#assamese song lyrics

[bollyrics]

Milesun Kothabur Lyrics - Nilakshi Neog & Neel Akash

Milesun Kothabur Lyrics Milesun Kothabur Lyrics: Assamese Song 2023 sung by Singer : Nilakshi Neog, Neel AkashTune : Nilakshi Neog, Lyrics : Mrinmoy Mrittik, Music : Ujjwal Aarong, Mix & Mastering : Diganta Bordoloi Assamese Songs Lyrics of Milesun Kothabur Singer : Nilakshi Neog, Neel AkashTune : Nilakshi NeogLyrics : Mrinmoy MrittikMusic : Ujjwal AarongGuitar : Kowstav Moni PhukanFlute :…

[saraaxom]

Ongkita Full Lyrics - Shankuraj Konwar

Ongkita Full Lyrics – Shankuraj Konwar

Ongkita Full Lyrics Ongkita Assamese song lyrics is written by Maitrayee Patar. The song is sung by Shankuraj Konwar and music is given by Tonmoy Krypton. Singer: Shankuraj KonwarMusic: Tonmoy KryptonLyrics: Maitrayee PatarCast: Prasant Tiwari & Dhyani Mohan Uka dusokure aasutiya batereHukula ejak dawor name moi somokouKopahi sadoror hemeka aasolkhoneMate aaukhi tu junakoke moi…

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Poornima - Channe Ke Khet Mein 1994

Anjaam (Consequence) is a 1994 Indian Hindi-language psychological thriller film directed by Rahul Rawail. It stars Madhuri Dixit and Shah Rukh Khan in lead roles with an ensemble supporting cast. The film's music was composed by Anand-Milind, with lyrics written by Sameer. The film is about a woman facing the brunt of her obsessive stalker. It also focuses on the atrocities committed against women. At the 40th Filmfare Awards, Anjaam won Khan the Best Villain award for his performance. Madhuri Dixit repeated the iconic dance moves for the song in the 2022 Netflix series The Fame Game when her character meets some fans dancing to it.

Poornima Shrestha was the first successful child singer in Hindi films, and became one of the most prolific female playback singers in Bollywood during the 1990s. She was one of the top-ten selling 1990s artists with her album Mera Dil Bole Piya Piya. Poornima has sung in many languages including Bengali, Nepali, Marathi, Bhojpuri, Punjabi, Gujarati, Oriya, Rajasthani, Assamese, Haryanvi, Garhwali and Arabic. Apart from films, she has sung numerous songs in genres such as Baal Geet, Bhavgeet, Bhajan, Ghazal, Chutney and Indipop.

"Channe Ke Khet Mein" received a total of 67,7% yes votes!

[arup-saikia]

BIHU:ORIGIN ,TRANSITION AND MODERNITY  By Arup Saikia

India is land of festival. Culturally regional nationalism is main uniting thread of socially, politically diverse country like India. Bihu is national festival of entire Indian state of Assam. 

                    Nobody knows when or how bihu was created ,but it is invariably confluence of three major cultures of Austro-Asiatic,Indo-Aryan and Tibeto-Burman.Later many immigrants from India and abroad including Muslims imbibe the Assamese culture and subscribe to flourish Bihu syncretizing with their own cultural elements and finally attained today's form.There is three different types of Bihu-Kati,Magh and Bohag celebrated in three agricultural period of life.

BIHU WORD:Deori people called Bihu as BISU(excessive joy). With historical evidence Bihu was carried by Deori, Chutiya and Kachari people from late twelve century in Sadiya based Chutiya Kingdom.But other Bodo kachari tribes like Tiwa,Rava,Mikir,Dimasa celebrate Bihu as Busu,Pisu,Busy Dima or Dumsi etc.But Bodo has uniquely address Bihu as Baisagu.Later simplified and partially sanskritised name popularly became Bihu.

RELIGIOUS ORIGIN OF BIHU: Bihu has been celebrated by various tribes of Bodo-kachari origin since ancient times. But as  stated above mediaeval Bihu is started from Sadiya Kingdom led by Chutiya.Copperplate inscription was found in Lakhimpur district (Erstwhile part of chutiya empire). Where, clearly mentioned,king Lakshminarayan on 1401AD granted land to Brahmins on auspicious occasion of Bihu.

                                  Bihu performance started from first week of Assamese month CHOT to last intervening night until start of month BOHAG.On the floors of THAAN(temples) dedicated to KECHAI-KHATI,DIKKARAVASINI or KOLIMOTI.Youngsters danced throughout night until last intervening night of CHOT.Being performed in night, this is called Rati(night) bihu. Very vigorous dancing postures of dancers believed to be attributes of Goddess.This is considered as indication of Goddess (Kolimoti)descended from heaven. Urukuwa or uruka start after perceived arrival of Goddess Kolimoti or Kechai-khati on earth in the end of month chot.Urukuwa or uruka is Sadiya-Kachari term means to end.

                           Next day of Uruka is Goru(cattle)bihu.On night of Goru bihu young people again danced in temples sacrificing animals to Deity.Then young people in folk visited village households to perform bihu which is called HUSORI.The tradition of starting HUSORI from temples by Sadiya-Kachari and other Tibet-Burma people gradually replaced by NAMGHAR(Assamese prayer house)for Arayan influence.Human sacrifices were also done on altar of Sadiya.But on occasion of Bihu it's clearly not known.

THEME OF BIHU:

Bohag or Rongali bihu is originally dance-centric natural platform for youngsters to express love and joy. First lyrics of bihu were called 'Bonoriya Geet 'i.e wild song of young hearts longing for lovers. 'Bonoriya Geet'(wild song)or bihu rooted its origin in paddy fields, jungle while grazing cattle far away from human settlements- suitable place to express suppressed longing and craving through these songs. Therefore songs have erotic undertone. 

BIHU AND BHAKTI MOVEMENT:

During bhakti (devotion)or neo vaishnavite movement from 15th century onwards under Assamese polymath,social reformer Saint Sankerdeva and teachings of his newly created religion EK SARAN(Motto-one supreme soul in universe)more energetically synthesized Assamese society breaking strict age old boundaries of caste or class system.

Although there was no direct influence on bihu for social renaissance-Sankerdeva has initiated by preaching his revolutionary religion (EK SARAN or devotional movement).But way and outlook of bihu perfomance had been changed dramatically. Some spiritually refined words and name of some hindu Gods taken in HUSORI(one kind of male bihu).Praying and blessing in the name of hindu Gods in Husori is effect of Bhakti movement. 

ROYAL RECOGNITION OF BIHU :

During heyday of Ahom dynasty on 1696 Ahom monarch Rudra Singha patronized bihu for the first time by inviting or permitting to perform in courtyard of Ranghar (house of joy).Immediately once considered a low key festival celebrated by few in riverbank or cultivation field,became widespread festival embraced by all people traversing different ethnic groups, caste and communities. Consequently  a new form of Assamese cultural nationalism had emerged.Songs are changed  from erotic or sensuous to panergyric type i.e-song sung praising king and his deeds. 

PARTICIPATION OF FEMALE:

Exact date isn't known when male and female allowed to dance together, which once considered social taboo.It's probably after royal recognition under Ahom monarchy,both sexes were started to participate together in bihu. 

BIHU UNDER BRITISH RULE:As a result of treaty of yandaboo(1826)signed between British and Burma, British entered and began to rule Assam. Before advent of British,Assam was politically ruled by two administration-one by Ahom dynasty in almost upper Assam upto Nowgong and lower Assam from Nowgong onwards by koch  kingdom .British virtually unified Assam and cultural exchange began between two prior disbanded state.Eventually popularity of bihu spread to lower Asssm also and incarnated as festival of whole Assam. 

               However in nineteenth century some new english educated Assamese intelligentsia like Haliram Dhekial Phukan, Anandaram Dhekial  Phukan, Gunabhiram Baruah, Kamalakanta Bhattacharya demoralized Bihu as dance of vulgar and barbarian. But by grace of cultural maestro Jyoti prasad Agarwala, literateur Lakshminath Bezbaruah, Poet Raghunat Choudhury, social worker Radha Govinda Baruah, Bihu had been widely promoted.

TYPES OF BOHAG BIHU:The most popular unique show of Bohag bihu is dance ,variably associated with different kind of bihu.

(I)HUSORI=Performed on courtyard of villagers started in 1896 in the courtyard of Ranghar (house of joy).Previously male only troupe, but now females also participate. 

(II)MUKOLI BIHU =Performed in open space, boys and girls mingling together. 

(III)JENG BIHU/RATI BIHU=Traditionally it is  direct counterpart of men only HUSORI. Performed by women  folk only.In JENG bihu no musical instrument is used.RATI Bihu is supposed to celebrate  at night away from men's eye symbolizing women liberation. Repertoire is the same of JENG bihu.

(IV)GOS TOLOR BIHU=Bihu under a banyan or big tree.It is previous version of MUKOLI bihu.

(V)FAAT BIHU =Prevalent modern postures of Bihu dance imitated from Faat bihu.Celebrated in Mohguli Chapori near Charikoriya river of Dhakuwakhana. It is one of the oldest Bihu of Assam.Faat means trading place or torn out. It's believed that traders from different places assembled there for bihu celebration.Moreover sections of people dispersed from Sadiya for Ahom-Chutiya conflict believed to be main motivational force behind this festival.For uncontrolled excitement and gaieties performers clothes were torn into strips and musical instruments were cracked. So this Bihu may be named as FAAT Bihu.

DIFFERENT DANCE AND ORCHESTRA 

(I)KHUPAT DHORA DANCE =Female bihu dancers dance swaying to orchestra of Dhol(drum),Tal(cymbals) Hutuli(made from mud),flute, Toka and Gogona(both are made of bamboo).This dance posture is to place dancers' hands at the nape of their neck. 

(II)TAKURI GHURA NACH=Dancing very speedily and pirouetting at the same place,dancers partially became invisible. 

(III)POKHILA URADI NACH=Dancing like butterfly. Hands move like wings of a butterfly. 

DIFFERENT FOOTSTEPS IN DANCE :

(I)MOKORA BULONI=Dancers move their feet like a spider.

(II)PORUA BULONI=The feet motion of a dancer is like an ant,goes in row to particular direction.

PRESENT BIHU =Bihu survives since time immemorial through many socio-cultural upheavals changing its form as time demands. Starting from farmland ,Bihu reached digital world via stage, will remain alive as long as Assamese live.

ABOUT WRITER:Arup Saikia is an alumnus of Delhi University. He is noted cultural activist, actor, scriptwriter and poet-authored two poetry books namely SILPI SATTA and SABDA.As director ,actor and translator he has performed BHAONA in English language for the first time from Assam in India and abroad.

email id-arupsaikia07@gmail.com phone -+919954050690

[axomlyrics]

Moina Kun Bidhatai Lyrics - Dr Bezbaruah 2

Moina Kun Bidhatai Lyrics from the Dr Bezbaruah 2 movie sung by Zubeen Garg & Indrani Talukdar is the latest Assamese song with music also given by Ramen Baruah. Moina Kun Bidhatai Lyrics are written by Dr. Nirmal Prabha Bordoloi. The music video featured Siddharth Nipon Goswami & Kingkini Goswami and it was released by Saregama Regional. Moina Kun Bidhatai Song Details: Song:Moina Kun…

[hungama123]

Hungama: Music Movies Podcasts

Forget the hassles of switching between apps for Music and Movies. With the Hungama app, you can listen to 30 million+ songs, watch 8,000+ movies, Original Tv Shows, Music Videos, Podcasts, Short Films, Online Radio & much more! There are no free songs on other song apps, but the Hungama app gives you access to listen to free unlimited trending songs.

The New All in One Hungama app has different varieties. Here are some things you can opt Hungama app for:

● Latest Songs - Listen to all New Songs, Trending Songs, Top Albums, MP3 Playlists & much more on our new Hungama App.

● Hungama app gives you your favourite music in the language you prefer like Hindi Music, English Music, Punjabi Music, Bhojpuri Music, Marathi Music, Bengali Music, Kannada Music, Gujarati Music, Tamil Music, Telugu Music, Malayalam Music, Rajasthani Music, Oriya Music, Haryanvi Music, & Assamese Music.

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[translationwala]

Your Comprehensive English to Assamese Translation Partner – Global Success Starts Here

Assam is one of a kind on the world stage. It is home to one-horned rhinos, lush tea fields, and lively Bihu fairs. People from all over the world are interested in its rich cultural history and growing industries, which makes contact between the countries even more important. But it can be hard to bridge the gap between English and Assamese. That’s where we come in as your full-service English to Assamese Translation.

Why Assamese? The Unfolding Opportunity:

Assam is no longer just a place to visit for its beautiful scenery. It is attracting investors and partners from around the world with its growing IT industry, farming products, and arts market. This makes a lot of options available to companies, groups, and people who want to experience the lively spirit of Assam. But language is often the first thing that gets in the way.

Type in “Assamese translation.” By getting your point across clearly in the original language, you can build trust, understanding, and teamwork across cultures. Assamese translation makes sure that your message hits home on a deeper level, whether it’s a business pitch to possible Assamese investors, a campaign to promote your products made in Assam, or even a meaningful message for your loved ones.

The Nuance of English to Assamese Translation:

The language Assamese is more than just words and sounds; it’s a mix of feelings, cultural references, and complex phrases. It’s not always possible to get the flow and heart of the original message from an exact copy. That’s why we’re proud to be more than just interpreters; we know a lot about the Assamese language.

Every word has a cultural background, a subtle sense of humor, and a lot of emotional meaning. We use more than just book meanings. We add local proverbs, funny slang, and vivid metaphors to make sure that your message not only gets to the people you want to reach, but also hits their hearts.

Our Expertise: Your Success Story:

Our team of skilled and passionate Assamese translators brings a diverse range of expertise to the table:

Technical translations: We are very good at making sure that complicated law papers, financial reports, and technology instructions are understood.

Creative translations: We bring your unique ideas to life in Assamese with artistic flair, whether it’s for marketing materials, website content, books, or song lyrics.

Media translation: We give movies, videos, and other digital material new life while making sure that the emotional effect and cultural details are kept.

Interpretation services: We connect people in real time, making it easier for them to talk to each other in public events, business meetings, and workshops.

More than just words, we offer a comprehensive package:

Quality assurance: We use strict, multi-stage quality checks to make sure that the material we copy is correct, acceptable for the target culture, and free of mistakes.

Fast turnaround times: We know how important your projects are and always meet your dates for high-quality texts.

Competitive pricing: We offer a range of price choices to meet the needs of your job and your budget.

Confidentiality: We appreciate your trust and will make sure that all of your information is kept secret.

JOIN US ON THE JOURNEY:

We are your valued partner whether you are a global company joining the Assamese market, a local business owner showing off your goods to the world, or just someone who wants to talk to their loved ones in their own language. We think that language shouldn’t get in the way of success, and we want to help you reach your goals in the exciting world of Assamese language.

Source: https://translationwala.wordpress.com/2024/01/05/your-comprehensive-english-to-assamese-translation-partner-global-success-starts-here/

[assamnews]

‘Gulzar is a part of my creative journey’-Namrata Datta

‘Growing up, Gulzar's lyrics were not just melodies to me; they were an intimate connection etched into my heart. As a singer, his compositions echoed through my childhood, and I found myself frequently humming his tunes. However, it wasn't just the music that captivated me; it was the enchantment woven into his words. This profound admiration for Gulzar's artistry sparked my interest in exploring his literary world, leading me to his book, 'Actually I met them.' To my astonishment, the journey took an unexpected turn when Sanjay Kumar Sanyal, a respected producer at Assam Publishing Company, presented me with a unique opportunity – to translate Gulzar's book into Assamese. The outcome was the Assamese rendition named 'Smritir Manuhbor.' The unveiling ceremony was graced by Mumbai's screenplay writer and director, Akashaditya Lama, alongside Kolkata's Ranjan Ghosh.’

Subham Panseshwar delved into a conversation with Namrata Datta about the book and her fascinating journey of creativity.

Q: How did your foray into writing begin?

Namrata: My journey into writing commenced during my school days, although initially, I never envisioned sharing my creations with the world. Singing occupied the forefront of my pursuits at that time. After marriage, a serendipitous encounter with La Rochefoucauld's 'Maxim' ignited an unplanned translation journey, fueled by a growing attachment to the book.

Fate intervened when I met Mr Jiten Deka, a senior publisher from Nalbari, who, after a brief discussion about books, requested a manuscript. His unwavering confidence became a pivotal catalyst. Completing the translation and handing it over to him, I soon discovered a report in the weekly newspaper Sadin, acknowledging the Assamese translation of 'Maxim' by me. It was a report by Bedabrat Bora. This unexpected recognition was a gratifying milestone.

Q: Tell us about your original writing.

Namrata: Inspired by Keshab Mahanta's Assamese lyrics, I harboured a fervent desire to unravel the untold stories behind those melodious tunes. Approaching him, he generously agreed to share his insights, culminating in the creation of 'Priyatama ei Jivan.' The book garnered positive feedback. Additionally, I authored a novel titled 'Kathopakatha,' derived from a distinctive Sunday program I conceptualized for a local FM channel. It was a fictional narrative in the form of conversation. Curated songs were inserted in between the conversation to enhance the situation and the mood of the narrative. Rituparna Das, a distinguished broadcaster and playwright-director, lauded the program's form and content. Later, I expanding this concept into a novel. Mr Das hosted the book release event. Pervez Ahmed, a filmmaker, and my school friend, even translated parts of the novel into an English film under the title ‘Cherrypicker’, now available on mxplayer.

Q: You wrote a book on Assamese Lyrics and the Freedom movement. Could you share more about this book?

Namrata: This book emerged from a research project that earned me a Senior Fellowship from the Indian Government's Department of Culture. Titled 'Reflection of India's Freedom Movement in Assamese Lyrics,' it proved to be a laborious yet profoundly fulfilling undertaking.

Q: What about your book on Modoji's Maan Ki Baat?

Namrata: The concept for this book originated from Sanjay Kumar Sanyal. We meticulously selected excerpts from Modiji's 'Mann Ki Baat,' focusing on social responsibility, community development, success stories, and innovative ideas evident in his speeches. I firmly believe these speeches unveil the leader's inner spirit, philosophy, and administrative approaches. The resulting book, titled 'Mor Priya Deshbashi,' is an essential read for those seeking to understand the man behind the Prime Minister.

Let me add one line more, I translated some poems by GulzarJi and those were published in book form by a prestigious publication house of Assam- Journal Emporium. The title of the book is ‘Gulzaror Kabita’ (Poems by Gulzar). That was probably first translation of Gulzar in Assamese book form.

Beyond her writing journey, her career has taken diverse paths, from being a casual announcer and news reader at Akaswani and Doordarshan to transitioning into private TV channels and FM radio. She has also worked in newspapers and magazines. Presently, her active involvement in social work. Her projects includes co-authoring a book with my husband - , titled 'Pati, Patni and Bandhabi (Man, woman and Girl Friend).' And household hacks for working women titled Gharuwa Diha (Household Tips).

[songslyricsonline]

Rongin Lyrics – Sannidhya Bhuyan

Rongin Lyrics: The song is sung by Sannidhya Bhuyan. The Assamese song Rongin lyrics is written by Rajib Bhuyan and has music by Aarxslan. Rongin Song Credits: Song: Rongin Singer: Sannidhya Bhuyan Music: Aarxslan Lyrics: Rajib Bhuyan Music Label: Times Music Axom Rongin Lyrics Hukhore barikhare nodite haturisu Hukane otitore smritike pahorisu Premore modirare hobake adorisu Rongin jibonore…

[keepalivebollywood]

10 Timeless Bollywood Classics By The Legendary Lata Mangeshkar You Should Listen Today

For more than seven decades, Lata Mangeshkar has been an iconic voice of Indian film music. As the most recorded artist in history, she’s had a hand in making some of Bollywood’s most beloved classics. Today, we’re taking a look at 10 of her timeless tracks that have stood the test of time and still inspire listeners.

Introduction to Lata Mangeshkar

Lata Mangeshkar is a legendary Indian playback singer. She has recorded songs for over a thousand Hindi films and has sung songs in over thirty-six regional Indian languages. She is one of the best-known and most respected playback singers in India.

Mangeshkar was born on September 28,1929 in Indore, Madhya Pradesh, into a Marathi family. Her father, Pandit Deenanath Mangeshkar, was a classical singer and her mother, Shevanti, was a homemaker. Mangeshkar’s elder sister, Meena Khadikar, was also a playback singer.

Mangeshkar started singing at an early age and made her film debut when she was just thirteen years old. She has recorded songs for films in various Indian languages, including Hindi, Marathi, Bengali, Assamese, Gujarati, Kannada, Bhojpuri, Malayalam and Oriya. 

Mangeshkar has won several awards for her contributions to Indian cinema, including the Padma Bhushan (1969), the Padma Vibhushan (1999) and the Bharat Ratna (2001). She has also been awarded the National Film Award for Best Female Playback Singer five times.

Mangeshkar’s career spans more than seven decades. She has sung songs for some of the biggest names in B

List of the top ten Lata Mangeshkar songs that have stood the test of time 

Lata Mangeshkar is a legendary playback singer in India who has sung thousands of songs in her career spanning over seven decades. Her voice has been heard in some of the most iconic Hindi film songs of all time. Here is a list of the top 10 songs by Lata Mangeshkar that have stood the test of time:

1. Aye Mere Watan Ke Logo: This patriotic song was composed by C. Ramchandra and written by Kavi Pradeep. The song commemorates Indian soldiers who died during the Sino-Indian War in 1962. The song is still remembered today as one of the most emotional and patriotic songs ever sung.

2. Lag Jaa Gale: This romantic ballad was composed by Madan Mohan and written by Raja Mehdi Ali Khan. It was picturized on  Manoj Kumar, Sadhana and released in 1964. The song is still popular today for its soulful melody and lyrics.

3. Chhup Gaye Sare Nazare: The song is a romantic ballad and is one of the most memorable songs sung by Lata Mangeshkar. Her voice is so beautiful and expressive that it perfectly conveys the emotions of the characters in the song.

4. Tere Bina Zindagi Se Koi: This evergreen love song was composed  by R.D. Burman and written by Gulzar. It was picturized on Sanjeev Kumar and Suchitra Sen from the film “Khamoshi” and released in 1975. The song is still popular today for its soulful composition and meaningful lyrics.

5. Bahon Mein Chale Aao: The lyrics of the song are very heartwarming and describe the feeling of being in love. The song is from the movie Anamika. Bahon Mein Chale Aao is one of those songs that will stay with you long after you’ve heard it.

6. Yeh Galiyan Yeh Chaubara:  This melodious song is from the movie Prem Rog. The song is sung by Lata Mangeshkar, and the music is composed by Laxmikant Pyarelal. 

7. Ek Pyar Ka Nagma Hai: This song is one of the most popular songs sung by Lata Mangeshkar and Mukesh from the movie Shor and was released in 1972. The lyrics of the song are penned by Santosh Anand and the music is composed by Laxmikant-Pyarelal. It is a perfect track to listen to when you’re feeling romantic or missing your loved one.

8. Kora Kagaz Tha Yeh Man Mera: The song  was sung by Lata Mangeshkar and Kishore Kumar, and picturised on Sharmila Tagore and Rajesh Khanna. The song starts off with a simple melody that gradually builds up into a crescendo. The lyrics are written in a simple yet emotive style, which perfectly captures the feelings of love and longing. The two singers have done a phenomenal job of conveying these emotions through their voices. The music is also very catchy and will stay with you long after you’ve heard it.

9.  Yeh Kahan Aa Gaye Hum: This is a classic Bollywood song that has been sung by Amitabh Bachhan and Lata Mangeshkar. The song is from the movie Silsila and is one of the most popular songs of all time. The lyrics of the song are very meaningful and the tune is very catchy. The song has a very strong emotional impact on the listeners.

10.  Tujhse Naraz Nahi Zindagi: This song from the movie Masoom is sung by Lata Mangeshkar.  The song is a beautiful ballad that has a message of hope and resilience. It is a perfect song for someone who is going through a tough time in their life. The lyrics are very relatable and the melody is very soothing. This is one of those songs that you can listen to over and over again and never get tired of it.

Describe what makes Lata Mangeshkar’s voice so unique and special

Lata Mangeshkar is often referred to as the Nightingale of India and is one of the most celebrated playback singers in Bollywood history. Her unique voice has been described as “honey-coated” and “clear as a bell”, with a wide range and perfect pitch. Lata Mangeshkar began singing at a young age and made her film debut in “Paa laagu kar jori re” from “Aapki Sewa mein” (1947). She went on to record songs for hundreds of Hindi films and has sung in over 20 languages. Mangeshkar’s voice is truly one of a kind and her contributions to the world of Bollywood music are immeasurable.

How Her Songs Are Still Relevant Today

Lata Mangeshkar is often referred to as the Nightingale of India and has been praised for her exceptional vocal abilities. She has recorded songs in over a thousand Hindi films and has sung in multiple languages .

One of the things that makes Lata Mangeshkar’s music timeless is her ability to connect with her listeners. Her songs are full of emotion and resonate with people even today. In a world where Bollywood movies are increasingly becoming more formulaic, her songs offer a much needed respite. They are a reminder of a simpler time when movie songs were truly reflective of the human experience.

Some of Lata Mangeshkar’s most popular songs include “Bhigi Bhigi Rato Me”, “Tum Aa Gaye Ho Noor Aa Gaya”, “Zindagi Pyar ka Geet Hai”, “Gum Hai Kisike Pyar Me” and “Dil To Hai Dil”. These songs are still relevant today because they deal with universal themes such as patriotism, love, heartbreak and longing. No matter what language you speak or where you’re from, these songs will speak to you on a deep level.

The continued influence of her music and how it has impacted subsequent artists

Lata Mangeshkar is one of the most prolific and respected playback singers in India. She has sung hundreds of songs in Hindi and other Indian languages over her career, which spans more than seven decades. Her music has been influential to subsequent generations of Indian artists, both in terms of her vocal style and the choice of songs she has recorded.

Mangeshkar’s influence can be heard in the work of many contemporary Indian singers. For example, Sunidhi Chauhan has cited Mangeshkar as an inspiration, saying “I grew up listening to Lataji’s songs and try to emulate her style in my own singing.” Similarly, Shreya Ghoshal has said that “Lataji is my biggest inspiration… There is no one who can match her versatility or expressiveness.”

Lata Mangeshkar’s work has also been referenced by a number of international artists. In a 2013 interview, Beyoncé said that she was influenced by Mangeshkar when she was growing up: “My mom used to play a lot of Hindi movie music around the house… I definitely remember being fascinated by the sound of Mangeshkar’s voice.” .

Conclusion

Lata Mangeshkar has been an iconic figure in the Indian music industry for over 70 years, and her influence on popular culture will no doubt continue for generations to come. Her timeless songs have touched the hearts of millions, transcending boundaries of language and geography. There is no denying that Lata Mangeshkar was a pioneer when it came to Bollywood music, and she deserves all the respect and admiration that has been bestowed upon her by fans around the world.

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Radhika Lyrics – Tanmoy Saikia

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Radhika Lyrics – Tanmoy Saikia – Assamese song Lyrics Radhika Lyrics – sung by Tanmoy Saikia, while the Lyrics of Radhika song were penned / Composition by  Tanmoy Saikia only, Music Mixing & Mastering by STANNiUM. Female Vocals – Darshita Priyam Radhika Song Info: Song: Radhika   Singer(s): Tanmoy Saikia Music(s): STANNiUM Lyricist(s): Tanmoy Saikia Label(©): Tanmoy Saikia Radhika Lyrics…

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Eneu Moi Dhuniya Lyrics - Meghali Borokha & Bijoy Shankar

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Ojanite Tumi Lyrics - Karan Rao

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Ojanite tumi Lyrics Ojanite Tumi Lyrics is written by Uttam Baruah & Pranjit Exan Hazarika. The song is sung by Karan Rao and composed by Bornil Borah. Singer: Karan RaoComposed by: Bornil BorahLyrics: Uttam Boruah & Pranjit Exan HazarikaMusic: Pincool Ojanite kinu morom hani dilaPolokote kinu hopun aaki dilaOjanite kinu morom hani dilaPolokote kinu hopun aaki diladhip, dhip, dhip, dhip kolija…

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Kuwasun Ebar Bhal Pao Buli Lyrics - Zubeen Garg

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Kuwasun Ebar Bhal Pao Buli Lyrics by Zubeen Garg is the latest Assamese song with music also given by Dipkesh Borgohain. Kuwasun Ebar Bhal Pao Buli song lyrics are written by Jatin Patar. Kuwasun Ebar Bhal Pao Buli Song Details: Song: Kuwasun Ebar Bhal Pao Buli Singer(s): Zubeen Garg Musician(s): Dipkesh Borgohain Written by: Jatin Patar Label(©): Jollywood Now Music Kuwasun Ebar Bhal Pao…

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[ad_1] The 68th National Film Awards passed off in Delhi on Friday and the winners had been introduced their awards from President Droupadi Murmu. The record of winners was alread introduced some time again by Union Minister of Information and Broadcasting, Anurag Thakur. The award for the Best Feature Film has been bagged by 'Soorarai Pottru' starring Suriya. He additionally gained the Best Actor Award which he would share together with Ajay Devgn for his efficiency in ‘Tanhaji: The Unsung Warrior’. Ajay Devgn acquired the National Award for the Best Popular Film Providing Wholesome Entertainment for 'Tanhaji'. This is the third time that Ajay is successful the National award after he gained for movies like 'Zakhm' and 'The Legend Of Bhagat Singh'. Meanwhile, Vishal Bhardwaj has receieved the National Award from the President for the 'Best Music Composition' class for his music 'Marenge Toh Wahin Jaakar' in his documentary movie '1232Kms'. Aparna Balamurali has been adjudged Best Actress for her position alongside Suriya in 'Soorarai Pottru', whereas Biju Menon has bagged the Best Supporting Actor award for Malayalam movie 'Ayyappanum Koshiyam'. Lakshmi Priya Chandramouli will obtain the Best Supporting Actress award for her position in Tamil movie 'Sivaranjaniyum Innam Sila Pengallum'. Here's an entire record of winners of the National Awards 2022. FEATURE FILMS: Best Feature Film: Soorarai Pottru Best Direction: Sachy, Ayyappanum Koshiyum Best Actress: Aparna Balamurali, Soorarai Pottru Best Actor: Suriya, Soorarai Pottru and Ajay Devgn for Tanhaji: The Unsung Warrior Best Supporting Actress: Lakshmi Priyaa Chandramouli, Sivaranjaniyum Innum Sila Pengalum Best Supporting Actor: Biju Menon, AK Ayyappanum Koshiyum Best Telugu Film: Colour Photo Best Tamil Film: Sivaranjaniyum Innum Sila Pengallum Best Malayalam Film: Thinkalazhcha Nishchayam Best Marathi Film: Goshta Eka Paithanichi Best Kannada Film: Dollu Best Hindi Film: Toolsidas Junior Best Bengali Film: Avijatrik Best Assamese Film: Bridge Special Mention: Vaanku (Malayalam), June (Marathi), Avwanchhit (Marathi), Godakaath (Marathi), Toolsidas Junior (Hindi) Best Tulu Film: Jeetige Best Haryanvi Film: Dada Lakhmi Best Diimasa Film: Semkhor Best Action Direction: AK Ayyappanum Koshiyum Best Choreography: Natyam (Telugu) Best Lyrics: Saina Best Music Direction: Ala Vaikunthapurramulo (Songs): Thaman S (Background Score): Soorarai Pottru Best Make-Up: Natyam Best Production Design: Kappela Best Editing: Sivaranjaniyum Innum Sila Pengallum Best Audiography: Dollu [ad_2] Source link