#awesome burger

[ningadudexx]

⚠️ warning for cartoony gore after this drawing!! 🫀

.

how about those new monkie kid season 5 lego sets. the new monkie kid sets. have you seen the new monkie kid sets? the new monkie kid sets? seaosn 5 monkie kid sets? have you seen the new season 5 mon

[ksneniya]

i want her

[ochiody]

i really liked planet straightforward

[ananxiousgenz]

midnight burger is really the Most Show Ever because you get quotes like "self-completion is a constantly moving target" in the same episode as "smart hulk would have stomped the fuck out of john wilkes boothe!!" "this is going nowhere, just drink your orange julius"

[simone-draws-sometimes]

FRANCES BigtopBurger sketches I did at work

[toyotacorolla2008]

[ltwharfy]

I recently mentioned that my birthday was coming up, and @babsvibes asked @drawthething to do this amazing drawing of Arnold Evans and Kaylee Morganstern as a gift for me! Arnold and Kaylee (or Arnlee, as I call them) are two of my favorite minor characters, and I'm weirdly proud of the fact that I wrote the first fic shipping the two of them.

DT's drawing is absolutely gorgeous!!! I love the little details, like Kaylee's book and Arnold in his karate outfit ("Or what I think is a karate outfit. I don't really get fashion.")! It's so fun to have some more artwork of these two!

My birthday isn't until the 20th, but I couldn't wait until then to share this awesomeness. And we've got new episodes "Bob's Burgers" starting tonight, and that's just as good a reason to celebrate!!

Thank you Babs and DT for your kindness, your talent and being such wonderful parts of this fandom community!!

[kalashnikovlobotomy]

an ame with which it's debatable whether he knows (probably, distantly.) or acknowledges (no) that he's a little *squeak* in the brain but it really throws him off balance when others notice . but he's not subtle... i think you go grocery shopping with him and he's very obviously turning things around to read the back but if he feels like you're staring he starts overheating. 20 minutes later he's still thinking about it and goes "haha yeah did i tell you im allergic to somethingxylathamine-B and gotta check everything for it? that's why i was doing that. by the way. if you were wondering." but you already forgot what he's referring to...

[raverhm]

grop

i drew this for my sanity

i was watching season 8 and there were 2 episodes about this guy in a row ??WHAT I was trying not to die

[burgerlabs]

& then a big guy appear

[pathogenposting]

drawing for a moot

[localgardenweed]

I LOVE PLAYING DRESS UP I LOVE DRESS UP!!!! DRESS UP DRESS UP!!!

and the freaky one cause i thought it was funny

[onlineviolence]

BURG

[drawthething]

I probably can't do more art this week or next week but hey, some boblin for the upcoming Valentine's day eh :D? (too soon? naah)

Does this remind you of one of those cool french comic artstyles or am I not getting it right pffft?

[ratguy-nico]

Geneuary prompt Crush / Birthday

This as a matter of fact was the firts Geneuary piece I drew, why? Cause... it was the first prompt that come to mind. yeah Im not that deep. At least not at thinking.

Scene from the movie Sixteen Candles, why? cause for me this movie combine perfectly the Crush prompt with the b-day prompt.

-ejem ejem- Starring in this piece not only my Genie Wieny Beanie but also co-starring as the romantic interest -dum duru dum- ALEXIS!!! oc, child of the awesome @golden--doodler also known as the person to whom we owe Geneuary @goldendoodlerlockerlove -fuegos artificiales, epic solo de guitarra, explosiones piu-piu piu-

fvk forget to mention draw Alexis heavily inspired in @drawthething commision with golden were they drew Alexis so kudos to them too. (love your drawings)

(more about the drawing down here)

... Yeah...

The thing is! As I said before this is a scene from the movie Sixteen Candles starring Molly Ringwald most known for The Breakfast Club movie that actually have an episode of Bob's Burgers dedicated to it. do you see the connection?

So yeah, don't remember if is actually mentioned but I'm totally sure Gene is a big Molly Ringwald fan, is just his type of girl icon.

The movie in itself is a movie that carries a lot of good memories for me. My mom loves to show me movies from her childhood and teen years.

I remember watching this movie with my mom we both laughing of all the craziest shit that this movie had, commenting how different movies were back then and crushing over Molly Ringwald.

And then just a couple of days ago as a way to find the inspiration again I decided to watch it again with my lil sis who almost cry in the end scene (not the romantic one, the one with the girl and her dad)

And we catch sight of a lesbian! Hunting lesbians in older movies since 2024

The thing is even though I love this movie I have to say is from the 80's, wich mean hella racist toward asian people, very misogynist, and it have boobs (that is not a real problem but since people on twit is trying to banned sex I added it) so yeah, watch carefully. But totally recommended.

There's a scene I would also draw with Tina and Bob from this movie.

Second fun fact. Even though this was the first drawing I made I didn't made the romantic interest until this wednesday.

Originally I though Alex, but I wasn't 100% convinced cause at that point I was heart broken at the realization they were probably discarding his character (note: I don't know if they are discarding the character) (read as a Mort situation) So yeah.

Then I though DAH! Courtney, but I don't ship them as a couple so that didn't seem quite right.

Then talking with Golden I got really fond of their OC Alexis and though, why not? I believed in signs.

The universe talk and I have to listen. The fact that Golden decided to tell me about their character right when I was starting to draw this piece was all I needed to know.

Also I though of just letting that spot blank and maybe made a dynamic were people put whoever they wanted with Gene. Which for me could been hella funny. But I don't think anyone would actually want to do that so yeah.

[superman86to99]

Adventures of Superman #514 (July 1994)

"THE FALL OF METROPOLIS," Part 4! Metropolis is invaded by aliens! And werewolves! And Nazis! And Lois Lane dies! And Professor Hamilton loses a limb! Only one of these things ends up being true by the time the issue is over.

Metropolis is still in ruins after the explosive events of Action #700 (it's not like they can magically fix it from one issue to the next, right?) and on top of that, the city is now covered in so much fog that it's giving me Superman 64 flashbacks. But this is no regular fog: when some armed preppers walk through it, one of them suddenly hallucinates that his friends are alien invaders and kills them in a panic. Elsewhere, three soldiers are affected by the fog and start seeing everyone around them as "commies," the Viet Cong (so "commies" again), and werewolves (communist ones, presumably).

Superman stops a soldier from shooting a rabbi/imaginary werewolf, but the soldier sees him as a vampire while the rabbi thinks Superman is a Nazi (both solid Elseworlds premises).

While trying to contain all the people tripping balls around Metropolis, Superman runs into Lois, who's just chilling in the middle of the ruins. Just as Superman comments that he seems to be immune to whatever is making people hallucinate their worst fears, that trigger-happy prepper from before appears and shoots at them, thinking they're aliens (well, he's half right).

Superman just lets the bullets bounce off his chest... not noticing that one bounced in Lois' direction, fatally injuring her. NEXT: Reign of the Lois Lanes?!

Making matters worse, Ma and Pa Kent happen to stroll by, having seemingly traveled to war-torn Metropolis just to tell their son what a disappointment he is. Then Lex Luthor shows up too, with his luscious red locks inexplicably restored, and tells Superman none of this would have happened if he hadn't stolen Lois and Metropolis from him. Lex finally concedes that Metropolis is "Superman's city," but only because, as Superman just noticed, the city is full of nothing but corpses now.

Meanwhile, Professor Hamilton is having a tough time too: a prostitute has just shot him in the arm because she hallucinated that Hambone was her abusive pimp. Hamilton is rescued by a white-haired young lady who smacks the prostitute with a plank of wood. Ham and the girl jump into his car to escape the crazed crowd around them, but then he hallucinates his worst fear: not being able to operate a vehicle because the controls are too complicated.

"Also, I'm naked!"

The girl jump-starts the car's engine and they speed away from the crowd -- only to realize that being in a speeding car with someone who's hallucinating at the wheel isn't such a brilliant idea. They end up driving the car off a pier, and right before they do, we see that Ham happened to have a box full of something called "synthetic enzymes" on his back seat...

Back to Superman, he angrily flies into the sky with Luthor, who morphs into his old school bald self and goads Superman into killing him. Superman refuses to give in to hatred and delivers a speech about rebuilding a better, Lex-free Metropolis, causing Luthor to fade away, as does Lois' corpse. Right then, Hamilton and the white-haired girl come to tell Superman that they've figured out how to stop the hallucinations: no, not "facing and overcoming your deepest fears," but simply spreading that convenient "synthetic enzyme" throughout the city to negate the fog's effect.

(This is why I never leave the house without synthetic enzymes in my car since reading this issue.)

Superman makes the enzyme rain down over Metropolis and everything goes back to normal... except for Professor Hamilton who, to quote Arrested Development, is now "all right," because he lost his left arm. Superman and Hamilton figure out that the crazy fog was another one of Luthor's "fail-safes" in case he was ever defeated, like the killer robots that have been attacking Metropolis over the past weeks (Man of Steel #35 and Superman #91).

But there's still one fail-safe left, and it's a big one...

TO BE CONCLUDED!

Creator-Watch:

This month's issue of Adventures is guest-drawn by Peter Krause, who coincidentally also guest-drew Adventures and Superman exactly two years ago during the Agent Liberty two-parter. We'll see a little more Krause in the near future via another Adventures issue and the Metropolis S.C.U. miniseries… and maybe a LOT more in the not-so-near future if our plans to cover his Power of Shazam! ongoing series with Jerry Ordway in our newsletter come into fruition. (Don is a big fan and I've always been curious about it because 1) it's Ordway and 2) José "Gangbuster" Delgado is in it.)

Plotline-Watch:

The loss of Professor Hamilton's arm will be the longest-lasting consequence of Metropolis' destruction. (It will also be used to turn him into a villain after this era, but we won't be covering those issues and I'm glad.) I like that good ol' Ham is so absent-minded that he seems to have forgotten about his missing arm like five minutes after they amputated it. He also forgot that his hair is supposed to be grey, apparently.

There's a dark irony to Hamilton losing a limb after being shot by a prostitute, considering that Adventures #425, his second appearance, was about him kidnapping a "strumpet" at gunpoint out of desperation after Luthor stole his invention. He did his time and got his shit together after that, though.

Yes, Luthor's final fail-safe is the Awesome Kryptonian Battle Robot, which was built in ancient Krypton, sent to the Phantom Zone, ended up in the Fortress of Solitude (where Professor Hamilton used it to play tag with robots), and was most recently used by the powerless, recently resuscitated Superman to walk from Antactica to Metropolis during "Reign of the Supermen." I guess Superman sorta lost track of it after that, but to be fair he did have a lot on his mind at that point.

At S.T.A.R. Labs, Dr. Kitty "Rampage" Faulkner tells Superman that right before Project Cadmus was destroyed (as far everyone knows, anyway), they used some fantastic sci-fi technology called a "modem" to send S.T.A.R. their info on the cure to the Clone Plague. Despite Luthor being a dick in and out of Superman's hallucinations, Superman still makes sure he's delivered to S.T.A.R. at the end of the issue so they can apply the cure (though we already know he won't stay there for long).

"Mardis" up there is Dr. Jean Louis Mardis from the recent S.T.A.R. Corps miniseries, who is somehow still employed by S.T.A.R. despite trying to pass off alien tech as his own inventions, accidentally turning a bunch of regular people into superpowered freaks and nearly causing an AI to conquer the world. S.T.A.R., which has also employed Hamilton in the recent past, seems to be big on second opportunities.

As far as I can tell, that white-haired young lady who has a weird amount of protagonism in this issue Never Showed Up Again. [EDIT: k9feline reminded me in the comments that she DOES show up again, with her rock band! Shame on me.] Given the color of her hair, her surprising skill with machines, and the fact that she keeps calling Professor Hamilton "pops," I'm gonna assume she's supposed to be his secret lovechild (with a prostitute?).

Big Belly Burger sighting! "Eat 'em!"

Shout Outs-Watch:

Big belly shout outs to our supporters, Aaron, Chris “Ace” Hendrix, britneyspearsatemyshorts, Patrick D. Ryall, Bheki Latha, Mark Syp, Ryan Bush, Raphael Fischer, Kit, Sam, Bol, and Dave Shevlin! Join them (and get extra articles) via Patreon or our newsletter's "pay what you want" mode!

And now, stick around for The Don Sparrow Show:

Art-Watch (by @donsparrow):

We open with the cover, and it’s a pretty affecting one, a pieta style pose with a massive Superman mourning an apparently grievously injured Lois Lane.  Very emotional, and pretty restrained, in terms of '90s-excesses—in the hands of a lesser artist, the idea of Lois’ tattered clothes would be treated as titillating rather than sorrowful, so it’s an effective choice that Barry Kitson makes here.

The cover is all the Kitson we get, as the interiors are handled by Pete Krause, a terrific artist, and soon-to-be companion of Jerry Ordway on the excellent Power of Shazam! series.  Though I think his sharpest work is ahead of him, his pencils are solid throughout this issue, an interesting middle ground between the shadowy slickness of someone like Stuart Immonen (indeed, I don’t remember Krause ever looking so much like Immonen), and the pure linework of someone like Tom Grummett. The shot of Superman rescuing the old man is a great one.  Our introduction to Lois Lane in the story is also a cute panel, as Superman greets her with a (fairly wide) open mouth kiss.

The image of Professor Hamilton getting shot in the arm is something of a mixed bag—the expression of pain is great, but it also doesn’t actually show him getting shot (the drawing appears to indicate that he was only grazed by the bullet) but we later learn that the injury is so severe his arm must be amputated. [Max: I also got the impression that the injury wasn't so severe, but the girl does mention that Ham spent "hours" looking for Superman without getting medical attention, so that didn't help.]

The smoke is well used as a framing device for the dream sequences, as both the cause of the hallucinations, and a good way of demonstrating the dream like quality that feverish fantasy lends.  The panel of a majestic Lex II is particularly well done.

The best panel in the book might be on page 16, where an enraged Superman flies Lex II up up and away, and Lex’s roses fall to Earth, giving a real sense of height and motion. 

The pages where Superman puts Hamilton’s cure into action are great, as Superman soars into action, and creates a water spout to deliver the cure.

Finally, I always love seeing the Mignola-designed Kryptonian battle suit in action, and it’s an efficient piece of storytelling that Lex picked it up when it was just abandoned on the harbour in the "Reign of the Superman" storyline.

I’m not generally a fan of dream sequences as I often find them to be indulgent writing, and also inconsequential plotting—they rarely mean anything more than actual dreams do.  But this issue on the whole wasn’t as frustrating as some fever dream issues can be, as Karl Kesel deftly uses Superman’s nightmarish doubts to fuel action that did matter to the plot.

SPEEDING BULLETS:

Though the film is decades away, the alien infected soldiers from Jeff Scully’s chemically induced reverie look for all the world like the Orcs from the unrelentingly terribly 2017 movie from future terrible Superman writer Max Landis, Bright.

I can’t remember a time when a one-off character got so many name mentions as Jeff Scully, who gets identified no fewer than three times in the book.  I wonder if it was a buddy of Karl Kesel’s perhaps.  [Max: Since he's obsessed with aliens, I always took it as a little X-Files shout out.]

Then on the other end of the spectrum, we’re introduced to the lady in the headband who pulls a Thelma and Louise off a pier with Professor Hamilton, but in spite of having pages of dialogue, is never given a name, that I can find.

The “baker to alpha” soldier is a dead ringer for Pork Chop Hill era Gregory Peck, in my estimation.

I’m not entirely sure who I’d cast as Emil Hamilton, but in the final pages of this story, he looks a lot like Awakenings era Robin Williams to me.

I had forgotten exactly how Hamilton lost his arm, I just remember that he suddenly had a robot arm.  It’s a bit odd that a high tech character like him loses his arm to plain old gunfire.   

Am I alone in being confused why the toxin was able to affect Superman’s super-efficient system?  Though he needs to breathe, traditionally, he’d never show much vulnerability to gases in past stories. [Max: I guess it's possible that Lex intentionally designed it to be strong enough to affect Superman, and the military rejected it when they were like "uh, why does the budget include a $100 million 'Kryptonian respiratory system research' item...?"]

GODWATCH:  A very overt reference to the almighty from our Holocaust survivor elderly man, thanking both God and Superman for dispelling the fear toxin—complete with a literal and symbolic rainbow after the storm.

One wonders if Lex’s weaponized fear toxin was in any way based off of Batman villain Scarecrow’s concoction.  Seems like a missed opportunity, though it’s a pretty jam packed issue.