#at almost 5 am

[sugdenlovesdingle]

Guys

Did you know

That random cats in the street

Actually don't run away from you

And even come over when you call them

And let you pet them???

[cubbyhole-for-flea-bee]

Macaque spent the whole season Big-Damn-Hero-ing and was NOT happy about it xD

[ameamedraws]

Romantic pillowtalk

[sorbeau]

if i had a nickel for every time i drew the bad kids having a sleepover

[poorly-drawn-mdzs]

Lap Pillow

[First] Prev <–-> Next

[persona-brainrot-real]

Sae Niijima is such a good character it drives me insane a little. She's not a mother nor a maternal or doting older sister but instead a twenty four year old who was thrown into a position of responsibility that she never asked for. She loves Makoto just as much as she resents her and its so apparent every time they talk up until November. "Are you studying?" (I want you to do well) (I need you to get a job and stop making my life harder) "I'll use any method necessary to get this promotion" (Life will be easier for us) (So stop distracting me with your problems) "Focus on your future" (I know that you're capable) (I can't afford to waste my time on you, so stop wasting time on others)

Makoto is not only the sole reason she pushes as hard as she does for a promotion, for success, and the reason that she loses herself in her animosity over her fathers death, but also someone she can't stand for so long. Makoto was 14-15 when their father died. Sae was 21. As soon as she got the career she wanted and things started to look up, her stability was robbed from her and she was disillusioned with the system that her father had taught her to rely on and completely adhere to. How do you manage, the daughter of a cop, following his footsteps towards law enforcement, when you're suddenly reminded of how unfair it is? You can't quit, your little sister relies on you and she's so young and struggling just as badly with this grief. So you pick yourself up and you get moving again. You push harder, press further. You abandon your morals and your ethics because punishing criminals (guilty or not) is almost like punishing the man who killed your father.

And the whole time she's fighting for promotions, going for drinks with the SIU Director to make herself more favourable for promotions, trying to navigate being a woman in a competitive, suffocating, male-dominated field, falling behind despite doing so much where others are promoted for doing so little - all the while your little sister comes back from school and her biggest issues are so small compared to yours.

Persona 5 revolves so heavily around grief and loss and change and Sae embodies all of that so well, all of the sharp and unpleasant and jagged parts of grief.

[anakirui]

hot take ??

the only reason people say that "mafuyu and tsukasa have nothing in common" when presented with mafukasa parallels is because they equate mafuyu and tsukasa being similar to "tsukasa has depression" because the fandom equates mafuyu's personality to being depressed and nothing else.

it doesn't help that people (primarily younger people in the fandom) who DO believe in mafukasa parallels end up making the mistake of portraying tsukasa as depressed because as of right now he is not (although it's possible he was in past because of his Very Unclear Middle School Backstory but that's irrelevant)

anyways, mafuyu and tsukasa are narrative foils because their core personalities are built off of the concept of wanting to make the people around them— especially their families— happy.

they both developed personalities at a young age based on someone they looked up to. for tsukasa, it was seiichi amami's performance that inspired him to be a star— a hero that could cheer anyone up. for mafuyu, it was her mother taking care of her that inspired her to be a nurse— and you can see the similarities from there.

for mafuyu, her identity would first come into conflict when her mother expressed her want for mafuyu to be a doctor— suddenly, "everyone's" happiness didn't match what she wanted to do, leaving her in a state of disorder and eventual depression.

for tsukasa, his identity was something he nearly forgot in its entirety at the start of the main story— becoming arrogant and fully absorbed in a hero persona, forgetting the kind person he truly is. furthermore, his current character arc seems to be foreshadowing that what "being a star" to him is going to be called into question— maybe it is something more than just being the main character that saves everyone.

their insecurities are incredibly similar.

in mafuyu's first mixed, mafuyu feels insecure towards ichika because unlike ichika, she feels as if her lyrics have no genuine meaning to be expressed to other people— despite them being her very real feelings. this is brought up again in her second mixed as well.

in tsukasa's third focus event, something similar happens. when watching seiichi's performance, he thinks that his acting is "real" and feels inferior towards him, which is ironic because tsukasa has been method acting this whole time. when tsukasa is acting out rio or bartlett or really anyone at this point in the story, it's not just those characters— it's a reflection of his traumas.

just like mafuyu, tsukasa undermines his passions he's poured his feelings into because someone else's work is more genuine in his eyes.

now, then, foils have many similarities and parallels (and i could honestly list a lot more), but how i define them is that they usually have some kind of major branching difference that MAKES them foils.

for mafuyu and tsukasa it's pretty straightforward.

mafuyu's people pleasing behavior comes from external expectations and pressures— her mother's demands.

tsukasa's people pleasing behavior comes internally, from himself— if he can't meet his own standards, if he can't be the perfect big brother or the perfect star, then he is nothing.

and even then, there's some overlap.

tsukasa's behavior was indirectly encouraged by his mother praising him for being a "good big brother" over the phone instead of asking him if he was okay while home alone.

mafuyu's terrified to be herself around other people because she doesn't want to worry or bother them— she doesn't want to be a burden— and projects her mother's expectations onto them, not realizing that they would prefer the real mafuyu if they knew the truth.

and the concept of mafukasa being foils is most perfectly and blatantly portrayed in these two cards.

mafuyu, the marionette, sitting limp on the floor— puppeteered by her mother's demands and donning a mask to hide her true self.

tsukasa, the jester, standing above everything else— puppeteering silenced plushies— his feelings. he's not being completely honest with himself, and he doesn't even realize it.

mafuyu has cut her strings and ripped her mask in half. she has acknowledged her true feelings and expressed them to her mother, even if she had to run away in the end.

tsukasa has not yet cut his.

[pierogish]

I grew a spine

[kaye-go-moo]

I did another thing because I have no self-control, and I think I got what you were putting down @void-dude ... maybe.

Also, I can't be serious because angst makes me sad 👍

I forgot Tads Tie 🙂🔫

[shoganaiiii]

human al

[saetoru]

suguru is a hand holder when either of you are cumming

he's in between your legs, they're hooked over his shoulders and your body is shaking against him as you cum on his tongue—and he notices the way your hand is clenched around the sheets, so he gently loosens your grip and lets your fingers tangle with his instead, rubbing your hand with his thumb as you writhe and whine. he lets one hand pull his hair and the other crush his knuckles, likes the way you hurt him a little as his tongue flicks over your clit, likes the way he can feel how good he makes you feel from the way you grasp his hand

or you're between his legs, on your knees as you look up at him, and he's got those breathy little moans falling erratically from his lips, his hand tangling in his own hair because he doesn't know what to do with himself as he feels himself near his high. and then your hand is soothingly rubbing over his tense thigh, and he doesn't even think, just grabs your hand and squeezes it to ground himself as his falls apart and spills into your mouth with a strangles gasp. he doesn't let go until he's calmed down and caught his breath, until he can pull you up onto his lap for a kiss to your lips and taste himself on you

but both of you like best when he's got his forehead pressed to your shoulder as his body is on top of yours, those sweet praises falling from both of your lips as you tell him he just feels so good, and he murmurs how you take him so well—and you both know it, you both can feel it coming at the same time. your walls flutter around him at the same time as his cock twitches with ropes of cum, and you're cumming together, hands lacing together sweetly, tightly, because you need to feel each other in every way possible, need to know you're there by breaking every physical barrier and just tangling together as if your bodies are meant to connect

[samarecharm]

Ryuji having the worst bi crisis of his fucking life bc his mom just had to fucking ask “oh, whats this young ladys name?” when he showed her a picture of Akira petting Morgana. Like okay yeah Akira is like objectively pretty, hes like the Classic Delicate Pretty Boy just like Yusuke which is like whatever; straight dudes have eyes, and they know what women like to see. But now hes like. Seeing things he likes in girls IN Akira now and he cant make it Stop like its genuinely keeping him up at night 😭

Pretty boy used to be A Face that would come up in his mind when he thought of the term. There was no specifics in mind, just like. Pretty Boy. Pretty boy! You say that and theres like a Face Template that shows up in ur minds eye and hed just attribute that to any dude who was like Vaguely Pretty. But now its Akira 😭 and he finds himself cataloging things that Akira does that he KNOWS he finds cute when girls do it. The hairtuck behind the ears. The headtilt when he mishears a question. The Actually Pretty Doe Eyes. The breathy, nearly inaudible chuckle he does in place of a Real laugh (thats made better by the fact that its so hard to get him to laugh in the first place). He likes cute snacks. He blushes easily. Ryuji is sitting here like ‘theres no fucking way man. Like theres just no way. That shit makes NO sense (a lie)’ lying in bed in the middle of the night looking like this vvvv w his phone in his hands (looking at pictures of akira)

It drives him insane bc like he did Not see any of these things as like inherently girly or whatever. Like thats just akira thats just his bro! And he does OTHER weird shit that cancels all that shit out. Hes like a messy engineer/tinkerer, he rolls out of bed and whatever situation his hair is is everyones problem. He wears that AWFUL gym uniform and doesnt tweak it AT ALL?? He likes baseball?? hes got a whole binder of trading cards that he will show off if u show any moment of weakness. Like hes just Some Dude but also manages to be Some Girl at the same time and Ryuji is like thats not fair. Life sucked ass but at least it made sense before Akira stumbled into it 😭

[aquariasmoon]

[clairedaring]

You're not gonna stop the car? Alright, then I'll get out myself. Joe! Let go! Joe!

MY STAND-IN (2024) | 1.09

[octylish]

Another one bites the dust

[drag00ni]

colors are a guessing game