#brittany rodriguez

[chewbacca]

BRITTANY SNOW as Piper Ashford in ABC’s “Not Dead Yet” S01E03

[in-love-with-movies]

Someone Great (2019)

[dailybrittanysnowpics]

[blue-hat-girl]

i wanna put it out there that whoever picked the soundtrack for Someone Great (2019) on Netflix is directly responsible for any brain and emotional damage doctors find in me.

supercut AND motion sickness AND Scott street AND Mitski AND Jessie Reyez AND Ryn Weaver AND Robyn AND Sigrid....

I rewatched it the second time the other day cause after the first time I couldn't bear to go back to it for a while and I. felt so. attacked. I didnt remember so many bangers being in it.

anyway, great experience, would 100% do it again soon if it didnt ruin me every time, please make yourself a favor and go watch it if you haven't already.

[ancalagonthejetblack]

Brittany Snow dancing | Someone Great (2019)

[fictionbish]

[moviesiveseenandwanttoremember]

Robert Rodriguez & Frank Miller's "Sin City" April 1st, 2005.

[the-imaginative-hobbyist]

"Walk right down the right back alley in Sin City and you can find anything."

Happy 19 to Sin City (2005).

[becabeale143]

Brittany Snow and Gina Rodriguez BTS |. Not Dead Yet’

[kwebtv]

Sweet Valley High - Syndication / UPN - September 5, 1994 - October 14, 1997

Comedy / Drama (88 episodes)

Running time: 30 minutes

Stars:

Brittany Daniel as Jessica "Jess" Wakefield

Cynthia Daniel as Elizabeth "Liz" Wakefield

Amarilis (season 1) as Patty Gilbert

Ryan James Bittle (seasons 1–2) and Jeremy Vincent Garrett (seasons 3–4) as Todd Wilkins

Brock Burnett (season 1) and Christopher Jackson (season 2) as Bruce Patman

Amy Danles as Enid Rollins

Bridget Flanery (seasons 1–2) and Shirlee Elliot (seasons 3–4) as Lila Fowler

Michael Perl as Winston Egbert

Harley Rodriguez as Manny Lopez

Tyffany Hayes as Cheryl "Tatyana" Thomas (Seasons 2-4)

John Jocelyn as Reginald "Shred" Patman (Season 3)

Manley Pope as Devon Whitelaw (Season 4)

Andrea Savage as Renata Vargas (Season 4)

[ulrichgebert]

Habe aus falsch verstandenem Pflichtbewußtsein doch endlich einmal Robert Rodriguez' berüchtigte Comicverfilmung Sin City angeschaut, an die ich mich, wie ich jetzt sagen muß, zurecht, nie herangetraut habe, obwohl Konzept und Besetzung mich natürlich im Grunde ansprechen. Erwartungsgemäß ist zuviel Kunst und zu wenig Herz.

[haveyouseenthisromcom]

[dailybrittanysnowpics]

[fabioemme78]

[longlistshort]

Work by Shaun Pierson

Work by William Eric Brown

Work by Sheida Soleimani

Work by Sophia Chai

Gonzalo Reyes Rodriguez

Work by Kevin Landers

Work by Brittany Nelson

The seven artists on view at Luhring Augustine for the exhibition Tiptoeing Through the Kitchen, Recent Photography, each bring a unique vision to their practice. The artists included in this show are William Eric Brown, Sophia Chai, Kevin Landers, Brittany Nelson, Shaun Pierson, Gonzalo Reyes Rodriguez, and Sheida Soleimani. Below is more detailed information on the work from the gallery.

From the press release-

“Taking pictures is like tiptoeing into the kitchen late at night and stealing Oreo cookies.”  – Diane Arbus

Materialized in varying ways, kinship and cultural inheritance are frequent touchstones for many of these artists. William Eric Brown’s works — the source images for which were taken in Antarctica in the 1950s by the artist’s father while serving in the US Navy and stationed on an icebreaker — are instilled with new significance through his manipulation and reconceptualization, which address the current reality of climate change and its effects on the arctic. Sophia Chai explores her memory of learning the Korean alphabet as a child through her work. By drawing and painting the shapes and lines of the characters on the walls and floor of her studio, Chai reimagines them in space, thereby abstracting written communication into an embodiment of the sensation of each word being formed inside the mouth.

Sheida Soleimani stages elaborately constructed tableaux to address interwoven narratives of family, politics, and caregiving that trace both personal and public histories. Her carefully fabricated scenes demonstrate her commitment to approaching her practice with measured sensitivity; rather than divorcing her subjects from their own realities, Soleimani creates a contemplative space in which each incorporated object or image conveys an intentional message. Similarly, Shaun Pierson’s work illuminates the complex dynamics in the relationship between photographer and subject. Entwining conflicting sensations of inhibition and desire, Pierson lays bare the often simultaneously transactional and vulnerable apparatus and process of making photographs. Kevin Landers’ photographs, taken on the streets of New York and across the country, are rooted firmly in the here and now. He documents a collection of seemingly unnoticed moments, paying careful attention to unexpected details that, more often than not, most people would simply walk past — ephemera such as an abandoned shopping cart or an intricately woven spider web, expanding our notion of landscape beyond simply the pastoral.

Queer desire and a longing for another space and time are explored through the re-authoring of found or archival images in the works of Gonzalo Reyes Rodriguez and Brittany Nelson. Reyes Rodriguez pairs images from his own history with a series of photographs he purchased from a bookshop in Mexico City — dated between 1987 and 1993, the found snapshots evidence the personal experiences of a young, presumably queer, man known to us as “Technoir.” By combining the two archives, Reyes Rodriguez invites us to dwell in a space of merged memories, neither of which we can fully inhabit, and of the desire to know more. While at first glance Brittany Nelson’s use of archival materials is less overtly personal, her work considers themes of otherness, isolation, and the desire for connection. In one of the series on view, she perceived a sense of romantic devastation in the images taken by Opportunity, the Mars rover, which she amplifies by re-printing them using the 1920s analog bromoil photographic process, thereby infusing them with an added eerie, otherworldly quality.

Though varied in their approaches to photographic practice, what unifies these artists is their investigation of longing, care, and lineage — familial and otherwise — and the way in which they use the medium and the process of making the work as a means to engage with others, with themselves, and to challenge expectations. Generating a constellated conversation that draws upon photography’s history, yet turns toward something altogether new, the artists included in Tiptoeing Through the Kitchen, Recent Photography imbue the seemingly unknown with flashes of recognition.

This exhibition closes 6/8/24.