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The Gang Comes Together - Burt Gummer/Heather Gummer, Kate Riley/Earl Bassett, Rhonda LeBeck/Val McKee, Nancy Sterngood.
A/N: Day 1 of @yeehawgust , here’s some more simple little @thetremorssaga goodness. Totally G rated.
Burt will never explain why he and Heather took in the two boys who helped out the first time the graboids came around. Nancy and Mindie had moved into their shared home soon after the first incident, the concrete boundaries newly laid helped a lot and even as Mindie slept Nancy settled with Heather and Burt, learning how to protect herself better.
Val of course had been the first to come back, buying up an empty home and asking Burt’s help to settle the house and make it Graboid proof. He’d smiled when Burt walked him through the new finds, nodding and setting to work. Rhonda had settled in easily, working as both the local science tutor and a travelling scientist.
Earl had returned later, Kate tucked quietly into his side, steady but clearly a little wary of meeting so many of his friends at once. Burt had smirked slightly at her, moving to wrap an arm around her shoulder when Earl and Val broke off to talk, steering her towards first Heather, who had come home only when she heard Nancy was homeless now, and Nancy, then Rhonda.
Rhonda had smiled as she greeted Kate, discussing science easily with Kate, smiling when Kate relaxed a little, her laugh warm when Kate muttered about getting way too used to smelling like graboid guts.
“That happens… just let it. You can always come shower when the day’s done.”
“You guys have showers… that work?”
“Yeah, Burt’s kinda smart like that.”
Rhonda shrugs and Kate laughs.
“Sounds good to me…”
“You guys got a house yet?”
“No…”
“Get the feeling the reason Val got us such a big one is so you guys can move in…”
“Is that okay with you?”
“Sure, why not… at least I wouldn’t be just listening to Val pine for his best friend.”
Kate had laughed again then shrugged.
“At least now we can work together too, right?”
“I’d love that.”
Rhonda agrees with a smile.
It's a fresh start, and one she sorely needs, thinks Kate. The ‘posse’ of friends Burt had mentioned turned out just right. Although she wonders if this is all she had to meet or if more might show up.
Universal took Tremors from its creators after 30 years of work.
TL;DR After 25-30 years making the series, Brent Maddock, Michael Gross, Nancy Roberts, Ron Underwood and S.S. Wilson were kicked out so Universal Studios could make more money off the merchandising before the Tremors copyright expires in 2025.
*****MAJOR SPOILERS**** This will make you sad, angry and frustrated. But there is hope. #StampedeTremors
Soooooo, ever since I blew up and sidetracked a post about David Fincher's Queen Biopic with Sacha Baron Cohen as Freddie Mercury discussing the Tremors 7 ending, I've done some more research on the whole thing. The Graboid hole for this goes deep.
Michael Gross didn't want it.
“There’s a part of me that feels that Universal Home Entertainment might’ve had enough of Tremors. The suggestions that were made in the course of this [movie] made me think maybe they’ve had enough. They came to me and said, ‘What if we ended it at 7?’ and I said, ‘Whatever you choose to do, I’m good with that.'” “That being said, The door is still open for an eighth Tremors. It may seem unlikely by what people see on the screen, but it is possible. There could be an eighth. And if there were, and if it were an interesting story, I would be up for it because Burt is always a great deal of fun. It would depend on his physicality. How much they want me to do. If it’s in another two years, I’ll be 75 years old. So I will continue to hope and pray that I stay in shape, to do what is asked of me – if it is asked of me.”
AND Universal even killed off any ambiguity that he fought for.
"We shot it both ways, where everybody's mourning Burt, and he climbs up over the cliff and looks at all of them in mourning and goes, 'Jesus, God, I'm not dead. And he's really pissed off at them. It's like, 'How would you possibly think...?' But he's bloodied, just he's a mess. He looks like he's been through an earthquake, crushed by a house, but he's alive. And he says, 'You idiots. Of course, I'm alive.'" "They decided it just had this punch. Frankly, I thought to myself -- I didn't express it to them, but I thought to myself -- 'Maybe Universal's getting a little tired of this franchise.' Because this wasn't my idea." "I said, 'I can live with this. Because they came to me. They said, 'Look, you've been doing this so long. What do you think?' And I said, 'Well, as long as we kind of leave the door open.' I mean, I can kind of see an eighth film where it opens with Burt in a hospital bed, in a full body cast and saying, 'I survived.' He could hardly move a muscle. And maybe eight is...if I had a concept for eight, it would be Burt horribly injured, but in a motorized, weaponized wheelchair that has rocket mounts on the side and can leave an oil slick behind like James Bond's car. So nobody can chase him." "I always said, if Kevin Bacon or Fred [Ward] or Reba [McIntire] or anybody [wanted to return], I'd be there in a minute. Just because one, I love Burt, but I always thought of him as this guy kind of on the fringes, and I just came to the fore because everybody else walked away."
While Universal ignored how Michael Gross was setting up his son Travis Welker to pick up his torch (Which I'm give or take on Jamie Kennedy yet he brought a Grady-like optimism to the shittier of the series.)
"My reaction was disappointment, as I had planned an entire storyline around his participation."
Even Jamie Kennedy tried to but they wouldn't let him.
"Lot of people have been asking me, so I might as well spill it. I will NOT be in the upcoming TREMORS 7. I had a great time making the last two. But no TRAVIS this time around. But hey you neva’ know what can happen in the future.... have a great time boys! Tdawg out!!!"
After 7 movies and a TV show, nothing more than a spit in the face for the man who carried a franchise. Then when they do the montage at the end, we get clips of Hiram Gummer but NOTHING of Burt Gummer from the TV show. It's 13 episodes of Burt in Tremors that's longer than all the movies combined but yet they don't even include it in the ending montage while including his dead grandpa.
Same with the original creators. Did you know Stampede Entertainment (Brent Maddock, Nancy Roberts, Ron Underwood, and S.S. Wilson) were working on Tremors for 25 years and even had the 5th one written, "Thunder/Gummer Down Under".
Then were told to sit on it for 10 years before Universal eventually told them to eat dirt? That's gotta hurt. It hurts me and I'm not even connected to these movies. All that work down the drain just because of someone's say so. And for no reason. Well not exactly....
Universal knows fans want Tremors merch. I mean, look at how they took #BurtGummerDay from @BabyFarkMcGeeZax. And they want ALLLLLL of that merchandising money. With none of it going to Stampede because it would give them leverage. Not to mention they don't want anyone else getting the idea to make cute monster toys before they can roll out their own line.
Don't believe me? See Universal pull some Hollywood Accounting with Tremors already.
http://imgur.com/gallery/mFNIHV3
Half a billion dollars... completely untraceable. I've tried. Emailed the numbers people and they can't tell me anything unless you pay $50 a film to see the numbers. Which makes me ask, who paid for the numbers on 1,5, 6, & 7? And why only what they made? Not their cost. Same for the numbers on 2, 3, & 4. Why numbers on the cost, but nothing on what it made? It seems weirdly targeted to make it look like the Stampede Entertainment ones only cost money but made nothing.
Then when you find out that the copyright to Tremors will revert to its creators after the 35 year mark, which makes that date 2024-2025 since Tremors was filmed in '88-'89 but released in '90.....
Wellllllll some things start to add up. Especially when you consider it's Universal. They already know about owning copyrights for things long out of due. Ask Dracula, Frankenstein and the Wolfman. Or Nintendo when Universal tried to sue them because Donkey Kong was too similar to King Kong.
Ask Stampede (S.S. Wilson) yourself. They have a Question and Answer page right on their site.
Like did you know you can't find ANY official Tremors merch? But you CAN find tons of fan-made creations. Give it a Google. They don't even list Tremors on the Universal website. Go ahead. Ask them. I try weekly. No responses ever.
https://www.universalpictures.com/about
Even with a longer history, more money made, and amount of sequel potential in comparison to their other films?
http://imgur.com/gallery/ZnXEsI3
Fans are clamoring for more but Universal says no?
Hell, you can watch the TV show for free on the NBC site.
But before my investigating, the episodes were so jumbled and missing it would ruin people's enjoyment.
What about how they made a Tremors series pilot with Kevin Bacon? The only bad thing about it is that they need to pull a Sonic redo on the Graboid at the end but who knows, I suspect it's like that for plot reasons after reading the unaired script.
https://youtu.be/hWU3GpKmIvw
That Universal/NBC/SyFy has proceeded to hide deeper than a Graboid burrows. https://wegotthiscovered.com/movies/tremors-star-kevin-bacon-confused-sequel-series-picked/
Despite no one knowing why. http://imgur.com/gallery/w7rbUvZ
Read the script for yourself if you don't believe me. They've already hidden it for two years. Andrew Miller worked too hard for it to be hidden. And it plays. It works and plays with what's already there while being new and old. Quite good.
Have you seen the Kevin Bacon/Michael Gross commercial featuring them in Perfection Valley? The whole commercial is a sly way to use Tremors WITHOUT actually saying anything Universal would have claim to call copyright on. "Sandworms" "My old co-star" "Trevors". It's a great big middle finger to Universal.
https://m.youtube.com/watch?v=E_O0K9hmlrw
How about the original script for Tremors 2: Aftershocks. The creators have wanted it seen for 20 years but it took a crazy Larry like me to get it out there. It's got Val, Earl, Burt and Heather in it too. Pretty good too. So good they reused the ending in the TV show episode "Shriek and Destroy".
All these things swirl together and make me wonder more and more. For the plethora of Tremors fandom goes deeper than even me... Like Imgur user @BabyFarkMcGeeZax. They created Burt Gummer Day five years ago through sweat and love alone.
Yet what does Universal do? Take the day, plaster it over the end of their hero's death, and not even give a line credit or thank you to @BabyFarkMcGeeZax or a mention on Twitter as they blurb it everywhere.
Ever seen the gif battles about Tremors at r/HighQualityGifs?
How about The Everything Sequel podcast where they discuss how amazing all of The Tremors Saga is after discovering it for the first time. Even going so far as to pitch their own sequels.
And it's not like Universal isn't known for shady business practices. https://en.m.wikipedia.org/wiki/Universal_Pictures
What about how they own the rights to damn near every monster except for Godzilla. And not just the classics like Frankenstein, Dracula, the Wolfman, Mummy and Invisible Man. They have Kong, Hulk, Jaws, Michael Myers, The Thing, all the Jurassic Park dinos, all the Romero zombies, Chucky, Casper, Riddick beasts, Hellboy, and Jaegers/Kaiju. These dudes know merchandising rights and they're looking to score the next Poke'Mon franchise.
Take a gander at all these articles gushing with love for Tremors:
Why the 'Tremors' Franchise Is Better Than the 'Alien' Movies https://collider.com/why-the-tremors-franchise-is-better-than-the-alien-movies/
As Kevin Bacon's Tremors returns to TV, we explain the entire franchise It's way more complicated than you think. https://www.digitalspy.com/movies/a807140/tremors-franchise-series-guide-kevin-bacon/
20 Fun Facts About Tremors https://ew.com/article/1990/07/13/tremors/
Thirty Years After Tremors, Reba McEntire Tells Us Why She's Absolutely Down to Return For a Reboot https://www.esquire.com/entertainment/movies/a30457996/tremors-30-anniversary-reba-mcentire-interview/
30 years ago, Tremors became perhaps the most perfect bad movie https://www.thv11.com/mobile/article/entertainment/movies/film-on-11/getting-reel/30-years-ago-tremors-became-perhaps-the-most-perfect-bad-movie/91-8f6854df-9dcc-4870-ab3a-4f91a658ac3f
How Tremors 7 Succeeds Where Other Horror Movie Franchises Failhttps://screenrant.com/tremors-7-movie-succeeds-better-horror-movie-franchises-reason/
A Complete Rundown of the Entire Tremors Saga https://www.dreadcentral.com/editorials/363290/beneath-perfection-thoughts-on-the-entire-tremors-franchise/
Kevin Bacon Wants to Revisit His Only Film He Ever Re-Watched https://www.hollywoodreporter.com/movies/movie-news/kevin-bacon-tremors-1234956657/
Look at all this #BurtGummerDay love. That adds up to thousands of people watching Tremors for the first or fiftieth time. And this is only the first "official" year. It'll only grow.
Can you see the Tremors? Can you feel them? Fans want Tremors and they want it from Stampede. http://imgur.com/gallery/ZaVL7Mc http://imgur.com/gallery/f37bEV7 http://imgur.com/gallery/De6DlqQ
After all this time, and all this love, and all this greed, it's time we break Hollywood tradition and give power back to the people. When people can #RestoreTheSnyderVerse or #SaveTheVentureBros, we can #StampedeTremors for #BurtGummerDay.
Take this hope and fly!
#StampedeTremors
BTS, gifs, and videos of The Tremors Saga. Tremors: The Lost Tapes from S.S. Wilson's personal collection https://youtube.com/playlist?list=PL1EA9246EF966DDA2
BTS gallery of Tremors 3: Back to Perfection http://imgur.com/gallery/fnFt9MD Stampede Entertainment's behind the scenes of Tremors 3 https://stampede-entertainment.com/site/photos/tremors3/
On the set of Tremors 3 https://m.youtube.com/watch?v=0ZhrvkB5nKs
Stampede Entertainment's video archive of Tremors 3 https://stampede-entertainment.com/site/category/videos/tremors3/
Tremors 3: Back to Perfection opening https://youtu.be/UXjdZitldB4
BTS gallery of Tremors the Series http://imgur.com/gallery/6mDHTtg
Behind the scenes of Tremors the Series lost monsters. https://stampede-entertainment.com/site/photos/tremors-series-lost/
Cold opens for Tremors the Series https://youtu.be/srB6rZgv_Po https://youtu.be/v3ZkC08rKtg
BTS gallery of Tremors 4: The Legend Begins http://imgur.com/gallery/4M28quW Stampede Entertainment's behind the scenes of Tremors 4 https://stampede-entertainment.com/site/photos/tremors4-2/
On the set of Tremors 4 https://m.youtube.com/watch?v=bppXVxldTqU The weapons of Tremors 4 https://stampede-entertainment.com/site/photos/weapons-of-tremors-4/
Tremors 4: The Legend Begins opening https://youtu.be/3gDlAEUBesg
BTS gallery of Tremors 5: Bloodlines http://imgur.com/gallery/6l0Dogl
BTS gallery of the unaired Kevin Bacon Tremors pilot http://imgur.com/gallery/w7rbUvZ
Script for the unaired Tremors pilot http://imgur.com/gallery/UbtTvyf
Trailer for the unreleased Tremors pilot https://youtu.be/hWU3GpKmIvw
Kevin Bacon talks Tremors. https://youtu.be/TAGOlEIR7mA
Interviews with Alec Gillis, Brent Maddock, Nancy Roberts, and Ron Underwood https://youtube.com/playlist?list=PLjmUAAK3guQ8t6dKzwH9V0RzerkdLr0d1
S.S. Wilson talks his Tremors career. https://youtu.be/ZJhZmty_dKs Making Perfection https://youtu.be/hpCSCQJEmnk
Have a question about Tremors? Find it here and if you can't find it, ask S.S. Wilson yourself! https://stampede-entertainment.com/site/fan-extras/tremors-faq/?include_category=general
And if you love Tremors enough to have made it this far, enjoy a collection of gifs for you to use at your pleasure.
The other day I noticed how uncanny the parallels between The 'Burbs and King of the Hill are
Tom Hanks' character is pretty much how Hank (see, even their name is the same) would react if he had to have a week long staycation and Peggy kept nagging him to do something. Carrie Fisher even has Peggy's haircut. The Rumsfields are even closer to Nancy and Dale than Burt and Heather in Tremors, and the whole notion of weird neighbors being serial killers is totally something Dale would insist on. Art is a less sad sack version of Bill and more assertive, but the similarities are undeniable. There's not that much in common between Cory Feldman's character and Boomhauer, but it's close enough for government work.
“My Three Sons” was a situation comedy produced at Desilu Studios. It premiered on ABC TV on September 29, 1960 and finished its first run on April 13, 1972, with 380 episodes making it the second-longest running live-action sitcom in TV history after “The Adventures of Ozzie and Harriett” (1952-66).
Seasons 1 through 5 were aired in black and white on CBS. In 1965 it moved to CBS when ABC declined to underwrite the costs of airing in color. The series was initially filmed at Desilu Studios in Hollywood, but at the start of the 1967–68 season, the cast and crew began filming the series at the CBS Studio Center in Studio City, California due to Lucille Ball’s sale of Desilu to Gulf + Western, which owned Paramount Pictures. The sale also affected the filming location of another family sitcom, “Family Affair.”
Incredibly, “My Three Sons” ran concurrently through both “The Lucy Show” and “Here’s Lucy.” Both Steve Douglas and Lucy Carmichael (and later Carter), where single parents raising children.
September 16, 1965 was a big night for CBS airing the very first episode of “My Three Sons” after moving from ABC titled “The First Marriage”. It was also the first episode of the series broadcast in color, something “The Lucy Show” did three days earlier with “Lucy at Marineland” (TLS S4;E1).
The premise of the series is a widowed father (Steven Douglas) raising his three boys with help of his extended family. Initially, the three sons were Chip, Robbie, and Mike, but in 1967 Mike was written out and replaced by Ernie, whom Steve adopted. The extended family at first consisted of Bub, Steve’s father-in-law and the boys’ maternal grandfather, but in 1964, that character was replaced by Uncle Charley, Steve’s uncle and Bub’s brother.
The leading role was played by film star Fred MacMurray, who the series was built around - including his hectic schedule. To suit MacMurray, scenes would be shot out of sequence and even alone on a soundstage and later edited to create a complete episode. This was not MacMurray’s first time at Desilu. In 1958 he played himself on the “Lucy-Desi Comedy Hour” in “Lucy Hunts Uranium” set in the Nevada desert outside Las Vegas. He was joined by his second wife, actress June Haver. MacMurray (1908-91) appeared in over 100 films in his career but is perhaps best remembered for the film Double Indemnity (1944), which Lucy references in this episode. MacMurray’s name was first mentioned by Ethel in 1953 in “The Black Eye” (ILL S2;E20) when flowers arrive for Lucy mistakenly signed “Eternally yours, Fred.”
Although Lucille Ball was their landlord (and ultimate boss) she never acted on the show, but many of the actors who appeared on Lucille Ball’s sitcoms did appear on “My Three Sons”.
From 1960 to 1965, MacMurray was joined by William Frawley as Bub O’Casey, the family’s live-in maternal grandfather. Of course, Frawley came to fame on “I Love Lucy” as the crusty landlord Fred Mertz. Frawley had worked with MacMurray in the 1935 film, Car 99. When Frawley had to leave the show due to ill-health (and it was too costly to insure him) he was replaced by another Desilu alumni, William Demarest, as Uncle Charley. Like his previous co-star, Vivian Vance, Frawley was not especially fond of Demarest personally or as an actor. Demarest had, however, done three films with Lucille Ball. Frawley kept watching “My Three Sons” on his TV set bitterly. He never really got over being replaced by Demarest. On March 3, 1966, Frawley died of a heart attack.
For Christmas 1959, Frawley and Demarest both appeared with Lucy and Desi in “The Desilu Revue” (above with “December Bride’s” Spring Byington). At the time, Demarest was working on the Desilu lot appearing in NBC’s “Love and Marriage.”
On “My Three Sons” two of Steve Douglas’ boys had been seen on “The Lucy Show”: Don Grady (Robbie Douglas) had played Chris Carmichael’s friend Bill and Barry Livingston (Ernie Douglas) had played Mr. Mooney’s son Arnold. Ted Eccles, who assumed the role of Arnold Mooney when Barry Livingston was busy on “My Three Sons,” also did an episode.
The children of “The Lucy Show,” Ralph Hart (who played Viv Bagley’s son Sherman), Jimmy Garrett (Jerry Carmichael), and Candy Moore (Lucy Carmichael’s daughter Chris) were also on episodes of "My Three Sons.”
Other “Lucy” performers who were on “My Three Sons” include:
Mary Wickes ~ Jeri Schronk (1964)
Doris Singleton ~ Helen & Margaret, 8 episodes (1964-70)
Shirley Mitchell ~ Sally, 2 episodes (1968)
Barbara Pepper ~ Mrs. Brand (1966)
Verna Felton ~ Mub (1962)
Kathleen Freeman ~ Lady Checker (1967)
Jerry Hausner ~ Various Characters, 2 episodes (1964 & 1966)
Reta Shaw ~ Various Characters, 2 episodes (1962 & 1965)
Burt Mustin ~ Various Characters, 5 episodes (1962-70)
Olan Soule ~ Various Characters, 5 episodes (1963-70)
Alberto Morin ~ Professor Madoro (1967)
Herb Vigran ~ Caretaker (1967)
Maurice Marsac ~ Various Characters, 3 episodes (1964-72)
Tim Mathewson ~ Various Characters, 3 episodes (1962-63)
Bill Quinn ~ Doctors, 4 episodes (1964-66)
Barbara Perry ~ Mrs. Thompson & Mrs. Hoover, 3 episodes (1964-72)
Nancy Kulp ~ Various Characters, 2 episodes (1962)
George N. Neise ~ Various Characters, 2 episodes (1960 & 1967)
Maxine Semon ~ Various Characters, 2 episodes (1964 & 1967)
Roy Roberts ~Various Characters, 2 episodes (1965 & 1967)
Lou Krugman ~ Various Characters, 2 episodes (1966 & 1967)
Richard Reeves ~ Various Characters, 2 episodes (1962 & 1965)
Dorothy Konrad ~ Various Characters, 2 episodes (1961 & 1962)
Ed Begley ~ Various Characters, 2 episodes (1962 & 1968)
Gail Bonney ~ Various Characters, 2 episodes (1965 & 1970)
Rolfe Sedan ~ Various Characters, 2 episodes (1968 & 1971)
Tyler McVey ~ Various Characters, 2 episodes (1962 & 1967)
J. Pat O’Malley ~ Various Characters, 2 episodes (1963 & 1964)
Paul Picerni ~ Various Characters, 2 episodes (1965 & 1967)
Sandra Gould ~ Various Characters, 2 episodes (1963 & 1964)
Richard Deacon ~ Elderly Man (1960)
Mabel Albertson ~ Mrs. Proctor (1964)
Joan Blondell ~ Harriet Blanchard (1965)
Leon Belasco ~ Professor Lombardi (1966)
Dayton Lummis ~ Dr. Blackwood (1963)
Lurene Tuttle ~ Natalie Corcoran (1968)
Robert Foulk ~ Pop Action (1962)
Dick Patterson ~ Bunny Baxter (1963)
Jamie Farr ~ Itchy (1964)
Larry J. Blake ~ Policeman (1968)
Amzie Strickland ~ Cora Dennis (1968)
Barbara Morrison ~ Mrs. Murdock (1969)
Louis Nicoletti ~ Caddy Master (1962)
Frank Gerstle ~ Policeman (1964)
Gil Perkins ~ Painter (1963)
Tommy Ferrell ~ Mr. Griffith (1964)
Eve McVeagh ~ Clara (1966)
Remo Pisani ~ Pepe (1970)
Dub Taylor ~ Judge (1963)
Frank J. Scannell ~ Emcee (1968)
Ray Kellogg ~ Henshaw (1965)
Romo Vincent ~ Charley (1964)
Stafford Repp ~ Sergeant Perkins (1969)
Jay Novello ~ Vincenzo (1966)
Leoda Richards ~ Restaurant Patron (1966)
CHILD STARS!
Other child stars who appeared on “My Three Sons” included Butch Patrick (“The Munsters”), Jay North (“Dennis the Menace”), Oscar-winner Jodie Foster, Angela Cartwright (“Make Room for Daddy”), Flip Mark (”Lassie”), John Walmsley (”The Waltons”), Tony Dow (“Leave It To Beaver”), Erin Moran (“Happy Days”), Maureen McCormick (”The Brady Bunch”), Ann Jillian (Gypsy), and Heather Menzies (The Sound of Music).
On November 22, 1977, ABC TV (and Dick Clark Productions) brought together a reunion of two of television's favorite sitcoms "The Partridge Family" and "My Three Sons." Hosted by Shirley Jones and Fred MacMurray this would be the only time that the surviving cast members would get together to celebrate the series which included clips, a song from David Cassidy, and an update of what each cast member was doing in 1977.
Also in 1977, some of the stars of the series reunited on a morning program titled "The Early Show", including Stanley Livingston (Chip Douglas), Barry Livingston (Ernie Douglas), Tina Cole (Katie Miller Douglas), and Don Grady (Robbie Douglas).
TRIVIA
In “Lucy Helps Danny Thomas” (TLS S4;E7) in 1965, there is a large framed photo of Fred MacMurray in the studio hallway. He is joined by other Desilu stars like Jim Nabors (of “Gomer Pyle USMC”), Andy Griffith (of “The Andy Griffith Show”) and Danny Thomas (of “The Danny Thomas Show”).
Hey guys !! Below the read more is the whole list of costumes and another list for the couples costume (platonic pairs specified for their own category). If we’re missing any or have made a mistake, please let us know. You can find the voting form here. You must put five choices for each for the point system to work. The winners will be announced next week !!
Adabella Skeeter - Rose (Titanic)
Adeline Mulciber - Velma (Scooby Doo)
Aiden Wolffe - Cowboy
Alastair Watson - Steve Rogers / Captain America (Marvel)
Albus Potter - James Bond (James Bond)
Alexander Hawthorne - Sailor (V-J Day in Times Square)
Alice Longbottom II - Princess Bubblegum (Adventure Time)
Amara Bones - Peter Pan (Peter Pan)
Anthony Rosier - Flynn Rider (Tangled)
Archer Selwyn - Spider-Man (Spider-Man)
Ariadne McLaggen - Lola (Looney Tunes)
Ariella Belefleur - Anna (Frozen)
Aryana Robins - Shego (Kim Possible)
Ash Rookwood - Gardener
August Fawley - Werewolf
Aurora Claremont - Bunny
Avalon Mulciber - Megara (Hercules)
Benjamin Ollivander - Flynn Rider (Tangled)
Bentley Lockhart - Sherlock Holmes (Sherlock Holmes)
A/N: Some good ol’ @thetremorssaga fanfic for this one. Another square filled for @julybreakbingo ‘s Mini Bingo.
Burt would later wonder if the basement had been the wrong choice. Nancy had always been close with Heather, of course, and he did care for Kate and Rhonda but the losses taken had been a lot. Val had fallen first, then Earl crying out for Rhonda to look after Kate even as he fails to reach safety.
He had left, slowly, to fetch back what was left of Val and Earl, burying them carefully within his compound walls. He returned to chaos. Heather cradling Nancy who was whimpering just slightly, calming her as gently as possible. Kate, meanwhile, was silent, turning the ring Earl had given her around and around on her finger.
Rhonda, in the end, had lead Kate away to a quieter corner, speaking slowly, softly, gently and promising she would do all she could to keep Kate safe from now on. They would survive, mourn together and months later, choose to live together alone, asking Burt to help safeguard their home.
(originally published on Talkbacker.com on April 8, 2014)
You only need to catch a glimpse of the “Jaws”-parodying poster for “Tremors”, and you’ll know exactly what to expect. These filmmakers aren’t about to throw blood and guts or dark stuff at ya. This is strictly tongue-in-cheek; there ARE underground monsters, they eat people, there will be deaths, but there will also be hilarious dialogue, great characterizations, gorgeous desert vistas, and some high-quality filmmaking and practical effects-work here.
Someone should deserve a special award for casting Kevin Bacon and Fred Ward as the main protagonists in this film. As we are introduced to Valentine “Val” McKee (Bacon) and Earl Basset (Ward), the instant and natural chemistry between these two is palpable. It’s a match made in movie heaven. Val and Earl wake up in the desert, in true cowboy-style, one sleeping in the back of their pickup truck, the other sleeping under it. The cowboy analogy actually reminds me of another great pairing, Butch and Sundance. That’s probably the closest comparison of the character dynamics that’s going on between Val & Earl.
Val is the younger one, a dreamer, a womanizer (with a very special list of qualities he expects from a woman: “You will have long blonde hair, big green eyes, world class breasts, ass that won’t quit and legs that go all the way up.”) and the more restless soul. Earl is the older, wiser, laconic, practical man. But the unifying quality of both Val and Earl is, they are not the all-knowing, all-powerful movie heroes. They are actually both kinda…dummies. In a good way. In an entertaining way. I don’t know how much Bacon and Ward hung out or rehearsed before the shooting of this film, but they are clearly having a blast with their characters. Most of the stuff they do has a spontaneous, improvisational feel to it. I would certainly like to see them work together again sometime.
Earl Bassett: “Is this a job for an intelligent man?”
Valentine McKee: “Well, show me one and I’ll ask him.”
Val and Earl are the for-hire “handymen” in the Town of Perfection (population 14), located in a vast Nevada valley surrounded by mountains from all directions. As the town’s survivalist nut Burt Gummer (more about HIM later) states: “that’s why we chose this place. Total isolation.” Besides Val and Earl, the township consists of: storeowner Walter Chang (the great Victor Wong), pottery maker Nancy (Charlotte Stewart) and her daughter Mindy (“Jurassic Park”‘s Ariana Richards), Melvin (Robert Jayne), Dr.Wallace and his wife (Conrad Bachmann and Carol Marcus – I mean, Bibi Besch), Miguel (Tony Genaro), Nestor (Richard Marcus), Old Fred (Michael Dan Wagner), Edgar Deems (Sunshine Parker) aaaand of course, the aforementioned Burt Gummer and his wife Heather (Michael Gross and Reba McEntire). Also in town is a graduate student of seismology, Rhonda LeBeck (Finn Carter), who is the EXACT opposite of everything in Val’s list, but it’s pretty obvious what’s going to happen there, isn’t it?
Earl Bassett: “We gotta run. We’ve got a schedule to keep.”
Valentine McKee: “Yeah. See, we plan ahead, that way we don’t do anything right now. Earl explained it to me.”
But as the story begins, the number of characters begin to decrease. In fact, one of them is already gone at the point where the movie begins. As Val and Earl finally have had enough of this shit (literally, as emptying a septic tank blows in their faces), they come across Edgar Deems, sitting on top of an electrical tower. Edgar, who apparently was a town drunk, has actually died from dehydration. As the doctor diagnoses, he’s been sitting up on the tower, probably for days. Here’s the first sign, that something’s rotten in Perfection. Well, UNDER it, to be more precise.
Now, the director, Ron Underwood, does even more emulating from “Jaws” that just the poster. The underground creatures appear mostly off-camera for the longest time, much like the shark. The following attacks on people, Old Fred and the doctor and wife, are filmed very efficiently, adding mystery to the monsters while also showing their viciousness and extreme strength, as the doctors wife is sucked inside the ground while hiding inside a Ford station wagon! These creatures mean business. Also, two road-construction workers who are working on the only road in and out of town, get quickly dispatched and the resulting rock slide cuts Perfection completely off from the outside world. The scene includes a brilliant physical jackhammer gag, that’s like something right out from a Warner Brothers cartoon. And in this latest viewing I noticed, that there are a LOT of cartoon gags in the film.
Underwood is clearly using a Tex Avery-playbook in the way he shoots action, and it adds an extra level of fun to the overall tone of the film. Especially the demises (spoiler there) of each of the creatures are a carefully balanced mix of cartoon and grossness. From a creature coming in contact with concrete at full speed with a big “boink”-sound effect into the last one taking a Wile E. Coyote-swan dive off a cliff. And in the end of the second act, a creature entering “the wrong goddamn rec room” – Gummers’ basement – and getting drilled with more bullets than in your average John Woo film.
The Gummers. Ahh yes, the Gummers. Let’s talk about them for a bit.
Earl Bassett: What kind of fuse is that?
Burt Gummer: Cannon fuse
Earl Bassett: What the hell do you use it for?
Burt Gummer: My cannon!
Until “Tremors”, Michael Gross was basically known as the liberal, ex-hippie father Steven Keaton in “Family Ties”. One day after filming the last episode of that show, Gross began filming “Tremors”. Now talk about switching gears; Burt Gummer is a polar opposite of Steven Keaton. He’s a paranoid survivalist, definitely right wing, a gun nut with a capital “N”. The Gummer home is basically a bunker, set up for end-of-the-world conditions. Or as Burt states after the monster attack: “Food for five years, a thousand gallons of gas, air filtration, water filtration, Geiger counter. Bomb shelter…” That tells all about good old Burt’s world views. As does the license plate of his car: UZI 4U.
His wife Heather is played by country singer Reba McEntire in her first film performance. She does a damn good job too. Heather is likable, but also just as tough-as-nails as Burt and can certainly handle guns as well.
The creatures – Graboids, as they have been known since, in sequels and TV-series alike – are designed by Tom Woodruff and Alec Gillis’ company Amalgamated Dynamics and they are some of the best and most realistic creature work that’s been ever put on screen. Basically pre-historic worms – although the characters are trying to make up all kinds of explanations for them, from being aliens to government-built monsters to be used against invading forces. AD has worked on the “Alien”-franchise since “Aliens”, and one can see that the “double-mouth”(biting tentacle tongues shooting out from a larger mouth) has evolved from the star-beast’s similar one. These creatures are strong, fast (moving like armored freight trains underground) and smart. That is always a welcome thing in monster films. Graboids are constantly adapting, and the means that the heroes use to avoid them, don’t necessarily work for a second time. Of course they have a weakness, this time it being loud noises, as they basically sense everything by vibrations. Smart, almost “National Geographic”-approach. Nothing hokey or supernatural. Just the way I like it.
Earl Bassett: “Hey Rhonda – you ever seen anything like this before?”
Valentine McKee: “Oh sure, Earl. Everyone knows about them – we just didn’t tell you.”
Pretty soon the remaining residents of the town are forced into exile, trying to escape into the mountains while pursued by the hungry beasts, the final confrontation happening on the edge of a tall canyon. “Tremors” was shot – with the exception of two sets – on location. Outside in Lone Pine, California. And you can basically SMELL the desert, and the heat, in every frame of the movie. The setting, as well as the look of the town, evokes memories of the great westerns. In fact – the third sequel for the movie IS a western, going back in time to the golden years of Perfection.
Too bad the sequels are of diminishing quality, adding unnecessary sci-fi elements (such as FLYING Graboids, WTF?) and poorer quality effects. The unifying element in the sequels (as well as the quickly cancelled after 13 episodes TV-show) is Michael Gross’ Burt. But to be absolutely frank, Burt Gummer is not a leading man. He works best in small doses. The driving force in this film is the tag team of Val & Earl, arguing, bickering, rock-paper-scissoring through near-death scenarios and finally coming up as winners (spoiler).
I’m sensing a pattern in my reviews (besides all so far being from 1990); “Tremors” was only a modest hit at the box office, but it went on to become a huge hit on home video and subsequent media. But as I go through my lists of great films, such seems to be the case with almost all of them. “Tremors” is funny, well-paced, beautifully shot thrill ride, with wonderful characters and rich, quotable dialogue. If that is not the sign of a cult classic, I don’t know what is. Ron Underwood proceeded to direct films like “City Slickers” (keeping up with the western tone from this film), “Heart and Souls”, “Speechless” and finally “Pluto Nash”, which basically killed his mainstream career, reducing him into mostly a TV-director.
Too bad – perhaps another low budget monster movie is what he should try again…?
I’m sorry I’m about to be very embarrassing, but I gotta get this out. I just gotta
anyway not only will learning to draw allow me to draw my faves, and not only will it allow me to draw Tremors stuff, it means I will be able to draw Tremors AUs of my faves, and what more motivation do I need than that (this is all I thought about while swimming lmao)
like obviously, obviously Warren would be Rhonda. there’s no way around that because you know, science. but after there it fell apart for me, because at first I was thinking Chloe and Max would be Val and Earl, because it makes sense right? but like, so much of Val and Rhonda’s interaction is about leading them towards a relationship and I don’t want Warren to end up with either of them. but I also like the idea of Rachel Amber being the Tammy Lynn Baxter to Chloe’s Val lmao
so then I was like, Nathan could be Val then, that works kinda. but who’d be Earl? Victoria? they’re both rich snobs so it’s hard to picture them being salt of the earth handymen like Val and Earl, but it works in the context of the ship I suppose. maybe you could have one of the rando Vortex Club members as Earl but like... hew. and in this situation I would see Chloe and Max as Burt and Heather lmao. Kate and someone else would probably be Nancy or Mindy, and Frank is always going to be Nestor because trailers ofc
ANYWAY I know nobody else in the world but me will care about this AU but I really gotta learn to draw so I can draw them all in a desert wearing goofy 90s clothes and Warren with a nose covered in sunscreen. I just gotta
Diego Ricol Freyre recomienda:Diego Ricol Freyre recomienda: El Blues ya tiene sus nominados
El tecladista Anthony Geraci es el favorito en esta edición de los Blues Music Awards: recibió nominaciones para seis categorías. El premio se entregará el 9 de mayo.
Geraci, que nació en Boston, está en consideración para la Canción del Año (“Angelina, Angelina”); Álbum del año y Álbum de blues tradicional (“Why Did You Have To Go”); artista masculino de Blues tradicional; el Pinetop Perkins Piano Player Award y, con su grupo, Boston Blues All-Stars, como Banda del Año. Geraci también es parte de la banda The Proven Ones, que obtuvo una nominación de Disco de Blues Contemporáneo por “Wild Again”. Sus compañeros de Proven Ones, Jimi Bott y Willie J. Campbell, fueron nominados como Mejor Baterista y Mejor Bajista, respectivamente.
Shemekia Copeland y el bluesman de Chicago Nick Moss fueron nominados en cuatro categorías. Ambos luchan contra Geraci en Álbum del Año; Copeland for “America’s Child” y Moss por “The High Cost of Low Living”. Además, Copeland está en consideración para el Álbum de Blues Contemporáneo, Vocalista del Año y Artista Femenina de Blues Contemporáneo. El single de Copeland, “Ain’t Got Time for Hate”, es candidato a la Canción del Año, de los compositores John Hahn y Will Kimbrough.
Las otras tres nominaciones de Nick Moss son para Album de Blues Tradicional, Artista Masculino de Blues Tradicional y Banda del año. Gruenling, mientras tanto, consiguió su propia nominación en la categoría de instrumentista de armónica.
Los nominados de este año tienen un aumento significativo del reconocimiento para instrumentistas femeninas, lo que refleja el trabajo continuo de la Fundación Blues de diversificar su gran grupo de nominadores. Laura Chávez se encuentra distinguida como guitarrista, mientras que Marcia Ball está nominada para el Pinetop Perkins Piano Player Award (un título que ha ganado varias veces antes).
Todas las nominaciones
Álbum acústico:
A Woman’s Soul, Rory Block
Black Cowboys, Dom Flemons
Global Griot, Eric Bibb
Journeys To The Heart Of The Blues, Joe Louis Walker/Bruce Katz/Giles Robson
Wish The World Away, Ben Rice
Artista acústico:
Ben Rice
Guy Davis
Hadden Sayers
Harrison Kennedy
Rory Block
Album del año:
America’s Child, Shemekia Copeland
The High Cost Of Low Living, The Nick Moss Band Featuring Dennis Gruenling
Journeys To The Heart Of The Blues, Joe Louis Walker/Bruce Katz/Giles Robson
Rough Cut, Curtis Salgado and Alan Hager
Why Did You have To Go, Anthony Geraci
B.B. King Entertainer:
Beth Hart
Bobby Rush
Lil’ Ed Williams
Michael Ledbetter
Sugaray Rayford
Banda del año:
Anthony Geraci & The Boston Blues All-Stars
Larkin Poe
Lil’ Ed & the Blues Imperials
Nick Moss Band
Welch-Ledbetter Connection
Mejor álbum de artista emergente:
Burn Me Alive, Heather Newman
Free, Amanda Fish
Heartland And Soul, Kevin Burt
Tough As Love, Lindsay Beaver
Wish The World Away, Ben Rice
Album de Blues Rock:
The Big Bad Blues, Billy F Gibbons
High Desert Heat, Too Slim and the Taildraggers
Live At The ’62 Center, Albert Cummings
Poor Until Payday, The Reverend Peyton’s Big Damn Band
Winning Hand, Tinsley Ellis
Arista de Blues Rock:
Billy F Gibbons
Eric Gales
J.P. Soars
Kenny Wayne Shepherd
Tinsley Ellis
Album de Blues Contemporáneo:
America’s Child, Shemekia Copeland
Belle Of The West, Samantha Fish
Chicago Plays The Stones, The Living History Band
Hold On, Kirk Fletcher
Wild Again, The Proven Ones
Artista Femenina de Blues Contemporáneo:
Beth Hart
Danielle Nicole
Samantha Fish
Shemekia Copeland
Vanessa Collier
Artista Masculino de Blues Contemporáneo:
Kenny Neal
Rick Estrin
Ronnie Baker Brooks
Selwyn Birchwood
Toronzo Cannon
Mejor Bajista:
Danielle Nicole
Michael “Mudcat” Ward
Patrick Rynn
Scot Sutherland
Willie J. Campbell
Mejor Baterista:
Cedric Burnside
Jimi Bott
June Core
Tom Hambridge
Tony Braunagel
Mejor Guitarrista:
Anson Funderburgh
Christoffer “Kid” Andersen
Laura Chavez
Monster Mike Welch
Ronnie Earl
Mejor Armoniquista:
Billy Branch
Bob Corritore
Dennis Gruenling
Kim Wilson
Mark Hummel
Mejor trompetista:
Doug James
Jimmy Carpenter
Kaz Kazzanof
Mindi Abair
Nancy Wright
Vanessa Collier
Pinetop Perkins Piano Player (Mejor pianista):
Anthony Geraci
Bruce Katz
Jim Pugh
Marcia Ball
Mike Finnigan
Mejor Cantante:
Beth Hart
Danielle Nicole
Janiva Magness
Michael Ledbetter
Shemekia Copeland
Canción del Año:
“Ain’t Got Time For Hate,” written by John Hahn and Will Kimbrough
“Angelina, Angelina,” written by Anthony Geraci
“Cognac,” written by Buddy Guy, Tom Hambridge, Richard Fleming
“No Mercy In This Land,” written by Ben Harper
“The Ice Queen,” written by Sue Foley
Mejor Album de Soul Blues:
Back In Business, Frank Bey
Every Soul’s A Star, Dave Keller
I’m Still Around, Johnny Rawls
Love Makes A Woman, The Knickerbocker All-Stars
Reckoning, Billy Price
Mejor Artista Femenina de Soul Blues:
Annika Chambers
Barbara Blue
Candi Staton
Thornetta Davis
Whitney Shay
Mejor Artista Masculino de Soul Blues:
Frank Bey
Johnny Rawls
Sugaray Rayford
Wee Willie Walker
William Bell
Mejor Album de Blues Tradicional:
The Blues Is Alive And Well, Buddy Guy
The High Cost Of Low Living, Nick Moss Band Featuring Dennis Gruenling
The Luckiest Man, Ronnie Earl & The Broadcasters
Tribute to Carey Bell, Lurrie Bell & the Bell Dynasty
Why Did You Have To Go, Anthony Geraci
Koko Taylor Award (Mejor Artista Femenina de Blues Tradicional):
Fiona Boyes
Lindsay Beaver
Ruthie Foster
Sue Foley
Trudy Lynn
Mejor Artista Masculino de Blues Tradicional:
Anthony Geraci
Cedric Burnside
James Harman
Lurrie Bell
Nick Moss
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