BEANSONBREAD AWARDS 2022 - BEST SONG
AWARD NO.5 - BEST SONG OF 2022
PAST WINNERS
2021 > Self Esteem ‘Prioritise Pleasure’ (see full list HERE)
2020 > Jockstrap ‘Acid’ (see full list HERE)
2019 > Weyes Blood ‘Andromeda’ (see full list HERE)
2018 > Let’s Eat Grandma ‘It’s Not Just Me’ (see full list HERE)
2017 > Richard Dawson ‘Ogre’ (see full list HERE)
2016 > Solange ‘Cranes In the Sky’ (see full list HERE)
2015 > Kendrick Lamar ‘The Blacker The Berry’ (see full list HERE)
2014 > FKA Twigs ‘Two Weeks’ (see full list HERE)
2013 > Oliver Wilde ‘Perrett’s Brook’ (see full list HERE)
2010 > Untold ‘Stop What You’re Doing (James Blake Remix) (see full list HERE)
2009 > Joker - ‘Digidesign’ (see full list HERE)
2008 > Lil’ Wayne - ‘A Milli’ (see full list HERE)
2007 > Panda Bear - ‘Bros’ (see full list HERE)
2006 > Hot Chip - ‘Over And Over’ (see full list HERE)
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RULES - A maximum of THREE tracks from any one artist. Songs can be tied in the same position.
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*SPOTIFY PLAYLIST WITH (ALMOST) ALL THE TRACKS*
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THE RUNNERS UP (in alphabetical order)..
100 Gecs ‘Doritos & Fritos’
A$AP Rocky ‘Shittin’ Me’
Alabaster DePlume ‘Don’t Forget You’re Precious’ / ‘Mrs Calamari’
Aldous Harding ‘Tick Tock’ / ‘Fever’
Alex G ‘Mission’
Alvvays ‘Pharmacist’
Angel Olsen ‘Big Time’ / ‘Ghost On’
Animal Collective ‘Walker’
Bar Italia ‘Banks’ / ‘Miracle Crush’
Bas Jan ‘Progressive Causes’ / ‘Sex Cult’
Batu ‘Atavism’
Beabadoobee ‘The Perfect Pair’
Beyonce ‘Alien Superstar’ / ‘Cuff It’
Bjork ‘Ovule’ / ‘Atopos’ / ’Ancestress’
Black Country, New Road ‘Chaos Space Marine’ / ‘Bread Song’ / ‘Basketball Shoes’
Black Midi ‘Still’ / ‘The Defence’
Blanck Mass ‘Italia ‘90’
Bolis Pupul ‘Neon Buddha’
Alan Braxe + DJ Falcon feat. Panda Bear ‘Step By Step’
Brockhampton ‘Big Pussy’
Caroline ‘Dark Blue’ / ‘Good Morning (Red)’
Caroline Polachek ‘Sunset’ / ‘Welcome To My Island’
Cate Le Bon ‘Moderation’ / ‘Harbour’ / ‘Running Away’
CHAI ‘Whole’ / ‘Hero Journey (feat. Superorganism)’
Charli XCX ‘Beg For You (feat. Rina Sawayama)’
Charlotte Adigery & Bolis Pupul ‘HAHA’ / ‘Mantra’
Crack Cloud ‘Costly Engineered Illusion’
Cryalot ‘Hell Is Here’ / ‘Hurt Me’
Dagger Brothers ‘That’s Magic’
Dean Blunt, Skepta, Novelist, A$AP Rocky ‘London Tonight Freestyle’
Delifinger ‘I Don’t Even Want To Know’
Denzel Curry ‘Walkin’
Dick Dent ‘Fun Times’
Divorce ‘Checking Out’
Dorian Electra ‘My Agenda (Anamanaguchi Remix)’
Dry Cleaning ‘Kwenchy Kups’ / ‘Gary Ashby’
Eartheater ‘Mitosis’
EASYFUN ‘Audio’
El Michels Affair & Piya Malik ‘Kabhi’
Ernold Same ‘The Reader’
Felicita & Kero Kero Bonito ‘Cluck’
Fences & Bonnie Prince Billy ‘Sympathy For The Devil’
The Financial Year ‘Serpenti’
FKA Twigs ‘Meta Angel’ / ‘Oh My Love’ / ‘Honda (feat. Pa Salieu)’
FLO ‘Cardboard Box’
FLOHIO ‘SPF’
Gabriels ‘One And Only’
Group Listening ‘Hollywood Dream Trip’ / ‘All Of A Sudden’
Gruff Rhys ‘People Are Pissed’
Hannah Diamond ‘Staring At The Ceiling’
Hercules & Love Affair feat. ANOHNI ‘Poisonous Storytelling’ (Giant Swan remix)’
Hot Chip ‘Eleanor’ / ‘Broken’
Hudson Mohawke ‘Intentions’ / ‘Bicstan’
John Cale & Weyes Blood ‘Story Of Blood’
JPEGMAFIA ‘Hazard Duty Pay!’
KAINA ‘Apple’
Kate NV ‘Early Bird’ / ‘Oni (They)’
Katy J Pearson ‘Talk Over Town’ / ‘Howl’ / ‘Float’
Kelela ‘Happy Ending’ / ‘On The Run’
Kelli Blanchett ‘Peaceful When You Sleep’
Kendrick Lamar ‘N95’ / ‘The Heart Part 5’
Kinlaw & Franco Franco ‘Crocs On The Plough’
Let’s Eat Grandma ‘Happy New Year’
Little Simz ‘Gorilla’ / ‘Broken’
Lizzo ‘About Damn Time’
Max Tundra ‘MBGATE (Kero Kero Bonito remix)’ / ‘Lights (A.G. Cook remix)’
Mura Masa, Lil Uzi Vert, PainkPantheress & Shygirl ‘Bbycakes’
NANORAY ‘Endless Higanbana’
Nilufer Yanya ‘Shameless’ / ‘Stabilise’
Panda Bear & Sonic Boom ‘Gettin’ To The Point’ / ‘Go On’
Pet Simmers ‘Sonder’ / ‘Edge Lord’ / ‘Stream Friendly Play Shifter’
Phoenix (feat. Ezra Koenig) ‘Tonight’
Pictish Trail ‘Natural Successor’
PinkPantheress ‘Do You Miss Me?’
Planet 1999 ‘Crush’
Pozi ‘Slightly Shaking Cells’
Pusha T ‘Diet Coke’
Richard Dawson ‘Thicker Than Water’
Robbie & Mona ‘Clapback’ / ‘Sherry Prada’
Rosalia ‘Saoko’ / ‘Delirio De Grandeza’
Rozi Plain ‘Agreeing For Two’ / ‘Help’
SAULT ‘Time Is Precious’
Savage Mansion ‘The Crucible’ / ‘Football Weather’
SCALPING (feat. DÆMON) ‘Tether’
Self Esteem ‘The Process’
Seraphina Simone ‘Milk Teeth’ / ‘Lovesick’
Shygirl ‘Nike’ / ‘Coochie (A Bedtime Story)’
The Smile ‘You Will Never Work In Television Again’
Snoop Dogg ‘Crip Ya Enthusiasm’
Sobs ‘Air Guita’
Soccer Mommy ‘Bones’ / ‘Shotgun’
Soft Lad ‘2 Know U Betta’
Sorry ‘There’s So Many People That Want To Be Loved’
Special Interest ‘Midnight Legend’ / ‘(Herman’s) House’
Spiritualized ‘The Mainline Song / The Lockdown Song’
Steve Lacy ‘Helmet’ / ‘Bad Habit’
Sudan Archives ‘Ciara’
Sweet Baboo ‘Hopeless’
Syd (feat. Lucky Daye) ‘CYBAH’
SZA ‘Shirt’ / ‘Kill Bill’
Tim Heidecker ‘Buddy’
Tirzah ‘Ribs’
Warmduscher ‘Fatso’
The Weeknd ‘Gasoline’ / ‘How Do I Make You Love Me?’ / ‘Take My Breath’
Wesley Gonzalez ‘A Taste Of Something New’ / ‘Greater Expectations (feat. Rose Elinor Dougall)’
Weston Allen ‘Girls From The Parking Lot’
Wet Leg ‘Being In Love’ / ‘Angelica’
Weyes Blood ‘Children Of The Empire’
Yama Warashi ‘Makkuroi Mizu’
Yeah Yeah Yeahs & Perfume Genius ‘Spitting Off The Edge Of The World’
Yeule ‘Bites On My Neck’
Young Fathers ‘Geronimo’
Zoee ‘Microwave (Voka Gentle rework)’
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THE TOP 25 SONGS OF 2022
25. Tim Heidecker ‘Sirens Of Titan’
24. Panoram ‘Wandering Frames’
23. HAIM ‘Lost Track’
22. Panda Bear & Sonic Boom ‘Edge Of The Edge’
21. Charli XCX ‘Baby’
20. Animal Collective ‘Strung With Everything’
19. Charlotte Adigery & Bolis Pupul ‘It Hit Me’
18. Pictish Trail ‘Remote Control’
17. Sudan Archives ‘Selfish Soul’
16. Dry Cleaning ‘Anna Calls From The Arctic’
15. Steve Mason & Javed Bashir ‘No More’
14. Young Fathers ‘I Saw’
13. Alex G ‘Runner’
12. Weyes Blood ‘Grapevine’
11. Self Esteem ‘The 345 (acoustic version)’
10. Richard Dawson ‘The Fool’
9. Death’s Dynamic Shroud ‘Judgment Bolt’
8. Arctic Monkeys ‘They’d Better Be A Mirrorball’ / ‘Body Paint’
7. Black Midi ‘Welcome To Hell’
6. Weyes Blood ‘It’s Not Just Me, It’s Everybody’
5. Jockstrap ‘Greatest Hits’
4. Caroline Polachek ‘Billions’
3. Jockstrap ‘Glasgow’
2. Richard Dawson ‘The Hermit’
1. Jockstrap ‘Concrete Over Water’
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Is It Supposed / Hudson Mohawke (in Cry Sugar, Warp Records, 2022)
Hudson Mohawke embraces dystopian trash-pop imagery on his first album in seven years, maintaining his trademark clarity while bleeding and oozing over a larger canvas than ever.
Hudson Mohawke lives in L.A. now, and he’s fallen head over heels for the American tradition of dystopian trash-pop imagery. The video for a megamix of tracks he released in advance of his third album, Cry Sugar, shows us a CGI scene of a man cruising down the Pacific Coast Highway with an assortment of Mos Eisley-worthy weirdos and an animated woman so buxom she appears warped. It looks like Grand Theft Auto and Randy Newman’s “I Love L.A.” video at once, run through the brain-fried filter of Kuso, Tim & Eric, and Adult Swim’s Off the Air. The cover by Willehad Eilers features the Stay-Puft Marshmallow Man from Ghostbusters horking down a hamburger. In a city whose hills host the Hollywood sign, the Griffith Observatory, and an alarming regularity of smoke-belching infernos, it’s hard not to find the humor—and the horror—in this aesthetic.
The Scottish producer born Ross Birchard cites “American decadence” and the “quintessential backdrop of late capitalism” as an inspiration for his first solo album in seven years. Cry Sugar isn’t a polemic or satire, but it strikes some of the same notes as Idiocracy or Robocop, in which everything is so big, garish, and dumb it’s almost psychedelic. It’s full of moments that seem distasteful at first until you realize that’s exactly the point. Clarence Coffee Jr.’s rasp initially seems at odds with the music’s polymer-like textures, but he strikes the right note on “Bow” with crass, unsubtle lines like, “Now you walk around all stank-face like you need some Febreze!” Gospel samples abound, and when the choir rises up and screams “Freedom!” on “Intentions,” you might wonder if Birchard knows how cheesy it sounds—until the rest of the album makes it abundantly clear that he does.
Birchard’s style has long lent itself to adjectives like “colorful” and “neon.” But while his sharp shares and tightly quantized beats usually bring a sense of order to the mayhem, Cry Sugar spills all over the place, and the time-stretching and pitch-shifting Birchard slathers on his samples make them sound like they’re melting under the pitiless Southern California sun. Tobacco and Neon Indian go for a similar effect in their work, but while those Day-Glo detritus-diggers tend to choke their tracks in thick production smog, Cry Sugar retains the clarity of Birchard’s earlier music, sometimes giving the impression of a sturdy steel skeleton whose flesh is melting off. “Intentions,” “Bicstan,” and “Dance Forever” are absolute monsters that approach the same almost ridiculous level of intensity as TNGHT’s definitive “Higher Ground” while clearly being born from a more expressionistic corner of Birchard’s brain.
Cry Sugar is Birchard’s longest album by some measure, with 19 tracks that bleed and ooze across 63 minutes. But it’s not long in the way of some bloated event-rap album, rather in the way of great electronic long-players like Since I Left You or Geogaddi, where so much awesome shit happens that you grow excited about what comes next even when the album starts to drag. Most of Cry Sugar’s tracks are around two or three minutes long, but Birchard judiciously breaks up the flow with lengthier cuts, and they’re doozies. “Is It Supposed” is either building towards nothing or climaxing for six minutes, its wistful rave melody sparkling like a firework that refuses to extinguish. “Rain Shadow” is so rhythmically tricky that it eventually stops sounding like a banger and takes on a sort of insectoid beauty. “Lonely Days” is all strings and Westian melodrama.
My personal favorite, though, is “Stump,” one of the first songs from Cry Sugar to see the light of day. It sounds like Richard Strauss’ Also sprach Zarathustra*—*the tone poem used in 2001: A Space Odyssey to soundtrack mankind’s ascent into the higher realms of sentience—for about two seconds. Then Birchard plays a chord so dissonant the high drama immediately curdles into a joke, as if the starchild has missed its path back to Earth and gone plop into the surface of the sun. It’s exactly the kind of unexpected, pessimistic, profoundly ridiculous sound gag that Cry Sugar delivers one after another, adding up to the funniest, most mind-twisting album Birchard’s ever made.
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