#as in: she currently has like zero

[gwydionae]

Anyone have that post about "you ask for better female characters but you couldn't even handle Katara" because after two episodes of the live action, I feel like I need to send it to the writers.

[secretagentsagainstwhatever]

do you know what was the biggest fumble in sitcom history….

not establishing this fucking chaos duo as a pairing

[koetjingwarrd]

You're my baby, say it to me...

[cienie-isengardu]

Bi-Han, Sektor & Frost: parricide

Bi-Han: MK1 story mode (2023)

Sub-Zero: He [father] did us a favor, having that accident. And I was right to let him die.

Frost: MK11 intro dialogue vs Jax Briggs (2019)

Frost: I killed my mother when I was twelve.

Sektor: MK9 (2011)

Character Bio:

"The son of the Grand Master, it was never in question that Sektor would join the Lin Kuei. What pleases the Grand Master is the degree to which his son relishes the life of an assassin. The secretive clan allows Sektor to express his darker nature, using any means necessary to complete his tasks. Hired by Shang Tsung, his current assignment is to attend the Mortal Kombat tournament and eliminate the Earthrealm competitors before they have a chance to compete. Though this mission will put his clan in good standing with Shao Kahn, Sektor's ultimate goal is to supplant his father as Grand Master of the Lin Kuei."

Sektor's ending

"Sektor had dedicated his life to the Lin Kuei. His victories had brought honor to his father, the Grand Master. He had proven himself worthy. It was time to replace his father. In a bold attack, Sektor smashed through a company of Lin Kuei guards as he pushed toward the Grand Master’s chamber. There he found his father waiting. The Grand Master warned him that wearing the Dragon Medallion brought much power, but at a cost. Sektor ignored the warning and slew his father, whose soul burst from his body and flew into the medallion. Sektor placed the artifact around his neck. He had finally seized control of the Lin Kuei."

[brookheimer]

very funny that one of the main responses to the lizzo fat-shaming accusations is “but SHE’S fat!!!” as if internalized fatphobia doesn’t exist. like, you do realize that fat people have had that worldview beaten into them by literally every single person around them their entire lives, and famous fat people even more so. celebrity body positivity is so frequently performative — less about genuinely feeling positively about your body and other bodies that look like yours, more about trying to claw your way to having value in the eyes of society through any means possible. it’s out of spite and the desire to fit in. it’s not about conventional beauty not mattering, it’s about trying to expand the lens of societal atttactiveness to include you. lizzo was never trying to dismantle beauty standards as a concept, as a hierarchical way of perceiving society, as a value system. she just wanted to be valued within it — and that’s understandable, because we all want that, we all need to feel desired and worthwhile and valuable. but the best way for an outsider to become an insider is to know the hierarchy inside and out, then to enforce it yourself. if you’re able to gatekeep beauty and value from others, that implies you have access to it yourself. the only way for fat people to be valued within modern societal beauty constraints is to carve out a spot within that hierarchy and guard it with your life. i’m sorry if this is news to people, but so long as our perceptions of beauty remain the same, fat people will never be viewed as equally human — and especially fat women will never be viewed as equally woman. our beauty constraints are premised on a dehumanization of fatness. there is no way to exist as a fat person within that sphere without perpetuating those constraints yourself to prove to skinny people that you deserve to be there. this is why celebrity body positivity is so infrequently helpful long-term or big-picture — it’s not about setting all bodies equal to one another, it’s about raising your particular body equal to those at the top of the hierarchy. so of course lizzo bodyshamed her employees, her backup dancers, her assistants — that’s exactly what enabled her to become a “voice” for “body positivity.” without a position of power in that hierarchy, not only would her calls for body positivity not be heard, they likely wouldn’t exist in the first place; how are you going to feel positive about your body in our ever-competitive pyramid of beauty unless you have people below you to feel better than?

[matchandelure]

i fear that the undercover top secret government assassins are growing on me (cp9)

[rawliverandgoronspice]

words pale to express how much I hate macron at this point

[thatgirlonstage]

Yeah yeah “show don’t tell” get mis-explained and misinterpreted as writing advice a lot and yeah sometimes you SHOULD be telling the reader things however I am unwilling to discard this particular phrase given the number of stories I have encountered that make me want to slap the author across the face with it

[nctjpeg]

so….. “see myself in a documentary” was an item on my bucket list that i didn’t know i had but can now be crossed off…….

[raksh-writes]

Maybe this doesn’t need to be said, but Im feeling awful about it, so -- to any mutuals that might notice Im not following them anymore, I'm sorry about that. I've just seen too many posts on my dash that I have no way of blocking because they're not tagged in any way and they're distressing enough it's turning one of the only places I considered a safe space not safe for me anymore. So for my own mental health, I had to unfollow. I Will refollow in the future and I still love y'all, but I just-- I can’t. Ive been noticing some very worrying stuff about my mental and emotional state and it's just too much currently. I hope it's at least an understandable decision, and I wish y'all are having a good day out there 💗

[doctorweebmd]

coming out of my baldurs gate 3 delirium (aka i am working a night shift and can't physically play it. at work.) to say that horikoshi. horikoshi when i GET YOU. you are NOT leaving izuku with no quirk and no arms. i am in your walls

[theskywaslookingback]

My dad: *texts my mom the day after Father’s Day to see if I was mad at him because I didn’t call him*

Also my dad: *sends me a text on Easter and then radio silence for months* *does not call to ask if I have plans for my birthday* *does not text to check in on me* *does not invite me over to his house for anything ever* *allows my stepmom to use his money to prioritize her kids over me* *literally doesn’t ever act like he wants anything to do with me actually* *cancels or changes plans at the last minute because he decides he wants to drink instead* *offers to help my mom pay my car payments and then never does* *gets us gym memberships and then cancels them without warning because he didn’t have the money and just doesn’t tell me* *cannot hold a thirty second conversation without mentioning ‘the Chinese threat’ or ‘Covid was invented by democrats to replace Trump in office’*

My dad: Why doesn’t my child call me? I am the specialist most important person in the whole wide world. What could she have to be mad about?

[stop-breaking-my-heart-telltale]

I am a new reader of your blog, and that is something I want to know (but it's totally okay if you want to ignore this ask!) why you stopped liking [with you]? Is there something in particular that bothered you about this fic?

That... is a question with a loaded answer.

The quick answer is:

I put way too much pressure on myself with [with you] that caused terrible burnout and I couldn't do any creative writing for a long time after; a small portion of my readers were pretty hostile about slow updates; there were criticisms about the story that I had a hard time with; and there are a lot of story beats and writing decisions I made with it that I'm very critical of. All of those things combined, I now have a lot of negative feelings associated with [with you].

The not-so-quick answer involves a lot of self-criticism about my prose, poor choices, the criticisms by my readers, and some behind the scenes stuff. I'll put all that under a "keep reading" for anyone interested in more detail.

When I started [with you], it wasn't meant to be a 50k+ story, it was just going to be a simpler story told in a couple parts... that I then kept expanding. I'm pretty sure every note I have on the original version posted on here starts with, "hey y'all, this story is this many parts now whoops haha"

I had very little planned out, I was just discovery writing my way through everything. I wrote a chapter, read through it a couple times, said, "yeah that's good enough," then posted. Y'know, like what a lot of people who write fics do. "no beta, we die like Ben falling down the bell tower" and all that.

I had ideas of where I wanted to go, but I didn't start an outline until I was well into the story. It was bloated. I felt like I needed to add every single idea I had, and needed to expand on every character, even if it didn't do anything to advance or enhance the story... and that became overwhelming for me to keep track of since I wanted it to all tie together in the end and please my readers.

When I read through it now, there is so much that can be cut that no one would miss. It would flow better and be easier to read.

My prose [the actual writing style] is all over the place and reads like a first draft, especially in earlier chapters. Spelling errors, run-on sentences, whole paragraphs that I should've cut. While I feel better about my dialogue, there are some conversations that read as awkward.

Honestly, the best part of the entire fic is Clementine and Louis' story, which... yeah. I'm pretty happy with the way I portrayed their dynamic, dialogue, and romance. I just wish I hadn't bogged it all down with everything else, like... that's all it needed to be, it just needed to be about clouis.

Oh, and I still like the dream sequence. That's probably one of the better chapters, if not the best chapter.

Now, when I say I made bad choices with this story, one of those choices I'm referring to is my "big rewrite." This was incredibly stupid. Past CJ thought it was a good idea but she's a dumb ass. You can't listen to anything she says.

Basically, I got the brilliant idea that I would take [with you] down and rewrite the whole thing before I wrote the final chapters. I wasn't satisfied with how it was written. I felt I could do so much better. I was going to trim unnecessary fat, expand on important details, make some heavy changes, improve everything, and then repost it with the ending.... so I deleted it off AO3 and got to work.

Terrible idea. Don't ask me why. What I should've done was discontinued that version, made a note that it was old, and then published the new version separately. But I didn't. And a lot of people were pissed at me. Shocking.

I should've just finished it. I should've finished it, posted it, and then went from there. But I didn't. Ever since then I've gotten a lot of readers who would go on anon and send me messages about [with you] that are passive aggressive or guilt trippy. That soured my feelings about the story and myself as a writer tremendously.

Then there's Violet.

I wrote the first few chapters before Ep4 of TFS was released, meaning I wrote Violet before we found out that she's blinded in the explosion in her kidnapped route. I took the "Violet despises you" route, and a big plot point of the story is Violet dealing with all these conflicting feelings about Clementine, hating her but also not, distancing herself from the group, the strain it put on her and Louis' friendship, etc.

I don't like how I portrayed Violet for a number of reasons. I know what I was trying to do, and I knew I couldn't [or wouldn't] scrap everything I already wrote about her and rewrite in a blind Violet on friendly terms with Clementine... because sure, I wanted to do this grand rewrite that sounded easy enough on paper, but in practice that was so much work that intimidated me.

Because behind the scenes fun- for the rewrite, I wanted to do that. That was a major change that would've cut so much from the story I wasn't happy with, and would've been a more positive portrayal of the character. But then I saw just how much would be cut and how much I'd have to write and it scared me off from the idea... so I tried to work with what I had and I still hate it.

Violet's very antagonistic in the story. She attacked Clementine after the boat explosion. Everyone thinks she'll attack her again. Mitch calls her a traitorous bitch and doesn't trust her to not stab Clementine in a conversation. There's even a point where it's mentioned that in the past she slapped Louis during a conversation. She just has a pissy attitude throughout the story but then berates herself for it and I just... I was going for a slow burn recovery that explores her trauma and ends with her reconciling with Clementine... but it doesn't come off that way? Some parts I think I executed better than others but most of it I look back at and say, "...No, past CJ, that doesn't read like you think it does...."

But that wasn't my only criticism I got about the way I wrote Violet, and this one is... a little complicated? And something most probably wouldn't take issue with or even notice unless you're a major Violet stan... but I pretty much gave Mitch [a character I loved at the time] a lot of Violet's canon character points and explored them more positively, then turned around and made Violet more antagonistic, which......yeeeeeah.

The only defense I have for this is it wasn't intentional. It really wasn't, but I understand and think it's a valid complaint. Like... I used to get these anons who would tell me this and I'd quietly delete them because, "...nope, not touching that. If I don't acknowledge it, it doesn't exist."

Lemme explain: In my fics, Mitch is gay. He had feelings for his best friend and roommate, Justin, before he died to walkers, and Mitch hasn't trusted "gross feelings" ever since... until James shows up and Mitch has to face the fact that he has romantic feelings for him while not being completely over Justin...

...y'know, totally different from Violet who is gay, had feelings for Minerva before she "died," and hasn't trusted mushy feelings ever since... until Clementine shows up and Violet has to face the fact that she has romantic feelings for her while not being completely over Minerva....

It's surface level stuff since they are written differently, and it's not like you're not allowed to have more than one character with character beats like that, but it's enough of a similarity that I get why it would rub Violet lovers the wrong way. Especially since nothing about that is canon with Mitch's character, y'know? It's the character I gave him.

I don't think it was coming from the Violet crowd [the aggressively obnoxious fans no one likes], I think it came from people who were genuinely bummed or put off by my more antagonistic portrayal of her, only to see similar traits portrayed positively with Mitch.

And that bothers me. I do like the way I wrote Mitch, but I hate the way I wrote Violet. It's made me step back and analyze why I wrote them the way I did, y'know?

But the BIGGEST criticism from readers I've gotten?

[with you] is unfinished.... valid, but there isn't anything I can add that. Sorry y'all, it's discontinued, I'm never going to finish it.

The best I can give you is what I planned: a big wedding scene where Clementine and Louis exchanged vows and kissed. Violet showed up and made amends with Clementine. Clementine talked Mitch into dancing with her even though he hates dancing. Aasim tried to ask Ruby to dance, panicked, and asked Mitch instead who was like "...Fuck no, RUBY COME DANCE WITH AASIM!" Louis and Clementine left early to head back to their room and it probably would've ended with some sappy line about being together to the end.

So... there ya go? It's not a final chapter but that's the gist of what would've happened.

But moving on, I was also going through a lot of things in my personal life that I won't get into. I was working on other writing projects that I had more interest in, so [with you] was put on the backburner. Then, over time I grew more sour about it the more pressure and guilt I put on myself, added with the pressure and guilt put on by my readers.

I do want to clarify that it's not like ALL of my readers were like this. Most of them were sweet, supportive followers who only had nice things to say. But you know how it is... you could get ten comments/asks, nine of them positive and one negative, and it's the negative one that's going to stick to you.

So, to my lovely readers, I am sorry that I let you down by not finishing it. To the rude readers, I'm less sorry because y'all were dicks.

Y'know... I can look at all of my other works and either be like "Yeah, I'm really proud of that story," or "Eh, it was one of my earlier works, so I can't be too hard on it."

But [with you] puts me in a crisis of "oh god I'm a fraud, I was never a good writer, what am I doing??? why?? why are you like this??"

and I have to snap myself out of it. That's why I'm so like this about it now.

There are other little things I could go into, but this answer is long enough. I figure if anyone has any further questions or criticisms, they'll send 'em in and I can answer them that way.

I've moved on from all my twdg writing, I'm writing dragon age stuff now, and it's finally working for me so it's not like [with you] has me all hung up still. Plus, I think it's good to go back and learn from mistakes made in old works, y'know?

[thedeadthree]

ok ok listen…….. what if i made a oc verse set in m*etriod.. like a clown or two set in the verse ✨👁🥀❣️

[aztrosist666]

once again forgot canon diluc is skinny. untwinkify him immediately @hoyoverse @mihoyo @genshinimpact @cognosphere

[gh-0-stcup]

One thing that's so odd to me about the Eugenia Cooney thing is how there's still people who think she's in denial about her ED.

She knows. She was in a treatment program, she mentioned in it Shane's "documentary". The people who are wondering what she's saying to convince doctors (and the recent crisis team) that she's fine kind of boggle my mind.

She just tells them the truth. That she has an ED and either that she's trying to work on it by herself or that she does not want to get better. It depends on where you live, but very often medical professionals aren't going to bother putting limited resources towards someone who does not want the help.

She can say, "Yes, I'm anorexic. Yes, I know I could die. No, I don't think going somewhere would help but thank you for the resources." Whether they decide that's grounds for commitment or not depends on the laws of her state and the personal judgement of those evaluating her.

Leaving her to die and moving on to the people who are in her same physical state but begging for help isn't exactly a wild decision.