sorry im just thinking about bcs but like. why not add a few smaller scenes of gus interacting with his own men? why does it seem like, in comparison, mike is almost immediately elevated to a higher status than those two in bcs purely because we actually get to see him having normal conversations with gus? like i understand they might not keep the plot moving as well because of the fact obviously if victor is currently doing something it’s because gus told him to etc. but for the most part all of the smaller interactions gus does have with those two ends up being in a somewhat high stress situation where it feels very tense between everyone. and it’s just like damn! is it always like that?? why do those two even care that much about their jobs if their boss is a bit of a dick? etc. i think even an additional scene or two with those guys (either alone or the both of them) talking with gus in a more normal situation could’ve both added a bit more depth into how gus treats his employees (we got a lot with how he treats lyle and co., but not a whole lot with the illegal side of things), how comfortable vic and tyrus feel around him in a calmer setting, and exactly why they both feel the need to be as loyal as they are to the guy.
and also on the other side of this i don't think it'd hurt to maybe elaborate on their pay just a bit..? i'm not saying to randomly put a number out into the atmosphere but i just mean some smaller things like. do they buy nicer things for themselves? what's their housing situation? what's their car situation? are the escalade / yukon their own vehicles or does gus just use those two for business situations? do they use them when they're doing their own stuff off the clock or do they have their own cars? etc. that can also help with understanding their motivations a bit. don't get me wrong i don't think they should be visibly rich or something because that's not what gus would want but just smaller things! cause it's easy to write their loyalty off as Well they probably get paid super well, which i'm sure is true, but if they don't show a single hint of that then what's the point. even something as simple as giving tyrus a nice watch, or maybe victor having a nicer looking gun, etc. something small like that. because as it stands right now the average 41 year old viewer who watched the show once only knows and will only ever know victor and tyrus as those two guys in the background who do random stuff for gus with no clear motivation. just the personification of "On it boss (salute emoji)". and to be honest this is true for a whole lot of fans who do watch the show multiple times and enjoy thinking about it more in depth, because on screen we barely have anything about the two.
and to be clear i'm not trying to say we should have an episode just for them or something like no i understand they're side characters. i understand we don't need all that. and i understand this is also primarily Jimmy's show. but it's not like these two are on the same level as like, arlo or paige and kevin etc. these guys have been around since brba. victor was literally introduced in the same episode gus was. and they are a huge part of gus's story, especially in brba. s4 wouldn't have been what it was without victor and tyrus. and in bcs, ignacio's situation wouldn't have been the same if it weren't for victor and tyrus as well. and i just personally believe that if their goal with gus in bcs was to go back and elaborate on how everything came to be and show what he was like a few years younger, they could've dragged victor and tyrus into that. and i think his character would've benefited from taking that extra step with those two.
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hi what do you think abt t4t kakayama (it's canon to me tbh)
:) hi ty for the question. i will do two sweet pictures of them being intimate and then under the cut there's going to be a longer very unsweet and more technical response
so i'm usually not a very shippy person! but that said i am also on the record as an occasional kakayama + kakayamagai enjoyer
i do hc them both as trans and in different ways w/ different experiences of transition and identity! i have no interest in proving my view as canon, but i do regard my reading of the text (text here including the anime) as a valid interpretation of yamato's experience of identity
yamato, for example, imo, doesnt have any real lived experience of being raised as a child of any gender. he was an experimental subject, and then he was Danzō's weapon/vessel for the mokuton, and then he was in anbu.
in a fun little word game which should not be taken seriously: it'd almost be more fitting to describe him as "adgender" rather than "transgender" since the prefix "trans" implies moving across where the prefix "cis" means to stand still, but the prefix "ad" means "to move towards" and i headcanon him as somebody who was degendered as a child, not in a cool nonbinary way, but instead in a dehumanizing, objectifying way, so his experience of creating his identity and his gender along with it is one of moving toward the concept of gender
this word doesn't and wont exist, but bc of the way english works it would probably be simplified to be spelled precisely the same as "agender" in the same way that "aggression" came from latin "aggredi" which came from "ad" (meaning to/toward) and and latin "gradus" (meaning step) (essentially the combination means "to step to" [in a threatening manner])
the only diferences is where agender (meaning no gender) is pronounced ay-gender, the agender that comes from adgender would be prounounced more like "uhgender" in the same way that agressive isnt pronounced like "ay-gressive" but instead like "uhgressive"
and then...as for kakashi? i just decided on vibes. i didn't think hard about it.
i guess i should also say that, while i draw kakayama very infrequently, when i do draw it i usually try to be very apparent about the transness in the artwork if i can?
especially if i'm drawing anything more intimate than a peck on the cheek.
it's no secret that shipping is often times the most energized part of fandom, and i kind of don't want to produce romantic or sexual artwork which will be enjoyed by people who don't think trans people can be attractive? or who find that trans headcanons make a character uninteresting to them? or worse, "ruin" a depiction of a character to them?
often i think about in terms of. IF there are people that follow me that love my work (usually) and think that kakashi or yamato are hot (usually) and love kakayama (usually) but get frustrated or even uncomfortable out when i draw them as explicitly trans? then i'm drawing all intimate artwork of them as explicitly trans.
it's a little like...nobody gets to love my work if transgender characters are a turnoff for them. that's the bar for entry, is the way i think of it, but really its more like putting onions in a dish. if you want to eat the dish you have to eat the onions. if you don't want to eat the onions, don't eat the dish. all the meals i make contain onions. i'll never compromise on my intention to put onions in every dish i make. that's my ninja way, as the kids say.
especially in the climate we're in right now.
i don't know. i have a lot of feelings about how most fandoms tend to view trans men, especially in terms of romantic and sexual relationships. I'm doing a bad job of expressing the depth of how much seeing how fandom treats trans male identity and transmasculine bodies impacts the way that i draw + write kakayama, but genuinely it's something i think about every single time i create content about them.
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Not to localizationpost but the reason Daigo's line sounds off is because it is <3 Not in that it's a mistranslation per se... He was saying he felt like he was the only coward among them, and "You're making me look like I have no balls." is One Way You Could Put That I Guess, but it loses his established character voice and is at odds with the delivery.
It's actually even more Kansai-like in the dub script, since dropping the G like this is near-exclusive to Kansai:
In Gaiden, I've noticed there's been a significant hemorrhaging of dialects that has at best been hastily cleaned-up. It's most evident with Nishitani III because he was, practically up until release day, localized like he's from Kansai even though he doesn't speak Kansai at all. I think I last talked about that before the game came out, but having experienced the game, there are still remnants of that in parts of the sub script and especially the dub script. You can also see it pop up with Kiryu using words like " 'bout" and " 'course," which He Would Not Say.
The introduction of slang where it doesn't really belong and the mixups with the dialects are relatively minor issues... until you have the accidental sexual abuse censorship fiasco on your hands because you decided to translate from Kanto rather than Kansai... lol...
In that instance and that instance only I feel entitled to monetary compensation from the localization team for all 60+ tweets I had to see questioning Shishido's abuse (yes I counted) (for this week's/tomorrow's video) because GODDDDD I can't even blame the players at that point... I just feel it fundamentally changes how you look at Shishido and Nishitani As Characters I will neverrrrr be over it I'm sorry...
On another note, while I'm talking about Shishido, setting aside the many actual mistranslations with his dialogue, I do kind of feel like they struggled with his character voice. He's notably much more polite than you'd expect, and I could tell the effect Yokoyama and Furuta were originally going for was something along the lines of the contrast between Mine and Jo's usual formality (depending on who they're addressing anyway Lol) and how vulgar and aggressive they get when they snap, just with the added layer of Shishido not looking as outwardly professional/put-together as those two.
Like. Y'know. It's not that Kansai is casual in and of itself, it's that many Kansai characters speak more casually and there's a higher ceiling for how colorful their language can get, but you still have to keep the individual character's voice in mind... Shishido also slips into the Kanto dialect on occasion, which has interesting implications for his character, and it's somewhat disappointing to not see that noted when the team for K2 did note when Sayama switched accents lol...
Anyway none of that matters what does matter is that in the scene you were referencing, in spite of making Daigo's line more vulgar than it is, they replaced Shishido calling everyone "dickcheeses" with "pricks" LIKE C'MOOONNNN YOU'RE TELLING ME JO CAN TALK ABOUT TEATS BUT SHISHI CAN'T GET PROPER NARSHTY... I get that it's kind of an unwieldy phrase but c'mooooonnnnnnnnnnnnnn it's his birthdayyyyy
i woulda just bout lost every marble i had left if they really let shishido get away with callin everyone smegma liiiikkkeee i wouldn't have survived LOL
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I LOVE going everywhere by bike. Don't need to wait for a bus. Don't need to cram myself into a bus with (urgh) people. Or even worse, what feels like every single student in town. I still get home in about the same amount of time. I'm so so flexible including with places. Like yeah sure, let's go there! I don't care if the next bus station is far away. Doesn't matter to me.
Stayed out late with friends recently. Two of em had to get their family to come pick them up because that's too far to walk and it was too late for buses. A different friend lives like 30 minutes away but always walks and their way goes through a small park where literally no one is at with few lanterns so it's pitch black and I could literally just walk them home and then take the bike which is faster and has its own light and feels and probably is safer than walking those dark ass streets at night alone.
Like. I can just do all that. And yeah, sometimes when I'm not doing too well I feel like collapsing afterwards and yeah, maybe my fingers feel like falling off a lot at this time of year but that's like. SO worth it. I have no idea how people can live and NOT go everywhere by bike. Like if it's more than 20-30 minutes maybe but even with hills.... I fucking love my bike.
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new oc batch ready! 8 more of these guys lol. the whole deal with this set is they’re from the artisan guild- lunar flair! intentionally spelled like “flair” as in “style” or “a flare for ____” rather than “flare”
basically all the members of the guild are different kinds of artists with different niches (and varying degrees of diva-ness). it’s pretty easy to tell who does what based on the everything about them, but if you want more info their bios are still under the cut!
Name: Jupiter
Name Origin: The planet of course
Pronouns: He/him
Age: 52
Guild rank: Guildmaster
Weapon: Lightning rods
Ethos (Power): Gigantomachy. He can make himself (even more) giant
Flaw power is based on: His overly protective nature, especially where the guild is concerned.
Notes: Literally the nicest guy ever until you provoke him though
Name: Erinome (Erin)
Name Origin: A moon of jupiter, the exact meaning of it’s name is murky but it can refer to grace or purity
Pronouns: She/her
Age: 13
Guild rank: 2 star
Weapon: A Book.
Ethos (Power): Poetic Imagery. Illusions cast forth by his her poems that change the appearance of the physical environment
Flaw power is based on: Her escapist indulgence in fantasy
Notes: You know, like, the pen is mightier than the sword and all that.
Name: Pictor
Name Origin: The constellation meaning “painter”
Pronouns: He/him
Age: 23
Guild rank: 3 star
Weapon: Giant paintbrush
Ethos (Power): Ardor. He can create three-dimensional things with his paintbrush. However they are not animate or alive.
Flaw power is based on: His conceited nature in regards to his own work.
Notes: Goes to museums to talk about how he could probably do it better anyway
Name: Oberon
Name Origin: A moon of the planet Uranus, it gets it’s name from the king of the fairies in Renaissance literature. Notably in Shakespeare’s A Midsummer Night's Dream
Pronouns: He/him
Age: 29
Guild rank: 5 star
Weapon: Rapier
Ethos (Power): Fantasia. An illusion of changing his own appearance.
Flaw power is based on: His theatrical nature, of course
Notes: Why is he ourple?
Name: Syrma
Name Origin: A star in virgo, it’s name refers to the train of a garment (Typically worn by actors in tragedies)
Pronouns: She/her
Age: 25
Guild rank: 4 star
Weapon: Giant needle
Ethos (Power): Binding threads. She can create stitches on any solid objects and bind them to each other. Including people- The stitches are manifested energy and do not hurt.
Flaw power is based on: The dependency she often has on bonds- i.e. threads that bind people.
Notes: She makes and models all her own clothes.
Name: Parumleo
Name Origin: A star in Pisces, it’s name means “small lion”
Pronouns: They/he
Age: 19
Guild rank: 3 star
Weapon: Microphone bardiche
Ethos (Power): Persuasion. If they can make you laugh you’ll temporarily have to follow his orders. Though it’s too weak to call full-blown mind control, and fairly easy to snap out of.
Flaw power is based on: His desire to be liked by others.
Notes: They’re like a lolcat. They can haz cheezburger.
Name: Leda
Name Origin: A moon of jupiter, the name means swan.
Pronouns: She/her
Age: 28
Guild rank: 4 star
Weapon: Duel ribbons
Ethos (Power): Poise. Complete and utter weightlessness.
Flaw power is based on: Her carefree and utterly absent-minded nature.
Notes: You guys know swan lake right? Well, there ya go.
Name: Styx
Name Origin: A moon of pluto that gets it’s name from the river of the underworld. Yeah it’s also a rock band.
Pronouns: She/they
Age: 20
Guild rank: 3 star
Weapon: Axe-guitar.
Ethos (Power): Vibrato. Powerful soundwaves cast by her axe-guitar
Flaw power is based on: Her brash and blasé attitude
Notes: Calls everyone “baby” or “babe” because they’re a cool rockstar.
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