#blackkklansman headers

[srvgers]

 blackkklansman icons (ron)

please like or reblog if you’re using/going to use !!

[gmzriver]

Do the Right Thing (1989) headers.

like if you save or use

[mondlevan]

blackkklansman headers

“♡” or reblog if you save/use — follow me.

twt: @szamofada

[canvasedits]

like or c @bluntism

[aquartaparede]

blackkklansman (2018) dir. Spike Lee

please like/reblog if you’re going to use

por favor, dê like/reblog caso você vá usar

[iconsndiamonds]

like this post if u save :)

[backtotheicons]

like or reblog if you save

(c): sidviciouis on twitter

[babbushka]

Sanctuary

Flip Zimmerman x Reader ; 1.3k

In my sanctuary

Take a seat

And have a taste

Of honeyed kisses

And apple cake

In my sanctuary

 You’re just looking. That’s all, just looking.

At him, through him, into him.

But there’s something so comforting about the look in your eyes as you look into his, that has him feeling so small, so young. When did he get old? Not that thirty-six is old – no he can’t think that or else he’ll spiral, right there, right there on the velvet green of the conversation pit. But the way you look at him…it has him feeling eighteen again, fresh out of high school and working at the lumber mill. Has him feeling twenty-six again, bumping into you at temple for the first time and going absolutely starry-eyed.

Ten years later, he’s still starry-eyed, with the way you’re looking.

He’s got music playing on the record player, some instrumental thing that makes you sentimental; the volume isn’t too high to break the peace of the room so it’s relatively quiet. Quiet except for the baby, who fusses. He’s not even really fussing, not really, it’s more concentrated noises than ones of frustration. He’s concentrating on you, as always, he takes after Flip in that way. You’re lying on your side to face Flip, and your hand is dangling over the edge of the couch in the conversation pit. The baby’s happily playing with it, his tiny fists grasped around your fingers that you wiggle gently to entertain him. He looks just like you, has your face and your coloring and your smile.

Flip thinks if he did one thing right in his whole life, it was this, this family he’s built with you.

In my sanctuary

Memories gather here

And pray

Golden beads

Dot the window pane

At Grandma’s safe

For the season

 Flip lets out a deep content sigh from his spot on the floor with his son, the baby, the baby boy you somehow were so lucky enough to have together, and Flip’s looking right back at you. He’s anxious to get into your arms, to shuffle as close as humanly possibly to you, to step inside the home he’s made in your heart. He can’t get up though, not yet, because the baby is on his chest. And even though the baby is completely paying attention to your wiggling fingers, he’s still on Flip and Flip wouldn’t dare disturb him, even if he desperately wants to be closer to you.

“It’s almost nap time.” You whisper with a knowing smile, “We’ll curl up in bed for an hour while he sleeps.”

“It’s two p.m.” He says back with a bit of confusion, and you shrug playfully.

“So?” You ask with a smile, as the baby starts to rub at his eyes and huff and puff, and he reaches out his arms for you to scoop him up fully. “We don’t have to sleep, I just want to be close to you.”

And it’s the quiet admissions like that, that after all this time still have Flip choked up. That you want to be close to him, that you want to spend an hour doing nothing but being together. He wonders how he got so lucky, always wonders. You sit up and press smooches to the baby’s cheeks, and Flip gets up off the floor of the pit, follows you right on your heel as you walk with your son up the stairs and into the nursery that Flip built himself.

The baby has an interest in him now that he’s back in his mama’s arms, his small perfect face peeking up over your shoulder.

For whatever reason, he thinks Flip is the funniest thing, and soon enough he’s sleepily giggling. Flip used to be kind of offended about it, but after a while it just became something sweet; a bright smile that only lit up in that particular way for his own particular daddy. He’s got your smile, Flip thinks for the one thousandth time that day, can only confirm it when you smooch his cheeks once more and lay him down for his nap.

 In my sanctuary

Family sanctuary

 In the bedroom, snow and frost have stuck to the windows and Flip thinks there’s nothing more he’d rather do than get under the covers with you. He’s grateful for the time he managed to take off during the holidays. Hanukkah is around the corner and he’s already begun helping you decorate the house for the occasion.

You wrap yourselves up in one another, a tight cocooned embrace of arms and blankets, noses and foreheads touching. It’s too close to properly see one another, but Flip goes cross-eyed anyway to look at you, always looking.

You’ve got your eyes closed and are simply reveling in the softness, and Flip gets your attention with a chaste kiss.

“Are you excited?” He asks, and you smile, only shuffling closer, impossibly closer.

“I hope he’s not afraid of the fire.” You say, thinking about the baby, how this will be his first Hanukkah with you, the first time he’ll get to see the menorah and the candles and the dreidels. “You should hold him when we do it, he’s never afraid of anything, when you’re holding him.”

Flip takes a minute to process that, another moment of how how how did I get so lucky, for you to think such a thing, especially because,

“He likes you better.” He points out, and you laugh against his mouth, kiss him.

“That’s not true and you know it.” You say, rolling away just enough to give him one of your famous looks.

“I don’t blame him, how could anyone not love you most?” Flip tucks some of your stray hair behind your ear, pinches your nose between his thumb and index finger and gives your face a small shake with a smile of his own.

“I’ve completely corrupted you with my charm and wit.” You tsk with mock disappointment, and Flip can’t help but snort and laugh.

“Yeah, that’s it.” He says sarcastically and you’re laughing too at that.

“Hey.” You complain at the insinuation, but he only reaches for you, not liking that you moved all of six inches away.

“C’mere.” He tucks you against his chest, lets you bury your face in his throat like you always let him do when he’s feeling down. “It’s all going to be okay. I will make sure it’s going to be okay, okay?”

Life had been rough, lately. Too rough to really process, especially this close to the holidays. But if there was one thing you knew, it was that you could count on Flip to be your rock, your anchor, the same way that you were always his.

The way you were always everyone’s.

Life was rough, but life was always rough, that’s life. He didn’t know how you did it sometimes – how you managed to brave the world each and every day. You are the bravest person he’s ever met, he thinks, the most brave person he knows just because despite everything you always have a smile to spare, and he can feel it now, against his throat as he wraps his arms tighter around you.

“Okay.” You whisper, and the both of you just breathe in time, in and out in and out.

The baby will wake up in an hour and then you can all do something fun, but for now, the peace and quiet is soothing enough that Flip lets his eyes slip closed too.

After all, he thinks as you yawn against him, it’s only two o’clock.  

 In my sanctuary

Fight when necessary

Maccabees tell their fairy tales

Of oil and Greece

At the altar

Save our sanctuary

Holy sanctuary

In my sanctuary…

                                                          -------------

Taggin some flip lovin’ friends <3  @dreamboatdriver​​​ @kylo-renne​​​ @callmehopeless​​​ @kyloxfem​​​ @formerly-anonhamster​​​ @thepilotanon​​​ @solotriplets​​​   @fullofbees​​​ @spinebarrel​​​ @bourbonboredom​​​ @driverficarchive​​​ @rosalynbair​​ @redhairedfeistynerd​​​ @glitzescape​​​ @adamsnacc-kler​​​  @ladygrey03​​​ @venusianmaiden​​​ marvelous-blog-221 @edwardseyelashes​​​ @softcrybabykid​​​ @tinyplanet-explorers​​​ @magikevalynn​​ @scheherazades-horcrux​​ @whiskey-bumblebee​​ @riseofkylo​

[sevinyledits]

༄ Adam Driver layouts [requested]

› headers are not mine

› like/reblog if u save

[heygene]

movie headers xx

please like or reblog if you save :) <3

- all the credit to the artists

[jessewstuff]

headers de alguns filmes que eu vi recentemente e gostei.

Isle of Dogs (2018)

Lazzaro Felice “Happy as Lazzaro” (2018)

We the Animals (2018)

Shoplifters (2018)

BlacKkKlansman (2018)

Spider-Man: Into the Spider-Verse (2018)

[kweseplay-blog]

Black Panther makes history at Oscars 2019

The annual Academy Awards (the Oscars to me and you) is arguably Hollywood’s biggest night. The who’s who of the film world descends on Tinsel Town to see which stars will be rewarded for their hard work.

It’s usually a predictable affair, but this year however, the few of the nominated films and even the Awards themselves, made history.

For the first time in 30 years, there was no host. Comedian Kevin Hart pulled out of the hosting gig in December, and the Academy just decided to leave the role open. With no host, the formal proceedings finished much quicker than previous years.

Right… on the winners.

It took 15 films to scoop up all 24 awards, most notably Bohemian Rhapsody who walked away for four statues. For his portrayal of Freddie Mercury, actor Rami Malek added to the biopic’s tally, winning Best Actor.

Somewhat controversial film Green Book was awarded Best Picture and Best Original Screenplay, while Mahershala Ali (pictured) was awarded Best Supporting Actor for his role in the film.

While it didn’t win in any of the major categories, super hero action film Black Panther made its own history on the night.

Production crew members Hannah Beachler and Ruth E. Carter became the first African-Americans to receive Oscars in production design and costumes, respectively. The film’s third awards was presented to Ludwig Goransson for Original Score.

For best foreign language film, Mexico’s Roma got the top nod. Alfonso Cuarón also won for best director and cinematographer.

Roma is currently streaming on Netflix, with the app available on the Kwese Play device. 

Other winners on the night included Olivia Coleman being recognized as Best Actress for her role in The Favourite, Spike Lee won Best Adapted Screenplay for BlacKkKlansman, and Regina King won Best Supporting Actress in the film If Beale Street Could Talk.

Check out the full list of winners here.

[Header image - Kevin Winter/Getty Images]

[mrmichaelchadler]

AAFCA Awards Celebrates Tenth Anniversary, Names Black Panther Best Picture

Congratulations to Gil Robertson and Shawn Edwards on their tenth anniversary of the African American Film Critics Association (AAFCA) Awards ceremony. I have attended almost every one from the beginning and have seen it evolve to its present joyous state at the Taglyan Complex in Hollywood. Robertson and Edwards started the organization to showcase African-American journalists and their writing about movies by or about African-American filmmakers at a time when there was felt to be a need for "Black Oscars." This year, there were plenty of movies to celebrate.  

Actress, comedian and singer Tichina Arnold presided over the festivities as Mistress of Ceremonies, setting the tone for an evening full of comedy and celebration. Her shout-out from the stage to music icon Quincy Jones in the audience led the way for almost every award winner to pay homage to Maestro Q. And when the 80+ years impresario went to accept the inaugural AAFCA Stanley Kramer Award, he did not disappoint. He boogied to the music all the way up to the podium. 

Ryan Coogler's "Black Panther," the highest-grossing film of 2018, was the night's big winner, honored with three accolades for Best Film, Best Director and Best Song ("All the Stars"). "BlacKkKlansman," the first picture to earn trailblazing filmmaker Spike Lee Oscar nominations for Best Picture and Best Director, received awards for Best Actor (John David Washington) and Best Screenplay (Charlie Wachtel & David Rabinowitz and Kevin Willmott & Spike Lee). 

Best Director winner Ryan Coogler with Ava DuVernay; Best Breakthrough Performance recipient Amandla Stenberg with Lakeith Stanfield. Photo credit: ©2019 Sheri Determan.

George Tillman Jr.'s powerfully acted Angie Thomas adaptation, "The Hate U Give," earned awards for Best Breakthrough Performance (Amandla Stenberg) and Best Supporting Actor (Russell Hornsby). Two mighty Reginas took home top acting honors for women: Regina King of "Support the Girls" won Best Actress, while Oscar frontrunner Regina King ("If Beale Street Could Talk") was crowned Best Supporting Actress. King's collaboration with "Moonlight" director Barry Jenkins was also named Best Independent Film.

Alfonso Cuarón's "Roma" won Best Foreign Film, while Alan Hicks and Rashida Jones' "Quincy" was awarded Best Documentary. On its way to possibly becoming the first Marvel film to earn a major Oscar, Bob Persichetti, Peter Ramsey and Rodney Rothman's "Spider-Man: Into the Spider-Verse" was named Best Animated Film. Rounding out the rest of the winners were "Queen Sugar" (Best TV Drama), "Insecure" (Best TV Comedy) and "Red Table Talk" (Best New Media).

Jason Blum of Blumhouse accepted the Cinema Vanguard Award for producing films such as "Get Out" and "BlacKkKlansman," and gave a moving speech about racial healing. He emphasized, however, that he works with women and people of color not because it's the right thing to do, but because he searches for the best, and it's good for business. Taking home the Breakthrough Filmmaker Award was Aneesh Chaganty for his acclaimed thriller, "Searching," which provided a plum lead role for Asian-American actor John Cho.

Jason Blum, winner of the Cinema Vanguard Award, with Quincy Jones, winner of the Stanley Kramer Award. Photo credit: ©2019 Sheri Determan.

“Selecting Disney’s 'Black Panther' as the year’s best film was a no-brainer,” stated AAFCA co-founder Shawn Edwards. “Beyond its tremendous reviews  and historic box office performance, the film changed the culture and became a defining moment for Black America. Finally, after years of painfully negative and blatantly harmful depictions of blacks on screen there was a movie full of positive images and characters that blacks could rally around. For many blacks, the film’s release was like a national holiday. The movie sparked a sense of pride and inspired Afro-futurism-theme parties, academic panel discussions, scholarship funds, vacation plans to Africa and thousands of black kids dressing-up like their favorite characters on Halloween. Many have waited a lifetime for a moment like this and 'Black Panther' delivered with a multi-generational appeal never before seen.”

Four days prior to the awards night, AAFCA held its fifth annual Special Achievement Awards luncheon at the California Yacht Club in Marina Del Rey. The event honored seven amazing talents including Pulitzer Prize-winning critic Wesley Morris of The New York Times, whom I was proud to present The Roger Ebert Award, and Tendo Nagenda, Vice President of Original Film at Netflix, who earned The Ashley Boone Award, named for the brother of former Academy head, Carol Boone Isaacs. Buddy Bolden, the legendary musician credited as the originator of jazz, was honored posthumously with the Pioneer Award and a clip of a movie about him by Dan Pritzker was shown. 

Kelly Edwards, Senior Vice President of Talent Development at HBO, received the Salute to Excellence Award and Alana Mayo, Head of Production at Outlier Society, was given the Horizon Award  Ruth Carter, the Oscar-nominated costume designer of "Black Panther," received a rousing standing ovation with her speech about how her contributions added to culture and the arts. When asked if she had ever designed clothes for a superhero, she responded that all of her previous movie characters were superheroes. She won the Nissan Innovator Award. 

The audience was also happy to see Jon M. Chu presented with the Game Changer Award for his groundbreaking hit comedy, "Crazy Rich Asians." 

“It’s been a breakthrough year in cinema on a number of fronts,” said Robertson. “Most significantly, the tremendous success of 'Black Panther' and 'Crazy Rich Asians' clearly demonstrates that films populated by people of color can perform well overseas. AAFCA’s Top 10 marks the first time so many films by or about black identity have made our list, presenting storylines that reflect the diversity that lives within the black community. It was also good to see 'Roma' and 'The Favourite' make our TOP 10 because these films, as well, shine light on themes and storylines representing popular culture.”

AAFCA co-founders Shawn Edwards and Gil Robertson with MC Tichina Arnold. Photo credit: ©2019 Sheri Determan.

 AAFCA’s Top Ten Films of 2018:

1. "Black Panther" (Walt Disney Studios) 

2. "If Beale Street Could Talk" (Annapurna Pictures)

3. "The Hate U Give" (20th Century Fox)

4. "A Star is Born" (Warner Bros. Studios)

5. "Quincy" (Netflix)

6. "Roma" (Netflix)

7. "Blindspotting" (Lionsgate)

8. "The Favourite" (Fox Searchlight Pictures)

9. "Sorry to Bother You" (Annapurna Pictures)

10. "Widows" (20th Century Fox)

For more information on the African American Film Critics Association, visit its official site.

Header photo: MC Tichina Arnold with Quincy Jones. Photo credit: ©2019 Sheri Determan.

from All Content http://bit.ly/2DkedSf

[canvasedits]

like or c @bluntism

[aquartaparede]

blackkklansman (2018) dir. Spike Lee

please like/reblog if you're going to use

por favor, dê like/reblog caso você vá usar

[canvasedits]

c @emilyblunrt