#and it would be so immersive too

[enden-k]

i think gnshn should add that party join interaction w each other feature thingy hsr got as well, on top of the already existing party join lines. it would be so funny to pair kaveh and haitham and hear each other banter before they even start travelling together

[ineed-to-sleep]

decided to play the whole game again w nawen bc now I got her a fleshed out backstory + character development + most importantly. mods for pretty clothes

[wizardo-yo]

a bunch of work later and we've got a working crafting system yeehaw

[aha-chuu]

It really frustrates me how HSR chose to dole out information in 1.2. Ofc, mystery is important and good! I don't need to know why Luocha is here or what he's up to, and Blade's past can remain vague rn that's fine.

My issue is Dan Heng/Dan Feng and how poorly they've explained the stakes of that situation.

Like, think about this:

Do Vidyadharas remember their past lives?

If so, how much do they remember?

If not usually, do the elders get that privelage?

If not at all, why are so many characters worried about Dan Heng being a criminal in a past life?

Does Dan Heng specifically remember his past life?

If not, how did he know how to break the seals?

If yes, can he only remember some things?

If he can remember everything, why is he lying about it?

Is he lying??

How do Vidyadhara powers work?

How does Dan Heng have high elder powers if Bailu is the new high elder?

Do the powers usually get passed down through past lives (so Feng -> Heng) or are they picked fresh every hatching rebirth (Feng -> Bailu)?

How did Feng's actions make all vidyadhara weaker?

What were the actual consequences of his actions?

How did Blade stabbing Heng give him the body & powers of Feng but not the memories/personality?

I wanna make it clear: not all of these need answers. But when it's all either poorly explained or straight up unclear, I find myself struggling to care about the dynamics at play. When JY is sad that Heng isn't Feng, should I feel sympathy that he can't let his friend go? Or, like so many characters say, are Heng and Feng much, much closer than Heng ever says? When the Xianzhou characters can't see past the rebirth thing, it implies stuff about the vidyadhara culture that should flip how we see it.

When Heng distances himself from Feng, we don't know if that's a reasonable thing (like, "guy you never met who looks like you committed a crime so ofc you're not responsible"), or if he's being insensitive ("you got blackout drunk and stabbed someone, but you don't remember now so you don't believe you should be held accountable"). There can be a middle ground in there, but what is the morality here? It might be grey, but I could form completely misguided opinions if I consider JY as rude now when Hoyo actually want us to think Heng is the problem.

It's really late but like. I think the 1.2 quest really needed a moment to explain some of the vocab (all that vidyadhara stuff gd) and to outline the characters' understanding of the context. If JY knows that vidyadhara can't remember past lives and knows that Dan Heng is no different, and that he and Feng are essentially different people, then how is any of his behaviour justified? I understand Blade not getting it (he's crazy), but JY is all over the place.

And as I think about it now, Dan Heng must remember being Feng! Like, he opens the seals for one, but he also recognises the Alchemy commission (and that it borders the vidyadhara realm) even though we know he only saw the inside of a cell during his time on the xianzhou as Dan Heng. So if he can remember then he's lying, but that would mean Hoyo really wants us to think he's not and it's like!! This is the sort of thing you kind of need an answer for.

They mention that Feng's rebirth got fucked up. Here's how you deal with confusion while maintaining mystery:

"usually vidyhadara can remember their past lives, but we fucked up this one so idk" "I don't remember" "shit"

"usually vidyhadara can't remember their past lives, but we fucked up this one so idk" "I don't remember" "cool but we can't trust that"

Like, it's also totally likely that this is answered in game. But I've watched multiple playthroughs at this point and most people I've seen don't know what's going on either.

Hoyo dumped a ton of terminology on us, introduced new factions to the enemy roster (and secret behind-the-scenes alliances between pre existing ones) and then said "here's a bunch of lore that the characters will be openly confused and contractadictory about". I'm starting to miss Paimon requiring simple summaries of every lore plot point in order for any dialogue to continue.

[yuseirra]

if there's one thing I personally focus on when I draw something, it would be the emotions. I try to convey the exact emotions of a character when I make art, and portray how they'd be feeling at that exact situation, as they say something, and so on...

I try to feel the same feelings they would when I draw an expression, as close as I can get at least, it's what I do over and over. You don't really have to do that ofc, but for me, it's a huge part of the point and it's really fun to do! It's what I believe could give my drawings more life and make them more genuine, even if it's a sketch (in fact, sometimes sketches can be more powerful on that aspect so I used to stick to drawing exclusively those for a very long time). That's how I pour my heart in, and I'm sure a lot of artists would do the same in their own ways when they create their works.

For that same reason, I really like drawing smiles (and characters that can make genuine ones) because that makes me happy. Other feelings are cool, too, but drawing happy art is so soothing, so I draw a lot of smiles!! It's also why I feel the need to understand a character, because you can't exactly feel what they'd be feeling unless you aren't so aware of what they're going through. I wouldn't be entirely right, I'm sure, but I really want to try. It's maybe why I usually stick to drawing a select few characters from a series all the time, because there are some characters I "get" better than others, and feel I can bring out better(and most of the time, luckily, those kinds of characters end up to be my favs, so I can draw then alot ;v;) Then again, I'm seeing them through my own lens of thinking, I'm just putting out what I see in those characters in the end. But it's usually the good things I love! Or something I feel is really intriguing and want to think about, or want to explore on, emphasize? Anyhow, it's the feelings and emotions part I've always been interested about! So I hope I can do that well!

My drawings aren't perfect, but they aren't too bad either, and I've been trying all the way. If they could imbue some sort of feeling for you, that's definitely what I wanted to accomplish! It makes me so excited when I get feedbacks about it being able to make someone "feel" something.. it means what I wanted got across so I'm like "yes"!!

it'd be nice if they will feel genuine one way or another!! I was and is and will be happy to continue to share my works with you all

[lunarharp]

lazy scribbling of my baldur's gate 3 characters

[todayisafridaynight]

OH OH OH OH OH FULL NAME FULL NAME AKANE KISHIDA

I figured she was the one to get in touch first based on Jo knowing she wanted to see her son, but I have SO many questions about that... how does she know her son survived... how does she know Ichiban was her son and not Aoki... how does she know who Jo is and how to contact Jo... (<- tearing my hair out as we speak)

Anyway when you have the opportunity please view the gameplay footage...

obsessed how its addressed to Mr. Jo Sawashiro i dont know why that detail tickles me... thats cute..

chicken-and-egg kinda deal with Who Contacted Who first. like id ASSUME sawashiro'd get in contact with her first if he was feeling guilty enough about The Whole Situation and was willing to dig into arakawa's past imo, esp since akane wouldn't have any reason (or ability to) know who he was until after he joins the yakuza.. and i mean.. shes long gone by then.. tho that's assuming they got in contact early on and they didnt JUST start communicating within the past few years.

BUT EITHER WAY just gotta wait and see for it all to play out.. in three months <- still cant believe its coming out january 26th 👁️💋👁️

IM OBSESSED WITH THE GAMEPLAY FOOTAGE im soooo glad i was right in how they were going to handle the style change aspect (though i guess it wasnt a hard thing to predict but still..). I LOVE HOW KIRYU CAN ACTUALLY ROAM FREE THAT'S SO COOL i remember people kept speculating on how the gameplay was gonna go with how different ichi and kiryu's playstyles are and this is SUUCH a rad way to answer that question. my excitement is immeasurable and im gonna throw up

[yunyin]

Leek and Potato Soup

So bit random but I really like this soup (just made/ate it again) and I thought I would share just in case anyone else wants to give it a try!

The most tedious part is washing the leeks but it's worth it imo.

Written recipe: https://www.food.com/recipe/potage-parmentier-potato-leek-soup-julia-child-270731

This guy makes some pretty fun cooking videos, too!

[saint-gerard-of-arc]

if you still do these 48 + vinikki pls pls pls i’ll love you forever

“So…” began the butler, as he extracted the sword out of its scabbard, making the sunlight bounce on the sharp blade, “shall we begin your training, Vincent?”

Vincent pulled out his weapon as well. “That’s master Wharton to you now, Nicholas.” The young man snickered, as he gripped the hilt with both hands. A flash of rage and determination lit up his hazel eyes as he slowly but confidently made his way towards his servant, who began walking forward too.

As much as Nicholas saw Vincent's birth and always took good care of him, they despised each other. Well, at least Vincent hated Nicholas, that’s for sure. There was something about the way the butler treated him like a child, despite being well over that phase of his life, that got on Vincent’s nerves.

But today, the day of his 21st birthday, would’ve been the day Vincent showed him, and everyone else, what he’s made of, he would’ve shown the man he had become.

“Oh come on, Vince,” grinned the older man, raising his sword. “we’re friends by now, aren’t we?”

“No, we’re not.” Responded the blond nobleman, through gritted teeth. The nobleman tried to stay calm, to not raise his voice, to not let his adversary win. Nicholas was found by his family when he was still a hungry urchin living in the London slums, so who the hell did he think he was? That day, Vincent thought, his father should’ve minded his business.

They stopped a few inches from each other, with their blades touching, in a guarding position.

“May the best of us win.” Said the butler, flashing his teeth, his green eyes glistening with calm confidence.

“En garde, old bastard.”

The metal clangors quickly followed one another. Whenever Vincent tried to strike, Nicholas was ready to deflect his attacks, almost as if he could predict Vincent’s every move. Slash, slash, lunge. Vincent only managed to cut a strand of the older man’s jet-black hair. Their swords crossed, the blades slipping, and now it was a matter of who was going to get the best of the other. Vince was losing his balance, but he refused to give up. With an effort and a scream of rage, the nobleman pushed away his adversary, making him almost trip on his own feet. Almost. But Vincent had already let his guard down, not having the time to react when Nicholas sweeped his blade, leaving a thin, bloody gash on the young man’s cheek. Vincent held back the hiss of pain.

“Oh, that’s gonna leave a nasty mark!” Snickered the butler.

Vincent decided to ignore him, determined to not get distracted by Nicholas’s babbling. The fact that he got hit even once, it was already one too many. He managed to deflect another blow, but barely. Their swords crossed again, but this time Vincent lost his balance and fell over, making him lose the grip of his weapon.

“Well, well, well.” The butler pointed his sword at the nobleman’s neck. “Rule number one: never let your guard down.”

“Are you gonna kill me…?” Muttered the blond, raising his head ever so slightly, in order to take a glimpse of Nicholas’s face.

The other let out air of his nose in amusement. “It would be very hard to explain your disappearance to your family.” He diverted his armed hand away from the young man, and reached out with the other, to help Vincent get up.

“Right…” said Vincent, a bit hesitant at first to accept his help. “The butler is always the prime suspect.”

The older man let out a hoarse laugh. “Wait here. I’ll go grab some bandages.”

---

“How was I?” Asked Vincent. He didn't know why he wanted to seek Nicholas's approval, yet that question slipped out of his mouth.

“Not bad.” Said the other, concentrating on dabbing the wound with a bandage. "Not bad at all for your first time.”

The blond frowned, both from physical and emotional pain. “I feel like you’re lying to me.”

“I would never. " Responded the butler, calmly. "I mean it.”

"One day I'll be able to defeat you, you'll see." Mumbled the young man. "Then you're finally going to respect me."

Nicholas stopped what he was doing to look at his young master in the eyes. He smiled, thinking that Vincent was just like his father. "Here's the thing," he began, "respect is not given unconditionally, it is earned." He then put a hand on Vincent's shoulder. “This is my gift for you for today: a humble piece of advice. Happy birthday, master Wharton.”

Put That Guy in a SituationTM Ask Game/Prompt!

[yeonban]

If I speak.

[qroier]

sometimes I see some of the reactions and responses to the eggs and reactions to pepito especially and I realize I would be a terrible roleplayer

[angelsaxis]

i dont think we can solely blame the authors for poorly written books. yes most of the work is on them but when you read something that just feels awkward as hell or like the author was roaming free doing what they wanted, that's because the editor(s) were asleep at the wheel. when an author wants to go on a tangent and use overwritten metaphors for every single thing they want to describe, the editor's supposed to say "hey dial that back". when an author indents way too many time to for "dramatic effect" an editor is supposed to say dont do that lol. like where are the line editors lmao?

[bonestrouslingbones]

girl help im writing an extra secrety secret thing and it may involve writing from the perspective of someone who has maybe the little beginnings of a crush on fluff and i am having so much trouble because i need to show that in a written physical description and i genuinely cannot think of a single thing about fluff that somebody would find physically attractive

[misclogarts]

asian parents will literally do everything except get their kid therapy (devotion 2019)

[lunarharp]

wip thing...

of my bg3 avatar hellebore. i also did some casual nude studies of my 3 characters which i'll put under a cut... rather unlike me after all. (so WARNING for abrupt non-sexual full Artistic nudity lol...,,,,) (< won't be making a habit of this)

they mean the world to me

[unexpectedbrickattack]

Let the old man listen to mach//ine girl

Specifically this one