#bedrock records

[pleasantsweetsmiracle]

(juSt b)

[pandabrayant]

(Bedrock Records)

[howlingmoonradio]

December 7th Playlist

Just like our pup Dutch we are on watch for all the holiday festivities, including Hanukkah which begins this evening! Music wise we look backward and forward on this week’s episode, with some crate digging on Side A and some brand new sounds from our friends at Bedrock Records on Side B! Hope it all brings some holiday cheer to your ears!

Side A

Howling at the Moon-Hank Williams

Drivers Seat-Sniff and the Tears

Do U Like It?-Kinky

Growls Garden-Clark

Dilly Dally-Brooklyn Funk Essentials

What’s Happening Brother-Betty Lavette and Dirty Dozen Brass Band

Come On in My Kitchen-Cassandra Wilson

Side B

Mind-Carerra & Tavares

Forbidden City-Davi

DIRIDIM-David Morales

Bleu Cobalt-Digweed etc.

Lectrobee-Bushwacka

I Miss You-Of Norway

[therabbitsmuse]

Been listening to this EP all weekend. So great with the rain~

[dada-elektricity]

천재 3명이서 정모했다고 말해주는 곡

[electromirror]

DNA Presents - Bass Melody 

MELODIC HOUSE

2022-10-21

[theminecraftbee]

Normally, traitors aren’t frog-marched to the Emperors themselves, regardless of what rank of information they had. These aren’t normal circumstances, though, Techno bemoans to himself. For one, the man is refusing to speak anything but French and a tiny amount of broken Bayesh. For another, on being made, he immediately handed over about three folders of classified information then loudly waited for handcuffs to be put on him.

Phil is lounging in his throne; he’d never been one for propriety. This leaves Techno to be, uh, the actually serious one. The one adorned in uniform, sitting and glowering down. It’s lucky that the traitor isn’t a pigman, because Techno isn’t actually great at glowering, but humans are weird about pigman facial expressions so he should be fine?

The traitor stands before them and grins. In perfect Bayesh, he says: “Finally. It took way too long for you to catch me, bitch.”

Techno pauses. He stares. In Piglish, he barks to his guards: “Everyone out. It’s Leader business.”

They file out. They’ll be waiting outside. Phil straightens in his seat and reaches for his own sword.

Techno, laboriously, drags his hand across his face. He switches back to Bayesh. God, does he regret being fluent in multiple languages sometimes. “What are you doing here, Tommy.”

“Showing you your intelligence weak points, fucker. Do you know how easy it is to slip Bayesh spies in here? I was smooth. A smooth customer. I was hearing classified milkitary secrets—”

“You were caught within two hours,” Techno says.

“That’s—that’s just what you think, innit?” Tommy says. Phil laughs. He’s the real traitor here.

“Tommy. I don’t wanna have to cause an international incident, but I’ve had a really long day, so if you just tell me who hired you to run a spy op, and why you decided it was a good idea to run it yourself, instead of sending one of your experts…”

“No one,” Tommy says.

“Hey, don’t lie you little shit. Techno might not want to start an incident but I don’t care,” Phil says. He grins and holds up his sword. “You wanna wake up in a jail cell and reveal some secrets? We may all be Leaders but it won’t stop torture from hurting.”

“What the fuck, Phil,” Tommy says.

“No one’s torturing anyone. We’ll just bomb them later if we must,” Techno says.

“And I wasn’t lying. It’s—can I take the wig off by the way? It fucking itches.”

“I despise you.”

Tommy takes off the black wig, revealing his blonde hair. “Anyway, I don’t want to work with you guys either, so I figured I’d get your attention by like, acting like we’re enemies and stuff. Got hired for espionage enough back in the day to pick up that much.”

“Who the fuck wanted you as a spy?” Phil asks.

“Fuck you,” Tommy says and doesn’t elaborate.

“Please just tell us what you want,” Techno says. “Please. I can’t handle this much you at any given time.”

“This needs to be Leader to Leader,” Tommy says, and something heavy laces his words. The hairs on Techno’s arms stand up.

“You coulda asked,” he says, in one final desperate bid for normality.

“No, I couldn’t have,” Tommy says. “I think Chip’s dead.”

Techno doesn’t notice that he’s standing until he is.

“What?”

“Yeah,” Tommy says. “Yeah. And, uh, I fucking. Need your help to figure out what happened. Before we get blamed. And I know, politically, you’ve got no reason, but if we don’t figure out—”

Techno sits back down, heavy.

“I know you understand Piglish. Let me talk in my native language. Phil.”

“Yeah, mate?”

“Go get the stuff.”

Phil’s eyes darken. “Right. That. Well, I’ll be back.”

Tommy’s voice, for the first time since Techno met him as a newly-minted Leader, standing on a wooden bench and yelling about executions, is small.

“You believe me?” he says.

“Why else would you come here?” Techno asks. “Not like we like you.”

“Good, because I’m shit at infiltrations. Would have been embarrassing if you, like, didn’t know your enemy well enough to know that,” Tommy says. He’s saying something else underneath it. Techno is neither good enough at Bayesh or at Tommy to guess what.

“Let’s work out an excuse to make a treaty. And you tell me everything.”

[tha-wrecka-stow]

[sibillascribbles08]

[disease]

[XN4772: 12″ • 45RPM]

[pleasantsweetsmiracle]

(Bedrock Records)

[nyx-163]

Mister BdoubleO100 !!

i hate that he blinks. it’s like on bedrock when they blink, it’s creepy

ALSO what do you mean hit record ?!!?

[howlingmoonradio]

March 9th Playlist

We’ve been fans of DJ John Digweed for decades, and had the pleasure of seeming him live in the before times. And we have featured music from his Bedrock Records label on the program in the past as well, as we do again this evening. Taken strictly from the “Soundscapes” and “Miles Atmospheric” discs of the Quattro III compilation, mixed on the fly with no edits. Not everyone’s cup of tea we’re certain, but if great EDM is your jam, please check it out! Details below..

Side A Howling at the Moon-Hank Williams Ecstasy-DNA Sail-Circulation Nothing New to Feel-Various Hiraeth-Aubrey Fry Atarazia-Soel Tranquility-Miles Atmospheric

Side B Mysterious Return to Forver-Miles Atmospheric Different Places-No’r, Justb Melbourne-Luke Chable Indigo (Electronica Mix)-Artche Cosmos (Reprise)-David Squillface Night of the Chimera-Soel

[headspace-hotel]

So growing up I heard these kinds of statements: "X number of species goes extinct every year" and "Most species that go extinct are undescribed/undiscovered"

And I could never really picture what that looked like. What species were going extinct? Where? Why? If they're undiscovered, how do we know about it? It's only recently that I've been able to understand.

This is an example:

Since European colonization, 99% of old growth forest in the eastern United States was cut down.

In Eastern Kentucky, the coal industry led to waste and rubble being dumped in valleys, literally burying countless mountain streams in gravel and toxic sludge.

Colonialism and exploitation moved faster than leaf-sketching and bug-collecting European naturalists did. It's very simple, and very sad. When the coal mines polluted the streams, many species of fish that only lived in one specific stream must have gone extinct. When Native Americans were forced off their lands, we can presume that rare plant species found in meadows, canebrakes and oaks savannas dependent on particular anthropogenic disturbances went extinct. When old-growth tracts were logged, God only knows how many lichens, mosses, ferns and plants went extinct because the trees they lived on were chopped.

We can extrapolate from the diversity in the fragments that remain, and the number of rare endemic species in especially isolated areas, and guess what probably existed in areas that were obliterated early on.

Keep in mind: All is not lost. New species are still being discovered.

The Bluegrass region of Kentucky was once called one of the most peculiar plant communities of the South—an eastern island of oak savanna with an understory of Arundinaria bamboo and legumes. Early European settlers reported that the ground was incredibly rich and covered with knee-high clover and dense thickets of "cane" (bamboo) that made navigation next to impossible.

Some people say the Bluegrass was always a forest and the savanna theory is wrong. Bullshit! I know this because of several reasons:

The earliest records don't mention any sycamores at all in the Bluegrass, whereas river cane (bamboo) was everywhere. Arundinaria bamboos are fire dependent species, whereas sycamore is HIGHLY intolerant of fire. From this we can infer that the area had a history of frequent burning.

Everyone in the Bluegrass knows about the Old Trees. In horse and cattle pastures in the Bluegrass region, you will sometimes see gigantic, twisted old oaks, with great spreading crowns. Nowadays you hardly see an oak that properly merits the term "gnarled," but the gnarl of the Old Trees is crazy. Just look up google images for Kentucky tourism and you'll see one of those huge trees in the background of several of the photos, I bet. Hardly anyone consciously thinks about it, but these are pre-colonization trees. And they are all obviously open-grown—their growth habit over the centuries has spread out, rather than grown straight up as in a forest.

Early colonizers' records report big walnut and cherry trees in the area. Most of the old houses in the area are made of walnut wood. Those are mid-successional species—you wouldn't find them dominating in an area that was heavily disturbed regularly and recently, they're trees, but you wouldn't find them in a forest that had been minimally disturbed forest for centuries either. The fact that they got huge suggests that a regular disturbance pattern of the Bluegrass region was abruptly interrupted and mostly ceased.

It was a pretty special place, a savanna environment with a mix of giant twisted oaks, rolling prairie hills and bamboo thickets, with deep sinkholes connecting the surface to subterranean cave ecosystems. In places the limestone bedrock reached the surface, creating limestone glades—unique desert-like habitats with many rare plants including Opuntia cactus.

It was also one of the first ecosystems west of the Appalachians to be destroyed by settlers.

BUT! Just a few years ago, we discovered Trifolium kentuckiense—Kentucky clover. A unique species of clover that has only been found in two spots in Central Kentucky.

This means the Bluegrass species that probably went extinct because their habitat was ignorantly logged, plowed and grazed before they were studied by European science may not be entirely gone.

We have been able to fund exhaustive inventories of potential holdouts for big flashy animals like the ivory-billed woodpecker, but so many people view the place they live as "boring" and thoroughly explored, when there could be surviving plants hanging out just about anywhere.

But...I don't think most people realize how much of the Holocene extinction has already happened. Most of the losses are plants and bugs that you never knew existed in the first place.

I feel like lots of people are anxiously waiting for the mass extinction to "start" hitting, but that's not quite right. European colonization of the globe WAS and *is* the mass extinction (combined with climate change which is very related). It's actively ongoing in the Global South. In eastern North America, the major wave of extinctions hit between 100 and 300 years ago.

I feel so much grief for all that was almost certainly lost forever, but I also recognize that I live in a unique period of time where the future can still be changed, and in particular, the heavily damaged ecosystems of the Southeast can be restored and used to absorb carbon from the atmosphere and provide resilience to the entire globe. And I strongly suspect at least a few mysterious new plants will start popping up once that happens...because a lot of plants stick around in the soil seed bank for a long, long time, and seeds can happen to be preserved by freak accident and then sprout later.

we (researchers, scientists, people who work in this field) will desperately need to consult tribal nations for this though because from my reading into it, we don't know what the fuck we're doing. The most basic things like controlled burns are still struggling to catch on and in some places just, spraying herbicides willy-nilly on invasive plants without understanding what makes them invasive.

[wordsinhaled]

“I need you” isn’t “I love you,” and it isn’t “Yes, let’s go off together,” but the thing is, it might as well be. And it might be one of the more honest things Aziraphale has ever said.

He has never said it aloud before now. Not like this, with eons worth of raucous indignant feeling crawling up into his throat. He had not wanted, not expected to say it like this, mocked by his own stricken reflection in Crowley's sunglasses, each lens a dark mirror.

"I—I need you," says Aziraphale, and his voice breaks down the middle. It might as well, for he's confessed too late. Crowley is shut to him, recedes from him like a wave broken on the terrible bedrock of Aziraphale's futile stubbornness.

And still, even like this, Aziraphale needs him.

His presence, his constancy. His unfailing, tenacious friendship.

Crowley’s kindness, his softness, his solicitousness under the prickly façade Aziraphale sees is just that—a layer that can be so easily peeled away to reveal the deep core of caring beneath, too entrenched to be deserved by any world they could live in. He needs Crowley’s unguarded gaze, needs the way Crowley’s forever looking at him across distances when he thinks Aziraphale doesn’t notice: chin tilted up, eyes soft as marigold petals.

A phone call away whenever anything or nothing at all happens is Crowley’s dear voice; his lovely dry humor; his sauntering, slithering, improbable walk despite which he somehow flawlessly falls into step alongside Aziraphale anywhere and all the time. His hip knocking against Aziraphale’s, casual as anything and yet so much more than. Flashes of black and wisps of red flitting in and out of Aziraphale’s periphery for thousands of years.

He needs their circuitous arguments, their winding ethical debates—after most of which they somehow end up on the same side, that is, their own side, terrifying and exhilarating in its Promethean familiarity—and Crowley’s chaotically-sure moral compass. The times Crowley is braver than Aziraphale could ever be; and the times Crowley reminds him of how brave he actually always has been.

And Aziraphale needs even the great big awful rows, the ones that end in their standing on opposite verges of another chasm of their own making. Because the culmination of such a fight is always the meeting again in the middle. It’s the low sweeping bow of their apology, a ritual not half earnest for all its facetiousness, which says so much without either of them having to utter a word. Crowley holds a whole conversation in the dip of his fiery head and the exaggerated flutter of his elegant wrists, when it’s his turn; and, when it’s Aziraphale’s, the hashing-out of differences is there in the way he executes each familiar movement with the practiced ease of a faithful courtier, though it’s been ages since he stood in any king’s court.

He needs the knowledge that they always forgive each other. Because, well, they do. They must. They will. What’s a spat or a quarrel or even a proper falling-out to two beings like them, to him and Crowley?

Aziraphale needs Crowley’s happiness. His truest happiness. If that isn't the crux of it all, what is?

He remembers the ancient light of Crowley's joy, how it had shone once about both of them like an aura through the blackness of undeveloped space. It never left, all that bright, barely reined-in giddiness, all that frenetic energy, but he's transmuted it, magpie-like, into something else. Aziraphale can sense it whenever Crowley brings him a new vintage record to add to his collection. Whenever Crowley pulls out Aziraphale’s chair for him outside Marguerite's, or orders just what he likes for him at the Ritz. Whenever he drops into the shop unannounced with a little box tucked under his arm, full of gorgeous petits fours from the new bakery Aziraphale hasn’t yet tried, and says, gleeful, Ohhh, you wouldn’t believe all the wiling I had to do to get my hands on these, angel. You’ll have to thwart me for this, I know. But first—no, no, no, first! The only sensible thing for you to do would be to try them… you’ll like the pear macaron...

And of course Crowley is right. He's right about most things, isn't he, after all? Because Crowley knows him, and he needs to be known, but it simply wouldn't do for anyone else to be the one doing the knowing.

Aziraphale likes the pear macaron, just as Crowley knew he would.

He likes all the things that come along with Crowley, really. The fast car, oh yes, sleek and stylishly classic and so very Crowley through and through, though Aziraphale has committed staunchly to grousing about it. The way no companionable silence held in Crowley's company is ever truly silent. The jaunts to the park on seasonable days: Crowley's touch lingering where he pours frozen peas for the ducks into Aziraphale's cupped palm; the fondness in Crowley's tone poorly disguised as he points out his favorite mated pair trawling placidly across the pond. The drinking together long past the small hours of the morning in the back room of the bookshop, where the walls are the same warm ochre shade as Crowley’s eyes.

It isn't ever so much about the drinking as it is about the together bit. How the space between them dwindles with the syrupy passage of time. How Crowley softens and melts into the settee. How he becomes Aziraphale's to watch, for once. How he grows so wondrously relaxed and gloriously at home there in Aziraphale's space that Aziraphale begins to wonder if this will at last be the night Crowley does not, eventually, get up and retreat back to his Bentley to take himself away again...

There is always that fragile little moment, right after sobering up, when everything in their universe seems at the same time to be entirely too set in stone and entirely too much as though it all hangs by one delicate, dissembling thread. Always the split second in which Aziraphale looks into Crowley's guileless face and remembers he could unravel everything with a single tug.

Yes, one sharp tug on the lapels of Crowley's jacket would do it, he knows. How easily it could be done... Tumble the two of them into one another, just then, and they would never be parted again. And his deft-tongued Crowley would lick the heat and the aftertaste of Talisker into Aziraphale's mouth, then, before it had the chance to dissipate completely.

He could. He could.

It's in those stretched milliseconds, brimming with a tender longing so acute it tips right over into an agony, that Aziraphale realizes: I do need all of you, darling, don't I? So terribly much it might unmake me one day. Never mind Aziraphale's most fickle and blustering attempts at denial, he knows this to be true as he knows the truth of little else in the cosmos.

And perhaps today is that day—the day Aziraphale will dissolve and be remade in the permanent shape of lack.

[records-of-dirt]

Create Your Own Soil Profile!

A garden’s soil is the base of all its growth, and knowing how to properly  interact with your soil can make all the difference!

Step 1 Site Observations

Take a few photos of your site (project area)

Note down:

what vegetation is there?

is it near water?

the slope

approximate exposure to sun

Step 2 Take a soil profile

Set out a tarp or a garbage bag

Dig a hole about 3 feet deep (you may want a friend’s help!)

Place that soil in piles onto the tarp, sorted into different soil layers

Remember horizons! (O, A, E, B, C, R(bedrock))

Make a sketch of a soil profile, and measure the depth of each horizon

The top of the profile should start with 0 cm

Refill the hole, and try to return each type of soil in order!

Step 3 Build your profile

Describe each layer of soil, moisture/structure/color/smell

Use the “feel” method to take notes

Step 4 Drainage

Dig a hole 1 foot deep and 1 foot wide(ish)

Fill the hole with water and measure how long it takes to fully drain

An ideal time is around 10 to 30 minutes!

Note down the time

Keep in mind that even if the soil type would suit desert-like plants more, think of the weather. If it rains a good deal the drainage can matter less(or more!)

Step 5 Biological Activity

Bury a pair of cotton underwear(I know it’s silly)

Wait about 60 days

Unearth the undies, the more tattered they are the more activity there is!

Step 6 pH Testing

OSU Lab for Oregon, and many states have soil testing labs

Soil pH Meter

DIY Test

Step 7 Hardiness Zone

This just takes looking at a map!

Hardiness zones can tell you about the weather’s highs & lows in a particular area

USDA Plant Hardiness Map

And that 's it! It's a lot, and you don’t have to do everything. Each step can provide a better view of how to properly support your garden, and can be fun activities to do with friends and family!

I’ve included a template for a complete soil profile, but feel free to make them as fancy as y’all want!

Sincerely,

records of dirt