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indigovigilance · 8 months

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Continuity Errors

Crowley can stop time. We’ve noticed buggy things about time. Let’s talk about it.

I’m going to start with an overview of every time he has definitely frozen time in order to establish the mechanics of Crowley’s time-stopping power in the GO universe. Then, I’m going to talk about other events where Crowley may have stopped time, and it wasn’t (directly) shown to the audience.

or read this 3,500 word beast of a meta on Ao3

edit: if you're deciding whether or not to read this, check out the reblog notes!

Opening obligatory "do not put anything about this in Neil Gaiman's askbox"

Crowley freezes time locally, selectively exempting individuals

S1E2

In S1E2, Crowley freezes time at the corporate training ground to interrogate Mary Hodges, formerly Sister Mary Loquacious (played by Nina Sosanya, actor for Nina in S2). It may seem like she’s just hypnotized and time is progressing normally around all of them, but that isn’t the case. Immediately before Crowley hypnotizes Hodges, we can hear gunfire in the background; a few seconds before Hodges is released from the trance, we hear shouting and sirens. But during the time that Hodges is entranced, all we hear is three things: the dialogue, music, and what sounds like the ticking of a kitchen timer.

We could do a little bit of extrapolation from the fact that the beginnings of gunshots and siren sounds are temporally very close together, especially depending on how we measure time. Crowley turns the paintball guns into deadly weapons at 36:59. Crowley freezes Mary Hodges at 38:47. A ticking sound starts the same moment. We also hear what we will come to recognize as the “pause time” sound, a sort of wobbly sound. The ticking sound seems to stop around… 40:07? Right before the line about lovely little toesy woesies? It’s unclear with the overlapping tracks. At 40:11 Crowley says “let’s go” and we can hear sirens in the background start now. Aziraphale then snaps his fingers and unfreezes Hodges at 40:17.

So during 191 seconds of screentime, 84 seconds of it was spent with time frozen, if I accept the ticking sound to be the indicator. If time was only frozen locally, meaning just the paintball grounds and not the nearest police station and roads leading to it, then emergency services had just over three minutes from the time the first live round was fired to arrival. If time was actually frozen globally except for Crowley, Azirarphale, and Hodges, then emergency services got there in 85 seconds, or less than a minute and a half. Maybe Britain is doing something wildly different than here idk but I think the more likely explanation for the event timing is that Crowley is only freezing time in a local bubble. The shooters stop shooting but the police are still driving towards them while Crowley and Aziraphale are interrogating an entranced Mary Hodges.

The case with Hodges is kind of confusing because the audience is presented with a false dichotomy between “frozen in time” and “hypnotized.” It’s actually both. Crowley has frozen time around the three of them, but Hodges, like Aziraphale, was exempt. It just so happens that she was also entranced at the same time, which explains as well why Aziraphale can release her from the trance, since our best evidence indicates that he can’t control time.

S1E3 & S2E3

In S1E3, Crowley freezes Jean Claude, the executioner at the Bastille. Immediately before, we can hear the guillotine, screaming and jeering outside the cell. As soon as Jean Claude is frozen, however (13:29, complete with wobble sound), there is complete background silence, except for the dialogue between our ineffable aristocrats. When Crowley restarts time, background noise restarts as well. This evidence indicates that Crowley froze time for the surrounding area as well as inside the cell.

In S2E3, Crowley freezes Mr. Dalrymple. We don’t have definitive information about how much of the rest of the world is affected since the scene takes place indoors on a quiet night and there are no external cues of time starting or stopping.

S1E6: Freezing Out Satan

In S1E6, not only are Crowley, Aziraphale, and Adam pulled out of the normal flow of time: it seems that they are also pulled out of normal space. They appear to be in an ethereal desert where we can see their wings, but we don’t actually know where they are. The way we enter, inhabit, and then exit this time-stop is completely different from any of the other three explicit timestop scenes: Crowley must use his whole body to summon the power to cast the miracle, they travel elsewhere, then he must use his crankshaft to exit the time-stop.

I take this to indicate that freezing time when Satan is near takes a lot more power than freezing time around Mary Hodges, Jean Claude, or Mr. Dalrymple. Presumably, the power a being has, the more power it takes to lock them out of a bubble to stopped time.

Time Stop Mechanics

Here are my key takeaways from analyzing these four scenes:

Crowley isn’t so much freezing all of time as pulling himself and Aziraphale (and sometimes Adam) out of the flow of time. The effort this takes is dependent on the entities that they are “pulling away” from. It is easy to pull away from humans, so much so that they don’t have to pull away very far and can occupy the same space in a bubble of paused time. When he is “pulling away” from Satan, however, he must pull away much further, all the way to another plane.

Crowley’s ability is so powerful that he can use it to escape Satan. He could use it to lock out other powerful beings, if he wanted to, but it would take a lot of effort.

Aziraphale, a being with power somewhere on the spectrum between human and Satan, could be frozen by Crowley’s powers. The fact that Aziraphale is still present and active during all of these scenes, unaffected by the time stop is only indicative of Crowley’s choice to exempt him, just as he does with a hypnotized Mary Hodges and Adam.

Crowley has stopped time on Aziraphale

In a previous post I have addressed the possible symbolic meaning behind the Honolulu Roast sign that suddenly appears behind Crowley in the S2E1 coffee shop scene. This addresses the symbolic meaning of Honolulu with respect to Aziraphale, but fails to address the “roast” part, which I have the opportunity to do now. I begin by establishing two premises:

Crowley loves Aziraphale and after 6,000 years knows him very well.

Crowley is a dick.

Crowley sits down at the table across from Aziraphale and asks him what the problem is. At this point, there is no “Honolulu Roast” sign behind him. The camera flips to Aziraphale as he (badly) tries to deny that there is any problem. When the camera flips back to Crowley, a “today’s special: Honolulu Roast” sign has appeared behind him.

What does Crowley do next?

Crowley roasts Aziraphale.

Crowley proceeds to read Aziraphale to filth, rattling off all his tells and putting him in his place for even daring to think that he could mislead Crowley about his internal emotional state.

While we’ve seen a lot more of his soft side this season, we cannot forget that the demon Crowley, at the end of the day, is a prick. He really did pause time just so that he could go get a chalkboard, write a pun on it, and hang it on the wall behind him like a display card for open mic night. He’s still going to help Aziraphale, of course. But he’s going to make fun of him first.

Let me reiterate: Crowley literally paused time, got up from the table, put up this sign, then sat back down in (as close to) exactly the same position (as possible) to fool Aziraphale into not noticing the pause, because this joke is entirely for Crowley’s own amusement. We have some cinematographic evidence of this besides just the sign itself: the lamp behind him has moved slightly, and the camera angle focusing on Crowley has changed. Literally, the left hand side of the frame gets cut off due to the repositioning. From a production perspective, this scene would have been shot all at the same time, so should not have changed angles. That said, they did a by-hand follow-in of Crowley walking in and sitting down, then switched to a dolly, but… I have faith that they could have matched the shot line-up practically pixel for pixel if they wanted to. All to say: changing the camera position before and after, alongside the other conspicuous changes, seems like it was a deliberate framing choice used to indicate that Crowley tried his best to get back into exactly the same position, but was just a little off.

But Crowley’s prank is troubling from a perspective of honesty and agency. Based on the way the dialogue progresses, it seems pretty clear that Aziraphale doesn’t know that he was frozen. Whether or not Crowley could freeze Aziraphale was beside the point until this scene where we learn that Crowley would, even for a really dumb reason like making a joke at Aziraphale’s expense.

Before moving on, I want to note that the sudden appearance of this sign could be characterized as a continuity error, even though it was the result of a deliberate action by an in-world character. Jettison your traditional understanding of “continuity error” as “production made a mistake.” In this universe, we can have continuity errors by virtue that Aziraphale is experiencing time as if it is continuous, not noticing that he functionally blacked out for a few minutes and that things have changed around him. This is not a show-level continuity error. This is an Aziraphale-level continuity error.

Crowley can reverse time

Credit where credit is due: it was this comment on the Ao3 version of my meta, The Erasure of Human!Metatron, that became an earworm that got me thinking specifically about Crowley's abilities:

So thank you, LoveIsLove <3

Let’s go back to the Mary Hodges scene, or actually a few minutes before. Our ineffable idiots get shot by paintballs.

“Look at the state of this coat. I've kept this in tip-top condition for over 180 years now. I'll never get this stain out.”

“You could miracle it away.”

“Hmm… Yes, but… well, I would always know the stain was there. Underneath, I mean.”

Aziraphale finagles himself a favor without ever actually asking for it. Full points, princess. But let’s examine the actual content of the dialogue. This cannot be a complete 100% bluff; Aziraphale is not going to tell a straight lie to Crowley that they both know is false about the respective nature of their powers. It must be the case that there is some truth to this statement. There is a fundamental difference between what Aziraphale can do about the paintball stain and what Crowley is actually going to do about it. Furthermore, what Crowley does is something different than a miracle.

Crowley then blows on the stain, it disappears, and Aziraphale looks quite pleased. Yes, yes, he cajoled Anthony J Acts of Service Crowley into doing his signature move, but also, he’s genuinely thankful that Crowley did something for him that he couldn’t do for himself, because miracles don’t work like that. Notably, Crowley doesn't snap his fingers or make any other gesture that we normally associate with miracles, and we don’t hear the miracle sound, which is further evidence that this is not a miracle, but something different.

If you haven’t already, please read my meta entitled Jimbriel, Satan, the Book of Life, and what it means for Crowley. It explains in depth and with evidentiary support my theory about how erasure works in the Good Omens universe. The Cliff’s notes version is that erasing something, whether it be a name from the Book of Life or a paintball from a coat, is akin to erasing a pencil mark on paper; it’s technically gone but you’ll always know it was there. Underneath.

What Crowley has done, then, is not erasing the paintball stain.

He’s reversed it.

When he blows on the paintball stain, he is reversing time in a microcosm of the universe, truly making it so that the paintball never hit the jacket. In a world full of rubber erasers, Crowley has the only Control-Z. When things are “erased” by the Book of Life, they are changed, but when Crowley reverses something, they never happened (making Beelzebub’s description of the Book of Life actually a more accurate description of Crowley’s power). It is something unique that Crowley can do that Aziraphale can’t, and we haven’t seen any evidence of any other celestial being pausing or reversing time. Please feel free to reblog with links to relevant meta if I’m wrong about that.

In true Neil Gaiman style, Crowley using this power to do something mundane like get rid of paintball paint was an incredibly benign and subtle way to indicate that Crowley has an immense, untapped power that we have not yet seen him use for any major purpose.

I repeat: we didn’t see him use it. Because usually, like Aziraphale, we the audience are exempt from the time freeze, and we get to watch what happens. But this time, we were frozen out with Aziraphale.

Clock Theory revisited: a reinterpretation of “continuity error”

A summary of clock theory

Neil Gaiman’s ask and answer on clock theory

Neil Gaiman responded to an ask about the clock jumping forward from 9:25 to 9:40 before and after the kiss with a single sentence: “It’s a continuity error, I’m afraid.”

In the usual manner, Neil is not lying, but he is relying on you making an incorrect interpretation of his seemingly straightforward and innocuous but actually ambiguous and incredibly meaningful statement. As I stated with regards to the Honolulu Roast chalkboard sign, do not interpret “continuity error” as “production made a mistake.” Interpret “continuity error” as “Aziraphale believes that his experience of time is in lockstep with the actual flow of time and doesn’t realize that 11 minutes passed while he was frozen.”

Let’s consider the evidence:

Image at timestamp 41:04 “[Hold that thought!]” the clock reads 9:25

Image at 45:04 “If Gabriel and Beelzebub can go off together, then we can” the clock still reads 9:25

Image at 47:56 the clock now reads 9:40.

Image at 48:14 the clock reads 9:40

There are two four-minute gaps, from the perspective of the viewer, and we have views of the clock face at both ends of each gap.

Gap 1, from 41:04 to 45:04, the clock hands do not move at all, nor do they in any of the intervening shots.

Gap 2, from 45:04 to 47:56 (or 48:14, as you prefer), the clock hands move 15 minutes.

The Occam’s razor, Doylian explanation for why the clock hands don't move from 41:04 to 45:04 is that the clock is a prop. It does not have any timekeeping mechanism, the hands don’t move unless some human being opens up the glass, reaches in there, and manually adjusts it. They weren’t going to interrupt filming this moving scene to move the clock hands minute by minute, so it seems pretty plausible that the fact that it doesn’t move is just an artifact of production limitations.

The Watsonian explanation, which I do not favor, is that Crowley has frozen time for just the two of them. They are in a microcosm all their own. If true, this would have an abundance of implications, such that they are actually free to speak to each other freely, which they don’t. So I feel like with that alone, we can set this aside, but I’m open to being convinced otherwise.

If we accept the “clock is a prop” explanation for Gap 1, it doesn’t really hold for Gap 2 that they moved it a full fifteen minutes. So much care and attention to detail was given for all other parts of this show; I don’t realistically believe that a production staff member moved the hands a random amount. The music carries us from Crowley’s exit to Metatron’s entrance seamlessly, yet more time seems to have passed in-world than on-screen. There are two possible explanations:

There was more material that was supposed to be filmed to account for 15 minutes that got cut

We are supposed to figure out that there’s some “Greek play” style shenaniganery afoot

I will debunk explanation #1 with simply this: David’s contact lenses would sometimes rotate so that the slit pupils were not vertical. This error was fixed by VFX in post.

You might assume, when watching Good Omens, that Crowley’s serpent-like eyes are created using contact lenses. Or perhaps you’d presume they’re CGI. Actually, they’re a mix of both.

“The CGI versions were usually because the contact lenses had swiveled in David’s eyes … and we had to fix it,” says Mackinnon.

If they could fix Crowley’s eyes in post, there is absolutely no reason to expect that they couldn’t or wouldn’t have fixed the clock hand positions in post, especially if it was someone’s job to reach in there and change the positions to try to maintain set continuity in the first place. Additionally, there is deliberate use of clocks to symbolize various themes across both seasons. A Doylian error like this is not something that would have been overlooked and survived into publication.

So we are left with explanation #2. Time has passed that we, the viewers, don’t observe. What was happening during that time that we missed? More importantly, who knows that this time has passed? Aziraphale doesn’t seem to, and it’s unclear what the Metatron does or doesn’t know.

Some fans have posited that the Metatron is doing the time manipulations, but canonically, the only entity we have observed manipulate time is Crowley. We assume the Metatron is powerful because the angels are all afraid of him, but we’ve never actually seen him do anything, and so have no primary evidence for this. All over, he’s got some big “pay no attention to the man behind the curtain” Wizard of Oz vibes happening; I’m not convinced he could miracle his way out of a wet paper bag, and there’s a chance that in Season 3 we’ll find out that he’s all bluff. Not so with Crowley.

My hypothesis is that Crowley froze Aziraphale and everybody else for a one block radius, including the Metatron, and did something important in the bookshop before it lost its protection. Please see my meta on Sovereignty, Citizenship, and the Bookshop for an evidence-based argument on why the bookshop was the only place in the universe that Crowley could have safely hidden something. Since Aziraphale is no longer the head of an independent embassy, whatever Crowley was keeping safe in there isn’t safe anymore, and needs to be moved. Universe time continued to pass and the clock reflects that, but Aziraphale and the Metatron aren’t aware that they were paused.

Which also gives us a new interpretation for the kiss.

The Kiss, revisited

Crowley didn’t want to send Aziraphale a message.

Crowley needed a plausible cover for the immense effort it was going to take him to freeze time against Aziraphale and the Metatron that he knew was standing outside.

How do I know he knew?

No nightingales.

Juliet. Wilt thou be gone? it is not yet near day:

It was the nightingale, and not the lark,

That pierced the fearful hollow of thine ear;

Nightly she sings on yon pomegranate-tree:

Believe me, love, it was the nightingale.

Romeo. It was the lark, the herald of the morn,

No nightingale: look, love, what envious streaks

Do lace the severing clouds in yonder east:

Night's candles are burnt out, and jocund day

Stands tiptoe on the misty mountain tops.

I must be gone and live, or stay and die.

No nightingales could be the end of a romance. I argued as much in my inaugural meta just six weeks ago (and what a six weeks it has been, people!) But “no nightingales” could also be a secret signal to two people who have a unique bond through Shakespeare that Crowley has realized he is not safe, and he needs to leave, and he’s trying to tell Aziraphale that without letting their spectator in on the message.

Now he has to stop time to secure whatever item he’d been keeping safe in the bookshop. But keeping Satan at bay required him to lunge upwards, using his whole body to freeze time. He can’t get away with anything like that here in the bookshop, that would give up the ruse.

But what if he lunged at the person everyone knows he’s in love with and violently kisses them on the mouth, his entire body tense with the effort of freezing time in the presence of two ethereal beings? No one would notice the difference, or think anything nefarious of it; a Class A surreptitious time-stop.

One last crackpot theory.

Aziraphale knows what Crowley did. Well, he knows that he froze time, and for the first time realizes that Crowley has locked him out, and that he used the kiss as a cover. The violation of agency, trust, and their romantic bond are all breaking across him in the instant that time restarts, after Crowley has gone away for 11 minutes and returned to almost, but not quite, the same position inside Aziraphale’s arms. It is an intimate act that Aziraphale is fully tuned into, and for the first time, he’s noticing the continuity errors.

His horror-filled expression is one of broken trust. But his bond to Crowley is too strong for even this to break it. He knows that whatever reason Crowley had to pull this trick on him, it must have been a good one. It must have been to protect him.

“I forgive you.”

***

One more completely crackpot theory based on the Gavin Finney interview at The Ineffable Con last weekend.

The camera was supposed to circle them. Finney says that this was to show that they are the center of their universe, and their world is spinning.

Okay, okay. But could it not also have represented the spinning of clock hands? I’m just saying.

Closing obligatory "do not put anything about this in Neil Gaiman's askbox"

Find my entire collection of metas here

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lvckyyz · 4 months

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poseidon’s cabin headcanon

cabin’s song: pompeii - bastille

poseidon is the god of seas, rivers, earthquakes and horses

the first thing you all have in common is that everyone thinks you’re just saying poseidon is your godly parent because of the pjo show

but people forget that there are real children of poseidon out there

everything is a competition for you

i don’t even have to say you all love the ocean

you wish you were able to talk to water like moana does (maybe you can, idk)

easily manipulated

and really stubborn (extremely stubborn)

you believe you can win a fight against a shark

children of poseidon usually have problems with understanding their feelings

family is everything for you

you’re afraid of being judged, and is always trying to prove yourself to others

but you don’t really judge anyone

cabin 3 is so messy🥹 children of poseidon want to do a lot of things at the same time and forget to clean up their cabin

you get distracted very easily

every time someone gets claimed by poseidon, all the other cabins, mr. d and chiron start panicking hoping they’re not a new percy jackson

mostly friends with cabins 6, 7, 11 and 18

you’re really loyal to who you love

poseidon was known for being scary when he’s mad, and his children are just like him

you search revenge for everything and don’t forget about people’s mistakes easily

probably sociable

cabin 3, 1 and 13 argue all the time

you hate feeling ignored

not the kind to open up easily, it takes more time for you to trust someone

children of poseidon usually don’t care a lot about fashion, most of them don’t care if people think their clothes look weird as long as they’re comfortable

a/n: thank you for reading

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rvzcvx · 9 days

Note

I see your post we're you bored and idk what to write so another Idea :

Can you do Tom x(dom) m! Reader or non-gendered is not important (I prefer x m! Reader because I'm a guy obviously )During the 14th of July and we arrive in the evening at the time of the fireworks and Tom is really scared about firework (IDK LMAO, no judgment.) and reader tries to reassure him Fluff and maybe bonus where reader and Tom had sex because Tom can't calm down! As you wish

BYEE,LOVE YOU 💋

ANXIETY

pairing: tom kaulitz x male reader

warnings: smut

a/n: idk if thats what you meant, but i hope youre gonna like it!! its kinda long but I hope it will be a good to read!! you can send me more requests if you want me to write something

As the sun dipped below the horizon, we were walking through the crowded streets of Paris, my heart racing in anticipation of the evening ahead. Tom and I had planned this trip months ago, carefully timing our visit to make it in time with bastille day. But as we made our way towards the seine, where the crowd had gathered, Tom's grip on my hand tightened, and I could sense his growing unease.

We arrived at a place near the eiffel tower. People were everywhere, their excitement palpable. Tom's eyes darted around nervously, his usual confident demeanor replaced by an nervous tension. I squeezed his hand gently, hoping to provide some reassurance.

"You okay?" I asked, my voice low enough to be lost in the crowd. Tom forced a smile, but it didn't reach his eyes. "Yeah, just a bit overwhelmed. I forgot how crowded it gets here."

I knew it was more than the crowd. Tom had never been comfortable around fireworks. The loud, unexpected bursts and the lingering booms always seemed to unsettle him. It was something he rarely admitted, but tonight, as the first rocket flew into the sky, I saw him flinch.

"It's gonna be fine" I whispered, pulling him closer. "We'll stay back here, away from the thick of it."

He nodded, but his body remained tense. The fireworks began in earnest, vibrant explosions of color and light that painted the night sky. Each burst was met with oohs and aahs from the crowd, but Tom's reaction was a stark contrast. His jaw clenched tighter with each boom, his eyes squeezed shut as he tried to block out the noise.

"Hey" I said softly, turning to face him and gently cupping his face in my hands. "Look at me, not at the fireworks." Tom's eyes fluttered open, meeting mine. "I'm trying" he muttered, his voice strained.

"Focus on my voice, on my touch." I ran my thumb soothingly over his cheek. "You’re safe. We’re safe."

He took a deep breath, his shoulders relaxing slightly as he concentrated on me. "Thanks" he said, his voice barely audible over the people around us.

I kept talking, sharing random stories and memories, anything to distract him from the noise. Gradually, his breathing steadied, and some of the tension got off him. As the grand finale approached, the fireworks intensified, the sky a chaotic symphony of light and sound. Tom winced, but he didn't look away from me.

When the last firework faded, I could see the relief on his face. "Let's get out of here" I suggested, threading my fingers through his.

We walked back to our hotel, the cool night air a welcome change from the crowded riverbank. Tom was quieter than usual, his earlier anxiety still lingering. Once we were inside our room, I closed the door behind us and turned to him.

"Sorry I wasn't much fun tonigh" he said, flopping onto the couch. "Don't apologize" I replied, sitting next to him and placing a hand on his leg. "I knew fireworks weren't your thing. I just wanted to be with you."

He gave me a grateful look. "You always know how to make me feel better."

I leaned in and kissed him gently, letting my lips linger on his. He responded eagerly, his hands finding their way to my waist, pulling me closer. The kiss deepened, and for a moment, all the stress and tension melted away.

"I don't know what I'd do without you" Tom murmured against my lips. "You don't have to find out" I whispered back. "I'm not going anywhere."

We stayed like that for a while, wrapped up in each other, the world outside forgotten. Eventually, Tom pulled away slightly, his eyes searching mine. "Can we just stay here tonight? Just us?"

"Of course" I said, brushing his thick dreads from his face. "We can do whatever you want."

He smiled, a real smile this time, and pulled me down onto the bed with him. We lay there, holding each other, the faint sounds of the city outside a distant hum. Tom's breathing slowed, his body relaxing completely for the first time that evening.

"I love you" he whispered, his voice filled with emotion. "I love you too" I replied, kissing his forehead.

We lay there in comfortable silence, enjoying the peace of the moment. The anxiety from earlier seemed like a distant memory now, replaced by a deep sense of contentment. Tom's hand found mine, our fingers intertwining as we simply enjoyed being together.

After a while, I felt Tom's lips on my neck, his breath warm against my skin. "You make everything better" he murmured, his voice low and husky.

I shivered at his touch, my body responding instinctively. "I try" I said with a smile, turning to capture his lips with mine.

We kissed slowly, savoring each moment, the tension from earlier completely forgotten. Our hands roamed over each other, exploring familiar territory with renewed intensity. Tom's touch was both soothing and electrifying, a combination that never failed to drive me wild.

As things heated up, I felt the urgent need to be even closer to him. We moved together in perfect sync, our bodies responding to each other's every move. The connection between us was intense, fueled by the events of the evening and the deep love we shared.

Eventually, we paused, breathless and flushed, our foreheads pressed together. "Let's take this to the bedroom" Tom suggested, his eyes dark with desire.

I nodded, my heart racing in anticipation. We stood up, still wrapped around each other, and made our way to the bedroom. I pushed open the bedroom door, my heart racing with anticipation.

I laid him gently on the bed, placing my weight on his body. "You're so beautiful" I murmured, leaning down to press a soft kiss to his lips. He responded eagerly, his arms winding around my neck as he deepened the kiss.

I could feel the heat radiating off his body, and I knew that he wanted me as much as I wanted him. I broke the kiss, my lips trailing down his jaw and neck, peppering him with kisses as I went. He tilted his head back, giving me better access, and I couldn't help but grin at his eagerness. "You like that?" I asked, my breath hot against his skin.

"Yes" he moaned, his voice ragged with desire. "Don't stop."

I continued my assault on his neck, my hands roaming over his chest and stomach, feeling the muscles tense and flex beneath my fingertips. I could feel his cock, hard and throbbing, pressed against my thigh, and I knew that it was time to take things to the next level.

I pulled back, my eyes meeting his, and I saw the hunger and need in them. I reached for the hem of his shirt, pulling it up and over his head, exposing his toned, muscular chest. I couldn't help but let out a low whistle as I took in the sight of him.

"Fuck, you're so hot" I said, my voice filled with awe.

He blushed at the compliment, but I could see the pleasure in his eyes. I leaned down, capturing one of his nipples in my mouth and sucking hard. He cried out, his back arching off the bed as I teased and tormented him with my tongue and teeth.

I moved my attention to his other nipple, giving it the same treatment, and he moaned and writhed beneath me. I could feel his cock leaking precum, and I knew that he was just as turned on as I was.

I stood up, my eyes never leaving his, and stripped off my own clothes. He watched me, his eyes dark with desire, as I revealed my own hard, throbbing cock. I climbed onto the bed, positioning myself between his legs, and I leaned down to capture his lips in another searing kiss.

I reached down, wrapping my hand around both of our cocks, and I began to stroke them together. He moaned into my mouth, his hips bucking up to meet my movements. I broke the kiss, my lips trailing down his chest and stomach as I made my way to his cock.

I wrapped my lips around the head, swirling my tongue around it, and he cried out, his hands fisting in my hair as he held me in place. I took him deeper into my mouth, my throat working as I swallowed him down.

He was moaning and thrashing beneath me, his hips bucking up as I sucked and licked at his cock. I could feel my own orgasm building, and I knew that I wouldn't be able to hold back much longer.

I pulled off his cock with a pop, my lips wet and swollen from his abuse. I looked up at him, my eyes filled with lust and desire, and I saw the same need reflected back at me in his gaze.

"I need you inside me" he gasped, his voice desperate.

I nodded, reaching for the lube and condom that I had stashed in the bedside table. I quickly sheathed myself and slicked up my cock, my eyes never leaving his.

I positioned myself at his entrance, my cock throbbing with need. I looked up at him, seeking his permission, and he nodded, his eyes filled with trust and desire.

I pushed inside him, my cock sliding in easily, and he cried out, his hands reaching up to grip my shoulders as I filled him up. I began to move, my hips pistoning as I drove into him again and again.

He was moaning and writhing beneath me, his cock hard and leaking as I fucked him. I leaned down, capturing his lips in another kiss as I continued to thrust into him.

"You feel so good" I murmured, breaking the kiss. "So tight and hot."

"Yes" he moaned, his hips meeting my thrusts. "Harder, m/n. Please."

I increased my pace, my hips moving faster and faster as I drove into him. I could feel my orgasm building, my balls drawing up tight against my body.

"I'm close" I gasped, my breath coming in short, sharp pants. "Me too" he moaned, his nails digging into my shoulders.

I reached down, wrapping my hand around his cock, and I began to stroke him in time with my thrusts. He cried out, his back arching off the bed as he came, his cum spurting out in hot, sticky ropes.

The sight of him coming, of his body trembling and writhing beneath me, was enough to send me over the edge. I groaned, my cock twitching as I came, filling the condom with my hot, sticky load.

I collapsed on top of him, my chest heaving as I tried to catch my breath. He wrapped his arms around me, holding me close. I took off the used condom and threw it somewhere, wrapping my arms around him too.

"I love you Tom" I said, resting my head in the crook of his neck. "I love you too" I heard him say and I smiled, feeling myself fall asleep after a while.

#tokio hotel x male reader #tokio hotel #georg listing #gustav schäfer #tom kaulitz #bill kaulitz #bill kaulitz x male reader #bill kaulitz x reader #tom kaulitz x reader #tom kaulitz x male reader #gustav schäfer x reader #gustav schäfer x male reader #georg listing x reader #georg listing x male reader

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onesapphireeye · 1 year

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in your warmth

Aegon reveals that he has been going to counseling and is committed to getting better and being a better father and husband. You, as always, forgive and forget too easily.

modern!aegon x reader + "you have a pretty face when you aren't yelling at me."

warnings: use of she/her for reader. angst that turns happy. metaphoric mentions of murder. aegon is/was an alcoholic. mentions of separation.

nori says: why is my brain like this?????? how did i get this from that prompt? lmao idk, but warmth by bastille was on repeat. i tried to make the reader a softer personality than usual. not beta read, as always!! you know how we do around here! xoxo.

word count: 2,000~

If your life was a movie, its genre would be a crime documentary. They'd portray you as the kind of person who lit up a room, whose once-brilliant smile had been dulled by years of living with a man who robbed everything from you. Someone whose great ambition in life lay in shreds, mangled by the ghosts of her former hopes.

No, Aegon hadn't killed you, but he had stolen your essence.

You sunk into despair as you reflected on how he'd taken away your vibrant spirit and quieted your voice. Conversations were now limited to cold, bureaucratic texts, and you felt like a shadow of your former self.

You just knew audiences would weep at their screens and feel their hearts break for the pretty wife. They'd ask why justice had not been served? Wonder if her husband's family had powerful connections?

You didn't want to be seen as a deer led to slaughter.

As much as you wanted to be courageous like Amy Dunne from Gone Girl and make a break for freedom, you never could think of a good plan.

How would you go about faking your own death?

Where would you go afterwards?

You didn't want to get away; instead, you desperately wished for a way to turn back the hands of time. Aegon had been your first love and you still cherished him in your heart.

Pain lanced through you at the thought of your twins. As much as they completed you, you missed the days before their births when life was so much simpler. You felt like a disgusting mother for even thinking it, but Aegon had been so untroubled then. Becoming a father had made him so terrified of repeating his own father's mistakes that he chose to ignore his worries instead.

Your conversations seemed always fraught with tension and fear, though he would put on a forced smile to comfort you and convince you that everything was alright. He would tell you how happy he was, but each word was coated in the need for alcohol, a way of dulling the pain of his struggle.

What finally prompted you into action, was when you had come home after a spin class to a house filled with the stench of booze and your children huddled miserably next to the motionless form of their unconscious father.

You had tried everything to help him, but he refused to quit drinking and you weren't willing to have your kids suffer like he did as a child. His stubbornness had forced you to separate and take a job outside the home in order to support them.

You wanted full custody and felt like Aegon had abandoned you in your time of need.

Aegon had not been picking up your calls, and you found out through his sister that his solution to the struggle of parenting two children was to find another woman to do the job—his mother.

She had been taking them overnight, shielding you from the truth in order to "spare your feelings". You knew enough about their family to know that her intentions were really to keep up appearances for Aegon, yet it tore you apart all the same.

How could your opinion of him decrease any further? You felt broken and alone, with no one to turn to.

OUTGOING: I know it's late and this is pretty last minute but do you think I can drop by to get you to sign some forms? I wouldn't bother you with this, but they need a wet signature for legality.

AEGON: I'm in the middle of something right now

AEGON: Can we meet up tomorrow evening? There are some things I need to tell you about

AEGON: Do you want to meet at Visenya's? My treat for your time

OUTGOING: 6pm works for me?

AEGON: It's a date

OUTGOING: It's not a date, Aegon. Just a friendly dinner.

As you drove into the parking lot of Visenya's, your heart raced and your breath caught in your throat. You were here to meet Aegon and the combination of anticipation and nerves was hard to manage.

It was a familiar place for the both of you, and the memories came flooding back. You could still taste the red wine on your lips from the night you accepted his marriage proposal here and the sweet chocolate cake from your first date left a bitter aftertaste. Looking up at its doors, you wondered why he chose this venue.

Your attention was drawn to Aegon's beloved Sunfrye, a 1962 Ferrari 250 California SWB Spider by Scaglietti, custom painted an aged gold gleamed in the darkness, mocking your pain. You knew more about this car than you'd ever wanted, thanks to all the time Aegon spent talking about it. And you sat there every time like a dutiful idiot, happy to share anything with him.

You wanted to rip Sunfyre apart with your bare hands, to feel something other than the sadness overwhelming you, but instead, you bit back a sob. Tears gathered in your eyes as you battled against the urge to key the car out of spite. You could almost picture him on his hands and knees before the vehicle; blubbering in anguish at your destructive creation.

Aegon hadn't even been on time to your wedding, so you were surprised to see he was already here. Your foolish heart wondered if this was a sign. You didn't want to turn one of your rare meetings into a fight because of a burst of vindictive pleasure.

You swallowed your apprehension and walked inside the restaurant, fifteen minutes after the set reservation time.

Giving your name to the hostess at the front, you were guided to the table where Aegon sat. Your face split into a smile at the sight of him. His skin glowed with a vibrant radiance, and his eyes shimmered with life-not from alcohol. His white blonde hair was brushed back, revealing his dazzling features. The usual bags under his eyes were gone, leaving him looking more alive than you had ever seen him before.

Your heart did a flip as you realized how much better he looked, and it filled you with warmth to know he could be happy.

"Hi," you said softly, placing the envelope on the table between you two.

"Hi!" Aegon stood abruptly, gallantly helping you take off your outerwear before pulling out your chair for you. You took a seat, feeling slightly anxious in his presence after so much time apart. As he moved away, his hands grazing your shoulders sent electricity coursing through your body, making you feel slightly more at ease.

He sat back down across from you an gave you an endearing smile, your lips curved in a small smile in response. You could tell that he was just as nervous as you were, but was trying to be brave. It made it easier to relax, knowing that you weren't alone in feeling that way.

You settled into your seat, looking into each others eyes and reveling in the moment.

"You look gorgeous. It's been ages since I've seen you light up like this." He used to be a charmer, until he lost sight of what was most important.

Your gaze flicked down, you were hesitant of looking him in the eye, in case your expression gave away how much you still appreciated compliments from him. "Sometimes I wonder if we would still be together if you had said more nice things." You had to fight your younger self, the person who was so weak and willing to forgive his wrongdoings. "I apologize, I shouldn't have said that. Let's just enjoy this moment and talk like normal people."

You had always been gentle with this man-- you still loved him, despite all of your pain-- asking for a divorce had come as a jolt to everyone. No one knew Aegon's sweet little wife had a will of steel, because you had even been so compliant in his meticulous demolishing of your own spirit.

You didn't know how to start. "You said you had something you wanted to update me on?"

"I've been going to AA meetings." Your eyebrows shot so high they almost disappeared into your hairline, your mouth a gaping maw of disbelief. He continued when you didn't say anything. "I've made mistakes in the past, and I can't promise that I won't make mistakes in the future; but I can promise that I'll learn from them this time."

You could almost sense the hopefulness radiating off of him, he was determined to be better and make things right.

"I'm so proud of you," You whispered softly, "It takes a lot of strength to take a hard look at yourself and try to make a change. Believe me, I know exactly how hard it can be." Your hearts swelled with emotion, overwhelmed by the fact that you two could have such an honest, heartfelt conversation.

"I didn't just do this for myself. I did this for us." His eyes glistened with intense emotion, "I have so much love to give and I just want to give it—the right way. I'm finally ready to learn, but I need you to show me. Please., I want to come home." He was pleading with his entire being.

Your heart was pounding wildly in your chest and before you knew it, your hand had reached out and entwined with his.

You looked him in the eyes, "I love you Aegon, more than I should. And I'm here, ready to learn along with you." His warm hand in yours let you know that this was real, that despite all the struggles and arguments, you both still had feelings for each other. "But you can't just come home, not yet."

You watched his face fall as he nodded in understanding. You hated seeing him look so defeated, but it was important to take things slow. You needed to make sure that this wasn't just a momentary flash of love.

There was a lot of work to be done before you could tell all your families and the kids that you two were reconciling. It would take time, patience and understanding but if it meant that you two could finally have the happy ending that you both deserved then it was worth it.

As Aegon went on about what he had gone through since the separation, you couldn't help but be astonished at how much he had changed. He opened up to you as if you were a long-lost friend, sharing pieces of himself that he never would have let out before. You embraced every word like it was a token of love from him and hung onto it with all that was left within you.

After a few hours of talking, he seemed exhausted from pouring out so much of himself that needed to be released. You felt something shift between you two; something was healing, something that couldn't come back to its original form: a marriage connected by love. But instead, it could be connected by something more beautiful; honesty, respect, understanding and care.

You both looked down at the envelope that still lay untouched on the table between you two.

His free hand began to reach across the table to grab it, and you stopped him. "Don't worry about those."

He gave you a warm smile and gazed into your eyes; something had stirred within you that had been dormant for far too long. "You know, you have a pretty face when you aren't yelling at me."

"Please don't start making jokes." You squeezed his hand tightly before letting go and both of you sat in silence for a few moments, feeling the tension between you two dissipate as you sipped on your drinks.

norinote: remember you can send me prompts from here or your own ideas! xoxo.

#norimadeit #aegon #aegon is that you?#i want to fight aegon lol jk or am i #aegon x reader #aegon targaryen #aegon x you #aegon targaryen x you #hotd imagine #modern aegon #aegon targaryen imagine #prompts #in your warmth

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