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#bent back
cubbihue · 5 days
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So.... why'd Peri get assigned Dev as his first godchild?
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Jorgen’s usually not the one in charge of assigning godchildren. There’s an entire department that weighs and classifies potentail Godkids to the right Fairy. Although it’s on strike at the moment.
So Jorgen has to do it by hand, until the union negotiations are resolved. Turns out trying to use paperclips is very hard. Itty bitty paperclips. Big muscular biceps. Not a good combo.
Bitties Series: [Start] > [Previous] > [Next]
Peri's Assignment: [Previous] > [Next]
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elhnrt · 2 months
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foundersposting and my not so hidden mdtb agenda
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hellenhighwater · 8 months
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Do you usually make esqueletons for you sculptures? I'm struggling to make poses that look fluid when I make the little wire structure, but if I don't, the thing is not firm enough and kinda goes sideways and also cracks a bit more than usual
Man, I wish I could. Kiln fired clay shrinks significantly as it's dried and fired--the temmstone speckle clay I'm using has a shrinkage of 12.5%. You can get high-temp nichrome wire that will survive the heat of the kiln, but the problem is that if you have clay shrinking around an internal armature that does not shrink, you wind up with cracks and breakage.
You can, sometimes, get away with small bits of wire, but generally I just don't risk it. My sculptures are just solid clay. Or, actually, sometimes I hollow them out so they're not actually solid, but no wire or anything.
If you're feeling like your pose is not dynamic enough, rotate it. As you build your armature, make sure it is engaging space from every side. If you pose is just stretching all its limbs forward and back, with no engagement on the left or right, then you may have an issue. Similarly, if they're standing normally, you may want to consider adding a twist to their torso/hips, a bend to a leg or arm, so they're engaging space more interestingly. When you're working in three dimensions you want it to be interesting no matter what angle you're looking at it from. So rotate your armature, and if it looks flat from any angle, adjust it.
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If you are doing poses in motion, look for single lines that extend all the way through your figure that help convey the movement. Theseus, for example, has lines that go all the way from his back leg to his front shoulder, in order to help express that he's pulling hard. That will also help your figures feel like they have weight and they're actually balancing.
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rusquared · 9 months
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string of fate
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averlym · 1 year
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litany of the martyrs (click for better resolution!)
#at some point i wanted to make an illustration for each character but in retrospect maybe each is multiple song-coded..#drew the sketch for a quincy thing after a chat with a mutual reminded me this song existed dfsghjkl and then spent weeks rendering this#quincy cynthius martin#adamandi#i'm finally done with this! the saints especially were joys to paint and the halo a menace.... this has been the most ambitious one so far.#but it also took quite long because i only worked on it <engages with quincy> when mentally okay to deal with the themes. i'm not religious#but i do identify with the irrational(?ish) guilt + family legacy + academic achievement + disregard for self. also more complex thoughts#about love [but depsite quincent being a large part of quincy's character this piece deals with mostly the Rest of it. so another time..]#anyways! in the original sketch- the saints had heads bent towards quincy so the halo spikes pointed at him. but this worked better! halos#of the saints implying/creating one for quincy was a concept from the start though. in the show they don't touch him directly here but#differences in mediums i think- i don't have time in an image to craft a narrative so everything has to be happening. also artistic liberty#misc inspiration for this includes stained glass windows. i might have maybe misinterpreted the saint costume but i think i logic-ed it out#as the cloth part following a nun's habit w the hood. and then halo above. the material is also more transparent originally but i had. um.#too much fun painting fabric folds.. if you look closely you can see the basis of faces though behind the cloth; but only the vague shapes#because smth obscurity + inhumanness// cassian is the only one i gave a mouth though. that stems from melliot's post about the saints and#st cassian as spokesperson (<- did research teehee!) that's also how i found out which costume = which saint. speaking of which.#left to right: 'st lucy take my hand' // 'st lawrence give me strength' (presses quincy forward; but hand on shoulder connotates guidance)#/'st cassian help me smile' (quincy's mouth is btwn a grimace and a smile; tilts up at side. also no direct touch bc added insidiousness.)#//'st jude [...] i hope your causes burn' (jude's hand is in two places to show movement- nearing the flame and then snatching back; burnt)#other notes: at the midst of the flame the core is shaped like a human heart /the saints and their wax are all melting like the candle for#fun visual effect and also this way they are even less tangible <real>. perks of painting as a medium i guess. // also insp from icarus?#wax and burning imagery; looking at the halo and rays as parallel to sun that burns. too close to the sun; melting; hurting; hurtling //#candles at bottom are a nod to the frankly gorgeous set// also the entire composition kind of stems from the lyric <what use is a candle if#both ends aren't burning>; the two sides between the concepts of catholic guilt and academic perfection that spur quincy#the halo above (saints and guilt; litanyofthemartyrs) and the 'halo' below (academic papers; insp from choreo for perfect at school)#the papers were originally supposed to be more glowy. but i like the idea of it now being a reflection of how quincy's priorities shift#also of note is that <candle> in centre = quincy; w burning candle + aforementioned heart in flame -> most human; idea of love + passion#last thoughts: kneeling + hands close tgt = prayer //wax dripping onto the red As make an effect that looks like blood. because i like#hiding that within the adamandi pieces :OO continuity!! // i've run out of tags but yeah! had fun with this one! every so often i go a#little insane in making art and the final result astounds even me. ngl i'm quite proud of this one. pretty colours <3333
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tuituipupu · 4 months
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you wanna put your finger my 🍑 yes clip living in my head rent free still.
especially after last week.
credits go to: chachachatytto on ig 🎥
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youredreamingofroo · 4 months
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The Sheep in Wolf's Clothing Onia Dhithos - -
"I will pull at my horns and bruise my flesh until I am born anew, my chest is too warm, I spew warm honey where I want muck. tar. I want to bear the teeth that my father and mother bore. These teeth are not sufficient. I want a bite, and I want it to be more than my words. I want to bite. I want to be the Wolf."
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[ Alt. ver. under the cut ] B/As
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ryuusea · 1 year
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no furniture no problem
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bonefall · 4 months
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OMG intersex Moonpaw with a cleft lip???
I just used it as an example because cleft lips and palates are a really good example of the quirks of bilateral symmetry, BUT I do actually have a cleft lip in BB LMAO
It's Lizardstripe because she got a glow up in BB, is one of the smartest and most competent background characters in the rewrite, and has an expanded friendship with both Bluestar and Yellowfang. I gave her a cleft lip because unironically it is such a cool feature and it deserves a million examples of positivity.
Her son Deerfoot also got it, he also got a glowup as a TigerClan rebel.
I should give it to more cats honestly... and more lip features in general. I love you people whose lips naturally curl above the teeth. I love you people with cleft lips, both severe and minor. I love you people who have had mouth surgery and have visible scars.
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quanblovk · 6 months
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SOMEONE GET THE INSECT REPELLENT-
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myreia · 4 months
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— vi. the last
They stay. They go. Ebbs and flows, as certain as the tide that will take his ship to sea. Their responsibilities take them in different directions. This is the way it has always been, and in truth, they prefer it. Independent to a fault, wanderers in answer to different calls. But the time apart makes the time together all the more sweeter. Goodbye for now does not mean goodbye forever.   Till next we meet.
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medievalthymes · 1 year
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if she’s your girl why did she hold my soul inside her. why can she still taste me on her tongue.
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doortotomorrow · 7 months
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squinoa » "I've come this far because I've...fallen for you." - squall leonhart
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seeksuffertrust · 4 months
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i remain a rat grinders sympathizer now and forever
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eastgaysian · 5 months
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(after spending several minutes standing silently in the corner of your house vaping) it's like kendall and tom are both invested in waystar like that one dril tweet, i spent my whole life trying to take over the sexual violence factory and now everyone's like oh the sexual violence factory is bad its ineffective fuck off. on a fundamental level they can't really conceive of a different way to operate, certainly not without jeopardizing the power and security they're so invested in. (tom is certainly less familiar with/acclimated to the Roy Mindset, but while their perspectives/behaviors are 'extreme' they are not actually incompatible with a kind of everyman pov, and tom is unwilling/unable to challenge the roys' logic.) they can't shake the idea that, essentially, bottoming is gay and unmanly and humiliating, but someone's gotta do it! you can't fuck, you can't get anything done, you can't win with equals and hand stuff doesn't count! and the bottom can't be them, of course, it's always gay and unmanly and humiliating for 'getting fucked' to happen to you, much less to want it. but at the same time they struggle grappling with the coercive implications for various reasons.
so kendall is more directly uncomfortable, but primarily tries to cope by pretending that the coercive implications don't exist if he doesn't look at them and doesn't invoke them himself. at the same time he continually falls back on aggressive patterns of behavior when he's insecure - i'd argue most prominently in his relationship with rava. all while being, uh, bad at fucking in all the ways that count by the show's logic. while tom technically succeeds where kendall fails, but in a way that is unsatisfying, even miserable for him, and reveals how arbitrary this measure of success is. like, principally, tom can more or less stomach the morality, and then can't figure out a way to comfortably navigate the gender-sexuality tangle and stay emotionally secure. point a, the fucked up evil genderplay that is the fabric of tom and shiv's marriage, but point b, like. while tom and kendall are definitely both guilty of saying bizarre homoerotically charged things without blinking an eye, it's important to distinguish that tom seems to only be interested in/can only justify this if there is a coercive implication.
i think i alienated myself from a chunk of the tomposters while succession was airing, but i feel like people didn't consider this or didn't want to? but i think it's a big part of how tom, like, conceptualizes and lives with deviance from (cis)heterosexuality. if it's coercive no one is actually 'gay,' it's about the power dynamic and not the real people involved (haha). enduring the homosocial behavior reinforces the fact that everyone involved is straight, and that this behavior is to some degree expected of straight men in this environment. if it isn't coercive, if anyone involved wants it as anything more than a show of hierarchy, then it's about you as people and you're a freak and you lose. but this 'safe' transactional realm is devoid of the emotional connection that tom very much desires.
anyway, all this to say, transition could save(?) both of them. really bad sad soggy gay sex with each other would make them worse
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possesseddog · 7 months
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pjsk worst card tournament breakdown:
35% “YOU SEE THE LIGHTING IN THE TOP RIGHT??? IT LOOKS LIKE GARBAGE. THE UGLIEST SHIT IN THE WORLD. THIS CARD DESERVES TO BURN IN HELL.”
20% “I fucking HATE neon”
15% “the ugliest fucking thing you’ve seen in your entire life”
15% “what the HELL is this outfit???”
10% “what the HELL is this hair???”
5% “AKITO STOP. IM CALLING THE POLICE.”
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