#behind the scenes/outtakes

[pralinesims]

Have a collected bunch of planned Aaron posts, dating back since last year, which I never really got around to fully finish editing or posting.

[atomic-chronoscaph]

Harrison Ford, Carrie Fisher, Mark Hamill and Peter Mayhew - Star Wars scene rehearsal (1976)

[amtrax]

To celebrate the Arthur and Vivi plushies getting fully funded, here's all of my frantic improvised screaming, running and knife evasion from the end of the Makeship campaign video. Some of this made it into the final video, but there's also some stuff that went unused. If you liked that audio of me screaming a lot for The Future, you're gonna love this haha.

If you haven't see the full video yet, you can do so here:

You can pre-order the Vivi plush here. You can pre-order the Arthur plush here. (If you get both, you get 15% off)

[music]

🎶 behind the scenes with the tumblr yearbook committee @allthingsgofestival 🎶

[morrigan-sims]

Favorite Shots

[cnladies]

DILIREBA 迪丽热巴 for L'Officiel China March 2024 | magazine outtakes

Dilireba: more photos here magazine outtakes: more photos here

[morallyinept]

Shoot: Augustman Singapore, Oct 2019 Issue. Published online on Oct 10th 2019.

Photographer: Doug Inglish

Interviewer: Cezar Greif

Grooming: Mira Chai Hyde

Full interview, behind the scenes, outtakes & shoot photographs below. 👇🏻

Jett's Pedro's Shoots Masterlist

• Cover shot and original images used in the magazine.

• Outtakes and behind the scenes images.

• Full interview.

Pedro Pascal: Life before and after Game of Thrones.

Until recently, people were still erroneously addressing Pedro Pascal as Pascal Pedro. But he didn’t mind. Years of struggle in New York’s theatre scene had taught him to take things in stride. Pascal had studied drama in NYU, with his appearances on television after that limited to bit parts in Buffy the Vampire Slayer and a few cop dramas. It took Game of Thrones, playing the part of Oberyn Martell, to make Pascal a household name – at the age of 37, no less.

Since that breakout role, Pascal has been busy. Among other works, he starred opposite Denzel Washington in The Equalizer 2, played a leading role in the Netflix biographical crime series Narcos, and acted as Agent Whiskey in Kingsman: The Golden Circle. There’s more to come, beginning with the titular character in The Mandalorian, which airs on Disney’s new streaming service Disney+ this November. In June next year, Pascal is slated to appear in the next Wonder Woman movie as the villain Maxwell Lord. Clearly, the man’s career has just properly started.

When did you first fall in love with acting?

At a very young age. My father used to take us to the movies three times a week. He’d come home from work and ask if we wanted to go see something, and we would, of course, want to go. I saw First Blood, The Big Chill, and so many other films. There was one summer when my mother would drop me off at the movie theatre as though it was daycare – times were different back then.

I’d watch a few screenings of movies like Poltergeist in one afternoon before she picked me up at six. This exposure to films led to a hobby in acting that my parents were happy I had – at least I wasn’t sitting around watching cable TV all day. It occupied so much of my time and eventually turned into serious training.

Why did you make the shift?

I had to take things more seriously if I wanted to stick with it. It wasn’t just being in love with the idea of appearing in movies and on stage any more – I needed to learn to analyse a story, delve deeper into the various aspects of acting, and learn the technical side of things. What came next was getting jobs to pay the bills. Surviving as an actor, basically.

You took some time to find mainstream success. Did you ever consider quitting?

The confidence definitely fluctuates. I didn’t develop other skills, so my familiar routine was to attend auditions for jobs. One would be enough to pay for rent and food for a while, or I had to wait tables to pay for my expenses. It felt completely desperate because I was really in love with the art of acting and the idea of being a working actor.

But I always got enough work to keep going. I don’t think I would have if I couldn’t get a job in three years or something like that, but such a thing never happened. I would get a role in a tiny little play outside of Boston, or a beer commercial, or an episode of a cop show in the city.

Do you appreciate your popularity more since it came later? How do you think this has influenced the way you approach your status as a celebrity now?

I was definitely more self-assured because my habits and routines were firmly in place and felt more important to me than my newfound success. I know it’s hard for me to describe this, but I just don’t feel famous. That wasn’t part of my development when I was younger, so I came into it “fully cooked”, or maybe even overdone. (laughs) As exciting and as strange as fame can be, it just doesn’t feel as real to me as my relationships, or the fact that my backaches, or how I panic in the morning if I don’t know exactly where I can get my coffee. Those things have much higher stakes to me than the public’s perception of who I am.

Can you identify a reason for your success? Did it make sense for to you when it “arrived”, perhaps because you thought you were becoming a better actor, or was it pure luck?

I oscillate between the two. It can seem totally random, which is terrifying because anything can happen, but the randomness of it all makes a little more sense to me. But I see some clearly predestined circumstances for other people, and you sometimes have these very clear realisations that an opportunity was kept from you a long time ago because it wasn’t the right place or the right time. I guess I probably lean more towards the randomness of it all, or the simple idea that if you keep at the same damn thing, you’re increasing your chances of it succeeding.

And how do you view your breakout role in Game of Thrones now?

It changed my life, but what’s interesting is how all the silly jobs that I’ve had before this one also felt like big breaks. I was a jobbing actor by my late 20s, and I was just as excited with some seventh-tier role on some network television show because it meant that I could pay some bills.

That felt like as big as a win as anything else. It’s the same with theatre. Because it’s so hard to go from the small plays to the medium-sized ones, getting a role in the latter feels like a miracle too. I was close to becoming homeless many times in the past, and was actually staying at an AirBnB before getting the role in Game Of Thrones, so I must really thank the showrunners David Benioff and D.B. Weiss for taking that chance on me.

Has your experience in theatre helped your work in film? How do they compare?

Theatre work is like the building blocks of what I do now. From Shakespeare to something contemporary, and everything in between, I’ve done them all. When you perform the same thing eight times a week, you’re constantly reworking your role to keep it interesting, whether it’s discovering something new or discarding something that exists. It feels like training. The last time I took classes was in college – and that’s something I don’t recommend – but doing theatre work felt like staying in school, which helped. Plus, it provided medical insurance and a weekly paycheck.

Tell us more about the new Mandalorian series.

It’s taking things in a new direction. I think it’s amazing that Lucasfilm is letting Jon Favereau and Dave Felloni take Star Wars into new territories as far as style and tone are concerned, from using practical effects and digital special effects in tandem, to exploring characters out of the familiar Star Wars settings.

They’re also blurring the boundaries between the good guys and the bad guys, and I love the idea of having things in a grey area. We’re dealing with the outer reaches of the galaxy here, which means a lot of ambivalence around what is right and wrong, and the conflict between self-serving and self-sacrificial decisions and actions. It’s all very much a part of the Star Wars story. As for the character, the Mandalorian is a bounty hunter, and people pay him to do jobs. Let’s just leave it at that for now.

Christopher Nolan said he casted Tom Hardy as Bane because of how he acts through his eyes in the mask. What was it like to express everything you needed to in this role with a full-face helmet on?

Much of the work is already taken care of by the writing, which is great, as well as the visual experience that the show provides. But it was still important to me to live in the story as a person who does not show his face, so I worked a lot on the character’s body language. It feels almost like going back to theatre. I think that there’s a lot that can be told with stillness and very economical movements.

I hear that you’re a real movie nerd. Do you have recommendations for fairly unknown directors or movies that we should pay attention to?

I just saw this incredible movie called Monos by Alejandro Landes. It was amazing. And I’ve been floored by [director] Ari Aster. He’s an aesthetician that also brings out great performances, and the films Hereditary and Midsommar blew me away totally. There’s also someone who’s up and coming – Taika Waititi – who made Jojo Rabbit, that’s, in my opinion, the best movie of the year.

Jett's Pedro's Shoots Masterlist

[wool-hat7]

*in a distinguished gentleman voice* May I offer you an Alan Alda blooper, good sir/madam/being?💃🏻🫧✨

[knightvision1228]

Forever Knight season 3 blooper reel upscaled to HD

[joyful-downer]

Him <3

[pralinesims]

*hissing sounds*

Some of my fav outtakes of this photoshoot 🥀

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Carrie Fisher - Star Wars outtake (1977)

[wanderlust-in-my-soul]

Cutie Pie BTS - Part 1

[thereesespiece]

THEY FINALLY MET IN SAN MYSHUNO!!!!

Ok so when I decided on making The Flores 2.0 I wanted to keep their “origin story”, they met in Selvadorada and went their separate ways, but after meeting again in San Myshuno started dating. So I set Estella and her family in San Myshuno and waited......

Its been literal Sim weeks and I couldn’t get these two to organically bump into each other. But thankfully on this cold night Chris’ neighbors were being extremely loud so I sent him for a run and I was just about to send him to bed but we found Estellaaaaa!! He was exhausted but that’s his whole future wife she’s worth chasing

Chris and I are excited to FINALLY get this show back on the road and obviously so is that raccoon!

[machetelanding]

[cnladies]

MA SICHUN 马思纯 for iDest Magazine - Spring 2024 | magazine outtakes

Ma Sichun: more photos here magazine outtakes: more photos here