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sundrop-writes · 8 months

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The Patron Saint of Liars and Fakes

Spencer Reid x BAU!Fem!Reader

Summary:

While undercover inside the Separatarian Sect, you and Spencer realize something important: you can’t live without each other.

Spencer Reid x BAU!Fem!Reader. Co-Workers to Lovers. Fake Dating. Hurt and Comfort. Set during Season 4, Episode 3.

Word Count: 8,200

Criminal Minds Masterlist | AO3 Link

THIS IS A RE-POST. This is a fic from my old blog (a blog that was shadowbanned, forcing me to move). This fic is not stolen, it is completely mine, and I am just re-posting it to help people find my new blog, and to make my masterlist complete when I post new fics for this fandom.

Detailed warnings and author’s notes below the cut.

Warnings: Lots of spoilers for the canon episode - so if you haven’t watched Season 4 of Criminal Minds yet, steer clear of this fic for now (especially because watching the episode provides some context for this fic/makes things make more sense); the reader uses she/her pronouns and has the ability to get pregnant (she is not pregnant during the fic and there’s no smut, but due to discussions in the fic, it’s not unreasonable that she could get pregnant); fake dating in the form of a fake marriage - the reader and Spencer pretend to be married under the Christian religion to ‘appeal’ to Cyrus; because of the fake marriage, Spencer uses the term 'my wife’ to refer to the reader; lots of mentions of religion (Christianity), religious extremism, mentions of pedophilia/child brides (in line with the canon episode); mentions of systemic sexism and gender roles enforced by cultures of organised religion and religious extremism; use of y/n and l/n (in this case meaning 'your last name’); the reader pretends to follow the Christian religion while undercover but I never stated if she believes in a less extreme version of these things or not (the reader’s true religious beliefs are never stated); protective!Spencer, possessive!Spencer; mentions of Spencer being taller than the reader (which, again, I think he would be taller than most people) - the reader’s body/body type is not described in any other way; mentions of guns and gun violence (not described in deep detail) - in line with the canon episode; the reader and Spencer fear for their lives; dangerous/live-threatening situations; the reader and Spencer are threatened with a gun; Cyrus is just generally creepy and sexist toward the reader; Spencer is pistol-whipped and the reader is threatened with sexual assault (it does not happen, Spencer protects her); mentions of pregnancy/the reader being pregnant (she is not pregnant during the course of the fic); mentions of the reader being a mother/having kids (Spencer makes up fake kids to sell their fake marriage story); the reader realizes she might actually want to be a mother because of Spencer’s fake kids story; mentions of an explosion (as in the canon); love confessions; angst with a happy ending. Hopefully that is everything.

A/N: The title for this fic comes from a Fall Out Boy song of the same name. The theme/lyrics of the song don’t really fit the fic, but I love the way that this title fits - how everyone in this fic is lying in some way but Spencer is someone with good intentions while lying. Making him the Patron Saint of Liars and Fakes. I love how it fits. I wrote this while suffering with heat exhaustion so idk if it’s good or even makes sense. I rewatched the canon episode and it doesn’t 100% align with what happened in the episode in terms of the timeline and stuff, and I am too tired to rewrite the whole fic to make it align with the episode. So uh - alternative canon? But I really love the basic concepts and I do really love how it turned out. I hope you guys like it too!

...

You thought it would be an easy day.

Maybe that was foolish on your part. So far, you hadn’t seen a single ‘easy’ day while working with the BAU. Between chasing down scumbags and then reliving every single gory detail while doing the paperwork - none of it was ‘easy’. It was worthy, accomplished work - making the world a safer place to live in. (At least that’s what you told yourself.) But it was never easy.

There was always someone who made the job easier. Someone who made you smile every single day - especially on days when you didn’t think you were even capable of feeling a tiny shred of joy. Someone who made you feel safe, who you always felt had your back no matter what. So you were glad that he was by your side today, along for the ride.

“Tell us about Cyrus.” Reid prompted.

He looked to the woman driving, your new companion for the day - Nancy Lunde, someone who worked with the state department and had set up the interviews with the children at the Separatarian Sect.

“Benjamin Cyrus. No criminal record. In fact, there’s no record of the guy at all.” Nancy explained.

“That’s odd.” You commented. “Usually someone being accused of something like this would have some past offenses. Especially because it would give him a reason to move into isolation to continue the criminal pattern of behavior.”

“Well, I couldn’t find anything on him.” Nancy shrugged.

“What about the 9-1-1 call?” You asked.

“A fifteen year old girl called in saying that a man was ‘laying with her’ and claimed it as ‘God’s will’. I believe the ‘he’ referred to is Cyrus.” Nancy explained. “The age fits with Jessica Evanson, but I’ve managed to negotiate interviews with all the children, just to be sure. It wasn’t easy.”

“They’re incredibly weary of outsiders.” You commented. “Our boss warned you not to identify us as FBI, right?”

Nancy nodded. “I got you some spare credentials, just in case.”

She took one of her hands off the wheel and reached into her pocket.

“You’re going to be using your real names. You’re going in as Child Victim Interview Experts working with Child Protective Services. No association with the FBI.” Nancy explained, handing Reid your fake credentials.

He nodded, inspecting the IDs before handing you yours where you were sitting in the backseat.

“Oh, before I forget.” You noted, reaching into the pocket of your cardigan. “The rings.”

You pulled out a small plastic bag that Hotch had given to you before you left. It was a bag containing a fake diamond ring in your size and a fake golden ‘wedding’ band for Spencer.

Reid reached over the seat to grab his ring from you, and Nancy gave the two of you an odd look.

“Rings?” She questioned.

“Fake wedding bands.” You explained.

“It was our Unit Chief’s idea.” Reid added on. “He believes that presenting us as a ‘godly’ married couple to Cyrus will make him more likely to open up to us. He’s less likely to see us as hostile outsiders if he believes that we share a similar system of beliefs.”

“It could also have a calming effect on the teenagers we have to interview or the kids there who have had more time to go through indoctrination at the Sect.” You continued to explain. “Even if their parents are hesitant to let the kids speak with us, they may be more willing to have their child speak with us or even leave them alone with us if they believe that we’re fellow Christians, rather than hostile atheists there to poison their children’s minds.”

Reid nodded at you through the rearview mirror.

“Make sure you put on the left hand.” He told you. “That’s the position for marriage.”

You nodded at this.

You placed the ring in the appropriate position, and you couldn’t help but to take a moment and stare at it. It was jarring to have a wedding ring on - especially with the thought that it represented you being married to Spencer. But you supposed, of all the people to call your husband, he would be one of the best. He was honest, intelligent, kind, and… if you were pressed, you would definitely say he was handsome.

But you couldn’t get too caught up thinking about all of that. Because it wasn’t real. It was a false projection you were wearing for the benefit of a self inflated sociopath.

Spencer liked the feeling of the ring. He didn’t take too long to stare at it after he had put it on, because he knew his mind would wander if he did. When Hotch had first proposed the idea of the two of you pretending to be married, Spencer had almost tripped over himself to oppose it - mostly because he didn’t think that he would be able to handle simply pretending to be your husband for the day. It was just too cruel.

Having something he wanted so badly dangled right in front of him and knowing that it was all just a farce - it bothered him, but he delighted in the play nonetheless.

When he caught the fake gold glinting in the light, Spencer had to remind himself that it was fake - that you would just be playing his wife for the day. He had to push back any internal glee that he felt at the idea that he got to be ‘taken’ by you while wearing that ring. It wasn’t real. It was just for the day.

“Isn’t that deceptive?” Nancy asked. “Won’t Cyrus be even more angry if he finds out that it’s not true?”

“He won’t find out.” You replied confidently. “And besides, we use deception in interrogations all the time. It’s a very basic tactic: align yourself with the suspect. Make them think you share the same beliefs, that you’re on their side.”

Reid grinned at this. He always loved it when you spoke so confidently.

…

“We’re looking for Mr. Benjamin Cyrus.” Nancy announced as the three of you got out of the car.

“Then you’ve found him.” Cyrus announced confidently.

He was pretty much what you had expected him to be - dressed informally, slouched over, faking meekness, holding a bible near his chest as though it were a shield. He had planted himself there purposefully, wanting to be the first person to interact with the outsiders as three of you came into the Ranch.

You hovered back near Spencer, letting Nancy make the first introduction.

“I’m Nancy Lunde.” She said, giving a small nod toward the man. “We spoke on the phone regarding the allegation.”

“‘Savages they call us, because our manners differ from theirs.’” Cyrus rhymed off a quote, obviously positioning himself and his group as martyrs being attacked for having ‘different ways’ that the world simply didn’t understand.

“We didn’t come here to hear you cite scripture, Mr. Cyrus.” Nancy reminded him, hoping to keep the religious zealot on track.

“Actually, it’s Benjamin Franklin.” Reid corrected her, talking about the quote.

That did surprise you, but you didn’t find it surprising that Reid knew this fact right off the top of his head. It was just one of the many amazing things about him - his perfect memory and his ability to use it.

Of course, him saying this immediately drew Cyrus’ attention toward the two of you. So Spencer stepped up to introduce you.

“Hello, I’m Spencer Reid, and this is my wife, Y/N L/N.” He said motioning toward himself and then to you as he introduced the two of you. Hearing him refer to you as his wife - you hated to say it, but it caused a jolt through your system. Almost as if you had been waiting forever to hear him say those words and hadn’t even known it yourself. “We’re Child Victim Interview Experts, here on behalf of Child Protective Services.”

Of course, you couldn’t get too caught up in deciphering how those words made you feel, because you had to focus on the task at hand. The job that you were here to do.

“How far from God’s word must we have strayed for there to be a need to invent a job called ‘Child Victim Interview Expert’.” Cyrus said, his tone even, quiet.

You knew that covertly, it was his way of saying that the two of you didn’t belong there, because he ran the Ranch with God’s word, so nobody had actually been harmed (in his opinion). He believed that he had done nothing wrong. Obviously, he thought your time and resources were better spent with ‘actual’ victims who didn’t have his power wielded over their lives.

“I can assure you, Mr. Cyrus, we try to bring God into our work.” You told him, trying to appeal to him. “The children we visit usually need prayer and God’s light the most.”

Spencer gave you a sideways glance, clearly holding back a grin at how thick you were pouring it on - how much intense, feigned passion you said these words with.

“Well, I can assure you that a lack of prayer and God’s light is certainly not an issue for the children here.” Cyrus said, giving you a clever little grin. He thought that you would simply interview the children, praise him for what a good job he had done, and then leave. “You can go and see the children whenever you like. They are up at the school, as I indicated in our phone call.”

Nancy walked toward the school, and you paused before you followed.

Before you walked off, you looked to Spencer. In a completely silent conversation that only worked so well because the two of you had been in so many tense situations before, thinking around UnSubs and planning miles around them before they could even know it, he gave you a small nod and you instantly knew what it meant. He had established a small bit of trust with Cyrus, so he would stick back and see what else he could get out of the man.

You nodded back, and then - completely surprising yourself, you leaned in and kissed Spencer on the cheek. You were just playing the part, you told yourself. It’s not that it felt entirely instinctive to say goodbye to him with some kind of affection, like the many hugs you had given him before. It’s not that you felt so entirely scrutinized with Cryus’ piercing eyes on you, and you needed the anchor of Spencer’s touch.

You were just playing the part.

Spencer tried not to get caught on being kissed on the cheek like he was some blushing virgin, and instead, focused his attention back on Cyrus instead of watching you walk away. (Even though every single one of his instincts told him that he needed to keep a more careful eye on you because you both had to leave your guns in the car.)

He took a step closer to where Cyrus was leaning on the concrete, and easily picked a topic of conversation.

“Solar panels.” Reid said, motioning to the large devices sitting behind Cyrus on the grass.

“Yes.” Cyrus nodded. “We’re completely self-sufficient here. Food, electricity, water. Benjamin Franklin said ‘God helps those who help themselves’.” He explained. “You look surprised.”

“No, uh, impressed, actually.” Reid easily lied, trying to appeal to his ego.

“Thank you.” Cyrus said. “Most men wouldn’t admit that.”

“Well, I suppose that I’m not like most men.” Reid shrugged in return.

“How long have you been married?” Cyrus asked, motioning toward Reid’s ‘wedding ring’.

Reid panicked slightly, knowing that the two of you likely should have coordinated this story during the plane ride to Colorado so that your answers to these simple questions wouldn’t be different. But he just made up an answer and hoped that nobody else would ask you the same question and find out the deception.

“Three years.” He said. “I’ve been very blessed.”

He used the language purposefully, knowing that the simple phrase could get him on Cyrus’ good side. That, and he hoped it would draw the attention away from any possible signs of his blatant lie.

“Your wife is very beautiful.” Cyrus commented.

He gave a wicked smirk as he said this. It was a simple, fairly ‘innocent’ comment, but it was immediately off-putting to Spencer. It took everything in his body not to glare daggers at Cyrus or throw out some protective comment in return. He could only imagine what was going through Cyrus’ mind as he thought about you, and he hated even imagining it.

Reid knew that it was a basic logical good, the instinct to protect you because you were his partner on this case and he was supposed to have your back. But it was also something more. Something in every fiber of his being that screamed you were his and no man should ever be thinking of you that way except for him.

“Has it been a godly union?”

He was lucky when Cyrus spoke again and distracted him from his mounting rage.

“We try to be as godly as we can be.” Spencer took the simple, diplomatic answer.

“Your wife didn’t take your last name.” Cyrus pointed out.

Nancy had used your name on your false credentials because Hotch had only come up with the fake marriage idea the day before. There hadn’t been time to inform her about it and have ‘Reid’ put on your ID as your ‘married’ name. So he had introduced you by your name to keep everything consistent with the reuse.

It did make Spencer wonder if you would keep your last name if the two of you ever did get married. It made him almost dizzy, thinking about you as ‘Mrs Reid’. Thinking about your kids having his name. Or your name, if that’s what you wanted.

But naturally, he pushed past all those thoughts and formed an excuse.

“Typically, married women aren’t very well perceived in our line of work.” He quickly excused. “She doesn’t even get to wear her ring that often. She couldn’t change her name on paperwork at our office because a working married woman… it’s heavily frowned upon.”

“Well, I’d have to agree.” Cyrus grunted. “A woman shouldn’t be out working. A woman should be at home raising a family.”

“I - I suppose you’re right.” Reid agreed through gritted teeth.

He walked away toward the school before he got too angry again.

…

A few hours later, everything had gone to hell.

Some authority - the police, the military, you didn’t even know - had charged into the Ranch shooting. In response, Cyrus and his followers had come into the school toting large semi-automatics asking you and Spencer if you knew about a raid.

You didn’t. You wish you had known about a raid. You would have warned Hotch and gotten them to call it off. You certainly would not have been there while it was happening.

When they had pointed those guns in your face and forced you into the tunnels - it wasn’t very difficult to pretend to be Spencer’s wife then. Cowering in the bunker, confused and scared, you flung your arms around his waist almost instinctively, and he buried his nose in the top of your hair as he wrapped his arms around your shoulders like a shield, promising you that everything was going to be okay.

Whispered to you like that, coming from him - it was almost easier to believe. Even with the chaos going on around you and the fear pumping through you in response.

Nancy had run off trying to get them to surrender and did not come back. You had a feeling that you knew what that meant.

And now, with the kids from the school ‘evacuated’ into the church, you were being held in the cellar at gunpoint. They had forcefully separated you and Spencer, making you sit in chairs at opposite sides of the room.

Spencer was fidgeting. His eyes kept flickering from the door, to you, to the man standing beside you holding the very large gun.

You knew that you had ugly tear tracks down your face, and oddly enough - you wanted nothing more than to be back in his arms. As you were forced to sit there, just a few feet across the room away from him - you ached for it.

There was a very large possibility that you were going to die today. And you selfishly needed the comfort of being in the arms of someone familiar - someone safe. Someone you knew would never hurt you. Someone who had made you laugh with dumb science jokes and puns for the last five years that you had worked together with him.

When Cyrus charged back into the room with two men flanking his sides, you and Spencer stiffened up once again.

“God will forgive me for what I’m about to do.” Cyrus announced to the room, presenting a handgun from his belt.

Your insides quaked, and Spencer’s eyes grew wide.

You couldn’t contain the fearful whimper that erupted from the back of your throat when he raised that gun and placed it near the middle of Spencer’s forehead. You clasped a hand tightly over your mouth to keep yourself from crying out in protest, knowing that would only make things worse.

“Which one of you is the FBI Agent?” Cyrus asked firmly.

Which ‘one’?

So he knew that you were undercover, that you had lied about your job titles - but he thought that only one of you had done so. Where the hell was he getting his information?

“I - I have no idea what you’re talking about.” Spencer told him quietly, looking him in the eye the entire time.

You hoped that his stutter could be passed off as nervousness from the gun being pointed in his face, and wouldn’t be pointed to as deception.

“Which one of you is it?” Cyrus pressed.

“We are not FBI Agents.” Spencer said, more confidently this time. “We are Child Victim Interview Experts. We were only sent here to ensure the wellbeing of the children. Nothing more, nothing less.”

Well, that last part wasn’t a lie.

“You’re lying.” Cyrus told him, entirely confident in this. “God expells those who lie, devils in sheep’s clothing.”

There was a tense moment, and then Cyrus cocked the gun.

Spencer didn’t flinch. You resisted the urge to scream.

“Proverbs 12:22 says: ‘The Lord detests lying lips, but he delights in those who tell the truth.’” Cyrus said, actually citing scripture this time.

He was giving Spencer one last chance to tell the truth. As if using the bible verse to say that his punishment would be lesser if he simply told the truth now.

Spencer didn’t take the bait.

“I’m not lying.” Spencer said firmly. “What? You think I wouldn’t know if - if my wife was an FBI Agent? This is the woman I wake up next to every single morning, the woman I go to sleep next to every single night, we work together every single day, we-”

Cyrus interrupted Spencer’s ranting with a sharp hit to the face, pistol whipping him across the cheek.

This caused Spencer to go flying off the chair, and you couldn’t help when you let out a wounded cry. It took everything in you not to jump out of your own chair and rush to Spencer where he had collapsed onto the ground, clutching his cheek.

“Someone is going to tell me the truth.” Cyrus said gruffly.

“It must have been Nancy!” You said, the idea finally popping into your head.

You seemed to be more clever with the pressure of Spencer’s life being threatened. Cyrus stared you down, turning his attention fully toward you now. You caught Spencer’s eye for a moment and he gave you a small nod - as if to say ‘yes, keep going with that’.

“The woman we came in with! Nancy!” You reasoned, continuing to point the finger at the woman you had to assume was dead. “We - we just met her today. Our boss introduced us to her, but we had never met before that. If she was FBI, we had no clue. We swear.”

Cyrus turned to you then, and tightly pressed the barrel of his gun into your forehead. You could feel the imprint of it so tight in your skin that it hurt, and you could only lean away so far before threatening to knock the chair backwards.

“It’s very convenient to pin this crime on someone who isn’t here.” He grunted at you.

“It’s the truth.” You sniffled out quietly.

“Hmm.” Cyrus hummed thoughtfully, and then, much to your surprise, he removed the gun barrel from your forehead.

You barely had a moment to breathe in relief before he began skimming the gun down your neck, touching the metal whisper-gentle across your bare skin - clearly taunting you. It was something that made your whole body stiff with alarm, and caused Spencer’s eyes to go wide once again.

“Perhaps I should strip you naked to ensure that you’re not wearing a wire.” Cyrus said, teasing the gun along the buttons at the front of your cardigan.

You held back a sob at the thought of it - at the idea that he could make you do almost anything for the fear of you being shot. Truthfully, you were more afraid of what he might do to Spencer if you didn’t comply, but it was all the same in your mind now. His life was just as valuable as yours, and you would do whatever it took to protect him.

Before Cyrus could take these threats any further, a heroic voice intervened.

“That’s enough!” Spencer yelled.

He gathered himself off the floor and oddly enough, none of the men moved to stop him as he came to stand beside Cyrus. Perhaps they didn’t see him as a threat. Perhaps it was because Cyrus didn’t bark any orders at them to stop him. He was entirely unflinching, keeping his focus on you and keeping his gun held between your breasts as Spencer crowded into his personal space, trying to press himself between you and the awful man.

“We’ve told you everything that we know.” Spencer told him lowly, his voice heaving with well controlled anger. It was something that you had rarely ever heard from him.

Cyrus kept his eyes locked on you, so Spencer continued.

“We don’t know anything about the FBI - we have a simple job advocating for children who have been abused. That is it. We came here to investigate a most likely false claim against someone in your community and we truly didn’t mean to get caught up in all of this.” He said firmly, clearly trying to appeal to Cyrus. “So I suggest you get that gun away from my wife before you and I truly have a problem.”

Spencer’s voice was dark, so thick with rage. More pent up rage than you had ever heard from him when he was talking to any suspect, people who had done the worst of the worst. Something about Cyrus threatening you had truly boiled his insides.

The way he said the words ‘my wife’ - growling it out like he was a feral animal and this threat to you had activated every single one of his protective instincts. Hearing it made something inside of you yearn for him on such a deep level that you didn’t know was possible. You wanted to feel that kind of protection cast over you every single day. It made you feel invincible, having Spencer watch over you like that.

Cyrus lowered the gun then, and Spencer grabbed your arm as you dissolved into hysterical tears. Instinctively, he lifted you up into his arms. You thought that you heard Cyrus mumble out ‘my apologies’ as he left the room - but he was barely on your radar. Your entire world became narrowed down to nothing but Spencer, your safety net as he built a wall of protection around you.

He used his height to block you from seeing anything but him, letting you push your face into his chest as you cried. He wrapped you in his arms once again, letting you feel truly safe for a few moments as you sobbed into the fabric of his sweater. Your arms clutched desperately at his waist, needing to keep a hold on him - needing to ensure that he didn’t leave you.

“Hey, shh. Shh. It’s okay.” He said, leaving gentle kisses on the top of your forehead and your hair, rubbing across your back with one hand, comforting you in the only way he could in those moments. “It’s gonna be okay.”

Of course, he wanted to break down too. But he had to be strong for you.

“Spencer,” You called his name in an utterly wounded voice, pulling away from his chest to look up at him.

When you saw his injury up close - a sharp, purple-red bruise that was blooming across his cheek, it looked so utterly painful. Your insides ached at the thought that he had taken a blow for you. You hated to imagine what more they could have done to him if they had not believed your lies.

You instinctively reached a hand up to touch it and he caught your fingers halfway, instead, gently grasping your hand and laying it on his chest. The intimacy felt so oddly rehearsed - so worn in, so ‘normal’. It felt like you had been married to Spencer for years. Like it wasn’t a play at all.

Your two souls had been calling out to each other for years, just waiting for the dam to break. But you couldn’t quite put it into words - not like that.

“It’s okay.” He said quietly, knowing you were horrified by the injury.

He was so gentle, so comforting, so calm. Everything the men pointing guns at you were not. Unlike Cyrus - Spencer Reid was a true blessing from God.

You couldn’t hold yourself back then.

You surged up and kissed him, fully embracing his mouth with yours in a kiss. Though it was so sudden, it was something he easily returned. The kiss so full of urgency, so needy, so passionate. Like he was trying to tell you that it was okay, that he would protect you no matter what.

He would protect you because you belonged to him.

In those moments, the two of you were basically alone. One of Cryus’ men was guarding the door, watching on boredly. But Cyrus was off in the church, funneling people in to prepare for his ‘loyalty’ test. It didn’t matter if he saw you kissing or not - it wouldn’t have sold the reuse of you being married any better.

This was just for the two of you. This was comfort.

When you pulled back from the kiss, Spencer looked stunned, almost as if he couldn’t believe what had happened. You didn’t give him time to question it.

“Thank you.” You said quietly.

It was twofold:

Thank you for protecting me. Thank you for giving me comfort.

Spencer didn’t have too much time to marinate in the meaning of the kiss before Cyrus’ men came back and fetched the two of you, wanting you to observe the loyalty test.

…

After the mock poisoning (which Spencer figured out rather quickly, making you admire his cleverness once again), Cyrus kept you and Spencer in the church with a few of his closest, most loyal followers while all of the low level followers dispersed back to their homes.

You and Spencer were lingering in the back quietly while Cyrus was on the other end of the room, talking to his men about how to proceed. The plans for their ‘final stand’.

“We need to get some kind of signal to the others.” Spencer whispered quietly. “Maybe they’ll take pity on you and let you go if-” He swallowed sharply, cutting himself off abruptly. Oddly enough, he didn’t want to voice whatever was on his mind.

“If what?” You probed. You wondered what the hell you could possibly be thinking.

“If we tell them that you’re pregnant.” He said, whispering so lowly that you almost didn’t catch the words.

You rolled your eyes sharply at this.

You had gotten married and had kids all in one day. What a miracle.

(In those moments, clouded by fear, you couldn’t see it for what it truly was - Spencer blatantly revealing his unconscious desires to have a baby with you.)

“We could convince them to release you. As a show of good faith. A pregnancy would be good leverage in that. You know how religious people are about fetuses-” Spencer reasoned.

“Yeah, and what if they give me a test?” You probed, punching a large hole in his logic. “We don’t know what kind of infirmary they have here. They obviously believe in modern technology. What if they want to give me an ultrasound to check on the fetus after the stress of the day? To prove that they did no harm to the precious unborn child,”

Spencer was easily caught on this point. If they examined you and found that you weren’t pregnant, all the lies would fall apart.

“Well… what if we tell them that you have a baby at home that you need to get back to?” Spencer reasoned, jumping to the next logical conclusion in his mind. “It’ll likely garner the same level of pity.”

“Your imaginary sperm is powerful, isn’t it?” You whispered back sharply. Spencer rolled his eyes this time. But he didn’t redact the plan as unreasonable, so you continued on. “Okay, what do I even do when I get out there? I’m not gonna be of any use to the tactical team. We don’t know what Cyrus’ final play is yet.”

Truthfully, you couldn’t bear to be separated from Spencer. Knowing that he was inside, potentially being beaten up more, potentially being shot and bleeding out from a wound without you knowing - it would kill you with stress. You need to be by his side. You needed to know that he was okay.

“Has God blessed your union with any children?” Cyrus appeared behind you suddenly.

You wondered if he had heard you say the word ‘pregnancy’ or if this was just a random topic that had come up in his mind.

His sudden appearance behind you caused you to whip around and crowd into the comfort of Spencer’s arms again because you were frightened. Naturally, Spencer wrapped his sheltering touch around your shoulders. Your back was gently pressed into Spencer’s front, his arm shielding you protectively as it was wrapped around your chest, holding you with his hand on one of your shoulders, unconsciously stroking his thumb across the fabric of your cardigan. The position had you both facing Cyrus, watching the fan in an offensive way.

And of course, Spencer didn’t miss a beat.

“Yes.” Spencer answered easily. “We have two kids at home. A boy and a girl. Iris and Hugo. Iris is almost three years old and Hugo is eleven months. His first birthday is coming up in June.”

You knew that Spencer could be very good at talking off a suspect’s ear under pressure, but when you heard him rattle off these ‘facts’ so easily, it hit you.

This wasn’t simply statistics or physiological knowledge - this was a very elaborate backstory for your supposedly real marriage. Perhaps he had thought about all of it on the car ride up (which was odd not to share it with you, in case Cyrus asked you a similar question and your answer didn’t match up with Spencer’s).

But if you weren’t mistaken, this wasn’t simply a backstory for your fake marriage during the undercover mission. This was a fantasy of his. Those were names he had lovingly chosen for your imaginary children - kids he had dreamed up in his head and wanted to be real.

Your heart ached at the thought of it. You found yourself missing a set of children that weren’t even real. (And distantly, wanting to jump his bones to make it a reality.)

“Tell me, Mr. Reid, would you find it so shameful for your daughter to marry young?” Cyrus asked.

You found it odd to hear Cyrus call Spencer ‘Mr. Reid’, but you realized that he hadn’t introduced himself as ‘Doctor’ in this setting. You held your tongue when you felt the need to correct him as you had so many other people, wanting Spencer to receive his proper title.

Your mind almost couldn’t focus on the question that Cyrus had asked. Of course, he was trying to get Spencer to stroke his ego once again. Basically admitting that the whole reason the two of you had come here was true - he was being vastly inappropriate with a young member of the church, and getting away with it. And he saw nothing wrong with it.

And he was trying to get an outsider to admit that he saw nothing wrong with it too.

When there was a moment of silence - Reid obviously torn on how to answer the question, Cyrus continued.

“Is there really something so wrong with a blooming young woman marrying a man who will protect her under God’s laws?” He probed, his voice so entirely confident. Clearly confident that he was right.

“Well, I’m not sure if I would let my daughter get married so young.” Reid said, finally speaking up. “I just know that I would want her to marry a man that would protect her, and be the best possible fit for her. Someone who would cherish her and be good to her no matter what.”

His answer made you swoon. You reached up and gently gripped his forearm in response, giving a light squeeze to show your approval. He leaned in and kissed the back of your head - dizzyingly, you were imagining him walking your imaginary daughter down the aisle before you had even gotten married yourself.

Maybe it was being so close to death, being threatened in such dangerous territory that was causing your life to accelerate at light speed in your mind. If you were going to lose everything, you might as well enjoy the escapism of a fake life with a beautiful man in your mind instead of being stuck on the heart pounding terror of being held hostage, right?

Surprisingly, his words drew a smile from Cyrus.

“You’re a protective father, aren’t you?” Cyrus asked.

“Of course.” Reid confirmed.

“I can always admire that in a man.” Cyrus nodded. “A man should always pride himself on protecting his family.”

There was another moment of pause, and you were hoping that the topic had been dropped completely.

“Do you have a picture of your children with you?” Cyrus asked.

You wondered if - in a different version of reality, where you and Spencer really were married, where Hugo and Iris really did exist - if you had a picture of them in your pocket, would Cyrus only be asking this so he could use the picture to taunt the two of you? What other purpose would he have for knowing what your children looked like?

“Unfortunately, no.” You answered. “I keep my family pictures on my desk. In my office. We - we’ve just been praying to get back to them safely.”

Cyrus seemed perturbed at you mentioning that you had an office. Something dark flickered over his features for a moment and then disappeared.

“Well… if it is right, God will grant you that safe passage.” Cyrus said.

Just when you truly thought the conversation was done, he said something to you that entirely grinded under your skin.

“I find it entirely odd that a mother of two young children spends her days working a job where she takes care of other people’s children, rather than staying at home with her own youngins where she belongs.”

He said, using that same entirely confident, righteous tone that he always did. Even though you were not really a working mother, you had a hard time not boiling with anger at the sexism ripe in his statement.

“How much must you be missing of your sweet angels lives to instead partake in the horrors of devils you shouldn’t have to witness.”

Of course.

You had a hard time not rolling your eyes at this or saying something harsh that would set him off. Instead, you reached up to Spencer’s arm around your shoulder, squeezing his fingers, trying to keep your patience.

“I’ll have you know that Y/N is an amazing mother.” Spencer piped up, knowing that Cyrus respected him enough as a man that he wouldn’t beat him simply for speaking up. “Her nurturing and caring makes her infinitely better at her job.”

Again, you knew that there was so much personal truth in Spencer’s words. He thought that you would make an amazing mother to his children - at least theoretically. He was entirely firm in that conviction. And he thought that your natural caring made you amazing at the job you did as a Profiler. He knew this from the quality of work he witnessed you doing every single day.

You didn’t know it - but it was just one of the many things that had caused him to fall in love with you.

Oddly enough, Cyrus’ words prodded at something deep inside of you. It made you imagine a life for yourself where you weren’t spending your days witnessing horrors from unspeakable devils - but instead, at home, looking out for Spencer’s imaginary children.

You would have said it was the fear of the day, clouding your mind. But maybe it was the clarity of being so close to death that made you realize what - and who - you truly wanted out of life.

…

Hours later, after some of the hostages had been released (the ‘non-believers’ who had failed the loyalty test), Cyrus had requested that some food be sent up. Spencer gave you a sharp look when he saw the message written on one of the takeout lids.

The team would be storming in to end the hold-out at 3am. You had to somehow ensure the safety of the hostages by then.

Obviously, the fake pregnancy idea was still warping through Spencer’s mind, but you had come up with some much better.

“Cyrus,” You called out his name gently, getting his attention. “You said that you have a nursery here?”

It had come up, during his long winded bragging about how perfect the Ranch was. Something about how mothers didn’t have to raise their children alone. The children were raised as more of a ‘group effort’ and women took ‘shifts’ in the nursery, allowing the women to rest or get chores done in the interim.

“Yes, we do.” He nodded.

Spencer stared at you with his jaw set, wondering what you were doing but not daring to speak.

“I - I’ve been missing my children dearly. I was wondering if I could go to your nursery and see if they need any help? It would do my soul good to be around young ones right now. After all the commotion of these days.” You spoke meekly, trying to play the part of the shaken up, dainty woman well.

Which was too difficult, seeing as you were playing up the fear you had already experienced.

He grinned. It was a rather menacing smile, and you tried your hardest not to show any further fear, or disgust.

“That sounds like a splendid idea.” He nodded. “Christopher, why don’t you escort her down to the nursery and then come back? We need you here for our final preparations.”

You were finally falling to those gender roles that he had been pushing on you since you had arrived. He didn’t suspect a thing. He simply thought that you were a God fearing woman falling to your natural womanly instincts, needing to care for children lest your womb shrivel up and you die.

Spencer rose from his seat and Cyrus stopped him.

“Just your wife.” He said, putting a hand in front of Spencer’s chest to stop him. “There are still some things you and I need to discuss. Man to man.”

You went over to Spencer and didn’t hesitate to plant a kiss firmly on his mouth, which he returned with vigor. This one lasted only a moment - it was something precious for the two of you. You didn’t need to put on some pointed show for the men in the room.

“It’s okay.” You told Spencer quietly, brushing your fingers gently over his uninjured cheek.

You could tell that he was dying to ask you what your plan was. But he kept the words trapped in his throat, unable to speak in front of the many temperamental villains lurking about.

“Come on.” Christopher grunted.

Spencer gave you a longing look as you left. He didn’t want to think it, but as he watched your figure retreat out the door, he feared that it would be the last time he ever saw you.

…

Your plan worked flawlessly.

Getting to the nursery meant that you had unsupervised access to the women and children, especially away from Cyrus’ prying ears. Because you were a ‘delicate’ woman, nobody suspected you of having ulterior motives. You easily found a crack in Kathy, Jessica’s mother. You spotted her as the one who had made the original 9-1-1 call, wanting to get her daughter away from Cyrus. You convinced her to help you get everyone out, and you felt intense relief when you were met with a familiar face in the cellar as everyone escaped through the tunnels.

“Where’s Reid?” Morgan easily asked you, glancing behind your shoulder as if waiting for him to appear.

“He’s still up at the church.” You told him. “I had to separate off to help get the women and children out-”

“Go on, we have to get you out!” Morgan urged, trying to gently usher you along.

“We have to go get Reid!” You argued, trying to turn around.

“Go, go on, I’ll go get Reid!” He told you.

You were about to argue back, but you were cut off by a scuffle behind you.

Jessica was yelling about Cyrus - how her mother had betrayed her, tricked her.

Morgan pushed Kathy toward you and ran off screaming for Jessica. You took Kathy’s arm, gently convincing her that everything was going to be okay as you guided her the rest of the way out. You had to focus on this, convincing yourself that everything was going to be okay. You had to tell yourself that Derek was going to get Spencer out - that they were both going to be okay.

When you got outside, you were hyper focused on marching away, taking a path away from the church as directed by the officers in charge. You froze in your tracks when you heard it - an earth shattering boom. The ground beneath your feet shook. You felt a puff of hot air swell to touch your back.

You let go of Kathy’s arm and whipped around, and you couldn’t even pay attention to where she went. You almost thought you heard her weeping, but your mind couldn’t process it as your eyes were glossed in bright orange flame.

It was the church.

“Spencer?” You gasped quietly. “Spencer!”

You couldn’t help it, but you began to run toward it. Your feet carried you faster than you could think, and before you got more than a few feet across the ground, you felt a sharp grip on your upper arm.

“L/N!”

Hotch’s voice, sounding far too distant for the position he held right behind you, viciously gripping onto you as you fought against him, trying to get toward the fire - trying to get to Spencer.

“Hey! Hey! Stop it!” Hotch tried to order you around, tried to get you to stand down.

He got a hand around your waist, and you continued to kick like a wild horse, fighting against his grip as hot tears poured down your face.

“He’s in there!” You sobbed. “Spencer is still in there.”

“Calm. Down.” Hotch ordered sharply.

You collapsed back into him sobbing, all of the fight leaving your muscles at once. You couldn’t fake the reality in front of you.

“You running in there and getting hurt isn’t going to change anything.” Hotch told you quietly, a somehow distant murmur into your ear.

Through the blur of your tears and the sharp orange glow, you saw the shape of two bodies. You heard coughing as someone emerged from the blast, hobbling down the stairs at the front of the church. You forced your eyes open wider, trying to see who it was, and then:

“Y/N!” Spencer called out your name gruffly through the smoke he had inhaled, and you easily shucked off Hotch’s grip to race up the stairs to get to him.

He was leaning on Morgan for support and you were worried that he was hurt. But the moment you were close enough, he tore himself away from Morgan and the two of you met in the middle. In a pattern that was easily developing, you fell into the safety of his arms, holding him tight enough to bruise him - never wanting to let go.

“You’re so stupid, you’re so stupid! Why would you do that to me?”

You sobbed out, gripping both sides of his face, staring into his eyes, needing the recognition that he was right there, right in front of you.

He stared back with glassiness - intense fear, adrenaline, and something small that told you he was thankful for you, and needed you now more than ever.

Of course, your words were simple anger at the situation, not at Spencer himself. The terror of thinking that he was dead still pumping through your veins, causing you to shake.

“I know.” He said quietly. “I love you.”

His voice wrapped around the words so tenderly - it was the most sincere declaration you had ever heard from him. As if to say ‘I know how much that scared you. I know what this ordeal has done to us and I only meant it more because of how scared I am’.

“I love you too.” The words flew from your lips so naturally it hurt. You took a moment to recover, entirely shocked by your own lips. And then, you only found the need to say it growing more inside of you. “Spencer, I love you.”

You pulled him toward you with the grip you had on his face, and he easily met you in one of the most earth shattering kisses you had ever experienced.

It was no longer a show, it was no longer about displaying the fake marriage for someone else’s benefit - if it had ever been about that in the first place. It was about the two of you. It was about feeling that comfort, that safety. It was about the fact that your two souls were drawn together since the day you had met. The fact that you had always felt safe with each other. You had always been the other person’s shelter from the storm.

And you poured every ounce of those feelings into that kiss.

You combed your fingers through Spencer’s hair, taking a harsh grip on the back of it, holding him there so he couldn’t pull away from your lips. He wrapped his arms around your waist, fisting the back of your sweater. Both of you entirely refused to come up for oxygen, not even caring who saw the epically passionate, public display of your love for each other.

Unbeknownst to you, Morgan and Hotch exchanged a look with raised brows as it happened. You and Spencer didn’t care. You were barely perceiving the world around you as the two of you kissed.

“You know if you’re not careful, people are actually gonna think you two are married.” Morgan said, being his usual sarcastic self.

Rather than pulling away from Spencer’s lips to sass him back - you simply flipped Derek off over Spencer’s shoulder.

On the ride home, JJ handed Derek five dollars. He had the over/under that the two of you would get together before the end of the year. JJ said that it wouldn’t happen for another five years, at least. Derek handed the fiver to Emily when she reminded him that the ‘fake marriage’ bit had actually been her idea.

When Emily and JJ relayed the story to Penelope, she squealed so loudly into the phone that JJ dropped it.

Hotch pulled you aside later and warned you that the fake rings were just cheap costume jewelry that Garcia had gotten and they would tarnish soon if you kept wearing them. He also recommended that you and Spencer put in the paperwork with HR if you were ‘serious’ about the relationship. You knew that it was him wishing the two of you his best.

A few days later when you came into work and found the HR request for an update of relationship status sitting on your desk, already signed by Spencer, you couldn’t help but to smile.

...

A/N: This is a oneshot, so there will not be a continuation or a sequel to it. If you are going to comment, please comment about the body of work that I have written, rather than asking me to write 'more'. If you want to see more things that I have written about Spencer, feel free to check out my Criminal Minds Masterlist.

#sundrop writes #spencer reid #spencer reid x reader #spencer reid x y/n #spencer reid x you #spencer reid fanfiction #criminal minds #criminal minds fandom #criminal minds fanfiction #criminal minds fic

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inkskinned · 1 year

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one of the things that i think we should pay attention to, socially, about the disney v. desantis thing is that it is really highlighting the importance of remembering nuance.

in a purely neutral sense, if you engage in something problematic, that does not mean you are necessarily agreeing with what makes it problematic. and i am worried that we have become... so afraid of any form of nuance.

disney isn't my friend, they're a corporate monopoly that bastardized copyright laws for their own benefit, ruin the environment, and abuse their workers (... and many other things). this isn't a hypothetical for me - i grew up in florida. i also worked for the actual Walt Disney World; like, in the parks. i am keenly aware of the ways they hurt people, because they hurt me. i fully believe that part of the reason florida is so conservative is because it's been an "open secret" for years now that disney lobbies the government to keep minimum wage down, and i know they worked hard to keep the parks unmasked and open during the worst parts of Covid. they purposefully keep their employees in poverty. they are in part responsible for the way the floridian government works.

desantis is still, by a margin that is frankly daunting, way worse. the alternative here isn't just "republicans win", it's actual fascism.

in a case like this, where the alternative is to allow actual fascism into united states legislation - where, if desantis wins, there are huge and legal ramifications - it's tempting to minimize the harm disney is also doing, because... well, it's not fascism. but disney isn't the good guy, either, which means republicans are having a field day asking activists oh, so you think their treatment of their employees is okay?

we have been trained there is a right answer. you're right! you're in the good group, and you're winning at having an opinion.

except i have the Internet Prophecy that in 2-3 months, even left-wing people will be ripping apart activists for having "taken disney's side". aren't i an anti-capitalist? aren't i pro-union? aren't i one of the good ones? removed from context and nuance (that in this particular situation i am forced to side with disney, until an other option reveals itself), my act of being like "i hope they have goofy rip his throat out onstage, shaking his lifeless body like a dog toy" - how quickly does that seem like i actually do support disney?

and what about you! at home, reading this. are you experiencing the Thought Crime of... actually liking some of the things disney has made? your memories of days at the parks, or of good movies, or of your favorite show growing up. maybe you are also evil, if you ever enjoyed anything, ever, at all.

to some degree, the binary idealization/vilification of individual motive and meaning already exists in the desantis case. i have seen people saying not to go to the disney pride events because they're cash grabs (they are). i've seen people saying you have to go because they're a way to protest. there isn't a lot of internet understanding of nuance. instead it's just "good show of support" or "evil bootlicking."

this binary understanding is how you can become radicalized. when we fear nuance and disorder, we're allowing ourselves the safety of assuming that the world must exist in binary - good or bad, problematic or "not" problematic. and unfortunately, bigots want you to see the world in this binary ideal. they want you to get mad at me because "disney is taking a risk for our community but you won't sing their praises" and they want me to get mad at you for not respecting the legit personal trauma that disney forced me through.

in a grander scheme outside of disney: what happens is a horrific splintering within activist groups. we bicker with each other about minimal-harm minimal-impact ideologies, like which depiction of bisexuality is the most-true. we gratuitously analyze the personal lives of activists for any sign they might be "problematic". we get spooked because someone was in a dog collar at pride. we wring our hands about setting an empty shopping mall on fire. we tell each other what words we may identify ourselves by. we get fuckin steven universe disk horse when in reality it is a waste of our collective time.

the bigots want you to spend all your time focusing on how pristine and pretty you and your interests are. they want us at each other's throats instead of hand in hand. they want to say see? nothing is ever fucking good enough for these people.

and they want their followers to think in binary as well - a binary that's much easier to follow. see, in our spaces, we attack each other over "proper" behavior. but in bigoted groups? they attack outwards. they have someone they hate, and it is us. they hate you, specifically, and you are why they have problems - not the other people in their group. and that's a part of how they fucking keep winning.

some of the things that are beloved to you have a backbone in something terrible. the music industry is a wasteland. the publishing industry is a bastion of white supremacy. video games run off of unpaid labor and abuse.

the point of activism was always to bring to light that abuse and try to stop it from happening, not to condemn those who engage in the content that comes from those industries. "there is no ethical consumption under late capitalism" also applies to media. your childhood (and maybe current!) love of the little mermaid isn't something you should now flinch from, worried you'll be a "disney adult". wanting the music industry to change for the better does not require that you reject all popular music until that change occurs. you can acknowledge the harm something might cause - and celebrate the love that it has brought into your life.

we must detach an acknowledgment of nuance from a sense of shame and disgust. we must. punishing individual people for their harmless passions is not doing good work. encouraging more thoughtful, empathetic consumption does not mean people should feel ashamed of their basic human capacities and desires. it should never have even been about the individual when the corporation is so obviously the actual evil. this sense that we must live in shame and dread of our personal nuances - it just makes people bitter and hopeless. do you have any idea how scared i am to post this? to just acknowledge the idea of nuance? that i might like something nuanced, and engage in it joyfully? and, at the same time, that i'm brutally aware of the harm that they're doing?

"so what do i do?" ... well, often there isn't a right answer. i mean in this case, i hope mickey chops off ron's head and then does a little giggle. but truth be told, often our opinions on nuanced subjects will differ. you might be able to engage in things that i can't because the nuance doesn't sit right with me. i might think taylor swift is a great performer and a lot of fun, and you might be like "raquel, the jet fuel emissions". we are both correct; neither of us have any actual sway in this. and i think it's important to remember that - the actual scope of individual responsibility. like, i also love going to the parks. Thunder Mountain is so fun. you (just a person) are not responsible for the harm that Disney (the billion dollar corporation) caused me. i don't know. i think it's possible to both enjoy your memories and interrogate the current state of their employment policies.

there is no right way to interrogate or engage with nuance - i just hope you embrace it readily.

#does this make sense #to do be deleted probably yikes #(takes a swing at a wasp's nest)#like i think ppl have started to just be really quiet when they like something 'problematic'#and im like... u can be like -#girl tswift NEEDS to just TAKE A BUS . LIKE?????????????????????#while also being like.#''she's a lot of fun''#if ur personal policy is that u don't support her for that reason that's great #but it's like. eating meat???#like yeah some people won't bc the environment. but the fact i eat meat doesn't mean i hate the earth #like i can say that i think the meat industry is HORRIFIC and also downright cruel to its employees #but like. still enjoy a chicken nugget....#there are people who choose otherwise. it's okay . we are people. i make like no money. u probably don't either #us fighting about whether or not it's Right To Eat The Chicken Tender just distracts from like.#actually turning your ire on the corporation #i hope it's clear what i'm saying here is like. when we fight each other for Purity Reasons #we are just doing the work of corporations . for free. like they WANT us to be doing this lol #it's the fucking DREAM of the upperclass that now ALL forms of responsibility fall on the individual

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inbarfink · 1 year

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Okay, so I already wrote a bunch of stuff about how that scene, although it is really sweet, is also kind of a Bad Sign for Simon - how he refuses to learn the Obvious Lesson from the Winterworld adventure (that being the Ice King again is probably a really really bad idea). But I want to talk about it also a little more about what it means for Fionna’s character as well.

Because while sitting around and wallowing in self-loathing is probably bad for Fionna, especially after being told that she shouldn't be allowed to exist, and Simon is right to try and get her out of her funk. It's also still worthwhile for Fionna to have some introspection about the Consequences of Her Actions. Because she and Cake really did not consider them at all at first. They have a sense of morality and an instinct towards heroism, but they also tend to kinda forget the fantastical worlds they visit don’t exist entirely for their fantasy and have kind of a Protagonist-Centered-Morality fallacy.

Most obviously you can see it in the market in Ooo. How Cake, in her excitement, damaged and hurt and even killed

A bunch of innocent marketgoers without even noticing. And then Fionna immediately jumped to Cake’s defense against these ‘weirdos’, who were actually just normal kinda-righteously-angry Oooian citizens.

It’s actually very similar to the whole Winterworld situation. Fionna’s assumption that she’s automatically the hero and protagonist of the story and black-and-white view of the situation and her tendency to kick ass first and ask questions later meant that she just recklessly injured a lot of innocent people.

(It might’ve been worse actually cause at least in Winterworld she was at least manipulated by an evil Wizard)

Fionna and Cake clearly have a great potential for heroism, but they do need to be a bit more considerate of the situation and people around them. And it does make sense considering that from their perspective - they’ve been living a very ordinary life up until now (and Cake was literally an animal. A very clever animal, but still not bound by the same standards of morality as the talking animals in Ooo). Action and adventure and fantasy stuff has been purely the realm of daydream and video games for them - and Fionna literally speaks about it in these terms.

(also, Fionna's Main Character Syndrome was undoubtedly validated when God literally told her that she was created to be the main character of her universe)

So yeah, it takes them some time to really process how to be heroes - they need to grapple with questions that Finn and Jake already kinda dealt with seventeen years ago. And actually a lot of those; how to resolve a situation without necessarily using violence, when does a 'villain' actually deserve sympathy and kindness, the importance of the larger context of any given conflict... their confrontations with Ice King all played a big part in that. It was never just him, but he was still a very major part.

And for Fionna and Cake right now, learning these lessons require some amount of personal introspection. So while it was a sweet attempt at comforting, I dunno if Simon’s little ‘the only problem with that universe is that this Alternative Me was terrible because he didn’t even acknowledge or remember Betty as the love of our life and the light of my entire universe’ thing is actually Good.

I’m not quite sure Simon is the best person to teach Fionna and Cake heroism 101, because he is so focused on the Crown Quest as the thing that brings back Meaning to his life, and because his fatherly instincts just kinda go “Sad Young Person???? MUST GIVE COMFORT!” and also on account of the kidnapping.

I’m sure Fionna is going to become the heroine she dreams about eventually, it’s just going to be a bumpy ride. The best we can hope for is that they accept Simon’s comfort, that she doesn't start believing that she is nothing but an Error for the entire universe like the Scarab claims, but don’t necessarily listen to all of Simon's his words either.

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parasolyaa · 1 month

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Mischa Bachinski is a completely wrong spelling of his name. Misha Bachynskyi is the correct form.

To put it simple, it just doesn’t make sense in Ukrainian language at all. Instead of the soft “sh” (ш) that is supposed to be in the name Misha (Міша), for some reason there is “sch” (щ), which not only is less appealing to the ear, but also the name Mischa (Міща) does not exist. Could it have been just made up on purpose? Theoretically yes, but I feel icky about foreigners making up a name that sounds so ridiculous and has no background whatsoever. Besides, it is pretty obvious that they were going for the name Міша, but messed up the transcript. The surname ending -ski is an outdated Russian-sounding version, -skyi is a much more accurate one for a Ukrainian surname. The Ukrainian letter "и" never translates as "i", only as "y".

Talias name was completely butchered too, more here (there's actually a wholeass rabbithole from there on). The name of the city where she comes from is spelled wrong (it's supposed to be Kyiv, not Kiev), and so is Misha's (it's Odesa, not Odessa), also it’s Chornobyl, not Chernobyl. Characters frequently say "the Ukraine", even though the name of the country is supposed to be said without the adjective. Basically, not a single Ukrainian name was spelled correctly, and many things about Ukraine also were completely messed up.

And these are not just wrong spellings! These are the remnants of Russian oppression, specifically in Soviet times, when all non-Russian names had to be transcripted from Russian, all non-Russian languages were stripped of their originality, forcefully made to sound more Russian, and advocating for the use of your language could get you deported or killed (and now the same thing is happening the occupied territories of Ukraine, Sakartvelo, Chechnya etc.). Using the correct version of Ukrainian names is at least a sign of respect and recognition.

I am not saying that back in 2008 when the musical was made the authors deliberately decided on using the Russian forms of city names and, well, people names. Back at the time the voices of people advocating for correct forms were not heard, and this didn’t seem like a big deal. But in the context of the modern world it is very important, specifically because there is a literal full-scale genocidal war in Ukraine right now. As a Ukrainian, the nuance of those names and spelling matters a lot to me, and it is the same way for other Ukrainian fans I’ve met. Some didn’t want to get into the musical specifically because of these issues, plus the fact that Misha is kind of a harmful stereotype for Slavic people in general, which is yet another topic to explore at some point in the future. And he is still the BEST representation we’ve got and I love him dearly.

I believe that using a correct form of his name is a battle worth fighting

#i used uppercase for the post that’s how you know shit's serious #misha bachynskyi #misha not mischa #mischa bachinski #misha rtc #ride the cyclone #rtc

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bingiessm · 5 months

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WARNING, LONG POST

Hello, welcome to the Bridgerton Season 3 trailer over-analysis corner. I am bingiessm--a film student that needs an outlet right now and wants to practice some film analysis--and am here to bring forth the FIRE/FLAME/CANDLE motif that was all over this trailer and I feel will be a HUGE motif throughout this season for Penelope and Colin (Polin).

So within the Polin context, let's look at each shot where a flame of a candle or lack thereof could represent their romantic interest in one another--and in particular the understanding/recognition of it.

This show is going all out putting candles EVERYWHERE--yes it was actual lighting in regency era, but you don't have to have it in the shot. That is a CHOICE. Also a choice to have it lit or not.

Also, "I burn for you" anyone?

FIRST SHOT: somewhat obvious but considering the context of both the mirror as well as other future shots within this trailer, this flame represents the feelings Penelope has for Colin, that she is well aware of and has held for a long while.

I also just have an inkling that she is seeing herself differently in this moment (feeling something for the first time possibly)--the way Nicola looks feels shocked/contemplative, but not scared as if it might be Whistledown-related.

SECOND SHOT: they are outside, talking about Penelope being a "lost cause." WHY IS THERE AN UNLIT CANDLE IN A MARKET STALL, if not to represent some unrealized feelings on Colin's part? It is also on his side of the frame. This is similar to this next one, both of which I believe are earlier in the season, as this is the start of him "helping" her.

THIRD SHOT: Once again, right there on Colin's side of the frame, YOU DID NOT NEED THIS IN THE FOREGROUND. It was a CHOICE to put a candle there again. They could have not had it, yes the shot would have had less depth and this does give a better sense of the space, placing them in a corner of the room instead of in an open space--but they didn't need to make it another CANDLE.

Colin has not fully recognized his feelings for Penelope yet, though they have always been there, and these two shots demonstrate that lack of understanding/feeling, but one that is soon to come with an unlit candle.

FOURTH SHOT: this, in the timing of the trailer, does come before the third, but RIGHT THERE IS A MIRROR AND CANDLES. It is on Penelope's side of the frame, but Colin, the mirror, and candles are what is in focus. She might be center frame, but we are drawn to the light as well as the contrast in Colin's outfit. This could arguably be Penelope's perspective, her burning feelings as he compliments her--also her future (we all want that mirror scene).

FIFTH SHOT: a HUGE TURNING POINT--a small flame, barely noticeable suddenly burning brighter as we focus on Colin in the background. This is so clearly him realizing his feelings for Penelope. It is also at the midpoint/turning point of the trailer when there is a big tonal shift. There is no more talk of Colin helping Penelope, but a larger focus on his perspective of her (all the gazing), the idea of romance, as well as mention of Debling--his rival. It will be a turning point for Colin when Debling--an actual suitor vying for Penelope's hand--comes into the picture. EDIT: Also going to add in, the candle is in a lantern--though that might have been easier to manage filming-wise--which could also represent him still holding back, especially with Debling in the picture.

SIXTH SHOT: This comes right after we hear Debling say "You look especially beautiful tonight, Miss Featherington." One of the many examples of Colin staring at the two of them, being jealous/worried. But right behind him? Oh, more candles. That they totally didn't need to have in the frame. Also, it doesn't look so much like a candle, but they are placed so close to one another that it looks like more of a flame. The lack of focus adds to this.

THEN WE GET TO THIS FINAL SEQUENCE--which imo is a FANTASY SEQUENCE

SEVENTH SHOT: Colin is coming from the darkness, with an unseen flame flickering directly behind him (small ember that he can't see).

EIGHTH SHOT: Penelope, also coming out of the dark, but with another flame on (what in this sequence is) her side of the frame. Though it is somewhat hidden behind these bars--some rough patches/guarded emotions? (probably depends on what point this is in the series).

NINTH SHOT: Penelope, already in the light of these fires, Colin entering with the large burning flame in the background covered by some growth.

TENTH SHOT: Penelope, lit by these fires, breathing heavily. A very clear close-up with so much blur to focus just on her face.

ELEVENTH SHOT: Colin, with a flickering/burning flame literally right behind him, lit by these other fires, staring right at Penelope.

So this whole sequence, in my opinion, is a dream sequence. But, in terms of this flame representation, this is Colin realizing he has feelings for Penelope. We see the flickering from the unseen light behind him in the seventh shot build and become the flame right behind him in the eleventh. It feels so obviously representative of the season. (The fog also seems to lift for him in this sequence, he comes out of the fog to Penelope--I could say more about this sequence and why I do think it is Colin's dream, mostly due to costuming and lighting and the fog as well) ______________________

And thus comes to a close my analysis/evidence of the FLAME/FIRE motif between Polin. I am cutting myself off here because this is a lot and I have an actual film shoot to plan. Thank you if you actually read all this. I love film analysis and Bridgerton is so fun and a stress reliever for me, so this was fun for me to write out.

Anyway, if any more of this fire/flame stuff comes up I might add on later.

TLDR: they are using fire and candles to represent the burning love between these two.

#bridgerton #bridgerton season 3 #bridgerton netflix #bridgerton s3 #colin x penelope #polin #penelope x colin #colin bridgerton #penelope featherington #film analysis #i'm bored and excited for this show so let me just do my silly goofy thing over here #I burn for you

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painfullyprickedandticked · 5 days

Text

a common debate within the fandom is the annual question of “is striker a supremacist?”

particularly, whenever one makes an analysis on striker, there’s always one comment mentioning “he is a supremacist.” however, there have been, recently, arguments that he is not a supremacist but rather just believes himself to be superior.

let’s look into both sides of this debate and draw our own conclusions.

the argument on why he isn’t:

BLITZØ is the one who refers to striker as a supremacist and blitzø isn’t particularly good at perceiving people. he tends to resort to insults instead (like when he called fizz a “peppy fuck doll” and verosika a “drunken whore”).

if someone’s views contrast with how blitzo sees the world, he immediately resorts to throwing an insult and that’s his perception of the person up until they shake the viewpoint. we’ve seen this with clown boy and we’ve seen him relent with verosika. basically, there’s some bias on blitzo’s end towards cowboy snake dude.

a supremacist is someone who believes a certain type of person is better than another. striker doesn’t believe imps are superior to other hell species, he thinks HE is superior to other hell species. therefore he’s not a supremacist, he has a superiority complex. those are two different things.

“what is a superiority complex?”

examples of evidence proving striker does have a superiority complex include:

he wrote a song dedicated to his own victory in harvest moon festival, with lyrics literally declaring “i’m so much better than you.” he’s always been self-centered, having an overexaggerated self-worth.

a lot of his anger towards moxxie can be taken as self projections, and same with fizz.

the reason striker mentions to blitzø that the two of them are superior to most of their kind was a manipulation tactic to throw blitzø off of his case when he was caught trying to shoot stolas

it amazes me how many people miss this context when its so clear as day. its also apparent that hybrid imps can sniff out other hybrids, akin to how in real life, if youre mixed race, you can often have a gut feeling that someone might also be mixed.

another point someone made: blitzø doesn’t know about striker’s past. we know striker implied it in western energy, but blitzø himself doesn’t know. if he understood what happened to him, then maybe he’d gain more of an understanding of striker as a person instead of this “evil supremacist” facade he sees.

“"Look. Not every ring is some fancy ass city, with some fancy ass mansion, that only fancy ass royals get to live in. Some of us have hard lives to live. And some of us have everything we care about taken away by fuckers like you."”

I’ll quote someone I discussed this topic with, though I won’t tag or name because I don’t want people to go after them. I’m not here to start discourse—I’m here to explore viewpoints. Here's their take:

“His anger and pain is so genuine and so real, you hear it in Ed’s performance, i don’t get how ppl look at the disgust in his voice and his face whenever things get personal (his speech to Stolas and his reaction to Fizz saying he’s no better than any royal) and take it as he’s putting on an act and lying about it.” […] “Extremist is a better word for him imo than supremacist and he def has some self-racism/hatred going on for sure hence how he put downs imps he feels are lower than him but upholds those he feels meets his standards, if that makes sense yk? It’s about what he sees as weak or embarrassing for his own kind. It’s not actually about wanting any class to be superior, it’s about him and what he thinks.”

it’s important to note, no matter how you view the angle of coding characters who aren’t human – giving them racial coding and all – there is an allegory within the series. imps are the lowest on the hierarchy, and the goetias are merely only a step below the deadly sins and lucifer (+ charlie and lilith). so if we put imps into the minority role, that implies imp hybrids are, well, mixed race.

we notice this in an example of how stella treats imps, even including striker himself.

[attempted script format here. didnt work, lol]

he doesn’t like working for her. he puts up with her because that’s his meal ticket. it’s payment. there isn’t a moral high ground he stands on, but there is a ground where he’s below her and he knows it – he’s exhausted. he’s tired. resorts to a slur because that’s how much she exasperates him. because she’s a privileged royal lady, and he’s at the bottom of the caste system. he cant pick or choose, unlike with IMP and their jobs.

it’s a lot more nuanced than a lot of people are willing to take on simply because some don’t like striker and dismiss everything surrounding his character that isn’t those specific lines talking about superiority or blitzo’s supremacist comment.

as i finish writing up this section, i wanna make it clear i also like blitzo and stolas and i’m not justifying striker’s treatment of anyone. i’m not being an apologist, but i’m examining this particular case “he’s not a supremacist” because, yknow, you gotta look at the other side sometimes when it is presented in a calm manner and not just straight up character bashing or disrespect to the creator bc “omg my ship didn’t happen” or “whaaaat? the villain was always a villain and NOT a love interest? how dare that BITCH” [these takes exist and my brain melts each time…]

okay, i think im done with this side. ill make the rest pretty concise and cite someone else here who's detailed things for the other side of the argument. thanks to TVM for letting me quote you. im tired to write up the other side because my fucking google doc with these notes got erased. i hate it here!!!!!!!

why striker at least has some Certain Ideals (sigh)

"Blue Bloods"

"Disgusting, rich, pompous goetia"

"Some of us have everything we care about taken away by fuckers like you."

"You don't get to talk over me. . . all you ever do is try to talk over us."

"Once I split your neck open and let you choke on your own blue blood, you won't be worth any more than the tomb stone you'll be buried under."

So . . . first, he doesn't actually say a lot that's solely about royals, and ALL of the quotes above are about how royals look down on people like him, NOT about any inherent flaws that they have. They're about class, not race, unless you count "blue blood" as race. I don't. It's tied directly to money. "Disgusting" comes up in reference to Blitz's relationship with Stolas, but the words "rich" and "pompous" follow immediately. Striker hates royals because he hates that society places them above him.

Imps

"Pathetic."

"You little things aint worth the cleanup."

"Oh I remember how easy you are to choke the life out of, little one."

"Blitz, come on. You know the two of us are superior to most of our kind."

"I still think it's embarrassing. You're wasting a lot of potential relying on a weak little . . ."

"Vermin"

I think that this is where Striker's worldview comes into clearer focus. He thinks that Moxxie and Millie (and by extension MOST imps) are inferior to him. The word "vermin" is particularly telling. There's something visceral about his disgust for "lesser" imps.

I think Striker worries that they reflect who he really is. I think he truly believes that imps are inferior to higher class demons, and he fears that if he doesn't prove himself to be special (through violent dominance), he's vermin himself.

Notice how in the image below, his edge over Moxxie is all about size and physical strength- the things he implies throughout the episode make him the superior being. Look at that wide smile. He loves the feeling of being superior.

Relationships between imps and royals

"You are so above sucking on a disgusting rich pompous goetia . . ."

"kill the unkillable . . . starting with the one that treats you like a plaything."

"Blitzy"

"You two are both embarrassments to our kind for meddlin' with blue bloods to begin with. But at least loud mouth here has the sense to only fuck his rich bitch, instead of being a little purse dog."

"This worthless little pet reeks of his over bloated master. I'll at least enjoy getting rid of him."

Striker clearly sees these relationships as imps lowering themselves. It doesn't seem to occur to him even for a moment that these relationships might involve genuine care because he sees all interactions between social classes as being about power and "who wins."

all sourced from here.

conclusion?

I don’t know how to finish off this post. I was trying to give both sides a microphone and at this point, every time I make a post on Striker, I have to make it clear that I hate the woobification of him from a loud majority who only do so because they’ve got a weird hate boner for Stolas. Y’all might not have seen it, but I have on Twitter. I have seen it from here. I have seen it in fucking AO3 with straight up disrespectful cross tagging of character bashing and actual flanderization (see here on why striker is not canonically ruined), along with straight up kill-fics and thinly veiled disrespect to the creators.

But lately I’m also hating the boring, simplistic take of “he’s just a supremacist” and not analyzing him more than that. He’s such an interesting, complex character in a show of complex characters, and nobody bothers to examine him! They just either dismiss him as revolutionary or a supremacist! They never go into his grey areas or “hey, why is he like THAT?” - no, it’s just the boring same old takes.

This guy has so many layers. He’s a minority within a minority. He’s turned off by sex jokes yet has such rizz. He has an adrenaline rush from fighting. He is self centered yet also emotional. Yes, he’s a dick and a murderer. No, he’s not just a rat bastard and no he didn’t threaten to kill Octavia - he simply brought her up to throw Stolas off. It was more so "shame your kid won't see you again", not "oh im gonna kill your baby girl after i show her your decapitated head". Yes, his layers and tragic backstory yet unyielding thirst for killing when he sets eyes on a target make him interesting. It’s called being a villain enjoyer but no one seems to like a villain for being a villain anymore in his case. They either gotta justify him or they gotta woobify him, or they have to demonize him. I’ve seen people make the worst comparisons and it baffles me.

I just wanna enjoy this rat bastard in peace but then stupidity resurfaces in my head and it’s inescapable at times. Tiring. </3

This isn’t the conclusion you probably wanted if you read this far. Sorry. But I'm at a loss of what else to say atp. I wanna find more normal fans of Striker who aren’t just insane people who woobify him to bash Stolas. And I'm also tired of people who actively bash him trying to weigh in on my stuff. Like... is there any normal enjoyer of him besides @eldritchcreatureofwords ?

Anyway, live laugh love Edward Bosco, bye.

#helluva boss #helluva boss striker #attempted some meta or analysis or whatever #this post was made for fandom discussions ONLY not discourse so please don’t bring that to my doorsteps thanks!!!#the last bit is me going on a tangent sorry

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taylor-titmouse · 3 months

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When a story has a kink you like, what writing flaws does it take for you to find the portrayal of it unerotic? Is there anything writers should keep in mind while maintaining eroticism, or is that so specific-reader-dependent that it's futile?

everyone's least favorite answer: "it depends". when you get into the specifics of eroticism, what makes one thing erotic or unerotic depends entirely on the context it exists in. let's use bdsm as an example, because most people grasp the basics of it.

you have a dom, a sub, and (if you're responsible) some pre-negotiated rules determining how they both should behave. simple enough.

a good author who wants to include bdsm in their work will take into consideration the way the characters involved are likely to communicate, but also the cultural context in which they exist. two men in regency england do not know what a safeword is, traffic lights aren't a thing, and they may not want to have a difficult conversation spelling out what they want, because they're men in england in a period before therapy. they will talk around it, or come up with something in the moment that suits the need. a real example from kj charles' a seditious affair, which i consider the best use of bdsm in a historical romance: the dom commands the sub to hold onto the bed rail while he fucks him, and if he lets go, he stops. or another example, these characters don't usually refer to each other by name. referring to the top by his name makes him stop. these are things that naturally make sense based on their relationship, and would make sense for two men in their circumstances and point in history. they do have some conversations about it, but only after they've opened up to each other enough that they'd have a real conversation about it at all, and now it's a vehicle to show the growth of their relationship.

a weaker writer who wants to include bdsm in their work might include the rules for safe bdsm without thinking about their context. another real example, which i won't name, is a romantasy between a big gruff laborer and the twinky wizard he works for. they've been antagonizing each other, and it all comes to a head in the stables, and the laborer is finally going to give it to the wizard... when he stops to establish a safeword for spanking him.

folks, i do not believe a curmudgeonly old laborer in a feudal fantasy world understands a safeword. i do not need him to understand safewords, and i don't need that conversation to happen at all. i am ready to see the wizard get spanked, the wizard is horny to get spanked. we are all on the same page. but the author has pulled the brakes for the sake of a conversation they think is necessary, but truly isn't. if your goal is to show that he cares underneath the spanking, show that during the aftercare, show it in how he's considerate of how hard he hits, or where he hits, or have him stop if the wizard says 'stop'. like a normal person would. you only need a safeword if 'stop' is not actually 'stop', and if this is your first time having sex with this person, and you care, you are going to stop if they say stop. and if the characters aren't even going to USE the safe word you make them establish, what are we accomplishing? if this element of the story never comes back, and only exists in this scene, why is it there?

i guess this is a long way around to saying eroticism is intrinsic to context and character, and if your eroticism feels like you layered it on top of the characters, rather than built it from their behavior, you're not doing it right.

#tt talks writing

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yamujiburo · 8 months

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Some of this might sound intentionally hostile in text and I apologize.

I'm saying this as an abuse survivor mind you - don't throw "abusive ships" under the bus so easily - at least, so long as they're not actually glamorizing the abuse. I lived that irl and I personally find someone overcoming it, slowly having enough of that bullshit and getting out over time, and the other person having to wipe their own butt for once after they've made the damn mess, very refreshing. Maybe that's not a ship in the traditional sense. It's no happily ever after bc it shouldn't be, but I find stories like mine shyed away from so often because even the portrayal gets considered a "canon ship". ... that's just how media works now, I guess? I very rarely See a fictional relationship not called a ship in literally any context now so that's the definition I'm running on.

I wish more people were willing to portray the hardships of finding acceptance outside of "whoever you can find will accept you" very much, and finding the better things after. I wish people weren't terrified out of portrayimg situations like mine.

Jessie.. is not a good person in canon. You expect me to believe she moved into to hanamusa seamlessly, without falling on her ass? I never see you talk about Jessie's abusive tendencies in canon. You never talk about the inherent meanness she needed to get over to get there. She's quite aml lot like my ex in canon, actually.

What do you mean you're going to just remove from the character that she is abusive to those around her. Jessie hits people. She takes her own junk out on others all the time. Do you even like the character then, are you actually invested in her growing, or are you just making an OC at this point?

Idk. Do you, boo. But you are posting about a character who, whether you like it or not, is canonically abusive. I just don't buy that dating Ash's mom alone fixed her. That isn't... How that works. It would be excellent if it did. Part of my love of hanamusa is that it signals Jessie's change - but she could have changed for anyone before now.

What makes Delia different? How is she specifically a turning point for Jessie? Because Jessie's flaws go well beyond just bossing people around.

I would love if my abuser had the same outcome as your Jessie. I adore your portayals of hanamusa, where she's still flawed but still strives to do better. That's all I ever wanted from my ex.

What the fuck got her there tho.

Anyways I've been watching a lot of Bojack Horseman lately -

I agree with you! I don't think abusive relationships (or any tough subject matter in general) should be shied away from in media. It can be powerful when executed well and written by folks who are equipped to tell those kinds of stories. I do think it's sad when people treat it as off limits. But the ask I got was definitely more about which ships I have where I actually like the relationship between the characters. I think the semantics of the word "ship" are kind of vague or rather, over time, got so specific to only mean "absolutely love together and want them as endgame" (for most people anyways). So that's usually what I take the word to mean when people ask me about it.

I can 100% appreciate how an abusive relationship is written and handled, but that doesn't mean I'm gonna ship an abuser with their victim (that falls into the glorifying you're talking about). Love Bojack Horseman! Big fan! I think the way they handled Bojack and Sarah Lynn was beautifully and tragically well written. But does that mean I ship Bojack and Sarah Lynn? Absolutely fucking not.

I've talked about Jessie's character plenty on this blog and the way she's handled in earlier seasons specifically. This is kind of a summary: If we look at it on surface level, yes we can say she was abusive. But I think it's important to acknowledge and take into account the medium, time period and culture. Slapstick and cartoon violence was HUGE in anime and animation in the 90s (and prior to that too). Characters were always cartoonishly slapping each other around with giant mallets, folding fans, etc. Looney Tunes style. These slapstick bits were always distinct from real abuse and hurt (for Pokémon, Jessiebelle comes to mind). Mean slapstick wasn't a character trait exclusive to Jessie either. We saw it in Misty, James, Meowth, characters of the day and pretty much any character who got mad. It was a visual shortcut to show anger.

This type of slapstick has since (thankfully) died out and it hasn't really been a part of the Pokémon franchise since the early 2000s. However, Jessie was a notably special case. One of my favorite fun facts about the Pokémon anime is that there was a point in the series where Megumi Hayashibara (Jessie/Musashi's seiyuu) told the writers that moving forward, she no longer wanted Jessie to be violent or to be shown hitting James or Meowth (source: her memoir "The Characters Taught Me Everything"). She thought it directly went against the vision Takeshi Shudo had for Jessie, James and Meowth, when he created them, which was that they are good natured villains. If you watch from DP and on, Jessie never lays a hand on either of them. I think it was a such a good move on Pokémon's part to change her character like that and I'm forever grateful that Hayashibara said something! Whenever I write Jessie now, I always keep that in mind. She's mean, shouty and stupid but would never genuinely hurt those she cares about.

From then, her character becomes much more bearable. She's still bossy, mean and vain (typical cartoon villainess attributes) but I'd hesitate to say abusive. She'll still yell at James and Meowth, they all yell at each other, but in more of a sibling way (imo) rather than a "i'm actively trying to hurt your feelings way". The show makes a point especially in later seasons to show that Jessie, James and Meowth are not beyond being redeemed. From conception the whole POINT of the Team Rocket trio was that they are redeemable but their persistence and obsession keeps getting in the way of them seeing that there's a better life for them out there.

I won't deny that Jessie was unsavory in earlier seasons, but when I write her, I choose to write the version that Takeshi Shudo and Megumi Hayashibara had envisioned from the get go. She's still incredibly flawed and makes plenty missteps but wants to be better as you stated! My favorite part about Jessie is that she's a piece of shit LOL and I enjoy writing the changes she goes through to be better (but then still showing her default so some of her evil tendencies). In this AU, Delia doesn't fix Jessie. Jessie fixes Jessie because she is with someone makes her want to be a better person. She's already in the middle of turning over a new leaf before even meeting Delia, after leaving Team Rocket. Writing Jessie as legitimately abusive I think could work, but that's not my story to tell and if someone who were more equipped to tell that story did, I'd be very interested to take a listen!

I hope this doesn't come off as trying to deny or invalidate your experience. If you see that in Jessie, I hear you! This is just how I've interpreted her character over the years, having watched every episode of Pokémon and reading Japanese interviews from the cast and crew. She's such a compelling character and I love how messy she is

#ask yam #long post #tw abuse

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pia-nor481 · 8 months

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Lando norris nsfw alphabet

A- Aftercare (what are they like after sex)

I feel as though it’s very dependent on his mood, sometimes it’s a little chaotic running around grabbing water and rushing to the shower, where other times is just soft pillow talk and cuddles.

B- Body part ( their favourite body part of theirs and their partner)

In my mind he favours his hands due to their size, maybe a little bit of a size kink. He enjoys the difference and perhaps how one can cover most of her throat, or how he could easily grasp both of his partner’s wrists together

While on his partner, we know he likes ass so I don’t know what you expected. However, I feel like he might also really like tits, but keeps it a secret because it’s considered “childish” by some (mainly in the uk). In a less sexual sense, I believe he’d really love his partner’s eyes, whether it be staring at them, or how you can tell so much emotion from them.

C- Cum (anything to do with cum)

I don’t know why I get the feeling that he cums a lot in one go. Anyway I think he’d like to pull out and cum on his partner, whether that be tits, thighs or stomach etc. But if can cum inside he definitely would, this would be a main factor in deciding the type of aftercare given.

D- Dirty secret (a dirty secret of theirs)

He may or may not have jacked off to a normal voice note of his partner. The context wasn’t even sexual, he just missed hearing their voice and was very horny.

E- Experience (how experienced are they?)

Is it bad I don’t think he has that much experience? We don’t know about many ex girlfriends. But I think he likes to fuck a lot, so he would be very experienced in pleasuring just his partner after learning (being taught) what gets them off.

F- Favourite position

I think we can all agree he likes doggy, but not for the reasons as most men ((boys) bc a man would never!)) He really wants to be able to see his partner’s face and reactions to what he is doing, he likes the ego boost. Plus I think he likes spanking, not too hard in this specific position, just a few light taps and some groping.

But cowgirl gets an honourable mention, as mentioned above he does like tits so getting so stare at them really gets him off

G- Goofy (how serious are they in the moment?)

Very dependent on the lead up. There are times where sex just has inconvenient moments; struggling to take clothes off so that just leads him to resting his head on his partner’s shoulder, letting out a sigh then a little chuckle. Or maybe a time where he’s just hard, not for any specific reason and asks (begs) for his partner to get him off, and he’s all giddy about it, so it’s just laughs in between moans and groans. On the other hand, I think there are times where he’s very serious , mostly when sex is on the rougher side or post race. Maybe even on an anniversary or special occasion he’d try to be much more serious. But in general I don’t think he’d actually make a joke, or at least not on purpose.

H- Hair (how well groomed are they? Does the carpet match the drapes?)

I’ll be honest, I think it’s a little darker than the hair on his head. I don’t think lando is clean shaven (now that he actually has pubic hair), he tries to keep it quite short though, but sometimes he gets a bit busy and so neglects the length and doesn’t trim it. But I think he may refrain from blow jobs at this time and opts to fuck his partner’s tits instead. Separate thing, but, I think he also has Sunday everything showers on non-race weeks.

I- Intimacy ( how are they during the moment? Romantic? Pleasure driven?)

I think a mix of both as he’s a very horny man so sometimes he rushes for pleasure, yet other times he likes to be slow and passionate, making love not fucking. He would really like to take his time, traveling from room to room, spending lots of time feeling up his partner.

J- Jack off ( masturbation headcanon)

I think he masturbates a lot, a few times a week and I think it would be roughly at the same time of day as well. But he can’t just sit there, he needs material!! Whether that be just pics or short videos in his ‘my eyes only’. Again let me mention the voice notes, he does think it’s bit strange how much he liked it, and how quick he came. But he would much prefer phone calls where he’s limited to just his girlfriend’s voice. Almost teasing himself. And her

K- Kink (one or more of their kinks)

As mentioned above size and voice.

But he really likes control and being dominant. He knows that dominance isn’t just position. He knows how to dominate without putting in any of the physical work

Sensory deprivation- so blindfolds, mainly again as he really likes control (as said in some interview) and he knows not being able to see will heighten your other senses so he would talk/whisper a lot more and be more feather light with touches. This idea can also tie in with the only phone calls not face time

Impact play- again linked to dominance, I think of this of being very specific and planed out. It doesn’t happen just because he got hard 10 minutes ago, but this is specifically reserved for non-race weekends. Mainly trying new toys, whether it be a crop or any object. Maybe just his hands. I think a lot of this is exploring based; testing different areas like the very top of the thighs, instead of just the ass. He always makes notes (during the sex in his head, then after maybe in a book as that can’t get leaked) but this started with a lot of communication to prevent any real injuries, making sure to use a safe word system (I imagine the traffic light system as it fits best) and ensuring that he only hits fatty areas not where organs reside. He wants to play yet it must be safe or it isn’t fun.

Katoptronophilia- mirrors. I believe that he likes to make his girlfriend watch what he’s doing to her as well as see the pleasure he’s giving her. It’s like a power rush as well as a sense of accomplishment/ achievement.

L- Location (favourite place)

Definitely bedroom. This is mainly due to privacy, but I also think it’s because he’s not very tall, so perhaps his hips aren’t high enough for counter sex. I’m not sure though, I may have tested it ( for context when I’m on my tiptoes I’m almost his height and my hips were not above the kitchen counter.) but tables I think he’d like, as well as bending her over the sofa or in the bathroom sink in front of the mirror.

M- Motivation (what gets them going?)

I think most things would turn him on, but I think being challenged would give him motivation to put his girlfriend in her place. Also, just generally intimate/ domestic situations

N- No (something they wouldn’t do, turn offs)

Probably watersports etc but to be honest I don’t know with him. To me I think most people don’t really like that, or at least won’t say they do.

Electro stimulation- it just seems a bit too scary

O- Oral (preference on giving or receiving, skill)

He’s a man so will probably prefer receiving, but he would really enjoy eating his girlfriend out for a sense of pride. However, I feel as though you may have to teach him a little, like he knows what he’s supposed to do but may struggle with actual delivery, but he’s so willing to learn, all smiles. We should take into consideration that he is an athlete so his breath control will be amazing.

P- Pace (are they fast or slow? Rough or sensual?)

Not to be repetitive, but, it will depend on the situation. However, I believe he leans more on the rough side, I don’t have evidence but I stand with that opinion. Furthermore, he’s likes to be rough due to the power and trust it gives him.

But he usually isn’t particularly fast as he’s been informed (generally speaking on the internet) that women will say harder but a man would go faster and they wouldn’t like it. (I know that’s super generalised but he would definitely listen and do what would give her pleasure) he likes research and found some study that wearing socks can make women cum harder and immediately suggested it.

As mentioned before he likes to make love, so winter or summer breaks are reserved for kinky fucks and sensual love making. I rest my case

Q- Quickie (their opinions, how often etc)

He absolutely loves them. He gets horny very quickly and so would want a release as quick as possible. Also the convenience of his drivers room allows for quickies all the time, pre and post race. But if he’s at home he’ll want long and more passionate sex

R- Risk (will they experiment? Do they take risks?)

If it’s not a hard no he’ll probably try it at least once, but he also must worry about his career. Although he really wants to fuck publicly, he can’t take that risk

S- Stamina (how many rounds can they go for)

Again he’s an athlete so can go for long periods of time yet I don’t think he could cum more than twice in one go. He can definitely cum many times in the same day, but he needs a few hours break. But he will make the time he’s fucking his girlfriend as long as possible.

T- Toys (do they own any? Do they use them? On a partner or themselves)

He knows toys are his friend not his enemy (as told by the bathtub toys thing.) Anyway, I think he once bought a vibrator when he was single just because he saw some men talk about how amazing the orgasm felt and he would have really enjoyed it, but always cums way to fast for his liking, he wants to last longer than three minutes. He will definitely use toys on his partner, whether that be a dildo or vibrator of some kind. He also really wants to try hand cuffs but he feels as though he needs to build up to it, as such a physical restraint can be quite a mental strain; so he decides to try it with just paper first so she could very easily get out it she wanted to, then tried those silicone “cuffs” for the same reason. Then finally used metal ones with a lock. But he will always cuff her hands in front of her.

U- Unfair (how much do they like to tease)

I think verbally he teases A LOT. But physically not too much. He may deny the orgasm once or twice before letting her actually cum. But foreplay will be quite lengthy, he wants to slowly drag his hands along her thighs or only push his cock in 2 inches before pulling out fully.

V- Volume (how loud are they, what sounds do they make?)

I think he will always be making noise just not overly loud. Always groaning and moaning (thank you for the twitch streams) he can be completely quiet, except for heavy breathing, if he really needed to.

W- Wild card (a random headcanon)

I think, at some point, he bought one of those moulds to make your own dildo. Just the thought of his girlfriend fucking herself with a silicone version of his cock really gets him going. Along with those remote control vibrators. He would love them especially when she can’t be at a race and so he can make her cum when he’s on the other side of the world. (I didn’t know that was possible until the other day) it’s just so hot to him.

X- X-ray (how big are they?)

You know what they say about the skinny ones. He’s either very long and is relatively thin. Or average length but girthy as fuck. Contrary to popular belief, I don’t think his tip is pink/ red ish. I’m totally basing this off the colour of his lips. But you know. Just a thought.

Y- yearning (how high is their sex drive)

This man is so horny. 8 or 9/10

Z- Zzz (how quick do they fall asleep afterwards?)

I don’t think very quick, unless it’s been a super long session, but even then he’d make sure his girlfriend is situated before daring to fall asleep. He likes cuddles so expect to be in his arms for as long as possible.

If you have any other ideas/ headcanons please comment. I really want to see other people’s opinions.

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