#but I feel like is heavily implied in this dialogue

[jemandthesingalongs]

so a second article has hit the da fandom and i'm in the part of the "this is genuinely so disappointing i'm considering not actually preordering/playing on release". i'm sure i'll come to terms with it and still get it but this really has been such a blow to my sheer enthusiasm that is like...incredible really for me as a fan invested in this franchise for over a decade to put me (and others) so low lmao

(under a cut bc it got stupidly long, a cookie if you read all of it)

one of the big "reasons" i've seen parroted by the fandom and the justification from the devs is (paraphrasing) you're in the north and all of these major decisions are in the south, which is frankly, stupid? sure, the choices of the divine wouldn't matter too much (if the circles are disbanded or not, for example) but the divine choice itself, should matter? the throne of ferelden? orlais??? these are major characters!

whoever is the sitting ruler of ferelden, regardless of the choice, has obv, lived through a blight not 20 some odd years prior. so one could imagine they would be invested in this, you know, double blight is going on and would like to help or help for their country? given the fact one of the last of the two archdemon prisons is canonly within ferelden!! marketing has also started the blight has spread across thedas, so one would think the current world leaders would be supporting or at least looking to the group seemingly working on stopping the blight. but i guess not since it's not a choice.

even setting aside the lore and plot significance of the majority of choices, even if it truly did not matter, you can say the exact same for choices within dai itself, however the devs knew the desire to have that impact + fan service, even minor, still superseded lore and plot significance. the hof letter and mentions by their romance partner is clearly fan service (since tbh i doubt leliana or morrigan would willingly talk about their partner themselves) but it was also telling you, the player, where your mc was. another example is there is no impact who the sitting king of orzammar is, but the game still mentions in a codex the consequences of that choice, even if the anvil was kept or not in ambient dialogue.

these and many more mattered, not in a world shaping way, but to tell you, the player, yes you played in this world and here's the acknowledgement of it, thank you. i didn't need to decide the fate of the world to enjoy leliana talking about my warden or varric supporting templars because my hawke did, because it still felt like i mattered, that yes this is a world i changed, even in a small way, that i lived in it.

and they removed all of that.

like, hell it was even a good way to "check-in" in choices and characters without dedicating entire plot beats to them! the epilogue for a non-divine!romanced leliana heavily implies she and the warden are still doing their own things but meeting up when hey can. that aside the cure? the fucking cure??? did they find it? did they share it with the other wardens? was it suppressed? the other members of the inquisition were invested in stopping solas, what about them? since you are literally going to their turf, is dorian, josephine, isabela, and even bull okay? is zevran or fenris going to be ignored? fenris had a whole comic about him!

the only way i can take this is being told to no longer be invested in previous material, even material leading up to this game. even if i know that's not really the truth, it really feels that way.

i don't even like the excuse for getting newbies into the series, because, well, dai did that fine WITH returning characters and overall plots lol? there's a loss of some context and dai itself had writing flaws with this method, but it did show you could have both returning and new players work fine, and not alienate said new players despite it being the 3rd game.

speaking of dai, why bother making the choices so endgame linear if they wouldn't of even mattered? why no matter your choice of divine, another group rises up to oppose her? why have the grey wardens going quiet and possibly on the brink of civil war, exiled or no? i had assumed at the time the bottlenecking was future proofing to create less variables, and i guess i was wrong since there are no more variables lol!

i'm genuinely not sure what they truly thought would be the reaction, given they are still trying to pull returning players via the marketing? like. varric, harding, morrigan returning, the focus on the grey wardens as a group (and likely why davrin gets such a spotlight) are all indications for returning players. fuck even solas, no matter what you feel about him, is a returning npc! to resolve his plot!!!

i never truly believed we would see big huge cameos, i did expect the divine, those who live in the north, but otherwise simple codex entries or letters if anything.

but to have.......nothing? be left with nothing? burns.

i do mean this completely honestly: what is the point of investing myself, my time, my money, hell even just interest in this series anymore? without the impact of previous games (or a better lore reason, such as a longer timeskip than 5 fucking years since the last dlc) then this is your run of the mill rpg with better writing than most, but that's all it'd really have. i didn't fully play or get into the series because of the decisions carrying over, but it sure as fuck kept me and others coming back. if this is the norm going forward past da4 then well, might as well pick any other rpg series.

[yugenfruzzz]

same vibes.

[citnamora]

There's this show I'm watching and I have an alloaro hc that is only being further reaffirmed with every new episode. Aros stay winning!

[pinkcasket]

ik bpd akechi is popular but honestly I'm dying on my bipolar + c-ptsd + npd/narcissistic and ocd features for c-ptsd hill

[sunderwight]

PIDW but it's a game.

You play as Luo Binghe, the lowliest disciple of Cang Qiong Mountain Sect's Qing Jing Peak. The first part of the game proceeds more or less like a semi-normal fantasy dating sim -- Luo Binghe is bullied and downtrodden, but can seek help and opportunities to build relationships with various female characters, like Ning Yingying and Liu Mingyan. The game's interface implies a truly staggering number of potential romance candidates to unlock, however, so it makes sense that the first part in your disciple years doesn't get you very far in any of the routes.

But then for the second part, things start to shift. You get an option that seems to amount to asking whether you want to make things better for Luo Binghe or not. When you click the obvious choice, that you do, your previously cold and ruthless shizun seems to go through an inexplicable change of heart. You get a weird kind of fanservice-y scene featuring him during the Skinner Demon Mission. Then he features extremely heavily in the Demon Invasion Mission, only to turn up as your companion in the Dream Demon Mission.

After that, it seems like you've gotten onto his route, somehow? Why does the scummy male teacher even have a route in a game like this, though? You try to check for player guides but you can't seem to find any. You try reloading older saves and making other selections, but no matter what you choose, you end up finishing the Dream Demon Mission by moving into Shen Qingqiu's house, and the routes for Liu Mingyan and Ning Yingying and the briefly-encountered Sha Hualing are all greyed out.

But maybe that just means they're inaccessible for advancement for now, or something. And a lot of games have plot points that are on rails, and you can see where Luo Binghe actually getting a place to live would be one of those things. The format of the game changes as well, going from a relatively loose sequence of scenes and interactions to a daily management style, where you have tasks to complete (make shizun breakfast, go to morning lessons, cultivate, do chores, etc) and only a set number of hours in which to complete them. You have affection points, but any time you try to spend them on anyone other than Shen Qingqiu you get an error message. There are dialogue options for flirting with other characters, but they're always greyed out and impossible to select.

Still, you can unlock scenes. A lot of them are just long slow shots of Shen Qingqiu doing things, like reading, or lecturing, or eating. You get missions, and sometimes you meet female characters who seem to unlock new possible romance paths, even though they're still constantly greyed out. Maybe this part of the game's just especially on rails? Waiting for the actual harem-building segment? You kind of like a lot of aspects of it anyway, though. Luo Binghe is an especially compelling character, not at all like the usual sort of non-entity placeholder main guys in games like this. He definitely has personality.

But then you get to the third part. The Abyss. Shen Qingqiu pushes Luo Binghe in, and suddenly you're wondering if you've somehow reached a bad end. You were saving up some of those affection points for later, maybe you should have spent them all on him? Was there something you did wrong to make this happen? You're not even sure why he's thrown poor Binghe away, he was cold and cryptic about it, and now you're wondering if all the time you spent distracted by other things was time you should have spent farming a better relationship with him. You can't help but wonder where you went astray, because Luo Binghe will not stop wondering about it, and wondering about it in ways that make you feel oddly like he is accusing you, the player, of making the wrong choices... but in a way that could still plausibly be aimed at himself, as a character. You feel bad. You kind of want to restart, but you also can't bring yourself to abandon Luo Binghe. You have to see this through, to help him make it to the other side.

Regardless, the Endless Abyss seems like it must be an inevitable plot development. A lot of the game shifts to account for it. There's even an option to essentially select this "thought" from Luo Binghe's internal diatribe, that this is inevitable, and it seems to turn off the litany of recriminations for a while, although sometimes it also results in Luo Binghe... glaring at the screen?

At you?

Anyway the daily management system goes out of the window, and instead there's an energy bar now. Encounters with monsters or the occasional demon woman will lower the energy bar, how much depends on what you choose and how the encounters proceed. Sometimes there are romantic/sexy responses for interacting with the demon women you meet, and they aren't greyed out, but if you try and select them the cursor will jump to another option. You think there might be something wrong with your mouse? Sometimes you get Luo Binghe glaring at the screen scenes afterwards. When Binghe's energy bar hits zero, you're offered two choices -- "sleep" or "think of shizun". Sometimes even if you pick "sleep" the cursor will still jump to "think of shizun", and you'll be treated to another one of those slow lingering scenes of Shen Qingqiu. Except they are becoming increasingly strange, obviously warped by the exhaustion and trauma of the situation, so that aspects are eerie or even disturbing. For example, sometimes Shen Qingqiu seems to be missing limbs, or eyes. Sometimes there's blood on his hands. Sometimes the food he's eating is rotted, or the bamboo house background looks like the Qing Jing Peak wood shed. That kind of thing. You don't mind the idea of harm coming to the man. He deserves it, really, for pushing Luo Binghe into the Abyss. But the few times you try and select options along those lines, the UI glitches again.

Also the "think of shizun" option only restores a quarter of the energy bar, whereas resting restores all of it. But if you try to go for too long without doing it, it will lock you into choosing it successively for a long time.

In addition to the energy bar, there's a calendar. It's not all that sophisticated or even consistent, and it's clearly meant to reflect the fact that Luo Binghe has troubles accurately judging the passage of time in the Abyss. However, the longer you spend in the Abyss, the more violent and unhinged things start to become, and the more the UI starts glitching to reveal disturbing messages, and the more often Luo Binghe "glaring" scenes happen. So you decide to do your best to get Binghe out of here as quickly as possible. This part of the game must be broken, but hopefully if you can make to the next segment, it will work properly again.

Eventually you get to the Xin Mo Mission, which is the last part of the Abyss section, and Luo Binghe escapes.

But the weirdness continues. Worsens, even. You still get missions to like, take over the demon realms and infiltrate Huan Hua Palace, all cool stuff, and you still meet girls who seem to unlock possibly romance paths. But most of the time everything is greyed out. There will be 5 dialogue options but maybe only 1 or 2 of them will be selectable. Parts of the menu are inaccessible. You don't have an energy bar anymore, you have a Xin Mo corruption bar, and it just keeps steadily rising. Sometimes you're presented the option of propositioning a character to "mitigate corruption", but if you try and click it the game glitches or the cursor freaks out and it fails. Sometimes the game crashes outright, and when you reload your last save, it starts with Luo Binghe glaring at you through the screen. You still get the "rest" and "think of shizun" options at times, but neither one helps the corruption bar.

Then. Jinlan City. You reunite with Shen Qingqiu. There seem to be a lot of options for acting vengefully towards him, but they're all greyed out, except for a few which let you chase him down or manhandle him a bit. The whole segment is frustrating, full of weird fanservice-y moments but also mired in how little Shen Qingqiu will say, how often he insists on evading or running away, and how Luo Binghe doesn't seem to have the right prompts to actually get him to explain himself. At times it seems like the "think of shizun" mechanic is bleeding over into the real interactions with the character, so that you can't tell what's really going on vs what are the manifestation of Luo Binghe's trauma or even hallucinations. The Xin Mo bar has maxed out. You have to catch Shen Qinqiu. Catch Shen Qingqiu. Catch Shen Qingqiu--

Then suddenly the bar is at 0, and you're watching Shen Qingqiu's lifeless body fall towards the ground, his energy expended in the effort to push back the corruption. Like, all of his energy.

You catch Shen Qingqiu. Or at least, you stop his corpse from hitting the dirt.

Now the game art is crisp and clean again. All the weird UI artifacts and blocked-off menus are either gone altogether or else working properly. The sound, which had been very gradually deteriorating with low-pitched ringing and muffled portions, is normal. You can hear characters gasping and distantly shouting, and birds chirping somewhere, the ragged cadence of Luo Binghe's breaths, while the camera focuses on Shen Qingqiu's body.

Huh, you think. That's a sort of dramatic resolution to that plot arc, and it raised more questions about Shen Qingqiu than it answered, really. But at least it's over with now? Does this mean Luo Binghe can finally start to recover, or advance other plots?

Then everything blacks out. You get booted to the main menu, or something that looks like it, except the only option you can select now is the New Game+ one.

When you click it, it seems like you've started the whole game over again. Except that there is a Xin Mo corruption bar, greyed out, already waiting for in a corner of the screen. And instead of starting out with a view of Qing Jing Peak, you start out with the young Luo Binghe looking directly towards you. Like he's staring through the screen. It's the basic starting point character, except he already has his demon mark on his forehead, and his expression is way more cold and calculating than anything the junior protagonist would have worn.

"Don't get in my way," he warns.

Then the game proceeds like a visual novel with extremely limited choices. The old selections and the menu for various romance routes don't even appear, the menus have all changed again, this time oriented entirely around hiding Luo Binghe's demonic cultivation (while building it) and managing daily choices and Shen Qingqiu's relationship status. A romance game with only one romance route, and it's the treacherous crusty old teacher? Wtf? But otherwise it seems almost normal, except for the special faint-lettered red options that sometimes appear in weird places on the screen, suggesting things like preventing the Skinner demon from catching you unawares, or saving Shen Qingqiu from Without a Cure poisoning, or keeping out of the Endless Abyss.

Those options seem like they should create different outcomes, and you click them whenever they show up, but they consistently fail. As if there's some other force in the game pushing things back onto the rails no matter what you do...

Anyway, eventually you get through the main plot again, and Shen Qingqiu dies once more. This time the game keeps going from that point, however, with quests to try and find ways to resurrect him. You're starting to wonder why you're still playing -- after all, you signed up for a harem game, not this tragic gay love story? You're not even gay! It's just that Luo Binghe is such a compelling character. You decide it's time to take a break, though, so you get up, do some stretches, go to the bathroom, etc.

It feels like someone's watching you.

You've definitely been playing that game for too long. Sometimes you think you catch sight of Luo Binghe's face out of the corner of your eye, in the bathroom mirror or on the black surface of your phone's screen, just before you turn it on. But when you look twice or turn your phone off again, nothing's there. You call your little sister, to apologize for dropping off the face of the earth for a bit, and you joke about getting too invested in this weird game that might be broken? She hasn't heard of it, but she sounds a little worried as she suggests maybe coming over and taking you out to lunch, or something.

You decline -- she's got a lot on her plate, and she mentioned already having plans earlier -- but then you promise to get some fresh air anyway. But when you go to head out, somehow you find yourself turning away at the last minute. You try again, and yet it's like you just keep getting distracted before you can open the door. After a few tries you give up, swallowing down your growing unease. You take off your shoes and coat. When it comes to it, you really do want to find out what happens to Luo Binghe next.

The game is running.

You don't remember turning it back on...?

The screen is focused on the familiar image of Shen Qingqiu's preserved corpse. You can see Luo Binghe's hand in the frame as well, transferring qi in yet another familiar sequence, the one that seems to run at the end of every in-game day. There's some text.

Is it you? the red letters ask, scrawling and flickering, as if someone is attempting to write directly onto the screen. Are you the one behind all this? Thwarting me at every turn?

Yes/No options appear in the game's usual font and position. You try to click "no", even though you're unsure and feel like you must have missed a scene somehow. But the interface warps and when you hit "no" it changes to Stay Silent.

I can't figure out. Are you here to help me, or get in my way?

Help/Harm. You click "help" but again it changes to "stay silent" afterwards.

What do you want from me?

This time there's no option to select at first. Then, as if being shoved onto the screen by some alternative function, a text box opens up. Like the kind that some games have for implementing cheats or selecting character names. This particular game has never shown such a function before, Luo Binghe's name was locked in and you don't even know if it has cheats. The cursor blinks, and somehow it feels as if you have only one chance, and if you don't take it now, it will be gone forever.

You type in "help" and barely manage to hit enter before the interface blinks out. No list of prompts or possible options appear.

Shizun? the red text scrawls, shakily.

Then the whole game crashes.

You wait, but it doesn't start up again. You try to run it again, but you can't find it on your system, somehow. Really weird. Even if it had crashed, it shouldn't have gotten deleted? But you still can't find it. You start to feel genuinely alarmed. Not only can you not find the game on your system, but when you try and search for it absolutely nothing comes up. You try and go to the online shop page for it, but you can't remember where you actually got it from in the first place, now that you're thinking about it.

What bullshit is this?

What, was the game actually some kind of virus? It couldn't have been. Also who would make a virus like that? You get up and pace, trying to make sense of it.

It's gotta be some kind of mistake. Maybe you've just missed too much sleep, you're not thinking right. You'll take a break and when you come back you'll realize that you were just looking in all the wrong places, somehow.

You head over to the fridge to grab something to eat.

You can't remember the last time you went shopping, but the food in there is probably still fine. Right?

[mcflymemes]

PROMPTS FOR N.SFW DIRTY TALK *  assorted dialogue ranging from vulgar to weird to hot to suggestive to everything in between, n.sfw heavily implied across the board so proceed with caution, adjust as necessary

can you help me with something in the bedroom?

if you don't stop looking at me like that, we're going to have a problem.

beg for me.

i'm imagining what we'd be doing if we were together.

you're going to get down on your knees, and then you're going to taste me.

i've never seen you like this before.

i'm sure we could find somewhere to be alone.

i've been having filthy thoughts all day.

do you want to lie down for a bit?

i need to feel you inside me.

why aren't you here right now?

once we start, i don't think i'll be able to stop.

i need you so bad right now.

how badly do you need me?

i love watching you touch yourself.

come for me.

what do you want me to wear to bed tonight?

that feels so good.

you don't know what you do to me.

i'm under your spell.

i'll make sure you feel good.

i'll do anything you ask.

spank me.

i love when you let me take control.

just like that.

that was so good, baby.

i need to get you home right now.

i thought about you last night.

do that again.

you like that, baby?

look at me while you take it.

pleasing you is my only purpose.

i just want to make you happy.

take your clothes off. lie down.

fuck me hard.

just like that.

how do you want me?

i'm dripping wet.

i can't wait to get you home.

i've never wanted anyone like this before.

grab me in public.

i love your body.

you're making me so fucking horny.

i wish we were home.

i just want to rip your clothes off right now.

don't stop.

wanna see what i have on underneath?

i want you on top of me.

i've never been fucked like this before.

grab my hair.

grind into me just like that.

no one can touch you the way i do.

you make me feel amazing.

pull on my hair.

tonight is all about you.

bite me.

i'm not wearing any panties.

walk in front of me so i can watch you.

don't look at me like that.

i bought something for us to use together.

you turn me on.

have you ever done that before?

i need to feel your body against mine.

you're really sexy when you wear that.

i keep fantasizing about what i'm going to do to you later.

please don't make me beg.

fuck my mouth.

i want you all over me.

i can't concentrate at work when you send me photos like that.

[divinesolas]

Bound by blood

summary: Its the morning after your unspoken confessions with jacaerys. And you are faced with the aftermath of your actions.

r.q: Ok 1. Your writing is so good 2. I need a part 2 to Jacaerys x alicentdaughter!reader where reader stays with Jacaerys joining team black and we need tk get everyone's reaction to alicent daughter!reader staying like

w.c: 2.1k

c.w: implied smut, alternative timeline, dialogue heavy, nail biter jacaerys, aemond appearance, fluff, even though they are now lovers they still argue lmaooo, not proofread, happy ending!

a.n: heavily requested im so sorry this took awhile and it might not be what people wanted but i hope you all enjoy !! <3

part one part three

Your eyes flutter open and you rubbing your hand to cover your eyes as the bright shining sun begins to shine rays down on you. You look over at the spot next to you expecting to see jacaerys laying next to you but instead you reach over and feel the cold spot next to you. He must have been up for a long time.

A pit forms in your stomach maybe preparing yourself to turn over and see a cup of moon tea sitting on the bedside table but when you’re instead greeted by a folded piece of paper and a cup of water with some fruits.

‘I'm sorry that i will not be here when you awake my love, i had some things i must discuss with my mother. Do not rush yourself but once you're ready you should make your way to the main hall so we can speak.

with all my love, jacaerys’

you sit up, chugging down the cup of water and taking a few bites of the fruit before sliding off the bed, eyeing the red splotches of blood pooling around where you had been laying leaving some dried blood on your thighs. You needed a bath. As if they could read your mind a maid walked in and you jumped.

“i am so sorry for startling you princess.” with a bow of her head you relax and bring the blanket to wrap around yourself suddenly feeling very embarrassed that she saw you like this. An unmarried woman who had clearly been sullied.

“The princess had requested i come here and run you a bath my lady” The princess? your face heats in embarrassment as you can only nod you head. He had told her, of course he would, especially after last night he seemed very keen on you staying here with him.

The only you could think about as you get scrubbed down was the slight ache between you legs and your mother. You wondered how she would react to all this, what was going to happen when you don't return home, or maybe you do but come back? all of your stuff is in the keep but its nothing of true value to you you suppose, everything that matters to you is here because all that truly matters to you is jacaerys.

You worry what your family will think if you don't return home, maybe that they killed you or kidnapped you. Will they send people here to come retrieve you? You wonder what jacaerys is doing right now, is he considering the same things you are?

You're shocked to be presented with a nice black dress instead of your older green one, you stare at your old dress on laying on the ground. You remember when she had gifted it to you, she had said it was hand made for you made in the house color. You remember her face and how she smiled at you when you spun around to show it to her and how she told you how gorgeous you looked. you look back at the maid who was looking at you expectantly and you apologize allowing her to dress you. You cant get hung up on these things, especially now that you’ve chosen to stay it does break your heart a bit to think about the fact that your last conversation with your mother was so short.

You try to suppress your anxiety as you are led towards the main hall where jacaerys had asked you to met him. when you get closer you can hear heavy discussions, you try to softly open the door but once you’re in the room the door closes so loudly behind you you hiss. Dreadfully turning around to see the room full of not only rhaenyra daemon and her children but the velaryon’s and many a council man.

“Good afternoon.” Everyone nods their head at you giving you a good afternoon in return. You don't notice him until he's standing right in front of you, “jacaerys,,”He lifts up your hands and presses a kiss against your lips. “Did you rest well?” You nod and he smiles at you, his hand reaching into his pocket and pulling out a necklace, reaching head hands behind your back to clip it on you.

You grab it in your hands and notice its a black metal sigil of house Targaryen. You look at him and he's just smiling at you, “You like it?” You hum and nod your head, he grips your hand and leads you towards the table where everyone had been standing around watching you. Your face heats when you notice rhaenyra’s happy face and daemons smirk.

“Now that the princess is here might we address the issue at hand?”

“where are we to go from here?”

Jacaerys takes a step closer to the table keeping one of his hands on your back “as i said we will be married tonight-”

You flashes back to last night where he had mentioned over and over again with shake breaths how he would marry you and how he would love to be your husband. You look down at the ground as you flush.

“Not to rain on your parade my prince but i have to be the one to ask it, how do we know the princess is to be trusted?” His hands slam on the table and he leans forward glaring daggers at the lord, “You will not accuse my wife of anything-” You place your hand on his back, “please do not get angry on my behalf Jace its fine. Besides there's something i should bring up.”

Everyone in the rooms attention turns to you, “I think it is best if i return to the keep.” Jacaerys whips towards you with an alarmed look, “what-” “i believe it is best if i inform my family i am staying here in person.” “That is a horrible idea they are animals!” “And you think they would act any better lest they believe me kidnapped?!” “You could send them a letter.” “a letter that you could easily have forced me to write they need to see and hear me say it.” “you are acting irrationally.” “I am acting irrationally?!?! for fearing they shall send their bannermen here to storm dragonstone putting everyone in danger?!”

“do they even like each other?” lucerys whispers to rhaena who just shrugs, baela stands with her arms crossed staring at the pair who are glaring daggers at one another, “they are angry because they care about each other.”

“and you would rather risk your own life?” “it is the best option-” “you are a ridiculous women.” “and you are nothing more than a fool if you believe you are right!”

“and what if they believe you are forced into saying it?” daemon cuts into you and jacaerys argument. You take a deep breath and step away from jacaerys, “They shall believe me, i am family.”

You look at jacaerys who has begun biting on one of his nails with a far away look. You grab both his hands and lace them with yours. “you must realize i am not asking for your permission.” he sighs and rests his forehead against yours with his eyes closed. “You must not leave me.” You can feel his heartbeat in the palm on his hand, beating erratically against his skin. He is afraid. Of not only you not returning back to him because you were forced to stay in the keep but because he is afraid you will not returned because you will be slayed.

“i will return to you i promise.” He is silent for awhile, thinking it over before he nods and takes a step away from you without a word. You turn your attention back to everyone else in the room trying your best to suppress your embarrassment as they give you sly looks.

“I do however agree with my son i worry for your safety should you return to the keep, they are not kind people.”

“I thank you for your worries my queen but unlike the rest of you they consider me their own flesh and blood. the worst that would happen to me is a few bumps and scratches i swear this. As i had been saying it is best if i were to return as soon as possible as i was even supposed to return last night. I am surprised they have not sent anyone to see me.” You know your mother must be worried sick and it leaves a pit your throat that you swallow down to your stomach. You cant think about those things right now.

As if on cue you hear a loud dragon roar from out side and you whip your head around to look out the window. “Vhagar.” “Aemond.” Jacaerys spits out next to you his face angry.

“I should go speak with him.” “I shall come with you.” “absolutely not. I will not have him harm you jacaerys. You remember what he did to you Jace.” You hand running lightly across the cheek where he had been struck.

“I shall go.” “I'm sorry prince daemon but i fear you are the worst option.”

You instead turn to the most familiar face in the room, “ser erryk will you accompany me?” As he was your sworn protector before he had left he nods, “Of course princess.”

A few more exchanges are spent between you and the others in the room, exchanging a kiss with jacaerys before you exit erryk quickly following behind you. Rhaenyra walks over to jacaerys and places her hand on his shoulder. “She will be fine sweetheart. You should not worry.” She rubs his back as he runs his hands down his face. “I hope you are right my queen.” She pinches his back lightly and smiles at him. “You love her.”

“More than anything.”

The grip you have on the fabric in your hand is tight as you quickly make your way down the bridge while aemond gets off vhagar. “Sister I am shocked to see you unharmed.”

“Aemond.” He stares at you with a curious look in his eye. “I had told mother the storm must have kept you held up but she was insistent i come and see you myself. She’s been worried sick.”

“extend my apologies too her.” He raises an eyebrow and looks you up and down. Once you two lock eyes and you stare at him not saying a single word. He seems to catch what you are saying and scoffs. “You are a fool.”

You shake your head at him, “They would not want me home anyway. For i have been tarnished and tainted by one you claim to be a bastard.” He freezes and you catch it even if its for a split second. His eye twitches. He says nothing just stares at you for a long moment. “I thought you were better than this. That you would get over whatever fascination you had with him. But it seems i was wrong.”

“extend my well wishes to sister and mother.” You toss your green dress towards him and he catches it. eyeing it before he looks back up at you. “I should kill you where you stand.” He makes no move to make good on his word, you doubt he fears ser erryk taking a step closer with his hand on his sword. “You do not wish to kill me brother. For there is no worse fate than being a Kinslayer.” Without even sparing another glance at you he climbs on vhagars back and flies off. You do not move from where you stand until he leaves you sight in the sky. a bittersweet feeling filling you stomach knowing it was the last time you would probably see him.

You do not notice you are even crying until ser erryk is crouched in front of you using his cape to wipe your face. “It is for the best princess.” “was it hard to leave your brother ser erryk?” he pauses for a moment, deep in thought before he nods. “It was. but i know it was for the best. You should feel the same.”

You rush back inside and are quickly greeted by jacaerys who was pacing anxiously by the doors his nail in his mouth but he quickly springs into action wrapping his arms around you tightly. burying his head in your neck as he lets out a sigh of relief. “do not worry my love. nothing will separate us.” and it is the truth. for not only a few hours later you two share a blood kiss, bounding the two of your souls together at last.

--

tags: @b00kw0rmsworld

[tonythr]

Quick Slash is even cooler from a narrative perspective, and why I think the Nailsmith's story parallels the Pale King's

Cold take: Quick Slash is the best charm in Hollow Knight.

Slightly Warmer take: Quick Slash is the only S-tier charm that is great from both gameplay and lore perspective (aside from maybe Spell Twister).

The reason for this is that its existence is actually a

metaphor

Here, look at this.

So, Quick Slash is something that was created from a relatively big number of objects that were discarded and deemed imperfect, and that possess a collective will of wanting to fulfill their purpose.

You know what that reminds me of?

A large amount of creations: check.

Discarded as imperfect: check.

Still possessing a will to find closure: check.

Being a part of a larger, more powerful thing: check.

Having a common creator who is responsible for their creation and rejection: check.

So yeah, I think that Quick Slash's lore (or at least its description) is meant to parallel that of the Vessels'.

But I wanna talk about that last point: the creator.

It is heavily implied that the person who created and then later discarded those nails was the Ancient Nailsmith we see in the room where we get Quick Slash.

(Oh by the way I just realized that this stone ring thing on the right of that room is actually the furnace, neat.)

Judging from their Dreamnail dialogue, this Ancient Nailsmith was trying to achieve the same goal as the other, more famous Nailsmith we all know and love: creating a Pure Nail.

And you know who else was trying to create a perfect, Pure thing while discarding many other similar things that later gained a collective will?

That's right - it's the guy who is also responsible for creating those other discarded things we discussed earlier!

Ok, but what I really wanted to talk about here is how all of what I just said ties back to that other, more famous guy - The Nailsmith.

We don't know for sure how the story of the Ancient Nailsmith ended, but it feels like it exists there mainly to put an emphasis on the City's Nailsmith's story; to convey that his struggle is an important theme in this narrative (because ancient means important, ok?) And, I mean, the City's Nailsmith's story also parallels that of the Pale King's in the same manner, right?

The thing is, we already know how PK's story ended.

In trying to achieve perfection, to create an eternal Kingdom by making a Pure Vessel devoid of mind, voice and will, the Pale King doomed himself to be taken over by his regrets, by the vast emptiness of the futility of his struggles. But was it because he failed, or because that was where his story was headed all along?

What if PK succeeded? What if the Radiance was sealed forever? What if his Kingdom actually stood eternal, never to change, never to end? What if he realized he achieved his only goal in life?

And that's the part where we get to a story the ending of which is up to the player's choice.

To quote White Lady, only two obvious outcomes there are from such a thing.

The first is an honorable death by the fruits of his labor.

If we choose to kill the Nailsmith with the Pure Nail, he dies happy, knowing that his life's goal is accomplished and having gained all the satisfaction he could from it.

The second I find preferable, a new passion.

If the Nailsmith doesn't feel the finishing blow of the Pure Nail, he is left unsatisfied. But, while trying to resolve that unsatisfaction, he eventually finds something (and someone) that gives him a new calling, a new thing to create, a new reason to live.

And, while those are both equally valuable, equally canonic outcomes, don't you think the second one is just... better? I mean, not only does it include the achievement of the Nailsmith's goal, but it lets him live AND gives two lonely souls a partner in life! I feel like that's the thing this narrative is trying to convey. What it's trying to say about the meaning of life, about our dreams.

Maybe that was the ultimate folly of the Pale King - the inability to change. His story would've ended in the same way, regardless of whether Hallownest lasted eternally or not. He would be dead, if not by the hands of the Void, but by his own - but ultimately, by the hands of that vast emptiness of realizing that you achieved your only goal and that now all there is for you is this eternal satisfaction that slowly fades away, leaving you with nothing.

TL;DR: Quick Slash is the best because it's a metaphor for discarded vessels; perfection is overrated, try to get laid instead.

[sweet-herbal-peach-tea]

TKATB Theories

Evidently spoilers ahead for chapters 1 and 2!!

This is my analysis and theories based on 3 character's we got intense lore drops for including Sol, Crowe, and Hyugo.

CW: mentions of drugs, and implied abuse,

SPOILERS UTC!

Credit for header goes to the wonderful @arklayraven

HYUGO

So, the recent lore drop for Hyugo was crazyyyy. The whole thing about him and Geo being brothers was implied especially with Geo's introduction on Fantasia's twt where he talks about disliking Hyugo. There definitely has to be a reason beyond sibling bickering to why Geo dislikes Hyugo. Whether it's Hyugo's vigilante tendencies or his connection with a potential crime syndicate.

One of my theories is that possibility Geo and Hyugo's father are a part of the syndicate or some kind of organizer. The reason Geo possibly despises Hyugo so much could be due to the fact he believes Hyugo is so heavily intertwined in the world of crime? I guess we'll find out in the next few chapters??

SPEAKING OF HYUGO'S CONNECTIONS TO CRIME?? THE SECRET ENDING??

Okay so idk if Hyugo is skipping town in both endings but I think regardless of what choices we've made he'll be skipping town bc of the events that took place in the theatre. Whether we were present or not. What I think hints towards this is the particular ending we get when we go to the arcade and when Hyugo asks us to "take care of Sol". Then he smiles and leaves. It may not be as obvious at face value, but I do think we won’t see him for a good while.

ALSO, the deal he made with Sol??

I think it has to do something with definitely gathering information on us, or it could be as someone else said supplying Sol with sleeping pills. However, I think it's implied that Sol does unfortunately missuses them, but they are intended for Sol to be able to get sleep.

More than likely I think the simpler version of their deal would consist of Hyugo keeping quiet of Sol's list of many many crimes, and Sol doing the same for him.

CROWE

I think will generally be the shortest, however I think my theories for him are more based on context clues and reading between the lines rather than baseless conjecture.

As we know literature and double meanings play an extremely important role in this visual novel. We see this in reference to Anabel Lee and the constant references between our past and the poem and how each verse links each chapter.

Where getting to in this is during Crowe's route when he asks for the MC's opinion on Marie Antionette. In the answers we give he seems to take them to heart, and when a negative opinion of her is brought up he seems to take them strangely to heart.

It is clearly evident is some way shape or form Crowe is somehow connected to the man that took our farm away. I think it is most likely that he is Crowe's father. Crowe evidently feels guilty about the place he takes and the role that he is forced into in regard to our debt. He more than likely can’t say anything either out of guilt or second party purposes. Regardless he is obviously trying his best to support the MC from the sidelines in any way he can.

I love Crowe… :( My sweetybear snookums pie…

SOL

ughhhh this man.

I love him but he's clearly insane. Okay let's talk about him bc I have so much to say.

My first theory unfortunately is my least favorite, and it is that potentially MC is not Sol's first soulmate, and he is projecting an image of someone else long gone onto us as the MC.

My reasoning behind this theory is because of his views of rebirth, death, and life. Specifically on two occasions that really made me think of this.

During the conversation you have with him in the library after making the decision to sit on his lap you ask him about his interpretation of the poem Annabel Lee, which the game takes heavy inspiration from. During this conversation Sol speaks of "being separated by death" and it's followed by Sol's responds in a fast dialogue something along the lines of "I won’t. it won’t happen again." Which leads me to believe we may potentially remind him of someone in his life that has passed.

There's also a second dialogue during day 02 which sparked this idea, in which based on the player's pronoun options Hyugo says something along the lines of "you remind me of her/him/them." It's unknown if Hyugo and Sol are childhood friends, but if it is likely then it may confirm that we remind Hyugo and Sol of an entirely separate person.

The only thing that sways me away from this theory other than the fact I detest the idea of it is during Crowe's route on day 02 when Sol mentions something about how…

"It has always been you, Ichabod."

This line could imply a multitude of things really. This could also imply that he generally detests the family due to the fact that they play a role in the MC's suffering. However, for now, I'll diverge into a separate theory that definitely more likely being Sol somehow knows us from childhood.

I like the theory that a fanfiction author pointed out that our farm may have been near the sea, and the reason why Sol detests it so much is due to the fact we the MC were separated from him, and the sea may remind him of that.

There are also these implications of the flowers in his hair in Fantasia's braiding hair post with the "forget me nots" in his hair.

I also believe the key carries around him has something to do with our past as well. Given that in fantasia ask box when someone asked about how Sol and MC first met, he actively fiddles and plays with the key that he wears? Where does it unlock? Where does it go to?? Only the lord knows.

BUT ALSO?? SEPERATE NOTE?? FINAL THEORY AND IMPLICATION?? THE NSFW ENDING ON DAY 02??

Seeing Sol's back in the last CG absolutely broke my heart. It's clear that his back is riddled with bruises and burn scars clearly from recent abuse. (after my second check I also noticed his stomach with bruises??)

Obviously out of respect for fantasia's terms I will not link it nor post it, but it's there in game and I recommend other theorists checking it out.

The reason why I say recent is due to the fact that if they were just scars, we most likely would have seen the marks features in Day 01's NSFW art, seeing as it also has his stomach exposed.

Again, this all conjecture, and they could be in places we couldn’t have seen.

On the subject of scars, I think it's also evident that Sol is more than likely hiding a scar on his neck or some sort of burn scar behind it. He's extremely self-conscious about his looks, and Fantasia has stated that his choker will more than likely stay on at all times when he's with his soulmate.

The side however, and its coverage eludes me considering the only time we've seen Sol's neck is in art Fantasia has given us (but his neck is covered with a scarf or ribbon). The only time we see a little smidgen of his neck is in the Day 01 NSFW ending, but it's barely anything to form a for sure statement on!

I think here is where I'll wrap up my theories for now!! Thank for reading this extremely long yap fest! Fantasia if you are reading this I just wanted to say I love your game and I love Sol!! Hope he knows this very much! Thank you for your hard work and I hope your internship goes well!

Very excited for the future of this wonderful game! I will now go lock in for finals season! This is peach signing off!

[pink-saalt]

Since my other Hobie rant got a lil bit of attention I have another one 🥰

Please stop taking everything he says literally !! I'm so tiredd of seeing Hobie HCs or bots or fics that rely so heavily on his "I don't believe in labels"/"I don't believe in consistency" line. It was one line out of all his dialogue, and throughout his 5 minutes of screentime we see that Hobie definitely has things he believes in. He is distracting the viewer from his true intentions !!

I rock back and forth and mutter and go insane when I see someone say some shit like "He wouldn't call you his partner, he doesn't believe in labels" SHUT UPP, if anything I think he is implying things like gender roles, labels that people have for some reason made political. Not romance. Come on. QPR n shit is a different story because then you're are in a PLATONIC relationship. Ofc he won't call you his partner if it's platonic.

People use those lines to make him an asshole low-key. I've seen people use it to justify him being a cheater, justify him playing with people's feelings, all sorts of shit. ALSO. "I don't believe in consistency" is not an excuse to erase the basis of his character which is the fact that HE. IS. PUNK. Punk is a political and musically based subculture. Yess he will listen to things outside of punk music, but the majority of his playlist will be punk music. Not only is he punk, he's an ANARCHIST. He's just being annoying and fucking with Miles 😭

Please watch schnee's video on Hobie because goshh here's the link https://youtu.be/GQ90GIuawAo?si=9ZMLKDYPBTYDRF1S

[solarmorrigan]

For the dialogue prompt, how about “What happened doesn’t change anything” for either Steddie or Newmann?

Thank you!

Hello hello hello I finally have something for you! I chose Steddie for this one, since I was on a roll. I hope this suits!

[post-S2 Steddie AU; CW: Outing, transphobia, some internalized transphobia; soft ending guaranteed, though]

-

When he sees Hagan meandering over towards them in the parking lot after school, his queen bee tagalong, Perkins, in tow, Eddie knows nothing good is going to follow. The way he feels Steve shift beside him says that he suspects much the same. The rest of the Hellfire guys, all gathered around Eddie’s van, talking and joking before heading home, have fallen silent.

It’s a small consolation that Hagan isn’t trailing Hargrove; since putting Steve in the hospital (briefly, Steve always interjects) last November, Hargrove has mostly given him—and the members of the Hellfire Club, once Steve had been taken into their fold—a fairly wide berth. Hagan, however, has had no compunctions about hassling Steve whenever he gets a bug up his ass about something, and he’s only become nastier since he started toadying for Hargrove.

So Eddie expects trouble, but he hadn’t expected–

Hagan starts small, crowing about how Steve has finally found his rightful place: among the freaks. Steve doesn’t give anything away, no displeasure, no anger, just bored indifference – the same mask he’s always hidden behind (the one Eddie had learned pretty quickly to see past, once he knew what to look for). But Hagan pushes.

“I guess the freaks already have a king,” Hagan snipes, cutting a glance at Eddie, “but I’m sure he needs a lady to rule by his side, right, Stevie?”

It seems like an unoriginal sort of dig—calling Steve a girl, how creative—except Steve goes pale. The mask slips, showing wide and frightened eyes for just a moment, but for Hagan, who’s known Steve for years, it’s long enough. He knows he’s hit something good.

“Do all your new little friends know, Stevie-boy? What makes you fit right in with them?” Hagan glances around the group, apparently enjoying the fact that if looks could kill, he’d be dead four times over. Then he leans in and practically spits at Steve, “Do they know that they got into your pants, you’d be less of a King Steve and more of a Queen Stacy?”

And that does it – shatters Steve’s mask so thoroughly that he actually takes a step back, staring at Hagan with a kind of disbelieving betrayal frozen on his face.

The full meaning of the words hits Eddie about three seconds before Hagan hits the side of the van, one of Eddie’s hands fisted in the front of his t-shirt and the other held firm at the base of his throat – not hurting, exactly, but heavily implying that he could.

Eddie doesn’t even have to reach for one of the many theatrical voices he uses to rile people up or cow them into submission; he’s so thoroughly taken by a type of rage he hasn’t let himself give into in a long time that his tone comes out perfectly threatening all on its own.

“If you ever repeat what you just said to another person, I will find out, and I will make your life a living hell,” he hisses.

Somewhere behind him, someone—it might be Jeff, though Eddie isn’t sure—clears their throat, and when Eddie tosses a glance over his shoulder, he finds the rest of Hellfire standing firm at his back (even tiny underclassman Gareth, with his arms crossed and the meanest look on his face the poor kid can muster).

“Ah, my apologies,” Eddie says as he faces front again, flashing a manic little grin, “we will find out. And we’ll ruin your life, Hagan. Same goes for your girlfriend.”

Perkins, who had been standing off to the side as the snickering peanut gallery right up until Eddie had pinned Hagan to the side of the van, makes a choked noise of offense that goes entirely ignored.

“Tell me you understand, Tommy-boy.” Eddie punctuates the command with a flex of his fingers near Hagan’s throat, until Hagan reluctantly nods, and Eddie releases him. “Glad we’re in agreement.”

Hagan and Perkins hightail it the other side of the parking lot, leaving them be with nothing more than a nasty look from Perkins, but no one is much in the mood to chat after that. No one really knows what to say – except Steve, who offers a quiet thanks to the rest of the guys and, having caught a ride in with Eddie that morning, then asks to be taken home.

Even with the radio playing quietly as Eddie drives, the atmosphere in the van feels silent and stifling.

Asking Steve if he’s alright feels like kind of a ridiculous move. Eddie wouldn’t be alright if he was in Steve’s position – hell, Eddie’s not alright. He’s pissed. But from the way Steve is sitting rigidly in the passenger seat, staring out the window like Eddie is driving him to his execution, Eddie’s anger—even on his behalf—isn’t what he needs right now.

Slowly, Eddie forces himself to let it go (for now, at least for now) and follow the familiar roads home.

It feels perfectly natural to simply head back to his place, where they’d been planning to go before that shitshow of a confrontation, though the surprise on Steve’s face when they pull up to the trailer says that he’d thought otherwise.

“You could’ve just taken me back to my house. I wouldn’t– I’d get it,” he says, and Eddie frowns at him.

“Did you want to go back to your house? We can hang out there if you want, I just figured…” Eddie tilts his head regarding him carefully. “You seem more comfortable here.”

Steve stares at him for a long moment, blank and uncertain, before he breaks back into motion with a shrug. “Okay,” he says, moving to get out of the van.

They head inside and nod a quick hello to Wayne, who looks like he’s just woken up in preparation for his shift, and then they go straight back to Eddie’s room. Eddie’s bag goes on the desk, but Steve’s goes by the door. Eddie sits down on the bed (admittedly one of the few places to sit, but also an invitation for Steve to come sit next to him) but Steve – Steve hesitates before leaning up against the wall, by the door with his bag, arms crossed and gaze cast towards the floor.

He looks ready to run at any moment, and Eddie sighs. This thing between them is new – so new that they’ve been afraid to put a label to it, dancing around each other uncertainly for months before sharing their first kiss barely a month ago. They’ve spent almost every available moment since with their hands on each other in some way or another, though Steve has been a bit skittish about moving past making out (Eddie had thought that maybe it was the unfamiliarity of being with another guy, but he thinks he might have a better understanding of the picture now).

Eddie doesn’t want to break things by pushing too hard, but somehow, he thinks leaving it unaddressed would be worse.

“Look, we don’t have to talk about it,” he says, watching Steve, though Steve still isn’t looking back, “but if you want to…”

Steve shrugs. “I wasn’t hiding it from you,” he says, finally glancing up at Eddie. “I mean, I was, but not– I was going to tell you.”

“You don’t owe me any kind of explanation,” Eddie says.

“You would’ve found out eventually, either way.” Steve lets out a sound that suggests he may have been trying to laugh. “But it was – I should’ve been the one to tell you. That was – that was mine to tell.”

A little bit of Eddie breaks as Steve’s voice does. He’s almost vibrating with the desire to hold and to reassure, to go over to where Steve is standing, still propped against the wall, practically curling in on himself (trying to make himself smaller), but he’s not sure how well it would be received. He tries words, instead.

“Steve, I’m so sorry–”

“That was the one thing,” Steve snaps, anger tearing across his tone, “the one thing Tommy would never touch, the one thing that was off limits, even he knew– and he just–” As quickly as it had come, the anger goes, taking Steve’s energy with it. He presses the heels of his palms into his eyes and lets his hands slide down to cover his face; when he speaks again, he sounds small. “I wasn’t ready.”

Eddie couldn’t keep himself from crossing the room if he’d tried – though isn’t trying, after that. He’s up off the bed and into Steve’s space before he’s even realized, and it’s probably only his proximity that allows him to hear what Steve says next.

“I’m not ready for things to change between us.”

“Steve,” Eddie says, low and careful, “what happened doesn’t change anything.”

Steve pulls his hands away from his face with a derisive little huff of a laugh. His cheeks are red and his eyes are bright; he’s not crying, but it looks like a near thing.

“It’s – like, I get it. You’re fully into guys, and I’m…” He waves his hands down at himself, sharp and frustrated. “Most people wouldn’t call me a real guy, if they knew.”

“Since when am I most people?” Eddie asks. “You say you’re a guy, you’re a real guy, fucking end of. Anyone who thinks otherwise can fuck off.”

Steve scoffs, rolling his eyes, clearly trying to hold back a much more emotional reaction, and Eddie chances resting his hands on Steve’s shoulders. Steve doesn’t move away, even eases a little into the touch when Eddie starts circling his thumbs at the skin right where his shirt collar ends.

“You don’t have to believe me right now,” Eddie says softly. “But I like you, Steve. I like you, andI’m gonna stick around and prove it to you.”

Something about the declaration makes Steve’s eyes snap right to Eddie’s, searching, anxious and cautiously hopeful, and Eddie lets him look. Whatever he’s after, maybe he finds it, because he uncurls from himself a little after that, just enough to lean in for a hesitant kiss that becomes much more certain when Eddie himself doesn’t hold back.

Eddie pulls Steve back over to the bed after that, poking and prodding him around until they’re both settled, Eddie’s back to the pillows and Steve’s back to Eddie’s chest (Steve’s never said as much, but Eddie’s gathered that this is one of his favorite positions to cuddle in; he doubts if Steve’s spent much time being the little spoon).

“Tell me something else,” Eddie says, once he’s got his arms wrapped securely around Steve’s waist.

“What?” Steve asks.

“Tell me something that you want me to know.” Eddie leans forward to press a kiss to Steve’s temple. “Anything.”

For a moment, Steve is quiet, thinking as he traces absent patterns over Eddie’s forearms. “I could tell you why I picked Steve,” he says finally.

“If you want to, I’d love to hear it,” Eddie says.

“It wasn’t because it was sort of close to my… old name. That was actually kind of a coincidence.” Steve lets his head fall back against Eddie’s shoulder, the tension that’s been wound through him for the last hour finally starting to ease. “Steven was my grandad’s name.”

“Yeah?” Eddie prompts softly.

“Yeah. My mom’s dad. I used to spend a lot of time over at his house when I was a kid. Before he died. I kind of got the feeling he liked me more than my parents did.” Eddie gives Steve a squeeze around the middle. “But he used to tell me all these stories about fighting in World War II. Probably not very age-appropriate, now that I think about it, but at the time I really ate it up.

“He didn’t really, like… glorify it, I don’t think? He just kind of told me what happened, good or bad, and whatever the story was, I always thought he sounded, y’know – strong and brave. And when I wanted to pick a new name…” Steve shrugs against Eddie. “I kind of hoped he wouldn’t mind sharing his with me.”

“Bet he’d be honored,” Eddie says, giving Steve another little squeeze.

“Some days I’m not so sure,” Steve says quietly.

“Well I am. I’ll just have to stick around and prove that to you, too,” Eddie says decisively.

Briefly, Steve’s hands tighten where they rest on Eddie’s arms. “I like the sound of that,” he says, and Eddie turns so he can press another kiss to the side of Steve’s head.

“Good,” he says. “Me too.”

[immaturityofthomasastruc]

IOTA Reviews: Emotion

Hey, remember Felix? You know, that minor character who is the entire reason Gabriel has all of Ladybug's other Miraculous? The writers remembered he existed more than halfway through the season.

Let's get into the eighteenth episode of Miraculous Ladybug's fifth season: Emotion

We start off with Marinette and Adrien getting ice cream, and just like last episode, right when they're about to kiss, Adrien stops at the last second. While we don't see it, it's heavily implied that Gabriel is behind this. It turns out that Adrien has to get ready for some dance for rich people. While it has a name and I think it was mentioned in a few earlier episodes this season, it's really just some dance for rich people, so I don't care enough to remember it. Of course, all of the rich characters we know are invited, like Kagami, Chloe, Zoe, and Prince Ali. Lila, on the other hand, wasn't invited. This might sound important, but nothing happens with her until the end.

Zoe isn't going because of the “character development” she's gotten, so she offers to let Marinette wear her dress to the dance, which just so happens to be a masquerade ball. Tikki asks why Marinette even wants to go to this party she wasn't invited to, but all Marinette says is that it's so she can tell Adrien that she didn't have to keep the dance a secret from her. Why didn't Marinette just call Adrien? Because then we wouldn't have a story.

At the ball, Adrien and Kagami are the king and queen or whatever because their parents are really determined to make their ship sail even though the two show no real interest in each other (insert your own joke about the writers here), but they're interrupted by Amelie, Emilie's twin sister and Felix's mom. She's worried because her son has been missing for weeks, but Gabriel couldn't care less about the little twerp.

At the party, we get a somewhat amusing joke where Chloe fails to recognize Marinette under her mask, where Marinette not only says her name is Zoe, but her “underling” is named Chloe too. But speaking of...

Chloe: How rich are your parents? Rich? Very rich? Immensely rich? Of course, otherwise you wouldn't be here! It's too bad we can't bring out underlings with us. I'm sure these tin cans can serve properly but we can't make fun of them! (grabs a drink from a butler robot before kicking it) So lame!

Okay, did the writers just stop caring about writing convincing dialogue for Chloe? This is a problem I've noticed a lot this season. Yeah, Chloe was bad in the last four seasons, but here, she constantly talks about how Sabrina is her “underling” (Passion), or how she finds Marinete's suffering to be amusing (Derision). It's not really out of character, but it's weird how she's so much more blunt when it comes to boasting about how full of herself she is. It feels like a lot of her lines this season were meant to be placeholders for stuff the writers thought they'd change later, but then they decided to keep it in anyway. And of course to show how stuck up the other rich kids saying the same kind of stuff Chloe normally says, which is somehow less subtle social commentary than Hop Pop shouting “EAT THE RICH!”.

Adrien and Kagami talk about how they're expected to follow orders, while pretty much saying that Kagami is a Sentimonster since the camera really wants to show off her ring.

Oh wow. what does this mean? Wow, this is such a compelling mystery with so many twists and turns. I am so very invested right now.

However, as the two talk, it's clear that Adrien isn't himself, literally.

“Adrien”: Let's leave, I dare you.

Kagami: Are you insane? We can't do that.

“Adrien”: Of course, we can. I can.

Kagami: (gasps) You'd do that?

“Adrien”: Wanna bet?

Kagami: No, we can't.

“Adrien”: See? You're not as free as you claim. Don't you think we should be able to decide our future?

I'll get back to this later.

Marinette tells “Adrien” that she loves her, but Chloe figures out that Marinette crashed a party she wasn't invited to. Of course, because this is Chloe, we're supposed to ignore how unnecessary this plan was for Marinette. Seriously, Marinette crashing the party in “Gabriel Agreste”, as illogical as it was, made sense, because they needed to stop Chloe from showing Gabriel incriminating footage of Marinette. Here, Marinette had no real reason to crash this party when all she had to do was call Adrien, and Chloe, like her or hate her, makes a good point in that she wasn't invited. But again, since this is Season 5 Chloe, she could say she opposes human trafficking, and the writers would still find a way to make her look like the bad guy.

Chloe tells the other rich kids to help her expose Marinette, but because they're so stuck up and entitled, they refuse to touch her. I'll give you all a moment to groan from that unfunny joke. Then we get this conversation between Marinette and “Adrien”.

“Adrien”: All eyes are on you.

Marinette: They're looking at me like I'm a monster.

“Adrien”: Look closer, Marinette. (whispers into her ear) They're the monsters.

I officially take back everything bad I ever said about the Canto Bight scenes from The Last Jedi.

While I get what the episode's going for, we really haven't seen a lot of the 1% doing things that would actually warrant this level of scorn from the audience. Yeah, most of them were egotistical snobs, especially Chloe, but you can't really see this as a shot at the elite when it's aimed at their children instead of their parents. All we've seen in this episode is the rich kids being jerks (and even then, it's played for laughs), Chloe rightfully trying to get Marinette thrown out of a party she had no reason to crash, and Gabriel and Tomoe trying to pair their children together. If you want to show the audience how bad rich people are, you need to show them actually abusing their power and mistreating others. As bad as the aforementioned Canto Bight scenes were, they still worked because it managed to back up the point it was trying to make.

Compare this to characters like the Ferengi from Star Trek or the World Nobles from One Piece. These are allegories for the 1% that work because they do a better job at exaggerating aspects of them that can translate to how we see the elite in our world. With the Ferengi, they represent everything wrong with cutthroat businessmen who base their entire society over financial gains, and with the World Nobles, they represent the disconnect with the common people by being so arrogant, they wear helmets that prevent them from breathing the same air as the commoners. If you wanted to show how bad the rich were, especially considering what's going to happen in a few minutes, you needed to do more to make the audience not like them so we'd be more happy to see them get their comeuppance.

Marinette figures out that Felix impersonated Adrien once again (it honestly stops being impressive when he's done it during literally every episode he appears in), and he decides to transform using the Peacock Miraculous in public for some reason, calling himself Argos.

Argos' design is okay. The suit and coattails look pretty nice, and the coloring on his face works a lot better than Gabriel's. The only problem I have is the way the hood looks. It looks too goofy to go with the rest of the suit. It kind of reminds me of that salmon suit Squidward wore in that one episode of SpongeBob SquarePants.

Before anyone else at the party can do anything, Argos reveals a Sentimonster he created, Red Moon.

Red Moon is... a red moon. It's just a red moon that floats above the city, and it gives Argos the ability to make anyone bathed in its light disappear with a snap of his fingers. If anything, this shows how overpowered the Peacock Miraculous is, and that Gabriel was a real idiot for not trying anything like this while he was Shadowmoth.

Anyway, after making everyone think his cousin is a supervillain as part of his brilliant plan, Argos decides to tell everyone in the room about what his Sentimonster can do. He demonstrates this by, of course, choosing to snap away Chloe before targeting Gabriel and Tomoe. You really have your priorities straight, buddy. Argos then carries Marinette outside before throwing her in a dumpster, because if he snapped her away, than Ladybug couldn't fight him.

But then Argos decides to go to the streets, and decides to snap away a bunch of innocent civilians... while singing a jazz song. To anyone curious as to what it sounds like, I must warn you, it isn't for the feint of heart.

I take back everything bad I ever said about the Hawkmoth rap.

First off, I'm just going to say it, Bryce Papenbrook cannot sing. Argos is clearly trying to sound like a suave and confident villain like Doctor Facilier from The Princess and the Frog, but his delivery is terrible. It either ranges from flat monotone to trying to shout while dealing with a sore throat. The point I'm trying to make is that there was a good reason someone else did the singing voice for Adrien in the recent movie.

Second, this doesn't do anything to make us root for Argos as a character, because there's no reason for him to be doing this. I can understand why he'd use his power to get rid of Gabriel and Tomoe (even Chloe, given we know how much she's done), but why is he suddenly going nuts snapping a bunch of random people who haven't even met him before? The episode tries to make him a character who only does bad things because he has no choice to, so him doing this to a bunch of innocent civilians makes no sense.

Finally, WHY THE HELL IS THIS SCENE A MUSICAL NUMBER?! It's hard enough to see Argos callously wipe out a bunch of bystanders, essentially committing genocide, but the tone of the song is all upbeat and cheery, while the lyrics are about how Argos should get whatever he wants. What is the purpose of adding a song here? Are we supposed to find this funny? Is it meant to establish Felix as a wild card? Is the song supposed to make us like him more because of how catchy it is? What was the writers' endgame here? Like I mentioned earlier, this flies in the face of the characterization the episode is trying to establish for him.

Marinette transforms into Ladybug and arrives on the scene, confronting Argos over what he did last season.

Ladybug: You're the reason why I lost the other Miraculous in the first place! And why he took them! You gave them to him without any regard for the consequences it might have with the people of Paris!

Argos: True, except I work for no one. I only helped Monarch cause it served my plans! I needed the Peacock Miraculous and today I need yours and Cat Noir's so I can make my wish!

Ladybug: Your wish?! What do you want?! What are you trying to do?! You're destroying the world and we don't even know why!

Argos: When I merge your Miraculous together, I'll make a wish to create a better world! A free world, where no one will be under anyone's control anymore, where no one will be excluded like I was! A world without people like you to decide what's right or wrong! Who gets powers and who doesn't!

Dude, you're literally playing God right now by snapping away people who did nothing wrong, while singing a song at that. You have no right to lecture Ladybug on how to use power responsibly. And once again, even though we just saw him happily snapping people out of existence like the kid from that one Twilight Zone episode, the episode is going back to portraying him as someone who's only doing this because he has nothing to lose.

Ladybug tries to use her Lucky Charm, but gets nothing in response. This is because her plan is to get Argos to give up, but even in episodes where her plan was to get Akumas to give up, she still got her Lucky Charm (Rocketear, Qilin, Penalteam, Reunion, Perfection, Intuition), so this doesn't really make any sense. Ladybug calls Argos' bluff, so he wipes out everyone from existence. After running into Kagami and snapping Adrien back into existence, Argos is surprised that they aren't thanking him for wiping out all of humanity, and in fact, see him as a complete psychopath.

We then learn Felix's true plan. Earlier that day, Argos capitalized on a opening he had been hoping he would get for weeks, and then created Red Moon. Right after Adrien's date with Marinette, Argos ambushed Adrien, and snapped him out of existence with Red Moon's power. He then decided to impersonate Adrien so he could infiltrate the dance and snap Gabriel, Tomoe, and everyone else out of existence.

I think my feelings on this plan can be perfectly summarized by Tony Stark.

First off, why did he need to sneak into the dance? All Felix had to do was transform into Argos, and nobody would know who he really was.

Second, why did he need to impersonate Adrien? Felix claims he's doing this for him, yet all he did was steal his girlfriend and ruin his public reputation. As a matter of fact, why did he even snap Adrien away? You're already wiping out all of humanity, so I don't think temporarily doing the same to Adrien will earn you any goodwill.

Third, why did he waste so much time screwing around with Marinette and Kagami? I sort of get why he would try to get in Kagami's good graces (keyword being “try”) by trying to convince her to rebel against her mother more, but why did he dance around with Marinette while pretending to be Adrien? Felix later says he wanted to spare Marinette for Adrien's sake, but he barely knows her, and whether she finds out Felix impersonated her boyfriend or not, she's going to be pissed at either you or Adrien because of your galavanting. In fact, I don't think he ever told Adrien that he danced with Marinette while at the dance in the first place.

Finally, he really needed to wait for this for weeks? If your goal was to get rid of Gabriel and Tomoe, why didn't you just ambush them yourself instead of waiting for a public function? This isn't like has last few appearances where he needed to rely on his intellect. He has superpowers now. All he has to do is create another Sentibug or some kind of assassin Sentimonster and he can be rid of them easily. Instead, he waited weeks for a chance to steal his cousin's identity, dance with his girlfriend, talk trash about Kagami for listening to her mother when he's supposed to be helping her and Adrien, blow his cover in a crowded area by transforming, and use his killer moon to erase all of humanity from existence while singing. Remember, this is the show that usually makes jokes about Marinette's obsession with unnecessarily complicated plans.

Anyway, Argos tries to use his powers to bring Marinette back, but for some reason, they won't work. My best guess is that it's because Marinette transformed into Ladybug, but that shouldn't chance the fact that Argos snapped her with Red Moon's power. After trying to justify his genocide by saying he never wanted to hurt Adrien and Kagami, Argos remembers how his powers work and brings everyone back. After Ladybug lets him go scot-free, Argos goes to a private place realizes that he may have made a few mistakes for almost wiping out all of humanity, tearfully snapping Red Moon out of existence, calling it “his sister”. Because I guess we were supposed to emotionally connect to the giant moon that showed little to no signs of sentience this entire episode? Argos transforms back to Felix, and we learn that Amelie knew where he was the whole time, and she was apparently testing Gabriel for some reason.

After Adrien explains to Marinette that his father ordered him to not tell her about the dance, Adrien goes to talk to Gabriel about it. Gabriel, being Gabriel uses his control over Adrien to force him to never talk about Marinette again. Gabriel then gets a call from Lila, and even though she's been nothing but helpful to him since Season 3, he's apparently tired with her. Why is he suddenly rejecting the help of his most competent (by comparison) ally?

Also, the episode ends with the revelation that Lila somehow knows Gabriel is Monarch. Why? How? I DON'T CARE, BECAUSE THIS EPISODE SUCKS!

Oh my God, this episode was just terrible! “Derision” and “Adoration” definitely got to me with the way their stories were handled, but this was the first episode in a while to really piss me off. The plot was contrived as hell, basically being a repeat of “Gabriel Agreste”, and you all know how I wasn't exactly a fan of that episode. Think about it: Marinette sneaks into a party, Felix tries to scheme against Gabriel, and Marinette and Adrien end up getting caught in one of his schemes.

The social commentary about how bad the rich were just felt more pretensions than anything else. I get that it's meant to teach children a lesson about the real world, but the episode feels so confident in what its trying to say when it's not that deep, even by kids' show standards. Rich people are bad? Yeah, I think someone like me who lives in the same country as Elon Musk, Jeff Bezos, and Mark Zuckerberg knows that. Will you actually teach kids about the financial conditions that allow the wealthy to abuse their power or the cutthroat methods they'll resort to in order to turn a profit? No? You're just going to tell kids that rich people are jerks without giving any actual evidence in the same episode you're using to try and to teach them? Man, these writers just keep hitting it out of the park here!

This whole “Rich people suck” message also falls flat because Felix is the one pushing it. You know, someone who already comes from a rich family? It's not like Bruce Wayne where he uses his money to help the people of Gotham, as Batman or not. Felix just whines about how “tHeY'rE tHe MoNsTeRs.” when he's just as well-off as they are. The episode tries to do a subtle discrimination message as evidenced by his rant as Argos earlier, but it doesn't work because we have never seen anyone discriminate against Felix for who he is. Yeah, the episode once again tries to hint at him being a Sentimonster, but because the show hasn't just pulled the trigger and confirmed it, it's hard to really sympathize with him being “excluded” when we've never seen him being treated differently by others in earlier episodes, and even if he was a Sentimonster, nobody would know or be able to discriminate against him in the first place.

I don't know why the show keeps trying to excuse Felix's actions when once again, he pretty much committed fucking genocide yet the episode still wanted us to feel bad for him realizing his actions had consequences. If he actually wanted to own up to his mistakes, he'd either hand over the Peacock Miraculous to Ladybug or help Ladybug stop Monarch. For someone who claims he hates when people abuse power to make others suffer, he's no better, judging from how both times he's gotten to use a Miraculous, he's either screwed over Ladybug (Strikeback) or endangered a lot of innocent people. And if you're wondering why I didn't point out any double standards between the treatment of Felix compared to Chloe, that doesn't really matter. No matter how you feel about Chloe, whether you feel like she got screwed over or not, it doesn't really make how the writers are glorifying Felix any better or worse, as his potential “redemption arc” isn't off to a good start.

The plot was stupid, Felix was an idiot, and it felt like more effort was put into the musical number than the writing. In my opinion, this is easily the worst episode of the season so far.

Although at the very least, now that we have even more evidence that Adrien, Felix, and even Kagami are all Sentimonsters, I think I know what clip I can start using to describe my feelings on this plotline.

THE BIGGEST IDIOT OF THE EPISODE IS... FELIX

For someone who managed to outsmart Gabriel on multiple occasions with no superpowers, Felix's intelligence really took a nosedive the second he got the Peacock Miraculous. He came up with a completely unnecessary plan that involved impersonating his cousin's identity and mocking his friend when he's supposed to try and win their favor, he danced with his cousin's girlfriend without his consent, transformed in public, smearing his reputation even further, and proceeded to gleefully wipe out humanity through a musical number, and needed other people to point out how immoral his actions were. Of course, Marinette gets second place thanks to her plan to break into the party and later letting Argos get away.

[befuddled-calico-whump]

✨Content Tagging Guide✨

disclaimer: this is not directed at anyone, nor was it sparked because I've seen anyone mistagging anything. I just like lists and I'm going to make it everyone's problem :)

So you wanna write a story with darker themes, but are mayhaps a little uncertain about all the different content warnings you've seen.

Not to worry! Hopefully this quick guide will clear things up. To illustrate each level, I'm going to use macaroni and cheese as the content example. Without further ado...

cw: macaroni and cheese

^^this warning is very general. It tells the reader the content will show up at some point within the text, but doesn't specify the detail, use, or extent.

cw: macaroni and cheese (mentioned)

They drove through town, past the busy main street, and the factory where the local brand of macaroni and cheese got its packaging.

This warning tells readers the content will be mentioned; maybe in dialogue, or in a description, but not explored in detail.

cw: macaroni and cheese (discussed)

"I'm lactose intolerant," he said. "So I can't---well, I shouldn't eat stuff like that."

"But you did anyway?" they pressed. "I'm sorry, just... How did it feel? After?"

"Awful. I really should've listened to my common sense and ordered something besides mac and cheese."

As you'd expect, this warning tells the reader that the content will be discussed, either in conversation, or through a character's thoughts. Discussions can involve the moral implications of the content, how the content fits within the world, philosophies relating to the content, and the emotional or lasting effects of the content on a character.

cw: macaroni and cheese (referenced)

He tapped her shoulder. "Hey, I didn't see you after work yesterday, you okay?"

"Fine now," she said, shrugging. "I just had a bad batch of mac and cheese for lunch."

Very similar to "mentioned", this warning often implies a non-explicit, non-graphic mention of the content.

cw: macaroni and cheese (implied)

He frowned down at the bowl, then averted his eyes, appetite lost by the gooey yellow mass inside, and the heavy, creamy smell wafting off it.

This warning tells readers that the content is not outright stated, but the character's reactions and actions imply what's going on. If you could remove the context from the scene/paragraph in question and make it look like something else is happening, you probably have implied content. Note that there is a difference between simply "implied", and "heavily implied".

cw: macaroni and cheese (fade to black)

She took her seat at the table, queasiness building in her stomach. Her least-favorite food was to be served, and while she knew it would be rude to decline it, she wasn't looking forward to lunch. As the dreaded bowl was placed before her, she picked up the fork, and plunged it in.

Similar to implied, but instead of carrying on through the scene the content takes place in, fade to black builds up to the moment, and stops, often transitioning to the next scene before the content is given any kind of detail.

cw: macaroni and cheese (non-explicit)

For lunch, he was served a bowl of mac and cheese, one of his least favorite meals. He choked it down anyway, and hoped he wouldn't get an upset stomach.

This tells the reader the content will be present in some form, but not described in detail. It may have some active bearing on the character or plot, but won't be particularly graphic. While the character may be emotionally affected after the fact, the content itself is glossed over.

cw: macaroni and cheese (explicit)

The bowl was placed in front of him, steam still rising from the substance inside. He knew what it was before he looked. Mac and cheese. And he'd have to devour the entire bowl of it. He lifted the first forkful, strands of yellow cheese trailing from squishy curved noodles, all the way back into the bowl, even as he raised it to his mouth. Damn, it was extra cheesy. He knew his lactose intolerance just wouldn't hold up.

This is often used as the heaviest warning, telling readers that the content and the characters' reactions to it will be described in detail.

Again, this was something I mostly just wrote for fun, and to dramatize mac and cheese but I do hope someone out there finds it helpful. Let me know if there's a type I missed! :)

[shantechni]

I noticed this a looooong time ago, but I didn't mention it and sort of kept pushing it aside as an unimportant detail. After coming across this for, like, the fifth time though, something finally strikes me as supremely odd, and it's these two simple lines Leo says in the first episode of S2.

Between the S1 finale and the S2 premiere, Splinter told his sons that he defeated the Shredder when they faced off in the hideout. Not only that, he told them they'd never see the man again because he lost his honor, but both of these statements are immediately proven to be contradictory to what actually took place, as well as to what Splinter believes about the Shredder's way of thinking.

Anyone who has watched the S1 finale, specifically the second part, knows that the fight was brought to a screeching halt when Karai ran in to stop Splinter from finishing off the Shredder. And, after seeing just how deeply influenced Karai has been to hate him, Splinter left in a hurry to avoid fighting who he now knows is his thought-to-be-dead daughter.

Now, it makes sense that Splinter didn't tell the boys Karai interrupted the fight considering she was a touchy subject, one he didn't approach all of his sons with until midway through S2 in The Manhattan Project. He was still coming to terms with the revelation himself, and his avoidance of everyone's questions tells us that he genuinely didn't want to explain why Karai believed he killed her mom. In the process, he'd have to get into the reason Shredder led Karai to believe that lie and yadda yadda.

So, not telling them Karai was there makes sense. But why tell them the Shredder was defeated?

Something like that would be believable if he didn't imply any finality by telling them the Shredder was taken down, because he goes on to wonder outloud if their enemies were truly defeated and even reaffirms that, "The Shredder is a crafty and patient foe who bides his time." But Leo clearly says that Splinter told them they'd never see him again after he apparently lost whatever honor he had left. And we can't point fingers at any potential dialogue or writing error because they make sure the audience hears that Splinter did indeed facilitate this calm behavior of theirs.

One can wonder if he didn't truly intend to flat out lie, but rather to placate his sons by withholding a harsh truth and giving everyone the time they need to revel in their victory. However, that's another odd decision for Splinter to make since he's usually the one to remind his sons that none of their enemies will stay gone for long, the first and most notable instance of this being when they first encountered Bradford and Xever.

Anyways, after Leo says what he says, Splinter takes offense to Raph casually adding that they'll take care of the Shredder if he does come back, and, upon realizing that his prior statement has heavily blanketed them with a false sense of security, he harshly tells his sons the month long celebrating is over.

Honestly, even though I said sugar coating is very out of character for someone like Splinter, it's the only sensible answer for him lying to the guys. And probably himself for a minute there, too.

He knows the Shredder isn't honorable. He's traitorous, underhanded, and full of spite for those he feels wronged him. Oroku Saki is a vengeful man who has been undeniably wronged in his past, but refuses to learn from it and will shift the blame onto those undeserving. He's tenacious in the way he literally left Japan with a singular image of a Hamato clan shuriken as proof that he has another chance to kill someone he used to call his brother.

Splinter knows all of this, but he still went ahead and made the morally dubious decision to construct a perfect, short-lived world where he could tell his sons they wouldn't have to worry about the Shredder again.

And where he doesn't have to face the gravity of the changes yet to come.

[pinkcasket]

ik bpd akechi is popular but honestly I'm dying on my bipolar + c-ptsd + npd/narcissistic and ocd features on the c-ptsd

[madforhoran]

Astarion & the seductive vampire trope

"The whole idea of a bite on the neck may seem exciting to some audiences, and the dark, occult, and taboo concepts have helped keep vampires popular for so long." (x)

I'd like to bring up this banter between spawn!Astarion and Jaheira, specifically her emphasis on Astarion's non-vampiric charms.

Astarion presents himself as suave and mysterious at first, trying his seduction attempts once you reach a certain approval threshold.

The initial bite scene where Tav offers Astarion their neck is shown and described as being overtly sexual, playing heavily into “sexy vampire is sexy because he’s sexy and nothing more” fantasy. Even more so when Tav allows him to bite during sex. Astarion enjoys it, Tav enjoys it too, and it nets approval. After the sex scene he uses the cliche "I didn't want to go too far" formula, implying if he'd lose control, he could hurt you (pretty much like Edward in Twilight).

The facade cracks a bit when Tav discusses any future feeding. Even if the feeding was enjoyable on Tav’s end, he isn't very enthusiastic when Tav says "you can feed on me but let's talk about it first". Instead, he's happy and approves the suggestion of feeding on villains who are about to die anyway.

[However, you can RP this situation both ways, confirm you enjoyed it and keep the feeding option available by not going along with feeding on villains, or that it hurt and you only did it to make him stronger and agreeing with feeding on villains effectively removes "you can feed on me tonight" option from the dialogue.]

The same facade cracks fully in act 2 after the confrontation with Araj. It's an optional encounter and you don't get to experience it if you already had the confession after killing Yurgir, but it gives insight into how Astarion doesn't want to be seen as an object of someone's vampire fantasy.

"I'm sorry, you want to be bitten?"

"There's nothing more desirable than a vampire, is there?"

It’s also very obviously pointed out when Tav suggests he should be throwing himself at them as a thank you.

During the confession after Yurgir, there's a little bit more insight given how Astarion feels bad for treating Tav like one of Cazador's victims.

Act 3 is obviously the big choice where Astarion gets to decide if he remains a spawn or ascends.  Putting the morality of this aside, one choice follows and progresses Astarion's development while the other puts him back to square one.

We also need to take into account Cazador's abusive gaslighting which made Astarion think of himself as a prostitute and that he's only good for one thing - sex & luring victims.

Spawn!Astarion is the same man who in act 2 apologises for manipulating Tav and who doesn't want to use his body as a tool anymore. He professes his genuine love and suggests having sex freely without any sort of manipulative intent behind it. Tav has seen him for who he is and who he can be in the future. The graveyard scene symbolises his rebirth and a new journey.

"You believed I was enough, just the way I am."

Hence bringing up the banter with Jaheira and her mentioning “non-vampiric charms”. Tav loves the man, not the vampire. There’s no more need for performing.

ascendant!Astarion is the vampire reverted back to act 1 where his behaviour was originally just a front but has now been affirmed by ascension - that this is how he should be. He's over the top seductive, even luring Tav to become his spawn. He admits this is the game he knows how to play - luring someone with sweet words (that he continues to use after Tav becomes his spawn - lovers eternal, precious treasure, pet.)

When Tav helps Astarion ascend, what happened in act 2 doesn't matter anymore - not his personhood or boundaries. Hence dialogue options such as "I want you, I want your body" or "I want to be a vampire like you" are in there once Tav speaks to him and he asks what would they desire in return for granting him powers because he's only good for that one thing.

He becomes the vampire trope,

becomes what Cazador taught him to be.