#FEATHERONTHECLYDE - A mutuals-only multi-muse nurtured by sunshine.
About me:
Sunshine, 30, she/her ( trans fem ), Taurus. I'm an absolute dingus who lives cringe and will die cringe. I love my muses and animation and stories so much.
Rules:
This blog is not a safe space for bigots so take it somewhere else.
Don't be a dick. Be patient. Any vague posts will be met with a block. I come here to write what I want when I want to.
No forced shipping.
Please tag any bodily harm graphics. I also have Trypophobia so anything with a bunch of holes makes me nauseous.
NSFW and triggering themes will be present and tagged. 21+ to follow because of that.
Lastly, keep me out of your drama and be kind to one another. This is a hobby, remember that.
Mains & Affiliates:
@soughtbirthright
@entangledmuses
@lcstinfantasy
@descendantes, @r4chelamber
@ner0tic
@dcmur3
Quick Links:
Credits
Rules
Locations: Click for more !!
Kildare Island
Muses:
ORIGINAL CHARACTERS
Celeste Winters - Witch, 22 FC: Kaylee Bryant
Sylvie Nightbloom - Seer, 15+ FC Maisie Williams
Aspen Lightfoot - Elven princess, 21+ FC: Ruby Cruz
Elizabeth Murphy - Teacher, 20+ FC: Dakota Johnson
Alicia Piao - Psychology Student, 20+ FC: Natasha Liu Bordizzo
Tiabeanie Florence - Princess,15 FC: Georgie Henley
Allison Roe-Scott - Fashion designer, 18+ FC: Leighton Meester
Grace Scott - Student, 18 FC: Sara Waisglass
Alwyn Oakdweller - Half-elf, 25+ FC: Henry Cavill
Dante Moore - Vampire, Forever 18 FC: Quincy Fouse
Astrid Green - Bar / Lounge Owner, 20+ FC: Zoey Deutch
Jacklyn “ Jack ” Esparza - Student, Soccer player, 18 FC: Ruby Cruz
Umi Okoye - Student, animator, 18 FC: Ayo Edebiri
Sergio Garza - Cps worker, 30+ FC: Oscar Isaac
Leslie Bishop - bodyguard, driver, 30+ FC: Jesse Williams
Aubree Fraser - Nurse Practitioner, 20+ FC: Jessica Henwick
Peyton Wong - Photographer, 19+ FC: Chase Sui Wonders
Greta Cohen - Event Planner, 18+ FC: Emilija Baranac
Ryker Cameron - Kook, 20+ FC: Ryan Gosling
Jaden Reeves - Werewolf, 20+ FC: Josh Hutcherson
CALL OF DUTY
Kyle " Gaz " Garrick (25+) - FC: Elliot Knight
Simon " Ghost " Riley (25+) - FC: ???
EUPHORIA
Fezco (19+) - FC: Rish Shah
Jules Vaughn (18+) - FC: Hunter Schafer
Cassie Howard (18+) - FC: Sydney Sweeney
Nate Jacobs (18+) - FC: Jacob Elordi
THE WALKING DEAD
Rick Grimes (30+) - FC: Andrew Lincoln
Carl Grimes (18+) - FC: Tanner Buchannon
Glenn Rhee (20+) - FC: Steven Yeun
Andrea Grimes (20+) - FC: Candice King
Rosita Espanoza (20+) - FC: Christian Serratos
THE WITCHER
Geralt of Rivia (30+) - FC: Henry Cavill
Jaskier (30+) - FC: Joey Batey
Tissaia (35+) - FC: MyAnna Buring
Cirilla of Cintra (14+) - FC: Freya Allen
THE SOCIETY
Becca Gelb (18+) - FC: Gideon Adion
Harry Bingham (18+) - FC: Alex Fitzalan
Cassandra Pressman (18+) - FC: Rachel Keller
Kelly Aldrich (18+) - FC: Krstene Froseth
Gareth Visser (18+) - FC: Jack Mulhern
Gordie Moreno (18+) - FC: Jose Julian
Clark Beecher (18+) - FC: Spencer House
GIRL MEETS WORLD
Lucas Friar (14+) - FC: Peyton Meyer
Maya Hart (14+) - FC: Sabrina Carpenter
Topanga Mattews (30+) - FC: Rachel McAdams
Augie Matthews (14+) - FC: August Maturo
Isadora Smackle (14+) - FC: Cici Balagot
Farkle Minkus (14+) - FC: Corey Fogelmanis
STRANGER THINGS
Eddie Munson (18+) - FC: Joseph Quinn
Jane Hopper (14+) - FC: Millie Bobby Brown
Jim Hopper (18+) - FC: David Harbour
Nancy Wheeler (18+) - FC: Natalia Dyer
Max Mayfield (14+) - FC: Sadie Sink
Robin Buckley (18+) - FC: Maya Hawke
Carol Perkins (18+) - FC: Chelsea Talmadge
Will Byers (14+) - FC: Jack Dylan Grazer
Tommy Hagen (18) - FC: Chester Rushing
Steve Harrington (18) - FC: Joe Keery
TEEN WOLF
Derek Hale (30+) - FC: Tyler Hoechln
Stiles Stilinski (30+) - FC: Dylan O’brien
Liam Dunbar (30+) - FC: Dylan Sprayberry
Kira Yukimara (30+) - FC: Arden Cho
Jackson Whittemore (30+) - FC: Colton Haynes
Mason Hewitt (30+) - FC: Khylin Rhambo
ONE TREE HILL
Nathan Scott (18+) - FC: James Lafferty
Karen Roe (30+) - FC: Moira Kelly
Kieth Scott (30+) - FC: Craig Sheffer
Peyton Sawyer (18+) - FC: Hilarie Burton
HARRY POTTER
Luna Lovegood (18+) - FC: Evanna Lynch
Neville Longbottom (18+) - FC: Matthew Lewis
OUTER BANKS
Rafe Cameron (19+) - FC: Drew Starkey
Kiara Carrera (18+) - FC: Madison Bailey
JJ Maybank (18+) - FC: Rudy Pankow
John B Rutledge (18+) - FC: Chase Stokes
Ward Cameron (30+) - FC: Charles Esten
Wheezie Cameron (15) - FC: Julia Antonelli
Topper Thornton (19+) - FC: Austin North
ANIMATED TV & MOVIES
Catra (18+) - FC: Lulu Antariksa
Ballister Boldheart (30+) - FC: Riz Ahmed
Vi (20+) - FC: Brianna Hildebrand
HEARTSTOPPER
Nick Nelson (18+) - FC: Kit Conner
Darcey Olson (18+) - FC: Kizzy Edgell
DISNEY MOVIES & TV
Evie Grimhilde (18+) - FC: Sofia Carson
Ben Florian (18+) - FC: Mitchell Hope
Queen Elsa (18+) - FC: Anya Taylor Joy
Honeymaren (18+) - FC: Devery Jacobs
Kristoff Bjorgman (18+) - FC: Lucas Till
Olaf (10) - FC: Asa Butterfield
Fawn (18+) - FC: Maia Mitchell
Flynn Rider (19+) - FC: Ben Barnes
Amity Blight (15+) - FC: Kiernan Shipka
Jack Frost (19+) - FC: Thomas Brodie-Sangster
Astrid Hofferson (19+) - FC: Britt Robertson
Miguel Rivera (10+) - FC: As Himself
THE VAMPIRE DIARIES
Damon Salvatore (18+) - FC: Ian Somerhalder
Klaus Mikaelson (25+) - FC: Joseph Morgan
Bonnie Bennett (18+) - FC: Kat Graham
Vincent Griffith (30+) - FC: Yusuf Gatewood
Freya Mikaelson (25+) - FC: Riley Voelkel
LIFE IS STRANGE
Dana Ward (18+) - FC: Lily Collins
Alex Chen (18+) - FC: Brianne Tju
Chloe Price (18+) - FC: Emma Mackey
Warren Graham (18+) - FC: Austin Abrams
Stella Hill (18+) - FC: Maitreya Ramakrishnan
Luke Parker (18+) - FC: Ross Butler
Kate Marsh (18+) - FC: Grace Van Dien
SCREAM MOVIES & TV
Billy Loomis (18+) - FC: Skeet Ulrich
Mindy Meeks-Martin (18+) - FC: Jasmin Savoy Brown
Chad Meeks-Martin (18+) - FC: Mason Gooding
Noah Foster (18+) - FC: John Karna
Dewy Riley (23+) - FC: Dave Arquette
Tatum Riley (18+) - FC: Rose Mcgowan / Christina Hendricks
Wes Hicks (18+) - FC: Dylan Minnette
THE LAST OF US
Joel Miller (30+) - FC: Pedro Pascal
Ellie Williams (18+) - FC: Bella Ramsey
Dina (18+) - FC: Cascina Caradonna
Tess Servopoulos (30+) - FC: Anna Torv
MARIO UNIVERSE
Bowser (??) - FC: As himself
Princess Peach (18+) - FC: Sydney Sweeney
Toad (??) - FC: Jack Dylan Glazer
RED DEAD REDEMPTION
Arthur Morgan (30+) - FC: Tom Hardy
Abigail Marston (25+) - FC: Rebecca Hall
TWILIGHT
Edward Cullen (18+) - FC: Robert Pattinson
Charlie Swan (40+) - FC: Billy Burke
Jasper Hale (100+) - FC: Jackson Rathbone
MISCELLANEOUS ANIME
Saitama (18+) - FC: Adachi Yūto
Sakura Haruno (18+) - FC: Robert Pattinson
Naruto Uzumaki (18+) - FC: Suda Masaki
Houtarou Oreki (18+) - FC: Kubota Masataka
Haruhi Fujioka (18+) - FC: Watanabe Mayu
Tamaki Suoh (18+) - FC: Sato Ryuji
Arisa Uotani (18+) - FC: Hirose Alice
Nana Osaki (18+) - FC: Rila Fukushima
Taiga Aisaka (18+) - FC: Natsuki Margaret Gibb
Yui Harasawa (18+) - FC: Ririka
FNAF
Vanessa Afton (18+) - FC: Elizabeth Lail
Suzie / Chica (9) - FC: Dakota Fanning
SUPERNATURAL
Dean Winchester (30+) - FC: Jensen Ackles
Bobby Singer (50+) - FC: Jim Beaver
Meg Masters (1000+) - FC: Rachel Miner
MARVEL CINEMATIC UNIVERSE
Frank Castle (30+) - FC: Jon Bernthal
Peter Parker (19+) - FC: Tom Holland
Tony Stark (30+) - FC: Robert Downey Jr
Vision (??) - FC: Paul Bettany
Bruce Banner (30+) - FC: Mark Ruffalo
Jessica Jones (30+) - FC: Krysten Ritter
DC CINEMATIC UNIVERSE
Bruce Wayne (30+) - FC: Robert Pattinson
Selina Kyle (30+) - FC: Cameron Bicondova & Monica Baccarin
Harley Quinn (30+) - FC: Samara Weaving
Arthur Fleck (30+) - FC: Barry Keoghan
Barbara Gordon (20+) - FC: Kat Mcnamara
Dick Grayson (20+) - FC: Brenton Thwaites
DUMPLIN’
Ellen “ El “ Dryver (18+) - FC: Odeya Rush
Bo Larson (19+) - FC: Luke Benward
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'Christopher Nolan's Oppenheimer is a visual and audio masterpiece that follows the actual (to an extent) twists and turns of J. Robert Oppenheimer's (Cillian Murphy) tragic life as he headed the Manhattan Project, created the atom bomb and battled against a bitter Lewis Strauss (Robert Downey Jr.). The film not only takes moviegoers on a three-hour-long political thrill ride that any fan of historical non-fiction will appreciate, but it's also an ode to the times. For instance, aside from conveying the details of Oppenheimer's personal history, it also reflects the ideas, concerns and sentimentality of those who lived before and after World War II.
Incidentally, Wes Anderson's new film, Asteroid City, gives the era a similar treatment, despite taking a more humorous undertone. As a result, both films should be watched in tandem. Doing so gives viewers a sense of the zeitgeist of the '40s to '60s and illustrates the differences between the larger-than-life figures that dominated the period and everyday regular people.
How Oppenheimer Depicts the Influential People of the Period
Granted, Oppenheimer's testimony of events might be more truthful than Asteroid City's, mainly because the latter isn't a biopic and makes a point to let its audience know they've set the film to mimic the 19th-century novel Vanity Fair. As a result, the picture is all a fictional tale presented through actors on a stage hosted by the unnamed narrator (Bryan Cranston) of an anthology television series that's not dissimilar to the shows of the 1950s or '60s. Additionally, it enters the absurd by including aliens, so Asteroid City's illustration of the era is far from accurate. Nonetheless, both paint an exciting mosaic of the people living through the times. The only difference is that Oppenheimer goes about it as if it were a Greek tragedy: the characters are herculean figures due to their clout and prestige. Because of this, Oppenheimer meets all the criteria for Aristotle's definition of a tragic character.
For example, Aristotle asserted that a tragic figure should possess four distinct attributes: nobility, hamartia, peripeteia and anagnorisis. In a nutshell, this means that to be considered the main protagonist in a Grecian drama, a character must have a high social status and intelligence or greater understanding. Secondly, they need a critical shortcoming that causes them to stumble and changes their destiny, and lastly, they have to learn from it, and Oppenheimer certainly fits the bill. As one of the world's leading physics experts, he is not only tasked with creating a weapon that could potentially end all war, but as moviegoers watch the intimate particulars of his life, it's pretty evident that the man's not perfect. Nevertheless, his struggles during and after succeeding with the project convey Oppenheimer's changing viewpoint, so he does grow from the experience. This is even more apparent due to his conflicts with Strauss and the United States Atomic Energy Commission, which resulted in the board revoking his security clearance.
How Asteroid City Focuses on the Era's Regular People
On the other hand, Asteroid City's focus is on the mundane and insignificant. It conveys ordinary people and their interests through Augie Steenbeck (Jason Schwartzman) and Midge Campbell (Scarlett Johansson) -- two down-and-out middle age single parents just trying to get by. Hence, despite being set in the fictional titular desert town that's incidentally right next to an atomic test site and having a scene with an atomic bomb going off, the film's plot doesn't touch on the matter any further. Instead, the movie shows what transpires at a children's astronomy convention, which places everyone present in quarantine after aliens travel to the far-off town not once but twice. However, this specific storyline isn't the only one featured in Asteroid City -- between the fictional scenes that comprise the play, viewers are also introduced to the life of the theatrical piece's playwright, Conrad Earp (Edward Norton).
Interspersed between the fictitious events that happen in Asteroid City, observers are given a "behind-the-scenes" look at Earp's time managing the actors' troupe (all played by the same real-life performers that are cast as the people trapped within the town) as they begin to record the production. Yet, as Conrad slowly brings his vision to fruition, he's introduced to Jones Hall (Schwartzman), who not only lands the role of Augie but becomes his lover. While the movie's presentation of both plots weaves a complex narrative, it's compelling. Still, because of how the film constructs its dual narratives, it heightens the lives of people who might have gone unnoticed otherwise in the annals of history. So, although Asteroid City covers the same period as Oppenheimer, its emphasis is on a less noteworthy topic, but that doesn't mean it's not as enjoyable. Nevertheless, the odd coincidence makes both films perfect for a double feature.
Oppenheimer is currently playing in theaters.'
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The Sinner, Season 1: Cora
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The Sinner (2017)
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The Sinner
Season 1, “Part III"
Director: Antonio Campos
DoP: Radium Cheung
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People who commit these acts are in many ways, no different from you and me. But, they are no longer able to control their urges. They disassociate themselves from their own actions also experiencing an hysterical blindness. They're blind to the darkness within themselves.
Jade, William Friedkin (1995)
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The Man of the Ferry (1943, Short)
Dangerous Venture (1947) - Red
This Time for Keeps (1948) - Redheaded Soldier at Pool (uncredited)
Beyond Glory (1948) - Bit Role (uncredited)
He Walked by Night (1948) - Detective Questioning Pete (uncredited)
The Stratton Story (1949) - Detroit Player (uncredited)
Illegal Entry (1949) - Dave (uncredited)
The Great Sinner (1949) - Cabbie (uncredited)
I Was a Male War Bride (1949) - Red - Seaman (uncredited)
The Stratton Story (1949)
Task Force (1949) - Capt. Ken Williamson (uncredited)
The Doctor and the Girl (1949) - Surgeon at Bellevue (uncredited)
Free for All (1949) - Pilot
Twelve O'Clock High (1949) - Sgt. Keller - Guard at Gate (uncredited)
The File on Thelma Jordon (1950) - Police Photographer (uncredited)
When Willie Comes Marching Home(1950) - Lt. K. Geiger (uncredited)
One Way Street (1950) - Cop at Second Accident (uncredited)
Love That Brute (1950) - Henchman #1 in Cigar Store (uncredited)
The Gunfighter (1950) - Swede (uncredited)
My Friend Irma Goes West (1950) - Pilot
Kiss Tomorrow Goodbye (1950) - Det. Fowler
Right Cross (1950) - Ken, the Third Reporter
Three Secrets (1950) - Officer (uncredited)
The Flying Missile (1950) - Crewman Pete McEvoy
The Company She Keeps (1951) - Rex Fisher (uncredited)
Up Front (1951) - Cooper (uncredited)
Rawhide (1951) - Lt. Wingate (uncredited)
The Thing from Another World (1951) - Captain Patrick Hendry
Angel Face (1952) - Bill Crompton
The Beast from 20,000 Fathoms(1953) - Col. Jack Evans
Fighter Attack (1953) - George
The Bigamist (1953) - Tom Morgan, Defense Attorney
Ring of Fear (1954) - Shreveport
Down Three Dark Streets (1954) - FBI Agent Zack Stewart
The Steel Cage (1954) - Steinberg, Convict Painter (segment "The Face")
Davy Crockett, King of the Wild Frontier(1955) - Colonel Jim Bowie
Rage at Dawn (1955) - Monk Claxton
It Came from Beneath the Sea (1955) - Cmdr. Pete Mathews
Davy Crockett and the River Pirates(1956) - Jocko
The Steel Jungle (1956) - Dr. Lewy
The Man in the Grey Flannel Suit(1956) - Lt. Hank Mahoney (uncredited)
The Great Locomotive Chase (1956) - Anthony Murphy
The Search For Bridey Murphy (1956) - Rex Simmons
The Wings of Eagles (1957) - Capt. Herbert Allen Hazard
Gunfight at the O.K. Corral (1957) - Bat Masterson
The Vampire (1957) - Sheriff Buck Donnelly
Jet Pilot (1957) - Sergeant (uncredited)
Cry Terror! (1958) - Agent Frank Cole
uncredited)
Bat Masterson! (1960) - Reed Amherst (diamond con man)
Seven Ways from Sundown (1960) - Texas Ranger Lieutenant Herly
Perry Mason (1960) - Deputy D.A. Jack Alvin - S4 E3, the I'll Fated Faker
X-15 (1961) - Col. Craig Brewster
Sea Hunt (1961), Season 4, Episode 33
Stark Fear (1962) - Cliff Kane
40 Guns to Apache Pass (1966) - Corporal Bodine
A Man Called Adam (1966) - Club Owner
A Time for Killing (1967) - Sgt. Cleehan
Marlowe (1969) - Sgt. Fred Beifus
Billy Jack (1971) - Deputy Mike
Terror in the Sky (1971) - Capt. Wilson
Ben (1972) - Engineer
The Candidate (1972) - Floyd J. Starkey
Rage (1972) - Col. Alan A. Nickerson
Walking Tall (1973) - Augie McCullah
Dirty Mary, Crazy Larry (1974) - Sheriff Carl Donahue
Homebodies (1974) - Construction Boss
The Missiles of October (1974) - Adm. George W. Anderson Jr., Chief of Naval Operations
The Wild McCullochs (1975) - Larry Carpenter
W.C. Fields and Me (1976) - Parker
Baby Blue Marine (1976) - Buick Driver
Gus (1976) - Asst. Warden
MacArthur (1977) - Admiral Halsey
Goodbye, Franklin High (1978) - Police Captain
Hero at Large (1980) - Firechief
Airplane! (1980) - Air Controller Neubauer
The Howling (1981) - Older Cop
Strange Invaders (1983) - Arthur Newman
Gremlins (1984) - Mobil Gas Station Attendant (uncredited)
The Lost Empire (1984) - Capt. Hendry
Innerspace (1987) - Man in Restroom
Big Top Pee-wee (1988) - Sheriff
Freeway (1988) - Monsignor Kavanaugh
Ghost Writer (1989) - Cop #2
Gremlins 2: The New Batch (1990) - Projectionist
Desire and Hell at Sunset Motel (1991) - Capt. Holiday
Honey, I Blew Up the Kid (1992) - Smitty
Single White Female (1992) - Desk Clerk
Body Shot (1994) - Arthur Lassen
Hellraiser: Bloodline (1996) - Hologram-Priest (uncredited)
The Naked Monster (2005) - Col. Patrick Hendry (final film role)
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Character list
This is going to be a list of all of my characters. Names, basic description (species, personality, etc.), and what tag you can find their content under.
Complete Characters (they have names and at least a basic design)
Augustin Louise Barton: punk rabbit, dating Rupert (#augie)
Conan: local ghost boy, hangs out at the park (#conan, #✌🏼🦴🛸, #ghoul patrol)
Frankie: Vanilla Bean's human friend (#frankie)
Ghoul Patrol: ramshackle curio cabinet on wheels full of rebellious kids with hearts full of love (#✌🏼🦴🛸, #ghoul patrol)
Lily Vacholie: loves sharing knowledge and knitting, married to Sunny (#lily, #sunny and lily)
Mirko : a hipster cat who works at a butterfly sanctuary (#mirko)
Moira: sporty musician (#moira)
Myrtle Murphy: punk law enthusiast (#myrtle)
Otter: Rupert and Augie's "dog" (#otter)
Rupert: mothman radio-host, dating Augie (#rupert)
Sunny Vacholie: friendly cow florist/baker, married to Lily (#sunny, #sunny and lily)
Vanilla Bean: dutch angel dragon who hoards socks (#vanilla bean)
Incomplete Characters (they don't have a name and/or design, or are just a concept)
Bus driver (no name): friendly cat who drives the bus (no tag yet)
Mike: (no design) stereotypical human man, very friendly (no tag yet)
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🌍Blog Tour🌎 #Giveaway & Sharonica's Logical Review: Love Means More by A. F. Zoelle (incl. Excerpt)
🌍Blog Tour🌎 #Giveaway & Sharonica's Logical Review: Love Means More by A. F. Zoelle (incl. Excerpt) @_GayRomReviews @af_zoelle
🌍BlogTour🌎
Love Means More Good Bad Idea #2 by A.F. Zoelle Blurb:
AMBROSE O’ROURKE I’ve only met one person I couldn’t seduce—Augie Murphy, the man I love who thinks I’m straight. When I have a chance to be his fake boyfriend, it’s too much temptation to resist. It turns out that’s literally true, since I get carried away with a passionate kiss. He thinks it’s just a game,…
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Love Means More by A.F. Zoelle
Love Means More by A.F. Zoelle
Blog Tour, Excerpt & Giveaway: Love Means More by A. F. Zoelle
A Good Bad Idea Story, Book 2
AMBROSE O’ROURKE
I’ve only met one person I couldn’t seduce—Augie Murphy, the man I love who thinks I’m straight. When I have a chance to be his fake boyfriend, it’s too much temptation to resist. It turns out that’s literally true, since I get carried away with a passionate kiss. He thinks it’s just a…
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Blog Tour, Exclusive & Giveaway: Love Means More by A.F. Zoelle
Blog Tour, Exclusive & Giveaway: Love Means More by A.F. Zoelle
Blog Tour, Excerpt & Giveaway:
Love Means More by A. F. Zoelle
A Good Bad Idea Story, Book 2
AMBROSE O’ROURKE
I’ve only met one person I couldn’t seduce—Augie Murphy, the man I love who thinks I’m straight. When I have a chance to be his fake boyfriend, it’s too much temptation to resist. It turns out that’s literally true, since I get carried away with a passionate kiss. He thinks it’s just a…
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For just $3.99 Arizona Days Released on January 30, 1937: Tex Ritter is a wandering cowboy who meets the best and worst of Tucson, Arizona. Directed by: John English Written by: Lindsley Parsons and Sherman T. Lowe The Actors: Tex Ritter Tex Malinson, Syd Saylor Claude 'Grass' Hopper, William Faversham Professor McGill, Eleanor Stewart Marge Workman, Forrest Taylor Harry Price, 'Snub' Pollard Cookie, Glenn Strange henchman Pete, Horace Murphy first Sheriff, Earl Dwire Joe Workman, Budd Buster Sheriff Ed Higginbotham, Salty Holmes Salty Holmes, harmonica player, Oscar Gahan wagon show performer, Tommy Bupp Billy Workman, Bob Burns Deputy John, William Desmond stranger, Augie Gomez henchman, Herman Hack henchman, George Hazel henchman, Jack Hendricks henchman, George Morrell townsman, Fox O'Callahan rider, Tex Palmer henchman, Fred Parker man at show, Jack C. Smith henchman Joe, Ethelind Terry Ida Runtime: 57min *** This item will be supplied on a quality disc and will be sent in a sleeve that is designed for posting CD's DVDs *** This item will be sent by 1st class post for quick delivery. Should you not receive your item within 12 working days of making payment, please contact us as it is unusual for any item to take this long to be delivered. Note: All my products are either my own work, licensed to me directly or supplied to me under a GPL/GNU License. No Trademarks, copyrights or rules have been violated by this item. This product complies withs rules on compilations, international media and downloadable media. All items are supplied on CD or DVD.
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*What is Rhetoric to me?*
In Communication 320, Rhetorical Traditions, I learned about many theories of rhetoric. This essay highlights how my definition of rhetoric shifted from the beginning to the end of the course.
In my initial artifact, I stated rhetoric is the language that is used to create and deliver a message from one party to the next. It is the word choice, the use of metaphors and figurative language, the use of tone, attitude, satire, and other linguistic components that are employed by the speaker. After learning about rhetoric and studying rhetorical artifacts, it is clear to me now that it is much more than crafting a message simply using language. Rhetoric is an object that changes reality through the creation of narratives and/or truths. Rhetoric is ethical, dynamic, and influential ultimately inspiring an action or reaction.
Rhetoric is more than language. First and foremost, I understand rhetoric to be anything supporting a message. This is the most significant discovery I made over the length of the term: the realization that rhetoric can take many different forms going beyond mere language. Rhetoric is a style. Rhetoric is a study. Rhetoric is a tool. Rhetoric is a picture, a speech, a video, an advertisement, a movie, an article of clothing, and so on. The most common form and the most easily conceptualized form of rhetoric is the written or verbal form, but to believe that rhetoric is only found in the form of language is naive and limiting.
Rhetoric changes reality through the creation of narratives and or truths. Palczewski, Ice, Fritch describe the potential of narratives to depict events, messages, values, and identities. Narratives shape a reality based on what the author has chosen to say just as much as the reality that is shaped based on what that author has chosen not to say. The creation of narratives change the reality of the audience if the audiences uses the rhetoric and the narrative to form an identity, set standards, understand publics, etc. The creation of truth also shapes and changes reality. Realities are created with truths. Take for example, I were to proclaim in my narrative that, “the sky is purple.” If that narrative and truth were to be adopted by the society around me, I have altered the reality that used to believe that the sky is blue. Change initiated by rhetoric is seen throughout history as we have accepted narratives and adopted truths.
Rhetoric is ethical. With the discussion of truths, comes the discussion of ethics and what is productive for society. Rhetoric has evolved and the voice of the people has a lot to do with is. Athens’ democracy invited the polis to deliberate as part of its political regime. This is an example of a forum in which rhetoric would have been used to persuade or to advocate for a cause, narratives were told, and truths were dispersed thereafter. On one hand, this rhetoric would have been ethical as the ‘people’ were represented in the society more so than other nation-states. Yet there are limitations to even this democratic government because the rhetoric created by the ‘people’ was devised of the citizens of athens which was limited to educated men. This qualifier prompts questions regarding the productivity of the conversations for the larger society, that is, the society besides the educated, white men that were born in Athens.
Rhetoric is dynamic. The creator of the reality built upon narratives and truths influences the community and the culture. The creator aids in the society’s decision to adopt a belief or not, which is pretty phenomenal. Because of the fragility of the influence, it is a dynamic element of rhetoric that is being created and recreated over and over again. Truths are slightly more complicated as there are ultimate ‘capital T’ truths that society tends to follow, but there are others that will change from culture to culture, generation to generation, making truths just as dynamic as the narratives.
Rhetoric is influential. The pieces of rhetoric that have been studied throughout the term have all demonstrated the influence rhetoric has. I would like to reference a few specifically due to the influence each had on my learning experience. First, Pericles’ Funeral Oration is an example of rhetoric that builds a narrative for the people of Athens as they are leaving a state of war. At this time, leaders were expected to be prominent speakers to be deserving of their title. Pericles is speaking about a public concern, but he is following a clear set of guidelines set by expectations of the public. Pericles satisfies the people, but without challenging them how does his rhetoric serve any good? Studying Pericles was influential in that is taught me about drafting a narrative and the ethicality of a speaker and his or her rhetoric. Next, Gorgias’ Encomium of Helen is an attempt to demonstrate the power of rhetoric. Gorgias is unbelievably confident in his skills as a rhetor and he writes the piece for his own “amusement” and simply to prove to the others that he is ‘that good.’ He speaks on the use of persuasion and the effect that a rhetor can have. This piece of rhetoric is emblematic of the dynamism of rhetoric and how a narrative can redefine something as big as who was to blame for the war and the fall of Troy. Finally, Isocrates’ Against the Sophists describes the imperativity of the speaker to understand different audiences and situations in order to inspire action to be taken. Isocrates’ goal was to teach in order to inspire the people to be leaders and take action themselves. Isocrates discusses kairos, appropriateness, and originality when speaking with good rhetoric. The emphasis that Isocrates puts on understanding the context and allowing the truth to emerge when the people reflect and react, was paramount to my understanding of rhetoric.
Each new rhetor and piece lead to the deepening of my understanding of rhetoric and resulted in the progression of my definition. So much so that, I could accurately define the self-created artifact pictured above as rhetoric. The image is a compilation of three images representing of Augustana College and Christian Lutheran University (CLU). The third image is a bible verse that speaks of strength. I created the image as a gift to be framed from Augustana College’s campus ministries team to the campus ministries team at CLU. It is our hope that this image (rhetoric) was able to change the reality of hardship that CLU was facing by creating a narrative reminding them of the truth that God may be a source of strength. It is ethical and productive based on the intentions of the creator. The entire team had a voice in the decision process as far as what gift to give and the team was communicated with throughout the design of the gift. It is dynamic as there were many drafts and designs. Lastly it is our hope that it will be influential on the campus ministries at CLU and inspire a renewed spirit and a renewed sense of hope.
Gorgias. (1995). Encomium of Helen. In M. Garagin and P. Woodruff (Eds.), Early Greek political thought from Homer to the Sophists (pp. 190-195). Cambridge, Cambridge University Press. (Original publication date unknown)
Graziano, E. A. (n.d.). Augie and CLU [Photo].
Isocrates. (2000). Against the sophists. (D.C. Mirhady and Y. Lee Too, Trans.) (pp.61-66). Austin: University of Texas Press. (Original work published in c. 390 B.C.E)
Palczewski, C. H., Ice, R., Fritch, J. (2012). Narratives. In Rhetoric in civic life (pp. 117-146). State College, PA: Strata Publishing, Inc.
Pericles. (1994). The funeral oration. In J. J. Murphy and R. A. Katula (Eds.), A Synoptic history of classical rhetoric (2nd ed.) (p. 217-221). Mahwah, NJ: Hermagoras Press. (Orginial work published in 430 B. C. E.)
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25/03/2016
The Woman in the Dunes, Kobo Abe
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The President, Miguel Angel Asturias
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Behind The Scenes At The Museum, Kate Atkinson
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Go Tell It on the Mountain, James Baldwin
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G, John Berger
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Mister Magnolia, Quentin Blake
Forever, Judy Blume
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Five On A Treasure Island, Enid Blyton
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The Tiger Who Came To Tea, Judith Kerr
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The Unbearable Lightness of Being, Milan Kundera
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Song of Solomon, Toni Morrison
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A Bend in the River, V.S Naipaul
Their Eyes Were Watching God, Zora Neale Hurston
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The Borrowers, Mary Norton
Master And Commander, Patrick O'Brian
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The Truth, Terry Pratchett
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In Search of Lost Time, Marcel Proust
The Ruby In The Smoke, Philip Pullman
Eugene Onegin, Alexander Pushkin
Gravity's Rainbow, Thomas Pynchon
Live and Remember, Valentin Rasputin
Witch Child, Celia Rees
Mortal Engines, Philip Reeve
Clarissa: Or the History of a Young Lady, Samuel Richardson
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The 1001 Books You Must Read Before You Die combined list 2/25
B
So Long a Letter, Ba Mariama
Giovanni’s Room, Baldwin James
Go Tell It on the Mountain, Baldwin James
Crash, Ballard J.G.
Empire of the Sun, Ballard J.G.
Cocaine Nights, Ballard J.G.
High Rise, Ballard J.G.
Super-Cannes, Ballard J.G.
The Atrocity Exhibition, Ballard J.G.
The Drowned World, Ballard J.G.
Eugénie Grandet, Balzac Honoré de
Le Père Goriot, Balzac Honoré de
Lost Illusions, Balzac Honoré de
The Crow Road, Banks Iain
The Wasp Factory, Banks Iain
Complicity, Banks Iain
Dead Air, Banks Iain
The Player of Games, Banks Iain M.
Cloudsplitter, Banks Russell
Shroud, Banville John
The Book of Evidence, Banville John
The Newton Letter, Banville John
The Untouchable, Banville John
The Sea, Banville John
Elegance of the Hedgehog, Barbery Muriel
The Inferno, Barbusse Henri
Under Fire, Barbusse Henri
Silk, Baricco Alessandro
Regeneration, Barker Pat
Another World, Barker Pat
The Ghost Road, Barker Pat
Nightwood, Barnes Djuna
Flaubert’s Parrot, Barnes Julian
The Sense of an Ending, Barnes Julian
Giles Goat-Boy, Barth John
The Floating Opera, Barth John
The End of the Road, Barth John
The Dead Father, Barthelme Donald
Amateurs, Barthelme Donald
Come Back, Dr. Caligari, Barthelme Donald
Alamut, Bartol Vladimir
The Garden of the Finzi-Continis, Bassani Giorgio
Blue of Noon, Bataille Georges
Story of the Eye, Bataille Georges
The Abbot C, Bataille Georges
The Manors of Ulloa, Bazan Emilia Pardo
The Mandarins, Beauvoir Simone de
Jacob the Liar, Becker Jurek
Malone Dies, Beckett Samuel
Molloy, Beckett Samuel
Murphy, Beckett Samuel
How It Is, Beckett Samuel
Mercier and Camier, Beckett Samuel
The Unnamable, Beckett Samuel
Watt, Beckett Samuel
Worstward Ho, Beckett Samuel
Vathek, Beckford William Thomas
Uncle Tom’s Cabin, Beecher Stowe Harriet
Borstal Boy, Behan Brendan
Oroonoko, Behn Aphra
Dangling Man, Bellow Saul
Herzog, Bellow Saul
Humboldt’s Gift, Bellow Saul
Henderson the Rain King, Bellow Saul
Seize the Day, Bellow Saul
The Adventures of Augie March, Bellow Saul
The Victim, Bellow Saul
The Old Wives’ Tale, Bennett Arnold
G, Berger John
Under Satan's Sun, Bernanos Georges
Correction, Bernhard Thomas
Extinction, Bernhard Thomas
Wittgenstein’s Nephew, Bernhard Thomas
Concrete, Bernhard Thomas
Old Masters, Bernhard Thomas
Yes, Bernhard Thomas
Captain Corelli’s Mandolin, Bernières Louis de
Señor Vivo and the Coca Lord, Bernières Louis de
Death Sentence, Blanchot Maurice
2666, Bolano Roberto
Savage Detectives, Bolano Roberto
Billiards at Half-Past Nine, Böll Heinrich
Group Portrait With Lady, Böll Heinrich
The Lost Honor of Katharina Blum, Böll Heinrich
The Safety Net, Böll Heinrich
Labyrinths, Borges Jorge Luis
Ficciones, Borges Jorge Luis
This Way for the Gas, Ladies and Gentlemen, Borowski Tadeusz
Eva Trout, Bowen Elizabeth
The Heat of the Day, Bowen Elizabeth
To the North, Bowen Elizabeth
A World of Love, Bowen Elizabeth
The House in Paris, Bowen Elizabeth
The Last September, Bowen Elizabeth
World’s End, Boyle T. Coraghessan
Drop City, Boyle T. Coraghessan
In Watermelon Sugar, Brautigan Richard
Willard and His Bowling Trophies, Brautigan Richard
Threepenny Novel, Brecht Bertolt
Arcanum 17, Breton André
Nadja, Breton André
A Dry White Season, Brink Andre
Testament of Youth, Brittain Vera
The Death of Virgil, Broch Hermann
The Guiltless, Broch Hermann
The Tenant of Wildfell Hall, Brontë Anne
Agnes Grey, Brontë Anne
Jane Eyre, Brontë Charlotte
Shirley, Brontë Charlotte
Villette, Brontë Charlotte
Wuthering Heights, Brontë Emily
The Thirty-Nine Steps, Buchan John
The Master and Margarita, Bulgakov Mikhail
The Pilgrim’s Progress, Bunyan John
A Clockwork Orange, Burgess Anthony
Inside Mr. Enderby, Burgess Anthony
Camilla, Burney Fanny
Evelina, Burney Fanny
Cecilia, Burney Fanny
Junkie, Burroughs William
Naked Lunch, Burroughs William
Queer, Burroughs William
The Wild Boys, Burroughs William
Erewhon, Butler Samuel
The Way of All Flesh, Butler Samuel
The Tartar Steppe, Buzzati Dino
The Virgin in the Garden, Byatt A.S.
Possession, Byatt A.S.
The Children's Book, Byatt A.S.
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The Thorn Birds by Colleen McCullough
The Sinner: “Part III” (Season 1)
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