#beneduci

[osappleobeneduci]

OSAPP a Presidenti Camera e Senato, Ministro Giustizia, Presidenti Gruppi Parlamentari: "La Polizia Penitenziaria un Corpo di folli, violenti e aguzzini? ASSOLUTAMENTE NO! ECCO LE PROPOSTE OSAPP!"

“Ma davvero la Polizia penitenziaria è un Corpo di folli e violenti che a pochi mesi dalla pensione (San Gimignano, Santa Maria Capua Vetere) o nel primo anno di servizio (IPM Beccaria di Milano) si mettono a fare gli aguzzini?” OSAPP – Grave momento per il Corpo: riflessioni su norme vigenti e proposte Presidenti e Gruppi Parlamentari e Ministro della Giustizia. – 26 aprile 2024 – Scarica Pdf

[araekniarchive]

Are We There Yet?

by Bianca Beneduci Assad

[kovryata]

The Battle - The Salvation Army from Moth on Vimeo.

The Battle is an edit of the three films we created for The Salvation Army's Christmas campaign which tells three different stories about hardship and the grace that comes from individual generosity.

Directed by: Moth Studio

Designed by: Moth Studio, Léonie Després, Manddy Wyckens

Produced by: Hornet & Moth Studio

Executive Producer: Hana Shimizu Head of Production: Sang-Jin Bae Development Producer: Kristin Labriola Producer: Eva Dahlqvist & Dez Stavracos Editor: Daniele Baiardini & Stephanie Andreou

2D Animation: Carlos De Faria, Tyler DiBiasio, Anne-Louise Erambert, Anne Escot, Freya Hotson, Reg Isaac, Tucker Klein, Jennifer Zheng Cleanup: Bianca Beneduci Assad, Carlos De Faria, Tyler DiBiasio, Marguerite Dumans, Lior Wolff-Epshtein, Anne-Louise Erambert, Anne Escot, Freya Hotson, Tucker Klein, Matt Lloyd, Harry Slinger-Thompson, Mick O’Sullivan, Jennifer Zheng CG Animation: Luke Carpenter, Luke Doyle, Lindsay Horner Compositing: Daniele Baiardini, Qian Shi Editing Assitance: Stef Roberts

Music composed, conducted and arranged by: Pierre O'Reilly

Orchestra contractor: James Fitzpatrick Session Producer: James Fitzpatrick Orchestra: The City Of Prague Philharmonic Orchestra Recording Engineer: Jan Holzner

Vocals: Triona O'Neill Piano: Pierre O'Reilly Recording Engineer: Tom Bullen Mixed and Mastered by: Nick Taylor

Sound design: Box Of Toys Audio

Post Production: 3008 Audio Engineer: Matt Cimino Online Flame Artist: Mark Sullivan Senior Producer: Jennifer Brannon

Voice over artist: Susan Eisenberg - William Morris Endeavor Entertainment-LA

Agency: The Richards Group

[jacopocioni]

Tutti gli UFO sopra Firenze dalla guerra ad oggi: 1954 1° parte

Ci credete? Non ci credete? Poco importa. Il fenomeno ufologico è vecchio quanto il mondo. Gli avvistamenti, reali, finti, "costruiti" nel mondo sono innumerevoli e su Firenze e provincia non mancano. Questa è un piccola rubrica per citare gli avvistamenti registrati su Firenze e provincia dal 1946 al 1980, se poi qualcuno ha a disposizione anche quelli successivi, e ce li fornisce, potremmo pubblicare anche quelli dal 1980 in poi. Questo l'articolo precedente: Tutti gli UFO sopra Firenze dalla guerra ad oggi: 1952 – 1953 Il 1954 è stato un anno particolarmente prolifico per gli avvistamenti UFO su Firenze e provincia, tanto da dividere in più parti la loro segnalazione. Il 1 Luglio del 1954 viene visto, nel cielo di Firenze, verso le 12:00 un fenomeno ufologico. Se ne ha notizia per l'inchiesta di Massimo Beneduci. Racconta la sua esperienza la signora Dina Anna Maria Massai, sposata Bernardini, di anni 51 e di professione insegnante, all'epoca residente in piazza S. Ambrogio 3. La racconta però molti anni dopo, tanto che la signora al momento della descrizione del fatto aveva 80 anni ed era ormai vedova. Nel 1954, la donna non ricordava esattamente giorno e mese, ma ricordava che faceva un gran caldo, si trovava nella terrazza del condominio dove risiedeva. La terrazza era di quelle a tetto su uno stabile di 3 piani. La Dina fu testimone di una nevicata della cosiddetta "bambagia silicea" o "capelli d'angelo". Il particolare interessante risiede nel fatto che in terrazza con lei erano presenti alcuni gatti che rimasero come terrorizzati dal fenomeno. Si accucciarono con gli occhi vitrei e sbarrati e con le code ingrossate come spazzole, poi, ad un tratto, tutti fuggirono spaventati. La signora Dina racconta che la giornata era serena ed il fenomeno ebbe una durata imprecisata, almeno un'ora anche se la donna lasciò il terrazzo prima che il fenomeno terminasse. Durante la strana nevicata era presente anche il figlioletto di 8 anni, che però, ascoltato, non si ricordava assolutamente niente del fenomeno a differenza della signora Dina che ne rimase impressionata cosi tanto da avere a distanza di tanti anni un ricordo ancora vivo e nitido. La signora Dina ricorda che, del fatto, ne parlarono anche i giornali. Possibile che la signora Dina, a distanza di tanti anni, si sbagli sul mese e che il fenomeno sia da ricondurre a quelli di ottobre 1954 di cui parleremo, magari in una giornata particolarmente calda da farle pensare ad un giorno di luglio. Il 12 luglio del 1954, nei cieli di Sesto Fiorentino, verso le 22:30 fu visto un oggetto luminoso. Ne parla Il Giornale dei Misteri n. 10, p. 34, riportando anche delle immagini fotografiche. Il signor Giancarlo Fedi, direttore della libreria Beltramini di Firenze, si trovava in quel momento in prossimità della vetta del Monte Morello. Un misterioso oggetto luminoso si presentò ai suoi occhi ed il testimone ebbe anche l'occasione di fotografare il fenomeno nel buio più completo, avendo l'accortezza di aprire completamente il diaframma della sua macchina fotografica. Il testimone dichiarò in seguito: "Non poteva essere la Luna. Essa è sorta più tardi e dalla parte opposta". Il 19 settembre 1954 viene segnalato un oggetto volante, ma non viene registrato nessun dato in merito, viene solo riportato dal Notiziario UFO n. 75/76.   Read the full article

[placerdiario]

FIRST KISS (TED-Ed) from Hannah Jacobs on Vimeo.

I was delighted to bring to life Tim Siebles poem 'First Kiss' as part of TED-Ed's series 'There's a poem for that' . The series features animated interpretations of poems both old and new that give language to some of life's biggest feelings. You can view the full series here:

youtube.com/playlist?list=PLJicmE8fK0Egxi0hgy5Tw-NFyLcpJ4bzJ

Credits:

Hannah Jacobs : Direction/Design/Animation Katy Wang: Animation Bianca Beneduci: Animation Clean up help: Hannah McNally Stephen Larosa: Sound design/music Tim Siebels: Narration

Produced by TED-Ed

[mulheresilustradoras]

Isabella Beneduci

[tonin-terets]

Nexus Studios - The Stage Awaits, directed by Smith & Foulkes for Wimbledon (AELTC) from Nexus Studios on Vimeo.

Credits: Brand: All England Lawn Tennis Club (AELTC) Director of Communications and Marketing: Alexandra Willis Marketing and Brand Lead: Harry Kerr Commercial and Marketing Executive: India Crawley Creative Lead: Alessandro Perottoni

Agency: McCann London Chief Creative Officers, McCann UK and Co-Presidents, McCann London: Rob Doubal and Laurence Thomson Creative Directors: Rob Webster and Alexei Berwitz Creatives: Rory Peyton Jones and Elliot Lee Managing Partner: Tommy Smith Project Director: Steph Dix Chief Strategy Officer: Theo Izzard-Brown Strategy Director: Emily Ellis

Agency: Craft London Chief Production Officer EMEA: Ben Clark Head of Integrated Production: Sophie Chapman-Andrews Executive Producer: Amos Usiskin Producer: Jacob Gardner Post-Producer: Filipa Kinomoto Music Supervisor: Chris Graves Editor: Matt Dollings & Sam Mitchell Business Affairs Manager: Val Boyce

Production Company: Nexus Studios Producer: Rebecca Archer Production Manager: Edith Chappey 2D Lead: Bethany Levy Art Director: Melanie Climent Storyboard Artist: Louis Kynd Character Designer: Alexandra Petit Character Designer: Yujia Wang Lead Environment Designer: Brandon Coates Design support: Joe Dennis Design support: Cat Wong 3D Generalist: James Drummond 3D Generalist: Matilde Vinther Lead 2D Animator: Marylou Mao 2D Animator: Fanny Hagdahl Sörebo 2D Animator: Duncan Gist 2D Animator: Sean Weston 2D Animator: Hozen Britto 2D Animator: Bianca Beneduci Assad Clean up artist: Laura N-Tamara Clean up artist: Natalie Gray Clean up artist: Clementine Gautier Clean up artist: Louise Gregersen Clean up artist: Samira Tristani-Firouzi Clean up artist: Sivan Kidron Lead Compositor: John Taylor Compositor: Stuart Fortune Compositor & FX Animator: Richard Perrigo Compositor: Craig Maxwell Editor: Dave Slade Editor: Zaki Fulford

Sound Studio: Factory Composition Title: Come Alive Artist: Summer Kennedy

[globalhappenings]

Prisons: Osapp, harsher penalties but still cell phones

Prisons: Osapp, harsher penalties but still cell phones

(ANSA) – NAPLES, 03 NOV – More handsets in prisons despite the most severe penalties: in the Airola minors’ institute, in the province of Benevento, last night a detainee was surprised by the agents of the Penitentiary Police while he was phoning. This was announced by the Osapp union. The agents seized the microcell and informed the judicial authority. For the regional secretaries Osapp Campania…

[menarddg]

Bloody Good Period 'Typically' from Anna Ginsburg on Vimeo.

'Typically' for Bloody Good Period directed by me and Caitlin McCarthy with Strange Beast and Mother London. The #NoShameHere campaign aims to remove the secrecy and shame which surrounds periods. #Typically follows the period experiences of a diverse group of people who menstruate in an upbeat celebration of period realities. Sign the Petition to end Period Shame and make period products #BloodyFree - change.org/p/uk-government-provide-free-period-products-across-the-uk

Additional Design: Guy Field Animation: Campbell Hartley, Harriet Gillian, Charlie Lane Bush, Bianca Beneduci, Magnus Atom, Matt Lloyd, Alexander Bernas, Olly Montagu, Giulia Frixione Animation Assistants: Sacha Beeley, Eloise Garlick, Natasha Pollack, Lois Dolores, Lily Shaul, Julian Gallese, George Wheeler, Bug Shepherd-Barron, Daisy Mojave Holland, Inga Ziemele Compositing: Magnus Atom, Matt Lloyd

Producer: Zoe Elizabeth Muslim Executive producer: Kitty Turley

[manukyan]

Mulheres Fantásticas - Maria Sibylla Merian (english subtitles) from Bee Grandinetti on Vimeo.

*Press CC button for subtitles ;)*

I had the immense honor of telling the story of this insanely talented and bold German botanical illustrator from the 1600's called Maria Sibylla Merian. I really wanted to hero her gorgeous, intricate work, so I kept my characters and other design assets to a minimal. All the gorgeous flowers, plants, insects and shells are hers.

It was a joy to work on this project entirely made by women for Brazil's biggest TV channel, Globo.

Since 1973, this TV show called Fantástico gathers families around on Sunday evenings to discuss the latest news and discoveries around the globe.

They recently started this series called Mulheres Fantásticas (Fantastic Women) that features inspiring stories of women from around the world. The animated intro is used as a hook to then introduce contemporary Brazilian women who defied circumstances and stereotypes and are doing groundbreaking work.

You can watch the whole section here: globoplay.globo.com/v/8149612/

Love and gratitude to my Brazilian partner in crime Bianca Beneduci that helped me animate some shots.

-

Project Coordination: Aída Queiroz Creative Direction: Bee Grandinetti and Aída Queiroz Direction: Bee Grandinetti Design: Bee Grandinetti Botanical illustrations: Maria Sibylla Merian Animation: Bee Grandinetti and Bianca Beneduci Script: Carolina Warchavsky, Luciana Fregolente, Luiza Yabrudi, Renata Corrêa, Thais Pontes e Veronica Debom Voice Over: Marjorie Estiano Sound: Marion Lemonnier Executive Producer: Lorena Barbier Research: Tamara Araujo

[artwalktv]

'Typically' for Bloody Good Period directed by me and Caitlin McCarthy with Strange Beast and Mother London. The #NoShameHere campaign aims to remove the secrecy and shame which surrounds periods. #Typically follows the period experiences of a diverse group of people who menstruate in an upbeat celebration of period realities. Sign the Petition to end Period Shame and make period products #BloodyFree - https://bit.ly/3Ig6MLi Additional Design: Guy Field Animation: Campbell Hartley, Harriet Gillian, Charlie Lane Bush, Bianca Beneduci, Magnus Atom, Matt Lloyd, Alexander Bernas, Olly Montagu, Giulia Frixione Animation Assistants: Sacha Beeley, Eloise Garlick, Natasha Pollack, Lois Dolores, Lily Shaul, Julian Gallese, George Wheeler, Bug Shepherd-Barron, Daisy Mojave Holland, Inga Ziemele Compositing: Magnus Atom, Matt Lloyd Producer: Zoe Elizabeth Muslim Executive producer: Kitty Turley

[sifu-paul-fernandez]

Wing Chun Archivi Mio punto di vista sul energia interna, Celebrando 50 ...

Wing Chun Archives - My Take on Internal Energy Celebrating 50 years! By Wing Chun Sifu Paul Fernandez I dedicate this journey, in particular, to my daughter Gemma-Marie and her, now, one-year-old daughter, Ellie, and Ellie’s Baba, George; both of whom I so hopefully desire to meet one day. I also dedicate this journey to all my family, in Australia and Italy who I love with all my heart and of course to my wife Mari. To my brother who I consider my first teacher and has continued to be on many occasions in my life. I've also dedicated and mentioned many well known videos Sifus in this video, you might be on the list so watch out! I also dedicate this to my, ‘unknown’ family whom I've never spoken about until now. Most of you know me as a Wing Chun Master, but I also belong to the Relapsing Polychondritis Community and the Rare Diseases Community, where I have been a member  for number of years as well as a mentor whenever possible.This group has been a fantastic support group to me. RP is a condition which I was diagnosed with in the mid ‘90s and likely living with the condition for many years undiagnosed, due to it being such a rare and unknown disease. A big hug to my RP family like Lisa Mathews who has done so much for me and also Susie Ratledge - they are unknown heroes who help people voluntarily day and night. They helped me to look beyond myself and to help people worse than me. Also to Monica Beneduci Olmsted who put me as moderator in the Italian group for RP. We all work and help each other to raise awareness for a disease that has a low statistic worldwide that hits between roughly 3 people per one million per year. There are still many doctors that dont know about this disorder, or know about it on a superficial level, and I can attest to this personally, who don't take enough time to push for the right types of tests or look deeply enough at the patients history of symptoms before drawing conclusions. Therefore the levels of treatments for people who DO genuinely suffer can at many times and on many occasions be ridiculed socially, or in their personal lives.The lack of awareness and impact on those suffering is deep, we need not just a call for action by the medical practitioners in general but for a more expanded awareness GLOBALLY. The RP groups on facebook and websites fight to change all that in many ways, in fact there is also a special association for rare diseases in Europe led by a team of volunteers that work together to improve the lives of 30 million people diagnosed with rare diseases only in Europe. Connecting Doctors, data and patient services to name a few. here are our support groups for those interested in knowing what we do https://www.facebook.com/groups/RelapsingPolychondritisAwareness/ https://www.facebook.com/groups/dramafreerelapsingpolychondritisscienceandsupport https://reconnet.ern-net.eu/

[stickyeyeslikes]

The Battle - The Salvation Army from Moth on Vimeo.

The Battle is an edit of the three films we created for The Salvation Army's Christmas campaign which tells three different stories about hardship and the grace that comes from individual generosity.

Directed by: Moth Studio

Designed by: Moth Studio, Léonie Després, Manddy Wyckens

Produced by: Hornet & Moth Studio

Executive Producer: Hana Shimizu Head of Production: Sang-Jin Bae Development Producer: Kristin Labriola Producer: Eva Dahlqvist & Dez Stavracos Editor: Daniele Baiardini & Stephanie Andreou

2D Animation: Carlos De Faria, Tyler DiBiasio, Anne-Louise Erambert, Anne Escot, Freya Hotson, Reg Isaac, Tucker Klein, Jennifer Zheng Cleanup: Bianca Beneduci Assad, Carlos De Faria, Tyler DiBiasio, Marguerite Dumans, Lior Wolff-Epshtein, Anne-Louise Erambert, Anne Escot, Freya Hotson, Tucker Klein, Matt Lloyd, Harry Slinger-Thompson, Mick O’Sullivan, Jennifer Zheng CG Animation: Luke Carpenter, Luke Doyle, Lindsay Horner Compositing: Daniele Baiardini, Qian Shi Editing Assitance: Stef Roberts

Music composed, conducted and arranged by: Pierre O'Reilly

Orchestra contractor: James Fitzpatrick Session Producer: James Fitzpatrick Orchestra: The City Of Prague Philharmonic Orchestra Recording Engineer: Jan Holzner

Vocals: Triona O'Neill Piano: Pierre O'Reilly Recording Engineer: Tom Bullen Mixed and Mastered by: Nick Taylor

Sound design: Box Of Toys Audio

Post Production: 3008 Audio Engineer: Matt Cimino Online Flame Artist: Mark Sullivan Senior Producer: Jennifer Brannon

Voice over artist: Susan Eisenberg - William Morris Endeavor Entertainment-LA

Agency: The Richards Group

[mirellabeneduci]

Cheeky and minimal, the film examines the tensions between self and other in relationships through the experience of a sexy smooch.

A film by

BIANCA BENEDUCI ASSAD

Sound Design by

FATHER

Created during the She Drew That 2020 Residency in collaboration with Strange Beast

[whileiamdying]

Official video for the wonderful song by Fenn Rosenthal. Made in only 24 hours using 2D frame by frame animation. Directed by Hannah Jacobs, Katy Wang and Anna Ginsburg. Animation by Katy Wang Anna Ginsburg Matt Lloyd Bianca Beneduci Harriet Gillian Matt Partridge Colouring by Hannah Jacobs Elouise Garlik Natasha Pollack Laura Jayne Hodkin