#arteducator

[artseducation2024]

Title: Learning from Anna – What It Really Means to Be an Art Educator

By Mia Marquez

One of the most meaningful parts of this semester for me was getting the chance to interview a real-life art educator and hear directly about their experience, challenges, and philosophy. I had the opportunity to speak with Anna, an inspiring and down-to-earth art teacher who really changed the way I think about art education.

Before this interview, I thought an art educator was mostly someone who just teaches students how to draw or paint. But Anna showed me that it’s so much more than that. To her, being an art educator means helping students understand that they are artists, simply because they use their imagination. She doesn’t focus on perfect outcomes—instead, she encourages students to challenge themselves, explore new ideas, and push their own boundaries. Sometimes, she even suggests they enter art contests—not to win, but to grow through the experience.

One of the coolest things Anna teaches is how to deal with frustration in your own artwork. She often reminds students that art doesn’t have to follow strict rules. If they don’t like something in their piece, she tells them to let it go and focus on the parts they do enjoy. Over time, she believes their unique style will come through naturally. And for students who get stuck or feel like they’re “not good enough,” she encourages a change in perspective—like breaking the image down into shapes, values, and colors, or focusing on just one part of it. Her approach is all about finding inspiration in the details.

Another thing that stood out to me was how she talks about color. Anna gives the example of painting a black dog—it’s never just black. It has highlights, shadows, and tons of subtle tones that bring it to life. She pushes her students to think beyond what they assume and really look at what’s in front of them. She reminds them that art isn’t supposed to look like a photo. It’s okay to experiment with different brushstrokes and techniques—what matters is that it feels personal and expressive.

Anna also shared a great story about a student who was really frustrated with a piece of artwork. She told him to put it aside and come back to it later. When he did, he saw how much he’d improved—and that old piece became a milestone in his growth. Her advice? “The more you draw, the more your drawing improves. Draw what you see, not what you think you see.”

Honestly, doing this interview was joyful and inspiring. It reminded me that art education is about nurturing creativity, not just teaching skills. It’s about helping students believe in themselves, take risks, and grow. Talking to Anna made me even more excited about becoming an art educator myself someday. Her words and her teaching philosophy are something I’ll carry with me for a long time.

[artisticallyalexis]

Hi all, long time no see, it's been a minute since I have posted, so I wanted to make a little update. I have a new posting schedule for 2024, I will be posting here every Wednesday, Saturday, and Sunday with a little update of my art for the week, and new youtube videos will be released on the first and third Fridays of each month! Here is what I worked on this week. I have been challenging myself to paint more portraits using unique references. I want to conquer “same face syndrome" this year so I have been working on these little study sheets. On another note, I have been absolutely loving working on these red backgrounds.

My commissions are open and rates are posted in the photos! If you are interested in working with me or joining my newsletter visit my website and send me a message!

Website:https://artisticallyalexis.wixsite.com/artisticallyalexis/contact-10

[donelektro]

More ArtEducation: This Time - THE SCULPTOR

the three-dimensional maniacs of the art world. Sculptors are a weird breed because:

Making sculptures is expensive as hell. (Materials, transport, storage—ugh.)

They need more space than painters (which makes them either poor or backed by rich collectors).

Most sculptures are either massive and public, or small and insanely overpriced.

So, let’s break them down into five key sculptor archetypes and place them on our Corporate Cloutlord / Crafty Gatekeeper / Avant-Garde Anarchist scale.

[eep-i]

🔹 Illustration as a tool for awareness – "6 gestures/6 tricks" 🖌️🌍

Art is a powerful way to raise awareness and make complex topics accessible. With my series "6 gestures/6 tricks", I explore how illustration helps transmit knowledge in an engaging way.

This visual highlights 6 fascinating facts about bioluminescence, a natural phenomenon that allows certain organisms to produce their own light. 🌊✨

Why use illustration to share knowledge? ✅ Immediate impact – A striking image captures attention and sparks curiosity. ✅ Simplified learning – Visual storytelling makes complex concepts easy to understand. ✅ Encourages sharing & discussion – A compelling illustration invites engagement.

🌍 Available in English & French to reach a wider audience.

📢 What scientific or natural phenomenon would you like to see illustrated next? Let me know in the comments!

[luxurious-vision-nick]

《The Resonance of Determination》 Each collision, every blank space, reflects choices and deep reflection. The fusion of colors carries the weight of determination—no need for explanations, only the passion to ignite the fire within. ⦰𝖓𝖎𝖈𝖐

[gyamfieric]

some other days....

 ‘Kɔηsεt Pāti’, a project curated by Abbey IT-A (@itaabbey) at the former Marvels Mini Golf Course (next to Mmofra Place), Dzorwulu – Accra, Ghana.

🎡Kɔηsεt Pāti playfully misinterprets what is meant by the “moving image” with an exhibition strategy that transposes the audio-visual aspirations of two films between the virtual space of a screen and literal space. Ghanaian artist, Eric Gyamfi’s @certainwindsfromthesouth (2023), an adaptation of Ama Ata Aidoo’s short story. A call. A response is heard in voice and score from British Ghanaian artist, Larry Achiampong’s film ‘Relic 2’ (2019), courtesy of the British Council Collection. The strategy involves a purpose-built screening area designed, constructed, and engineered to rotate, in collaboration with a hybrid group of practitioners: Adwoa Amoah (@adwoaaaaaaa), Ato Annan (@anima.axolotl), Ahenkan Yeboah (@yeboah_ahenkan_richard), Gershon Gidisu (@gershongidisu), Afrane Akwasi Bediako (@afranemakof), Joshua Afoakwa (@joshfoaks), Emmanuel Kwasi Nyavor, Ebenezer Asiamah, Isaac Gyamfi A. (@igyamfi6studio) and Abraham Tettey (@master_ab). It is activated with high school learners through free screenings and workshops facilitated in collaboration with Jeff Atuobi (@yawatuobi). Kɔηsεt Pāti is hosted by the Foundation for Contemporary Art (FCA)-Ghana (@fca_Ghana) and Mmofra Foundation (@mmofrafoundation). The project duration is 20th February to 15th March 2025. Schedules: follow link

https://doodle.com/sign-up-sheet/participate/33d06630-8c84-4575-94e1-a6eb579e7ed7/select

https://doodle.com/sign-up-sheet/participate/1dd2aac3-326e-481f-a0fd-e496ac00f26d/select

______ This first iteration is developed through Art Exchange: Moving Image, a curatorial development programme for curators from Sub-Saharan Africa organised by LUX (@luxmovingimage), Yinka Shonibare Foundation (@yinkashonibarefoundation), and Guest Artists Space Foundation (@gasfoundation), delivered in partnership with the British Council (@britisharts) Artwork: Abbey IT-A, Isaac Gyamfi A., feoisugly (@feoisugly)

______ #konsetpaati#konsetpaati2025#abbeyita#fcaghana#mmofrafoundation#britishcouncil#artexchangemovingimage#luxmovingimage#yinkashonibarefoundation#gasfoundation#movingimage#certainwindsfromthesouth#ericgyamfi#larryachiampong#filmscreenings#workshops#arteducation

[moritablake]

Olá, meu nome é Blake, sou graduando a licenciatura em artes e curto fazer ilustrações também!

SEJAM BEM VINDES, estarei postando algumas produções aqui.

Não abro comissões, mas se tiver algum interesse e quiser chamar por mensagem fiquem a vontade.

(Hello, my name is Blake. I am a graduate in arts and I do illustrations.)

( You are welcome, I going to show my Arts here)

( Usually I dont open comissions , but If you are interested , you can talk to me ok?)

Sorry for the bad English

[meeelis]

𝟷𝟿𝟹𝟶s ᴠɪɴᴛᴀɢᴇ ᴀʀᴛ ᴅᴇᴄᴏ ᴀʟᴜᴍɪɴᴜᴍ "ᴛᴜɴɪᴄ ᴏғ ᴠᴇɴᴜs" sᴄᴜʟᴘᴛᴜʀᴇ

[msdunnart]

[artseducation2024]

Intro to Art Education Class Blog

Catherine Simon

ART 15500

Dear Future Aspiring Art Educators,

Within this course of arts education activities that were my favorite. However, my most favorite one was in our second-to-last class, where in the beginning we as students were given just one sheet of paper placed in the middle of the table, where we each grabbed a marker of our choice and would pass the paper around and draw how we were feeling at that given moment, also while the student was drawing, no one was allowed to look. And we can only stop drawing when another student yells “TIME!” after about 30 seconds. Then, the student will pass to the person next to them and be given the same time, and it would go around till every student has gone. Following this, the paper will go back to the teacher, where the whole class will analyze the different moods and feelings that are seen in the drawing. This is my absolute favorite arts education activity, as it is fun and interactive for drawing. But, most importantly, it allows us as students to de-stress and get to express how we are feeling at the moment and allows students and the teachers to get to know each other at a vulnerable level. 

Throughout this class of Art Education, there were many key artists mentioned who transformed the art world, but one in particular is both transformational and controversial. Learning about Kehinde Wiley was both captivating for his pattern designs and also controversial for certain aspects of his personal life. Kehinde Wiley is an aspirational artist who reimagines art in his own sort of way. His way is reenacting images of classical art in his own way through having people of color model and be painted to contradict the original painting. Wiley states that this was done due to the racial disparity, social inequality, and exclusion of people of color in the United States, and his personal experiences, such as having to paint white women for portraits when he was in school, and also being an African American gay man in the United States. This leads to many paintings exploring masculinity, social class, and race, and also including women of color in his portraits to criticize and challenge the male gaze and how women of color are looked at in society. Wiley is also known for the patterns in the background of the portraits, as they create vibrancy and color in the reenactment of classical art, revolutionizing the piece into aspects of society that are needed today, such as diversity and inclusion of gender and sexuality. As seen in his Brooklyn museum’s art exhibition “A New Republic,” Wiley’s ultimate goal for his art is to change the world and how society views aspects of individuals. Despite his accusations regarding sexual assault, it is always best to separate an artist's work life from their personal life, as Wiley is a building block to changing the world of opportunity for people of color in the United States, to make them feel seen, heard, and understood. 

Kehinde Wiley’s Paintings:

Through this course of art education throughout this semester, there were many captivating class discussions based on readings. One of these discussions was based on the reading: “Rikers Island Crisis,” written by ARTE (Art Resistance Through Education). In which it discusses the New York City jail known as Rikers Island, in which it keeps individuals who are waiting for a trial. But the issue is many take years for a trial to occur, which actually happened to Kalief Browder, who the discussion was focused on. Kalief Browder was a 16-year-old boy when he was taken to Rikers in 2010, where he was accused of stealing a backpack and was charged with robbery, larceny, and assault. Browder was given a $3,000 bail, which his family couldn’t afford, leading him to be placed in Rikers, where he was in jail for 3 years and 2 years in solitary confinement, in which he was isolated from the entire world in a jail cell, just for stealing a backpack. Throughout this class discussion, I had learned about the wrongful convictions African Americans face in prisons such as Rikers, especially Kalief Browder, who was still a child when placed in solitary confinement for a crime he did not commit. Another aspect stated within this discussion was how artists, through the representation of public art and symbolic paintings, advocate on the racial disparity and unfair treatment African Americans face not only at Rikers but in prisons across the United States, and how there are other children, such as Kalief Browder, who had faced mental health issues due to being placed in solitary confinement, leading to his suicide, and how the government system must do better to support children and the trauma that is gone through in adult prisons.

Examples of Activism Artwork About Kalief Browder:

Sincerely,

Catherine

[amyfelder]

Check out the Spring 2025 issue of Collage! Read my "Letter from the Editor" on pages 6-7.

[sweatybelieverfun]

Art Supplies Market Drivers Fueling Demand Across Educational, Professional, and Hobbyist Segments Worldwide

The art supplies market has witnessed a consistent upward trend in recent years, driven by a blend of cultural, educational, and professional factors. Whether for academic purposes, therapeutic uses, or creative expression, the growing interest in art-related activities has significantly expanded the consumer base. The demand spans students, professional artists, crafters, and hobbyists, creating a vibrant market supported by innovation and evolving preferences.

One of the primary drivers of the art supplies market is the increasing integration of art education in school curriculums worldwide. Many educational institutions now emphasize the importance of creativity and self-expression, resulting in higher demand for paints, brushes, sketchbooks, markers, and other essential supplies. Art is no longer limited to specialized schools; it is becoming a core component of early education, promoting emotional development and critical thinking in children. This has led to strong demand in the academic sector.

Another major factor boosting the market is the growing popularity of do-it-yourself (DIY) projects and crafts, especially among millennials and Gen Z consumers. Social media platforms such as Instagram, TikTok, and Pinterest have turned into hotspots for sharing art tutorials, creative ideas, and craft challenges. This has inspired a large group of people to engage in various forms of creative expression, ranging from acrylic painting and calligraphy to scrapbooking and digital art. The accessibility of tutorials and inspiration online has helped newcomers feel more confident in purchasing and experimenting with different art supplies.

Moreover, the rise of art as a therapeutic and wellness activity is encouraging individuals to incorporate artistic expression into their routines. Art therapy is being increasingly recognized as a way to reduce stress, manage anxiety, and promote mindfulness. This growing awareness has sparked demand for products like watercolor kits, adult coloring books, and mandala sets, which serve as easy and enjoyable tools for stress relief. This wellness-oriented trend is a strong market driver, appealing to consumers beyond traditional artist demographics.

From a business and professional standpoint, the expansion of creative industries—including advertising, gaming, fashion, and design—has further stimulated demand. Artists, graphic designers, illustrators, and creators require a constant supply of high-quality materials to meet professional standards. As design becomes more central to branding and marketing strategies, the need for professional-grade art supplies continues to rise. This sector values durability, pigmentation, and consistency in art tools, prompting manufacturers to invest in innovation and quality enhancement.

Technological advancement is also playing a key role in shaping market dynamics. Digital art tools like styluses, drawing tablets, and smart pens are blending the line between traditional and digital mediums. While these tools themselves aren’t always categorized under conventional art supplies, they have indirectly boosted interest in the arts as a whole. Traditional supply companies are responding by offering hybrid products, such as brush pens suitable for both hand-lettering and digital editing, expanding their reach to tech-savvy creators.

Sustainability has emerged as an important concern, and eco-friendly art supplies are becoming a notable market segment. Conscious consumers are increasingly looking for non-toxic, biodegradable, and sustainably sourced materials. This includes water-based paints, recycled paper products, and refillable pens or markers. Manufacturers responding to this demand have gained a competitive advantage, appealing to a generation of consumers that prioritize ethical purchasing choices.

Seasonal trends and gifting culture also drive periodic boosts in art supply sales. Back-to-school seasons, holidays, and events like World Art Day encourage bulk purchases, promotions, and gift kits. Art supplies are increasingly seen as thoughtful and personalized gifts, suitable for all age groups and skill levels.

Online shopping and e-commerce platforms have further fueled market growth by offering wider access to products and simplifying the purchase process. Consumers can now compare prices, read reviews, and receive recommendations tailored to their needs—all from the comfort of their homes. This has particularly helped niche brands and local artisans reach a global audience. Subscription boxes and curated kits delivered monthly have added a new layer of engagement for hobbyists and collectors.

In conclusion, the art supplies market is thriving due to a convergence of educational needs, wellness trends, digital influence, and rising consumer creativity. As art becomes an essential part of self-expression, healing, and professional development, the demand for diverse, high-quality, and sustainable supplies will only grow. Manufacturers and retailers who stay aligned with these evolving drivers are best positioned to thrive in this colorful and competitive industry.

[eyecagertips]

Online Classes for Under 300 USD

Yuming Li's Digital Painting Course - https://yuming-li.mykajabi.com/

Really solid painting course, goes indepth into value and color relationships. A really good overall on what to strive for with painting. The class is about 290 so the most pricey out of all this but legimately a solid course I reccomend anyone.

I like Coloso a lot because I can leisurely just work on a class over the weekend with my busy schedule. Also it disables Discord while I'm in class so it kind of hyperfocuses me lol.

Used to be 60 bucks but have gone up to almost 100. I get it. This is a really good site if you need to speedrun learning the UI of a program. I learn all my programs like AE, Harmony, TV Paint through here and it's why I'm so multi-displinary.

Really good for listening and working too, a subscription isn't that much and they have an app you can queue up classes and listen to them. I use this for working out or general background noise!

[luxurious-vision-nick]

《The Philosophy of Chaos and Creation》 Art is the embodiment of human contradictions the struggle between chaos and structure the known and the unknown Each brushstroke is a reflection of our subconscious a dialogue between emotion and logic In this fusion we find meaning as art reveals the unspoken truths of our existence ⦰𝖓𝖎𝖈𝖐