#bit interesting isnt it

[nutmeggery]

Crowley is Lucifer theory - why it makes sense and also why it doesn't

You've probably seen the Crowley Lucifer theory going around. I did and I thought about it.

Possible clues:

We know Crowley was a high ranking angel from s2 through a few clues:

Crowley opening the file.

Crowley asking "how do you know I didn't do it?" when Shax says a miracle only the most powerful of archangels could have performed happened at the bookshop.

There is also the possible clue of Metatron saying that two princes of Heaven falling to hell would be a problem during Gabriel's trial. We can guess the prince of Heaven was Lucifer because, well, the bible. But that's not enough to think it's Crowley, though.

However!

In s1 Crowley says something along the lines "I was just minding my own business then suddenly it's Lucifer and the guys."

So the question is: why would Crowley be part of Lucy's guys if he was just minding his own business? Wouldn't it make more sense that others just started following Crowley because they liked his questioning of authority and just general vibe back then?

(Crowley is also the only character to say the name Lucifer in the show so far.)

In s2 Crowley says the iconic line, "let there be light." And started the universe. Now, isn't Lucifer the light bringer?

Crowley is also the serpent in the garden of Eden, and wasn't that also the devil, Lucifer after the fall?

But, of course, there's the elephant in the room;

Crowley is not Satan, the current ruler of hell.

We've seen Satan. Big, red guy. Definitely not Crowley.

We know Satan rules hell. Traditionally, in bible-fiction media, Lucifer and Satan are the same being. But Good Omens does like to differ from actual bible lore. Like the archangels being high rank and in charge when archangels are not, according to tradition, that highly ranked. Gaimen and Pratchett did mention that the archangels in Good Omens are not the same type of archangel as traditionan. So we know they played around with the lore.

Then, why not have Satan and Lucifer be two different beings as well?

Also note that in the show, the ruler of hell is always referred to as Satan. Never as Lucifer.

Could that be a clue? Is the show telling us Satan and Lucifer are not necessarily the same being?

Crowley doesn't seem interested in ruling hell, or even becoming a grand duke of hell like Beelzebub or Hastur. So wouldn't it make sense that Crowley would let someone else rule hell even if he was technically one of the most powerful demons? or maybe Satan overpowered him. But not being interested in ruling seems more consistent with Crowley's personality.

Then again, having Satan and Lucifer be different beings does seem strange. Why would they (Neil and Terry) do that?

Would Crowley being Lucifer matter?

Probably not. But we don't entirely know how s3 is supposed to pan out. So who knows, really.

Could just be something for us fans to speculate about that will never be confirmed or denied.

Or it could be a big twist that will matter in the end.

But what do you think?

Do you think Crowley could be Lucifer?

Any other clues for or against that I missed?

I should say I wasn't brought up on bible verses or a religious family so my bible knowledge is not the most advanced and I'm sure others know way more stuff that can either lend credence to the theory or destroy it.

[wu-does-art]

thinking about Nico adjusting to letting himself miss and long for the people he loves. based on these bits from the sun and the star:

" As Nico and Will followed the trogs, he thought about how much he missed Hazel. He was learning to make peace with that feeling. It was okay for him to miss people because that meant he wanted them around in his life. That idea was *very* new for him- he was used to either pushing people away or watching them recoil from his presence." *

" That was the most surreal thing of all... Was he happy? Nico wasn't very familiar with the sensation, but he couldn't deny that he felt wonderful in Will's presence. He even longed for the son of Apollo when they were apart. A funny thing had happened as the two grew closer: Nico suddenly understood all those cheesy, sappy love songs he'd always hated."

[chilly-lily]

hmmmmmmmmmmmmm.

[hazelnutnebula]

looking for something, little rat~?? ❤️✨

[starry-bi-sky]

i need to get this out of my head before i continue clone^2 but danny being the first batkid. Like, standard procedure stuff: his parents and sister die, danny ends up with Vlad Masters. He drags him along to stereotypical galas and stuff; Danny is not having a good time.

He ends up going to one of the Wayne Galas being hosted ever since elusive Bruce Wayne has returned to Gotham. Vlad is crowing about having this opportunity as he's been wanting to sink his claws into the company for a long while now. Danny is too busy grieving to care what he wants.

And like most Galas, once Vlad is done showing him off to the other socialites and the like, he disappears. Off to a dark corner, or to one of the many balconies; doesn't matter. There he runs into said star of the show, Bruce who is still young, has been Batman for at least a year at this point, but still getting used to all these damn people and socializing. He's stepped off to hide for a few minutes before stepping back into the shark tank.

And he runs into a kid with circles under his eyes and a dull gleam in them. Familiar, like looking into a mirror.

Danny tries to excuse himself, he hasn't stopped crying since his parents died and it's been months. He rubs his eyes and stands up, and stumbles over a half-hearted apology to Mister Wayne. Some of Vlad's etiquette lessons kicking in.

Bruce is awkward, but he softens. "That's alright, lad," he says, pulling up some of that Brucie Wayne confidence, "I was just coming out here to get some fresh air."

There's a little pressing; Bruce asks who he's here with, Danny says, voice quiet and grief-stricken, that he's with his godfather Vlad Masters. Bruce asks him if he knows where he is, and Danny tells him he does. Bruce offers to leave, Danny tells him to do whatever he wants.

It ends with Bruce staying, standing off to the side with Danny in silence. Neither of them say a word, and Danny eventually leaves first in that same silence.

Bruce looks into Vlad Masters after everything is over, his interest piqued. He finds news about him taking in Danny Fenton: he looks into Danny Fenton. He finds news articles about his parents' deaths, their occupations, everything he can get his hands on.

At the next gala, he sees Danny again. And he looks the same as ever: quiet like a ghost, just as pale, and full of grief. Bruce sits in silence with him again for nearly ten minutes before he strikes a conversation.

"Do you like to do anything?"

Nothing. Just silence.

Bruce isn't quite sure what to do: comfort is not his forte, and Danny doesn't know him. He's smart enough to know that. So he starts talking about other things; anything he can think of that Brucie Wayne might say, that also wasn't inappropriate for a kid to hear.

Danny says nothing the entire time, and is again the first to leave.

Bruce watches from a distance as he intercts with Vlad Masters; how Vlad Masters interacts with him. He doesn't like what he sees: Vlad Masters keeps a hand on Danny's shoulder like one would hold onto the collar of a dog. He parades him around like a trophy he won.

And there are moments, when someone gets too close or when someone tries to shake Danny's hand, of deep possessiveness that flints over Vlad Masters' eyes. Like a dragon guarding a horde.

He plays the act of doting godfather well: but Bruce knows a liar when he sees one. Like recognizes like.

Danny is dull-eyed and blank faced the entire time; he looks miserable.

So Bruce tries to host more parties; if only so that he can talk to Danny alone. Vlad seems all too happy to attend, toting Danny along like a ribbon, and on the dot every hour, Danny slips away to somewhere to hide. Bruce appears twenty minutes later.

"I was looking into your godfather's company," he says one night, trying to think of more things to say. Some nights all they do is sit in silence. "Some of my shareholders were thinking of partnering up--"

"Don't."

He stops. Danny hardly says a word to him, he doesn't even look at him -- he's sitting on the ground, his head in his knees. Like he's trying to hide from the world. But he's looking, blue eyes piercing up at Bruce.

Bruce tilts his head, practiced puppy-like. "Pardon?"

"Don't." Danny says, strongly. "Don't make any deals with Vlad."

It's the most words Danny's spoken to him, and there's a look in his eyes like a candle finding its spark. Something hard. Bruce presses further, "And why is that?"

The spark flutters, and flushes out. Danny blinks like he's coming out of a trance, and slumps back into himself. "Just don't."

Bruce stares at him, thoughtful, before looking away. "Alright. I won't."

And they fall back into silence.

Danny, when he leaves, turns to look at Bruce, "I mean it." He says; soft like he's telling a secret, "Don't make any deals with him. Don't be alone with him. Don't work with him."

He's scampered away before Bruce can question him further.

(He never planned on working with Vlad Masters and his company; he's done his research. He's seen the misfortune. But nothing ever leads back to him. There's no evidence of anything. But Danny knows something.)

At their next meeting, Danny starts the conversation. It's new, and it's welcomed. He says, cutting through their five minute quiet, that he likes stars. And he doesn't like that he can't see them in Gotham.

Bruce hums in interest, and Danny continues talking. It's as if floodgates had been opened, and as Bruce takes a sip of his wine, it tastes like victory.

("Tucker told me once--") ("Tucker?") ("Oh-- uh, one of my best friends. He's a tech geek. We haven't talked in a while.")

(Danny shut down in his grief -- his friends are worried, but can't reach him. When he goes back to the manor with Vlad, he fishes out his phone and sends them a message.)

(They are ecstatic to hear from him.)

It all culminates until one day, when Danny is leaving to go back inside, that Bruce speaks up. "You know," He says, leaning against the railing. "The manor has many rooms; plenty of space for a guest."

The implication there, hidden between the lines. And Danny is smart, he looks at Bruce with a sharp glean in his eyes, and he nods. "Good to know."

The next time they see each other, Danny has something in his hands. "Can you hold onto something for me?" He asks.

When Bruce agrees, Danny places a pearl into his palm. or, at least, it's something that looks like a pearl. Because it's cold to the touch; sinking into Bruce's white silk gloves with ease and shimmering like an opal. It moves a little as it settles into his hand, and the moves like its full of liquid.

Bruce has never seen anything like it before, but he does know this; it's not human. "What is it?" He asks, and Danny looks uncomfortable.

"I can't tell you that." He says, shifting on his foot like he's scared of someone seeing it. "But please be careful with it. Treat it like it's extremely fragile."

When Bruce gets home, he puts it in an empty ring box and hides the box in the cave. He tries researching into what it is. he can't find anything concrete.

Everything comes to a head one day when Danny appears at the manor's doorstep one evening, soaking wet in the rain, and bleeding from the side.

[humans-are-tasty]

inspired by this post

[grimalkinmessor]

Just to put a lot of my posts and beliefs about Light Yagami's character in one post (headcanons not included):

• He does not do anything for purely moral reasons. The reason he started killing criminals was because he was curious, and then afterward his "crusade" was built from panic and spite. He thought using the Death Note was going to kill him, so he decided to take everyone he considered a threat to society down with him—that way he would still be good. He would still be remembered. If he can't live, then criminals don't deserve to either. The weight loss and the insomnia shown in the manga, were more likely results of a fear of dying than moral stress.

• Then Light discovers he won't die. This negates part of the spite, but not the need for a moral justification to keep himself "good". He no longer needs to be a martyr, so instead he's chosen to become a God.

• During this week and half of time, Light goes from being a bored, lonely, listless teenager disgusted with the world because it's not how his father taught him it should be, disgusted because if he can manage perfection why can't the rest of the world—to a boy with a new friend and a new mission that gives him purpose. Something interesting. If the world can't be perfect on its own, he'll have to help it. The world needs his help, making him its "savior".

• In comes L. It is no longer about Kira, no longer about saving the world from itself, even if he might tell himself it is—it's about the game. Kira was a fun pastime, yes, but L has made things so much more interesting. (Light and Ryuk are actually wildly similar in several ways it's just not immediately obvious). This game is more fun, too, because this time he has an opponent—one not so nebulous as "the criminals of the world", who offered no challenge. Light is still justifying his actions through a lens of morality, because he has to, but they're beginning to run rather thin.

• Both the broadcast and the obvious taunts to L through changing Kira's killing methods supports the above. "You're too stupid, L. If you were just a little smarter, we could've had some fun." Drawing L in was to progress their game, not Kira's goals. If Light truly only cared about Kira's vision, Kira's new world, Kira's righteous justice; then he wouldn't have continued to play the game after the broadcast. There was no way for L to find him without Light drawing him in—the Death Note is literally the perfect murder weapon. Light knew this, he just ignored it because he wanted to play.

• In the same vein: Yotsuba Light doesn't know he's playing the game. He's forgotten that there even is a game, and so he sees L as someone who's been duped, who either isn't as intelligent as he's been made out to seem, or someone who's being purposefully cruel just because he can. Either way, to Yotsuba Light, L's threat level has only increased, because Light no longer has any sort of weapon to go against him with. He can't even wield his own innocence against him, because his innocence is not certain. Even to himself. Yotsuba Light knows that he has to play along with L's plays of friendship and morality in order to secure his freedom, but he does not respect L or like him. At least, not until near the end, where they're closing in on Higuchi. Where his freedom seems closer....and yet he sees his own, true innocence as more tenuous than ever. Notably, even when Light feels positively towards L there, he still does not share his suspicions about himself with him. His own life still takes precedence over any sort of justice or morality he might have, because Yotsuba Light is still Light. And Light will always put his own self-interests first.

• After killing L, something interesting happens. Because the game ends, but Kira is still left. And Light was willing to take risks and make wild plans in his game with L, but Kira's goals always, always came after his own life. And when only Kira's goals are left, Light stops taking those big, potentially lethal risks. (i.e. bomb desk trap, killing Raye Penber in person by handing him pages of the Death Note, killing Naomi Misora in person right in front of the police station, writing Higuchi's name while sitting right beside L with the murder weapon literally in his hand, etc. etc.). Winning the game was worth dying for—Kira's ideals are not. Or, to put it even more simply: His pride is worth dying for, but his morals are not. Five years after his victory against L, he's presented with another game, but instead of feeling fearful and excited as he did with L, Light is angry. Arrogant and angry. Because this isn't a game to these opponents, as it was to L—they're playing against each other, and Light is merely a piece in it. This game is not like his game with L; it's more like his "game" with the criminals of the world. One with no true challenge, just another defense of Kira's world—worth winning, but not worth dying for.

• Light's pride is more important to him than anything. He needs to be able to take pride in himself and his actions. Pride comes before everything else, before Kira, before family, before L, even before his own desires and physical health. He does not enjoy killing—he just turned it into something he could be proud of. Into another mastering of craft. Light is not particularly sadistic, he's just spiteful. He'll only take pleasure in someone's suffering if they make someone else suffer first, especially if that someone is him. Attacking his pride would count as making him suffer, because that's the most important thing in the world to him. Even though Light also values his life incredibly highly, attempting to kill him wouldn't invoke as much hell-hot wrath as attempting to humiliate him would. And Light will always get even. Always. He does not forgive and forget.

• He believes every lie he tells himself. Every. Lie. He is a Good Man. He is Good Son. He is a Savior. He is Better. He is NOT Evil, he is Good. He's incredibly adept at not only fooling other people, but fooling himself. Even if he's vaguely aware of the truth, he'll take great pains to make sure that truth never comes to light—because it would crush him.

• Light does not take his own desires into account. If he likes or wants something that contradicts with the perfect image he's crafted, he purges it from his mind. Makes excuses for why he doesn't need it, or even convinces himself very thoroughly that he didn't even want it in the first place. If it's not something he can be proud of (or convince himself to be proud of), he doesn't allow himself to desire it.

• Light sees everyone as beneath him (family notwithstanding, Light loves his family deeply), and while it's a pyramid scale of how far beneath him they are, it's not actually ranked by things like gender, sexuality, race—it's ranked by morality and intelligence. The more intelligent and moral you are, the higher up you are on the scale. Light feeling hostile towards someone does not always mean he sees them as further down beneath him; with L and Misa specifically, it means that they're a threat. Light tends to only see people near the top of the intelligence pyramid as threats; evidenced by him dismissing Matsuda completely even with the knowledge that Matsuda was a marksmen, and yet him immediately setting out to kill Naomi when he found out she figured out one of Kira's secrets. With Takada and Mikami, he treats them exactly the same as each other because they're both on the same level of the scale—and he didn't hesitate to get rid of either of them. (Or try to get rid of, in Mikami's case). Everyone is either a tool, a threat, a criminal, a citizen, or family to him. People to use (tool, criminal), people to serve and/or placate (citizen, family), and people to eliminate (threat, criminal). Everyone falls into at least one of these categories for him.

• Light Yagami is a tragic character. And he's a tragic character because he refuses to believe he's part of a tragedy. He would rather swallow broken glass than be considered a victim of anything.

[samarecharm]

nerd

[effervescentdragon]

i think a lot of people should google datenschutz/gdpr and how it protects people who bring in a complaint to their workplace/place of study before you start calling for the investigation to be published

[smrtnik07]

[un-pearable]

as true as the jokes about “everyone wants to rewrite ninjago” are i feel like smthn people forget when complaining about the inconsistencies of the show is that…. it wasn’t planned? it’s not like most other animated shows lately - it didn’t start with a deeply fleshed out world or a meticulously designed pitch bible with grandiose plans for a long-term story or character arcs. the ninja don’t originally get their powers from heredity because they weren’t hereditary powers yet. the magic system doesn’t make sense bc they literally just made it up as they went! they go back and forth on stuff like whether non-elementals can learn spinjitzu bc it’s a collaborative piece of media made by people with vastly different levels of control over the story, the animation, the sets, etc. that varied over the course of the series. it’s totally understandable and exciting to see so many people reworking the early stuff with the lore and logic later seasons introduced but i personally feel that… if you’re doing that. you need to understand why the show is like that instead of writing it off as being bad and shitty. it was working with what it had. it’s only what it is now because of that awkward troubleshooting phase, not in spite of it

[queennai714]

AAAAAAAAAAAAAAAAGH/pos

I FINALLY got around to watching the new Dragon's Rising clip and just- OMG

First, the entire lavashipping community has been FED

Like, every interaction those two had was just 🤌

PLUS, them being uncles to Arin and Sora!? WONDERFUL

Also- CHRONOSTEEL!?!? HELL YEAH

I mean, vengestone is cool and all, but the concept of chronosteel was so cool and had so much freaking potential that the og show(s) did absolutely nothing with, so THIS IS AWESOME TO SEE.

PLUS EVERYBODY SWITCHING PARTS AND USING EACHOTHER'S POWERS!?!? SO. COOL.

Lobbo is love, Lobbo is life, LOBBO ANGRY

The little rocky-fire dudes are back. Love to see them

"Here, take my legs," lol. Sounds like something out of the Lego Movie universe, but it is also so normal for Ninjago, considering we've had mechs since season 1

Fight choreography looking EXCELLENT per usual 👌 (Also Arin just kicking and climbing around like normal while everyone else is in mechs. KING 👑)

MECHANIC IS BACK 🎉🎉

Fire vs. Ice Dragon beam clashes>>>>>

SORA USING THE FIRE POWER IN THE LEGS OF KAI'S MECH TO FLY. LOVE THIS.

The fact that we only got little snippets of Kai using his fire power to fly like Iron Man before they learned Airjitzu will haunt me forever. Like, ITS SUCH A COOL IDEA. And was obviously useful every time we did get to see it. Plus, it was like the FIRST THING he did with his powers after getting them. Just- UGH (Sorry, siderant over)

Love the new suits, too.

Overall, it was just 🤩🤩🤩

I'm so FREAKING excited dude, like IM VIBRATING-

[cycle-hit]

0610 is so funny because mahiru is determined to be a housewife/maternal figure and kotoko is determined to parallel all the other prisoners' shitty fathers. both of them having the traits of "parental figures" that is a mold/box to be shoved into in and of itself which shows the traditional/black and white aspects of their own families. mahiru is determined to be full of love and give others that same love and kotoko pretends she doesn't love at all and bares her teeth whenever you show her love. mahiru has sun symbolism and kotoko has moon symbolism.

and then instead of ever acknowledging the absolutely insane character foil toxic yuri between those two at all, milgram refuses to let them interact ever again except for one interaction from four years ago at the very beginning and kotoko beating the shit out of mahiru. like. thanks milgram. if YOU wont do anything with your very interesting character foils that can also fall into classic "romance tropes" (which mahiru is obsessed with, cough) with their personalities/stories i guess ill do it myself.

[satorugojoswiife]

What do you think about gojo ships

I feel like I'm pretty indifferent to most of them. This is super cringe of me, but whenever I fall super in love with a character I don't often like shipping them romantically with anyone. 💀 (im delusional I know)

It doesn't help that for some reason the jjk fandom (especially twt) is weirdly aggressive about ships. I know it isn't all the shippers and it's mostly just the loud minority, but seeing so much of the discourse has kinda put me off and I don't really engage much with the ships in the fandom except for rarepairs and selfships bc alot of the time those communities are more wholesome and cozy (if that makes sense LOL)

[orcelito]

one thing i noticed looking back at the start of trimax volume 12... we get that whole sequence where Vash is standing at the precipice & thinking about his past

i'd like to draw attention to This bit:

i didnt notice it when i first read it, but... that sleeve bit there? he's holding his arm. we don't get to see what he's actually thinking, but he's holding the bicep of his left arm - the arm he lost. considering he's standing in wait of Knives for their final battle, he's clearly remembering the time he lost it. to Knives.

(more notes under the cut)

he proceeds to think through the mistakes he's made and the people he's met... but something noteworthy that I find really interesting is that anime-only characters are present in the lineup.

take these two pages.

it's the sheriff lady and the rich dude from 98 episode 2

the plant engineer from Lost July, episode 6

the fake Vash the Stampede & Frank Marlon (not the other Marlon we meet in the manga, who's his grandson) from episode 3

the boomerang guy (who is in the manga Technically, though we didnt see vash meet him) & the blonde gunman from episode 1. and the dancing girl & her guy friend from episode 11.

all "filler", supposedly, but Vash knows them. the implication of this being that Vash has had some amount of those adventures even in the manga (though the different Marlons makes that part a little more muddied - maybe he knew Frank Marlon in a similar way to the anime, though the girls couldn't have been there in this version if he's the current Marlon's grandfather).

also please just admire this pic of meryl and milly bc i love them so much

anyways.

the spreads continue until we reach this iconic page:

Vash went through his memories of all the people he met to steel himself for the battle to come, but these are the last two he thinks about. The two he arguably holds dearest in his heart, and the two whose losses hurt him the most. He remembers Rem as she was, smiling lovingly down at him. He remembers Wolfwood as he left him. Just a grave.

Their memory calms him. He's thinking of the reasons he's fighting, and they're the most important ones.

Bolstered by the memories of the people he loves and the mistakes he's made, he's ready to face his fate.

(all pages from @trigun-manga-overhaul)

[tasitime]