Double Album of Landscape Studies after Ikeno Taiga, Volume 2 leaf 22, 18th century by Aoki Shukuya
11 notes
·
View notes
Double Album of Landscape Studies after Ikeno Taiga, Volume 1 (leaf 26), Aoki Shukuya, 18th century, Cleveland Museum of Art: Japanese Art
Traditionally, young painters in Japan began their studies with an established master-painter. The master's compositions invariably became models that the apprentice copied to learn various ink and brush techniques. Shukuya was a pupil of the famous Kyoto artist Ikeno Taiga, whose style is reflected in these sketches of rocks, trees, and mountains.
Size: Album, closed: 28.3 x 33 cm (11 1/8 x 13 in.)
Medium: pair of albums; ink, or ink and light color on paper
https://clevelandart.org/art/1979.73.1.26
21 notes
·
View notes
Ikeno Taiga Impressive View of the Go River
1 note
·
View note
Double Album of Landscape Studies after Ikeno Taiga, Volume 2 (leaf 2)
18th century
Part of a set. See all set records
Aoki Shukuya
(Japanese, 1789)
Japan, Edo period
(1615-1868)
26 notes
·
View notes
Ikeno Taiga
17 notes
·
View notes
Ikeno Taiga - Impressive View of the Go River (1769)
1 note
·
View note
Man I love this.
1 note
·
View note
Double Album of Landscape Studies after Ikeno Taiga (Volume 1), Aoki Shukuya, 18th century, Cleveland Museum of Art: Japanese Art
Traditionally, young painters in Japan began their studies with an established master-painter. The master's compositions invariably became models that the apprentice copied to learn various ink and brush techniques. Shukuya was a pupil of the famous Kyoto artist Ikeno Taiga, whose style is reflected in these sketches of rocks, trees, and mountains.
Size: Album, closed: 28.3 x 33 cm (11 1/8 x 13 in.)
Medium: pair of albums; ink, or ink and light color on paper
https://clevelandart.org/art/1979.73.1
20 notes
·
View notes
Double Album of Landscape Studies after Ikeno Taiga, Volume 2 (leaf 26), Aoki Shukuya, 18th century, Cleveland Museum of Art: Japanese Art
Traditionally, young painters in Japan began their studies with an established master-painter. The master's compositions invariably became models that the apprentice copied to learn various ink and brush techniques. Shukuya was a pupil of the famous Kyoto artist Ikeno Taiga, whose style is reflected in these sketches of rocks, trees, and mountains.
Size: Album, closed: 28.3 x 33 cm (11 1/8 x 13 in.)
Medium: pair of albums; ink, or ink and light color on paper
https://clevelandart.org/art/1979.73.2.26
15 notes
·
View notes
Double Album of Landscape Studies after Ikeno Taiga, Volume 1 (leaf 25), Aoki Shukuya, 18th century, Cleveland Museum of Art: Japanese Art
Traditionally, young painters in Japan began their studies with an established master-painter. The master's compositions invariably became models that the apprentice copied to learn various ink and brush techniques. Shukuya was a pupil of the famous Kyoto artist Ikeno Taiga, whose style is reflected in these sketches of rocks, trees, and mountains.
Size: Album, closed: 28.3 x 33 cm (11 1/8 x 13 in.)
Medium: pair of albums; ink, or ink and light color on paper
https://clevelandart.org/art/1979.73.1.25
18 notes
·
View notes
Double Album of Landscape Studies after Ikeno Taiga, Volume 2 (leaf 8), Aoki Shukuya, 18th century, Cleveland Museum of Art: Japanese Art
Traditionally, young painters in Japan began their studies with an established master-painter. The master's compositions invariably became models that the apprentice copied to learn various ink and brush techniques. Shukuya was a pupil of the famous Kyoto artist Ikeno Taiga, whose style is reflected in these sketches of rocks, trees, and mountains.
Size: Album, closed: 28.3 x 33 cm (11 1/8 x 13 in.)
Medium: pair of albums; ink, or ink and light color on paper
https://clevelandart.org/art/1979.73.2.8
23 notes
·
View notes
Double Album of Landscape Studies after Ikeno Taiga, Volume 1 (leaf 34), Aoki Shukuya, 18th century, Cleveland Museum of Art: Japanese Art
Traditionally, young painters in Japan began their studies with an established master-painter. The master's compositions invariably became models that the apprentice copied to learn various ink and brush techniques. Shukuya was a pupil of the famous Kyoto artist Ikeno Taiga, whose style is reflected in these sketches of rocks, trees, and mountains.
Size: Album, closed: 28.3 x 33 cm (11 1/8 x 13 in.)
Medium: pair of albums; ink, or ink and light color on paper
https://clevelandart.org/art/1979.73.1.34
12 notes
·
View notes
Double Album of Landscape Studies after Ikeno Taiga, Volume 1 (leaf 23), Aoki Shukuya, 18th century, Cleveland Museum of Art: Japanese Art
Traditionally, young painters in Japan began their studies with an established master-painter. The master's compositions invariably became models that the apprentice copied to learn various ink and brush techniques. Shukuya was a pupil of the famous Kyoto artist Ikeno Taiga, whose style is reflected in these sketches of rocks, trees, and mountains.
Size: Album, closed: 28.3 x 33 cm (11 1/8 x 13 in.)
Medium: pair of albums; ink, or ink and light color on paper
https://clevelandart.org/art/1979.73.1.23
18 notes
·
View notes
Double Album of Landscape Studies after Ikeno Taiga, Volume 1 (leaf 28), Aoki Shukuya, 18th century, Cleveland Museum of Art: Japanese Art
Traditionally, young painters in Japan began their studies with an established master-painter. The master's compositions invariably became models that the apprentice copied to learn various ink and brush techniques. Shukuya was a pupil of the famous Kyoto artist Ikeno Taiga, whose style is reflected in these sketches of rocks, trees, and mountains.
Size: Album, closed: 28.3 x 33 cm (11 1/8 x 13 in.)
Medium: pair of albums; ink, or ink and light color on paper
https://clevelandart.org/art/1979.73.1.28
16 notes
·
View notes
Double Album of Landscape Studies after Ikeno Taiga, Volume 2 (leaf 31), Aoki Shukuya, 18th century, Cleveland Museum of Art: Japanese Art
Traditionally, young painters in Japan began their studies with an established master-painter. The master's compositions invariably became models that the apprentice copied to learn various ink and brush techniques. Shukuya was a pupil of the famous Kyoto artist Ikeno Taiga, whose style is reflected in these sketches of rocks, trees, and mountains.
Size: Album, closed: 28.3 x 33 cm (11 1/8 x 13 in.)
Medium: pair of albums; ink, or ink and light color on paper
https://clevelandart.org/art/1979.73.2.31
13 notes
·
View notes