use me [...]«, this specific line is the reason why I believe Sigma to have been used a lot. We don't know how often, exactly, his ability was taken advantage of. But we know the latest person who did.

Fyodor was the last one to use him, which means that, at that point, he was probably used to it. Used to being treated like a pawn, and used to people trying to kill for knowing too much. And I believe that he was, quite plainly, exhausted.

Imagine, your entire life consists of being forced to aid others with crimes, with being shackled. You don't know the difference between working for someone and being used by someone.

If you were offered what you wanted most, wouldn't you accept, too? Even if you know that you're once again being used? I mean... this time around, you gain something for it. Doesn't that make it worth the risk?

It's a gamble Sigma took... and lost.

This page involves two quotes that give me pause:

»Don't you wish for a home?«

We don't know why or how he knows what a home and a family is, but he does. And he wants it. He says it was never within his reach. But it is perfectly clear to us, while reading the Sky Casino Arc, that he wants it. He wants a home and a family.

He'd rather sacrifice his own life than see Sky Casino fall. »Home« and »Family« are, to him, more important than staying alive. Because it's something he never had, and something he clings to. Simply because he doesn't have anything else.

»I, who was originally 'nothing'[...]«

Is the second line that makes me pause. Because like previously mentioned, Sigma was a slave with no name or identity of his own. We don't know when he found out about being created by the book (and I firmly believe that he found out one way or another), but I believe he didn't see himself as a human before, and this "confirmed" it for him.

Think about it, would traffickers care about their victims? Would they treat them as human beings? Call them by their name? What about a person who has no name to begin with?

He wasn't treated like a human being in the beginning, and thus considered himself nothing. Considered his home and "family" to be worth more than hid own life.

He was literally created from nothing. His story doesn't have a beginning. He has no memories prior to being created, he had no name nor identity. How his story will end is unknown. We don't know what's written on his page.

I believe this, combined with being with the traffickers, makes him doubt his humanity. Not only because he was created through the book, but also because for the first (months? Year?) of his life, he wasn't treated like a human.

His sense of self-worth is probably down in the dumps.

»In the end I never did understand what I was born for...«

I don't think he knows the details of his existence. The content of his page, the words that brought him into existence. He doesn't know why he was born/created. He doesn't know what things were predetermined.

He doesn't know what's real and what's just writing on a page.

Sigma, in three years of being alive, went through hell. He was enslaved, his ability was taken advantage of over and over, he was used by multiple people who all ended up trying to kill him and when he thought that he finally found a home? A family? It was taken away from him.

Genuinely, he needs a plate of cookies, a hug and a ton of therapy.

Anyway, I hope you enjoyed my little analysis and theories? I never did something like this before, so criticism is welcome!

Here's also the link to the video from which I got the screenshots: https://youtu.be/KwsSvFYAKjA?si=R_IvH-S8GYut_hrG

[nevertheless-moving]

unable to stop dwelling on the discworld trouser leg of time where, in the penultimate fight scene in Nightwatch, Carcer manages to kill teenage Sam Vimes.

Which means that the future that Duke Vimes came from can no longer exist, which means he can’t go home. Meanwhile you’ve got a bunch of history monks with stored up temporal energy, a prepared space outside of time, and the need to do some desperate damage control before the Auditors get involved. Death shows up, reality is unweaving, Sam is reading Carcer his discworld miranda rights because what else is he supposed to do.

and finally, with little other option, the monks de-age Sam so he fits the time period and send him back out into the fray.

(they didn't call it deageing of course. His memory is hazy, splintered during that terrible in between moment, They....took the time out of him? Sanded away the edges of his self for a terrible, workable fit? It...wasn't a good feeling.)

Just—damn. Sam Vimes having to live his whole crapsack life over again, but this time as his disillusioned-reillusioned, unwillingly-character-developed, noir-epic, Duke of Ankh, Commander Sir Samuel Vimes self. 

Younger (Older? He's never felt so Old, His steps so Childlike, reality twisting in his gut like one of Dibbler's pies) Sam Vimes walking around in a haze after the revolution. Desperate to go home, knowing he can’t. Wanting to drink. Knowing he can’t.

The whole precinct feels pity, he really took Keel’s death hard, hardly speaks except to do his job. Eventually he has to grit his teeth and start being present, because what else is there to do?

Resists the urge to drink until Colon takes the whole watch out to celebrate because -he’s going to be a father!

Come on Sammy, one drink won’t kill you— and after the first drink he’s cracking jokes and after the second hes smiling and after the third hes honestly the life of the party and sometime after that he’s crying about how he was going to be a father and my wife would be ashamed if she saw me drinking like this and— 

Oh shit, Did anyone else know he had a wife?? A PREGNANT wife??? What—aren’t you like 12—no you're 17 now aren't you but when did—

You guys n’ver met ’er—oh gods none if you ev’n know ‘er, is jus’ me...

What—when did you lose—

I lost her the same damn day I los’ ev’rythin else, whadya think...bleeding Carcer...the fuckin revolution...

So! That! Sam only vaguely remembers the night, but rumors travel faster than light on the disc, so by the next day the whole damn city knows about poor Sam brung low by the loss of his poor, tragic, pregnant wife, so young to be a widower, and the Seamstresses nod because they already knew, don’t ask them how, somethings you just have to know in that trade.

And his mother—I don’t know, sue me, I’m a time travel fiend but there’s something deeply intriguing about a man meeting his dead parent, who is somewhat younger than him, and stepping into the old relationship like a badly fitting thing that's supposed to fit well. She would know, right? How would she deal with her son’s impossible grief? Maybe she wouldn’t know—he spent most of the time out of the house, running with different street gangs, maybe he avoids her until she dies and lives with the guilt twice over. God, we don’t even know her name. There’s just so much narrative and emotional potential that I don’t even know where to start.

When he’s on duty, which is most time - it’s agonizing because at first he remembers cases, saves lives that would have been lost. But the more time passes, the hazier his memory because in the original timeline he was becoming an alcoholic. Fuck! A kid dies and he could have saved her if he hadn’t been such a drunk, if he had just remembered where the asshole lived, but it’s all a haze, and he wants to drown out his guilt, but that’s what caused this in the first place.

Good young Sammy, who spends his rare off-time in dusty libraries (and yes, the irony that he’s apparently Carrot now is not lost on him) reading gods-only-know.

It’s not like he can ask the wizards for help, cutthroat and vicious as they are now in the not-so-distant-past.

Good young Sam, who...talks to the Broken Drum’s pet Bouncer like he’s a real person and not a dumb rock? That’s a bit weird, but he’s a bit of a funny guy.

Good old Sam, who believed the testimony of the dwarf who said the humans were trying to rob him and let the dwarf go??

the PROBLEMS this man would cause, good grief. Can you imagine a moderately progressive middle aged man with some degree of begrudging diversity and equity training that he did, for all his sins, pay attention to, suddenly going back to like, 1990, going back just 30 years, and going...oh damn this is kind of fucked up, no man you can’t say that, holy shit.

Except Sam’s lived through even more rapidly shifting social moroes! There’s no seamstress guild, there’s no women allowed inside the university, there’s no black ribboner’s society. People hunted trolls for their teeth! But Sam can’t just unlearn everything, and he can’t shut up, and he has no real luck and anyway he would absolutely get himself (temporarily) fired.

FUCK. Sam has no idea what to do with that. None. Zero clue. Wanders around in a haze until that dwarf he saved from police brutality finds him and insists on repaying the debt. No, he insists, do you have any idea what debt means to a dwarf?

“Sort-of?” he replies hesitantly, and that honest admission of incomplete knowledge shows a hell of a lot more respect and understanding than any self proclaimed dwarf-expert ever did.

Gets a job as a surface man, hauling rocks into the city. It’s backbreaking work, but, in true Discworld fashion, it’s also one hell of a workout (again the irony of being Carrot is not lost him. he freezes for a minute while hauling a rock cart, when he remembers he's technically Lost Nobility too, in a strict sense, but someone curses at him in the street and he's comfortingly grounded)

And here is where this au slides into a SPECTACULAR romantic comedy, BEAR WITH ME. Because in his time on the Watch he’s already done noir, action adventure, war story, detective who dunnit, psychological horror, but guards guards only allowed him to be a romance protagonist in an extremely limited context.

Give me righteous, twenty-something-looking, can’t-say-he-doesn’t-have-style, young Sam Vimes, not an alcoholic,  being fed three square meals a day by his dwarven forced found family, hauling rocks. He is startled to find him bumping his head on a low hanging bar that he doesn’t think used to be there, eventually realizing that he’s an inch or two taller than he remembers. Huh. Guess all that bearhuggers really did stunt his growth.

Still doesn’t get what some of the looks from women he’s getting are about, sure, he’s dirty but so is everyone else. Fine, he took his shirt off, but it’s hot out, there’s far wrinklier than him hauling heavy loads, get a life. 

Happens to glance in the Ankh one day when it’s particularly slow and shiny and is startled to realize that he might be turning heads for a different reason. Oh. Right, not that he was ever a heartbreaker, but he did alright for himself... when he was a younger and his face hadn’t been broken so many times. Which...it isn't now.

Is mildly disturbed by the revelation.

Especially once things blow over at the precinct and what with high mortality rates, he ends up with getting hired again. The boys are delighted to have him back, nevermind that he’s an odd one, noone is ever quite in your corner like Vimsey, absence makes the heart fonder, no one else works that hard, and he’s not even competition for promotion. All around great guy, we should set him up with somebody and just, no.

It just keeps getting worse! He’s literate! He’s a feminist! He believes abuse victims! He’s got a tragic backstory! He’s unreasonably good in a fistfight! He’s kind to animals! Word gets around that there’s a good man on the watch and he’s just waiting for a good woman to come snap him up. The widower excuse doesn’t hold people off completely, and for some it’s its own sort-of appeal. 

Things REALLY become stressful after he rescues that carriage full of noblewoman.

What’s he supposed to do? Let them get robbed? Or worse? Chasing down and beating up 10 goons is as easy as beating up one, when they’re that stupid, getting separated like that, drunk and distracted, and he knows these streets better than anyone, really it’s nothing. And oh lord he’s Modest too.

I mean, they were genuinely greatful, as genuine as people like that are capable of being, the skill having grown rusty. And then there is something...magnetic about the man. An air of command.

So, soon enough you get Lady Marigold of Marigrave calling on Treckle Road for that gallant young officer who rescued them, she really needs to thank him. And Viscountess Elanor Thitzferal specifically requesting that he guard her at her next soiree. And Baroness Julieta van Shoeholten insisting that he come to her home while her husband’s away, for... manly protection.

Aaaah just zero sympathy from the guys. None. 'It’s become a competition, they’re just trying to see who can get me into bed first, it’s like I’m a piece of meat, you can’t send me sir, the Marquess greeted me in a nightee last time you made me go to—' and 'small gods Vimes are you even listening to yourself, shut the hell up'.

Simultaneous to this, (again this is several years into the timeline) swamp dragon accessories come into style. Which means abandoned swamp dragons scrounging on the street. Vimes takes one back to his apartment, blows his paycheck on dragon medicine, and eventually, heart in his chest, brings it to the Ramkin estate. The sunshine orphanage doesn’t even exist yet and he’s just standing outside the gates like an idiot, what is he thinking. Turns around, but her carriage is pulling up and—

well. they meet. it's cute. he's never felt so young. he's never felt so old, too old for her, too poor—

and certainly her thoughts linger too long on the awkward, kindly, handsome young commoner, but is it any wonder she doesn't quite connect it to the stern, dangerous, sexy young guard the ladies seem to be in some quiet, cuthroat competition over?

i have this gorgeous, absurd scene in my head in which Vimes is strong armed into standing guard at some high society soiree and one of the pushiest ladies insists he dance with here, or, if he prefers, if he's not confident about his skills, he can dance with her in-private at her home and he’s like [grinding teeth, looking for a way out, seeinf one] “I would be honored to dance with you.”

Steps right into some ultra-complex dance with multiple partner swaps (she never thought he'd pick this one, devilishly intimidating to one not strictly trained, and you barely spend anytime with your first partner).

But he does alright. Better than alright, for a common man, sometimes misstepping but his hands and feet always end up where they need to be. Raises several eyebrows part way into the song because he's throuwing in some slightly scandalous, no innovative, extra lifts and twirls that wouldn't become fashionable for another decade or two. Who even is that guy? Some out of towner? No, no he's in a guards uniform...how very strange.

Gets to Sybll and she's used to embarrassment during these dances, she tries to get out of them when she can... but can't always. Men awkwardly skipping the lifts, or worse, trying and failing. But him — oh it's him, the one who helped little Erold, and looked at her like—like—well like she was someone beautiful. And he's doing it again, and he's strong and there's a quiet moment where she's in the air, they lock eyes, and the rest of the room melts away.

And then the partners change again, the moment ended.

Just...living throught it all again. To the left, a dance he almost knows the steps to, throwing others off balance with erratic moves , honest mistakes, and delibrate stepping on toes. Improvising. Ruining. Improving. Getting far, far too much attention.

Hes almost excited when the first assassains start coming after him. It's like a hobby.

Everyone tells him he should get a hobby.

Interactions with young vetinari...I don't have the energy to write it all down, the slow circling in on each other, both burning with the need to fix the city, save it, their city.

needless to say he ends up fired again, life under real threat after offending some high lord.

Conveniently enough he has an employment opportunity- bodyguard to fucking Vetinari on his 'grand sneer.' The bastard knows vimes isn't what he seems, though sam is pretty sure that he doesnt know the exacts.

Vetinari hypothesis:(the ghost of keel? Keels son, with some hereditary curse? Or a larger spirit of justice possessing a string of unrelated souls? He knows things he shouldn't- mind reader? Fortune teller? Havelock once arranged for a wizard to bump into him on the street, the magical fool gave an odd double look and then muttered something about destiny looping in on itself giving him a headache. Destiny? Lost noble? And hes far too familiar with sybyl, one of the few bearable noblewomen in this city. And his thoughts on guilds, when havelock can trip him into speaking... Most of all, if hes reading him at all correctly (for all the mystery hes not that hard to read, unless thats a very clever cover) then it seems that behind those dark haunted eyes is Respect. Loyalty. For vetinari. What an interesting man. A puzzling asset. An intriguing threat. )

Did I mention the timeline is changing, healing slowly around the place where it was torn? Healing enough around scars to perhaps get some flexibility back, with some painful stretches and...massaging of said scar tissue?

And hes heading to unresting uberwald, a place where a werewolf pack still hunts humans and, truely unrelated but perhaps equally exhausting, an eldritch spirit of vengeance just might be looking to stretch its legs in a hapless vessel?

Opening drabble Vimes Vetinari Meta (Unwell)

[soo-won]

translation is out on mangadex i can finally post this

[chipjrwibignaturals]

I know that US scale and European scale are pretty different but like…. listen

European/non-US ppl, Would you accept this as your daily drive to work? like. one-way.

[lhrry]

x

[astrxealis]

sometimes i think of scenarios in my head with my ocs and then sometimes for happy brain i kinda crossover them with my favorite medias atm and also insert myself in bcs i like being self-indulgent and yeah my brain is so fucked up that i just keep repeating the same first bits and can't get far in thinking and i end up just having my s/i ramble my thoughts and it's hard to explain but yeah but anyways it's interesting thinking about who or what my ocs would like in video games or colors or whatever because all my ocs seem to reflect a certain part of me and i can get into the psychology of that but also its hard to explain my thoughts but also anyways yeah i find it interesting thinking about who my ocs would kin

[gayday]

.

[heniareth]

Help my Lavellan's found Inquisitor Ameridan and he's asking about his friends and the Dales and I don't know what to tell the poor man

[myfirstandlast]

im scared bc now that i’m essentially getting this public school job i know my body and mind have begun to settle into its fugue state where i have no thoughts and make no progress and waste literally all the time in the world because i just can’t imagine any other options it’s how i wasted four years with my major it’s how i ended up joining gr**k life it just feels like this is it and i trap myself

[i-deserve-to-bite]

[fairuzfan]

Is there anything I can do to help Palestinians besides call my representatives and beg them to stop killing people?

This is a great question. There are a few things you can do—just off the top of my head:

BDS (Boycott, Divest, Sanction) https://bdsmovement.net/

Direct Action https://www.palestineaction.org/

Urge your University/School/Organization to put out a statement denouncing Israel

Organize a Protest/Participate in a local one

You might already be doing this but while calling your reps, tell them that as a voter, you're unwilling to support them in the upcoming election unless they urge the White House to take a stand against Israel and stop funding them

Share art/writing/films around Palestinian culture

If you're part of a union, ask them what they're doing to urge their industry leaders to take a stand against Israel + pressure the White House OR urge them to start a strike/walkout/etc if they're not doing anything already

Talk with your friends IRL about Palestine, whether in an activist capacity or watching a movie or literally anything

Reach out to a mosque to see if you can help them with anything

See if your city/state council has put out a statement in support of Gazans. If not, try to push them to do so.

Donate to Palestine Legal or Direct Action if you have some money to spare

KEEP TALKING ON SOCIAL MEDIA!!!!!!!! PLEASE!!!!!!!!!!!!

I know some of these don't feel like they have as big of an impact on helping Palestinians, but we do need to make an effort not to forget their humanity in the face of continued erasure and the media's sensationalist rhetoric.

Talking on social media and posting—while not seeming like a lot—does SO much. I know in USAmerica, it's like yelling into a void, but political analysts are saying that most of the "Global South" has completely lost any amount of goodwill it may have had the past few years. Hopefully, countries will start to put sanctions and embargoes en masse on the US and Israel soon.

Our goals here are BOTH short-term and long-term. We hope for the life and liberation of the Palestinian people, so anything that you can think of might help at some point in the future is encouraged to at least try.

If anyone else has any more ideas, feel free to reblog and add on. Thank you for asking, and here is to a liberated Palestine where Palestinians can live and thrive without fear.

[sttoru]

‘satoru hates arguments. even more so when your conflicts cause your baby daughter to be upset as well.’

☀︎｜tags. (girl) dad!gojo satoru x female reader. fluff, angst, comfort. mention of arguments between parents. comfort & happy ending, though!

satoru hates having arguments with you. he hates it whenever an argument turns into the silent treatment. he apologises and apologises — yet nothing helps to change your mood sometimes.

ever since you got married and had your daughter, you were a bit more sensitive to the smallest of things than usual. it wasn’t like satoru despised you for it; in fact, he understands that motherhood was and is stressful. that man was nothing but supportive to you.

though, your little arguments were indirectly having an impact on the mental state of your baby. you didn’t even know an one year old could sense the tension between her parents.

“mama, mama!” your daughter appears out of nowhere, waddling over to you standing in the kitchen. she had barely just learnt how to walk. her tiny hand reaches for yours and she points at the doorway with her other, “go, mama, go.”

you curiously let your little girl lead you towards where she was pointing at, only to arrive at the living room. satoru was sitting on the couch, idly staring at the ceiling, other hand fiddling with one of your daughter’s toys. he seemed deep in thought. even exhausted and clearly not his playful self.

“mama, go! mama go papa.”

satoru’s head turns to the side at the cute sound of his favourite little girl. he smiles brightly at her return to the living room, only for his smile to fade just for a second at the sight of you next to her. he isn’t mad at you—more like sad that you still seemed upset with him.

your daughter tugs at your index finger. she apparently wants you to go to her dad—wants you to interact or talk with him. her big eyes were staring up at you with a pleading look in them.

you were in a dilemma. of course, you wanted to put your daughter’s mind at ease. you could just fake interact with satoru—or actually just make it up—but there was still a small part of you that needed time alone. you weren’t yet mentally ready for another confrontation. you needed time to think it out.

however, part of you also knows that your earlier argument was kind of silly. you don’t even fully remember what it was about, that’s how irrelevant it was to your brain.

“c’mon, pumpkin. ‘tis not nice for you to bother mama while she’s cooking.” satoru’s soft voice startles you back to reality. he had already gotten up and crouched down to pick your daughter up in his arms, kissing her chubby cheeks to distract her; “mama’s busy, ‘kay? let’s go play with papa.”

even satoru knew that your argument had caused your little girl to feel some kind of stress. she didn’t fully comprehend the situation, though she was clearly uncomfortable by the fact that her parents were not acting nice and lovey dovey like they usually would.

“no, papa. mama!” the baby whines and points at you and then at satoru, her little legs kicking. it absolutely broke satoru’s heart — shattered it into pieces. oh, how he wishes to never fight with you again. the sight of his little bundle of joy trying to mend things between you two with all she could was simply too much.

satoru looks down at you and notices the way you look at your one year old as well. the same way he did; with guilt and sadness. he sighs softly and without further thought, wraps his free arm around your shoulders and brings you close to his body.

“c’mere,” satoru murmurs as he holds both your daughter and you to his chest, “let me hold my two girls, yeah? may i, sweetheart? please.”

your husband asks for your consent. if you were okay with this—even when he needs it desperately, to hold you again in his arms and to make it right to you—your comfort comes first. if you weren’t ready yet to make up, he’d let you go. even if it’d hurt him immensely.

you don’t answer with your words and instead let your actions do the talking. you wrap one arm around satoru’s torso, the other cradling your daughter closer to both you and him.

it was like nothing mattered anymore in that moment, except for your little family. your worries, stress and anxiety about everything and anything had vanished into thin air as you felt the embrace of the two people you held dear.

your daughter finally giggles—a sound satoru and you had greatly missed. you close your eyes and just rest against your husband’s body.

“mama papa, wuv!” the little girl squeals in happiness as she excitedly babbles on, causing both satoru and you to laugh as well. the white-haired sorcerer leaves a big peck on the baby’s forehead before doing the same to you.

“mhm, papa loves mama veeery much.” satoru hums and kisses your forehead again, solely because he missed being affectionate to you, “papa loves his sweet little angel too.”

you can’t help but chuckle along with your one year old—who seemed to be extremely content in her parents’ loving embrace again. this is how it always should be.

“mama also loves papa very much.” you reply, causing your husband to regain his usual big grin. he finally got what he longed for; to have you look and talk to him with love. your silence may have lasted only a few hours, but it felt like it had been a couple cruel months to the sorcerer.

your eyes meet his again and all was well. you smile at him and he smiles back before leaning in to kiss you gently on the lips. satoru’s arm that was draped over your shoulder moves down to curl around your lower back, pulling you as close to him as your bodies would allow.

he pulls back after a few seconds and just lovingly stares at your face again—eyes holding an affection only you had ever been able to witness. your eyes told the same story; nothing could separate you two. ever.

“waaaaah! mama papa, me, me!”

the romantic air between you two suddenly gets interrupted by your daughter’s excited demands. she was demanding kisses as well, puffing her cheeks up as she got ready for it.

“ohh? seems like our angel wants some kisses too.” satoru laughs and nods his head at the baby in his other arm whilst looking at you, “shall we?”

you giggle and nod back—not able to refuse your little girl any longer.

it was not long before the living room fills with the sounds of your child’s laughter, which was caused by the continuous kisses and tickles she was receiving from both satoru and you.

[shock]

i want to hold my tongue and not share the depth of my opinions about the two-headed cow but it upsets me so much every time i see it, i really do hate the narrative of 'rooting for' an animal like this to live despite it being unable (and will be unable, for its entire life) to do the most basic of things life has to offer, even breathing, eating, moving, to prioritize the savior myth that everything can and should be saved, that every living creature should be treated this way as though its not one of the greatest mercies that we as humans have the ability to enact a quick and painless alternative to a slow and miserable life that ends in slow and miserable death on our livestock when they can't advocate for themselves, the ability we have as humans to see the research and make a prognosis and decide that the spectacle is not worth the extended misery, but this life is worth the dignity of a peaceful death we have the capacity to grant

because there is a difference between helping a baby animal in the first legs of life knowing it has a chance to have a quality of life worth fighting for, not a life doomed to be painful that we KNOW is painful knowing all that we know about animals who come with this specific type of physical abnormality, what we see on the surface is only a fraction of much more malformation and deterioration on the inside that we can't just decide is not happening because they 'look' fine, and what we see on the surface is already a life from start to finish without any experience an animal like this should have by virtue of being alive, with no life at all and no understanding of why it is going through this

the assumption that there is no suffering despite eating, breathing, moving never something that this baby will be able to do unassisted, despite knowing the longest a two-headed cow has ever survived was not even a year and a half and that record hasn't been broken in over thirty years, that's not even a quarter, an 8th, a 12th, a 15th of a cow's normal lifespan, and doubtfully much of that was pleasant or comfortable, and even if this cow does get to the point of being able to stand on its own, we can't ever know the full range of agony this animal is going through, all we know is there is and there will be agony, and we need to not see life as inherently successful or painless just because something is going in one end and coming out the other, that isn't what defines an animal's quality of life to me

the two-headed calf poem is beautiful to me because it's a miracle that something so rare (luckily) and so doomed could see one extraordinary thing before passing. the sky ceases to be beautiful when forced to live every day for the sake of social media's voyeurism, it makes me so sad that someone who raises livestock would put public attention over their duty to their animals ☹️

[kimmkitsuragi]

not to be like waah waaaah im so upset about my life while i have a nice and good life in general compared to so many people here but. i still feel like the art piece "here's the life i've always longed for". i keep thinking about my father almost crying talking to me on the phone at the election night. he kept saying he doesnt want me to feel like this country's fate is my only choice, and my life will not be ruined by these terrible people. but it feels like that sometimes. a lot of times actually. and i mean im trying to do things to change it really. but also im not trying hard enough. i get mad at myself for that. then i am mad that i live in a reality where i have to try so fucking just to have a chance of living in a decent reality. and what if i cant do it... i have to try harder i really have to apply myself i dont want to be a disappointment and a regret for my future self. i hope she is in a safe and beautiful place, not here. anywhere but here. please.