#between 2 and 3

[azaracyy]

quadruped solidarity

[virgoactias]

reminder that this is shauna months apart

[cozylittleartblog]

Columbo and the Knight (1984)

put me in the universe where Columbo ran through the 1980s and had a crossover episode with Knight Rider. I think they deserved it, and I am not just saying that because they're my two favorite Old Shows. @telebeast wrote a little fanfic blurb about it and I HAD to visualize it into a comic (which is also the longest comic I have finished thus far at five pages...), so writing credit goes to them.

Autism W!

[lamentis-bo]

She's all i can think about man.

[kyo-mei]

Dr Ratio & Aventurine

[clumsypuppy]

trainersona

[vaguely-concerned]

huh. you know something I just consciously put together for the first time about caterina and lucanis' relationship is that through the game we get to hear them talk about each other a lot, but we get very few chances to hear them speak with each other at any length at all. contrast it with other companions whose storylines have elements of 'believed lost/long time no see relative returns!' like bellara and davrin, where we get to see both of them have several pretty in-depth conversations with cyrian and eldrin. hell I think even rook talks with varric longer in the regret prison scene than we ever get to see lucanis and caterina interact directly.

(and when we do see them interact, it's mostly one-sided -- it is, perhaps unsurprisingly, caterina who is doing most of the talking and giving all the orders, as he ruefully observes is her wont after murder of crows. including jumpscaring him with 'you're first talon now btw' and the shocked pikachu face in five acts he goes through in response lmao. perhaps it's more accurate to say that she talks at him and he reacts, than that they talk to each other much.)

it has such an interesting effect too, because in deliberately denying us direct insight or experience and only having this mosaic of description from each of them to go on, as well as forcing us to pay attention to the negative space of what is carefully not said, it's evocative along the same principle that you never actually show the monster in a horror film. if you've read the wigmaker job you have a clearer image of the more uh. worrying elements at play here going in, but there is something fascinatingly insidious and naturalistic in the way it's 'hushed up' in the game itself. she has his complete loyalty both as a member of her house and, more importantly, that of an abused child to a parent figure. he readily admits several times that she's a difficult person to live with, an even more difficult person to be loved by ("even for me. and I was her favourite")... but never once does he actively blame her nor truly conceptualize that he has every right to do so (that he can be angry with her and still love her, because whether he should or not he unavoidably does), or that she might have acted differently than she did, that she made a choice every time to hurt him. even affectionately he speaks of her as a force of nature, an act of god -- something that can't be reasoned or pleaded with or resisted, something you can only hope to navigate with as little pain as possible and pray to survive. let yourself get carried away by the riptide, resisting it will only make it worse. you don't compromise with a hurricane, you just try to find the best shelter you can and cross your fingers while you wait for it to pass and be calm again.

love is that hurricane. you do whatever she asks. you earn her continued affection day by day by never letting her down. you only want the things she tells you it's okay to want and cut everything else away preemptively. ("A wyvern tooth dagger?? I loved wyverns as a boy --Caterina would never let me have one of these, though." and as we have all wept and gnashed our teeth over, it never even OCCURS to him that he's a like thirty-five year old adult man who can buy himself any dagger he wants at any time. she said he couldn't have one. so he'll never have one. that's just how it works. and maybe if Illario could just accept that and find his peace with it like I have, this whole thing wouldn't be so difficult. oh lucanis.)

such is the price -- and the cost -- of being loved by her, it's a loan on which the interest will never stop piling up. you have to keep paying it down in perfection every day if you want to keep it. who got the worse deal there: the grandson who has abandoned everything else in life to live up to that and mostly succeeded, until the day he's so burned out and broken it threatens to no longer be an option, or the grandson who can never seem to scrape together enough worth in her eyes no matter how he begs, borrows or steals it, how he hustles and plays dirty?

one of the worst things that can happen to anyone is to be loved by a selfish god. another one of the worst things that can ever happen to anyone is to not be loved by a selfish god. (hope that helps, boys!) even in betraying everything else, Illario can't bring himself to hurt his grandmother, because that would defeat the whole point. who would he defiantly be proving himself worthy to, without her. in love, devotion, submission, hatred, frustration, bitterness, everything is defined in relation to her, you can spot the gravitational force of it through how the dellamorte family move through time and space. she -- her love and regard and attention -- is still the sun both of their worlds orbit around, even as adults. the game might never tell you outright 'she used to beat and starve them growing up. for their own good you see, so they'd be strong (and broken down enough for her to build them up again however she wanted but I'm sure that's incidental)', but if you know even a little bit about how these dynamics can work the writing is on the wall everywhere you look and all the more unsettling for it.

follow lucanis' freeze-logic and fraught interpersonal catch 22 irreconcilable mixed emotions problems back far enough, looong before the ossuary entered the picture, and you start to see caterina's ghost around every fucking corner. she is so proud of him. (well, she would be. she made him. she forged exactly the knife she needed and it rests willingly, devotedly, in her hands, it would return to her every time because it doesn't know love as anything but to be a knife. his tama never taught him how to be anything else. his biggest fear with her is that she won't even want him back, the way he is now.) to the best ability of her soul, whatever parts of it survived a lifetime of crow politics and 'five children, eight grandchildren, only Illario and me left now', I think she really does loves him. he certainly loves her, with all the sincerity and artless desperation of a child, of the little boy he was once. and what she's done to him (and to illario, for all his shitty gremlin scar-ass antics lol) is awful. the harm is real, and the love is real, and trying to find a way for these two truths to exist in the same space is driving all three of them their own individualized forms of insane. you know. the way only family can and so often does lol.

through implications and short glimpses and having to put the pieces together yourself, you can have the feeling that there is very genuine mutual love and attachment in this relationship... and that beneath that there is something so profoundly wrong. and the sneaking '...oh shit it gets worse the longer I think about it' horror of that is more effective for me at least than the stark in-your-face presentation of the facts of the matter could have been. the love is here. the love is here. it only ever makes it worse.

[poorly-drawn-mdzs]

Lan Wangji Goes To Lotus Pier AU: Part 3: Enveloping Feelings.

(Part 1, Part 2, Part 4)

[druidfolk]

they're kinda my favorite

[alexturntable]

Paul Mescal crashes Charles Leclerc, Carlos Sainz interview at Gladiator II premiere

[natedevereaux]

never gonna stop losing my mind over this scene i fear

[haunted-xander]

Trynna figure out how to draw these girls

[hymnsofheresy]

what are your thoughts on your religion stealing every single one of its holidays from pagans? xo

That in order to relieve themselves of guilt and discomfort, white people create and believe narratives that deprive their European ancestors of any autonomy whatsoever. Casting their ancestors as victims of the church rather than active participants.

[a-scary-lack-of-common-sense]

Meet the Errand Boy.

Team Fortress 2 × Gravity Falls crossover AU because the two canon timelines sorta match, yipeee!!!

------

1971 (2 years after being kicked out at 1969)- Recently turned 19 and short on money, Stanley Pines gets hired by The Administrator as MANN.CO's errand boy alongside Miss Pauling (since the latter was falling behind on her work due to her excessive overworking).

He is saddled with various grunt work such as accompanying Miss Pauling to her arrands of burying bodies, killing and eliminating witnesses; delivering supplies and packages to the mercenary teams; and occasionally even gets to replace some of them for a few battles if they happen to be unavailable on short notice!

[bigfootsboytoy]

Steve ends up heartbroken, lonely and depressed after season 2. Nancy called him bullshit, even after he ditched all his old friends for her. Billy Hargrove took his spot at the top of the food chain. He can have it, Steve doesn't really want it anymore. But Steve does want to find some sort of connection. Someone to have in his life who isn't an 11 year old kid he barely knows. He tries to go on a date one night, take a nice-seeming girl to a party. He wants to find connection, to kill the loneliness that's been building for months, but just as he's feeling kind of good about things, his date ditches him.

So. He decides to drink his feelings. He gets majorly fucked up, and ends up laying on the ground in the backyard, contemplating how much life seems to hate him.

Only to literally get tripped over by Eddie Munson, who was at this party selling pot and is very confused as to why Steve Harrington is alone on the ground with a bottle of vodka clenched in one hand.

Eddie ends up chatting a little with Steve, nothing substantial, but enough to know that Steve is very very drunk, and also very very sad.

He asks if Steve wants to go back to the party, and Steve staunchly refuses. He doesn't want to be around a bunch of annoyingly happy people.

He asks if Steve needs a ride home, and Steve just kind of shrugs. His parents just left for another trip, so home is kind of depressing right now too. But he doesn't exactly have any other friends he can stay with so. Home it'll have to be.

Only Eddie can *tell* he doesn't really want to go home, though he has no idea why Steve wouldn't want to return to his veritable mansion after a shitty night. The reason doesn't matter much. He offers to let Steve crash at his place. Steve can take the couch, or hell he can stay in Eddie's room if he doesn't mind sharing, that way he wouldn't risk being woken up when Wayne comes home that morning.

And well, Steve agrees. Can't think of any reason not too. Munson has been nice so far, he's got a good easy-going energy that Steve likes. Why not stay the night.

By the time they get to Eddie's, Steve is *slightly* more sober. Not much, but he's slurring his words a little less, and he can walk with only a little help.

Eddie grabs them each a little plate of leftovers, because he has no idea if Steve's eaten at all. It's quiet while they eat, Eddie doesn't push Steve to talk, and Steve isn't sure what to say. Eventually Eddie sets the plates aside and give Steve an easy grin.

"So, do you want the couch, or are you crashing with me?"

Steve thinks about it for a while. He hasn't shared a bed with a guy-friend since he was a kid, and he's heard rumors about Eddie, whispers in the hall about the way he looks at other guys. But...Steve can't really bring himself to care. He's tired, and he really doesn't want to be alone.

"I don't mind sharing."

Eddie sets them both up in his room, letting Steve choose which side of the bed he wants, and they both settle in. There's a respectable distance between the two of them, and Eddie says a quick goodnight to Steve, figures they won't talk and just go right to bed.

Except Steve isn't sober, and he really isn't in a good headspace, so he can't stop himself from blurting things out into the quiet of the dark room.

"Are you really gay?"

Eddie stiffens next to him, he can feel it, he can hear the way that the other boys breath cuts off and he seems to stop breathing all-together.

"It's okay if you are, I'm not going to be an asshole about it, I'm trying not to be that guy anymore. I guess I was just curious."

It's quiet for another beat before Eddie seems to loosen just a little. He starts breathing again at least.

"Yeah I uh- I am. Gay. And if that's weird the couch is still open, I can-"

"It's not weird."

"Okay."

Steve let's himself mull over this confirmation, and then his mouth starts moving again, without his permission.

"Is it lonely? Cause I mean, it's got to be hard to date in Hawkins. People here are shitty. Unless you've got like, a secret boyfriend or something."

"No...no secret boyfriend. It does get a little lonely sometimes. I'm lucky though, I've got my uncle, and my friends are pretty great. That's enough most days."

"What do you do when it's not enough?"

"Hmmm?"

"When your uncle and friends aren't enough, what do you do? To try and...make it better?"

Eddie is quiet again for a long stretch before he shrugs.

"I try to focus on something else. I'll play my guitar or work on a new campaign, read a book. Something to take my mind off it."

"Oh."

Now Steve is the one who seems tense, his jaw is tight and he's got his arms wrapped around himself. His next words come out as a whisper, but Eddie manages to catch them.

"I don't know how to do any of that."

He sounds almost choked, and Eddie is caught off guard. He's never seen Steve Harrington as anything other than solid, as happy. He's the king, after all. He's supposed to be all smiles and great hair. Only...Eddie's noticed that he hasn't hung out with his old friends lately, that he's eaten alone at lunch too many times to be anything other than strange.

"Steve...are you lonely?"

Eddie expects a denial, for Steve to laugh it off and tell Eddie that he's perfectly fine and fulfilled. Or maybe he expects a shrug, a non-answer. What he doesn't expect is the gut-wrenching sob that seems to tear past the other boys lips.

He doesn't expect to turn and see Steve Harrington's face, a scant foot from his, shining with tears.

He panics a little at the sight.

"Fuck- I'm so sorry-"

"Don't be." Steve tries to wipe his eyes, to hide the tremble in his voice. "Not your fault there's something wrong with me."

"What do you mean?"

"It's like I'm broken man, like nobody can stand to be around me. Tommy and Carol hate me now, Nancy- hell even my own parents hate being at home with me for more than a week. It's like I'm repellent or something. Couldn't even get a date to stick around for a whole night."

And Eddie's pretty sure *he* might start crying now. He'd never have expected this much from Steve, all that sadness to come pouring out. It wouldn't have happened if Steve was completely sober. Without thinking, he reaches out.

Eddie puts a hand on Steve's shoulder and waits to see if the touch gets rejected, but Steve seems to lean into him, so he lets his hand linger.

"This probably won't help, but I don't think you're repellent. And that's coming from somebody who your whole group used to torture. I don't know much about you, but I kind of liked having you around tonight."

"Yeah?"

"Yeah."

Steve gives him a tiny smile. His eyes are still wet with tears, and the smile doesn't come close to reaching them. He seems impossibly small here in Eddie's bed.

"I don't know man. I just wish-"

He cuts himself off, apparently deciding his words are too far, but Eddie urges him to keep talking.

"What do you wish Steve?"

"I just wish that... there was somebody out there I could have a future with. Somebody who actually loved me, you know?"

It might be the saddest thing Eddie's ever heard, and he blames that fact for what he does next.

He takes his hand off Steve's shoulders and instead hauls Steve closer to him, fitting the other boy against his chest and wrapping his arms around him. It's a move that might get him decked, but he doesn't think it will. And he'll be damned if he doesn't hug Steve right that second.

He doesn't get hit. Steve tenses for a second, but it's just that one instant before he's melting into the embrace.

Eddie feels more tears falling against his shirt, and he couldn't care less. He keeps Steve close, let's him cry into his chest, runs a hand through that famous mop of hair.

He isn't sure how long it takes for Steve to calm down, but eventually he does. His breathing evens out, and he shivers a little before speaking.

"Thanks man."

And Eddie takes another leap of faith.

"I could be that person, you know."

"What?"

"I mean. You know Im... not straight. It may not be exactly what you're wanting but. I think I could picture a future with you. If you want to, just for tonight...I could be that someone who loves you."

Steve looks at Eddie, like he's a puzzle that he needs to solve, before a other shiver seems to wrack his body.

"Just for tonight?"

It comes out as a whisper, but Eddie hears it all the same.

"Yeah. For tonight Steve."

"I think...I think I'd like that."

Eddie gives him the sweetest smile he can muster, and nods.

"Alright sweetheart."

Eddie isn't exactly sure what it means, to love Steve for the night. After all, Steve is straight. He figures it doesn't matter much though, it's only for a night.

He keeps a hold on Steve, let's him get comfortable tucked against Eddie, and he does what feels natural. He runs a hand up and down Steve's spine, traces shapes into the soft fabric of his shirt. He tangles their legs together, and in a moment of insane bravery he presses a kiss to the top of Steve's head.

He's met with a sigh, full of relief, and figures he's on the right track.

"Just close your eyes Stevie, I've got you."

"Can you tell me about it?"

"Hmmm?"

"The future. You said you could see one. Can you tell me?"

And he asks so carefully, he sounds almost afraid, Eddie can't say no to that.

"Do you want the fantasy future, or the realistic future?"

"The real one."

"Alright then. Well, if I'm not going to be a rich and famous rockstar...I'll probably graduate and get a job somewhere in town. A real job, maybe working on cars or something. I'm good with cars. You'd come over all the time, have dinners with me and with Wayne. You'd have to meet Wayne. And we'd have more nights like this, sleeping close."

Steve let's out a pleased sounding hum, and shifts his face so it's buried even closer in Eddie's neck. He can feel Steve's breath on him.

"We could save up money and get a little place together, somewhere outside Hawkins. I have to stay kind of close, for my uncle, but maybe Indy?"

Steve nods, mutters something about staying close 'just in case'. He sounds like he might fall asleep, so Eddie keeps going.

"We could get an apartment, nothing too fancy. We would get two rooms, so nobody gets suspicious, but we would share a bed most nights. I'd play with my band on weekends, just for fun, and you'd join some little local sports team. I'd make sure to schedule DND nights so that I never miss a single game, even though I don't understand a damn thing about sports. We would come home for holidays, but most of the time it would just be us. I'd take good care of you, make sure you never go more than a few hours without me telling you I love you. I'll show up wherever you're working just to give you a hug and a kiss, and make sure you don't forget it. And I'll annoy the hell out of, but you won't mind too much, because I'll make you happy too."

Eddie can think of more. He can think about so many things. How he could give Steve one of his rings, even if they couldn't legally get married, even if Steve would never want that. Just as another reminder that he's loved. They could take trips together and go out to parties where Steve will never have to worry about getting ditched. Eddie doesn't do things halfway, and he has a hell of an imagination. He could picture them growing old together, if he tried, if he let himself. But this is just for tonight, so he doesn't. Instead he runs a hand through Steve's hair again, and listens to his quiet breathing. He thinks he may have fallen asleep, but he's wrong.

"That sounds nice."

It comes out muffled, spoken into Eddie's neck, but he manages to make it out, and he let's the vibration of it sink into his skin.

*It's only for tonight.*

He has to remind himself, because Steve is just feeling lonely. He doesn't want that future with Eddie, he just wants to feel loved.

But even if it's just pretend, just to help Steve for a few hours, he's okay with that.

Steve may think he's broken, but Eddie thinks he would be easy to love for a long time. Loving him for one night is nothing. He doesn't even have to try.

Tomorrow Steve will wake up sober, and he'll thank Eddie for letting him stay over, and they won't talk about it. Eddie will drive Steve back to his car in silence, and they'll say their goodbyes. They may not talk ever again, they never had before.

But for tonight? Eddie Munson will love Steve Harrington, and Steve? He'll let himself be loved, let himself beleive it. And he'll love Eddie right back.

Just for one night.

And if Steve ever needs it again? Eddie will love him for another night. And Steve will give that love right back. He's got plenty to spare, after all. And there's far worse people he could share it with.

[vypridae]

@kevin-ibw’s moon is basically a contortionist with the silly ways he can bend their body

+ no shading vers: