#boss reggae

[eddiemort]

The Specials, Madness and The Selecter on Brighton Beach. 2-Tone tour, 1979.

This is why I love this place...

[parissoulstylists]

Ça va être bien sympa !

[generalechoes]

Monthly reggae disco in North-East London. The night is named after sadly departed MC Earl Anthony Robinson, the voice behind classic deejay tunes such as "Drunken Master".

For the April session, we're excited to welcome Naoko The Rock to select tunes for us for the first time! From four years old, Naoko Itami trained as a classical pianist and steadily absorbed a wide range of music which eventually came to include the reggae genre. By the age of 19, Naoko regularly organised reggae events such as Oldies But Rudies, Carib Soul and 7UP! in her native Japan.

In 2001, she moved to London and joined a band as a percussionist gigging around the capital whilst still getting her obligatory reggae fix via Jah Shaka’s legendary sound system. The dissolution of her band prompted Naoko’s return behind the decks and to the city’s skanking scene. Since that time she has built a stellar reputation as a top selector, having played at established nights such as Roots Vibes, Dub Me Always and Tighten Up, been part of deejay collectives Ska Lavin' and Sisters Of Reggae, and also toured internationally, with appearances at festivals such as Reggae Geel (Belgium), Rototom Sunsplash (Spain) and Woman of the Ghetto (Italy).

Come and listen to some of the greatest music ever made in a beautiful old school club. £3 members £5 Guests and non-members Please help the trades staff by bringing the correct money for entry.

FB Event page: https://www.facebook.com/events/951811182928474

[peninsularian]

Lloyd 'Matador' Daley production, 1970

[theskillystory]

bet mi fuck up in yuh

[radiophd]

dice the boss -- but officer

[allieebobo]

Merry Crisis—Cast of characters

Romance-focused x Slice-of-life x Queer x Non-Euro-centric x Character-based

Demo | Features | Dev log | Back to Main Post | COG forum | Dedicated tumblr | Ko-fi

Credit: The wonderful amazing INSANELY talented @dumplingcatho made these STUNNING character portraits!! I am still reeling from how dang good she is. I swear she probably made a deal with the devil for this talent but I shall not question it.

Nat [M/F]

The soulmate/ex/best friend.

Your ex. Your parents never approved of them, but you suppose it doesn’t matter anymore. Despite the breakup, you’re still friends, and worse still - you still live with them in a tiny shoebox apartment. New York rent, man—it's hard to say no even though you know you should be moving on, and moving out.

Height: 6′2 (M) | 5′11 (F)

Nationality & race: African-American

Occupation: Post-doc fellow, working towards becoming a tenure-track professor.

Description:

Warm, twinkling eyes, and big, infectious laugh. Can swing from nerdy charm to extreme goofyness at the drop of a pin.

Loving, thoughtful, and kind to a fault. Relaxed, gentle demeanour

The kind of friend—and partner—you can trust with your life.

An incurable optimist.

Loves people, art/movies (especially talking about them with friends), food/cooking, their two dogs. 

Nat's dogs

Kiho [M]

Breed: Cairn Terrier

Age: 8

Description: Proud, small, intelligent, standoffish, with a stern grandpa energy. Apparently, a reader/player told me long ago that Kiho means "big boss" in Finnish colloquial slang and that was so perfect that it stuck. If Kiho were human he'd wear an old patagonia vest and spend his weekends fishing (not very adeptly).

Liz [F]

Breed: Border collie

Age: 3 (adopted when MC and Nat were already together.)

Description: Not exactly literal golden retriever energy but... close enough. A ray of sunshine, playful, easygoing, happy-go-lucky and a voracious eater (she eats everything), loves playing in puddles and has a special love for chewed up tennis balls.

Qiu [M/F]

The estranged first love / soulmates.

Your first-love (or platonic soulmate), from junior college. You’d not kept in touch, and now, they’re ridiculously successful. But, according to your intel, still…single.

Height: 5′8 (M) | 5′4 (F)

Nationality & race: Chinese Singaporean

Occupation: Public prosecutor

Description:

Extremely intelligent, with a sharp, cutting wit.

Ambitious, determined, and a bit cynical / jaded.

Dark, piercing gaze, with a completely unreadable expression.

Formal, a little bit stiff, and always impeccably dressed.

Aloof, almost intimidating presence despite their relatively average height/slim build.

Loves a job well done, being useful, stimulating conversation, and solving problems. Peace and quiet.

Shay [M/F]

The charismatic stranger.

Your neighbour (Auntie Pearl)'s new tenant. Sexy, confident, and unabashedly unconventional. Your mother definitely does not approve, but you might not be able to resist their roguish charms.

Height: 5′10 (M) | 5′6 (F)

Nationality & race: Chinese (Peranakan) Singaporean

Occupation: Lead singer & guitarist in a rock band

Description:

Thick, sweeping eyebrows, expressive eyes that twinkle at the edges, and a permanent roguish half-grin.

Tan, athletic, with an undeniable swagger to their walk. Has a penchant for sleeveless muscle tees. Good with their hands (and... possibly other parts of their body).

Adventurous, resilient, unflinchingly honest, and uncompromisingly true to themselves / the people they love.

Loves the outdoors (and constant motion), music (especially rock, reggae and soul), dancing, soccer, nature/plants (including gardening).

Other asks

[vrnicky]

Finally... I present thee

All Jobs!

Sans- college teacher, science

Papyrus- carpenter (hobby) and architect

Blue- cop

Miere- muffet's bakery cashier

Rojo- mechanic

Cap/tain- chef and also culinary teacher

Orion- works in the planetarium but is also a sustitute teacher

Perseo- cop

Atlas- waiter in different restaurants

Orbit- secretary of the boss of the casino

Meteor- writes books, hides his image tho

Sirius- police officer

Zen- works in a restaurant, he makes the meals

Max- works in a restaurant, he makes the dessert

Odiseo- mechanic but more in the area of fixing bikes for people with disabilities

Hator- from home translator

Loan- works in the same restaurant as Zen and Max, he makes the meals

Nayer- works in the same restaurant as Zen and Max, he makes the desserts.

Azrael- library’s receptionist and translator

Deus- owner of the library, also the one to organize everything, books from his universe

Angelus- vet

Daimon- not a vet but works with Angelus, calming the pets

Astarte- blacksmith

Morpheo- cashier in a coffee shop

Bonnie- works in a casino, either guard or with paperwork

Clyde- doesn't have a main job in the casino

Shark- hitman

Gorilla- matón/bruiser

Patrone- security guard of the casino

Chief- head of the casino along the royals

Devonte- informant to the royals

Sargent- security guard of Iron, ex-mafia member

Wine- makes clothes, often in Black's store but makes his own designs

Coffee/Cofi- freelance artist, webtoon artist

Berry- lawyer

Money- candle maker

Black- manager of fashion store, mind behind the designs

Slim- fashion store, jewelry

Edan- daycare

Hans- animal shelter

Butcher- works at an antique shop as an employee by a nice old lady

Twister- doesn't work

Disco- dance studio, teaching kpop sometimes (forced)

Tango- dance studio, teacher of more traditional dances

Swing- waiter in a cafeteria

Regga- works in a dance school and as a DJ in the weekends

Caramel- owner of a bakery

Sweet- waiter or Caramel’s bakery

Vino- full-time model

Cappuccino- full-time artist, sometimes anonymous modeling

Lur- owner of the market in the farm district

Farren- he harvest everything for the market while also taking care of his animals

Vega- mailman of the neighborhood and carpenter

Carrot- beekeeper

Nicte- foreman

Balam- horse tamer but also a furtive hunter

Garo- forestry and floriculture

Bosco- woodcutter

Sugar- vet

Cherry- doctor

Lemon- dog herd

Lime- soil and plant scientist

CC- agricultural engineer

PJ- winemaker

Gent- General surgeon

Lupin- college teacher, physicist

Aloe- head of the department of chemistry

Lion- mathematician

Cempa/súchil- Quantum control, annealing and computing. Mathematician.

Velvet- Fashion and interior design (hobby). Nature preserve ranger.

Allen- flower shop

Bliss- freelance painter

Nolan- in the police as a detective

Eros- model

Phew, long text

[eddiemort]

If you are in Brighton UK next month...

[v3nusxsky]

Hi again, sorry hahaha, but I suddenly got this idea.

May I request for a Larissa Weems x Dance Professor/Instructor Reader. Larissa needed Reader for something so she went to Reader's studio in the school. There she found Reader dancing. I like to think Reader's somewhat of a hiphop type of dancer so baggy clothes, sweatpants, and big sensual movements at times. Larissa just watched for a while then when Reader was close to finishing their dance they took off their top due to being into the music, leaving them with a sports bra or something. Basically just Larissa thirsting over Reader habshsha thank u vv much im sorry if its a bit confusing.

I hope you're well!! <33

-🦝

Rhythm is a dancer| fluff

*Authors note~ I absolutely adore this idea and I love dance but I cannot do it due to my condition so this gave me that feeling back. Music is truly magical*

Trigger warnings~ Larissa being thirsty af for r

Prompt~ see ask^^^^

✣✣✣✣✣✣✣✣✣✣✣✣✣✣✣✣✣✣✣✣✣✣✣✣✣✣✣✣✣

Teaching at Nevermore was nothing short of a dream. The students adored you and you loved the state of the art dance study that you spent most of your time in. Dance was your passion and way of expression, so it was only natural that you'd have a favourite style. Despite how feminine you liked to present outside of the studio, when working or dancing you opted for joggers, Nike trainers, sports bra and a over sized jacket that often sat over an oversized shirt.

Recently, you'd been frustrated with your blossoming feelings for your boss, so that meant you  spent more time in the studio choreographing routines, working out, preparing class routines. One of your favourite things about the studio was your floor length mirrors that gave you a better look at your movements from different angles. They were there but easily tuned out when you got caught up in the music.

Larissa was curious when she heard music coming from the dance studio. It was rather late for you to still be working, and the music in question wasn't suitable for what you were teaching at the moment. She knew you were teaching lyrical and contemporary pieces, hip hop and partner dances where for later on in the school year, after you'd gotten a sense of the student's abilities. So it was very unusual for her to hear Reggae music coming from the studio, a song with rather interesting lyrics. She quickly made her way to the studio to peak round the doorway, catching a glimpse of you in the mirrors. Truly, she began to thank herself for adding those to the studio.

You were stunning, the way you moved with the music, as if you and the music where one. It was clear the style was hip hop due to the bigger movements, style of dress and even the slightly sensual movements. The dancing causing you to get warm but knowing the routine was no where near finished you removed your jacket and shirt as if it was always planned to happen, as if it was the next step in the routine. It was flawless.

Larissa would be lying if she said she wasn't absolutely star struck by your movements. The way you rolled your hips ad the way you had this most adorable blissed out look on your face. Your breathing fast as you continued to walk through the routine. Truly, Larissa would be lying if she tried to protest her feelings and thoughts were pure. You were there, rolling your hips, joggers slipping down your hips ever so slightly exposing the band of your underwear and your sports bra providing skin for Larissa to ogle.

Beads of sweat little your body and Larissa had to fight the urge to come and kiss them away. A taste that was unexplainably you. She watched as the music died out, and your movements slowed to stopping. Your breathing racing along as you sucked in greedy gasps of air before bringing your hand up to wipe your forehead. You made your way to your water bottle taking some greedy swigs. Larissa took that as her cue to leave before you spotted her watching you, well drooling over you. The last thing she wanted was for you to feel uncomfortable by your boss thirsting after you.

Larissa's took herself back off to her chambers, retiring for the night. A quick shower and she was in her bed, mind still replaying that dance over and over again. The ache between her thighs growing every time she replayed the memory. With a sigh in frustration she reached over to her bedside draw to grab something that would help. Only then did she relieve her ache that you'd unknowingly caused as she imagined you working diligently between her thighs. Maybe one day it would be more than a thought, but for now she had the memory of your dance, the way your muscles rippled in the movement, how you'd look so sinfully delicious in casual clothes. That was enough for now.

Word count ~ 842

[dogtoling]

Do you got any goobers that aren't inklings or octos?

I'm assuming cuttlefish and bobtails don't count for this one. I do have many OCs that aren't inkfish, but pretty much all of them so far are side characters. It's more difficult to create in-depth characters out of non-Inklings due to the COMPLETE LACK of worldbuilding and any other building Splatoon has for like, every species, we don't know how many species lifespans or societies or languages or anything works. Or like how many species are out there with hundreds of eggs per clutch and how are those kids raised? Et cetera. But I'll add some of them to this post.

Al, a fuzzy Nautilus and Poppy's (Peppermint's younger sister) boyfriend, as of very recent

Finston, a Salmonid who grew up in Inkopolis raised by squid, and his adopted son Kiddo who got stranded in Inkopolis during the Wahoo World Big Run. He plays in a reggae band with some of my other OCs and comes up with random species of fish to introduce himself as when people ask about his species.

(Boy is also part of this group. he has like 3 different music careers going on at the same time.)

The Flavorful Chef of Whitefish Dam, Master of Seasoning, a Salmonid who owns a small restaurant in the Splatlands selling grilled salmon. The squids call her "Chef" for short because ain't no one gonna remember that. She was Peppermint's boss for a while.

Kala, a goldband fusilier that is Poppy's friend from middle school, and a huge photography nut

Dell, a yellowfin pufferfish working at Sweet Beak Bakery (YOU WON'T GET POISONED UNLESS YOU TRY TO EAT THEM FOR SOME REASON PLEASE DONT.) They have anxiety.

Tali, a whitetip reef shark and the producer of Deep Sea Dead Zone's first album, they made so much profit off of it that they were able to start their own production studio.

Thor, a black long-spine urchin and a tattoo artist, he's made Boy's, Peppermint's and Amber's tattoos.

Prawnette, a humpback prawn and graphic designer/artist. Squid Squad stan as well.

I have some more but here's these guys at least, I'd like to do more with them!

[igazikutya]

Zajok a nappaliból – Traxelektor 2024. 06.

Lomha Lukács és a Multiverzum visszhangjai.

Lomha Lukács akinek szuperhős szkillje, hogy mindig később látszik, mint ahogy (ahol) van, többdimenziós lény, mint az egerek. Kevésbé ismeretes, de megjelenik néha 1st Bass, 4 Slots For Bill, Clementine, Deputy Dawg, Earnest Honest, Jan Van Janssen, Krispy Krouton, Lloyd Owes Me A Packet, Offset és Translucent néven is az multiverzumban. Luke Simon Arthur Slater Reading (londoni agglomeráció) szülötte, így az elektronikus bigbang kezdetekor már ott volt az expanzió közepén. Az eltelt 30 év alatt dj/produceri/szerzői tevékenysége, szerethető személyisége tette sikeressé. Négy, köztudottabb kivetüléséről még nem esett szó, The 7th Plain néven old school detroiti őstechnoidként, modern technoarcként a Planetary Assault Systems szervezet fedésében, Luke Slater néven pedig mainstream technomágusként jeleskedik, és valószínűleg, ami legközelebb áll igaz énjéhez, azt L.B. Dub Corp néven tapasztalhatjuk meg. A jelzőim meglehetősen pontatlanok, mint minden rendes többrétegűség esetében, itt is furcsa átfedések vannak, most is.

Az új L.B. Dub Corp albumot a múlt heti Traxelektorban már hallhatott Only The Good Times maxi vezette fel, és az még nagyjából illett a profilba. A most megjelent Saturn to Home album viszont kis híján beillene Luke Slater albumnak, pedig a detroit techno / chicago house / techno dub iránytól nem tért el Lukács. Inkább a vendégművészek hatnak változóként, Miss Kittin dark electro dub irányba, Robert Owens tulajdonképpen nem módosít, sőt hozza az erotikus house-minnesänger default alteregóját (You Got Me), viszont szövegben egy olyan művet fordított ki, ami egy magyar rádiók sújtotta elme számára régi mély seb, ez Roy Orbison – You Got It-ja, amit valamiért a hazai rádióadók hányásig játszottak egy időben. A blogon többször olvashattatok már a dominikai reggae-bariton Paul St. Hillaire-ről, ő egy 2013-as instrumentális LBDC szerzeményt, a No Trouble in Paradise-t ápdételte. A negyedik vendég pedig a Baal & Mortimer néven alkotó düsseldorfi Alexandra Grübler, aki a hangját adta a Dekmantel gondozásában megjelent albumhoz.

Egyik jolly jokerem, az olaszkvótás Tagliablue. Nem ismerek tőle gyenge kiadványt, és ha van olyan lelkület, mint alkotói szándék, hogy intelligent dance music, annak minden ismérvében klubtag, még pedig a fiatalabb generáció képviselőjeként az. Vészjósló címe (Szakadék) ellenére az Abisso EP könnyen befogadható, agyas, mesterien kimunkált tánczene, egyszerre fotel- és klubzene, kívül laza, belül feszes digitális agymasszázs. Négyből három hibátlan.

Actress kortárs elektronikája megint olyan sunyin csavarta fel az agyam, eszmélni sincs idő, már a nyakamon ül a súlya, sárhouse-ban taposok. A Statik néha feladja a leckét és buddhai türelemre késztet, húzza a figyelmet, de nem mindig ad cserébe, csak színtelen ürességet, vagy vapour-ös szőnyegeket. A hatodik Six például nem ilyen, Aphex Twin selected ambientjeivel egyenértékű darab, és akad, amikor a mocsárdubból kiemelkedő minimal techno töredékek sikerrel járnak, azért ne ezzel kezeld a depressziódat!

Két hónapja szembejött ez klip a Nyege Nyege Tapes YouTube csatornáján:

Ez milyen drog lehet? Kitűzőkből van a farka? – két idézet ismerősi kör reakcióiból. Még aznap megvettem a lemezt, elővételben. Annyira nem jó, inkább kb olyan, mint a borító (ez nem volt szép). Így most ez nem egyértelmű lemezajánló. Violaine Morgan Le Fur multidiszciplináris művész és kurátor, és ami fontos, elsősorban nem zenész, csak néhány héttel a lemez rögzítése előtt kezdett el kísérletezni zenei szoftverekkel. Az utóbbi években dokufilmek készítésével foglalkozott a Párizs külvárosában, breton anya és kameruni apa gyermekeként felnőtt Violaine, akit foglalkoztatnak gyökerei, Bamiléké-földről (Kamerun) is készített filmeket. Violaine, művésznevén Violence Gratuite (ford. Felesleges Erőszak) az albumot egyedül jegyzi. A Baleine à Boss album minden felvételének megvan az az értékes vonása, hogy hibátlan alapokon fut, műfajilag sanzon, hip-hop, no wave, kísérleti elektronika rendhagyó keveréke. Sajnos a keverés az album felén katasztrofális, az én hangcuccom szépen bontja a legsűrűbb káoszt is, ezzel nem bírt szegény. Az albumot a Nyege Nyege sublabel-je, a Hakuna Kulala jegyzi szintén Kampalából (Club explorations from the East African and Congolese Electronic Underground).

Sok szétnyafogott, elfűszerezett lemez után (között) – talán a jó témaválasztás okán – egy kiegyensúlyozott, az electroval szelíden és játékosan bánó Versalife-ot hallhatunk. Boris Bunnik most érzékkel mozog el analóg hullámvetőivel a trance, ambient, dark irányokba. A Technofeudalism EP az osztrák TRUST electro-label kiadványa. (3/4)

Lehetne ez szép is, csak akkor nem volna igaz! Anthony Child és Karl O'Connor közös, 2003 és 2005 között aktív technoproject-je a hangzatos, de zeneileg teljesen valíd, British Murder Boys új stúdióalbumot adott ki. A fiúk, Surgeon és Regis a két dekád alatt semmit nem változtak, ez ugyanaz a warehouse technosound, amit anno lefektettek és ez így van jól! Valaki üvöltve: „Ezek állatoook!”

A brit zenei hagyomány útján haladva, ahol a művészi kifejezés eszköztárában a szexuális energia rituális sűrítése, a punk attitűd, a fekete humor, provokáció, a szorongás kifejezése mind része az egésznek, mit része, ettől működik, ettől hat, a legmélyebb zsigerektől a felszínig. Az Active Agents And House Boys album velejéig kompromisszummentes anyag, működhet a klubokban is, de nem (csak) arra született. Azért, jó volna ezt élőben látni, hallani, mert még sokkal izgalmasabb lehet, és különös módon erre két lehetőség nyílik, júliusban Madridban a Code Summer Fest-en illetve novemberben a Mira Festival-on Barcelonában (én se értem, miért?).

Interferenc új maxiján, a TeChNOtitLan, a húzótrack Kaprekarmában valami olyan az a fémes hang, tényleg csak örülni tudok, hogy nincsenek implantjaim, és a fogtöméseimben is cserélték az amalgámot, mert amikor az a hang megjön, bennem is mozgolódni érzek, hallok belül, valami teljesen idegen és értelmezhetetlen forrás�� bizsergést, és nem vágyom kronenbergi fordulatokra, bármennyire is kedveli őt a szerző. Élettani hatásai ellenére is sokszor meghallgattam, nagyon működik, eleve érdekes ez a táncoljatok, de kaptok a nyakatokba egy kis túlsúlyt filozófia. Minden loophoz ajándék ellenloop, mert kivittem magammal németbe az összes levetett ungarische féket és ellensúlyt, csak nem dobom ki! A b-oldalas postsessor erősen Silent Servant-meghajtású, vagy csak bennem hagyott túlságosan mély nyomokat Juan Mendez váratlan tragédiája. Grüss Got, csirkevéreshurka van?

Meg kellett néznem, hogy ez a Kalumet, az a Kalumet? Dehát nincs másik Kalumet! (Mondjuk miért is lenne?) Őszintén, ezt a(z ozorai) vonalat nem követem, nem vagyok képben, merre jár Vajda Zoltán projektje. A dél-koreai Oslated labelnél jelent meg Kronosphere albuma a psy-trance / world-beat / dub vonalon mozgó úriembernek. Nagyon egyszerű, szinte csupasz eszköztárral felépített zen harmóniákat hallhatunk, a címadó Kronospere esetében is, pedig az kibillen a progresszív trance műfajig. Itt áll mellettem a gulyásmarci, ezért elmondom, hogy Kalumet kapcsán az ősélményem a Galagonya, a 2001-es Chi Glassic Volume 1. - Dub Local válogatásról. Ez se lett rosszabb az évek alatt.

Alex Tucker – aki ifjúkori képein Genesis P-Orridge-nak néz ki – erős hardcore múlttal bír. Aztán a különféle bandáiban (Grumbling Fur, Imbogodom) a pszichedelikus rocktól a drone / experimental ambientig jutott. Amikor a Microcorps néven, techno-vonalon mozgó Tucker muzsikáját próbáljuk megfejteni, ezek is fontosak, de lényeg, hogy elektronikája annyira egyedi, eltalált és kimunkált, hogy masszív zárványként tündököl az underground szférában. A debut album XMIT a 2021-es Top 12, év albumai lista hetedik helyén landolt, azóta csend.

2024. május 10. A The Tapeworm sajtóközleménye a 100 példányban, csak kazettán megjelent kiadványához: „A MICROCORPS, Alexander Tucker mutáns techno alteregója bemutatja a Macrocorpse – 2021-2024 című nyolc számból álló válogatást, mely szerzemények mostantól azon mutáns tér részei, ahol egyazon zónában létezik a techno-alapú kompozíció, mikrofelbontású időskálák hangjai, a drón és a zaj.” Tucker hangja fontos része az experimentumnak, mármint azok az elektronika által fragmentált szemcsés törmelékek, amik idegen nyelvnek, alien papok kántálásának tűnnek. A cselló rétegek, a szintén szemcsés, de olajos dobok terei szűkek és folyamatosan mozgásban vannak, mutálódnak, mint egy sokdimenziós labirintus. A mozgó elemek szemcséken gördülése a MC-sound fontos ismérve. Egy újabb The Tapeworm kazetta, ami ott lesz az év végi Top 12 album versenyben. Érzékeny veszteség viszont, hogy bár 6 felvételt is beválogattam a Traxelektorba, az online verzióból ezek teljesen hiányoznak, mivel a Spotify egyelőre csak a debutalbumot ismeri.

Terence Fixmer a belga határ közelében, a francia Tourcoing-ban nőtt fel, s azon áldozatok egyike, aki nem tudta megállítani Brüsszelt. A kilencvenes évek new wave-je legalább olyan ellenállás nélkül haladt át Nord megyén, mint más történelmi alakzatok. A belga new beat, az electric body music, a Front 242 és Nitzer Ebb, Klinik és DAF hatása Fixmer-re nyilvánvaló, meghatározta és meg fogja határozni mit játszik, s ne feledjük, évtizedes együttműködésben van Douglas McCarthy-val (Fixmer / McCarthy). A két évvel ezelőtti Shifting Signals album egy izmos ipari techno lemez lett, az új The Paradox in Me album inkább egy széles panoráma a németalföldi impulzusokból. Zajhatárig driftelt ebm riff, industrial-noir himnusz, végtelen gerjedelem, old school menetelés bakancsban, setétben fürkészés, dark technö lődörgés.

Azt hiszem, ami hallható a Convictions That Stick hatszámos minialbumon, az Timothy J. Fairplay igazán hazai pályája. Tavasszal, a hazai Dalmata Danielnél kiadott Norwell-lel közös DDS09 nem lett jó, ez most nagyon. Elegáns, nyakkendős szalontechno, nem láttad a napfénybélyegem? A Foggy Beach dark-electro-break indulója a sláger, nagyon sok réteg, még némi acid is elfér benne, végig egyensúlyban a perpetuum mobile. Fairplay kiadót is váltott, a Pinkman-hez igazolt, sajnos ennek eredményeképp a Spotify-on nem található meg a lemez.

Az év dancemaxija címre hajt rá a Remotif, a négyszámos The Elevated Place EP-vel. Annyira old-school, hogy meghajlik tőle a téridő, és prodigyért kiált a pszi mező. A bristoli Joe Reddick már a lemez A oldalán letudja az évet, A1: U15 A2: Glint's Pursuit. Még az is kerek, hogy az Emotional Response sublabel-je, az [Emotional] Especial Specials jegyzi. Viszontlátásra!

Megjelenések (2024.06):

Actress - Statik [2024, Smalltown Supersound][LP] British Murder Boys - Active Agents and House Boys [2024, Downwards][LP] Forest on Stasys - Lotus Island [2024, space lab][EP] interferenc - TeChNOtitLan [2024, Self-Released][S] Kalumet - Kronosphere [2024, Oslated][EP] L.B. Dub Corp - Saturn to Home [2024, Dekmantel][LP] Microcorps - Macrocorpse – 2021-2024 [2024, The Tapeworm][MC-Comp] Orlando Voorn - No Cellphones [2024, Kompakt][EP] Remotif - The Elevated Place [2024, Emotional Especial][EP] Tagliabue - Abisso [2024, Subject To Restrictions Discs][S] Terence Fixmer - The Paradox In Me [2024, Novamute][LP] Timothy J. Fairplay - Convictions That Stick [2024, Pinkman][EP] VA - 030313 [2024, Tresor][EP-Comp] Versalife - Technofeudalism [2024, TRUST][EP] Violence Gratuite - Baleine à Boss [2024, Hakuna Kulala][LP]

Traxelektor 2024 06

Traxelektor 2024 06 Spotify Playlist - link

(58/74, 5:32/6:57, 78%)

OffSpot Data

Microcorps - Macrocorpse – 2021-2024 [2024, The Tapeworm][MC-Comp]

Timothy J. Fairplay - Convictions That Stick [2024, Pinkman][EP]

interferenc - TeChNOtitLan [2024, Self-Released][S]

Traxelektor 2024 06 Playlist

Actress - Mellow Checx [Statik, Smalltown Supersound] Actress - Six [Statik, Smalltown Supersound] Actress - Static [Statik, Smalltown Supersound] Azu Tiwaline & Forest Drive West - Fluids in Motion III [Fluids In Motion, Livity Sound]

British Murder Boys - I Saw the Set Up Man [Active Agents and House Boys, Downwards] British Murder Boys - It's in the Heart [Active Agents and House Boys, Downwards] British Murder Boys - It's what you hide [Active Agents and House Boys, Downwards] British Murder Boys - Keep it Down [Active Agents and House Boys, Downwards] British Murder Boys - This is a Calling [Active Agents and House Boys, Downwards] Ciel - Divide & Conquer (Original)[Sada's Dream, SUZI] dBridge vs Forest Drive West - Spiteful Lips [EXITVS009, Exit] dBridge vs Forest Drive West - Vignette [EXITVS009, Exit] DJ Merlin - Chasing Coral [VA - Slam Jams Vol​.​ 4, Holding Hands] DJ Stingray 313 - Dynamic Instability [VA - 030313, Tresor] Dungeon Acid - Affirmative Body Sequences 3 [Dungeon Acid, Russell Haswell And Evol, IDEAL] Dungeon Acid - Affirmative Body Sequences 7 [Dungeon Acid, Russell Haswell And Evol, IDEAL] FaltyDL - Further [In The Wake Of Wolves, Central Processing Unit] FaltyDL - New Friends [In The Wake Of Wolves, Central Processing Unit] Forest on Stasys - Prism of Nature [Lotus Island, space lab] Forest on Stasys - Torre De Alquimia [Lotus Island, space lab]

interferenc - kaprekarma [TeChNOtitLan, Self-Released] interferenc - postsessor [TeChNOtitLan, Self-Released] JakoJako - Metal Goat [VA - 030313, Tresor] Kalumet - Kronosphere (Moon Patrol Remix)[Kronosphere, Oslated] Kalumet - Kronosphere (Original Mix)[Kronosphere, Oslated] Kalumet - Providance (Original Mix)[Kronosphere, Oslated] Kalumet - Tao (Original Mix)[Kronosphere, Oslated] Kanding Ray - Four Interwined Spirals [Polar EP, Spazio Disponibile] L.B. Dub Corp - Krank [Saturn to Home, Dekmantel] L.B. Dub Corp feat. Baal & Mortimer - Golden Star [Saturn to Home, Dekmantel] L.B. Dub Corp feat. Miss Kittin - Saturn to Home [Saturn to Home, Dekmantel] L.B. Dub Corp feat. Paul St. Hilaire - No Trouble In Paradise [Saturn to Home, Dekmantel] Microcorps - KDAK [Macrocorpse - 2021-2024, The Tapeworm] Microcorps - LIIOI [Macrocorpse - 2021-2024, The Tapeworm] Microcorps - MYR [Macrocorpse - 2021-2024, The Tapeworm] Microcorps - PYN [Macrocorpse - 2021-2024, The Tapeworm] Microcorps - VLOJ [Macrocorpse - 2021-2024, The Tapeworm] Microcorps - WRM [Macrocorpse - 2021-2024, The Tapeworm] Model 500 - I.D.L.E. [VA - 030313, Tresor] Not Even Noticed - Lemon Posset [VA - Slam Jams Vol​.​ 4, Holding Hands] Orlando Voorn - No Cellphones [No Cellphones, Kompakt] Orlando Voorn - Raise The Bar [No Cellphones, Kompakt] Orlando Voorn - Tech IQ [No Cellphones, Kompakt] Peter Van Hoesen - Nirvana Short Circuit / Listening To Cells [Towards The Center Of Time And Surrounded By Spirits, Vlek] Peter Van Hoesen - Schemerzone / Voor JMH Berckmans [Towards The Center Of Time And Surrounded By Spirits, Vlek]

Planetary Assault Systems - Clap Trap [Deep Heet Vol. 5, Mote-Evolver] Planetary Assault Systems - Grid Livers [Deep Heet Vol. 5, Mote-Evolver] Priori - Ruins [This But More, NAFF] Priori - Weight [VA - WITNESS05, One Eye Witness] Priori feat. Jesse Osborne-Lanthier - Basalt Tones [This But More, NAFF] Priori feat. Sabola - Learn To Fly [This But More, NAFF] Reflex Blue - J2px [VA - WITNESS05, One Eye Witness] Remotif - Glint's Pursuit [The Elevated Place, Emotional Especial] Remotif - U-15 [The Elevated Place, Emotional Especial] Significant Other feat. James K - RPG [When It Rains, Pain Management]

Tagliabue - Abisso (Original)[Abisso, Subject To Restrictions Discs] Tagliabue - Insidie (Original)[Abisso, Subject To Restrictions Discs] Tagliabue - Venula (Original)[Abisso, Subject To Restrictions Discs] Terence Fixmer - Another End [The Paradox In Me, Novamute] Terence Fixmer - In Synthesis [The Paradox In Me, Novamute] Terence Fixmer - Shore Break [The Paradox In Me, Novamute] Timothy J. Fairplay - Bronx Warriors [Convictions That Stick, Pinkman] Timothy J. Fairplay - Convictions That Stick [Convictions That Stick, Pinkman] Timothy J. Fairplay - Foggy Beach [Convictions That Stick, Pinkman] Timothy J. Fairplay - Outdoor Survival [Convictions That Stick, Pinkman] Versalife - Axon Terminal [Technofeudalism, TRUST] Versalife - Cataclysm [Technofeudalism, TRUST] Versalife - Syndicate War [Technofeudalism, TRUST]

Viels - Il Quarto Respiro [Il Quarto Respiro, Semantica] Viels - Lontano da Casa [Il Quarto Respiro, Semantica] Violence Gratuite - Bad à Bras le Corps [Baleine à Boss, Hakuna Kulala] Violence Gratuite - Iséo [Baleine à Boss, Hakuna Kulala] Violence Gratuite - Les Prisons de Nantes [Baleine à Boss, Hakuna Kulala]

Youth feat. Allen Ginsberg - Iron Horse (The Orb's End Hate Remix)[Iron Horse, Cadiz Music]

[peninsularian]

Instrumental cut to the Oh Me, Oh My rhythm

[tfc2211]

Play ▶ Pine Sap (Christmas Music Mix, Various Artists)

Intro Santa Claus Is Coming to Town - The Ventures Boogie Woogie Santa Claus - Lionel Hampton & His Orchestra What Child Is This? - The Border Brass Winter Weather (Remix) - Joe Williams And Harry Sweets Edison Where Did My Snowman Go? - Molly Bee Too Fat for the Chimney - Gisele MacKenzie Let It Snow, Let It Snow, Let It Snow - Les Brown & His Band of Renown Jingle Bells (Fattback Style) - Brother Yusef Christmas Time (PT.1) - Jimmy McCracklin The Little Drummer Boy - The Anita Kerr Singers All The Bells - The Bandana Splits Nuttin' for Christmas - The Fontane Sisters Snowy White Snow and Jingle Bells - Vaughn Monroe Jingle Bells - The Ramsey Lewis Trio Sleigh Bell Rock - Three Aces & A Joker Santa Won't Be Blue This Christmas - Jimmy Charles Jingle Bell Slide - Jack Scott Jingle Bell Imitations - Bobby Rydell & Chubby Checker Santa Claus Is Coming to Town - Betty Glamann Goose Fat - Dr. Rubberfunk If Santa Don't Bring You No Funk - Big Sugar feat. Wide Mouth Mason Jingle Bells - Thundersmack Merry Christmas - Al and the Vibrators Reggae Reggae Christmas - Boss Capone All I Want For Christmas Is You (Reggae Remix) - Mariah Carey Button Up Your Overcoat - Jonathan Stout and his Campus Five Santa Claus Is Back In Town - Elvis Presley Punching the Christmas Tree - James Kochalka Superstar I'll Be Home For Christmas - The Bandana Splits Blue Christmas - Joel Paterson Noël Blanc - Jacqueline François Jingle Boogie - Howard Carter Have Yourself a Merry Little Christmas - Poncho Sanchez Brazillian Sleigh Bells - Ferrante And Teicher

[randomvarious]

Tom Robinson - "Big Boss Man" Firepoint Song recorded in mid-1960s? Compilation released in 1969. Folk-Blues

Alright, just so we’re clear here, despite the fact that YouTube seems to think that this song is by the queer British punk and new wave icon Tom Robinson who’s now a BBC radio host, I don't think that this song is actually by him. In fact, I think that this is most likely a different British Tom Robinson entirely; a Tom Robinson that I can find little to no information about, besides the fact that he apparently goes by T.J. Robinson and was in a band called Heron with British reggae guy G.T. Moore for a time. And that’s pretty much all I've got on him.

Sometime in the mid-60s, though, during a sustained period of folk and blues revivalism in the UK, Robinson recorded a cover of American blues legend Jimmy Reed's own "Big Boss Man" for a brilliant British acoustic folk-blues compilation called Firepoint that is very lightly treaded on both Spotify and YouTube, and is definitely worth checking out. It stars an amazing bottleneck guitarist named Mike Cooper, who was partly responsible for conceiving the album itself, but it also has this great track from Robinson on it too. Rich and messy, squealy strings abound with some harmonica as well. Just some beautifully imperfect, totally obscure, heartfelt stuff here 🥰.