lonely
[ID: A limited palette of green and pink, Vashwood comic. The first page serves as a prologue. The first panel shows Vash speaking to someone off screen while Wolfwood is lingering behind him. A black arrow is drawn pointing at him. In the second panel, Vash is buying donuts in the distance while Wolfwood is once again in view, lingering. and the black arrow is drawn pointing at him. In the third panel, Vash is leaving a cubicle and turning towards his right with a slightly peeved expression. He sees Wolfwood, leaning against the cubicle, waiting for him, and with the black arrow drawn, pointing at him, implicating the consistent hovering of Wolfwood’s presence during Vash’s everyday. At the bottom of the page, they’re drawn out of panel with Vash turning to Wolfwood and saying with an irritated expression, “You’re really following me everywhere, huh?” Wolfwood responds, “What, you got a problem?” Vash responds without hesitation, “Yeah, kinda...”
The second page starts with a new day. In the first panel, Vash is seen alone, weighing apples in his hands at a mart, with crowds passing behind him. In the second panel, he turns to his right and starts to say, “Hey, Wolfwood...” In the third panel, he’s startled from seeing a stranger, whom he’d accidentally called out to when he was expecting to see Wolfwood. He says, “Oh, you’re not him. Sorry!” In the fourth panel, the stranger walks off and Vash muses, “Right, he said he had something to do today...”
The third page begins with a close up of Vash's miffed expression, the continuation of Vash's thoughts, "Now that he's not here, this is just like how I used to be, but... It feels lonely somehow. Oh well, I'll see him again tonight, like always." In the second panel, it shows Vash walking through the marketplace crowd, alone. In the third panel, the door panel is a close up of the door opening with a peek of Vash's head. He says, "Wolfwood!" In the fourth panel, Vash is holding a bag of food with a bright smile and says, "Are you hungry? I got you something to eat today!"
The fourth page begins with a shot of the room, two beds being highlighted, one of them being made properly with the blanket draped over the bed and the other with the blanket folded and pillow sitting on top of it. There's no sign of Wolfwood. The second panel shows Vash with a disappointed look as he thinks, "He's still not here?" The third panel shows Vash putting the bag of food on the table. Stapled to the paper bag is the receipt with a written note "For Wolfwood." Vash's thoughts continue "He does like to stay out so, I guess there's no reason to worry..." The fourth panel shows Vash sitting his bed somberly with his thoughts continued, "It's not any of my business anyway..."
The fifth page starts with a close up his blank expression as he looks downwards, thinking, "Even if he left completely... That'd be understandable and better for him. I'll just travel alone again... like before... Huh?" The next panel shows Vash's composure break, tears welling up in his eyes suddenly, as he didn't expect to cry. He starts to sob, putting his hands to his face to quiet himself and wipe at his tears, as he says, "Ugh... Dammit... I miss h..." The last panel shows Vash leaning over into his hands, still crying, and in the back, the door swings wide open with a bam as Wolfwood walks through with the punisher swung behind him. He shouts, "SPIKEY! You in here?!"
The sixth page starts with Wolfwood confused, looking at Vash and Vash looks back, just as confused, with tears in his eyes and snot out of his nose. Wolfwood starts saying, "Ah? You..." No longer in panels, at the bottom of the page, Wolfwood takes the Punisher off of himself and starts to walk towards Vash, continuing with slight concern, "What's wrong with you? Did something happen?" Vash, hurriedly begins to wipe at his tears, denying immediately, "No! No, I'm fine! Nothing happened!"
The seventh page, Vash points towards the table, with a hand still wiping at his tears and he smiles as he says, "I uh got you food. On the table." Wolfwood looks towards to the table and responds, "Oh. I was getting hungry, thanks." He turns his head back to Vash immediately after with an uncertain expression, knowing the other wasn't responding to his concern, and says, "But, I know you're an idiot with this stuff, so I'm reminding you again. Don't brush it off if it's an issue, alright?"
The eight page, Vash's tears have dried and he looks to Wolfwood with a soft smile and responds, "Yeah. It's okay though..." A panel at the center shows a side view of Vash approaching Wolfwood. At the bottom of the page, with no panel, is a close up shot of Vash's hand, holding onto the edge of Wolfwood's jacket sleeve, as he says, "Because you're here now. Wolfwood."
The final page is a back shot of both of them standing next to each other, Wolfwood's head tilted slightly to the left, not fully believing Vash as he says, "That doesn't answer anything, Spikey." Vash responds, "There's no need to talk about it! You should enjoy your food. Let's have a drink too?" Wolfwood responds, "Tsk, tsk. Fine, yeah. I could use one." END ID]
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SPOILERS FOR BOTH LITTLE NIGHTMARES GAMES:
Nobody understands Six Little Nightmares the way I do.
Everyone says she’s a villain and a horrible person but she’s actually just a kid who has severe trust issues and is trying to survive. Some of her choices are questionable but that’s because of these very reasons.
Like people will say that she used Mono but that literally isn’t true. They were friends. There are multiple times when she goes back for him or gets worried whenever he dies. From her perspective, he betrayed her, thus losing her trust, and given the world they live in why would she take any chances. Essentially, what she did was wrong but I understand why she did it. Six isn’t a villain she’s just completely morally neutral, making her seem evil. Also her carnivorous tendencies are obviously something beyond her control.
I am the #1 Six defender. If six has 100 fans I am all of them and if she has zero then I am deceased.
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Okay but a thought of mine given new rise by the animated intro after having it niggle at the back of my mind for months now are Ludinus and Otohan as villains and who’s going to be standing as the final big bad at the end of the campaign, the way Vecna and Lucien did for c1 and c2.
Because the obvious answer is Ludinus. He’s the instigator, the leader of the cult, a villain in the making for 2 whole campaigns and over a thousand years (not to mention the one who's actually interacted with the party outside of fights). But Otohan is the one standing center stage of the villain line-up in the opening. She’s the one shown actively fighting the party. And, more importantly (as narrative matters more than barely glimpsed easter eggs), she's the one tied to the history and setting of Marquet, who has actual stakes in the people there and has fought for (and against) them before in the Apex War (while the place Ludinus called home was torn down centuries ago, leaving him caring for seemingly nothing but his ultimate goal since). She’s the one who’s actually Ruidusborn, and she’s tied to the Luxon as well with her strange magic. And despite all this, she’s mostly passed under the radar so far, given very little developments or motives or history or even personality. She’s little more than a cool aesthetic and a handful of threats.
And here’s my thought: maybe that’s on purpose. Ludinus, in his great arrogance, has placed himself as the greatest threat, and he’s being treated as such by the Hells. But is he? He steals immortality, appropriates the very concept of being Ruidusborn while holding a secret resentment for lacking the very powers it grants. He barely knows what he’s doing, and certainly not what he's about to unleash. And is there anything more satisfying than seeing a deeply arrogant and hubristic villain taken down by his own folly in underestimating those around him? So what if, as the final fight edges closer, the person actually holding the powers Ludinus pretends to steps up out of the shadows she placed herself in, keeping her motives to herself, barely remarked upon by Ludinus or the Hells or the audience, and personally cuts him down and takes her place as THE exalted Ruidusborn?
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i saw an account post that, unfortunately, if you are a jason todd fan account then you’ve most definitely gotten an ask along the lines of “if you like fanon jason then you’ll definitely like canon helena/steph/mia” and was wondering if you’ve ever gotten an ask like that
I've gotten a few about Helena specifically, never Steph or Mia so I'm going to talk about Helena rather than generalize what I'm about to say to both of them too (because I was actually thinking about this a few weeks ago!)
Those people are right...in a way. If you want christian guilt (that Jason does not in UTRH and should not ever struggle with) and genuine efforts to be accepted by the Bats? You want Helena. A character whose relationship with killing can be benefited by people bringing her into their light without rendering her previous choices pointlessly antagonistic? that's Helena.
Then there's also the factor of Helena often, in canon, being treated as unstable and untrustworthy, no matter what she does to prove otherwise. and that's seen as a continued failing on her part, even if it's others that refuse to believe in her. Jason constantly being pushed into those situations in fanon and canon is very Helena coded. He's got her good and bad.
But if you like the Jason from UTRH era, arguably the best written Jason post-resurrection (which isn't saying much because...we all know how he's written most of the time), then Helena would never work for you because they're so different. Even with fanon, there's only a certain extent it can apply to. Helena's not Bruce daughter, he didn't raise her, she was never family for him outside the costume (or in it. but that hurts me to say), and she certainly wasn't Dick's sister. So those dynamics should be different inherently, even in fanon where they're altered to resemble something like what Helena has. There's still a history that Jason has here that she naturally doesn't.
I think it's too vague and unhelpful of a thing to say if you're trying to make people interested in Helena or change their portrayal of Jason. But I do see the basis of it.
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@katentines this is your fault/pos
So lotus-moonn I have been THINKING ABOUT HER. And I decided since my pfp is sweet mikey I thought maybe if lotus-moonn existed
they would use covert-mike (Mikhali) as their pfp since well if you know anything about covert mikey then its fairly obvious why I choosed him
I thought of her personality and I conclude..Shes a fucking dick. or atleast more blunt and straight forward not caring about someones feelings and wouldnt see the reason to soften the blow. Would say "that looks like shit" to your face and call you out for more of your wrong doings
I love the DRAMATICS but i think too much is wack so maybe she would have a love for all types of dramatics.
I love to make a good first impression and I am pretty sensitive when it comes to being yelled at in a aggressive way. I start to cry as the yelling continues, so she would NEVER (rarely) cry. It would take a lot for her to cry, and first impression? who gives a shit she is gonna do what she wants and not give a shit if you like her or not.
Not a hugger or very touchy its rare for her to even touch anyone (fucking insane i know) Suprisnly less of a realist. (im a realist) More of a lets just do it and find out. Doesnt care for people who overthink she doesnt get it. like cmon your thinking too much LETS GO.
Not much for reading feelings she just freezes if they confide in her. She is pretty serious. If you told her a joke she would take it literally.
social cues??? she doesnt know what that is?? context clues what??
(fucking dumbass)
Doesnt swear. literally man she doesnt. I swear like sailor so she wouldnt. Why use swears when you can insult someone in more creative ways? she doesnt get the appeal.
really really smart in the education level. Works slow and good, doesnt work well under pressure.
opptimistic? no? but also yes.
one thing I wont change. She is stubborn but not me type stubborn. She is fucking STUBBORN once she decides something its set in bedrock she ingraved it into its very core your not changing her mind
(people trying to rehabiltate lotus-moon get meet with her fist)
was a kid who was more reckless and got more injuries (i was the same. but she actually broke a bone.)
faking confidence? she doesnt do that depressing bullshit. her confidence is real but that gets in the way of most of goals she has so much faith in herself she grows arrogant. She thinks that whatever she puts her mind to WILL happen doesnt matter who come in the way
fighting? HELL YEAH. SHE FIGHTS WITH ALL HER MIGHT! exploding PASSION!
I dont get sick easily. She does tho (LOSER COULDNT BE ME) its cold and she doesnt wear a scarf and jacket GET SICK BITCH (and very sensitve when sick. Im not i can function well enough. she is like fucking DEAD like family guy dead pose.)
hopeless romantic? fuck no romance is icky she doesnt like it.
very Social. ikr what the fuck?? if anything she wouldnt be. And you'd be right but Im not very social i have a close friend group of 5 people THATS IT. so she would be very social despite her dumbass not knowing of social cues.
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hellooooo ive made a uc fankid oc <3 more about her under the cut, so that this post isnt a mile long <3
her name is Dyllin, because i had to, and shes SO cute. Shes got a little lopsided grin, and one dimple, and the cutest smattering of freckles on her nose right where her fur starts to turn pink. Both Rian and Atty are trans, so they raised her gender neutrally until she could tell them who she was herself (thus atty using they for her in that one art), and when she was about 3 she said she was a girl and now she wears all the pretty flowy dresses she can get her hands on (uncle foq supplies many of them)!
in the art above shes: 14, 16 (colored in), 19? (lines), ambiguous age younger than 3, 5?, and also 5. I think that ill mainly draw her as a little kid or around 14, cause those ages are where more interesting dynamics happen with people. Lots of funny kiddy moments, and growing into your own person moments. Which! is what im about in fankids! beyond just drawing a cute kid and having fun with design (which im also all about but just to give an explaination for why im drawing her at those ages). I dont think i want to go into adult ages for her yet, cause for the moment its about her being a fankid for me.
She takes after Chet and mostly Foq much more in personality than either of her actual parents, so shes a very carefree happy-go-lucky kid. To Rian's absolute horror (see below, for their rage at finding out), Foq flounces his way into being a archfey and becomes her warlock patron when shes a little kid, but its alright Aunt Scenda is her cleric deity so shes got a balance for his chaos! (she doesnt balance shit but it does make rian not kill foq over the pact so! whatever works!)
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