So I'm replaying Ray's After ending rn, and it got me thinking that what I adore so much about Rika as an antagonist is just how damn scary she can be. I always found those who cause harm with good intentions (at least in their point of view) much scarier than those who hurt you with pure intention on hurting you. I think the best example of it is this CG in particular:
Look at that. Such a loving, gentle expression on her face. Probably kissing his forehead. Because she loves him. Heck, without any context, this CG looks even sweet, if you think about it. And yet, all that is while Saeyoung is forcefully sedated on a powerful concoction of drugs even a trained agent like him can't do anything about (and Saeyoung WAS definitely trained to deal with this sort of thing, hence it's mentioned that this is a 'special' kind of drugs). He looks miserable. Bags under his eyes, his expression pained and troubled, even his hair is paler than usual. All that as a direct result of her actions. But she's utterly blind to it. What's scarier, is that she knowingly shuts off her understanding of what's really happening. She's not oblivious to it at all. She just chooses not to see it that way. Simply because she doesn't want to.
Rika is the type of antagonist that will cup your cheek into her warm hand with the most loving of smiles on her face, all while you are getting elixir poured down your throat. Even whispering to you that you're doing great, that the pain will soon pass, and that she can't wait to see you reach the happiness she knows you deserve. I won't be surprised if she even cried genuine tears of compassion during some ceremonies for her believers. All while being the sole reason behind their suffering.
And that's... God, that's terrifying to me. I love that about her.
Rika Kim, they could never make me hate you
79 notes
·
View notes
WIP - Excerpt from "Secure Your Soul" (AU where Corpo V never leaves Arasaka)
From Chapter TBD - "Feed the Demon"
V wasn't sure how much time had passed, but as she started to regain lucidity, she became gradually aware of Johnny's voice in her head.
"I mean, for fuck's sake, V," Johnny was saying. "I've seen your memories. The things you've done for 'Saka. You've killed. Blackmailed. Ruined lives. And for what? Corporate rep? Profit margins? How do you live with yourself?"
V stopped dead in her tracks. She couldn't remember how she'd gotten here. The alley she was in was abandoned. Litter lined the sidewalk, and the street lamps were barely flickering. In a dark corner nearby, a stray dog was busy devouring a rat.
For a few seconds, V just watched it. Homeless dogs were a rare sight in Night City. This one was dark gray and half its left ear was missing. It looked lean and muscular, and it tore off chunks of its prize with a ferocity that domestic dogs almost never displayed.
"You see that?" She asked Johnny.
Johnny's physical image materialized in the alley. He leaned against the wall - appeared to lean, she reminded herself - and gazed at the dog. "See everything you see," he replied.
"You're looking. You're not seeing."
"That so? And what'm I supposed to be seeing?"
"The evolutionarily synchronized relationship between predator and prey."
Johnny looked up from the dog and stared at her. She could see the anger on his face, but she could also feel him manifesting that same anger inside her body. No matter. She'd make it hers. Anger was an emotion she could work with.
"You see one dog eating one rat," V continued, allowing some of Johnny's anger to seep into her voice, directing it back at him. "In your interpretation, there's one winner and one loser. It's accurate, in a way. The dog wins. Look at him. He's a survivor. Even you should be able to recognize that."
Johnny didn't answer. His image was looking away from her, eyes locked on the warring animals. But she could still feel him fuming. Only now it was hard to tell where his anger ended and hers began. She continued speaking.
"You don't see the bigger picture. For every dog having dinner tonight, dozens starve. For every rat providing the main meal, dozens get away. They're fast enough or clever enough to escape.
"Only the best dogs feed, only the best rats live. And because of this, over generations, both species improve. In the end, the prey species benefits just as much as the predator species does. And the world gets better."
"The world." Johnny repeated the phrase slowly. She tasted his revulsion on her tongue. "This world?" he asked. He gestured at the trash-strewn alleyway. The dog had finished its meal and had settled to sleep in a blanket likely left there before by a homeless person. "This is your brave new world?"
"No, Johnny," she responded, her voice echoing the revulsion he'd forced her to feel. "These are just the rats that got caught."
7 notes
·
View notes