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#ikeno taiga
classic-asian-art · 2 months
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Double Album of Landscape Studies after Ikeno Taiga, Volume 2 leaf 22, 18th century by Aoki Shukuya
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heaveninawildflower · 2 years
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Takuhanga ‘Album of Appreciation of the Fragrance of Spring’ (Chinese, 1777). Illustrations by Itō Jakuchū (1716−1800), Ikeno Taiga (1723−76), and Maruyama Ōkyo (1733−95). Author -  Ryūkei Iwagaki  (1741-1808 ).
Takuhanga is a printing technique in which a cloth-covered cotton ball containing black ink is patted on wet paper placed on an intaglio-engraved woodblock.
http://dl.wdl.org/11827/service/11827.pdf
Wikimedia.
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cma-japanese-art · 2 years
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Double Album of Landscape Studies after Ikeno Taiga, Volume 1 (leaf 26), Aoki Shukuya, 18th century, Cleveland Museum of Art: Japanese Art
Traditionally, young painters in Japan began their studies with an established master-painter. The master's compositions invariably became models that the apprentice copied to learn various ink and brush techniques. Shukuya was a pupil of the famous Kyoto artist Ikeno Taiga, whose style is reflected in these sketches of rocks, trees, and mountains. Size: Album, closed: 28.3 x 33 cm (11 1/8 x 13 in.) Medium: pair of albums; ink, or ink and light color on paper
https://clevelandart.org/art/1979.73.1.26
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nununiverse · 4 years
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Ikeno Taiga    Impressive View of the Go River
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yama-bato · 5 years
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Double Album of Landscape Studies after Ikeno Taiga, Volume 2 (leaf 2)
18th century
Part of a set. See all set records
Aoki Shukuya
(Japanese, 1789)
Japan, Edo period
(1615-1868)
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sardinesbizarres · 7 years
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Ikeno Taiga
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Ikeno Taiga - Impressive View of the Go River (1769)
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Man I love this.
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cma-japanese-art · 2 years
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Double Album of Landscape Studies after Ikeno Taiga (Volume 1), Aoki Shukuya, 18th century, Cleveland Museum of Art: Japanese Art
Traditionally, young painters in Japan began their studies with an established master-painter. The master's compositions invariably became models that the apprentice copied to learn various ink and brush techniques. Shukuya was a pupil of the famous Kyoto artist Ikeno Taiga, whose style is reflected in these sketches of rocks, trees, and mountains. Size: Album, closed: 28.3 x 33 cm (11 1/8 x 13 in.) Medium: pair of albums; ink, or ink and light color on paper
https://clevelandart.org/art/1979.73.1
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cma-japanese-art · 2 years
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Double Album of Landscape Studies after Ikeno Taiga, Volume 2 (leaf 26), Aoki Shukuya, 18th century, Cleveland Museum of Art: Japanese Art
Traditionally, young painters in Japan began their studies with an established master-painter. The master's compositions invariably became models that the apprentice copied to learn various ink and brush techniques. Shukuya was a pupil of the famous Kyoto artist Ikeno Taiga, whose style is reflected in these sketches of rocks, trees, and mountains. Size: Album, closed: 28.3 x 33 cm (11 1/8 x 13 in.) Medium: pair of albums; ink, or ink and light color on paper
https://clevelandart.org/art/1979.73.2.26
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cma-japanese-art · 2 years
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Double Album of Landscape Studies after Ikeno Taiga, Volume 1 (leaf 25), Aoki Shukuya, 18th century, Cleveland Museum of Art: Japanese Art
Traditionally, young painters in Japan began their studies with an established master-painter. The master's compositions invariably became models that the apprentice copied to learn various ink and brush techniques. Shukuya was a pupil of the famous Kyoto artist Ikeno Taiga, whose style is reflected in these sketches of rocks, trees, and mountains. Size: Album, closed: 28.3 x 33 cm (11 1/8 x 13 in.) Medium: pair of albums; ink, or ink and light color on paper
https://clevelandart.org/art/1979.73.1.25
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cma-japanese-art · 3 years
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Double Album of Landscape Studies after Ikeno Taiga, Volume 2 (leaf 8), Aoki Shukuya, 18th century, Cleveland Museum of Art: Japanese Art
Traditionally, young painters in Japan began their studies with an established master-painter. The master's compositions invariably became models that the apprentice copied to learn various ink and brush techniques. Shukuya was a pupil of the famous Kyoto artist Ikeno Taiga, whose style is reflected in these sketches of rocks, trees, and mountains. Size: Album, closed: 28.3 x 33 cm (11 1/8 x 13 in.) Medium: pair of albums; ink, or ink and light color on paper
https://clevelandart.org/art/1979.73.2.8
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cma-japanese-art · 2 years
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Double Album of Landscape Studies after Ikeno Taiga, Volume 1 (leaf 34), Aoki Shukuya, 18th century, Cleveland Museum of Art: Japanese Art
Traditionally, young painters in Japan began their studies with an established master-painter. The master's compositions invariably became models that the apprentice copied to learn various ink and brush techniques. Shukuya was a pupil of the famous Kyoto artist Ikeno Taiga, whose style is reflected in these sketches of rocks, trees, and mountains. Size: Album, closed: 28.3 x 33 cm (11 1/8 x 13 in.) Medium: pair of albums; ink, or ink and light color on paper
https://clevelandart.org/art/1979.73.1.34
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cma-japanese-art · 2 years
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Double Album of Landscape Studies after Ikeno Taiga, Volume 1 (leaf 23), Aoki Shukuya, 18th century, Cleveland Museum of Art: Japanese Art
Traditionally, young painters in Japan began their studies with an established master-painter. The master's compositions invariably became models that the apprentice copied to learn various ink and brush techniques. Shukuya was a pupil of the famous Kyoto artist Ikeno Taiga, whose style is reflected in these sketches of rocks, trees, and mountains. Size: Album, closed: 28.3 x 33 cm (11 1/8 x 13 in.) Medium: pair of albums; ink, or ink and light color on paper
https://clevelandart.org/art/1979.73.1.23
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cma-japanese-art · 2 years
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Double Album of Landscape Studies after Ikeno Taiga, Volume 1 (leaf 28), Aoki Shukuya, 18th century, Cleveland Museum of Art: Japanese Art
Traditionally, young painters in Japan began their studies with an established master-painter. The master's compositions invariably became models that the apprentice copied to learn various ink and brush techniques. Shukuya was a pupil of the famous Kyoto artist Ikeno Taiga, whose style is reflected in these sketches of rocks, trees, and mountains. Size: Album, closed: 28.3 x 33 cm (11 1/8 x 13 in.) Medium: pair of albums; ink, or ink and light color on paper
https://clevelandart.org/art/1979.73.1.28
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cma-japanese-art · 2 years
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Double Album of Landscape Studies after Ikeno Taiga, Volume 2 (leaf 31), Aoki Shukuya, 18th century, Cleveland Museum of Art: Japanese Art
Traditionally, young painters in Japan began their studies with an established master-painter. The master's compositions invariably became models that the apprentice copied to learn various ink and brush techniques. Shukuya was a pupil of the famous Kyoto artist Ikeno Taiga, whose style is reflected in these sketches of rocks, trees, and mountains. Size: Album, closed: 28.3 x 33 cm (11 1/8 x 13 in.) Medium: pair of albums; ink, or ink and light color on paper
https://clevelandart.org/art/1979.73.2.31
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