#blame hernandez
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linthehero · 1 year ago
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brcu bitches are like ‘here are my blorbos!’ and it’s all war criminals and monstrous freaks and the worst people you could ever meet
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funhouse-apocalypse · 5 months ago
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Saw a YouTube vid implying Blame was Bryce's son and I think I am changed for life.
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mydevotiontostyle · 11 months ago
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This flopped on Twitter so I'm posting it here too.
BRCU characters as "Things To Never Say To Someone Who Just Came Out" PART 1
Jurgen
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Dorian Ditsen
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Blame
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Karen
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Luxy Leroy
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dailybrandonrogers · 5 months ago
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every day for the last three and a half years I have woken up with this vision. ballad of booth bullet proof a botched beach. these words are my gospel
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polgara6 · 2 years ago
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Worstthrust TV
Bryce always had a severe amount of influence on the world in ways she didn’t even know about. So as her and Bobby lay dying she wishes for a better ending. The world bends.
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This universe and its creator have a tendency of capitulating to the whims of one Bryce Tankthrust. They both loved her far too much to do anything else. So when she laid dying next to the love of her life and had regrets, the universe decided to give her a hand. A pocket dimension was formed around the dying couple. One where she didn’t need hearts, after all she was still dying, why on earth would she need replacement hearts.
The world of suburbia formed around them. They were cleaned up and the radiation was cleansed from their system. As long as they stayed in Clamville, they would survive. As far as the neighborhood was concerned Robert and Bryce Best had just moved in. They had two next door neighbors, on the right Elmer Phitts, and on the left Donovan. Just Donovan. Across the street were David and Joesph, previously known as Suck and Swallow.
They entered their new house and everything was simply perfect, Bryce would continue to be the bread winner of course, even though the neighborhood seemed stuck in the 50s. The mayor was big on children, so if they ever wanted any the universe would happily provide. Twin boys, Luxy and Sebastian.
Bobby and Bryce’s final moments can stretch on for eternity here. This timelines final moments can live on forever here. There’s no need to be afraid, watch some Worstthrust TV. It’s the hot new show, everyone loves it. The worlds about to breathe it’s last but not in Clamville. Bryce will have her happily ever after. No matter the cost.
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partypoison0102 · 1 year ago
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BRCU moodboards
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rotteneldritchhorror · 2 years ago
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I got bored and decided to do a few of a probably out dated meme with my few blorbos
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Arlo is extreme in every way
I wish to throw them all against a wall until they stick, the only vague exception is Blame, who I will only throw against a wall once then sell him drugs
I think my type for blorbos is intense as fuck dorks for the most part
Blank:
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misstankthrust · 9 days ago
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I DON'T KNOW WHAT CIRCUNCISED MEANS BUT I'M A THUG AND I. EAT. PUSSY.
gross, he's one of us.
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liyaauhr · 11 months ago
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ASHLER HEADCANONS
(i’m giving myself a break from my fic today so this is how I compensate)
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How did they realise they caught feelings?
— I imagine these two to be veeeeery slowburn for a lot of reason, as in, they get together in their senior year of High School or even maybe after in college.
— Ashlyn is pretty out of touch with her feelings, It took her a while to differentiate between romantic and platonic sentiments towards people and even then, she sucked at handling it. I see her as the type to fall for someone without even realising and dismissing her feelings as being 'oh we're really good friends!' It took a sleepover with Taylor (who has been trying -and failing- to set her brother and Ashlyn together for a while now) to realise that she had a crush on Tyler. I think the two of them would have had a long conversation about it (I honestly see Taylor as someone who's really in tune with emotions) and even then, her realising turned out to be more of a bad thing because things became awkward and Ashlyn essentially avoided any one-on-one interaction.
— Tyler on the other hand, had known about his feelings for Ashlyn for a while now but had chosen not to do anything about it, simply pushing it aside in order to prioritise his family and focusing on staying alive in the phantom realm. Besides, there was no way Ashlyn would reciprocate when all she did nowadays was act weird with him.
What was their first date?
— Their first date was at an amusement park: I firmly believe that Tyler fell first but Ashlyn would fall harder and eventually, there would be a point where she gets fed up with the lack of confrontation and decides to actually do something about the unsolved tension.
— Taylor had gotten it into Ashlyn’s head that to confess there had to be some over-the-top, extravagant declaration of love and had been restlessly prodding Ashlyn to ask her brother out because “the idiot wasn’t going to do it himself.” The plan was for the two to hang out at the theme park all day and then finally go on a Ferris wheel ride where Ashlyn would admit her feelings and if she was lucky, Tyler would reciprocate and save her from total embarrassment and if not? Well, there goes trying to eliminate the awkwardness but at least Ashlyn tried.
The catch to this plan, you may ask?
Tyler was deathly afraid of heights. Like a cat in water afraid of heights. Will freak out afraid of heights.
It was a new fear that he had contracted after he died in the phantom realm that he had never actually gotten around to telling Taylor, mainly because she was a massive thrill-seeker and enjoyed anything height related and so he didn’t want to strip that enjoyment from her, he wanted to make her happy and experiences her joys with her, trauma be damned. Still, if he had a choice he would avoid it.
That was until his totally-not-a-crush-crush walked up to him ( looking as gorgeous as ever) and batted her pretty, little lashes, asking him out to an amusement park just the two of them and who the hell was Tyler Hernandez to say no to such a goddess? (he was such a weak, weak man for her it was disgusting) .
Besides, there was more to amusement parks than rollercoaster rides, right? And Ashlyn didn't look like the type to be chasing after the adrenaline of high rides so he would simply divert her from any high rides, that wouldn't be so hard?
— Anyway, after hours of Hell and successfully keeping Ashlyn away from every rollercoaster waiting line (“pfft, I’ve went on these rides way too many times, they’re soooo boring trust me!”) Tyler found himself enjoying the day, he got to sneak glances at Ashlyn when he thought she wasn't looking and got to spend time with his crush and maybe, just maybe he could be content with small moments like this for the rest of his life, his crush obviously wasn’t planning on fading anytime soon but now, he could admire from afar, even if she did kick his ass at shooting games.
— Unfortunately, all luck comes to end eventually she practically dragged him to the ferris wheel. He tried to get out of it by saying “it’s boring, only grannies go on those!” But for some reason she was entirely fixated on that ride and that one alone.
— A normal person, at this stage would admit to hating tall rides and save their dignity and sanity but Tyler Hernandez had a date and a reputation to maintain, so if Ashlyn Banner wanted to go on a ferris wheel, he was going on a ferris wheel.
— And that confidence lasted around two seconds because as soon as they got into the air, Tyler became eerily silent, something that confused Ashlyn because normally the boy wouldn’t shut up. She glanced down and noticed that he seemed to be digging his nails into the seat so hard Ashlyn was sure it would leave marks. There was something wrong with him, it was clear as daylight but everytime Ashlyn tried to bring it up Tyler would shrug it off dismissively and make some snarky quips to reassure her (spoiler alert: it didn’t work).
— Eventually they reach the very top, the “pinnacle of romance” (as Taylor liked to put it), this was Ashlyn’s shot; she would clear the air and get rid of the stupid bug that annoyed her every time Tyler was in her vicinity. And so, she starts talking incredibly fast in 2x speed, trying earnestly as all her pent up feelings and frustrations to the boy come spilling out infront of him.
— Unfortunately, Tyler was too busy counting sheep in his head to try and catch any of what Ashlyn was saying, never mind her incredibly fast speed. Though he did catch the last part of "-and now I think I might be in love with you" and suddenly, the air was cut off from his lungs. He paled at the realisation -and also partially because he was trying to not puke-: Ashlyn Banner, that stupid idiot, liked him back, in more than a friend way!
— For a while, the two of them just stared, Ashlyn looked like a deer caught in headlights and Tyler really wished Taylor or Aiden were here to pinch him. And then- well, he ended up wretching on the ferris wheel, the rest of the ride ended up being Tyler alternating between freaking out and becoming nauseous and Ashlyn panicking while trying to help and regretting her previous life choices.
— Afterwards, Ashlyn was pretty sure that vomiting was a clear indication of an unreciprocated crush so she honestly planned on running away and getting her parents to pick her up or something. Her plans were paused when Tyler stopped her by the wrist and pulled her towards his chest, Ashlyn could feel his hands shaking around her.
— "You're so stupid, I'm so stupid and- I think I might be in love with you too."
— And that was that.
Do they indulge in PDA?
— short answer: No.
— Both of them are the type to cringe and make fun of people who engage in excessive PDA so it’s no surprise that they’re pretty averse to it themselves. The most you’ll see these two do in public is touch shoulders or sit next to each other (or maybe if you’re lucky, you get to watch Ashlyn dragging Tyler by the arms away from a fight.)
— I think it would take at least 3 weeks for them to kiss after dating and Ashlyn would be the one to initiate.
— They’d be bickering one day and Ashlyn would just shut him up spontaneously by tugging his shirt forward and tiptoeing up for a kiss. Tyler would be surprised at first, his eyes wide open and looking down in surprise but eventually he just melts and it takes a minute for them to part.
— “Shut.” kiss “The.” kiss “Fuck.” kids “up.” would be a thing Ashlyn does everytime he pipes up a little bit too much. Whether it be over something stupid like a comic they’re both reading or something else, it would probably lead into a make out session afterwards.
— Tyler’s the type to walk up to her sometimes, play with her bangs and then lift it up for a little *smooch.* It’s mostly because he enjoys the way she goes red like a tomato every time. One time he did it in public after a baseball match or something and Ashlyn froze, she could not speak for an hour and it seemed like her face and ears were permanently coloured red. Aiden had found it funny and took a picture of it which is actually saved as her profile picture now.
— All of their intimacy is in private though, most of the time people would be surprised to find out they’re dating. The popular jock and the loner who never talks? But don’t they ever only argue?
Dates?
— I personally think their dates would mostly be stay-at-home dates.
— Ashlyn hates going out and Tyler doesn’t mind, so it works.
— Examples would be cooking dates, movie nights (that would inevitably get crashed by the others), little dinners together etc.
— They strike me to have very casual intimacy, so like grocery shopping together would also be considered a date for them.
— The mundane is openly enjoyed and celebrated!
Other random headcanons I have:
— Tyler has gradually become Ashlyn’s go-to hair stylist, especially for more formal events like ballet recitals. She was honestly shocked the first time he did her bangs and now feels entitled to getting it down whenever she pleases (compensation for all his moaning). Tyler grumbles about it and pretends to hate it but swatts his hand away every time Ashlyn tries to take over, he secretly really likes working with her hair because he’s never practiced on such long hair and so gets to experiment with more styles.
— When they become old enough to drive they’re both the drivers in the relationship. In the group and by themselves. Everytime they have to share a car they play rock, paper, scissors to avoid an argument over it.
— They have pretty similar music tastes. Idk I can feel it.
That’s all I can think of for now! If you have any other headcanon/scenario requests feel free to drop an ask!
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lolokidss · 1 year ago
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um I saw ur post about fic requests so I have one:
tyden bonding over shared trauma because they’re the only two who’ve actually died and no one’s talked about how that must feel.
[took me ages to write that but here it is; it's longer than expected (1,7k rather than 100 words...) but i hope yall will appreciate... idk if i did what was expected but hey wtv
also im posting that on ao3 too, to feed the people there]
The thing about Tyler and Aiden is that they both love to ignore reality. The other thing is how differently they do it.
While Aiden shows, Tyler hides; while Aiden laughs, Tyler fights. It’s different struggles, different goals— it’s different truths.
Aiden, he shows it all. He faces the truth and discards it far away, refuses to reveal anything that could break him. If you want him to cry, he will laugh; if you want him to laugh, he will cry. That’s a system, a way of being, that he learned very early in life, a kind of comfort in never meeting people’s expectations, in being wild and uncatchable, free and fierce. Because he performs from his youngest age, you never know when he doesn’t; even his tears look amused, mocking, taunting, as if they were nothing but mere drops of water spilling from his eyes, that and nothing else.
(They don’t know that, though—not yet. ‘Yet’ because it will happen.)
Tyler, on the other side, doesn’t bother looking: if he has no time, no ways, no desires to deal with it, he won’t. That doesn’t show, never, because he doesn’t care enough for it to show—it’s not important, not for him, not right now. He shows nothing but hides it all somewhere, in a place he hopes to forget one day; you can see a tight fist sometimes, a too-long frown sliding on something, but it never lasts enough. That he lets it go, far away, or that he lets himself go, it doesn’t matter: either way, his hands will be bloody, from a fight or from exhaustion.
(That’s funny because, fighting, that’s something Tyler shows. It’s his own little performance. It’s funny, right? That while Aiden shows, Tyler hides—and that when Aiden hides, Tyler shows.)
Yet, despite it all, Tyler is the one dealing with that, their deaths. Maybe it’s because it happened to him first: he was dealing with it already, and Aiden just had to tag along, fall in his steps and follow blindly. Or maybe (and that’s way more plausible) it’s because Tyler hoped to be the last one—maybe he wasn’t dealing with it at all, wanted to bury that memory down, down, down, until he could forget it for once and for all.
But then, Aiden arrived. Then, Aiden died too, and Tyler couldn’t let that go. He, who thrived on protection, who ignored himself for the sake of others, of her, of them, couldn’t let Aiden hurt.
It started with small things—so small Aiden can’t even recall what started it all. A gaze, a smile? Or was it a hand, stretched out like that night? If nothing is blur, if everything is sure, Aiden struggles to link the parts; from the very beginning of life, he always had problems with memories.
He’ll never forget, however, the first time he felt it, comfort.
Before Tyler, before everyone else, life was long and boring and lonely. He traveled, sure, but it wasn’t lively, not like that. It was too much to make friends, never managing to build friendships, but also not enough to have a family: for each vacation he did with his parents, they did the double of it just the two of them.
Then, though, he got a cousin. Hell, he got two, actually, and they made it less lonely. And then, again, he got friends—four of them, who made life less boring no matter how grumpy some were.
However, because he can’t seem to have nice things, never for too long, he died.
To be honest, he never really felt like it could affect him, death; he was dead since long ago, after all, and he didn’t need any ceilings on his head for it to be that way. A physical death, however, seems to affect even the more emotional dead ones.
He pretended it didn’t, though: he plastered a smile on his face, put some stupid makeup to hide the hideous part of it, and went with the flow. He smiled, he laughed, he procrastinated and delayed any kind of work, tried to give some time for his brain to recover.
Alas, death isn’t the end of anything, no matter what people say—so,obviously, a bit of makeup and some jokes didn’t fix anything. The nightmare went on.
It felt reassuring, when they came back to the graveyard. It wasn’t quite comfort, but it was close: it was family, in a way, no matter how wretched their nights were. Their home, their place, for 7 hours.
It’s alright, Aiden would tell himself. He isn’t sure when he stopped believing it, but he was sure it would come back.
That’s when Tyler enters.
(Well, in truth, he enters earlier, right as they’re taken to the facility, through unread messages—but because he can’t read them until way later, it doesn’t count. Not to Aiden, at least.)
He does it slightly, slowly, carefully, so well that Aiden doesn’t really notice. He sees the change, wonders if a tree in the guts always has those effects, but he doesn’t get it. He doesn’t make the connections, doesn’t see what would lead to such behaviour. He considers near-death experience as an explanation, obviously, but his doesn’t enter in his calculation—it’s like he’s trying to forget it, in a way.
Either way, Tyler is here, present. Some longing gazes, some smiles; sometimes, an arched eyebrow, worrying more than mocking, or a frown, observing. It takes Aiden by surprise, every fucking time, just like one may stare at the sun on a winter morning; it’s unexpected but oh so welcome, oh so living. It’s like an anchor, something not to stray too far from the safe depth.
(Out of character, one would say—but they didn’t see Tyler run through a hospital with a hole in his stomach just to see his sister.)
The thing, about Tyler Hernandez, is that he doesn’t give up: no matter the obstacles, his one-track mind will get him at the end of the road, of the race, bleeding and breaking if that’s what it takes. And if he decided, on a random day, to make sure Aiden was alright after the death he went through, then he will make sure Aiden is alright. No matter the jokes, no matter the elusive smiles, no matter the digs he may receive, he will keep going.
He kept going. He kept moving.
And one day, when a particularly loud phantom screamed its guts out in the wild, Tyler does move.
The sound resonates between the trees, so wretched it would send birds flying if there were any; Aiden is right next to the gates, at that time, holding the cords Logan needs for whatever he is doing. He hears it, loud and clear, horrible sound that sends unusual signals into his brain, and he freezes. That’s weird, he knows it is: it’s not a phantom that killed him, but his own carelessness. And yet, at the sound of it, his skull hurts like it has been crushed to pieces.
Usually, when that happens, when he gets scared, Aiden looks away; he fakes the need to scratch his nose against his shoulder, or bends down to mess his hair back into place—anything that would hide his gaze, terrified perls that he doesn’t quite control yet.
Today, when he looks away, ready to hide whatever truth he feels, he meets Tyler’s gaze. The boy is there, at the other side of the graveyard; he’s standing right next to the bus, his bat in his hand as he . Well, no, not his bat—that one is still bare, empty of any nails. It’s one they found some days ago, as the girls went on a raid, And it’s only now that they’re turning it into a weapon.
Still, he is holding a bat like he so often does, and his eyes are on Aiden, something slowly getting more frequent and normal than before. No matter how unexpected, though, Tyler’s gaze never made Aiden uncomfortable, not in a bothering way, so Aiden holds it—he stares back, precised red eyes focusing on the other boy so easily.
It lasts for a second of ten, maybe even a minute. And then, Tyler swings.
Just like he does on the pitch, during a match, he swings.
The movement is well done, controlled, one he practiced many times; the bat doesn’t flatter in his hands but tilts down right at the end, just enough to reveal a relaxed grip. Then, Tyler straightens, bat almost forgotten as it is put down against the floor.
As if he just smashed into a real ball, the boy raises his head, his right hand going to cover his eyes as his stare goes into the distance. Even from afar, it’s clear he is following the path that invisible ball takes, crossing the graveyard before flying over the gate.
His head draws an arch, overly pretending, but it does the trick:
Aiden chuckles.
It’s a sound he has rarely heard, even if it comes from his own body—usually, he doesn’t chuckle: he snickers. That’s a slight difference that cost him many slaps as a child, arrogance and all that, but it never made him chuckle. The sound always felt too childish, even for him, and that’s only now, as it is happening, that he realises he is quite a child anymore. Not really, given his growing age, but he isn’t an adult yet: he doesn’t have to be serious and controlling, he doesn’t have to hide not to break—he just has to be.
The thought is refreshing. Weirdly, it’s all thanks to Tyler.
Before he can even think, Aiden raises a thumb up, straightening with a smile on his lips. At first, he means it as a congratulations, but as he does it, he realises it may appear more as a reassurance—it brings a slight blush on his cheeks, something vulnerable, and for a short second, he thinks about looking away again. He can’t really, though, not when Tyler raises a thumb back, placing his bat on his shoulder with too little pride for it to be just for fun.
After that first time, it becomes a habit—that swing, the look, then the smirk. It is done every time Aiden tries to look away from his fright, as if Tyler never looks away from Aiden; it works every time too, as if Aiden was just hanging, waiting for Tyler’s rare silliness to appear, so he could hold onto it.
And soon enough, as Tyler was bringing Aiden back to life, he also brought him back his heart.
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tragedry · 1 year ago
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tyler-coded post, except the terrible thing is his own death (and even that he can't accept)
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linthehero · 2 years ago
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oops! weird post
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funhouse-apocalypse · 5 months ago
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beuatifulbuttercup · 2 years ago
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Taylor Hernandez moodboard
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t4nkthrust · 25 days ago
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welcome to tumblr’s little corner of trash 💋
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my name is angel (18, he/they) and i made this blog to meet other brandon rogers fans :)
this blog is dedicated to brcu content! im still pretty new to tumblr so i’m still trying to figure out how to use it but shh its fine. my posts will mainly be about bryce, blame, arlo and blah blah the clown considering those are my favourites, but i will post about others!
i’ve been a fan of brandon for around 7-8 years, and have been watching his content again! (i usually take breaks i get burnt out/content fatigue) he’s been a hero in my life for so long so this is also a small love letter to him and his fandom (´ ω `♡)
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my rules! (;⌣̀_⌣́)
minors dni
be respectful, obvi
i’ll take requests for stimboards and icons! (once i figure out how to do that)
this is a sideblog for @blasianboiwwhitegurlswag !
credits
bryce gif by me
dividers by @dollywons
🫀👩🏽💄
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polgara6 · 2 years ago
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Hello all so I’m currently working on a Mean Girls AU of the BRCU and in celebration of that I made my first ever edit! I threw it together in iMovie on the high of a hyper fixation so don’t expect great things but I gave it a shot!
Hope you all enjoy!
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