One thing for those who have watched The Boy and The Heron or will watch it. The Japanese title for it is How Do You Live? And Miyazaki stated he was leaving it for his grandson, saying, "Grandpa is moving onto the next world soon but he is leaving behind this film".
The deaths of contemporaries and friends such as Satoshi Kon and Isao Takahata and also the expected successor of Yoshifumi Kondo were things that have always weighed heavily on the back of Miyazaki's mind.
He recognizes the industry and the occupation for how soul crushing it was, grinding up either the spirit or the physical body of those who work in it. He loves and hates the industry he stands on the peak of and fully recognizes how it will probably be the death of him. And he knows it'll leave him unable to say a lot of things to his Grandson.
So How Do You Live? is a lesson. For his grandson. For himself. For his two sons. And probably for anyone else willing to pay attention.
Hayao Miyazaki is a flawed man that makes things so important to so many people. And I think more than any other film of his, in this you get to pull back the curtain a bit and see him at work. And what should be this giant unblemished titan can be seen for what he is, a sad old man who had higher hopes for himself and has even higher hopes for the people he makes his work for.
It's a beautiful thing to see another's humanity in their work. To look past the artifice and glam of commercialized art and find humans behind it. And humans willing to show their humanity and mortality is even rarer. And something to be celebrated. So when you watch it. Or if you've watched it already. Understand that this film is Miyazaki kneeling down, weary after years of weaving dreams and making mistakes, reaching out and saying to you that he hopes you can do better. It's an old man who's made all the mistakes of the world passing it on to you, hoping you do better, and making sure you know it's okay if you don't.
How do you Live? By making mistakes. By messing up. But still moving forward. And still reaching out.
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Oni ni Kanabo! (my first time experimenting with physical screentone!!)
I thought the rough media look suited her(the manga master) for this one so intentionally left parts of the original sketch... but here's some cleaner scans anyway!
...and also a photo of her on my work table!!
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Such a missed opportunity to tie Huey’s fear of the unknown & Ducktales strong themes revolving family & not using it for an arc for him
Bc like what do you mean you’re Comparing Huey to Fethry, someone who Scrooge & Donald clearly ignored & he spent like years in that deep sea laboratory alone 😭😭😭 LIKE I cannot let that go
How would that not freak a little kid out. Like here’s this family member that I’m clearly like and I’ve been compared to & what does that say about my future relationship & role in this family
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something soft ive been working on for @redminibike1 in the between-moments at work. based on A Scene from their story The More I See You -- a tale of class and bookshops and the 1920s that pays absolutely NO rent in my heart and deserves its spot amongst your repertoire Red my darling!! 💓💞
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shut the fuck up and let me be delusional writhes on floor like a worm
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MASTER RIZZERS GIVE YOU 🫵 LOVE ADVICE ‼️‼️
non gif versions under cut (also my commissions are open!! page linked in bio)
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"Mortal? King? God? It seems uncertain. This Realm is yours. Perhaps you will grow to your station. Fare thee well, Sheogorath, Prince of Madness"
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Companion piece to the Martin I posted the other day <3
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