#and sat to write

[poorly-drawn-mdzs]

HOT, SINGLE, UNSTUDIED SPONGES. 3000 NAUTICAL MILES AWAY. Come sail the distance and read Tiger Tiger!

[transsextual]

feb 2, elle emerson (@transsextual)

text description under the cut!

[slashes indicate single line breaks. text description:

utah bans gender affirming care for people under 18. / south carolina is following suit and worse. / i'd cry but i can't anymore, not like i used to. / my girlfriend tells me they're so tired but she doesn't know why – / "i wasn't even doing anything today" / our anniversary is this month. / i feel like a puppy when i see her. / i get high and rearrange my friend's fridge magnets / queer sentences cover the freezer door. / "eat the skin and hearts of men it attracts dykes" / "i kiss fags" / "feel it up partner" / "you may do it but use condom" - / we laugh about that one. we watch star trek. / their roommate calls me cool; we grew up on the same books. / another friend of mine is taking a gap year to go to brazil, relearn portugese. / the boy i dated who is now my best friend is coming up with my family in a few weeks. / we're going thrifting together on the weekend, and i / am going to try to get an extension on my paper. / dance rehearsal on sundays. / my roommates want to go to ikea. /

my uber driver mentioned his husband when i asked about his day. / i thanked him for it at the end of the ride, and he laughed and pointed out the trans flag sticker on the dash. / on my way into the clinic i think i saw him crying. / i introduced myself to the lab tech and she asked me to say my real name. / she took six vials of my blood. /

so many of my friends are named after gods. / this has to be for something. 

[wardingshout]

Zelda goes mushroom girl

[riality-check]

The eagerly awaited part 2 of the DILF!Steve concert saga is here!! Part 1, in case you missed it.

"You're not going."

"Come on! I haven't thrown up in an hour!"

"The drive to the venue is an hour and a half."

"Steve-"

"And if you throw up in my car-"

"Oh my God-"

"I'll kill you."

Steve doesn't need to see Dustin's eye roll in order to feel the full force of it through the phone.

"I'll just kill you. You'll have a headstone within the week that says Here Lies Dustin Henderson: Rightfully Murdered for Puking in Steve Harrington's Car," he continues as he packs Capri-Suns into the cooler for the car ride.

He doesn't remember ever being that thirsty as a kid, but if Anna wants strawberry kiwi, Anna gets strawberry kiwi. It helps that it's Steve's favorite flavor, too.

"I'd need a big ass headstone to fit all of that," Dustin snaps.

"Your big-ass ego would demand no less, shithead," Steve shoots back.

"Swear jar, Daddy!" Anna calls from her room, across the house because while she doesn't listen to Steve when he's right in front of her, she can hear him break the swear jar rule from halfway across the world.

He zips up the cooler, fishes a quarter out of his pocket, and throws it into the half-full soup can next to the stove.

(A quarter doesn't mean much, but Anna doesn't know that. The day Steve teaches that kid about inflation is the day his pockets become permanently empty.)

"Did she just swear jar you?" Dustin asks from over the phone.

"You baited me into it."

"I did no such thing."

Steve rolls his eyes. "You're not coming, though, are you?"

Dustin sighs, and, for all his teasing, Steve does genuinely feel bad. "I still feel like if I breathe wrong, I'll hurl, so, no. I don't think I'll manage the car ride, nevermind the actual show."

"Sorry dude."

"Don't be. Some dickhead will live stream the whole thing on Instagram, anyway. I'll live vicariously through them."

Steve snorts and picks up the cooler. He got Anna dressed beforehand, so it's just a matter of getting her to stop playing with whatever toy she dug up - Play-Doh has been the fixation of the week - in her room so they can go.

"Besides," Dustin continues, and Steve hates where this is going. "Anna loved the show, and you've got a reason-"

"Nope," Steve says, knocking on Anna's door. "Don't finish that sentence."

"All I'm saying-"

"I know what you're gong to say, which means you know my answer. I don't date."

Anna opens her door. From the little Steve can see inside, there are at least three containers of Play-Doh open and strewn across the floor. He thinks her Barbies are involved in it somehow.

"Time to go," Steve says, and he thinks, Please don't let there be Play-Doh in the Barbie hair.

"Five more minutes," Anna tries.

"Nope. Clean up and roll out."

"Hi, Anna," Dustin says through the phone.

"Uncle Dusty!" Anna shrieks, and she starts jumping up and down. "Are you comin', too?"

Dustin sighs, and Steve can't tell if it's at the nickname or if he's still cursing the universe. "No, but you and your dad have a great time, okay?"

"Can you, can you tell Daddy I should get five more minutes?"

Steve raises his eyebrows at her. Anna, to her credit, ignores him wonderfully.

"If you clean up," Dustin says, because he's actually Steve's favorite person right now, "you get to do more headbanging at the concert."

Anna gasps like Steve didn't already tell her that earlier today, and she gets to work on putting her toys away. Steve helps, of course, and he finds that there is, in fact, Play-Doh in two of her Barbies' hair.

Fun. They're going to turn into Buzzcut Barbies when Anna goes to sleep because he can already tell that they are the furthest thing from salvageable.

But that doesn't matter right now. What matters is getting Anna in the car, deploying the first two of many strawberry kiwi Capri Suns from the cooler, and making the drive to the venue, which Steve does with minimal road rage and accompanied by the Disney radio station.

Success by all metrics, really.

Dinner might as well be now, so Steve shells out a truly disgusting amount of money for overpriced chicken nuggets and fries at the venue. Anna will only eat half her portion but say she's hungry later, but that's what the snacks and water Steve smuggled in via his jacket are for.

They get to their seats, dinner finished up, just as the lights go down for the first opener. Steve looks to his left, half-expecting Eddie and his friends to be there before remembering that they won't be.

He tries not to feel too disappointed. He fails miserably.

The seat next to him, however, isn't empty. There's a note taped to the back of it, one addressed to Steve and Miss Anna, so Steve feels alright taking and opening it.

At the top, there's a messily scrawled phone number. Underneath, it says:

Here's my number. Probably a bad idea to call with all the noise. Texting works, though you should do that after the show. I'll be a little busy until then.

-Eddie

Steve puts the note in his pocket, puts Anna's ear defenders on, puts his own earplugs in, and looks at the stage, where-

Hang on.

He squints at the stage, where four guys have started playing a song that, frankly, sounds too much like literally all the music Steve listened to yesterday for him to care about all that much. The drummer is pretty small, with wild, curly hair. The bassist looks familiar. The lead singer, who is very talented but not to Steve's personal taste, also looks familiar. And the guitarist-

No way. No way in hell.

It's a total coincidence. Lots of guys have long, curly hair and heavy jewelry and big eyes and are wearing formal wear, for some reason, and catch Steve's eye, and-

"Thank you for such a great welcome!" the guitarist says, and his smile totally isn't doing anything to Steve, thanks very much.

Anna stops moving, where she's standing next to Steve, and climbs up into his lap to get a better look at the stage. She looks out, then back at Steve, then out, then back at Steve, making a face as confused as Steve feels.

Some days, he thinks he ended up with a clone, not a kid.

"I'll get off the mic in a second. I only do the talking because Jeff," the guitarist points at the lead singer, who ducks his head, "is really shy."

Jeff. That name is definitely relevant, but Steve is a permanent resident of denial.

"We fought about what song we were going to include next in our set list, so much so that we didn't decide until yesterday and had to consult a tiebreaker."

Okay, maybe Steve is a less permanent resident of denial than he thought.

"So, thank you to Miss Anna, who did great at headbanging for her first time-"

Anna whips around so fast, her forehead nearly collides with Steve's jaw.

"And to Steve, who's a big fan of American Psycho."

At the song name, the crowd loses their minds, and if Anna wasn't sitting right in front of him, Steve would join them.

Because what the fuck is happening right now?

His question isn't answered. In fact, about five more questions pop up in its stead when, during the bridge of the song, Jeff puts on a clear rain jacket and picks up a prop axe.

Please, God, don't let this traumatize my kid, Steve thinks.

Anna, thankfully, doesn't get scared. When Jeff brings the axe down, again and again, Steve's weirdo daughter fucking smiles. And giggles. It's kind of cute, actually.

When the song ends, she turns back to Steve.

"That's Eddie onstage," Steve says, and saying it, somehow, makes it real.

"I thought so!" Anna says, and she turns back to watch the show. Steve puts an arm around her waist so she doesn't fall off his lap when she bangs her head to the music.

The rest of the songs, in Steve's opinion, are better than the opening song. They're more melodic, which Steve can definitely get behind, and each of them has a gimmick onstage, all based off of various horror movies. It's ridiculous, but also really, really cool.

And Eddie, onstage, because it is the same guy who flirted with him and was so sweet to Anna yesterday, is really, really hot.

Steve has never had a thing for guitarists before. He's never had a thing for musicians before. Hell, until a year ago, he didn't realize he had a thing for men.

Eddie is. Uh. Yeah. Really doing it for him.

Steve doesn't know whether it's his enthusiasm, or the way he moves, or seeing his hair tied up, or the fucking dress pants and suspenders, or just his hands, but he does know he has to get himself in check because this is an all ages show and he's here with his daughter.

He already knows he can't add these songs to his grading playlist, not when they're accompanied by visuals of Eddie playing his guitar.

Sweet Jesus.

"Alright, that's our set!" Eddie says. "Thanks, y'all, for sticking around for us, and let's give it up for the next act!"

The crowd, including Anna and Steve, cheer as they exit and the lights go up.

Steve fishes his phone out of his pocket, fully intending to add Eddie's number to his contacts, and is greeted by not one, not two, but sixteen missed calls from Dustin Henderson.

Naturally, Steve calls him back. "Who died?"

"What the fuck?" Dustin yells, and Steve just puts the phone on speaker to save the rest of his hearing. "Did Eddie fucking Munson just personally thank you from the stage?"

"Swear jar, Uncle Dusty!" Anna says.

"Sorry," Dustin says. "But Steve. Answers. Now."

"How do you even-"

"Instagram live. Is Eddie the guy you were telling me about yesterday?"

Steve takes his phone off speaker. Prior experience tells him that this conversation has a less than zero chance of staying PG, nevermind PG-13.

"Yeah," Steve says. "He is."

"The one who flirted with you, and you forgot to ask for his number."

"Well, I have it now."

"What?" Dustin shrieks, and Steve is incredibly thankful that he didn't take his earplugs out.

"He left me his number on the seat."

"Text him."

"I was going to, until I saw that you called me sixteen times."

"Jesus Christ, Eddie Munson was flirting with you."

Steve rolls his eyes and hands a pack of gummy bears to Anna when she taps his arm. "He could have just been nice. I don't even know if he's into guys."

"Have you looked at him?"

"Wow, Dustybuns, I didn't know you were homophobic."

"I think it's the complete opposite of homophobic to try to get you laid."

"Hanging up!" Steve shouts because a part of him will never see Dustin as any older than thirteen, and no thirteen year old should ever say that.

"Text-"

Steve hangs up the call. "Can I have a gummy bear?"

"No," Anna says, mouth full, in her seat, legs swinging.

"I bought them."

She shrugs. "You gave them to me. Mine now."

Steve stares. She stares right back.

He sighs and opens a new pack of gummy bears.

With his mouth full of sweet Haribo corpses, Steve takes out the note and adds Eddie to his contacts. Before he can overthink it, he sends him a message:

I guess I don't have to ask you what you do for a living. Just so we're even on that front, I'm a teacher, and Anna's full time job is preschool.

He tucks his phone back into his pocket and focuses on making this a good experience for Anna, who somehow wormed her way into a conversation with the intimidating-looking couple sitting next to her.

Because it's totally not like a literal rockstar is going to text him back. Right?

Part 3!!

[dozydawn]

Mayerling.

Melissa Hamilton and Rupert Pennefather.

Lauren Cuthbertson and Thiago Soares.

Natalia Osipova and Edward Watson.

Melissa Hamilton and Rupert Pennefather.

Natalia Osipova and Edward Watson.

Sarah Lamb and Steven McRae.

[amourrs]

ellie who lifts your leg over her shoulder when fucking you with her strap so she can slide in deeper and hit that spot inside you that makes you see stars, lips smearing messily over your browbone. the proximity isn’t enough for her, though, so she tugs your hips closer to hers until they’re flush with one another and tears begin to leak from the corners of your eyes from the stimulation. it only takes her panted “love you so fuckin’ much, angel, shit,” for you to cum, cunt squeezing around your girlfriend’s strap as she lets out a sweet moan into the crevice between your neck and your ear. “well? just told you i love you, honey. y’gonna say it back, or do i need to go browse the ‘new girlfriends’ aisle at costco?”

[ceilidho]

ceilid. oil rig soap i am foaming at the mouth omg

he's covered in an ever present layer of grease and grime, stinking of sweat and rust. comes off as a cocky showboat when you first arrive on the rig, jokes about wanting to see you all messed up like the rest of 'em, but his jokes are barbed, electric blue eyes looking you up and down like he really can't stand how clean and neat you are compared to the men on board. like he wants to tear your ironed skirt down so he can drag his dirty paws all over your ass and thighs.

you honestly write him off; hard to see the laid back charmer as a genuine threat or even someone to go running to should something bad happen to you, but then everything on the rig goes to shit. something violent and hungry comes out of the water and you can hear the blood curdling screams from the men it catches as you sprint down the landing, the helicopter already starting to take off even as you yell for them to wait.

but then a man twice your size is suddenly pulling you into the shadows, covering your mouth and shushing you as the thing that came aboard the ship suddenly passes (and you think, wildly, that it would've been on you by now had soap not dragged you out of the way) and you watch in horror as it obliterates the chopper, the body of the chopper bursting into flames and going into a tailspin, crashing into the ocean below.

"keep the heid, bonnie," murmured into your ear, the hand around your mouth pressing harder and muffling your screams as he pulls you deeper into the rig, trying to find a place to hide, his arms like steel bands around you. "willnae let anything bad happen to ye."

[laundrybiscuits]

(ETA: now edited and up on AO3)

Look. Eddie knows he can be a little uptight about these things, but. There are rules. If you become a vampire, you don’t need to go full gothic Count Von Dickhead or whatever, but you absolutely cannot just wander around in a puffy vest and light-wash jeans. 

“Why not?” says Steve. He’s leaning back in an armchair, sipping on a bloodbag like it’s a goddamn juicebox. “What, are the vampire police going to arrest me?” 

He pauses. “Wait. There aren’t vampire police, are there?”

“No,” says Eddie. “Probably not. I don’t know. But there are standards which you are refusing to uphold, Steven.”

“Thought you were all about hating conformity, Edward,” Steve says. He’s got an obnoxiously cocky little smirk, the smug undead fucker. 

Eddie grimaces. “Don’t call me that, asswipe. Don’t you feel, like—the call of the night? The siren song of life coursing through fragile human veins? A hunger for destruction that those paltry plastic bags of blood can never truly slake?”

“The bloodbags aren’t so bad,” says Steve, around the straw. “Better than protein shakes.”

“I actually hate you,” Eddie tells him. “Vampirism is wasted on you.”

Steve noisily slurps the last of the blood out of the bottom of the bag. “Come on, you can’t really picture me in some Dracula getup, can you?”

The problem, of course, is that Eddie really, really can. When Robin had read him in on the whole situation, obviously he’d been horrified and concerned—but also, a whole wing of his brain had immediately been cordoned off to work overtime imagining Steve in elaborate Dark Prince regalia, maybe leaning elegantly out of a castle window on the moors, gazing into the foggy dusk. Velvet might’ve been involved.

“...guess not,” says Eddie. It doesn’t sound incredibly convincing to his own ears, but Steve just shrugs and gets up to throw the bloodbag away. 

“There you go, man,” he says, clapping Eddie on the shoulder as he passes. “It’s the 80s. Vampires can be whatever we wanna be.”

———

It gets way too easy to forget about Steve’s condition, until Eddie ends up having to haul him out of a bar in Indy before they get banned for life.  

“Simmer down, buddy,” Eddie says, pulling him into the shadow of the van. “Let’s get those fangs packed away before any of the nice villagers wander by with torches and pitchforks.”

“I’m good,” pants Steve. “It’s all good. Don’t worry about it. It’s fine.”

Eddie lifts an unimpressed eyebrow. “Sure, that’s why your eyes are glowing red and you’re, like, fully vamped out. Which, by the way, looks extremely dumb with the whole clean-cut vibe you decided to rock tonight.”

“Fuck you, I look great,” says Steve, pushing a hand through his hair. He’s not wrong, it’s just not relevant to how he also looks extremely dumb like this, wearing a pristine henley with fangs hanging out in the parking lot for anyone to see.

“So what the hell happened in there, man? I was finally starting to get somewhere with Todd, and…” Eddie trails off in dawning realization.

“Holy shit, am I—I’m like your territory, aren’t I? Your stupid vampire brain got all screwy and decided to loop me in with Robin and the kids as part of your freaky human coven.”

“Uh,” says Steve. He looks unhappy in a shifty kind of way. “Something like that, maybe.”

“Wait, so, are Nancy and Jonathan—are you okay with them because they’re both already in the vamp pack? Is Vickie gonna have to be inaugurated before she and Robin can bone down?” Eddie perks up. “Shit, is there a ceremony? We could totally do a ceremony.” He bets he can get the kids to liberate some velour curtains from the drama club. With a few candles, they could get some serious atmosphere going.

“No, shut up, nobody’s doing a damn ceremony,” Steve groans. “Vickie’s fine.” 

“Okay,” says Eddie. “So…you gonna tell me what all that was about, then? Do I have to start running guys past you first so your vamp instincts don’t wig out? Or…hm, maybe Argyle’d be down to mess around sometime.”

Steve lets out an actual snarl with weird animal echoes, then claps a hand over his mouth.

“Sorry,” he says, muffled. The shadows around them seem darker somehow. 

“So I’m just not allowed to get laid ever again,” says Eddie slowly. “For vampire reasons.”

“Do whatever you want, man.” Steve’s still got his hand pressed tight over his mouth. 

“And it’s…just me?” Eddie peers at the tightness around Steve’s eyes; the way he’s scowling stubbornly at his feet. “Huh. Kind of…possessive, Harrington.”

“It’s—weird,” says Steve miserably, dropping his hand at last. “I know it’s fucking weird.”

“Maybe.” Eddie shrugs, biting down on the grin he can feel tugging at his mouth. “Lucky for you, I’m into that shit.”

“What?” Steve frowns. “You’re…”

“Always wanted a vampire boyfriend,” says Eddie. “Like, are you kidding? I would’ve sold my fucking soul at 15 for something like that.”

“I’m starting to feel a little objectified here,” says Steve, but he’s smiling, and he reaches out to snag Eddie’s belt loop and tug him stumbling closer. “Just in it for the fangs, huh?”

“Well, you’re kind of a shitty vampire, actually.” Eddie drapes his arms over Steve’s shoulders. “So I guess I must just be in it for you.”

Steve hesitates, searching Eddie’s face. Stray red lights are still sparking like embers in Steve’s irises. “Okay, but—you’re in it? Right?”

“Couldn’t get rid of me if you tried, Bunnicula. I’ll send the vampire police after you, just watch me,” says Eddie, and kisses him.

[lunar-system]

Edward Teach: The Star.

Adapted from the traditional Ride-Waite-Smith tarot, this version of the Star shows Ed kneeling down serenely by the spring of life, bare to the world, ready to heal after tumultuous events.

Stede as the Sun to follow, Izzy as the Moon can be found here.

Longer exploration of the card's symbolism under the cut.

***

The Star: Hope, openness, especially after a crisis. Renewal, healing, restoration.

Rachel Pollack writes: "This is the calm after a great change, whether it comes after a drastic planetary shift or a personal upheaval. There are still difficult times ahead, but the Star tells us to trust."

In the card Ed is depicted with a short, growing beard. Multiple personal upheavals and great changes have already happened, and he is settling into a new reality. Who is he when he is stripped from titles, uniforms and roles? In the space of the Star, he has enough trust to try and find out.

Pollack continues: "In Star, we find our inner strength and belief. The Star teaches us to accept whatever it is, to drop all our shields, to believe. The water poured out signifies healing, emotional and physical."

Ed as the Star is learning to shine his own light after witnessing Stede shine as the Sun. Trust and belief don't come easy, but as the Star he can be vulnerable enough to try again. The water flows from an infinite source, letting the emotions come and go.

Even though the Star opens up towards a bright future, Ed carries his history with him. His tattoos, pictures from other tarot cards, tell about his past:

Chest: Three of Swords, the infamous card of heartbreak. "Trust no one."

Left side thigh: the face of the Devil from the Devil card. One of the largest tattoos he has, projecting his self-image. "I'm the devil."

Right side thigh: Lobster from the Moon card, a beast that lurks under the surface, in the unconscious. "I'm the Kraken."

Right side: wolf from the Moon card. In my depiction of the Moon, Izzy stands for the wolf. Here the loyal wolf is cast to the side, left howling after the broken heart.

Belly: Ram from the throne of the Emperor, a symbol of masculine power. The placement on the lower belly suggest a trans reading of the character.

Chest, around the heart: birds from Ace of Cups, suggesting new beginnings even for a broken heart.

With his past carved to his skin, Ed is kneeling at the edge of land. One of his feet is planted firmly on the ground while the other graces the water. In Tarot, earth is often connected to the material, such as the body, and the conscious mind. Water is the element of emotions and the subconscious. At the edge of the water, Ed is in balance, grounded both in his body and in his emotions, the conscious and the subconscious. The water he pours rejuvenates them both.

TL;DR: After great personal upheavals, Ed as the Star is ready to heal and trust. He carries his past with him, but is ready to shine his own light and have faith in himself and for the future. He is vulnerable and at peace, and he is connected both to the ground and the water, nourishing them both with the water he pours.

***

Sources

Image source: Pamela Colman Smith, 1909, republished as Tarot of A. E. Waite, 2016, AGM-Urania, Germany

Text source: Rachel Pollack, A Journey of 78 Steps, 2011, as cited in the booklet for instruction and guidance of Tarot of A. E. Waite, 2016, AGM-Urania, Germany

[royalarchivist]

Foolish: You know what? Fit: it's the perfect alibi. "Just a janitor," going through... just to cleaning around everywhere... talk to a lot of people... and you're just bald and such, you know, no one would think twice that you- may be you'd up to something.

Fit: Foolish that's- that's literally the entire point, we've been over this.

Pac: You like the plumber's work, right? You like to get your hand in the plumber's and- do the stuffs, and plumb [makes a very loud popping sound] those pipes, right?

[Everyone loses it and starts laughing]

Pac: I'm sorry- I'm sor- I'm- [laughs] I did- I didn't mean-

Fit: WAS THE SOUND NECESSARY???

Foolish: No, the sound made it.

Pac: I didn't- I didn't hear myself- sorry, sorry, sorry. Oh my god, I'm so shy right now, I'm just gonna sit.

[Full transcript ↓ ]

Foolish: You know what? Fit: it's the perfect alibi. "Just a janitor," going through... just to cleaning around everywhere... talk to a lot of people... and you're just bald and such, you know, no one would think twice that you- may be you'd up to something.

Fit: Foolish that's- that's literally the entire point, we've been over this.

Foolish: Have we?

Fit: I said I'm- I'm trying to find out more about like, the Code Monsters!

Foolish: I thought you just wanted- liked being a janitor.

Fit: Well, I actually do kinda like it, I'll be honest with you, I like getting paid, but-

Foolish: Wait damnnit, Philza's doing it right.

Pac: You like the plumber's work, right?

Fit: Yeah.

Pac: You like to get your hand in the plumber's and- do the stuffs, and plumb [makes a very loud popping sound] those pipes, right?

[Everyone loses it and starts laughing]

Pac: I'm sorry- I'm sor- I'm- [laughs] I did- I didn't mean-

Fit: WAS THE SOUND NECESSARY???

Foolish: No, the sound made it.

Pac: I didn't- I didn't hear myself- sorry, sorry, sorry. Oh my god, I'm so shy right now, I'm just gonna sit.

[rooksunday]

when the coruscant guard toured their new barracks, they immediately clocked a problem.

“where are the rest of the bunks?” stone asked, looking between his datapad of assignments, and the last of the dozen bunkrooms.

even sleeping two to a pod, with four pods to a room— even hotbunking, like they were going to have to if the ‘suggested’ shift schedule was correct— there simply weren’t enough beds.

thorn grimaced. “we could give up the rec room and mess.”

“and eat where? and we need at least one room for sitting in and staring into the middle distance,” stone countered. they’d been doing a lot of the latter that day already.

with a conceding shrug, thorn turned to fox, who had been increasingly stiff and silent as the inspection had continued. stone couldn’t blame him. the building that the senate had ‘generously provided’ appeared to be held together by force of habit and spite; stone could relate, but he didn’t want to spend a war there.

“what are you thinking, sir?” stone prompted fox. the vod was always thinking something. that was his problem.

fox shook his head slightly, as if stepping out of deep water. he hummed.

“i saw something on the holonet… leave it with me,” he said.

after fox had left—marching with determination toward the broom cupboard he’d claimed as a an office—stone turned to face thorn, who was already looking at him with a particular tilt to his visor.

“on the holonet?” thorn repeated. “have you got any idea what he’s talking about? all he looks at on there is conspiracy theories and pictures of tookas.”

stone slowly shook his head. “i’m sure it’ll be fine. i’m sure it’ll be… fine.”

the guard moved in. they made it work. what other option did they have?

six weeks after landing on coruscant, fox burst into the commanders’ shared bunk with something fluorescent streaked across his armour and the stench of burnt feathers in his wake. he’d lost his helmet somewhere. stone had been cleaning his armour and threw the cloth at fox in instinctive reaction, but fox just batted it away.

“what the kark, sir?” stone spat out, heart thick in his throat.

“whuzzat?” thorn mumbled as he rose to a sit. “fox, you stink.”

“of victory,” fox countered. he stalked across the room and thrust and vial of smoking … something… to stone. “here, drink this.”

stone’s eyebrows rose. “no? sir?”

“is it tasty?” thorn asked, sleepily.

fox produced another vial from his utility belt and held that one out to thorn. he popped the cap with his thumb. smoke boiled out, glittering like dust motes. this vial was presented to thorn.

“i put honey in yours,” fox said.

of course he did.

but if fox was handing mysterious vials to thorn, he probably wasn’t planning to kill them all. probably. besides, it had been a long assignment and the war wasn’t going anywhere. the chancellor wasn’t going anywhere. stone took his vial, and saw thorn take his.

“well. cheers, i suppose,” he said, catching eyes with thorn, who rose his vial in turn.

between them, fox danced from foot to foot like he’d drank too much water before a long shift. his attention flickered between stone and thorn as they drank. his eyes were bright and he kept making and unmaking fists at his sides. he looked like a tubie waiting for their first live fire drill.

stone drank.

“huh. that doesn’t—“

then things got really kriffed up.

cody rubbed at his comm as if that would help comprehension.

“say again? some interference on my end,” he said.

the tiny blue rex rubbed the bridge of his nose. “tookas, vod. hundreds of tookas. they’re all over the senate building. they’ve herded the chancellor into his office and are blocking the hallway. no one can move them. the optics would be terrible.”

“where did they come from? can’t the coruscant guard take care of it?” cody didn’t want to assign fox to animal crowd control, but wasn’t protecting the senate his job? an invasion probably counted.

“that’s the problem. one of the tookas… it knows dadita.”

“excuse me, captain. did you say there’s a tooka that knows dadita?” general kenobi asked, leaning in to see rex. he’d been working on the other side of the office on the negotiator; sound didn’t have far to travel.

“that’s right, sir.”

“fascinating. what did it have to say for itself?”

rex shifted his weight. he looked off-camera. “it said, ‘tell cody i’m the kar— i’m still the smart one’. sir.”

silence weighed heavily in the room. cody scratched his nose and turned the message over for a second time. a third. an eleventh.

“therefore you believe that this tooka—“

“is commander fox, sir, yes,” cody said, so rex didn’t have to.

“fascinating,” kenobi said again.

“yes, sir,” rex said, his tone implying that fascination wasn’t really the problem. “and also— excuse me, sirs, one moment.” his voice became louder as he looked off-cam again, and his brow furrowed. “did someone give fox’ika a lightsaber? why is it red? what do you mean, you found it in the chancellor’s office?”

cody met his general’s eyes, and suspected his own were as wide.

blast it, fox was the smart one.

[cfffrk]

[mrghostrat]

Editor's Note (1/5) (M)

In which two of the least romantic men on earth try to write a romance novel.

“Now, what I was saying, before your little tantrum—” Crowley stuck his tongue out, and Aziraphale ignored him, “—is that, perhaps, this might be call for a retreat?” He slowly pulled his tongue back in, frowning from behind his sunglasses. He arched a brow to make sure Aziraphale would see it. “What, lock me in a windowless hotel room until I finish the book?” he scoffed, entirely joking. “If that’s what it takes,” Aziraphale replied, entirely serious.

i've decided to try out this posting schedule! so here's chapter 1 of my editor AU, lemme know what you think, and i'll be back with more chapters once the rest of the fic is written 🎉

[inkskinned]

sometimes i think about the span of human existence and how if you spread your arms out in a long line and said my body is acting as a poem of all the universe's birthdays, the smallest sliver of your furthest nail would be our entire history as humans. and you, doing this, feeling your sternum crack into place because you're-getting-old and all of your bones crunch these days: you are the universe, measuring its own timeline. you're the memory of a starburst saying i gave birth to humans at the tip of my finger.

and i think about how crocodiles have been around for way longer than that fingernail and how sharks have been here forever too and how there are sea cucumbers that understand time like an angel would; their ages so astronomically long that i get dizzy looking down into them. i think about my dog, and how i am so fantastically ancient to him (an impossible number, staggering) and how, at the same time, i can order my life in eras of pets-i-have-loved and how my childhood died when my cat did.

and i wonder if the earth does the same thing, if nature keeps time in epochs. if the tree in the house where i grew up said oh a new family and got upset when one by one we all left for college and left behind our climbing and screaming and birdhouses. that same tree collapsed during a bad storm this winter; heartbroken. the whole inside was a hull, shivering and empty. it missed our roof by a whisper, almost like it held itself together so it couldn't pass a hole into the house it's been looking into for years now. the people who took it away clicked their teeth. it was a hundred years old, at least.

there are things that went extinct in my lifetime. there are memories that don't extend to the tip of the finger. four years ago, for the first time: i saw a bald eagle in the wild. ever since they've been sprouting strangely in my life, their origami frames hunched in a racket of brown feathers. something in the motion of wild animals braced against the new england weather - like we all (all of nature, all of the fingertip) have the same shared hate when it's cold sorrow. like in years and years and years of history we never really evolved a better method than to close your eyes and brace yourself against it.

i saw a butterfly today, staggering drunkenly in the early spring air. it's too early for her other friends. i want to tuck her back into bed and say it's not your time yet! her life like a pinprick in my own. in butterfly school they'd have to stretch out their scales and say - at the end of your furthest wing is where you are in the life of a human. she is in my life, isn't she. something about how my heart seized at the sight of her, so brave and lonely and unfair; and how it snowed yesterday (and will snow again, probably), and how, in spite of that, she was out there and flying.

something about waking up this morning and thinking - i'm too old for this. how my hips and knees and back all make new noises. how the other day at a grocery store i picked up the gloves an older woman had dropped, how she'd laughed and thanked me - i can't bend down like you young folks anymore.

something about the theory that there's been no visible life on other planets because we are too early. that we are the first butterfly of spring. all this bravery. we know it is probably hopeless, and still we go. breathless, the same tactic - we brace against the cold.

[lattedusks-mochadawns]

Didn’t know who to do for this, so I did 3 main versions

And this extra one too

I would’ve probably another few for Chris and Martin, but I’m too tired now

[corrodedcoughin]

eddie going in to scoops ahoy dressed as a pirate and saying he’s here to ‘plunder scoops’ treasure chest of ice cream yarhar’ only he gets to the counter and it’s Steve serving, not Robin. He was expecting Robin. What comes out of his mouth is ‘I’m here for your pleasure chest’. Cue eddie turning on his heel, walking out of scoops and sitting himself down in the fountain of the food court, hugging his knees while the corroded coffin boys throw pennies at him.