Double Album of Landscape Studies after Ikeno Taiga, Volume 2 leaf 22, 18th century by Aoki Shukuya
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Aoki Shukuya (Japanese) - Reverberations of Taiga, Volume 2 (leaf 5), double-leaf from a pair of albums, ink and light color on paper, mid- to late 1700s. Sources: The Cleveland Museum of Art and www.reddit.com/r/artdaily.
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Woodcut by Aoki Shukuya from Kaishi Hen (Analysis of Cadavers), an anatomical atlas from the dawn of experimental medicine in Japan, published in Kyoto in 1772. More from the book here: https://publicdomainreview.org/collection/kaishi-hen-an-18th-century-japanese-anatomical-atlas
And more hearts in art here: https://publicdomainreview.org/collection/kaishi-hen-an-18th-century-japanese-anatomical-atlas #ValentinesDay
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Part of a set. See all set records
Aoki Shukuya
青木夙夜
(Japanese, d. 1802)
Japan, Edo period
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A woodcut by Aoki Shukuya (1737-1802) from Kaishi Hen (Analysis of Cadavers), an anatomical atlas from the dawn of experimental medicine in Japan, published in Kyoto in 1772
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Double Album of Landscape Studies after Ikeno Taiga, Volume 1 (leaf 26), Aoki Shukuya, 18th century, Cleveland Museum of Art: Japanese Art
Traditionally, young painters in Japan began their studies with an established master-painter. The master's compositions invariably became models that the apprentice copied to learn various ink and brush techniques. Shukuya was a pupil of the famous Kyoto artist Ikeno Taiga, whose style is reflected in these sketches of rocks, trees, and mountains.
Size: Album, closed: 28.3 x 33 cm (11 1/8 x 13 in.)
Medium: pair of albums; ink, or ink and light color on paper
https://clevelandart.org/art/1979.73.1.26
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18 Types of Figure Painting, Aoki Shukuya, second half of 18th century, Minneapolis Institute of Art: Japanese and Korean Art
text followed by short lines of text accompanying small drawings of figures, including man wearing a kimono with wide sleeves playing a stringed instrument, reclining figures reading books, man seated on a cushion with his knees drawn up, pair of ghost-like figures with flowing robes, seated figures in a circle, pair of walking figures supporting each other; light colors
Size: 7 3/16 × 253 in. (18.26 × 642.62 cm) (image) 7 3/16 × 263 11/16 in. (18.26 × 669.77 cm) (without roller)
Medium: Ink and colors on paper
https://collections.artsmia.org/art/117431/
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For Aoki Shukuya
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Kaishi Hen, an 18th Century Japanese anatomical atlas
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Woodcut by Aoki Shukuya from Kaishi Hen (Analysis of Cadavers), an anatomical atlas from the dawn of experimental medicine in Japan, published in Kyoto in 1772. More from the book here: https://publicdomainreview.org/collection/kaishi-hen-an-18th-century-japanese-anatomical-atlas
And more hearts in art here: https://publicdomainreview.org/collection/kaishi-hen-an-18th-century-japanese-anatomical-atlas #ValentinesDay
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Reverberations of Taiga, Volume 2 (leaf 2)
mid- to late 1700s
Part of a set. See all set records
Aoki Shukuya
青木夙夜
(Japanese, d. 1802)
Japan, Edo period
(1615-1868)
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Double Album of Landscape Studies after Ikeno Taiga (Volume 1), Aoki Shukuya, 18th century, Cleveland Museum of Art: Japanese Art
Traditionally, young painters in Japan began their studies with an established master-painter. The master's compositions invariably became models that the apprentice copied to learn various ink and brush techniques. Shukuya was a pupil of the famous Kyoto artist Ikeno Taiga, whose style is reflected in these sketches of rocks, trees, and mountains.
Size: Album, closed: 28.3 x 33 cm (11 1/8 x 13 in.)
Medium: pair of albums; ink, or ink and light color on paper
https://clevelandart.org/art/1979.73.1
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Scholarly Communion, Aoki Shukuya, 18th-19th century, Minneapolis Institute of Art: Japanese and Korean Art
two scholars sit beneath a large pine tree on the side of a rocky cliff overlooking a body of water; mountain peak towers over them at top center Aoki Shukuya was a pupil of Ike Taiga. After his teacher's death in 1776, Shukuya continued to live in Taiga's studio, copying his paintings and functioning as a connoisseur of Taiga's works. This painting closely reflects Taiga's style with its playful brushwork and whimsical landscape forms. The dry brush application of ink to convey the rough texture of rock, however, is Shukuya's own innovation.
Size: 45 1/4 x 10 3/4 in. (114.94 x 27.31 cm) (image)
Medium: Ink on paper
https://collections.artsmia.org/art/5617/
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Woodcut by Aoki Shukuya from Kaishi Hen (Analysis of Cadavers)
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