#animated screen

[realnoun]

funny lil starting screen i did for wintertime on my twitch!

[nanibanany]

[canisalbus]

[wolfythewitch]

Stop adapting the iliad and the Odyssey into movies. You'll never succeed. Adapt them into shounen anime, as is their god given right

[peridyke]

my standard for future lesbian media is kinda set by the chainsaw man dyke with four demon girlfriends who she has on screen sex with

[astralightning]

Me walking out of Across the Spider-verse like

[theonewhowails]

do you ever wonder how old the twins are? how long have they been with the one who waits? do you ever think about how much of that time in the veil narinder spent totally alone, about how much of a stabilizing presence it might have been to have literally else around, after all that time? i think about it a completely normal amount, personally,

[tr4shyk1tty]

"already it's only been ou-" YES ALREADY I NEED NEW WALLACE CONTENT ASAP.

[constanceillustrart]

Pug cappuccino & cake | Illustrator & after effect time-lapse

YouTube | Instagram

[luckycheesefoodie321]

Sanji babe. I know your track record in flirting with women is lacking but I can confirm for you that that whole convo with Zoro about food and who saved whose ass was flirty as hell and Zoro was receptive. All I’m saying is maybe you should expand your scope a little.

[leafsfromthevine]

they're literally holding hands ur honor.

[bixels]

I think 90% of my gripes with how modern anime looks comes down to flat color design/palettes.

Non-cohesive, washed-out color palettes can destroy lineart quality. I see this all the time when comparing an anime's lineart/layout to its colored/post-processed final product and it's heartbreaking. Compare this pre-color vs. final frame from Dungeon Meshi's OP.

So much sharpness and detail and weight gets washed out and flattened by 'meh' color design. I LOVE the flow and thickness and shadows in the fabrics on the left. The white against pastel really brings it out. Check out all the detail in their hair, the highlights in Rin's, the different hues to denote hair color, the blue tint in the clothes' shadows, and how all of that just gets... lost. It works, but it's not particularly good and does a disservice to the line-artist.

I'm using Dungeon Meshi as an example not because it's bad, I'm just especially disappointed because this is Studio Trigger we're talking about. The character animation is fantastic, but the color design is usually much more exciting. We're not seeing Trigger at their full potential, so I'm focusing on them.

Here's a very quick and messy color correct. Not meant to be taken seriously, just to provide comparison to see why colors can feel "washed out." Top is edit, bottom is original.

You can really see how desaturated and "white fluorescent lighting" the original color palettes are.

[Remember: the easiest way to make your colors more lively is to choose a warm or cool tint. From there, you can play around with bringing out complementary colors for a cohesive palette (I warmed Marcille's skintone and hair but made sure to bring out her deep blue clothes). Avoid using too many blend mode layers; hand-picking colors will really help you build your innate color sense and find a color style. Try using saturated colors in unexpected places! If you're coloring a night scene, try using deep blues or greens or magentas. You see these deep colors used all the time in older anime because they couldn't rely on a lightness scale to make colors darker, they had to use darker paints with specific hues. Don't overthink it, simpler is better!]

[tapakah0]

I don't know, just wanted something quick and running

[debbie-sketch]

Rainy Night commission ⛈ Remember you can reach out to me via DM or email for work info ✨

Insta: @debbbiebalboa

[strangerwinden]

“I finally understand what it means to be alive.”

プルートウ | PLUTO (2023)

[orichalkstudio]

Halloween Screen Pack 👻 (Hu Tao themed)