#because this fic is 100% shit

[inky-goddess]

Urban Exploring

Warnings: Blood, death, depressed thoughts, panic attacks Fic type: Hurt/comfort Ship: Jeremy (the fnaf vr/fnaf 2 one) x Micheal Prompt

"Something's off about this place…" Jeremy said

"…You mean other than the giant pools of dried blood?" Micheal said.

"erm...that too" Jeremy said.

Michael sighed.

He knew exactly why this place felt off.

"You do realize what happened here?" He asked Jeremy.

"You mean other than what caused the pools of dried blood?" Jeremy said with a laugh.

"Now is not the time for this!" Michael exclaimed.

"But you're smiling~" Jeremy said, in a sings song tone.

Michael sighed, and let out a small chuckle.

"You really know how to get me to loosen up" he admitted.

Michael looked away. Jeremy wasn't there that day. And no one ever told him what really happened on Evan's birthday. All Jeremy knew was that Evan died here on his birthday. But now standing in the abandoned Fredbear's Family Diner, Michael had a choice to make.

Do I tell him? Will he hate me? Will he tell me I'm just as bad as-

As those panicked thoughts ran through Michael's mind, a familiar voice called out to him.

"MIKEY JUST TELL YOUR BOYFRIEND-" Evan started.

"Boyfriend?" Jeremy asked.

"E-Evan?" Micheal was too surprised to be flustered.

"Alright so I'm not hallucinating. That is your little brother who just called me your boyfriend" Jeremy said.

Michael's face went redder than Foxy.

"He what?" Micheal asked.

Evan laughed. And as he came out of the shadows, Micheal was face to face with the animatronic that he had shoved his little brother into.

Every ounce of flusteredness at his brother's comment on him and Jeremy went away as panic set in.

No no no this wasn't meant to happen. Micheal thought.

His rapid breathing and swift backing up was signal enough to Jeremy and Evan that something was wrong.

"Are you alright Mike?" Jeremy asked.

Micheal stared at him, wide eyed.

"I'm just like him...aren't I..." He said, almost devoid of any emotion.

Empty.

"Mike? Mike what's going on?" Jeremy was now starting to panic as well.

He had comforted Micheal through panic attacks before, but never one this bad.

"Y-you know how you were away the week of my birthday?" Evan asked.

Jeremy nodded.

"And how you are basically 90% of Micheal's impulse control? even back then?" Evan continued.

"Yeah...? Where is this going?" Jeremy asked.

"He- He may have accidentally- ACCIDENTALLY- shoved me into Fredbear's mouth...as a prank" Evan explained.

Jeremy looked over at his panicking boyfriend

"Mike...why didn't you tell me this?" He asked.

"You hate me don't you...you think I'm just like him" Mike said, once again devoid of any emotion.

"Micheal I do not think you are like that man!" Jeremy exclaimed.

Evan looked over at the two.

And they say they aren't boyfriends. Evan thinks.

Jeremy put his hands on Micheal's shoulders.

"Just tell me what is going on, you haven't been this...emotionless...in your speaking since you were scooped!" Jeremy pleaded.

"Since WHAT?" Evan yelled.

"Um It- It's hard to explain" Jeremy said.

"You don't need to explain just comfort him, I-I don't think I can comfort him like this...o-or at all...im not good at comfort" Evan said.

"Right" Jeremy said as he turned around to face his boyfriend.

"Just say you hate me, I know you do" Mike said.

"Mike. You know that's not true. I...I love you...a lot" Jeremy confessed.

"FINALLY" Evan yelled.

"Not the time" Both boys hissed.

"A-anyways...I love you too Jeremy" Micheal said.

Micheal got up and walked over to the animatronic bear possessed by his younger brother.

"I'm sorry...I-I didn't mean for it to go that far..." Mike said.

"I know, and I forgave you a long time ago. Now explain what Jeremy meant when he said you got 'scooped'" Evan said.

[nebuladreamz]

A little different than last year's, but here we are again. To say that this past year hasn't been absolutely wild would be a lie, cause HOLY SHIT MAN

This year's birthday is. A little different for me, but you already have the silly comic to show that so I won't make like a broken record oops

But, despite the changes and hills that life's decided I should climb or throw at, it hasn't changed the fact that I'm so genuinely fucking thankful to the people that I've known since joining this fandom. I'm not even kidding when I say that being here has actually changed my life for the better. I know I said something similar last year, but this time, hoo boy it sure turned up the AMP and test how far I could go.

So, to everyone, both new and old; thank you for being here :D

@garbagechocolate @darkxsoulzyx @smoljeanius @bunmuffin @skizabaa

@tuzesdays @sleepykas @fernzwing @kandidandi @starsketchez

@just-a-drawing-bean @notdysfunk @ilsole @amberluvsbugs @cloudyvoid

@nomsthecat @alfinefalf @nosleepygay @theblog-with-thestuff

@cacaocheri

(Edit: ty kibbits for informing me of the. Fuck ass tagging system)

AND TAGGING OTHERS BECAUSE. POINTS. BONKS WITH HEAD. GETTING TO EITHER INTERACT OR TALK OR WHATEVER IS ALWAYS A DELIGHT

@ohno-the-sun @kibbits @ink-yy @saltyfryz @kaprisvn

@hierba-picante @sunny-sophies-garden @cookiiemancer @sneeblbop @justaduckarts

@pepethehumanz @crystalmagpie447 @woolysstuff @mocha-illustrates @duhsty1

@sanchensky @pillowspace @victarin @witherfide

[I DEFINITELY GOT SONAS WRONG AND THESE AREN'T ALL THE SILLY PEOPLE I KNOW BUT IM SITTING HERE AT 2:30 IN THE MORNING JUST KNOW YOU'RE THERE IN SPIRIT HANDING YOU ALL POPTARTS WAUGH]

[hrwinter]

Question: if you were one of the Supergirl writers and had been tasked with explaining how or why Lena didn’t know Kara was Supergirl (given how generally obvious it would be when Lena— the world’s smartest woman— has interacted with both Kara and SG) would you have written something fundamentally different than what the show decided to go with?

i couldn’t sleep this morning, suddenly remembered this ask, and decided i desperately needed to answer it.

so my absolute favorite explanation for this was in "The Love of Forgetting" by KL Morgan. i know it would've been extremely difficult to execute on film, but i would've really liked if the explanation had been that kara used cloaking tech or the "image inducer" and that it slightly changed her face. i thought this was SO smart in the fanfic, and one of the few explanations i could actually buy; that lena doesn't recognize kara because they LITERALLY don't look the same. just both blonde, fit, and beautiful, but not the same faces. it would've been amazing if they'd just used her stunt double, but then you wouldn't have your star actress in the dramatic scenes, so. i get it.

the only other explanation i liked was for superman. i'd think i'd seen a post on here about it, but it was the idea that no one THOUGHT superman had an alter ego. no one imagined that he would pretend to be human in his downtime and hold down a job and have friends. no one was looking for superman in the real world, so no one saw the similarities between he and clark kent. that might get us to lena not recognizing kara, but my god... the evidence was abundant and insurmountable on the show which leads us to fanfic's most popular explanation...

denial. i think this one treads water a bit because we know lena's had a highly traumatic, dysfunctional upbringing. they even show us that her one other friend CANONICALLY GIVEN, andrea, lied to her and betrayed her. she just doesn't want to see it. we also see her, quite regularly, show a form of disappointment with this highly idealized concept of supergirl. she moved to national city for her. does quite a lot to get her attention and impress her. and then still believes that supergirl doesn't trust her, that she can't move past her last name. "never meet your heroes." i think maybe denial might stop her from thinking her only friend in national city and second in her life (maybe third if you cound sam) would be SO duplicitous for four years, even if lena did see all the signs (the most egregious of which to me was Supergirl SAYING HER NAME WAS KARA!) it's just extremely difficult for me to believe that a smart woman like cat grant would figure it out but not lena, so it really leaves the only explanation is emotional for lena, which sort of tracks (but not really.)

we know the show dragged it out for years because it was the most important (and only) emotional element to the show, which to me is a critique of how little they managed to build for kara than anything reasonable about lena being unable to see it. lena "finding out" was always going to be a seasonal arc, but they kept pushing it off while failing to make us care about anything else in the plot. then it's this massive amount of time that's passed but a genius hasn't guessed, but EVERYONE ON THE SHOW INCLUDING CHILDREN, have guessed kara is supergirl. it was never going to make sense. what i would've fundamentally done differently is known how to write a la ali adler in season 1 and given us real conflict, stakes, character development, etc. for kara that didn't weight her conflict with lena SO heavily that it had to be drawn out until the show was literally ending.

[chimerahyperfix]

You’re looking for something— no, someone, too, aren’t you?

(I can’t comprehend how you understand what’s going on, with your lifeless shell. Craft as you are.)

[swallowtail-ageha]

I think someone should study the fact that all of the moral issues people have with coleen hoover are just the modern day version of "this erotic literature will corrupt our pure women!"

[lupins-hehim-pussy]

I wanna know ur Fontaine msq criticisms 👁️👁️👂I’m all ears

I'm not sure if you wanted me to talk about this secretly or publicly but! Here I go!

The TLDR: Fontaine MSQ aestheticised prison, poverty, child abuse, the justice system/court and didn't properly address any of it.

More:

Focalors/Furina has way too much of a sympathetic angle for a dictator who's lets people drown with her inaction.

Neuvillette feels Bad for sentencing some people to death/prison, but that's it. He's one of the most powerful people in Fontaine. If he felt like there are systemic injustices, I.E sending an abused Child to prison, he should be the first person to DO something about it, not just cry and be sad so the audience can be like aw, that's complex character writing isn't it? No it's not! And guilt doesn't absolve you!!!!!!! (These are stuff we deal with in OTCOJ read my fic now /j)

Meropide has children in it, both Sentenced there (Wriothesley) and BORN THERE (Lanoire), and this is just a quirk of the place. Not only that, Meropide accepts prisoners of all genders and crimes. There are abusers and abuse victims in one place. Do you know how bad that is? How much potential for crimes to happen in a place like that— oh wait, Meropide isn't under Fontaine's jurisdiction. If you are assaulted as an inmate it literally means nothing to the court.

Wriothesley had no qualifications when he took over. Depending on how long he lived on the streets, how old he was when he killed his parents, how old he was when he was first taken in by the orphanage, etc, the man might never have more than 4–5 years of formal education. Sigewinne probably had to teach him how to write reports. And do Meropide's spreadsheets. Edit because I forgot to elaborate on this one: This isn't a point brought up anywhere, which is bad, because when poverty and incarceration robs you of a proper education (and the rights to vote in many places too, too, by the way), it reduces your prospects for jobs, reduces many people's ability to get a home etc etc. Wriothesley was just, narratively, Given his position.

Meropide is an industrialized prison, and they portray this as a good thing. Prisoners are paid in coupons for their labour, and this is also portrayed as a good thing.

The One-Meal-A-Day reform was something Paimon gushed about being so great of a perk, that people might want to go to jail for food (could be interesting and reflective of systemic poverty if MHY had brains, but they don't, so I was just Pissed because essentially all Paimon wanted to say was "Prison isn't so bad, but still don't go to prison guys! Prison labour is really hard!"). By the way, in most real-world prisons they are obligated to feed you three meals a day. Because that's how much food a human needs. MHY went with one meal just so they can say "if you want to eat more, you have to work." And then the welfare meal is a goddamn gacha. So imagine you're a starving child who's too weak to work in the fucking robot assembly line, and you wander up for your first meal in 24 hours, only to luck in with a shit one. I'd kill myself.

They wrote Wriothesley, who's a victim of the system, into a guy who's say shit like "I'm the Duke I can do whatever I want" for a cool moment where he choke-slams an inmate (I know he was a bad guy. But also, in copaganda when cops are violent/disregarding protocols, they are always only portrayed to do that against bad guys, so what does our critical thinking tells us about this one?) They wrote Wriothesley, who was an inmate of a prison so bad, so notorious that it is the literal boogeyman of Fontaine, that has a legal (???) fighting pit, with an administrator who abuses his position to be unreasonable, to willingly stay in the place and become an Administrator who would choke-slam an inmate while saying a cool line about how he has the power to do whatever he wants. They wrote him, the guy who had to be fed on the streets by melusines, to think one-meal-a-day was a good enough reform (while he spends god-knows how much on his boat). This wasn't a victim-turns-into-abuser narrative either, they want all this to be seen as positive character growth.

And then, the final kicker is, they gloss over his entire abuse. You can only read about these shit in his profile, which most people don't because they don't Have Him or doesn't care to unlock it/read it online, and they jammed his entire backstory into a flaccid info-dump at the end of his character story quest. This man isn't Allowed to feel abused and neglected and show any reaction to it within the narrative of Fontaine itself, because if they actually Gave Weight to what happened to him, they'd have to confront THE FUCKING JUSTICE SYSTEM they had NO PLANS on criticising. I don't think they ever explicitly said the fucking Crime-Theatre nonsense was Bad either.

I could go on, but this is already so long. But yeah, I hope this gave you an idea.

[voltstone]

S4 WHY ARE YOU SO GOOD AND WEIRD

I love the fourth season. It does so many things right. But also. …it's kinda a mess.

Like a very pretty mess. But a mess. And I could write a wholeass essay on it. Don't feel like it right now.

I will say this one thing now though: it has always confused me how of all the seasons, S2 is the one that really explores being a kid in an apocalypse without really an adults to guide said kid, and not…S4?

Sure, there's adults in S2, but Clementine is stuck in this weird grey zone where she can't really rely on them, and has to be her own adult. And this does include Kenny, depending on what people choose to do, and what they interpret. Because he was easily just as bad given the specific scenes. Better, given other scenes, but the bad was…really bad.

But then there's S4. And like, yeah sure, the schoolkids are there to represent a healthy but struggling community—in that there's things to work through, but they genuinely care for each other, and they do whatever it takes to survive, regardless of what they think a "liability" is.

But like. The season never really explored the extent of what being abandoned by adults really would imply??

Like why is S2 the only one where exploring substances as a kid is a thing? Clementine can smoke and drink there, and that's with adult influence. Whereas with S4, nothing. Even though the fishing shack looks like it's a hotspot for booze.

I dunno if I'm making sense. This is why I generally write essays and not splurge on a post. Lol. But. I just. I just wish S4 really explored what the adults leaving did to those kids, man. Beyond what the season did.

S4 in this regard just felt like they knew what being a troubled kid implied, but they actually never wanted to depict kids doing more adult things, other than survival, even though Clementine 1) could've smoked and drank before because…the adults around her were…hmph, and 2) she is literally raising a child on her own. Like it beats around the bush but in a weird and obscure way that I don't have the energy to pick apart.

I just.

[compacflt]

my apologies if this is too simple or juvenile or personal a question but HOW did you become such a proficient writer? and do you have any tips or pointers to keep in mind? i know you must do a lot of reading and a lot of writing, but your skill is just incredible to me. your prose!! your cadence!! when we get around to talking about it is genuinely one of the best things i've ever read and i'd eat it if i could!!!

this ask was so sweet thank you!! rly made my day when i needed a boost. Hope you don’t mind i took a couple days to think about it cause no one’s ever asked me for writing advice before

idk how i became a “proficient” writer bc I really don’t write that much. something about my fic gave me brainworms and i went into overdrive but that’s…not my usual MO. which is why it’s weird for me too. admittedly i am studying english/creative writing as my second major at uni, but i haven’t learned anything in any of my classes you couldn’t learn by just reading and writing on your own. honestly i should’ve stuck with my IR major instead, i find structured cw classes a complete waste of time. but here are some little tips i thought of that would’ve helped ME:

This is more a “do as I say not as I do” because I’m really bad at habits like this, but keep a diary. You can write about the big events (went to the store, did homework, got laid etc.) but that’s boring—focus on the details (watched someone at west side market throw a glass bottle of olives at a rat, broke a pen and permanently stained my dorm desk and won’t get my deposit back which pissed me off because I move out in a week, this guy’s breath smelled like lemon pledge and it made me wonder if he drank window cleaner before kissing me etc.). Real life is really interesting! How can you write about interesting real life in an interesting way? It’s a good way to practice. You don’t have to do a big reflection at the end of the day or anything. It’s okay to jot down something you saw & then immediately forget about it. It’s the act of figuring out how to translate life into words that’s important

If you type, learn how to type FAST. This is just my experience, but I think typing faster makes your cadence, clause length, dialogue, IDEAS flow better/more naturally. We think in words/sentences, not letters.

This is a super lame tip that’ll make you roll your eyes, but read poetry. Poetry is all about how words/ideas/images sound and interact with each other. Don’t get hung up on one poet—im not really recommending any for precisely this reason—read poetry you love (for me, Ada Limón, Jack Kerouac, Frank O’Hara, ghazals etc) AND read poetry you hate (for me, Rupi Kaur, Emily Dickinson, Whitman, etc)! Read all genres you can get your hands on. (I think there are like “great poetry anthologies” you can find for free online if u don’t know where to start. Also you can’t go wrong with subscribing to/reading a variety magazine like the NYer. It’s pretentious but it exposes you to all kinds of weird topics, ways of writing about them, etc.) Figure out how certain combinations of words and punctuations make you FEEL, and why, and why the writer chose (or not) to make you feel that way. Figure out which literary sounds you like and which ones you don’t. For me, i figured out that I REALLY like alliteration, comma splices, zeugmas, the rule of three, and

“he’s [verb]ing again… yeah compacflt’s characters are [verb]ing again… big shocker”

If you have an idea for a piece, figure out what it is you really want to get out of it—to say something? to experiment with a different style? to see your fav characters do something? to have fun?—and then figure out how, on a technical level, you should write to match that goal (this is where the poetry training comes in handy). If you’re just writing to have fun, don’t listen to any writing advice (incl. mine), because most of it is bullshit and over-generalized and will make you feel bad about yourself. Just take the advice that you think will work for what YOURE trying to write.

But if you’re writing to explore some political idea, then you should think about HOW to best write about that idea. What would be a convincing story/allegory/scene to engage with this idea vs. not convincing. I talk on this blog all the time about how disappointed I am that my very-adult-grown-up attempt to deal with the dynamic of “immovable internalized homophobia vs unstoppable falling in love anyway” is rendered a little childish/immature by some pretty unconvincing plot points like the characters buying a house together—I really should have considered how that plot point would interact with the characterizations I’d built already (hint: poorly). You can think of writing as kind of a military structure if that helps—you have strategy on the overarching campaign (plot/character growth/allegory/theme) level, the battle (scene that advances the above) level, and the tactical (sentence-level construction/syntax/wording) level. They all have to work together. If a scene is failing to properly engage with the idea you’re trying to convey, you’re losing a battle that will weaken the overarching campaign. Same thing if you choose a weird word in a sentence/write in a style or tone that’s weirdly out of place with your idea—it makes your engagement with the theme/idea less convincing. just try to be purposeful and consider your strategy on all levels of your work as you’re writing it!! At the very least it’ll make editing easier lol.

But then again when I read my own writing from just a couple months ago I cringe out of my skin, so like—just also accept that it’s a process and we’re all just making it up as we go along. Be proud of being embarrassed of your old work, because it means you’re growing. Own that shit. When I finished writing WWGATTAI i thought it was the best thing I’d ever written, and maybe it was. But since the day I finished working on it, it’s the worst thing I’ve written since then. That’s a great feeling. Not to be like writing grindset obviously bc it’s supposed to be fun—but if what you want is to get better at writing, the strategy is to WRITE a whole bunch of shit, and then own your embarrassment about how much you’ve grown since you started. And know you’re still always growing and learning. there should never be any “goals” where skills are concerned 👍🏽

[queerofthedagger]

go crack open an ao3 tag of a fandom that aired/got published 10-15 years ago, realise that after sorting by kudos/bookmarks most fics on the front page may be good and solid but not any more or less earth-shatteringly rewiring your brain chemistry as the occasional gem on page 10, 50, 100, 1873, and maybe you'll calm down about popularity dick measuring contests

[lesliemeyers]

finally locating the downloaded copy you knew you had somewhere of a fic that's been deleted for years is such an exciting feeling.

[local-goblincat]

Hear me out... jesus x judas fanfic except not like bible jesus and judas but just 2 jewish men secretly inlove. gut wrenching, passionate, and batshit crazy as possible.

Slow burn, angst, and maybe even eventual lovely smut. SO MUCH FORBIDDEN LOVE OFUDGDHDBHFXHDB maybe it's because its like 2 am for me and i was talking with my friend coming up with silly haha what ifs, but god i suddenly want this fic so bad.

They are neighbors.

Judas 100% has abandonment issues and I wont hear otherwise if this comes into existence.

[tutoriel12]

god i need more long mp100 fics i'm too used to literally devouring like over 100k fics and now i can't read one shots anymore because it'll take me like. 10 mins.

[ask-ursa-tonypeter]

[fic: double-blind] Question for extremis!Tony: you mentioned making it up to Peter after realizing the cure didn’t work, where do you first go from there? Obviously Peter did enjoy the sex even if it wasn’t all genuine, and the kiss after super genuine, are you capitalizing on that?

"Capitalizing." You people really think I'm just an opportunist, don't you? I did what he asked me to. He would have to work pretty hard to make me believe it was something he actually wanted after that stunt, so no, I wouldn't "capitalize" on anything.

I'd hear him out. I'd give him what comfort I could. I would show him that I love him and wasn't angry with him and would never hurt him. I'd build him a better world. I'd ask what he wanted to see in it. What else could I do?

[bunn-iiii]

just learning there may be a chance I have dyslexia and just never knew

[romaritimeharbor]

hydrangeas fans if you have particular dynamics you want to see reader have with mitsuri and tengen (and kind of sanemi) please let me know! they're the only hashiras i don't have interactions planned for and it is JUST occuring to me that i should probably figure that out soon LMAO

(general kny spoilers in tags, as well as spoilers for the fic)

[lohstandfound]

If only I didn't post my Achilles and Patroclus fic on ao3 then I could have submitted it to this short story competition