#blumhouse television

[darkmovies]

Totally Killer (2023) Date de sortie : 06/10/2023 Réalisateur : Nahnatchka Khan Scénario : David Matalon, Sasha Perl-Raver, Jen D’Angelo Avec : Kiernan Shipka, Olivia Holt, Charlie Gillespie

[fearsmagazine]

UNSEEN | Trailer (2023), Poster & Images

Two women form an unlikely connection when a depressed gas station clerk SAM (Purdy), receives a call from EMILY (Francis), a nearly blind woman who is running from her murderous ex in the woods. Emily must survive the ordeal with Sam being her eyes from afar using video call.

(L-R) Midori Francis as Emily and Jolene Purdy as Sam in the Horror/Thriller film, UNSEEN, a Paramount Home Entertainment and MGM+ release. Photo courtesy of Blumhouse Television.

UNSEEN stars an ensemble cast of Midori Francis (“Grey’s Anatomy”), Jolene Purdy ("Orange is the New Black"), Missi Pyle (Gone Girl) and Michael Patrick Lane ("Dynasty"). The film is directed by Yoko Okumura ("The Bold Type") and written by Salvatore Cardoni (Gnomes & Trolls: The Secret Chamber) and Brian Rawlins. The film was executive produced by Alexander Kruener, Jeremy Gold, Chris McCumber and Jason Blum.

(L-R) Brett Baker as Carl and Missi Pyle as Carol in the Horror/Thriller film, UNSEEN, a Paramount Home Entertainment and MGM+ release. Photo courtesy of Skip Bolan and Blumhouse Television.

Building on Blumhouse Television’s success with the Welcome to the Blumhouse movies slate for Amazon and Into the Dark anthology series for Hulu, the deal is the first-of-its-kind for MGM+, which is adding films to its growing slate of premium original content.

Michael Patrick Lane as Charlie in the Horror/Thriller film, UNSEEN, a Paramount Home Entertainment and MGM+ release. Photo courtesy of Skip Bolan and Blumhouse Television.

Paramount Home Entertainment will release the horror thriller  film UNSEEN on Digital and On Demand on March 7, 2023 and on MGM+ on May 2023. The film is part of the Blumhouse Television and MGM+ deal to produce eight original films together. MGM’s streaming service, EPIX, rebranded as MGM+ on January 15, 2023.

[horrorpatch]

First Look At New Slasher-Comedy TOTALLY KILLER, Starring Sabrina's Kiernan Shipka!

[jordyvix]

THERE'S SOMETHING WRONG WITH THE CHILDREN Review

Bizarre behavior from two siblings turns a quaint cabin getaway into a total nightmare. Starring Zach Gilford (Midnight Mass), There’s Something Wrong with the Children doesn’t do anything spectacularly different with its setting for the most part, and on the surface, it’s rather predictable. But in the end, it delivers something amusing and reminiscent of cult B movies. Ben (Gilford) and…

[gbhbl]

Horror Movie Review: Mr Harrigan's Phone (2022)

When Mr Harrigan dies, Craig discovers that he can communicate with his friend from the grave.

Mr. Harrigan’s Phone is a horror drama film written and directed by John Lee Hancock, releasing in 2022 via Netflix. It is based on the novella of the same name by Stephen King from the collection If It Bleeds. Craig, a young boy, befriends the elderly billionaire John Harrigan. Craig then gives him a mobile phone. However, when the man dies, Craig discovers that he can communicate with his…

[disneytva]

Gargoyles Live Action Reboot Gets New Co-Production House As Blumhouse And Atomic Monster End Merger

More than a year after stating their intentions to combine their companies, horror maestros Jason Blum and James Wan have made it official. Wan’s banner Atomic Monster and Blum’s Blumhouse have closed a deal to merge, Jason Blum announced on X on Tuesday with a video showcasing titles such as  "Five Nights At Freddy's", The Conjuring, M3GAN and Get Out.

The two banners have worked together previously, and have the feature Night Swim in theaters Friday from Blumhouse’s longtime home Universal, where his and Wan’s combined company has a first-look deal. The pair also were behind the 2023 hit "M3GAN" and first partnered on the Insidious franchise in 2010.

One of the many projects joining the Blumhouse home for upcoming productions is a Gargoyles live-action series for Disney+ which got announced to be on development in October 2023. The live-action reboot series will have Gary Dauberman (Warner Bros "It" Franchise and "Anabelle" franchise),  acting as showrunner with James Wan and Michael Clear (Universal Pictures "M3GAN"), joining the executive producing ranks with Atomic Monster as production label with Disney Television Studios and Disney Branded Television. As of December 2023 there hasn't been any information if original series creator Greg Weisman will be involved.

[trendfilmsetter]

New movie poster for WOLF MAN

Releasing in theaters January 17th, 2025

[biggoldbelt]

Sascha Penn Interview | Power Book III: Raising Kanan Season 2 Finale & Season 3 Talk

Sascha Penn Interview | Power Book III: Raising Kanan Season 2 Finale & Season 3 Talk

Sascha Penn Interview | Power Book III: Raising Kanan Season 2 Finale & Season 3 Talk –BIOSASCHA PENN Executive Producer/Showrunner/Writer Episode 201, 210 Sascha Penn previously had the pilot “Main Justice” where he was partnered with former US Attorney General Eric Holder. Previously, Sascha was a writer for “Power” and “Survivor’s Remorse.” His original feature April 29, 1992 is currently in…

[chaithetics]

A Cinematic Lover Chapter 1

Pairing: Dieter Bravo x f reader

Word count: 3.7K

Chapter/content warning: 18+ MINORS DNI (no smut in this chapter), mentions of substance use, chronic illness, endometriosis, fibroids. (Reader doesn't have any physical descriptions or implied characteristics but does have chronic illnesses and is explicitly diagnosed as having endometriosis, fibroids and vaginismus, which will be mentioned in more detail in further chapters).

Summary: Dieter Bravo is a fan of a screenwriter and may have a small crush on her. He seizes the opportunity to finally work with her on her latest project but is this more than a crush?

Note: I plan to finish/post the next part of The Miller's Buttercup on Monday or Tuesday. I've just been toying with this idea for a couple of weeks now and really wanted to finish part 1 (I wanted to procrastinate) and was inspired to finish it after reading some of the wholesome Dieter x horror lover fics by @coulsons-fullmetal-cellist (I was procrastinating and reading their fics, would recommend you do the same).

Let me know what you think! I hope you enjoy :)

P. S the Dieter Bravo gifs are killing me

*********

Sati Gajjar was talented, there was no doubt about it, she was finally getting the recognition that she deserved and her name was becoming a hot one to work with. She was down-to-earth but assertive, articulate yet kind, and passionate with a clear vision always in sight. She was your best friend and had been ever since you two met in middle school maths, a subject you both couldn’t stand. 

You’d both quickly bonded over books, music, films and television. Media marathons quickly became a staple in your friendship. You both loved storytelling and started making short films together in your early teen years. Sati was articulate but she wasn’t quite the wordsmith or poet that you were, you had a way with words and a million ideas for stories. Sati brought your words to life, she was direct and she knew how to make people listen, she knew exactly how to utilise a set, actors, and a camera to make your ideas better. 

You were a dynamic duo. Most of the work in both of your filmographies were collaborations but with more opportunities, schedules and life you’d both recently done some non-dynamic duo projects. This film was not one, it was your first time working together properly in what really wasn’t long for industry time but felt like forever for the both of you. Your last project together was technically writing an episode of Black Mirror that Sati directed, it didn’t line up though as you were working on something else in Australia so you weren’t on set together and during the writing process it had just been the usual influx of back-and-fourth messages and some video calls. 

Sati wished that you were here now, you both had producing credits, Sati was directing and you had written the script, it was a Blumhouse Productions feature which was big for both of your careers. You were in Australia wrapping up filming of an HBO Max limited series you’d created, written and were a co-Showrunner of. It had been your biggest creative responsibility yet and you were anxious and sleep-deprived, which Sati was well aware of. 

Your presence was missed more in the current circumstances, Sati had a meeting with the lead actor in your new picture, Dieter Bravo. It was clear that he wasn’t super interested in being at this meeting, which didn’t please Sati but she didn’t let it show. 

Sati absentmindedly tapped her fingers against her chair as the actor sunk further into the chair in the office, he looked like a slob and had his sunglasses pulled down low on his nose. He was visibly hungover and his head was pounding, his agent Abby was far more involved in the small talk than him. As the conversation continued it became clearer that nobody else was joining, Dieter interrupted Sati and Abby by snapping his fingers and then saying your name. 

“Hmm?” Sati asked looking over at him. She wanted to like him as they’d be closely working together but while she found this behaviour somewhat intriguing for the enigmatic reputation of Dieter Bravo, she was finding it off-putting and concerning for his potential work ethic. 

“Where is she?” Dieter asked. Abby sighed and rolled her eyes, she had already told Dieter that this meeting was just with the director and that you were unavailable, it was no secret to her that your involvement was a significant factor in him taking on this role no matter how much he tried to downplay that fact. 

“Unfortunately for us, she’s wrapping up a project at the moment, post-production in Australia. She sends her apologies though and will be with us for production.” Sati calmly responded, smiling at Dieter. 

Dieter groaned lightly then pushed his glasses up a bit more and nodded. It was too early in the day to be talking about work for his liking especially with a hangover. Meeting you was the main incentive for being up this early, he knew you wouldn’t be here but he still held out hope that maybe you’d have shown up. Dieter was a fan of your past work and he wouldn’t admit it to his agent or the director across from him but he had a little crush on you, despite the fact that you’d never met. He was sure that Abby knew this though.  

As the meeting eventually wrapped up, he lazily shook Sati’s hand and left. She was nice enough and she was firm, Dieter could tell she wouldn’t be impressed with his antics, he imagined you wouldn’t either if you two were so close, he’d have to keep that in mind. 

**********

You didn’t know what a healthy sleep schedule was, your sleep schedule had always been atrocious. Cramps were in full swing and could feel a distinct pain in your ovaries and bladder, yay for endo and fibroids you bitterly thought. You didn’t have your period but you were experiencing a mild flare-up, which was part of what was keeping you up, along with the general stress of life. You were an anxious bean to your core, a fact you’d never argue with. 

You sat at a desk, sipping some peppermint tea and with a heat pad down your pants as you reviewed the final cuts of episodes while following along with a heavily annotated and doodled-on script. This show had been filmed in Australia and post-production was based here as well, a lot of the creative talent on this show was local which you’d liked being involved with. But you would also be the first to admit that this job and the timezone difference certainly didn’t help with your already problematic sleep schedule. 

It was almost 2 AM for you, you heard your phone vibrate on the desk and looked over. It was Sati, seeing her name and picture light up your phone screen made you smile, you loved her more than anything. Rubbing your eyes, you picked your phone up quickly, almost clumsily dropping it 

“Hey boss,” you answered, somewhat tiredly but your tone was still chipper, more than what was natural for this hour. 

“Not sleeping huh?” Sati playfully questioned, well aware of your sleeping habits and what you’d say.

“You’re the one that called,” You responded matter-of-factly with a smirk on your face that you knew she’d somehow know about despite not being able to see your face. “Turns out that a whole new timezone just keeps the sleep schedule just as troubling.”

“So I shouldn’t move to New Zealand and become a sheep farmer?” Sati asked with a chuckle, “Wait for a few more jobs I reckon. But you know I’m in Australia and not New Zealand right?” You joked in a deadpan tone, causing Sati to laugh, “Yes, I know they’re two different countries. New Zealand just seems nicer, less spiders!” Sati dramatically exclaimed. Which made you laugh, nobody had a phobia of spiders quite like Sati, you wouldn’t remind Sati that you hadn’t been attacked by any spiders or seen any gargantuan ones. You’d already done it and she wouldn’t have a bar of it. 

You remembered that Sati had had a meeting with the talented but notorious Dieter Bravo and that was probably part of the reasoning behind this call so you finally dared to ask “So, how did it go?” 

Sati sighed and pinched the bridge of her nose before answering. “He was well, bored to say the least? And hungover? His agent Abby was fine, he didn’t really have much to say.” “Oh?” You queried, his substance use was highly publicised, and his reputation included him being a brilliant actor but an eccentric personality, to say the least. All of these were facts you both were aware of. 

“He asked about you, it’s like the only time he spoke.” Sati teased with a confused but amused tone. “Wait what?” You were surprised at that, Sati’s name was obviously bigger than yours, her role naturally meant that she was more of the face of behind-the-scenes work and you had no problems with that. You loved storytelling but you hated the spotlight from a young age. You’d had people compliment your scripts but you’d never had someone as big as him express an explicit interest solely in you, well your work. 

“Yeah, I swear it was the only time he spoke! He’s a big fan of May, Abby made that clear, that the script and working with you was why he wanted the role.” Sati stated, she was well aware of your disdain for the spotlight and your difficulty with praise, and she was glad that you at least got the flowers you deserved out of her awkward meeting. 

“That’s so wild-” you said, pausing to yawn and push some loose strands of hair behind your ear. “I can’t believe he’s seen it-” “Of course, he’s seen it and of course he loved it. It was a hit! Remember?” Sati said excitedly with a playful tone in her voice. You smiled and rolled your eyes despite remembering Sati couldn’t see that, “Shut up,” you said playfully, then sighed as you rubbed your eyes, “It’s just still so surreal.” 

“Yeah, I know.” Sati laughed softly, recognising your voice was becoming a bit more tired. “Well, I’ll let you go, sleep with the Crocs and whatever else it is you’re doing down there.” 

“I prefer brunches with koalas actually Sati.” You remarked. “Well, at least the Crocs don’t have chlamydia.”  Sati quipped back, you chuckled dryly and rolled your eyes at that. 

“I love you too Sati, well good night and morning to you.” You replied as you felt sleep catching up more with you. 

“I love you. See you soon.” Sati said and then she hung up. 

You didn’t know what to think, you expected that Sati’s meeting with Dieter would either be an absolute trainwreck or he would somehow disprove his reputation, that maybe it was all an act. You’d never expected in a million years that while the meeting wouldn’t be the highlight of Sati’s day that he’d somehow end up turning out to be a fan of your work. You felt yourself smile at that, and you tiredly scolded yourself, you didn’t need the validation of a stranger and it felt weird knowing that the enigmatic, finicky Dieter Bravo liked your work. It felt even weirder that that had made you smile. 

******** 

It had been a few months since Sati had had that meeting with Dieter and called you.  Post-production had wrapped up in Australia and you were now back home in the USA, you were glad to be back home, the familiarity was comforting and put you at ease a bit. Filming was still almost a month away but you had already had some meetings with Sati and other cast and crew members which had gone well and you were having one with Dieter this afternoon. You were curious to meet him and this curiosity grew alongside anxiety with knowing that he had specifically mentioned your work. 

You were now at a cafe waiting for Sati, you’d worn one of your black turtle necks with black trousers with an emerald green coat hanging off your shoulders. You weren’t in a creative block but had a million ideas, which was typical as you were entering a project, you’d been typing away when Sati came over.

“God, do you ever take a break?” 

“Ain’t no rest for the writers. We’re wicked creatures.” 

“You’re not Mike Flanagan, you don’t need to be pumping out at least one amazing thing a year,” Sati scoffed as she sat down. 

“It’s just future ideas.” You replied and Sati quirked an eyebrow which made you smile, “I’ll spam you and pick your brain about it later, okay?” She smiled and nodded as she made silly plot guesses as she rested her chin on your shoulder, reading what you were typing as you both waited for Dieter to come.  

Little did you know, Dieter was also genuinely anxious to meet you. Dieter looked around the cafe and he quickly saw you and Sati. He felt a blush creep up his neck to his cheeks as he saw you, it was surreal to see you in person. Your face was scrunched up in concentration, you were typing away and Sati was leaning on you. You said something which made her double up with giggles, and whatever she responded with broke the look of concentration etched onto your face with a smirk. You then laughed and took a sip of your water. As Dieter made his way over to the table, he couldn’t help but think how gorgeous you looked when your face was screwed up in conversation but also when you laughed. He wanted to make you laugh and he hoped he’d be able to hear that sweet noise in person today. 

“Hey,” Dieter started as he awkwardly fidgeted with his hands, you and Sati looked up at him. You smiled warmly at him and closed your laptop. 

“Hey, it’s lovely to meet you-” You put your hand out to shake his as he responded. “Uh, yeah, you too.” He shook your hand gently but firmly, your hand felt so small in his big one, and you felt a tingle as your hands touched which made you smile softly. Dieter felt it too and blushed at the sensation. 

Dieter sat down and drummed his fingers softly against the table. Sati got up and looked over at Dieter, “I’ll go and order, what do you drink Dieter?” Dieter answered with his order which made you and Sati both raise your eyebrows at the amount of caffeine but Sati went off to the line. 

“How are you?” You asked Dieter genuinely but anxiously. It was bizarre seeing a celebrity as big as him in front of you, you’d be working with him and he was apparently a fan of your work? It was wild. You knew he was attractive but he was also somehow more attractive in person, there was something charming about his tousled curls and the way he seemed to fidget. Was he anxious as well you wondered? Dieter looked at you like he was taken aback, you noticed his eyes changed but you weren’t quite sure what the change meant. 

He was taken aback by your question but smiled, he could tell by your tone and the way you were looking at him, it was genuine. It wasn’t the small talk or robotic answer with an expected vague and positive answer kind of question. “I’m alright, how are you?” He answered, he was, he was more anxious than anything but he didn’t want to admit that. You nodded and answered that you were alright as well. 

“Were you working on something?” Dieter asked, his warm chocolate eyes flicking over to the now-closed laptop. You nodded sheepishly. “What is it?” Dieter was genuinely curious and wanted as much of a glimpse into your mind as possible. 

“Just a few ideas in my head, nothing concrete super concrete at the moment. I’ve been talking to Sati about something based on Violet Paget’s works. I’ve also been toying with the idea of a Medea adaptation for a couple of months, a psychological drama with subtle horror elements.” You replied, feeling a bit self-conscious over a borderline rambling, Dieter nodded and smiled as you spoke though, it didn’t seem forced and it reassured you a little. 

Dieter hadn’t heard of Violet Paget before and made a mental note to Google that name as soon as he left. But he could easily see how a story like Medea’s could be adapted into something deeply emotive and visceral, especially by you. He smiled at the thought of how you’d adapt a story like that, something already heartbreaking and expand it in that provoking way into something also beautiful. 

“Maybe I could read Jason? If that helps your process or fits a future casting call.” He beamed with a growing smile. You smiled in return which reassured him that his offer wasn’t a cocky move. But you raised an eyebrow in surprise at his knowledge of the story. “What?” He asked, worried for a moment that maybe he’d overstepped and did indeed make you uncomfortable. 

“I was just surprised you knew Medea and Jason.” You answered with a warm smile which made Dieter relax again. 

“I did my tragedies,” Dieter responded proudly. 

“Huh,” You chuckled which provoked him to raise an eyebrow. “Well, we’ve only just met but you strike me as more of a Shakespeare guy I guess.”

“Am I that brand of pretentious?” Dieter asked in a teasingly offended tone. You laughed and shook your head reassuringly which made Dieter laugh. 

Dieter was secretly a people pleaser and he desperately wanted to impress you and the ease in the conversation and the laugh he’d gotten out of you relaxed him. It was as you laughed that Sati sat back down. 

She was quick to notice the difference in Dieter’s attitude and persona with you present. He was sober for starters but he was engaged in the conversation and he seemed to hang on to every word that left your mouth, which Sati knew you didn’t notice. 

The conversation flowed for a couple more minutes and then your drinks were brought out. You sipped on your chai as Sati then spoke about some pacing and shot sequences she had in mind that impressed Dieter. He asked some questions about his character and context which you answered thoughtfully, Dieter knew this would be a hit and easily one of the best projects he’d be involved in. 

As the conversation went on he was quickly picking up on your mannerisms. Like Dieter, you were also a fidgeter, you would fidget with the corner of your clothes, he assumed this was an anxious habit but he picked up on that it was something you also seemed to do subconsciously. Sati was clearly the more extroverted of the two of you, she was a bit bolder and it was clear that she adored you but Dieter quickly knew you were the warmer one of the pair. He wasn’t too surprised but he had expected you to be more gloomy based on your works and how you seemed to stay out of the public eye. 

You also had quite an expressive face, it would be great for the stage he thought, he also quickly learned that when your expression shifted into neutrality it wasn’t necessarily you being upset but that it was a shift for deadpan delivery. You were witty and some of your humour was silly but you definitely had a dry sense of humour. It always made Sati laugh and she didn’t seem as much of a serious person as he’d assumed when they’d met. You seemed to delight in making Sati laugh, which made Dieter want to make you laugh even more. You weren’t just ridiculously talented but you were kind, caring and funny, wanting to bring laughter to your loved ones. It was true though, you often used humour as a coping mechanism (you still loved a good, big fat cry) and you just wanted to make everyone happy. 

Dieter was easy to talk to and you felt surprisingly charmed by him, the knot of anxiety in your stomach slowly untangled throughout the conversation. You knew you shouldn’t have made assumptions but he was surprisingly a good listener, he was attentive, and he asked good questions regarding the project which you appreciated. You wanted to work with passionate people, people who cared and that was always more of a gamble on the slightly bigger projects. 

After a couple of hours, cinematography came up and you all spoke about Bones and All, at this point Sati checked her phone for the time and looked up. 

“I’m sorry but we should probably head off now, for the next item on the agenda,” Sati remarked. 

“How long do we have?” You asked Sati, being absolutely unaware of the time with your phone in your pocket and your laptop closed. “Just under an hour,” Sati responded, you nodded and Dieter tilted his head to look at the both of you. 

“I’m sorry, it was so lovely to finally meet you.” You said looking at Dieter, he smiled and blushed slightly, “It’s okay, it was great to meet you too.” He said smiling at you, he then turned to Sati “And it was great to catch up again. Thanks for making the time for this.” He answered. 

You all got up and said your goodbyes, he went in the car with his driver that was just outside of the cafe. You put your hands in your pockets and looked at Sati as you both waited for your Uber. “You made it sound a lot more professional than what it is.” You said. Sati looked at you and raised an eyebrow teasing, “It’s important.” 

You chuckled at that and playfully rolled your eyes, the next item on the agenda was going to a local cinema for its special screening of Dario Argento’s Three Mothers trilogy. It felt almost rude to end the meeting on that but you had been looking forward to this with Sati so you didn’t say anything. 

As Dieter sat in the backseat of the car, he pulled his phone out of his pocket and quickly Googled you. The fact that you and Sati seemed to be going to the same “item on the agenda” reassured him that this meeting didn’t end because you had a date. Plus he was certain that you seemed almost disappointed in having to leave, he hoped that wasn’t a delusion. But he still needed to check. 

You didn’t have a ring on your finger but that didn’t mean much, your Wikipedia page didn’t mention a partner but there wasn’t much there under ‘Personal Life’, he’d gathered you were a private person anyway. He checked your Instagram and it didn’t look like you had any partners. He knew you and Sati were assumed to be partners often but you’d both denied this and Sati had a long-term girlfriend that the public knew of. 

He exhaled and leaned back into the seat, it looked like you were single, well he took the lack of evidence of a relationship as a good sign. He then remembered you’d mentioned Violet Paget, he typed her name in and clicked on her short Wikipedia page. Part of Dieter had hoped that meeting you would squash his little crush but now he just felt smitten.

Tag list: @pedritosdarling @read4funz @undermoonlightwalk @daddy-din @cowboychickenlittle

[domquixotedospobresblog]

Hope you’re all still hungry. From Blumhouse Television and Producers of M3GAN comes House Of Spoils, out October 3.

[mediamixs]

The Halloween saga comes to television and will become a terrifying series

In 2023, Miramax, in collaboration with Trancas International, acquired the TV rights to the Halloween franchise. After a fierce bid for the television rights, Miramax has presented a superior offer to that of Blumhouse and A24, putting all its effort and money to fully recover the rights to the franchise under the protection of Trancas International Films. However, this is not all, because what Miramax wants is something in the purest form of Marvel and Star Wars: to start its own universe in cinema and, first, on television, with the masked killer of Haddonfield as the cornerstone.

In this way, Marc Helwig, head of television at Miramax, has announced: We couldn't be more excited to bring Halloween to television, said Helwig. We are delighted to expand our long and successful partnership with Trancas and the brilliant Malek Akkad in introducing this iconic franchise to a new form of storytelling and a new generation of fans. In this sense, Malek Akkad, CEO of Trancas International Films, added: At Trancas International Films we are very excited to expand our long relationship with Miramax, and we look forward to working with Marc Helwig and the entire team in the creation of these new projects. Therefore, what has ended is Myers' journey with Blumhouse under the tutelage of David Gordon Green in the direction that, being benevolent, began at good speed with our favorite slaughterer in Halloween, and showed some wear and tear with Halloween Kills to, in Halloween Ends, go off the road and drive in the wrong direction with some decisions that, even today, are difficult to assimilate.

45 years after the premiere of John Carpenter's legendary film, its future premiere in television format will be a novelty for the long-running franchise. It is unknown if the television series will start from scratch or continue where its original film left off. This is one of the big questions, and we must remember that Halloween is a somewhat complex saga to follow, full of paths, options, films that do not contribute to the saga.

Thus, this commercial maneuver paves the way for the development of a series based on the adventures and misadventures of the masked killer of Haddonfield that would serve as the foundation stone for a cinematographic and television universe; something that, of course, has been celebrated by all horror film lovers and Michael Myers fans around the world.

[femtober]

FEMTOBER BLOG: Fridays & Franchises

Happy Friday the 13th!

While no woman has directed an installment of the Jason Voorhees saga, there have been a few franchise films that women have helmed, including one featuring Jason's rival Freddy Kruger, Freddy's Dead: The Final Nightmare, directed by Rachel Talalay.

Perhaps somewhat predictably, Freddy's Dead received poor reception but was a modest box office success, outgrossing its previous installment. The movie was relatively tame in its violence; Talalay instead wanted to focus on more surreal meta humor that the series had begun to stray from. True to its name, Freddy's Dead is the last film in the original Nightmare canon. The next three installments (New Nightmare, Freddy vs. Jason, and its 2010 reboot) all existed in a separate canon from the original franchise. While Freddy's Dead is not necessarily looked on fondly, I personally find it to be a very passable installment in a franchise I otherwise don't really enjoy. The 90s introduced the more acerbic side of humor in horror, so the slapstick goofiness of Freddy's Dead feels like a fitting goodbye to the previous decade.

The most powerful man in horror currently, Jason Blum, infamously stated in 2018 that "There are not a lot of female directors period, and even less who are inclined to do horror." He's since rightfully walked back on this statement, and while Blumhouse - under its various labels - has produced a fair number of horror films directed by women on streaming and television, theatrical releases of these films are few and far between. Enter Black Christmas (2019) directed by Sophia Takal.

Black Christmas is an interesting beast. On first glance it seems as though there's heavy studio interference. There's virtually no language or blood, and the story seems fractured. How much interference, it's hard to say. Sophia Takal stands by her vision for the film, wanting to make it as feminist as possible for a PG-13 audience. The end result, unfortunately, is underwhelming. Black Christmas ultimately feels like a shadow of its predecessors. While the 2006 remake is also maligned, there's a certain level of insanity that serves the film well in hindsight. The 2019 version often feels less focused on horror and more on identity, a criticism I hate to make about a female-directed film. Black Christmas's negative reception may have helped it fade into obscurity; in addition to being a critical failure it was also a box office bomb. I'm not the biggest fan of Takal's work, and certainly not of Black Christmas, but I think the most important takeaway we can have from this film is that women should be allowed to fail. We do not need an all or nothing approach to intersectional filmmaking. Sometimes things can be bad, and sometimes they can be worse than bad. We persist.

To date, Black Christmas is the only major theatrically released Blumhouse horror directed by a woman. Of course, this will change in just a few weeks with the release of Five Nights at Freddy's, directed by Emma Tammi. I can't say I'm particularly excited about the content of the film, but the prospect of a highly anticipated studio film directed by a woman is a major milestone. Between FNAF and Barbie, it's a good year for women to be making films, but of course there's always room for more.

My biggest pet peeve with major films directed by women is the passing of the torch to a male director when the first film succeeds financially (see Twilight, Fifty Shades of Grey, To All the Boys I've Loved Before, etc.). Blumhouse is obviously planning on making FNAF a franchise IP, so it would be great to keep the momentum going with Tammi or another woman continuing to lead the series. Fingers crossed!

If you're interested in any other female-directed franchise horror films, check out the following: •Candyman (2021), directed by Nia DaCosta •See No Evil 2, directed by the Soska Sisters •Critters 3, directed by Kristine Peterson •The Slumber Party Massacre series •The Pet Sematary Series, directed by Mary Lambert •Sorority House Massacre, directed by Carol Frank •The Fear Street Trilogy, directed by Leigh Janiak •V/H/S/94, 99, and 85 •Darlin', directed by Pollyanna MacIntosh •Mirror, Mirror, directed by Marina Sargenti and more!

[firewireblog-blog]

Killer Cakes

From horror visionaries Blumhouse Television, and Cake Boss creators High Noon Entertainment, Killer Cakes is a one-of-a-kind competition show where bakers with terrifying skills attempt to win some of the most frightening challenges ever produced for television. Contestants will work with the best horror special effects artists in Hollywood to unleash their twisted imaginations and create cakes…

[superpoweredfancast]

Ariana DeBose stars in 'House of Spoils' from Blumhouse and Amazon MGM Studios

Academy Award winner Ariana DeBose stars in a new genre-bending thriller from Amazon MGM Studios and their collaboration with Blumhouse Television. House of Spoils follows an ambitious chef (Ariana DeBose) who opens her first restaurant—a farm-to-table affair on a remote estate—where she battles kitchen chaos, a dubious investor, crushing self doubts… and the powerful spirit of the estate’s…

[disneytva]

The Disney Afternoon’s’ programming block launched 34 years ago, September 10, 1990.

The block will turn 35 years in 2025, wishful thinking for a crossover series with all characters like Jellystone! from MAX getting ordered.

The 2010s and 2020s saw new interations of some shows of The Disney Afternoon block with DuckTales as reboot for Disney XD , Chip 'n Dale: Rescue Rangers as a live action/cgi hybrid film for Disney+.

New interations of The Disney Afternoon shows are still being made with Darkwing Duck having a reboot in the works since 2020 and a TaleSpin reboot very early in development since 2023 both projects for Disney+ are being helm by Disney Television Animation, Seth Rogen, Evan Goldberg and Point Grey Pictures. (Nickelodeon Animation Studios "Tales Of The Teenage Mutant Ninja Turtles") In October 2023, it was announced that Gargoyles was getting a live action reboot handled by Atomic Monster and Blumhouse Television, Gary Dauberman (Warner Bros “Anabelle” franchise), acts as showrunner with James Wan and Michael Clear (Universal Pictures “M3GAN”) as Executive Producers alongside Jason Blum (Universal Pictures "Five Nights At Freddy's").

As of right now there's two major Disney Afternoon IPs still left to be rebooted:

-Adventures Of The Gummi Bears

-Goof Troop

Who's next? i guess the future knows however attempts by current Disney Television Animation artists where made:

"Goof Troop" by Becky Dreistadt and Frank Dreistad  (“Big City Greens”, “Big City Greens The Movie: Spacecation”, “Star Vs. The Forces Of Evil”, Cartoon Network Studios “Steven Universe The Movie”, “Steven Universe Future”)

"Adventures of The Gummi Bears" by Pedro Eboli and Mark Satterthwaite (Netflix “Cupcake and Dino: General Services”, Cartoon Network LATAM “Oswaldo”, Nickelodeon “Ollie’s Pack”, Discovery Kids LATAM “Bada Bean”, Amazon Prime Video "Gary and His Demons")