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shihalyfie · 3 years

Note

You talk a lot about how the Digimon are born from the kids own souls, would you be interested into describing how the digimon partners reflect their humans' personalities?

Oh man, I love this topic! (You’ll have to forgive me in that my desire to do justice for it is why it ended up taking me this long to answer it.)

The part about the Digimon literally being part of the kids’ souls comes directly from official (it’s been mentioned several times, not only in what I just linked). This was never stated outright in the original Adventure or 02, and it took until Kizuna to really shove the link between the partner and the human’s inner self in your face and make it a huge part of the actual story, but fans had been catching onto it long before that, and even without reading what the staff had said. Kizuna throws a bit of a nail in this because it’s said to be a bit lore-noncompliant, but considering how much of the background lore it still goes out of its way to adhere to, and the fact it still does match the fundamental concept of “human heart = Digimon partner” regardless of detailed minutiae, we can still apply and analyze this concept with no problem, especially since Adventure and 02 always walked the line between sci-fi and fantasy, and there is undoubtedly a spiritual element to them no matter how you look at it.

(My personal comfort zone in analyzing Adventure and 02 comes moreso from a human behavior and mentality perspective, which is also why my meta on this blog tends to focus more on the human drama aspects of Adventure and 02 and especially the latter’s story being so heavily about human relationships, but if you’re interested in said spiritual elements, I heavily recommend @analyzingadventure‘s very comprehensive meta on Adventure background lore and themes, which also covers similar territory in detail. We’re different people, so our takes on it probably differ in some respects, but that’s the beauty of having different perspectives, after all.)

In any case, back to your question. I think it would be best to break this down piece-by-piece with the Adventure and 02 kids in detail, so more is under the cut!

...Well, okay, before we continue, I do want to touch on something briefly, and it’s regarding the fact that “evolution” in this series is generally a metaphor for human growth. That counts for when everyone gets their evolutions, but it also counts as a metaphor overall -- after all, Adventure is about self-assertion and pushing oneself as far as possible (the major evolution gimmick being tied to Crests), whereas 02 is about cultivating differing aspects of yourself and applying it to how you form relationships with others (the major evolution gimmick being tied to Digimentals and ultimately Jogress). The human self is quite a flexible thing, and the Digimon themselves quite often change personalities as they evolve. (I touched on this briefly in my discussion of honorfiics and first-person pronouns earlier, but in Japanese, the Digimon will often even change personalities and speech patterns as they evolve.) This also leads to a few other potential observations (not really corroborated by official, just my personal view of it):

Speaking from a meta perspective, the fact that only the “front protagonists” end up getting the highest level forms is pretty obviously so they don’t have to spend toy budget on allocating it to everyone, but from an in-story perspective, Adventure episode 50 adds an implication that not reaching as high of a form may also have to do with how inherently attuned one is to combat (Jou says that he believes that Gomamon will never reach Ultimate because he doesn’t have the sort of strength Taichi and Yamato do, and it contributes to his conclusion that his skills are more meaningfully applied as a healer instead of as a fighter). Of course, none of the Adventure or 02 cast is necessarily the belligerent type that inherently likes fighting in itself, but of course certain ones are less emotionally drained or more attuned to it, so you might be able to see a rough pattern there. (Again, I’m not going to sugarcoat how this still has a lot of dismaying issues on the meta level, but the difference between “how much this sucks on a meta level” and “whether this at least tracks in-story” is a common theme on this blog.) In a franchise sense, Digimon were of course conceptualized as fighting monsters, but within the narrative of Adventure, it probably stands to reason that having a manifested part of your soul or inner self shouldn’t necessarily mean they have to be fighting things all of the time unless it’s necessary.

It’s very often been pointed out that the 02 cast is at a sort of “combat disadvantage” compared to their seniors (well, and Takeru and Hikari, anyway) because their highest forms require two people/Digimon to be in play, so their overall combat power is rather low. My impression is that this is by design (and it’s a subversion of the usual expectation of shounen anime sequels where the sequel will often power creep everything to make the new guard outdo the first). That the 02 team is inherently dependent on each other for support, and to a degree far more than their seniors, is rather baked into its narrative, and moreover, from an in-story perspective, the 02 group doesn’t seem like the type to really care about being outflanked by their seniors (on the contrary, they’d probably take that as more proof that their seniors are amazing). Moreover, the forms you see their Digimon in most of the time tend towards the smaller Baby-level forms instead of the Child-level ones, and while this is partially due to plot logistics about being in the real world (and, admittedly, kind of inconsistently applied), it gives you a much stronger impression of the 02 kids and their partners in general being people who aren’t that individually imposing or strong and get more mileage out of flexibility and variety (see: the Digimentals and the huge number of lower-level forms the kids have access to).

With this kind of metaphor, I caution against taking it too literally as a 1:1 thing (especially since official has been generally quiet about it and there isn’t much in the series text itself to corroborate this), but I do think there is certainly some kind of relevance that’s worth thinking about.

Many people, including the official notes I just linked, refer to there being some Digimon partners that are "like-minded” with their partner, and some that are “opposite” in personality. This is roughly true, but I find this to be a very simplified description of the concept; it’s more like all Digimon partners are a reflection of the less easily exposed part of their human partner (and, most pertinently, the part that would allow them to express themselves in ways they wouldn’t normally), it’s just that the kids with more straightforward or less extreme personalities don’t have as much to hide or cover up in the first place, and so their partners come off as more “like-minded”. Even Urawa Megumi, voice of Iori and Armadimon (arguably one of the pairs of partners that seem “opposing” in personality), stated that she didn’t personally feel like the two characters are all that different, since humans have different sides to them, and Armadimon is functionally an expression of the side of Iori that isn’t apparent.

Because the Adventure narrative has the Digimon partners be linked to human mentality, this leads to the side effect that you won’t have a Digimon partner who ever truly denies the human partner (barring external factors like Evil Ring-induced brainwashing), which is something producer Seki Hiromi was quite insistent about. That said, this is a very Adventure and 02-specific thing, since other series go more into different angles about how one would approach partnership when this factor is not in play; half of Tamers’s drama regarding partners comes from the fact they are not necessarily mentally linked all of the time, and need to find a way to build a relationship by bridging that gap, and so non-Adventure universe entries are more freely able to explore the concepts of a Digimon partner more consciously entering conflict with their human partner. Well, that’s the beauty of having a multi-entry franchise, after all.

Taichi and Agumon

Taichi and Agumon immediately jump to mind as the first among the “like-minded” pairs, especially since the series shows them so often in sync and chilling together. Taichi himself is a straightforward person, so it stands to reason that his straightforward personality would also lend to Agumon coming off as being rather much like him.

However, there is one slight difference between the two, and it’s that Agumon has a somewhat stronger sense of “easygoing chill” than Taichi does, right down to using the more polite boku first-person pronoun in contrast to Taichi’s more assertive ore. He also lacks Taichi’s penchant for mild insensitivity -- in fact, very unlike Taichi, he has an incredible amount of emotional insight (02 spends quite a bit of time in 02 episodes 32 and 46 to showing off Agumon as someone who makes up for all of his lack of intellectual understanding with emotional and borderline poetic insight). And, really, while Taichi is a bit surface-insensitive, and while he seems to be impulsive, he actually is a conscientious person and is trying his best in his own way, and he isn’t the kind of person who cares about societal things like seniority, and he demonstrates multiple times that he’s easygoing and chill, and so you can say that’s a part of Taichi as well. Remembering that a Digimon partner’s presence helps their own human partner grow, Agumon being so openly friendly helps Taichi maintain good relations with others without running afoul of them.

One of Agumon’s most famous traits is that he likes food, which is not actually something that was in the original Adventure or 02 all that much but has been somewhat exaggerated since. That said, back in Adventure, while it was established that all Digimon regularly need food in order to maintain their evolutions, Agumon would usually be the first to complain “I’m hungry,” and whenever they did get food, Agumon would be one of the most prominently enjoying it. Food is, after all, one of the simplest and most universal of pleasures, and there’s a lot of visual framing of Taichi chowing down just as ravenously as Agumon is -- so, honestly, he probably got it from him.

Taichi also speaks a bit about his pain of being separated from Agumon in the space between Adventure and 02, and he directly refers to Agumon as “the other me”. The word “partner” was not actually used very much in the original Adventure or 02, and Taichi is not able to fully elucidate the sentiment of Agumon’s connection to his own self, but he still understands this much and why the loss cuts him so deeply, and by the time we get to Kizuna, it’s presumably why he uses similar language in his thesis proposal to refer to him. (I already covered the circumstances of Agumon’s relationship to Taichi’s existential crisis in Kizuna and how it led to their separation earlier, so I will omit it here for the sake of avoiding redundancy.)

Yamato and Gabumon

This might surprise some people to hear, but I would also pin this as one of the more ostensibly “like-minded” pairs. Gabumon is shy on the surface, but turns out to be quite passionate -- he uses the same assertive ore as Yamato, in contrast to Agumon’s boku, and he demonstrates his capacity for passion and action in that he’s arguably one of the most assertive in the cast. Note his taking initiative against Yamato’s frostbite in Adventure episode 9, or declaring his intent to stay with Yamato even if it means going against the others in Adventure episode 44, or singlehandedly dragging Yamato out of the hole of darkness in Adventure episode 51.

And, of course, Yamato himself is someone who initially seems a little awkward or detached around everyone, but is actually very passionate, so that’s all the same. And because Gabumon himself is so open about communicating with the otherwise closed-in Yamato, Yamato is able to express himself better over the course of Adventure.

Funny thing about that “shyness”, too -- the idea of Gabumon being particularly shy isn’t present in 02 much at all (we don’t get to see him very much, so it’s hard to say whether it’s completely gone, but it’s at least gone enough for the duration of his appearances). Which is funny, considering: guess who else stopped being shy and became naturally outgoing in 02? Yeah, so, as much as you might hear people (even official!) claim that the Digimon are static while their partners change, that’s not completely true -- the Digimon themselves develop in personality in the same way their human partners do. It’s just more subtle and less drastic, since they’re representing an abstract single part of their personality rather than being an exact match.

Sora and Piyomon

Sora and Piyomon have an interesting relationship in that they’re the only one where their relationship started off on a note of conflict -- mainly in that Sora was very put off by Piyomon at first and even looked down condescendingly on her (well, only for the duration of a single episode). In fact, Sora’s own surface behavior is very different from the kind and caring Sora we know -- Sora dislikes associating with the clingy and affectionate Piyomon for being “mushy”, and even declares that she doesn’t want to “take responsibility” for lugging her around.

Of course, Sora’s character arc later revolves around the fact that she has abysmally bad self-awareness and doesn’t even realize that she has a compulsive sense of responsibility to others. So Sora is affectionate and loving -- she just puts up a front of trying to act a little above that (well, at least, during this part of the series) and doesn’t even see herself as someone capable of being like that (again, purely during this part of the series).

Piyomon is also interesting in that she has one of the most dramatic personality shifts even as early as Child to Adult, where she suddenly switches from the casual atashi to watashi (sometimes even kono watashi, which is super regal), and becomes incredibly dignified and regal even as Birdramon, and you can certainly see why Sora immediately started taking her seriously thereafter. It also begs a lot to think about, considering Sora’s very convoluted character and the many layers of herself that even she isn’t consciously aware of.

The way Piyomon helped Sora shift her own mentality is pretty directly handed to you on a plate in Adventure episode 26 -- because Piyomon played the role of Sora in the metaphor of Sora’s behavior towards Piyomon correlated to Toshiko’s behavior towards Sora, Sora was able to re-adjust her position relative to her family and consider her both someone capable of love, and someone who is loved.

Koushirou and Tentomon

Koushirou and Tentomon are another pair that initially seem like they’re opposing types, with Koushirou being constantly curious and Tentomon being comparatively simple-minded, but the first key to figuring out where the similarity is ends up being a bit deceptive -- Tentomon says in Adventure episode 5 that he’s not particularly interested in himself. And, certainly, Koushirou is interested in Tentomon, but he, too, is not interested in himself -- in fact, he considers himself to be a topic he’d rather avoid instead of looking into everything else.

As far as language goes, while Tentomon does also use the stereotypically easygoing Kansai dialect, he also specifically uses the polite form, mirroring Koushirou’s own perpetual use of polite language. But unlike Koushirou, who uses it to keep distance from others, Tentomon is in fact very sociable, and is even portrayed as a Digimon who’s conscientious of others and “takes care” of them. And because Tentomon is so openly friendly, he manages to coax Koushirou out of his shell and allow him to think about more complicated things related to his own position in the world that he’d been avoiding.

As Koushirou’s character arc proceeds, we learn that he’s polite not only out of distance but also because he really is a very kind person, and moreover that he does eventually want to open up to others. And the payoff for this eventually comes in 02...

...when he ends up becoming one of the most visible members of the older Adventure cast to appear in the series, checking in on the younger kids and developing into someone capable of organizing and managing people. Hmm, seems familiar.

Mimi and Palmon

This one’s an easy one. Mimi is possibly the most straightforward person in the original Adventure cast -- well, that’s the point of her Crest after all -- and so Palmon is almost exactly like her, being a cheerful type who loves being cute. Any contrast between them is only really apparent in the very early episodes of the series, and that’s not even a contrast in theory as much as it’s just something that might intrigue audiences at first when Mimi spent a lot of those episodes complaining, but that’s also mostly because she was heavily under stress, and otherwise Mimi has always been kind and cheerful and indulgent in being cute.

Perhaps the only real difference is that Palmon, being a plant, is more willing to get involved with dirt and other things that Mimi ostensibly would rather not, but as the series progresses, Mimi manages to gain a higher sense of tolerance and get past her initial sense of materialism (which is something she’d had the capacity for the whole time).

Jou and Gomamon

Of the Adventure pairs, this one is probably the one that seems like the biggest contrast on its face, with the overly high-strung and constantly stressed Jou, and the more playful and relaxed Gomamon.

In the end, Jou is someone who’s defined by his desire to support others, and even admits at the end of the series that he’s better suited for a support role than for fighting, and that there’s nothing wrong with that as long as he continues to channel his desire to help people in a way he’s most comfortable with. So, in the end, he’s not actually an inherently aggressive type. And, meanwhile, Gomamon is the kind who’s constantly looking out for Jou, to the point of knowing (such as in Adventure episode 7) when he’s about to do something phenomenally stupid and minding him so that nothing bad happens to him, and so, this is probably why they’re ultimately able to settle down and end the series eye-to-eye (or perhaps hand-to-hand).

And, again, recall that Digimon partners generally reflect a part that’s vital to their own human partner’s growth; considering that Jou is most certainly one of the more extreme personalities in this cast, you get the feeling that he probably needs someone this chill to keep his massive stress tendencies in check.

Takeru and Patamon

Takeru and Patamon are an interesting case largely due to the two of them being so present for a whole two series. In Adventure, both of them seem to be largely like-minded, being playful, innocent, and childish -- although Patamon is more open about expressing the childishness that Takeru keeps trying to cover up. Patamon being roughly on the same playing field (no pun intended) as Takeru means that Takeru has someone he’s willing to be open with and let himself loose a little (such as in Adventure episode 12), because for the first half of the series, he’s almost entirely in the presence of elders and stifling himself for the sake of being “well-behaved”, and it starts his long journey of being able to understand his position and his actual sense of emotions over the course of Adventure and 02.

Patamon also has a striking personality change upon evolving, becoming the regal and dignified Angemon, and, interestingly, his appearances have a very “knight templar” vibe where he takes a no-compromise stance against dark forces and states that he’ll condemn all of them to oblivion. This is a stance that’s unnervingly similar to Takeru’s own no-compromise stance against the darkness in 02, and it’s interesting in that Takeru himself had been advocating for pacifism in Adventure episode 12, but this incident traumatized him enough to start taking a position that more resembled Angemon’s.

As we go into 02, Takeru’s contrast with Patamon initially seems like an increased mismatch, since Patamon is still ostensibly childish and playful while Takeru is ostensibly more mature. But for one, Takeru’s character arc is about the fact that he’s still pretending he’s more in control of his emotions than he actually is, and in some way you can also glean that there’s a sort of naivete present in his character that he keeps covering up with confident smiles. Patamon, for his part, does actually seem to have adopted a bit of a mentor role to the other Digimon, and we also learn that he’s capable of deliberately trolling people instead of just being generically playful -- much like Takeru himself, who’s a bit evasive and not entirely honest.

We do actually see Patamon reach HolyAngemon in 02 episode 34, but it doesn’t work out well, and while this is partially for plot mechanic reasons, it also says a lot that the “knight templar” stance that both Takeru and HolyAngemon have, with the full depth of no-compromise, isn’t going anywhere, and in the end, something more effective is only possible when Shakkoumon appears in 02 episodes 36-37 -- that is, Takeru is only able to better move on with Iori’s support.

Hikari and Tailmon

Hikari is the only of the Tokyo Chosen Children to have a Digimon who “defaults” to Adult instead of Child or lower, and it means that Tailmon herself comes with a certain amount of maturity -- on top of having been become a bit hardened due to her experiences being isolated. This is an ostensible contrast to the more pure-hearted and innocent Hikari, but note that Hikari’s own will can be pretty assertive when it comes down to it. On top of that, as much as Tailmon is a bit standoffish, Hikari is also “emotionally isolated” -- she has trouble vocalizing her negative feelings, and it’s difficult for anyone in Adventure or the first half of 02 to truly connect with her internal thoughts. Recalling that the Digimon partner reflects a side of the human partner that’s less easily exposed and allows the human partner to grow in ways they wouldn’t before, Tailmon’s sheer presence gives Hikari a route to action in ways she probably wouldn’t have beforehand.

In 02, Hikari becomes a little more mischievous and playful, and Tailmon also becomes a bit more willing to indulge (she even switches first-person pronouns in sync with Hikari, going from the more polite watashi to the more casual atashi). Both of them are now more able to enjoy themselves more openly. That said, Tailmon still has a certain degree of stuffy personal pride (she snarks at everyone quite easily for fussing over snacks in 02 episode 3), and Hikari herself remains emotionally elusive and repressive at the start of this series.

Tailmon evolves temporarily to Angewomon in 02 episode 13, which is the first time anyone (in this case, Takeru) makes some degree of headway to reaching out to her and allowing her to open up a bit more, but it’s not until 02 episode 31 when Hikari is fully reached out to via Miyako, which marks the first appearance of Silphymon.

Daisuke and V-mon

Now here’s a very like-minded pair, even more so than Taichi and Agumon -- and, after all, Daisuke is simple-minded, so painfully simple-minded that he’s practically incapable of hiding anything, and so V-mon is almost exactly like him, down to using the same ore pronoun and being feisty and mischievous (a point is also made that he plays soccer with Daisuke, something that Agumon didn’t necessarily do with Taichi), and, heck, in a rare show of Digimon-Digimon crushes, has a crush on Tailmon in the exact same way Daisuke has on Hikari. (By the time we get to Kizuna and its higher animation budget, a lot of attention is paid to having even their body language mirror each other.)

There is only one real functional difference between the two in disposition, and it’s that V-mon is very straightforward, friendly, and kind, without being prone to getting angry or spiteful at anyone, and in the end, it’s indicative of the fact that Daisuke’s tendency to lash out defensively at everyone is just a front -- at his core, he’s friendly, supportive, and kind. Daisuke’s experiences and banter with V-mon contribute to him getting the sort of validation he needed without having to worry about being on edge or lash out defensively, and because of that, he was able to form a healthier and more supportive relationship with the rest of the group.

Miyako and Hawkmon

This one seems to be a contrast right off the bat -- Miyako is bubbly, over-the-top, and rather messy and lacking in restraint, whereas Hawkmon is formal, graceful, and polite. But Hawkmon’s most prominent trait is his absolute loyalty and devotion to Miyako -- he’s very often referred to by both official staff and fans as her “knight” -- and is constantly minding her to protect her and make sure she doesn’t go over her head (most prominently, 02 episode 18). And as far as Miyako’s relationship to others goes -- she’s also devotedly loyal to everyone she loves and is constantly going out of her way to help others, and her character arc in itself is about the fact she wants to do her best to reach out to people and help emotionally support them in the best way she can, and Hawkmon managing to channel that to its utmost extent to Miyako in turn (in a very “who watches the watchman?” sense) allows her to regain her bearings and have better control over herself in the aftermath of 02 episode 18.

On top of that, as the series proceeds, it turns out that Hawkmon also shares Miyako’s penchant for dramatic theatrics and being a bit over his head -- even if he seemingly has himself more together than Miyako does, he’s not completely above it all...

Miyako is also the franchise’s first example of a female character with a masculine Digimon partner, and while Miyako herself openly identifies with and indulges in all things hyper-feminine, she also has zero issue engaging in more masculine-associated things as they suit her -- most prominently her Digital World outfit, and the fact she often displays a rather aggressive go-getter and hot-blooded/in-your-face personality that would not be out of place on a male shounen hero in a more conventional show. (Although, as much as these have generally been on the thread of “less visible aspects”, it’s not like this was that less visible of an aspect of her to begin with...)

Iori and Armadimon

Iori and Armadimon hold the honor of being the only pair in the Tokyo Chosen Children to be voiced by the same voice actress (Urawa Megumi), driving the parallel down even further. And while their surface temperaments seem different, with Iori being rather uptight and strict on himself while Armadimon is laid-back, carefree, and even somewhat assertive, they’re not that different -- Armadimon is basically the curious, impressionable, somewhat childish spirit that Iori would be if he weren’t constantly holding himself back. (There’s a lot to be said about Submarimon going out of his way to take Iori for a ride in 02 episode 16 so that Iori can finally properly enjoy himself for once.)

Iori takes a lot of very stubborn, no-compromise positions over the course of 02, but Armadimon asking just the right kinds of questions allows him to “snap out of it” and be a little more receptive to considering alternatives, or at least taking into account more emotionally-oriented issues he’s dealing with. You can say that Armadimon (especially as Upamon) softening Iori up a bit -- since Iori will never be cold or unforgiving towards his partner, no matter what -- serves as a precursor to Iori starting to question the limitations of his black-and-white view of morality, which allows him to successfully break through to Takeru and fill out the rest of his character arc.

Ken and Wormmon

Considering how much of the plot revolved around this one, this one almost goes entirely without saying! During Ken’s stint as the Kaiser, Wormmon represents the heart that Ken’s not entirely willing to leave behind -- and, also, the affection that he’s still craving from his family. The Kaiser going practically out of his way to deny Wormmon yet paradoxically keeping him around is basically his attitude towards his own “weak” and naturally kindhearted self. Notably, recall that the principle of “a Digimon will never deny their partner” applies here -- Wormmon’s “betrayal” of the Kaiser isn’t really any kind of denial, since he was doing it mainly for Ken’s own sake, and, more symbolically, it’s Ken reaching his own limit and coming to realize that this path isn’t what he really wants.

Wormmon is unusually clingy to his own partner over the course of 02, and it’s vital to Ken needing to learn to love himself and also getting important validation that he needs, especially during the critical point in time during 02 episodes 23-30 when he’s still not sure how to approach the rest of the group -- Wormmon gives him someone to talk to honestly and openly, giving him a proper springboard to sort out his complicated feelings about the others and himself. You can say also that as Ken becomes more open and straightforward over the course of the latter half of 02, he, in turn, becomes much more shameless about showing affection and opening his own heart.

Wallace, Gumimon, and Chocomon

Bonus round!

While it’s hard to fully apply Hurricane Touchdown to this theory (by official admission, it wasn’t properly cross-referenced with the original Adventure/02 series lore, and trying to correlate all of the evolutions in this movie to something metaphorical will give you a headache), Wallace’s two partners still fit very neatly into this overall theory of Digimon partners as a part of the self. Wallace is a character with very sharp duality, trying to be a flirt who asserts himself as a vagrant who’s about to “become an adult”, yet still feels an obligation to keep calling his mom and is engaging in increasingly self-destructive behavior.

Most pertinently, Gumimon and Chocomon represent the two stances Wallace is torn between: wanting to “return to the past” (Chocomon) because he’s still hung up on having lost Chocomon and is convinced that he can make everything just like it was before, and “being able to productively move on” (Gumimon). For most of the early parts of the movie, Wallace is stuck on Chocomon’s mentality of fixating on the past, and Gumimon isn’t even remotely subtle when he draws an explicit parallel between the two (saying that Chocomon didn’t like the heat, followed by offering to give Wallace shade as a hat). But once the conflict escalates and Wallace realizes just how deep in denial Chocomon is, to the point of being destructive to himself and others, Wallace comes to embrace Gumimon’s stance of practicality and moving on. In the end, the ultimate conclusion is reached, and Wallace is forced to fully accept that latter stance when Chocomon dies, but the movie’s ending (and Kizuna) provide an extra option: allowing the past to come back, but in a new form and treading new territory instead of trying to make it “the way it was before”.

#digimon #digimon adventure #digimon adventure 02 #digimon adventure last evolution kizuna #kizuna spoilers #qwertyshuman #shihameta #shiha's ask box

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steve0discusses · 3 years

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S5 Ep 15 Pt 2: Don’t Trust Anyone Who Wears a Floor Length Robe Over Their Casuals in Yugioh

Hey, it’s my birthday, so I’m gonna release this early because the rest of today I just have to work like an adult and that’s no fun.

In the first half of this episode we dunked the worlds smallest plane into a lake and so this second half of the episode involved the kids running as far away from their only responsible adults as they could.

Which like...took whole of less than a second for them to peace out and enter mortal danger.

...I’ve never been in a jungle in India but...I have seen the Jungle book many times...and there’s like tigers and stuff in there, right? and tons of monkeys that are hella mean? And freakin snakes? They sing jazz and scat? That’s some terrifying stuff.

Like these city kids have to learn at some point to fear the woods. But they just freakin don’t. And strangely, the most dangerous thing in these woods isn’t even a snake or something, but a human man just being as suspicious as possible lying prone on the ground.

(read more under the cut)

The card cultist happens to have a British accent, because this voice acting team freakin loves to pull out their British accents. It’s not as lowbrow as Valon, but it’s not as...well whatever Bakura is supposed to be. He’s a lot more tame than Bakura’s, but still very British.

I don’t know if this is because British English tends to be taught instead of American sounding English in many parts of India, but, most likely they just wanted to do an accent. And like...he’s an archeologist...and so the stereotype is there...but honestly, the decision of making this guy British gets weirder and weirder as this episode goes on, get ready for it. None of you are ready for what I assume is the very obvious plot twist of this freakin guy.

Catfish of the century, this freakin guy, I’m pretty sure.

Yugi immediately believes this completely out of place white British stranger in the Indian backwoods next to this inaccessible lake and immediately thinks “yes, my Grandfather crash landed in India EXACTLY where I’m standing right now, and now I must save him.”

Thankfully, Yami exists to gently and politely tell Yugi to hella stop.

Also, I like that Yugi has finally stopped wearing his school outfit out of school. But, he is instead wearing a jacket that is so close to his school outfit I honestly couldn’t tell until the end of this episode. It’s like...I think one shade more purple, it has white piping, and his undershirt has a center seam. It’s nice Yugi has 3 versions of the same black sleeveless undershirt, and this show cares enough to show that tiny factoid about Yugi’s closet.

So, because Yugi is a dumbass and Pharaoh has to just sit back and watch this happen so he can say “told you so” later, they follow this random cultist they found in the woods. Much like Hansel and Gretel, we snack on cake crumbs all the way to the witches house, which in this case, is an undiscovered monolith you would have easily seen from outer space.

HMMMMMMMMMM.

And so get ready for this:

Hey guys.

Remember how Alexander the great was buried in a pyramid?

Now because they’re name dropping Alexander, that’s actually kind of helpful, because Alexander the Great’s favorite damn horse in the entire world died while he was at war with India so he named a city after it. It’s believed to be in Punjab, which is in the Northern part of India

Which means we first of all, definitely crossed the tallest mountain range in the world to get here, and also means that we are like...in some really disputed territory of India right now, and it is crazy that these kids went here for a vacation completely unsupervised.

Another fun fact about Alexander is that when he died, it took 6 days for his body to decompose. At the time, they thought it was because he was a God (or in Yugioh’s case, Extremely Cursed) but nowadays historians think it’s because it took him 6 days to fully die. He just wasn’t dead yet. Had to give it a minute and the ancient Babylonians just got way too excited.

Anyway, Alexander super died in Babylon so I don’t know what the hell he’s doing in India. There is a fun spot in History where his body did get dragged to a couple different places, meaning we probably did lose the original Alexander and there’s a lot of people just guessing at where he ended up...but putting him clear up in India sure was a choice when one of his assumed burial sites was literally Egypt, which would be a more fitting location for a Pyramid and a more fitting location for this show.

Especially since Alexander was trying to invent a new race and culture...it seems a little strange he’d be buried in such a massive pyramid, but maybe he got a really, really good pyramid deal from the funeral home when he was like 28 and just figured he’d change it before the time he died at 32.

Which...now that I’m older than 32, how crazy is it that Alexander the Great died at freakin 32? You blink twice and you’re 32. Is history seriously trying to tell me this guy wasn’t like secretly 62? That maybe he just celebrated his 20th for like 20 years in a row as a royal mandate? I just feel like history is playing pranks on me with Alexander.

Anyway, our weird shady new archeologist guy is named Alex and so take that as you will.

I sure hope Alexander the Great was revived to wear khakis and bother children. Guy conquered the world once and was one of history’s Freakin Worst so he does deserve it, but also...it would explain why he thinks it’s normal to wear a Darth Maul robe over your business casual.

Anyway, lets enter the obvious trap pyramid.

Joey just wanted a nice time running around Northern India. He just wanted to eat some yummy chaat and look at some tourist destinations and maybe glance at a Bollywood star or two. But instead he’s gotta deal with spike floors because Yugi couldn’t say no to a cultist.

Also...one of those spikes clearly went through Tea’s feet, right? And she is absolutely fine? Just checking on Tea’s godlike strength and clearly it is still godlike.

Alex gives us a very long explanation of how he went upstairs and Grandpa went downstairs, and there was a door or something so Alex turned back around and Grandpa was gone.

All of those steps were probably plot relevant and I’ll probably forget all about it in 2 episodes.

The thing is Alex...literally thinks he evaporated. Literally thinks that. But how do you disprove it to this freakin guy who like...might have named a city after his horse once and thinks that’s a normal and acceptable thing to do?

and so Joey immediately leaps onto the haunted playing floor.

the way Yugi said this line was sort of hilarious to me so I may cap it. If I remember to do it (I’ve been a little busier lately, with things opening up, as you can tell because my update schedule is in the toilet.)

So, if Joey jumps in...everyone else has to, also.

And we say good bye to Alex and enter the new forest zone, which looks a LOT like the other forest we were just in.

Nice Protoss armor.

We get some hijinks from the local wildlife, which are all cards but real (but not real because we’re in a board game...don’t think about it) and the off brand Sheikah tablets have helpful monsters in them if you touch em.

This season may have been better off as a video game, being honest.

Joey has gone somewhere else, despite going onto the same game tile, and he’s too busy on a mountain range to really help anyone out. So he’s just gonna vibe up here for a bit.

Tea got up after this point and said along the lines of “k, what’s next?” Because mortal danger does not affect her and she fears nothing.

At a beach somewhere, Tea and Tristan spend some quality time together forming a new family with whatever these creatures are.

And Tea’s love of her winged angel comes full circle and now I will suffer this winged orb for the rest of this arc, pretty sure.

Please admire the number of belts on Tea. Her outfit is like max 00′s and I appreciate that. We’ve had a lot of questionable fashion on Yugioh, but they actually dressed Tea pretty on point this arc. Like I often feel like 00′s fashion is hard to define or describe, but it’s Tea right now. That’s it. She did it, it’s right there.

Yugi gets a new flagship card for this arc, and this time it’s Celtic Guardian. Hell why? I feel like his defining card changes every single arc, and they need to like focus and just give him one. In fact, I’m pretty sure it’s still Dark Magician...and maybe the show forgot?

Anyway, if you just got here, this is a link to read the rest:

https://steve0discusses.tumblr.com/tagged/yugioh/chrono

I think I forgot that link in the last recap because yo it’s kind of been a while since I’ve updated, I feel. (well I had a graveyard post and those don’t count really) But, we’re back, we’re still going, slowly but surely.

#YGO #yugioh #Yu gi oh #episode recap #photo recap #S5 #Ep16 #yugi muto #yami #capsule monsters #tea gardner #tristan taylor #Joey Wheeler #Alex Brisbane #Alexander the freakin great #and a pyramid in the middle of Northern India #And lets just make it an isekai for kicks

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bokunoheroanalysisforthefuture · 3 years

Text

And so preparations for the final event begin! Let’s see if these being one on one matches helps me get through them a bit faster when I’m not having to transcribe quite so much action all at once.

[No. 32 - Smile, Prince of Nonsense Land!]

Another character profile to start out with! (I swear I’m gonna have to make a post compiling these once we’ve gotten all of them for class 1a… maybe run a comparison with the end of chapter profiles? Eh shrug.)

I swear, my instincts say that something that that tail should not be as flexible as it is because of its circumference. I know, I know, quirks, freaking magic, don’t think about it, but still. It’s a very straightforward quirk with a surprising amount of utility, and he makes full use of it. Good for him! Now, onto the chapter proper.

Kirishima is pretty hyped for a tournament, thinking about how they’ll be up in ‘that ring he sees on TV every year.’ Mina asks him if it was a tournament last year as well, but Sero’s the one to answer - the format’s always different, but most years involve some kind of head to head competition. (Apparently the year before theirs involved foam sword fighting, and now I’m incredibly disappointed we didn’t get to see that for this sports festival finale… would have been absolutely hilarious.)

Midnight holds up a box of lots, saying that match-ups will be decided by drawing lots. Once that’s done, they’ll move on to the festivities and then the tournament itself. It’s up to each of the sixteen finalists whether or not they participate in the fun, since she figures some of them would rather take a breather and save their strength.

She starts to call for the first place team to draw lots, but Ojiro raises his hand, calling for her attention. He then states that he’d like to drop out, much to the shock of the others. Someone (I think Kirishima?) asks him why, since this is his chance of being noticed by the pros. Ojiro stats that he has no memories of the cavalry battle or anything that happened in it up until the tail end. And it’s probably his quirk that did that.

Ohh, ominous. And Izuku’s really concerned for Ojiro here. Ojiro states that he knows this is a great opportunity, and he knows it seems stupid to throw it away, but this final turnament… everyone else made it with their own strength. But he’s standing here and he doesn’t even know how or why. He just can’t take it.

Hagakure says that he’s thinking about it too hard, and that he can just show what he’s made of in the tournament. Mina agrees, saying that by that logic, she shouldn’t really be here either. Ojiro starts crying, hiding his face in his hand as he shakes, explaining that he’s talking about his pride here. He doesn’t think it’s right. (He also has no idea why the girls are dressed like that. Really, the entire cheerleader gimmick seems a bit… awkward, here.)

Izuku has no idea what to say. But class B’s Nirengeki does - kind of. He admits that he can’t remember anything either, so he wants to withdraw as well. This is a contest of skill, so letting someone who didn’t do anything advance… doesn’t that defeat the whole point of the sports festival? Isn’t it against the rules?

Kirishima starts to tear up, calling the two manly. Up in the booth, Present Mic announces the strange turn of events, while Aizawa wonders what Midnight, as the coordinator, will decide. Midnight’s ruling?

She likes it. The two are allowed to withdraw. Aoyama puts a hand on Ojiro’s shoulder and promises to win it for him.

Midnight tells the kids that replacing the two will be members of team Kendo, who took fifth. Kendo replies that if it’s gonna be like that, then shouldn’t it be team Tetsu instead? Her team was immobilized pretty much the whole time, while team Tetsu were giving it their all to keep what they had until the very end. She then hastens to assure that they aren’t colluding or anything, it just feels right.

Tetsutetsu is in tears by the gesture. After a brief transition, it’s decided that Tetsutetsu and Shiozaki will join the finalists, bringing the number back up to sixteen. And with that, the match-ups can be drawn!

Izuku notes that if he wins his first match, his second’s gonna be against Shouto. Which I feel is very rude of him to just entirely discount the possibility of Sero winning the match. I mean, it’s an honest assessment, but STILL. Rude. Anyways, before his match with Shouto, he still has to face off against Shinsou, who has to be-

And speak of the devil, there’s the guy in question. He wants to know if he’s Midoriya Izuku, which startles Izuku. Izuku recognizes him from the declaration of war two weeks back. He goes to respond, only to be cut off by Ojiro’s tail over his mouth. Shinsou huffs and turns t head away, while Ojiro warns Izuku not to answer him.

We get a few other reactions from some of the other students: Shouto contemplates how his match with Izuku will be sooner than expected, and that he wants Izuku to bring his best before he takes him down. Katsuki wonders out loud who Uraraka is, which startles an eep out of her, possibly for using her actual name. Mei approaches Tenya, chucking as she starts to ask him something. And Present Mic announces that they’re setting aside the tournament for the time being, and getting on with the thrill-a-minute festivities.

There’s a few snapshots of what everyone is up to over the course of the side events: some of the non-finalists racing massive balls (probably rubber?) around the inside perimeter of the stadium, Ojiro talking to a stressed out Izuku, Tokoyami napping in a tree, Tenya drinking five (5) cans of orange juice, Katsuki doing… something, Shouto crouched down resting somewhere outside the stadium, and finally some students searching for items on the cards they were given. Oh, right, and the girls are doing cheerleader stuff, with Hagakure being the most enthusiastic, and Jirou and Momo as the least.

Honestly, with that jump, Hagakure is either buff as heck, or Ochako is lending her a hand.

While all this is happening, Izuku is narrating how some people preferred to psych themselves up, while others tried to relax. Everyone was dealing with it differently. And before they knew it, the time had come.

We come back into the narrative as Cementoss is just finishing up crafting the battle platform from scratch, which is honestly incredibly impressive. I guess his manipulation of cement includes being able to dry it out super fast. And really, with how it looks, he’s just showing off. Especially with those torches, like, those can’t have been made from cement. Were they just put there and the cement set around them? Did he use the cement to manipulate them into place? I have questions, sir.

As I said, showing off just a touch.

Present Mic thanks Cementoss before asking the crowds if they’re ready. He talks about how the students have been through hell to get here, but now it’s time for the one-on-one tournament! They’ll only have themselves to rely on. Even if someone isn’t a hero, that saying holds true! You know it! Spirit, technique, strength, wisdom, and knowledge! Use them all and show us your best!

...They’ll only have themselves to rely on, even applied to non-heroes? Uh, wow. Talk about the underlying 𝓲𝓼𝓼𝓾𝓮𝓼 showing up here. I honestly can’t help but think that Izuku’s issues with heading off alone in the current manga arc has less to do with emulating All Might, and more absorbing all these small asides and comments from all the staff of UA. Which is fucking 𝕪𝕚𝕜𝕖𝕤.

Anyways, while Mic’s doing his thing, Izuku is trying to calm himself before his match, only for Toshinori to come up to talk to him. He notes how it took a while, but Izuku’s finally getting the hang of using One For All, and gives Izuku a wonky thumbs up. Izuku is surprised to see his mentor there, but also corrects him - he doesn’t really have a hang of it, he’s still uneasy. He brings up his microwave visualization thing, and how he’s been trying to recall when he launched it at the villain, but it still feels dangerous. As if he could fall apart if he loses focus for a second, and, well, it’s like Toshinori saw. Given the level his body is at, even when Izuku controls it, it only gives a small boost in power.

Toshinoir thinks on it for a bit, before reminding Izuku about that talk about giving it between zero and a hundred. As Izuku is now, heis body’s capable of about five percent. Izuku considers that, thinking that if it’s like that, then he’s just gotten lucky with everything. Toshinori gives him a few thwacks on the head and neck, telling Izuku that that’s because he’s always been trying his hardest, calling him a prince of nonsense. He also chides Izuku, saying he’ll never be a hero looking so mopey.

While Izuku recovers from the assault, Toshinori tells him to listen, before stating that especially when Izuku is feeling worried or scared, that’s when he needs to smile. Izuku’s come this far, so show some bravado, even if it’s fake. To punctuate this, Toshinori swells up into All Might, giving him another thumbs up. And I guess it kind of works as motivation, since Izuku seems less stressed?

Anywho, we finally get into the first match! Present Mic announces the two, with Izuku getting a comment about his making a weird face despite his good performance, and Shinsou getting a comment about not having done anything to stand out yet. The rules are simple - win by knocking out your opponent, immobilizing them, or getting them to say ‘I give up!’ Bring the pain! Recovery Girl’s on standby. And fight dirty if you must! ‘Ethics’ have no meaning here!

...this explains why Shinsou immediately went for such a low blow.

Anywho, Cementoss makes himself a seat to watch from, so as to be prepared to stop the match at any time. Present Mic clarifies that going for the kill is a big no-no and will disqualify you, because a true hero’s fists fly only when in pursuit of villains.

Shinsou starts talking, contemplating the ‘I give up’ option before asking Izuku if he gets it? That this battle’s going to test his strength of will. If you have any kind of vision for your future, there’s no sense in worrying about how you get there. Like that monkey, babbling about his stupid pride.

Wow is Izuku pissed. Present Mic announces the start of the match as Shinsou rhetorically asks what kind of dumbass throws away a chance like this. Izuku rushes forward furiously demanding to know what Shinsou just said - only to stop dead. Shinsou calls it his win, while in the stands, Ojiro is stressing out, tail flailing as he snaps at how he’d warned Izuku about this. Toshinori is waiting at the entrance to the stadium, confused.

Present Mic asks what’s wrong, the battle’s just started, show some spirit! Mere seconds into the match, Izuku is frozen in place?

And we end the chapter on that cliffhanger. What an introduction to Shinsou, and we have more to go in the next… one or two chapters, can’t recall.

Anywho, see y’all next time for spooky quirk shenanigans! Can’t believe our first ghost sighting is about to happen. Fricken love ghosts.

#chapter 32 #readthrough #sports festival arc #boku no hero academia #my hero academia #midoriya izuku #yagi toshinori #shinsou hitoshi #yamada hizashi #aizawa shouta #ojiro mashirao #shouda nirengeki #kayama nemuri #Kirishima Eijirou #Sero Hanta #kendo itsuka #tetsutetsu tetsutetsu #cementoss #ofa ghosts my beloved

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fukurodaze · 4 years

Text

dump shot

pairing: third year!shirabu kenjirou x first year manager!reader (female) genre/s: PURE FLUFF, meet cute type beat! word count: 2.9k taken from this request by anonymous <3: “Shirabu x Manager! reader where reader is Karasuno's manager and she's seen pining over him and later the two end up in an accident outside the gym (before or after the games) where they find themselves locked somewhere”

for reference, this is set when hinata and the first years are in their second year, so ennoshita is karasuno’s captain. shirabu’s also the captain of the shiratorizawa vbc!

lowercase intended!

when shirabu kenjirou throws a dump shot, he is the coolest person in the room. it’s two words that come out of your mouth, groans of frustration coming from your team, and a faint smirk on the almond haired boy.

“so cool...” you mutter under your breath, watching the practice match between your team and shiratorizawa at their gym. you get goosebumps.

it’s not your first time seeing the third year. you had watched shiratorizawa’s match with karasuno in the prefectural spring high finals, and though your eyes were glued onto the then first-year setter, kageyama, you would, at times, find your eyes stopping at the magenta number 10 jersey. you would later find out his name was shirabu kenjirou, and that you would come to develop an almost baseless crush on him, hopeless at best.

another rally starts, this time with shiratorizawa on match point, an already dragged out 32-31 on the scoreboard. it’s the third set on a friday night, yet the match is already scraping past seven pm and you don’t know if your body can take any more of the anticipation.

and when the magenta jerseys spike a mean straight shot, your hands ball up with whitened knuckles at the bitter taste of a lost game. you run up to the boys with yachi, handing them drinks and towels, telling the second years “you did well” and the third years “that was a good one.” you glance at the first years, some of your friends, and give them a soft smile, as if telling them that you’re going to have to get used to this feeling, because it will happen. lots.

but loss is as temporary as victory when you see the boys mingle with each other, friendliness growing as the new first years dissolve tensions between teams. you even see kageyama bump into hinata and goshiki’s conversation, the sight of it new and endearing.

yachi taps you on the shoulder, “i’m going to be picking up the bibs, can you collect the balls and put them in storage?”

shiratorizawa’s storage room looks more like a shed. it’s also much further than you think, and even darker than you knew storage rooms to be. it looks like an entire sports supply factory outlet rather than a high school unit.

the large basket of volleyballs rolls weirdly on its wheels, knocking left and right as you try to drive it through the doorway. it makes a bit of a fussy sound when you bump into the basket of footballs, and as the footballs begin to fall out of their containers, you close the door in an attempt to keep them inside.

"here they are,” you hear from the corner of the room, behind shelves upon shelves of equipment. your body freezes up dramatically, as if dreading the awkward interaction with the unknown person. hurriedly, you pick up the scattered soccer balls, attempting to take up to five at once to no avail, only causing more sounds of balls hitting wooden floors.

“hello?”

you hesitate to answer. you only continue to put back all the footballs in their place and park the basket of volleyballs in some random corner of the shed before reaching for the door, only to find it doesn’t budge.

“aren’t you karasuno’s manager?”

you turn around to find the one person you wouldn’t want to see you like this. like every high school cliché, shirabu kenjirou is standing right behind you when you turn back, a pair of training shoes hanging off of his left hand. you nod and bow slightly, unsure what to do.

“i, uh, wanted to put the balls back here.”

“but why are you here in the shed?” his voice is softer, you notice, probably because he realises he’s talking to a girl, but his words remind you of how he’d talk to his team during the match.

“i just wanted to help clean up and stuff, like, uh, a token... of appreciation for this practice match?” god, your palms sure are getting sweaty.

“this shed isn’t the place we put our frequently used equipment. we usually put our volleyballs in the room in the gym. it’s the one with the double doors. how come you came so far here?”

you shrug slowly, feeling nice and stupid for not noticing the actual storage room’s large double doors and instead wandering off to carry a basket of volleyballs past three other gyms and a few questioning looks from the shiratorizawa basketball team to this single-doored, large building.

“i’ll just bring them back to the gym now-” you come back to the basket of volleyballs you had just left against a random wall as shirabu pushes on the door’s nonexistent handle. you think it’s all about to end until a muttered curse falls out of the third year’s lips. you look to him in confusion.

then he curses again, this time stopping himself midway as your gaze meets his, voice getting softer again. “did you close the door?”

“yes...?”

“it’s not supposed to be closed,” shirabu sighs, “there’s a little metal rod that falls into a hole in the ground on the other side, and it falls in pretty easily if we close the door, so we can’t really get out right now.”

oh shit.

“i’ll just call- oh my god, i forgot my phone.” your tone is fast and apologetic, considering you had closed the door in the first place. “i’m sorry-”

“don’t be, you didn’t know before.” shirabu sits on a pile of thick and colourful gym mats, elbows on knees. the shoes he was holding are now behind him. “this school might be big, but it’s also damn old.”

shirabu has no idea what situation he’s in right now. frankly, he’s kind of panicking. but he tells himself not to panic, especially when karasuno’s new manager is right there (and she’s pretty cute, not gonna lie - is she a second year?). shirabu would probably be shouting and pushing the door by now until his voice ran hoarse, but surely, there is no use for that.

“so, uh, how are we going to get out?” you shove your hands into your tracksuit jacket, stepping in front of the boy. you’re guessing it’s going to be a bit before you two can get out, so you might as well try to talk to him without a three meter gap in between him and you.

shirabu shrugs, and a look at you tells you that you can sit next to him on the pile of gym mats. “i think we’re just going to have to hope someone notices we’re gone.”

“i think they have to,” you chuckle, “you’re captain. would be kinda crazy if they didn’t notice you were gone.”

the conversation dissolves into awkward silence as the stranger you once pined over is literally right next to you, dried sweat and all, a light laugh leaving his lips.

“what’s your name?” the question is simple, obligatory, even, for introductions, but you swear you feel your heart skip a beat.

“l/n f/n,” you reply, and he says his name in return. you want to say you know, as you’ve already referred to him as captain of the volleyball club, but you settle with silence and a smile. he seems to like it.

“you’re karasuno’s manager, right?”

“yeah. i’m a first year, but i have a brother in karasuno.”

“oh really? is he in the volleyball team?”

you shake your head, “no. he’s in the basketball team, actually, but he’s friends with some of the third years in the team. he’s the reason i got dragged to the spring high prefectural finals last year, actually.”

you hold your hands together, clasping them to evaporate your nervousness. shit, this is shirabu kenjirou you’re talking to, don’t mess it up!

shirabu leans back on his arms, looking up in reminiscence. he sighs, “spring high, huh? you probably saw my tosses back then.”

you can’t seem to wipe the smile off your face, the excitement of getting to talk to the third year getting to you, “i remember you from that game the most.”

“damn, then you’d probably also remember how my toss was bad enough for even ushijima-san to get blocked-”

“i think you were really cool, actually.”

shirabu stops in his vocal tracks. there’s no way she means that, he thinks.

“you’re just saying that.”

“well, of course i’m saying it. you wouldn’t hear it otherwise.” your feet kick themselves against the soft pile of gym mats, “but trust me, coming from a karasuno student, you were really cool. your entire team was, too, but, you know.”

at this point, you think you’re just embarrassing yourself. what if he thinks you’re some kind of weird fan? a naive first year? some wannabe manager who didn’t quite understand volleyball to its core? it seems like the conversation loves to come back to silence, and you don’t know how to break the ice.

“thanks,” shirabu mentions, tone higher, as he stands up and off of the gym mats. you feel a weight lift beside you, and in your floor-focused eyes, you see his shoes walk to the basket of volleyballs.

shirabu bounces the ball once, and then once again, before you see his shoes in front of yours. you look up.

“we have time. wanna toss?”

“i’m not that good at overhead passes...” you resist, knowing all too well from pe classes that your fingers don’t have the same kind of magic shirabu’s or kageyama’s have - or anyone in the men’s volleyball club, really.

shirabu only shrugs, “it’s fine, y/n-san. it’s just me. i don’t think you can even be that bad anyways.”

okay, maybe hearing him say your name was enough to persuade you. but still, the possibility of losing your pride in front of shirabu keeps you glued onto the gym mats.

you purse your lips, trying to hide the overwhelming grin spreading on your face. you try to say a word, but you can’t seem to make anything out when teeth and raised cheeks do nothing but make you feel like this hopeless crush isn’t so hopeless after all. and so you nod.

he stands a few feet away from you, tossing the ball at what seemed like the perfect angle for your height only for you to miss it every two good tries.

“see? you’re not bad.” you think he’s lying through his teeth at best.

“i drop, like, every toss you give. this is not not bad.” you slouch, catching the ball this time instead of attempting to toss it.

“well, that’s because you’re just doing it wrong. you hit the ball with the top of your palm every time. of course it’s going to come flying down.”

“okay, captain of the shiratorizawa volleyball club...” you tease, and you think it’s all fun and games until he comes to stand right in front of you, taking the ball.

“put your hands up.”

you do as he asks.

“they should be about this far from your head,” he puts down the ball to adjust your arms, and then your hands, “it’s supposed to feel like there’s a nice place for the ball to rest in your hands.”

his hands are cold and rough when they lightly press on yours, shaping your hands and your elbows the way he does it on court, “your elbows and hands should make a triangle.”

he lets go of your arms, and you keep your arms the way he left them. he tosses the ball to you, and the only thing you feel is the sturdy feeling of fingertips on fabric.

shirabu catches the ball when you toss it back, “see? not bad.”

he doesn’t miss it when your eyes light up at his praise, and he makes a mental note to himself to not get distracted next time shiratorizawa has a game with karasuno. or maybe he will; who knows - maybe seeing you might make him look at his job with more vigour and passion.

“how do you do it?” you stare, “i mean, not that i haven’t seen, but-”

your words are cut off when he sets the ball onto the wall and back in one quick motion, his hands like cradling the ball with care on every push and touch. maybe it isn’t backed by an ace spiker or a team of five, but there’s a quiet power in what he does.

volleyball might be a team sport, but you’ve only been focused on this one setter all afternoon. even worse, he’s from the opposite team.

he holds the ball and bounces it as he looks back at you, “when i got into shiratorizawa, you have no idea how much time i spent doing this.”

he exhales, like a weight has been pulled off his chest, feeling quite nice at your visible reactions. he throws the ball at you, exclaiming “toss!” only for you to catch it square above your head. you whine. then he laughs, and you laugh too, because you've never seen him laugh.

“it paid off, then,” you say, coming to sit back down on the pile of mattresses. he sits next to you again, but closer this time. it’s like your stomach performs a somersault, and you absolutely love it.

"i guess,” he mutters, “maybe next time i’ll show you the dump shot you seemed to like so much.”

you can only bury your face in your hands, remembering the way you exclaimed ‘so cool...’ at his actions about an hour ago. you mumble, “was i too loud?”

he laughs again. you like the sound of it. “no, it was good.”

“it was nice to know one of karasuno’s managers looked at me more than kageyama,” his tone is stagnant, but you can hear him grinning, “that wouldn’t be considered betrayal, would it?”

you take it upon yourself to look him in the eye, and you tell him, with a small voice, “maybe it’s just something about you.”

you hide your face in your hands again, and you hear the setter laugh once more. you wonder if he laughs this much with his teammates.

just as your embarrassment starts to settle, there’s a knock on the wooden door, “y/n? are you here?”

you recognise it as the second year, yamaguchi’s, voice, and you call back out, “yeah?”

“alright, wait up, i’ll just unlock the door...” his voice turns from muffled to surprise after the door opens, seeing you sitting so close to none other than shiratorizawa’s setter.

“i’m so sorry it took this long for us to realise you were, uh, gone,” yamaguchi scratches the back of his head, “but at least you had some company.”

yamaguchi gives the setter a prompt bow, and shirabu does the same.

“anyways, y/n, the bus is waiting,” the boy motions, and you nod, looking at shirabu.

you wave at shirabu and start to leave the shed when he grips the sleeve of your tracksuit jacket.

“are you free on sunday?”

you stop in your tracks, “yeah, i am.”

“i can show you my dump shot then. and there’s also a cute café nearby campus, i heard, so, we can go there after?”

you swear your heart melts at his words, “that sounds good.”

you can feel yamaguchi’s curious stare at both of you, but you don’t mind. “i’ll give you my number, then?”

you search through your pockets for something to take note with, “i don’t have a pen and paper... or my phone...”

shirabu sighs, “me neither, uhm...”

“oh, well. just tell me your number and i’ll memorise it.”

“are you sure?”

“yeah,” you smile, knowing that you’re not that good at memorising things but you know you’d keep his number dialed in your head. as he says out his string of numbers, you make sure to remember it all by the time you get to your bag.

“see you sunday, then.” he waves once more.

“i’ll text you!” you’re left to ponder what the hell you’re going to wear in two days to your date with shirabu kenjirou.

first date with shirabu kenjirou. is it a date? maybe you’ll know it on sunday.

when you step out of the shed, yamaguchi only grins as he walks you back to the bus, amused at witnessing one of his underclassmen set up a date with shiratorizawa’s third year setter and captain.

“on monday, tell us some of shiratorizawa’s secrets,” yamaguchi jokes as you two walk across campus. you glare at your upperclassman, and he only follows it up with a shake of the head and “no, no, just kidding! just have fun on sunday.”

“thank you,” you say quietly as you two approach the bus, “and thank you for unlocking that door at the shed back there.”

“no problem,” yamaguchi replies.

after announcing a small apology to the rest of the team when you enter the bus, you almost run to yachi when she shouts from the back that she’s already got your bag, with you practically grabbing it to take out your phone.

“woah, y/n! are you alright? do you have your stuff?”

you don’t answer, only putting down the numbers you drilled into your head five minutes ago, naming the contact “dump shot” and sending him a quick hello in text.

yachi asks again, “y/n?”

now you snap out of it, and nod before thanking her for bringing your bag. you can’t stop the uncontrollable smile on your face.

yachi stretches her arms out and smiles back, glad that her underclassman seems enthusiastic about this volleyball thing too. “i’m so ready for the weekend. i’m just going to sleep in and rest all day.”

you nod, slouching lazily into the bus yet with unknown excitement in your veins at the thought of spending a day with the boy you’ve only ever seen from afar until tonight.

“i’m so ready for this weekend too.”

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docholligay · 4 years

Note

Please rant/rave (well, we already know which one it will be here) about Harry Potter!

GEE I HOPE THIS WAS WORTH WAITING FOR

OH MY GOD. The level of hatred I have for Harry Fucking Goddamn Potter, the culture around Harry Fucking Potter, extending its poisonous tentacles even to the concept of young adult fiction, fantasy, and the United Kingdom as a country and people.

When you being on this, you may think, “Oh, Doc will explain that Harry Potter sucks because JKR hates trans women” and I will say, oh no, dear reader, that is a fantastic reason to hate the author, and I really suggest we all continue to hate her, and perhaps not purchase the QUEEN’S TONNES of officially licensed merchandise and movies and theme parks that give her stupid little fucking hands all that cash, but no, that is not why I hate the work. There are a number of great works done by terrible people, and the further out the lens of history gets the truer this is.

I hate Harry Potter because it fucking sucks, and mentally stifled an entire fucking generation.

“Well, Doc, Harry Potter was really there for me when--” Oh my god I could not fucking care LESS about your personal emotion connection to “orphan wizard boy turns out to be a rich aristocrat yet somehow less woke than Cinderella though” I have personally emotional connections to hot fucking garbage pails of media properties, and if someone came barreling through talking about the myriad ways in which they were horrible, I would be like, “Oh, you aren’t fucking wrong, pal”

Harry Potter gained wild ass popularity in part due to its magnificent sorting system of Smart, Brave, Evil, and Other, because there’s nothing liberals like more than being able to put everyone’s personality into an easily labeled box, which is why astrology is so popular, or for the intellectuals, Myers-Briggs, which is just as fake but with the veneer of science. This allowed people to give into the tribalism they so desperately liked to pretend they did not possess, and also allow them to write thinkpieces about “The misunderstood Hufflepuff” or “Slytherins aren’t all bad!” or really anything that allows them to write a very real piece about their very imagined oppression for being a part of a totally fake house in a children’s book. Excellent use of your sociology degree, Kai, I thought the addition of phrases like, ‘Content of socialization” and “axes of oppression” really spoke to the struggles you face when wearing a green and silver scarf.

The other reason it became popular is that it’s essentially wallpaper paste formed into characters. I have read all of the books, and I could not tell you even remotely what Harry’s defining personality traits are other than “protagonist”. In American, at least, a large part of it was the fascination with all things British, with the idea of boarding school and prefects and uniforms that aren’t inexplicably chinos and polo shirts for nine year olds. It allowed children to project onto something so bland that it could be anything. And for children, THAT’S FINE. There is a great deal of bland media made for children, but what I’m speaking to is the fandom, which is largely well over the age of 18.

Because if we look at the books, are they...actually good? Was it good, or did I experience it as a child? I mean, honestly, on a literary level, are they, or was it just like we all watched Friends, we did it because everyone else was doing it, because I have a distinct memory of a series that involves such greats as “magical geegaws with poorly defined rules that are quickly forgotten despite being able to solve later problems quickly” or “Everyone loves Harry or is a bad guy, or secretly loved Harry all along”

Oh, speaking of, man, if this was an actual well-written book, wouldn’t it have been wild to have Snape’s whole thing be to teach us that sometimes people do good things for the wrong reasons? Instead of naming your fucking child after the guy who ‘protected you’ because he still wanted to bone your mom? “After all this time” “Always.”

While all this could have been explained, we have Quidditch added into the mix instead because 20 pages of the goddamn Puppy Bowl is exactly what I was looking for while I was waiting for JK to move the goddamn ball on literally any of these actual magical concepts.

Harry Potter is a fucking trust fund baby, star quarterback, who grows up to be a cop and marries his high school sweetheart. (Speaking of, why were we shocked that JKR turned out to be a piece of shit when this was and always has been the conclusion of Harry Potter? Why are liberals so fucking into this series that upholds structures like it ain’t no one’s business? It’s a series that opines that those beneath us “Muggles” should be kept in the dark from us) Literally, he finds out he is a wizard and has a dragon-guarded fucking VAULT OF CASH. At 11. It’s such a series for little tyrants, you are special from birth and need do nothing to prove it, here is a letter certifying as such. Oh, not only are you rich and the greatest seeker and have excellent quips, but also your parents were not only rebels, but the best of rebels, and so deeply involved that your parents were killed by the big bad personally, again, because you are so special. His mother’s love literally saves his ass over and over again, because he was SO SPECIAL. He fought Voldemort FROM THE BEGINNING, and WON. It’s literally the most privilege baby fantasy in the world.

“But Doooooooooooc, it’s for chiiiiiiiiiiiiiiildren”

A) Yeah, and you’re 32, you’re making my fucking point about Harry Potter setting an entire generation up for intellectual failure to launch.

B) Okay, and? I can think of a bunch of kids’ books off the top of my head that in no way require specialness to be given by birth so as to roll out the red carpet for master protagonist. The Hunger Games. Watership Down. A Series of Unfortunate Events. The Chronicles of FUCKING NARNIA, about which I have only a small handful of particularly kind things to say. I’ve never read Percy Jackson, but it’s my understanding that despite his being a literal demigod, the attitudes of the supporting cast are allowed to fall between the extremes of “Appreciates Percy” and “naughty or will learn” Harry does nothing to improve himself even after knowing that he is HUNTED BY THE BIG BAD! “I won’t do this because I don’t like Snape”. So There” which, again, if this series were written with the slightest bit of care or know-how, could be a humbling fucking plot point! BUT NO THAT WOULD BE NAUGHTY.

But the real reason I hate Harry Potter so much has everything to do with the fandom surrounding it, and how it intellectually stunted a generation of adults. The promise of Harry Potter was that it was supposed to make a new generation of readers, and so the popularity of them was pushed, and so there was discussion of teaching them in schools, but I tell you fucking what, I know a whole lot more folks who grew up reading Harry Potter that never advanced beyond reading YA, or even just rereading the entire series every year and that’s pretty much them done and dusted.

In the attempt to recapture whatever it was about Harry Potter that attracted children (A lot of it was your peers doing it. I read them all as they came out, and it was literally the equivalent of watching the game so you could talk at the water cooler. That was never going to be recaptured) people, who by this time were likely in their teens, kept getting recommended stuff at the same and same level. No one ever felt pushed to read things that are challenging, to read things that have some of the concepts or themes of Harry Potter but maybe complicate. I know FAR more adults who read adult books that aren’t into Harry Potter, even if they were as children, than the reverse.

But Doc, why is reading only books meant for 14 year olds a problem??? I mean I suppose I can’t convince you that comfort is not the job of literature or of life, it is the job of an easy chair, because Americans especially are decadent as fuck about being comfy cozy all the time and if anything causes them distress or pain it should be immediately avoided. But Maybe I can convince you that you’re fucking up these books for actual ass children who deserve to have their own writing section without adults bringing their fucking asses into it. They deserve their own spaces. There’s a number of YA editors who have talked about the difficult space YA now occupies because since Potter’s blowup, it’s no longer a niche category, but basically “adult easy reads” and so they have been buying books that are more about the tastes of adult buyers than of literal 14 year olds.

Is that not...sad? To anyone else? Honestly, and this is not part of the essay because it’s a broader reaching problem, but CHILDREN’S MEDIA IS NOT FOR US. CHILDREN’S MEDIA IS NOT FOR US. CHILDREN’S MEDIA IS FOR FUCKING CHILDREN. The fucking 40-23 set really needs to get their shit together and grow up a little bit and engage in some fucking adult media, and maybe, if we support what we’re actually looking for FOR ADULTS, it will come to us. No one is saying you can’t read Harry Potter or watch some Cartoon Network show, but like, search your heart and come the fuck on. Engage in something more complex. If not for yourselves, for the kids getting shoved into simplified adult stories. It should not be about us.

ANYWAY, my larger point is that it was Harry Potter, a badly written series about a magical boy who was chosen and magic and also rich and also a favorite of the headmaster and also more clever than most adults and also spoke the same magical snake language as the big bad and was also star quarterback, but at least there was a system in which you could buy a scarf in block colors and feel like you belonged to a team.

(But not a sports team! lol handegg! I’m cool I don’t get into sports! Except Quidditch.)

#TO say nothing of the fact that I haven't been able to wear gold and burgundy together without some dumbass comment for years #despite being a favored color combination #Anonymous #Eight Days 2020 #Holligay Rants and Raves #I didn't even GET to every point I had but it's been over an hour #GOD I HATE THIS FUCKING SERIES SO MUCH #Doc do you hate me for liking it?#oh sweet thing allow me to reassure you: Yes. Absolutely.#also the prose is god-awful #I've taught teenagers with better rpose

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balkanballad · 3 years

Text

Eurovision 2021 ranking

hello, hello and welcome to my eurovision 2021 ranking. the songs are ranked with numbers but I also put them into categories (from 💐 to 🥀) and added a short comment. so, if you are interested in my personal opinion about the songs, have fun:

💐:

Switzerland: I was rooting for him last year and it’s the one returner in my top that didn’t disappoint me that much. what a start, huh? I love the song, I love the feeling it gives me when I listen to it, the clip is very pretty too. did I like his last entry better? yes, but I will say it already here at the very top of this list: I liked last year’s choices in general a lot more. nevertheless, this is a beautiful entry! and it is my personal winner this year

Australia: I loved her last song. It was there for me when I needed it. Technicolour does not touch me in that way but it is fun!! it’s catchy to me and I really like Montaigne. I adore her style and how she sings. I am excitingly looking forward to this performance :)

France: beautiful song, amazing singer, the national final performance was wonderful. however, I listened to it so much that back in March I already needed a break form it. now as I am finishing this it’s April and I can slowly listen to it again. it’s me though, it’s not her. that’s really a me problem. she’s wonderful and I love the French touch to this

Albania: a ballad from the Balkans <3 hello, of course I like it and I love that they kept it in Albanian this year. I heard similar songs before, but I like the sound of it still.and overall it’s a song that gives me familiar vibes in a cozy way with a bit of drama

Russia: interesting!! I was relived to see that Little Big didn’t return because, as I explained in my ranking for last year, I was not feeling them. absolutely nothing about them, but I love her! I think it’s catchy, it’s something different and I like the message she supports. it took me a few times to fully decide how I feel about the song, but now it’s in my top for sure

Denmark: fun! a fun song in Danish. I really like the good mood it puts me in. I even see this in the context of the Umbrella Academy or Stranger Things or something like that when they go to Europe to party a bit. I also really enjoy the old school vibe this has to it. I miss that vibe. I’m also a bit old school

Cyprus: I absolutely do not relate to anything said in this song but it’s catchy! it is a bit fuego and a bit replay but I liked those entries as well, so yeah fire. I have not heard a single live performance by her but I am not exactly sure that vocals will be the aspect that she will try to win votes with anyway. I am amused by the fact that apparently people were offended by this song when it clearly makes no sense whatsoever. it’s simply a bop, move on and dance a bit

🌺:

(8.) Greece: fun as well! a ‘dream team’ entry for sure. I say this a bit sarcastically, but they do well a lot of the times and I am lured in by a lot of their entries myself. Kontopoulos is a big name in the esc industry, it’s a fact. the song is a bit more mature than Superg!rl, which I also listened to more often that I thought I would. It still reminds me of a theme song for a superhero show for kids and I am a bit worried that the ‘dReAM TeAm’ is a bit too outdated for Stefania because I think she could have done something cooler than both of those songs

(9.) Sweden: it took me a few times listening to this song, but I like the song now. I don’t think it’s too special and “a million voices” reminds me of Polina immediately because those are her words for me, but this is a good song too. I like how it makes me feel empowered and like everything will be okay. thank you for that, Tusse, I need that

(10.) Israel: Eden deserved a better song. I like this song less than last year’s entry because I think it’s less interesting and I loved some instrumental parts from last year’s entry, but this is not bad either. I am rooting more for her than for the song, but I guess that’s this year’s motto for me. I also can’t say that I love the revamp because it made it sound even more generic for me

(11.) Belgium: I saw the promo pics for them and was very confused how different the singer looks this year, but it turns out that it’s not the same woman. I like this entry a lot better. I like her voice and I really like the vibe. It sounds a bit like it could play in the background of a classic American tv show when a character is going a bit through it and pouring a drink while it’s dark outside. I have the same problem that I mentioned already while talking about the French entry, but that’s still a me problem. I just need a break

(12.) Ireland: this entry is a lot less annoying to me than the song that she had last year. I like the lyrics and whole aesthetic of this one a lot more. it’s another one that I can’t listen to too often, but I still think it’s a very good choice imo

(13.) The Netherlands: Jeangu!! I think he for example will give a wonderful vocal performance. Growth felt way more personal to me, but that’s a repeating motive this year and also a me problem because obviously this is his song and he does it well

🌻:

(14.) San Marino: I’m still confused by this feature and I can’t really say that I’m ‘living’ for it, but I already made a post about how I don’t think she needed Flo Rida. minus the feature it’s a catchy party song, but it reminds me of one song that I simply can’t remember anymore. something that I heard from the Greek music industry, maybe even Eleni, if you know which one I mean, pls let me know

(15.) Estonia: just like last year: this song doesn’t make much sense and I don’t want to, but I still catch myself listening to it frequently... I am sorry, I can’t help it, but it puts me in a eurovision mood and yes, I am blaming Kontopoulos again. I am a weak person when it comes to his melodies

(16.) Ukraine: first I had it lower in my ranking, but I like SHUM better now and I like it a lot more now than last years entry. I really like the part when it gets faster, that’s really fun and makes me want to jump! jump! jump!

(17.) Spain: it’s a lot less repetitive than the last entry, but I would be lying if I said that I listen to this very often. it’s alright, not bad at all actually, but I just wasn’t in the mood for this (yet?)

(18.) Romania: this is for me still the same type of style as Bulgaria. European Billie Eilish type. last year I ranked her higher than Bulgaria as well, but they are pretty much the same to me. I can’t comment on whether I like her song less or more this year. it’s not bad either but I simply don’t think about it much

(19.) Bulgaria: I think I like this entry better than her last one. the message is cute, the melody too and yeah, but I don’t care about it too much

🌼:

(20.) Croatia: it’s a faster pop song without a real meaning. ground-breaking. the title makes me think of Ukraine 2014. which I like better, but we’ll see, maybe the performance will have something cool too. I will say though, I would have prefered the whole song to be in Croatian, it doesn’t make it much deeper, but I like that part the most

(21.) Malta: another faster pop song. I think she will give an amazing vocal performance and it will be cool and powerful, but the message and lyrics are a bit confusing to me. I am not the lyrics police, but I am confused by them a bit

(22.) Iceland: I think I like it better than last year’s song, but it’s still not LOVE that I feel for the song. I can listen to it though

(23.) Lithuania: it’s there. I am not a fan of them and it’s not a song I love too much, but I can listen to it

(24.) North Macedonia: sigh. I liked last year’s entry a lot and Vasil seems like someone who cares a lot about the contest, but I don’t feel this ballad. I think I know what they were going for and what it’s trying to be, dramatic and meaningful, but I don’t feel it that much. it’s okay? but it doesn’t do much for me

(25.) Czech Republic: this was a surprise because I think the overall quality of his entry got a lot better, this time though I have the problem that I do not like the lyrics. they don’t make me as uncomfortable as Germany last year but they are in that area of uhm, I don’t love the feeling this gives me

(26.) UK: hm :/ I can’t say that I’m a fan. this sounds like the type of song that the boring straight men in my area put in their tinder bio as their song, but it’s every third guy that says this is his song. those Calvin Harris remix type-ish songs and I am sooo bored. I swipe left because it’s no match, I delete tinder. breath was a lot more my thing and a lot more exciting and interesting

(27.) Poland: as soon as this stops, the exact same second, I forget everything about it. I don’t remember a single word, barely the title and singer and not the melody. what is this about? I can’t tell you. it’s not exactly bad, but it is so forgettable

(28.) Moldova: oh faster pop song? wow.. so.. original. I am starting to sound like those weird people that hate ballads. I don’t feel it and I don’t relate to it, but I also don’t hate it. the video though.. no thanks.

(29.) Italy: as so often: I see a lot of Italy fans on here and I can’t relate. it’s not for me, but it’s there and I can listen to it when I can’t reach the skip button for some reason

(30.) Austria: hm. Austria and Slovenia are going there. this is the better Amen song for me, but I don’t love it. it’s better than what Ana is trying to sell even though it’s super repetitive

🥀:

(31.) Serbia: I can’t tell you if it’s worse than last year but it’s less catchy. the lyrics are still bad. actually, maybe I am the lyrics police

(32.) Finland: this not my genre and I don’t really listen to it

(33.) Slovenia: nop. not for me in any way. I already said last year that I don’t like her voice and it didn’t change but now I also don’t love the message or weird vibe of this entry. I had it even lower, but I can’t push it up more. this is as high as I can rank it

(34.) Norway: I don’t like it. I don’t like the lyrics or melody or performance that was in the nf actually. I have a hard time understanding the concept even with the explanation it makes no sense to me

(35.) Portugal: I don’t like it. a lot of the parts of the melody are really not for me and borderline annoying, but definitely boring

(36.) Georgia: it’s boring. the last entry was at least something interesting, but this one is boring, which makes me a bit sad because his voice sounds and he seems like the guy that could make something cooler. I know I am not the person that can judge rock because I don’t listen to it too much, but I feel like he could have done something cooler and ‘rock’ it more

(37.) Latvia: again: I can’t even say if it’s worse or better than last year. maybe a bit better actually but, just as last time, I can’t listen to this. it annoys me and gives me a bit of a headache. I don’t think her style and voice is for me

(38.) Germany: I wouldn’t necessarily call it hate that I feel when I have to listen to this, even though that’s a funny play with the words of this title, but I definitely feel very annoyed by this song, so I simply don’t listen to it

(39.) Azerbaijan: the song sounds just like the last one, which I had placed on the 14. place in my own 2020 ranking, however, I can’t bring myself to support someone who posts war propaganda on their socials. it’s eurovision and about the songs, I know, but this is my blog and my ranking. so it’s a no for me this time and my last place in this ranking

#j. talks #eurovision #tell me anything if you want <3

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carmenxjulia · 3 years

Photo

Another Duane interview transcript, coming at you! This one was from a smaller Carmen Sandiego chatroom. There were several interviewers, so that’s why the name of the question asker changes. Get the details below the break! Stay tuned, more interview transcripts coming soon.

Duane Capizzi:

HI EVERYONE! I'M IN!

Sorry I'm late, I got lost on the way haha. Then got lost trying to change my PFP

Thanks for gathering! Shall we get started? Let's do some Q&A!

(as long as they are not geography questions haha)

Fuel:

What characters or plot points were cut from the final product?

Duane Capizzi:

Ooo, starting with a right hook to the jaw!

Let me think about that for a moment: I'm hesitant to give too much away because I'm really hoping we can tell more stories in this world at some point

Which is to say, we tend not to waste anything: if we don't use it when we originally planned, we usually find a way to use something later - and there's usually a "karmic" reason that we waited.

I'll also preface by saying this: I know season 3 was more of a mini-drop and some felt season 4 was rushed. But I wish EVERY season were longer. Season 1: ideally, i wanted the Pilot to be its own event and 10 more episodes after that (but we had to tell the post-Pilot story in 7. At the end of the day, that had its benefits: we got to the Shadowsan turn earlier and I think that's when a lot of viewers realized the ride they were truly in for). Season 2: we initially figured we'd need 5 episodes to have Carmen doing the ACME dance with Chief, and wound up doing it in 3 - mostly because it quickly became clear that Rio needed to be a 2 parter, and the Zack and Ivy backstory a rough 2 parter. So we squeezed 3 episodes worth of plot into 209. It was exhilarating!

So, we had hoped to have more episodes for Season 4 of course. We had a ton of ideas and had to compress things a bit. But honestly in many ways it was for the better. I know we all wanted to live in this world longer, but I think sometimes the flip side is true - when you have big ongoing storylines, it can get frustrating when some things drag out too long. But, we got all the "story" we wanted to tell in Season 4 - we just lost some "incident" if that makes sense. We would have taken longer to get there.

So, all that preface to answer the question: we wanted to do more musical numbers! We had a Bollywood dance sequence in a return to India caper with Paperstar. We wanted to do a famous Elvis suit theft in Las Vegas during an Elvis impersonator convention (Shadowsan's an early elvis guy; Brunt likes the Vegas "jumpsuit" era). We also wanted to do a thread where Gunnar gets captured by ACME so that Julia could interrogate him and he could play mind games with her a la Hannibal Lector and Clarice. CAVEAT TO ALL THIS: these were some ideas that were bouncing around, that may not have seen the light of day if we couldn't get them to work. But they were on our wish list.

re: "other stories" - I could live with these characters for another 32 episodes easily and there have of course been discussions. But alas, that is up to the powers that be. Let's keep fingers crossed - and keep the Carmen love alive online so that someone up there takes note

There is more of course, but those are some things that spring to mind.

Fuel:

Were there any scenes cut for time that were your favorite?

Duane Capizzi:

Not much springs to mind: our directors were amazing at getting everything in the scripts to fit naturally (and in fact, I was the one who was usually suggesting trims to let other things breathe, etc). We were limited to 22 minutes of episode time, NOT counting front and end credits so a little longer than the average show. We have a pretty good idea when the SCRIPT is too long, so the cutting usually happens at script stage before it gets to the board crew so that they don't waste efforts over-boarding material that won't be used.

We had hoped to build out Chase and Carmen teaming up for the first time, meeting at Carmen's hotel lobby etc for more scenes of them together; but had to reduce that to get that all to fit in the VERY packed episode 406. But again, tighter was fine considering. That's one area that leaps to mind. (note that when I say packed, I don't mean that in a bad way: we spend a lot of time pouring over details in editing to make sure everything gets its due).

If I think of anything, I'll circle back at a later point. But the simple answer is that scenes were usually trimmed or compressed at script rather than board or animatic. So nothing comes to mind. I know it's hard to believe, but "shorter is usually better."

except for my answers to fan questions of course

Fuel:

We saw that in s4 episode 6 that Julia's mother(?) is wearing a necklace remarkably similar to the one Julia wears all the time. Is this the same necklace and if so, why was it given to Julia?

Duane Capizzi:

Just when I thought I was detail oriented! Wow! You guys blow me away

I can't take credit for that: it was either the board artist or director who added that. They do slip things in! As I've said before, EVERYONE on the crew really brought their A-game and were as deep thinking and as passionate as I was/am about the show.

It's a nice detail and I would say your interpretation works!

It took me three or four reviews before noticing that the team had slipped in baby Carmen near the play set in Mom's front yard at the end of 408. When I caught it, I was like: bravo!

Fuel:

When they first met, Zack and Ivy said to Carmen that they were the only family they had, do you know what happened to the rest of Zack and Ivy's family?

Duane Capizzi:

I don't. At least, I don't yet until such a time that I might have the opportunity to explore that. It was important to their relationship with Carmen that they be orphans, so they had that common bond (aside from being "thieves who steal from bad guys" - even if it was only gonna be one time for Zack and Ivy).

I know there are writers out there who like to do entire bio's for characters up front but i'm not one of them. It could be a trap in many ways. I like to have a general idea but be open to the demands of the ongoing storyline. You discover things along the way - it's like you're taking a journey with the characters by writing them, and the longer you spend, the better you get to know them (that was not a prepared statement by the way - I just made that up but I'll have to use it again :). So in Z/I's case it wasn't important to the story or Carmen's relationship, we felt. Conversely, we STARTED with Shadowsan's family backstory with 203, but more important to me was that we use it as a platform to explain why he stays with Carmen and crew. He really has no home at that point, so it was relevant to the present ongoing story. Which is what made that especially powerful to me.

Also, there's always a push-pull between telling character back stories while balancing them with ongoing episodic plots. You have to service both. If you just tell back story, then you're writing a biography

Arden:

What was the biggest challenge when designing these characters, especially the pre-existing characters from the series in the 90's?

Duane Capizzi:

This is probably more of a question for Chromosphere, re: challenges. But from my standpoint overseeing that process, the first thing I'll say is that we weren't necessarily trying to be "true" to those characters since we reinvented nearly every one from the ground up. (with the exception of Carmen of course - her trademark red hat/coat weren't going anywhere! But mostly the update with Carmen was in the styling of her "outerwear"

ALTHOUGH: I will admit that I was pushing for Carmen to have shorter hair as Carmen. I thought it would be a cool update. Chromosphere were really passionate about giving her long full hair and I have to see that they were right. The short tomboy cut worked so well for Black Sheep anyway. We had a different hair style for each of her ages.

So about the reinventions: Gunnar is in spirit a similar character to the original (old colleague in Vile and an early mentor if I remember), but his presentation completely different. We weren't trying to be "in canon" with the original. The beauty of CSD is that every incarnation has been its own entity so that freed us to reimagine the characters. THE CLEANERS, for instance: gimme some Cleaner love! There were a pair of janitors from the original game named RICK AND NICK ICK. They were literally janitors, it was too silly for our purposes. But, it's one small step to make them "Cleaners" (in the sinister hit men sense) - and lo, our reinvention.

So to summarize the answer to your question, they weren't really challenges to me so much as FUN to creatively reinvent the original characters (many of which were from the game, so not really "characters" per se with dialogue and inner lives). Whenever we could, we tried to use character names from the originals and update their looks and personalities. Where we couldn't find an equivalent for what we needed, we created characters from whole cloth. For instance, it seemed a miss to do a heist show without a tunnel guy and a high rise climber guy. Hence, LC & ET, everyone's favorite taco truck vendors!

(yes, i've seen some short hair carmen fan art on Twitter - someone did a great one recently!)

Arden:

Are there plans to give us more of the characters in, say, novel/graphic novel form?

Duane Capizzi:

I know HMH has done a bunch and no doubt have more in works. There's currently a novelization of the Pilot with some additional material if anyone's interested. I consulted on the second one, Clue for Clue, because it falls in the timeline while Chase was still Interpol/pre-Acme so was tricky.

And depending on whether another series in this canon makes it to air, I may just approach them about writing one or two myself to get some "further adventures" our there. Anything is possible!

Arden:

If you could go back and change anything about the series, what would it be?

Duane Capizzi:

File under anecdote, but there was what I felt was an important expression on Gray that kept me awake at nights, from his graduation ceremony at Vile. When we revisited those flashbacks in the Gray arc in Season 4, I had them change his expression there (to be more evil less innocent). We had it corrected in 404 so was able to get permission to have Netflix "fix" the Pilot by adding that shot in. I am tenacious!

We really poured over everything, it's the series that I have virtually zero complaints with the end product to be honest. But the simple answer is: I would have gone back to 106 and "un-greek'd" Gray's nametag. It's sort of a rule for international that we scramble signage (which is weird for a show that takes place in many countries/languages, I know I know). It's mostly for localization/translation reasons. And I'm sure there are some countries where Gray's name might be spoken differently. But as a proper name, I think we could have made an exception and seen "Gray" on his name tag. See? Details! But that's about the worst of it

there's also like one small line from Chief in 208 where she indicates she knows Carmen is a good guy (something to that effect) which I felt was too absolute and would have tweaked the line to temper it a bit. It's tiny, but looking back it sort of bugs me and I kick myself for not catching it. But this is absolutely the series I wanted and couldn't be happier.

Carmen:

How did Carmen know she could trust Julia? As far as we know, she has not seen or heard Julia defending her, and in the Fashionista Caper, Julia even held up her gas gun to her, saying she was under arrest. Do you have any opinions on this? Was it just intuition?

Duane Capizzi:

I'm gonna go with intuition

Carmen was raised on an island with some hardened criminal types. I think she's a pretty good judge of character. Poor Julia, trying to be tough with Carmen didn't suit her.

But, great observation! I'd have to mentally step through everything to see if Carmen had any earlier indication but i think you're right there.

Yes, sometimes you just gotta follow your heart

Carmen:

Are there any characters that didn't actually interact that you think would get along well?

Duane Capizzi:

Amazing question! First, I'd have to think more about who DIDN'T meet - you're asking the hard questions haha. But "get along well" is very specific! Hmmm, care to volley anyone?

I'll also add that so many smaller moments get lost in the "binge" of it all, but I am surprised how few fans have noted the first meeting between Player and Julia. THAT was a good one IMO! Very sweet!

Before getting back to your question, I also want to add that we were originally going to find a way for Carmen to lose her earring in Stockholm so that Julia could pick it up and be communicating with Player. BUT, I cut it at treatment stage because I knew we didn't have room in that episode to service it. Circling back to questions 1 & 2, another case where it turned out better saved for later IMO (saving Player meeting Julia, not to mention the earring business in 402 with Ivy).

Oh of course, Julia and any of the other Vile members. It would have been Gunnar for my vote, as mentioned earlier. We probably would not have had Julia meet anyone else and mixed it up more. I like that Cleo sort of became J's personal nemesis.

YES, SONIA & XIFENG (and LUPE PELIGRO, if I can add). The intent was (and is, if we ever get to revisit) to see them again in Carmen's travels. We started to expand Carmen's world but when we finally learned the finite number of episodes we had to finish the story, we drilled back down into the essentials. Would love to see them some day!

I'm hesitant to share too many things I have in mind in this forum for hope that they will see the light of day one day. You know, "spoilers"

Julia:

Do you have any opinions on Zari? Just in general? Some thoughts on her backstory would be nice if possible

Duane Capizzi:

I love Zari! I really don't have any back story on her at this point. She was originally just "Agent B" but when the need arose to give story points to another agent, we chose her because she looked so awesome! And Sharon Muthu gave voice to her so wonderfully.

I love when we finally teamed her with Chase. Hopefully the anticipation was that she would give him a hard time. I love that we defied expectation (organically, of course) and had her respect him by the end of that episode (for believing that he foiled Carmen!)

Julia:

Do you have any thoughts on small facts about any character, major or minor, that you think are fun/interesting to think about, but don't necessarily add to the plot itself?

Duane Capizzi:

Bellum, like myself, likes cats. But you knew that!

I try to put everything pertinent on screen, doing double duty to service any given episode's story but also the overarching story. That "journey" thing I mentioned earlier - we had no idea Chase falling on his own car would be a thing when I first came up with it. But as other characters refer to the incident, it took on a life of its own and made the characters feel more real.

Sorta kinda related to this question and some earlier ones, I will say that I DO think there's more to learn about Shadowsan's past vis a vis Lady Dokuso: it's clear to me that they have a history together, and it's something I hope to explore someday soon (maybe in a book if not another series

Julia:

Are the Carmen Sandiego books a part of canon?

Duane Capizzi:

I only consulted on the first two or three (too busy with series!) and have not read them, so hard for me to answer in a definite way. They are definitely in the universe we've created, but not in the timeline that I know of (which would have been too hard to pull off with our script development running concurrently). But do know that the book team at HMH pays close attention to the series and world so they should be perfectly compatible. Look no further to their clever social media on the series for example.

Kenz:

We saw in season 4 that Julia and Carmen helped each other mid to long term; would there ever be a possibility that Julia would permanently or semi-permanently join team Red?

Duane Capizzi:

Of course there's a possibility. But in a sense, with ACME now finally on Carmen's side, in a sense if Carmen were back in the game Julia, Chase, Zack and Ivy would ALL be an extension of Carmen's crew. But, would J remain with ACME or literally come to Carmen's team at her HQ? As they said in an old radio show: "Only The Duane Capizzi knows ..."

Kenz:

Where do you see Carmen in her retirement (if she retires)? Do you think she would still travel the world or settle down somewhere? Similarly, do you have any thoughts on what some other characters could be doing years down the line?

Duane Capizzi:

That is a big question, and one difficult to answer without some potential future spoilers (and yes, I really want to tell more Carmen stories if you can't tell But I'll answer by giving you one "read" on our open-ended ending as seen in 408 (read no further if you haven't seen it - yeah, right haha). The ending suggests to me that Carmen settled down for a spell to forge that relationship with her mother, to make up for lost time. But, if that is indeed Carmen that we see on the rooftop, I think the ending suggests that Carmen doesn't stay still for very long. If Vile is back, there is work to be done! Carmen has a life mission - she's one determined lady.

But of course, it's deliberately ambiguous: "anyone with your heart, wisdom and courage can be Carmen Sandiego." Is it Carmen? Sonia? Someone we haven't met? I think both endings resonate: Caroline and I always said "Carmen is bigger than a person, Carmen is a movement" would be a great message to end the series on. And I think our ending resolves this chapter of Carmen's journey as a person, but also elevates her to mythic status. Which is why I love it!

And, that seems to me a pretty perfect question and answer to end our chat on. Thanks everyone! Again, I cannot tell you how moved I am to see that we have such a passionate, intelligent and talented fan base. THANK YOU.

Take care guys, thanks again for having me! 'night!

#Carmen Sandiego #CS Crew #Duane Capizzi #Interview #Transcript

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someguynamedstevewrites · 5 years

Text

My Roommate is an Apparition: Saturday Morning Cartoon Complaints

Based on characters created by @reddpenn

————————————-

There once was a lonely apparition that haunted an apartment in an old building. No one knew where it came from, how it came to be, or why it was there. In fact, nobody knew the spooky specter actually existed since nobody could see it. Eventually, the apparition met someone who could see them, and they were no longer lonely. But before that, there were a few instances where the incorporeal creature made contact with human beings.

This is one of those stories.

It was September 20th, 1997, and Terrence “Terry” Vanderbrook was working as an operator for a local CBS Network Affiliate. He spent his days making sure that people calling into the station were directed to where they needed to go, and also screening out any unwanted calls. Regardless if they were folks calling in to speak to the news team about breaking news, people wanting to partner with the station for a special event, or for any other reason, Terry took care of them all.

One call, in specific, would go down as one Terry would remember for the rest of his years. (Mostly because he wasn’t sure if it actually happened or not).

“Thank you for calling your local CBS station, W.O.-“ Terry began to say before being cut off.

“Where...?” came a voice that sounded like breath on the wind.

“I’m sorry?” Terry asked.

“Where... are they...?” the raspy voice asked.

In the couple of years Terry had been a phone operator, he received more than his fair share of crank calls. Some were very obvious from the get go, while others were subtle and not quite as apparent. On occasion, a call might start off sounding like a prank, but actually turn out to be a legitimate call. Terry learned that the hard way after being berated by a 76- year old woman who was calling to complain about a breaking news report interrupting Diagnosis: Murder. On that day, Terry learned never to underestimate the appeal of Dick Van Dyke to seniors.

Still, uncertain if this was a prank or not, Terry did exactly what he was trained to do: proceed in a professional and courteous manner while trying to obtain more information to determine the needs of the caller. (At least until he was sure whether this call was genuine or not.)

“What can I help you find today?” Terry responded with a smile in his voice (as outlined in the Employee Handbook for Telephone Operators, page 12).

The raspy voice spoke a little louder to get its point across, “Car... TOONS!!!”

“Cartoons?”

“Where. Are. The. Car. Tooooons!?” the voice demanded.

Terry looked over at the small calendar on his desk. It was Saturday. “Oh! You mean the Saturday Morning Cartoons?”

“Yesssssss...” the voice said with a hiss.

“Give me one second,” Terry said as he began to type away at the keyboard to his Windows 95 work computer. Connecting to the network’s server, Terry began searching for and pulling up the schedule for the day’s channel listings. A memo had circulated around the office not too long ago about changes to the channel lineup this fall, but Terry hadn’t paid too much attention to it. He still hadn’t gotten the hang of the search function for his e-mail just yet.

“I’m... waaaaaaaaaiiiii... tiiiiiiiiinnnnngggg,” the voice said as nasally and obnoxious as possible.

“Hang on, kid, I almost got it,” Terry shot back. At this point, he figured the caller was some kid, probably sick in bed (which would explain the raspy voice), hoping to watch their Saturday Morning Cartoons and having trouble with it. (Terry was way off the mark, but he didn’t know that).

While the inter-network speeds within the CBS station’s computer network were much faster than the new 56 Kbps speeds Terry got on his dial-up modem back home, it still took a while to get to the shared network folder that contained the spreadsheet containing the day’s programming lineup. With a double-click, Terry opened up Excel 95 and saw...

“Oh...”

Terry bit his lip and breathed in through his teeth. He always hated calls like this; calls where he had to be the unfortunate bearer of bad news. The person on the other end of the line NEVER took it well. It would lead to lots of yelling, screaming, and demands to speak to his manager. And that was when Terry was speaking to full grown adults, so he was rightfully concerned about the kind of tantrum a sick child could produce.

“I’m sorry,” Terry said with regret, “but it looks like the CBS Kidz programming block has been replaced with CBS News Saturday Morning and a rerun of The Andy Griffith Show.”

————————————-

Due to the nature of the apparition’s existence, it was debatable whether or not it was actually “alive”. Considering the facts, it had been “born” a few years ago and hadn’t “lived” for very long by the time it made this phone call. Furthermore, during the time in between, it experienced emotions such as happiness, sadness, inquisitiveness, and many more.

But this was the first time the apparition became truly angry!

The apparition was frowning. It’s worth mentioning this, because before now, the apparition had never, ever frowned. Its face was no longer smiling, or expressionless like a confused child, like it had been for every day since the apparition began its existence. It was consciously moving the non-existent muscles on its face to move downward to express just how angry it was. Its sharp teeth were on full display like a snarling beast. To say it was not a pretty sight would have been an understatement.

The ethereal hand that had been twirling the coils of the telephone cord was now clutching the phone book as tightly as it could. Visions of cartoon characters expressing their anger whirled through the apparition’s head as it began to conjugate steam out of its non-existent ears. The apparition could not find the words to express the outrage it felt, so it did something else to vent its frustration.

It made a wooden chair suddenly fly through the air at one-hundred and twenty miles per hour into a wall.

*CRASH*

————————————-

The sound of wood smashing and splintering could be heard over the phone, and nearly made Terry jump out of his chair.

“WHOA! Kid, are you okay!?” Terry asked with genuine concern.

“BAAAAACK!!!” the apparition practically screamed. Its voice had distorted and sounded sinister; carrying a demonic reverb.

“...BRING! THEM! BAAAAAACK!!!”

“Poor kid,” Terry thought to himself, “they are definitely not taking this well.”

If it had been anyone else other than Terry taking that call, the horrific voice over the phone likely would have scared them out of their pants by now. But he was a veteran at handling the phone and this was not the first time someone used a voice distorter on a call. It was the first time a kid had used one (as far as he knew), but Terry had seen the toy commercials for “YakBak” on TV and knew that any kid with one could do funny things to their voice.

“Listen,” Terry said calmly, “I understand you’re disappointed, but that’s no reason to break things and throw a fit. You might hurt yourself or make yourself even sicker.”

————————————-

The frown had vanished from the apparition’s face. In its place was a look of sheer confusion. This was definitely not the reaction the apparition was expecting when they made this phone call.

The last time the apparition used its scary voice was back when the previous apartment tenants were talking about getting rid of their TV. To keep that from happening, the apparition practiced hard on finding the best voice it could mimic that would “persuade” the residents living there at the time to keep it. It even figured out how it could project its voice into any electronic device with a speaker to create an even more haunting effect (and to make sure the people there could actually hear its demands).

It worked, but it worked a little too well.

Shortly after the apparition began to actively haunt its oblivious roommates, the tenants packed up and moved out in a hurry, leaving their furniture and appliances behind. This included the 32” CRT TV that the apparition was fond of, and a landline telephone. The apparition didn’t care much for the phone line since they were happy just having the TV all to themselves twenty-four hours a day, seven days a week. (Plus, they didn’t have anyone to call or talk on the phone to, anyway.)

At least they were happy until about a week ago, when the Saturday Morning Cartoons were a complete no show for the first time in years.

But the apparition had seen shows come and go, television programming blocks change for no apparent reason, occasional weather alert bulletins interrupting their cartoons, and some of their favorite cartoons canceled. They learned patience, understanding, and compromise from these experiences. Just because there were no cartoons that week didn’t mean that there wouldn’t be cartoons next week.

Two weeks without cartoons, however, simply would not do.

The apparition scoured the apartment for a phone book, concentrated on solidifying its fingertips to turn pages, located the phone number for the TV station, and dialed. It took a lot of effort for a ghostly being to make a phone call, and it was not about to let its efforts go to waste.

If the scary voice didn’t work, they’d have to take a different approach. It was time for Plan B.

————————————-

“...Sorry,” the apparition apologized, “...please... bring them... back?”

Terry sighed. He had kids of his own, and dealing with them could be a real challenge; especially when he couldn’t give them something they wanted. Once they realized throwing a tantrum fit wouldn’t work, they start trying to “bargain” just like the kid (who wasn’t actually a kid) that was on the phone.

“I’m sorry, kiddo, but it’s out of my hands,” Terry said using his “sympathetic Dad” voice, “I know it stinks, and if I could bring them back, I absolutely would.” After some frantic scrolling through his work e-mail inbox, he finally found the e-mail he was looking for. “But, thing is, we got to follow the rules from the FCC, so-“

“Eff... See... See?” the voice interrupted to ask.

“The Federal Communications Commission,” Terry explained, “You might not have learned about them in school yet, but they’re a part of the government. They make the rules we here at the TV stations got to follow, and one of those rules is to show three hours of educational programming, and the cartoons we had, well...” Terry tried to find a way to let the (not) kid down nicely, “...they just weren’t educational enough. That make sense?”

————————————-

It did not make sense. The Apparition had no idea what the heck the person on the other end of the phone line was talking about. All it knew was that they took away their cartoons and they weren’t going to give them back.

Taking a look at its transparent fingers, the apparition decided it was time to take matters into its own hands. They had tried scaring the person on the other end of the phone and they had tried asking nicely, but now it was time for plan C.

The apparition plunged its fingers into the tiny holes of the phone receiver. The phone was eventually engulfed in the apparition’s being and soon after that, the receiver began to slowly suck the apparition into it.

If someone walked into the room at that moment, and if that person could also see the apparition, they would see the lower half of a person’s body up to about their waist with the upper half crammed into a phone. It looked like a cartoon where someone had taken the receiver of a phone and hit someone over the head with it so hard that it jammed them inside.

Meanwhile, inside the phone, the apparition’s upper body stretched as it squeezed its way through the telephone cables. It wasn’t easy, and the apparition had never tried anything like this before, but it was filled with determination. Following the voice of the person on the other end of the phone, the apparition could feel itself getting closer and closer to its destination.

It smiled a sharp, toothy grin and created sharp claws on its hands in preparation for its arrival. Soon it would wreak havoc against those who had wronged it. They would rue the day they had taken away their source of Saturday Morning joy! It could see a light ahead of itself, and once it finally reached it, the apparition took its mangled, clawed hand and...

————————————-

*scritch*

“Ow,” Terry said as he pulled the phone away from his head. Something had just scratched him. Looking at the phone receiver, Terry blinked and then blinked again as he came to comprehend what he was looking at.

It was a very small, tiny hand with what looked like long fingernails poking out from one of the holes on the receiver. It flailed and strained as if it was trying to reach out but couldn’t get itself through. The closest thing Terry could liken it to was if a mouse or hamster had somehow gotten into the phone and was sticking its paw through the holes on the phone.

It was kind of adorable.

After a few seconds, the hand retracted into the phone. A second after that, Terry could have swore that he saw a tiny head poke out of one of the holes on the receiver. It had long hair, large eyes, no nose, and looked rather irritated. It struggled as it tried to pull itself out of the phone, but it just couldn’t budge.

Terry was quite sure he was seeing things. He wasn’t sure if it was because of something he ate, or from not getting enough sleep. The thought never entered his head that he was looking at a supernatural being that had shrunken its upper torso, shoved and stretched itself through the phone line, and was now trying to crawl its way out the other end. That would have been silly.

After a few more seconds of struggling, the apparition seemed to realize that this was not going to work and silently admitted defeat to itself. It looked up at the (relatively) gigantic face of Terry who was casually looking at the apparition without an ounce of fear, shock, or horror showing on his face. Without really thinking, Terry just looked at the tiny head poking out and just shrugged as though saying, “Sorry, can’t help yah there, bud”.

Dejectedly, the apparition pulled its head back inside the phone as Terry absentmindedly waved goodbye to it.

————————————-

Back in the apartment, the apparition pulled itself out from the phone and sighed. It held the phone up to its earless head to hear what the man on the other end had to say.

“So, uh...” the man said before a hesitant pause, “...I know this is going to sound crazy, but...” another pause as the man on the other end tried to put what just happened into words, “...did you just try and travel through the phones so you could claw at me?”

The apparition looked to the left, then looked to the right, and if it was capable of it, it would have broken out in a nervous sweat. Sheepishly, the apparition responded, “...yes,” with the same tone of voice a child would use if they had been caught eating cookies before dinner.

A slight pause before the man followed back with, “...didn’t really work out for you, did it?”

Again, sounding like a child that knew they were totally busted, the apparition responded, “...nooooo...”

There was another pause on the phone before the man on the other end eventually said, “Well... better luck next time.”

This call was starting to get extremely awkward as the apparition had no idea what was going to happen next.

After about a minute of silence (which is considered taboo among telephone operators) the man on the other end finally asked, “Is there anything else I can help you with today?”

This was a battle the apparition had thoroughly lost, and it knew it. It was time to throw in the towel. With a depressed sigh, it responded back, “No... thank you”.

————————————-

Despite not being sure what exactly he just saw, Terry leaned forward in his chair and decided the very least he could do was offer some encouraging words. “I know you’re disappointed, and I get that. I really do. But other TV channels have cartoons too. You can always watch them there.”

“...yeah...” the voice responded.

“It’s not like all the cartoons in the world just suddenly vanished, right?”

“...I suppose...”

Terry was ready to wrap this call up and had his closing spiel all set to go. “We appreciate you caring enough to call in today and while I may not have been able to help you, I do hope you feel better soon. Okay?”

There was a moment of silence before the voice responded back, “...okay...”

“Thank you very much for calling CBS, and have a good rest of your day,” Terry said earnestly.

There was a click signaling the phone on the other end had disconnected. Terry hung up the phone on his end, leaned back in his office chair, and looked up to the ceiling.

At that exact same moment, the person they had been talking to just a minute ago thought the exact same thing as he did.

“Well... that was weird.”

#my roommate is an apparition

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inconceivabl3 · 3 years

Text

This will be a long one!

Alrighty friends. My initial plan was to update the blog as we were going through the process of IVF. Truthfully, there is simply NO time for that along the way! Allow me to explain...

This is our first cycle with IVF, and I didn’t know what to expect prior to starting, but let me tell you I was just blown away by how much work goes into this process. I just assumed it would be similar to the process of IUI’s, with having a day 2 baseline sonogram and then meds for 5 days, and then your day 12 sonogram to check your lining, trigger, etc... BOY WAS I WRONG.

Honestly, so many people said the same thing to me: they had no idea what to expect with IVF so I’m just going to lay it all out on the table and be as descript as possible. Hopefully this will help some people understand the process a little better and therefore know what they’re getting involved in. :)

So cycle day 1 came pretty early for me, or at least I felt it was early. I called my RE and they had me come in for my baseline ultrasound on cycle day 2. On this baseline sonogram, the team is essentially looking to see how your uterus and ovaries look prior to starting. Are there any cysts? Growths? Areas for concern? Etc. They also draw baseline labs (estrodiol level) at this appointment. After the doctor reads the results of the sonogram and labwork, they’ll give you a call to give you instructions on dosing for your medications, which typically start that night. Note to self: definitely stay by the phone that day, these instructions are important and so is the timing of medication! Not a phone call you want to miss.

The medications that were started for me were Gonal-F and Menopur. Both of these are subcutaneous injections that are administered every 24 hours. Gonal-F is a follicle stimulant (follitropin alfa). You got it: it causes the eggs in the ovaries to develop at a faster pace than usual, and basically kicks your body into overdrive on egg production for ovulation. Menopur is also a follicle stimulant, but it contains luteinizing hormone (LH) in addition to follicle-stimulating hormone (FSH). These are typically used in combination for fertility treatment.

I injected these bad boys every night at 6 PM, and oh wowzers the SIDE EFFECTS. Honey. I don't even know how to describe what I was feeling during this time. I imagine it's what menopause must feel like. I had the worst hot flashes--to the point that I felt like I was going to faint--, vertigo and dizzy spells, nausea (likely from the dizzy spells), and headaches. I didn't notice it at first, but I also bloated like crazy. I stepped on the scale the morning of my retrieval and I was literally shocked at the number I saw.

I will say, injecting yourself is a weird phenomenon. It doesn't hurt, at all. I mean that needle is so dang tiny you can barely see it lol, but there's something that just makes you hesitate every time you go to stick yourself. That may or may not have had to do with the Menopur burning like a ~BIOTCH~ upon injection. Oooof, the burn is definitely noticeable. It goes away relatively quickly, but I did take my fertility sister's advice and use cold packs she sent me. That helped right away. It's also a large volume of diluent, so it's not a super comfotable injection. The Gonal-F I never felt and it's also super small. The Menopur was 2 mL of fluid. NOPE.

Around day 6 (I believe), I was instructed to add on another injection: cetrotide. This medication is brought on board to basically prevent premature egg release or early ovulation. Because IVF has to be timed just right, all of the timing on this has to be absolutely controlled. This is why it's so important that you're seen in the office for labs and follow up sonograms every 1 to 2 days. Your team needs to evaluate your results and make sure nothing needs titration.

My estrogen was climbing pretty quickly. My baseline was 69, by the time I was told to trigger it had already reached 3,000!! That number really scared me so I looked it up to be sure that was acceptable, and apparently it is, but it had me shaking in my boots. I have not only read so much about OHSS (ovarian hyperstimulation syndrome), but my friend went through it and it is definitely scary! OHSS is actually most common in younger women, those who suffer from PCOS, have rapidly rising estradiol levels, a large number of follicles and/or large sized-follicles, and also have a high AMH. Side effects to look out for with OHSS include rapid weight gain, excess bloating, urine retention or a significant decrease in your urination frequency, nausea/vomiting and shortness of breath. OHSS can actualy cause you to throw clots, so PLEASE pay attention to these side effects. It's extremely rare, but it can be fatal.

Anyways, my follicles were growing FAST and LARGE. Which you would think is good, but looking back, I think it was a sign that I was at risk for OHSS. I only did about 5 days of the cetrotide before my office called me and told me I was ready to trigger. I had a lot of follicles on both sides that were greater than 17 mm, and I was only on day 10 of medications! I was instructed to take my trigger shot that night (Ovidrel, which is another injection), and then 36 hours later, BAM, we were suiting up for egg retrieval!

The egg retrieval is quick, but can cause a lot of painful cramping, so you're completely anesthetized for it. Trust me: it's the best nap of your life! You care team uses a long needle/catheter to access the ovaries, and this is how they "retrieve" the eggs. The catheter is inserted vaginally, it's not through the abdomen. A few people had asked me that so wanted to make sure that was understood!

After my procedure, my RE came to my recovery room to tell me they retrieved 32 EGGS, which is CRAZY. (ya think I was hyper-stimulating...?) They did give me a warning that most patients lose approximately 50% of their egg count, but it was still an excellent number to start with. Some people are lucky if they get 10 eggs initially, so I was feeling ultra blessed to come out with 32. An angel or two was certainly looking out for us...

The embryologists call you on days 2, 4 and 6 to give you updates on how your eggs are progressing. I think by day 4 they typically want to see the embryo's reach a 4-cell count (meaning they're dividing appropriately), and by day 5 or 6 they should be blastocysts, which is once the embryo has formed separate cell structures and a fluid cavity. According to the literature, only 20 to 30 percent of embryos become blastocysts, and they also have a higher implantation rate.

My final embryo counts were as follows: of the 32 eggs retrieved, 26 were mature enough to fertilize. 22 of those 26 were successfully fertilized. Of the 22 fertilized, 14 became blastocysts and are currently cryopreserving!!!

Because I was borderline hyperstimulating, it was recommended we wait until next menstrual cycle to do a frozen embryo transfer. So, we'll be calling the office again on my next "cycle day 1" aka the start of a period, but this time we won't need those crazy injectables! Those are only utilized to assist with egg production and retrieval.

This is one heck of an update, and I feel like I just went on lots of tangents throughout, but I really wanted to be as specific as possible for people who have lots of questions! I'm an open book, so if there's anything I wasn't clear on, feel free to ask. Otherwise, be on the lookout for an update in a few short weeks! **crosses fingers and toes**

#ivf #infertilityjourney #infertility #ttc #ivfsupport

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plounce · 4 years

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do u have any reccomendations for how to read only comics involving rictor and shatterstar?? i used to be into marvel comics so i am immune to the usual comic shenanigans but i would like to learn more about these boys

here is a guide to reading xmen comics for rictor and shatterstar, my favorite canon comics couple! they were the first on-panel gay kiss in a marvel comic! they’re very special to me!

OKAY SO... ok. for anyone else using this, here’s a standard disclaimer that obviously there’s gonna be a lot in these that just absolutely sucks because 1. the 90s, 2. comics are an extremely cishet white male dominated industry. i do not vouch for everything written in these comics, but i think the gaycoding that eventually gets canonized is worth wading through a lot of stupid bullshit and very ugly art.

quick backstory on these two: rictor is a mexican teenager who was kidnapped by an anti-mutant terrorist group and was rescued by x-factor (the original 5). he hung around their auxiliary teen group the x-terminators for most of x-factor, being a delightful little punk (wearing a sleeveless leather vest a lot of the time!) and hanging out with boom-boom (who i love) and then got put into the new mutants for a very short time (where he had a thing with rahne/wolfsbane), before it was dissolved and transformed into x-force when rob liefeld took over the title. rictor hates team leader 90sdude cable because he thinks cable killed his dad in front of him. he tends to be the snarky asshole on the team.

the first part of this article has a lot of little rictor moments i’m not covering here. if you want the full rictor experience, check out x-factor (1986) and !x-terminators! x-factor starts very slowly but it picks up and improves when the simonsons take the helm.

rictor left the team. shatterstar was introduced by liefeld - he’s an Emotionless Warrior Guy Who Loves To Fight from mojoworld (a planet run by a despot who produces tv. it’s Commentary), where he was forced to be a gladiator from birth and doesn’t know a lot of earth customs and doesn’t have emotions (or rather, he represses them).

x-force (1991) feel free to read through all of it, but in case you just want to skip to these two, all of these issues have one or two good little Moments - just do some skimming. i tend to focus more on rictor than star in this era because star is made more interesting than Emotionless Warrior Guy by butting up against rictor:

13-16 (rictor rejoins his old new mutants friends)

19, 21-26 (the first phase of their relationship where they don’t really get along. in one of these issues rictor stares at star’s ass. big moment of star being autism-coded in here too)

29-30 (rictor drives shatterstar around and they seem to get along better, you get to learn a bit about star’s past, adam-x the x-treme is there)

32-33 (just some little moments of them hanging out, a couple good rictor lines)

34 (VERY IMPORTANT - rictor backstory issue! AND this has the first big Subtext moment: shatterstar reveals he learned spanish from tv so he and rictor can have “conversations of a highly -- personal nature” HELLO?)

35 (some little moments where you can see star and rictor are now Friends and star is affected by that friendship)

39-40 (more good friendship - rictor asks if star has been watching dating shows and they just seem close. rictor also has gotten a haircut! we learn shatterstar’s mojoworld designation! they ride some motorcycles!)

43 (VERY IMPORTANT - the two go to a club. rictor tells star he’s a virgin then asks him if he has a dick. i am not kidding this literally happens. star learns what sexual attraction feels like and says ‘i don’t know what emotions im supposed to attach to that’, and rictor tells him he’ll help him learn.)

44 (VERY IMPORTANT - rictor leaves the team because he doesn’t want to have the team communicate telepathically (VERY interesting for a character who is eventually revealed to have been a closeted gay man). shatterstar begs him not to leave - “you’re my best and only friend.” rictor tells him that if he ever needs him, he’ll come back.)

cable (1993) #22 (follows up directly on rictor leaving the team - star accompanies rictor to the airport and has a lot of Feelings and has great hair. “julio. one last time. please, change your mind. what am i going to do without you?” oh so you’re dependent on your best friend who you’re in love with? oh?)

45, 47-48 (star’s weird biology, star brings up rictor as his emotional touchstone in a situation where he isn’t relevant at all. also, a plotline where tabby gets treated terribly by her friends and the narrative!)

49 (VERY IMPORTANT - star wanders around at night wondering why rictor hasn’t contacted him yet. he goes to the club he and rictor went to in #43 and turns down a girl who hits on him. he thinks “i miss julio...” (in an earlier issue, rictor tells cable not to call him by his first name - “only my mom calls me that”), then beats up some homophobes in an alley. I AM NOT KIDDING.)

51-52 (51 has more weird star biology. 52 has two pages of star and james talking that is a nice look at star’s developing emotional state - the rest of 52 is a fight with one of marvel’s extremely fatphobic villains, just a warning to skip the rest of it. although the letter page of 52 has someone go HEY ARE RICTOR AND SHATTERSTAR IN LOVE? thank you roeland looman from the netherlands)

54-56 (the start of shatterstar’s weird bad benjamin russell backstory that is quickly forgotten, disregarded, and uncared about by everybody. BUT in 54, there is some extremely loud subtext where star’s feelings for rictor are explicitly compared to a het romance subplot!)

58 (star is very chill and flamboyant for like two pages, it’s great)

59-61 (VERY IMPORTANT - rictor returns because star Needs him in the midst of his identity crisis!! it’s so joyful and sweet for them both, and the subtext is so LOUD here - there’s just. so much going on, i won’t describe it all, but it’s very good content and their emotionally intimate relationship is very apparent - really excellent gaycoding. the weird shatterstar backstory wraps up circuitously and to no great effect, but the art in the last issue is very nice, and rictor’s plain and uncomplicated concern for star is great.)

63-65 (some little moments - shatterstar and rictor time travel and beat up some nazis, star has a lovely conversation with siryn,)

x-force/cable ‘97 (the team goes to asgard! the important thing is that star says some goofy “ah... warriors...” things, and then rictor teases star for liking delivery pizza. it’s very charming)

67 (they hang out with tabby in a van. shatterstar has pigtails!)

70 (VERY IMPORTANT - rictor and shatterstar exit the team together to go take down rictor’s crime family in mexico! they seem very devoted to each other. shatterstar’s hair is all the way down!)

post leaving x-force:

76 (VERY IMPORTANT - ricstar return for one issue - rictor gets held captive to force shatterstar to fight domino!)

x-force annual 1999 (VERY IMPORTANT - ricstar get their own story about what they’re doing in mexico! shatterstar has an ugly little goatee, but rictor looks great! they choose to share a room rather than sleep separately and then it kind of feels like they shared a bed! rictor has learned star’s alien language! they genuinely just seem so close and comfortable with each other, it’s incredible.) (if you’re using RTO, it’s within the rest of xforce’s issues)

they’re both in comics limbo for the first half of the 00s besides a couple random flavorless appearances. shatterstar at some point goes back to mojoworld to help with the war against mojo. then we hit peter david’s x-factor run in 2006, known as x-factor investigations (xfi). this directly follows the “house of m” event - what matters is that the vast majority of mutants have been depowered by the scarlet witch. rictor is one of them.

rictor is a main character of the team from the first issue (the series opens with him about to attempt suicide), so if you wanna read the run you can start from the beginning. x-factor is... well, there are worse-written comics. it’s an okay read, but i find PAD’s writing insufferable a lot of the time (he writes multiple man as a pretty blatant self insert, and literally every girl on the team wants to fuck him at some point or another). i read the whole thing and it’s decent comics, but you might want to skip to the ricstar.

PAD canonizes ricstar, which is great! but unfortunately: 1. he writes star as “slutty bisexual just can’t stop wanting to fuck people besides his partner who is uncomfortable with that!”, which is biphobic and sucks hugely, especially since it feels so different from xforce original shatterstar (see this post). rictor also just seems so annoyed with him all the time, which also sucks - they’re best friends!! let rictor like his boyfriend!!

anyway. if you choose not to read all of xfi, here are the ricstar highlights:

first issue of xfi for rictor's horrible mental state after m-day

14 (jamie implies that star would be jealous of rictor hanging out with quicksilver)

43, 45, 49 (star reappears!! he’s mindcontrolled, but it gets fixed, and he and rictor have the first ever on panel gay kiss at marvel!! yaaaay!! then they talk about their relationship a little)

after issue #50 it changes the numbering, so if you’re using RCO youll have to go to xfactor (1986) #200 to continue

200 (SHATTERSTAR FIGHTS THE THING!)

continue to read between here for star apparently being unable to stop kissing people. sigh. star sleeps with adult layla, which... sigh. whatever

207-208 (rictor and shatterstar semi-resolve the stupid biphobic plotline, resolve to work on their relationship, rahne discovers them (she and rictor had been sleeping together earlier in xfi), rahne is pregnant and homophobic, rahne and star fight, star is a delightful bitch)

209 (shatterstar on a pirate ship. that's it)

210 (rictor confirms that he is gay and it wasn’t legit when he’s been with women. there’s a moment where it's like "oh star makes rictor laugh" which is epic)

211-212 (star is said to be frustrated about rictor and rahne, rahne’s baby’s actual dad is revealed)

213 (rictor and rahne mostly resolve their shit)

216 (star and monet hang out, star thinks monet tells him to pee on rictor, spiderman is there)

217 (there’s a joke about the longstanding theory that longshot and star are related, monet is revealed as muslim in a very dumb way)

220 (star and rahne have a pretty nice conversation about their relationships to rictor and rahne’s faith. rictor does an offscreen internalized homophobia)

221 (star and rahne continue to hang out but it’s not as good as the previous issue.)

222 (oh my god, rictor cares about shatterstar being hurt! rahne owns up to how she kind of treated rictor like shit!)

pop over to avengers: the children’s crusade (a young avengers miniseries with good ol’ billy/teddy and i like it! but if you don’t want to read the whole thing - rictor and shatterstar appear in #6, and rictor is the first mutant to be repowered! they’re more tender with each other over their five page appearance than they are in xfi, so it’s a balm)

225-226 (PAD decides the first thing rictor does with his powers is be a scab [DEEP SIGH], rictor and shatterstar discuss rictor getting his powers back, the biphobic plotline is resolved again kind of in a very PAD-y way)

235-236 (shatterstar gets to be the main character of a mini arc. fights a mojo guy)

238 (ricstar go with rahne to help her find her son)

242 (they find her son. not as important imo)

248 (oh my god... they joke together :) they like being around each other :) also shatterstar goodboy moment. then in 249 rictor’s life is spared bc of shatterstar’s goodboy moment)

259 (SHATTERSTAR’S CRAZY CONVOLUTED BACKSTORY THAT ACTUALLY MATTERS TO HIS CHARACTER! YAHOO! and star has a cute little bob)

after xfi wraps up, there’s a couple years of limbo before they appear in secret warriors (2017) #2-3 (end of #2 and most of #3), which is a big crossover event or something. i don’t know, it’s an inhumans comic, and as an xmen person i am contractually obligated to roll my eyes at the inhumans. ricstar both have mustaches, star doesn’t speak, and rictor has the ugliest costume ever (green tracksuit with no socks??) (tabby also has a terrible costume). it’s just more inhumans trying to be a match to the xmen and utterly failing to not look & act like total jackasses (except, of course, for kamala and moon girl). rictor’s jokes that daisy johnson should get more original powers (she also has seismic powers - rictor predates her!), and then daisy blows up the xmen’s jet. while it’s in the air. this is a very neat summary of most mutant-inhuman relations.

now we enter the current era of “on again off again” relationship limbo.

rictor appears next in iceman (2017). in #9 he states that he and star have apparently broken up offscreen! and then he hits on bobby! sina grace is a cool person but this writing decision is so... aghhh. the next issue he and bobby go out on a date and he’s immediately like “yeah i only have my eyes on star”, so it seems to be more “it’s complicated” than “we’re broken up for good.” he sticks around to help out with a mission in #10-11.

they’re on again in new mutants: dead souls, where rictor is a part of the team and he’s hilarious and has so many great lines! shatterstar also makes a couple cameos throughout and they’re all super sweet! they seem very domestic and comfortable and happy, i love their dynamic in this. my favorite shatterstar panel ever is in #6, where he is making rictor pancakes and is only wearing an apron. please ignore all the big plot things that happen at the end of this, especially everything with karma. they are stupid, dumb, and do not matter.

related to nm:ds, rictor appears in multiple man #1 as part of that team and looks very very cute. and he isn’t whitewashed like in nm:ds!

off again in the shatterstar (2018) miniseries. i have a lot of mixed feelings about this because i LOVE all the rictor stuff, the first issue codes shatterstar as autistic in a very characterful way, it doesn’t whitewash rictor for once, and the covers are GORGEOUS! but it also attempts to retcon a ton of star’s emotional backstory AND arc set out in xforce, casting a black woman as his emotionally manipulative ex. also star is a landlord (ew). my advice with this one is to treat all the flashbacks as not-really-canon since they suck.

star appears in extermination (2018) #3-4 and gets mind-controlled into trying to kill the time-displaced teen o5 (timetraveling baby cable is trying to put them back where they came from), and the art looks great and i feel really bad for him. rictor makes a follow-up cameo in uncanny x-men (2019) #9-10, where you can see that he’s at the school in order to visit shatterstar since he’s with cecelia reyes. he then goes to fight nate grey/x-man, where he gets sucked into the age of x-man pocket universe/event.

around half the xmen get trapped and brainwashed in that pocket universe where there is no love or family, merely friendship and comradery (it’s an attempt by nate grey to ‘fix’ the xmen by getting rid of all the soap opera stuff - it’s a bit meta wrt how xmen are the soap opera superheroes). there are a couple different titles for this event: rictor appears in age of x-man: x-tremists #4-5. people have mixed feelings about this title due to the gay characters (northstar and iceman) enforcing no-romance laws that very intentionally parallel anti-gay laws from real life, but rictor is just chilling and running an illegal romance movies theatre, and then he gets drunk and then starts a riot and he’s just delightful in this.

everyone outside of the pocket universe thinks everyone who disappeared was killed. shatterstar is part of the team in x-force (2019) (there are two 2019 x-forces: this is vol 5, written by ed brisson) who are trying to track down young cable (baby cable, or “bable”), who killed older cable, who formed good old 90s xforce. boom-boom is the best part of this entire run, hands down. the art is expressive and interesting but i Hate how they draw warpath (the one time he’s free from comic book limbo!). shatterstar is in full “i only like fighting please let me fight i am a difficult asshole” mode, and talks about grieving rictor in #7 and #10. this is never really resolved since age of x-man is thrown over for hoxpox (BIG status quo changes & current era of xmen comics), but aside from my little ricstar heart i can’t really mind.

rictor is currently appearing as part of the team in excalibur (2019), and has been very... cozy... with apocalypse. at the time of writing (halloween 2020), it’s very heavily ambiguous what exactly their relationship is besides “intense” and i still have no clue what to think about it. he and star have been stated by the writer to be exes, but i also know tini howard is a ricstar fan so im holding out for good things! and it’s cool that rictor is getting a ton of focus and a lot of powering up. i remember reading xfi #1 and being amazed at how rictor described how soul-deep his earth powers were and wanting more of that, and excalibur has that for him in spades. (i am still withholding a lot of judgment wrt rictor’s writing in excalibur until i see how things pan out)

after reading to excalibur #12, switch over to x-factor (2020). read the first three issues because i love northstar and prodigy and rachel. please ignore a couple cringe comments towards poor daken. shatterstar appears in #3, trapped on mojoworld, getting traumatized, and breaking my heart as i write this. that last data page... free my boy!!!!

after x-factor #3, read x of swords: creation. more rictor and apocalypse being Close. after that, read x-factor #4 for apocalypse being very Attached to rictor, and then rictor looking very good and freshly resurrected. then continue reading excalibur. in may, x-factor is going back to mojoworld!!

that’s all there is so far! i think within the next year there will be even more content for us, and im very eager to get to that content. i will update this post as things come out.

#ricstar #xmen #rictor #shatterstar #julio richter #chirps #anonymous

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thearkhound · 3 years

Text

Why are Konami’s MSX games fun? Interview from Beep #35 (1987/09)

We Asked Konami’s Development Division

Text by TAKE ON!

Photographs by: Keita Iwagami

While there are many gaming software for the MSX, there’s something special about Konami’s MSX titles that makes them stand out. Rather than just doing simple ports from other platforms, their titles have a unique charm to them that titles from other developers might lack. To find out how they do it, we tried asking Konami directly.

Just as Expected

“Hey, I knew it! It’s just like I predicted.” As I saw the results of this issue’s survey, I raised my voiced and shouted “Did you see this? Konami was voted the number 1 software maker for the MSX!” However, my voice was simply absorbed by the editing room, with no even a simple “yes” or “I see”-type of response. While I was happy that my favorite company Konami took the no. 1 spot, the editors around me didn’t seem very impressed by that. Perhaps they were exhausted by all the hard work they were doing everyday.

“Why are you guys not impressed? Maybe Konami being No. 1 was too predictable, but it’s still outstanding. Perhaps our readers might want to find out why their games are so interesting. I think such an article will probably be invaluable for this issue’s special MSX coverage...” After trying to argue with the editors in a way that made no sense, I went to Konami’s branch office at Tokyo to interview them.

Overwhelmed by the Company’s Policy

“Uhh, my name is Take On, I’m a writer for Beep magazine.” Like a country bumpkin, I went there without a business card stating who I was, so I had to spent time explaining myself away to the receptionist. After somehow managing to explain who I was and why I came there, Ms. [Akemi] Kamio, Konami’s spokeswoman, led me to what seems to be the reception room.

Before I knew it, I was sitting absent-mindedly at the reception room. “Where am I? Who am I? Ah! Ms. Kamio is such a beauty, that I almost lost my memory. I’m not so used to that. By the way, what was I going to talk about...”

While desperately trying to remember what kind of questions I had in mind, I noticed there was some kind of writing on the wall.

Company’s Policy:

Brilliance Begins With People

Cosmic Pondering

Earnest Action

Release the Fountain of Sensitivity

And Continue Sending Waves of Creativity

Into The Future

Huh. It has a very creative feeling to it, but I have no idea what it means by just reading it. What sort of company policy or philosophy was this? And what the heck was a “cosmic pondering”?

While I was thinking about this, Ms. Kamio guided me, or rather lured me to the “great developer”, so I automatically switched to interview mode. But I still didn’t know what was going to be my first question, so I ended up fumbling a bit.

Cosmic Pondering

Take On!: Uh-hello! I came here today to ask about the MSX and its “cosmic pondering”?

Akihiko Nagata: Uh, pardon me!?

T: (Crap! I fumbled my way so suddenly. Come to think of it, I did brought a notepad with me with the questions I had in mind. How silly of me.) Sorry about that! What I meant to say was that I came here to ask about why Konami’s MSX games are so popular. I would be glad if you could start by talking about Konami’s development department no. 1, the group you belong to.

Nagata: Our company’s development team is divided by three sections: Arcade, Famicom and PC. As you see, my department focuses on PC gaming development, even though most of our games are for the MSX. The company’s plan of action is to have the three sections assembled to work on the same level.

T: Does that mean that titles such as Ganbare Goemon and Akumajo Dracula [Vampire Killer], which were ported from Famicom games, have their own staffs for the MSX versions?

Nagata: That’s right. When it comes to porting a game from one platform to another, other companies tend to have the same team involved with the port. We could do that too, since it’s very efficient, but our company has a structure which allows the MSX team to independently research and develop its own ports. As a result, we hardly release any port that is just the same game with a few minor changes. In other words, because we feel the class of users for the Famicom and MSX, as well as the market, are different, we’re doing a full-time service for each, In that sense, each software is basically its own original product.

The Inside Story of the Gradius Development

T: (I see. With such a logic, you won’t have an identical product.) Speaking of which, the MSX version of Gradius [Nemesis] was very different compared to the arcade and Famicom versions when it came to aspects like the difficulty level and the additional stages.

Nagata: That’s right. When I saw the development of the Famicom version of Gradius I felt a sense of “I really want to do this”. When it comes to developing a port, we set milestones with the condition that “if we can’t complete this, then we must cancel the development.” In the case of Gradius, making the laser long was such a condition, so the first thing we ended up doing was the programming for the laser itself. If we could accomplish that, then we can surely port the game.

T: (He really knows how players feel.) That’s why I was glad when it had new area and the hidden extra stages.

Nagata: Originally we were set to develop the game on a 32 kilobyte cartridge, but that was not sufficient to fit everything we wanted, so it was increased to 1-Megabit. Because there weren’t that many Megarom cartridges back then, we worked hard to make the best of it. We ended up with excess space, so we added a new regular stage to make use of it, but that was still not enough content to fill the extra space, so we added the hidden extra stages, as well as title screen that took 8-kilobyte.

T: (I see. But still, doing your best to make full use of the game’s given memory is pretty amazing.) I had the chance to play Gradius 2 [Nemesis 2] a while ago. It’s a superb game with all new stages and inclusion of a sound source that seems like it was developed specifically for the Megarom cartridge format. Particularly with its opening story sequence that made me teary-eyed.

Nagata: That story was something that its lead designer was particularly fixated with. (laughs) The original arcade version of Gradius didn’t have much of a story other than “the Bacterions are coming, deploy the Vic Viper”, but that wasn’t enough for the manual, so we had to go back and write a new story.

T: And then Gradius 2 added a sound source to the software.

Nagata: The music is all new and composed by the same person who did the music for the original arcade version of Gradius. This time we were able to employ audio waveforms in addition to the standard 3 PSG channels. All in all, you could say it has 8 ports or 8 chords. Simple calculations are also increased by 2.8 times. The programming is already like a puzzle. As for the music itself, you might not be able to tell the difference when compared to a recent game, but when compared to the first Gradius, you’ll see that the sound itself was considerably improved.

A Gathering of Little Ideas

T: Lately Gradius 2 has served as the centerpiece of the MSX1, but where does that leave Metal Gear in regards to the MSX2? I was very impressed by the innovative direction it took.

Nagata: I’m glad that the game was well-received by your staff. (laughs) I was concerned whether or not the game would be well-received by players or not. But it seems like we’re off to a good start. The world of Metal Gear was also something that its designer was particularly fixated with. When it comes to directing, or rather structuring a game, there are ways to create it after deciding on its main ideas, but sometimes it’s better to mix up a lot of little ideas like a crossword. You’ll know the game’s overall balance when it’s finished.

T: That’s why all Konami games have subtle little touches or shine with their presentation. Are there any particular problems when it comes to developing an MSX game?

Nagata: Sincerely, while the world of graphics have expanded since the introduction of the MSX2, it is very difficult in terms of processing. The MSX was designed to be used on a home television set [as opposed to a computer monitor], so even if you make the graphics more detailed, it still won’t look very pretty on a TV screen.

And then there’s the scrolling. If you’ve seen TwinBee or Hinotori, you’ll understand. The machine is capable of vertical-scrolling, but not horizontal. That’s why you won’t see anything like points on-screen.

The LSI concept for the MSX’s image processing was designed with scalability in mind, but it wasn’t compatible with the kind of LSI employed by the Famicom, so that gave us a lot of problem.

T: You done a great job! Finally, I would be glad if you could tell us what’s Konami’s outlook for the future of the MSX.

Nagata: We’ve been allowed to make a living off the MSX, so we’ll continue to do our best when it comes to both, the MSX1 and MSX2.

When it comes to genre, our company has been basically making only action games up to this point, but we plan on adding more cerebral and adventure elements to future titles. The way users are viewing games are changing, so we want to grow while gradually attracting their needs.

Our MSX games have changed a lot content-wise since we started making them, but I don’t think they would changed that much in such a short time if we were doing only MSX games. There’s a sense of rivalry among Famicom and other PC users. We’re also going to do our best to compete with the arcade and Famicom sections anyway we can, so please continue to support us.

T: As an MSX user myself, I’m looking forward to Konami’s future games for the platform. I know it’s a lot of work, especially when it comes to the MSX1, but for the one million users out there please keep up the good work. Thank you for your time.

I was worried about what was going to happen at one point, but the interviewed ended in a hour without a hitch. If I get the opportunity, next time I’ll ask about what exactly a “cosmic pondering” is. Until then, see you again in “my own forum!” (Editor’s note: “Hey! Don’t advertise your own serial!”

Source

Beep Vol. 3 No. 9 - September 1987 issue (Softbank Publishing)

#Konami #MSX #Gradius #Metal Gear #Castlevania #Mystical Ninja #Akihiko Nagata

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snkpolls · 4 years

Text

SnK Episode 63 Poll (for Manga Readers)

The poll closed with 253 responses. Thank you to everyone who participated!

Please note that these are the results for the Manga Readers’ poll. If you wish to see the results for the Anime Only Watchers’ poll, click here.

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RATE THE CHAPTER 244 Responses

In contrast to episode 62, this episode got a lot more of a positive response, with no one rating it a one, and well over ¾ rating it as a 4 or better. The anticipation for the upcoming events surely has a part to play in this!

I love it! Wholesome and thrilling all in one!

LET'S GOOOOOOOOOOOOOO

I think they did an amazing job. The animation was even better than before too.

Pacing was great! The best so far.

WHICH OF THE FOLLOWING MOMENTS WAS YOUR FAVORITE? 247 Responses

As expected of the fandom, Falco leading Reiner to the basement to meet Eren got the largest chunk of the pie as what was probably one of the most anticipated moments from the episode. In second was the daytime festival with Reiner spoiling the kids to some good food, with the third place going to Eren meeting his grandfather at the hospital.

They animated Dr Jaeger’s breakdown incredibly well, I felt extra bad for the guy.

WOULD YOU SHAMELESSLY EXPLOIT REINER FINANCIALLY IF YOU HAD SUCH AN OPPORTUNITY? 242 Responses

The majority of respondents say they would definitely exploit Reiner financially, with 31% saying they would feel bad about it, and 26.4% truly being shameless about it. 17.8%, on the other hand, would never even entertain the thought.

WHICH FOOD WOULD YOU WANT REINER TO BUY YOU? 246 Responses

Naturally, pizza gets the majority with nearly 60% of the vote (c’mon, who doesn’t love a good pizza?). Behind that was dessert at 22.8%, followed by those who prefer a good sandwich at 17.1%. A couple of commenters were just plain thirsty for other characters.

All of the above ;)

Ereh abs

1 drink with 2 straws so we can share while romantically staring into each other's eyes

EVERYTHING

erwin's t*ts

All. We make reiner broke

WHICH KID HAD THE CUTEST “BEGGING” EXPRESSION? 244 Responses

Gabi says she’s cute, and the fandom agrees! With 67.2% of the vote, Gabi takes the number 1 spot as the most adorable beggar. This is followed up distantly by Falco, who took in 25.8% of the vote. Zofia and Udo got a small amount of love as well.

WHAT DO YOU THINK - DID MAPPA DO WILLY TYBUR JUSTICE? 245 Responses

Overall, respondents are very happy with MAPPA’s rendition of Willy Tybur, with nearly 50% simply appreciating his design and seiyuu, while 38.8% find him quite dashing. A small amount think MAPPA got his design down just right, but not so much of a hit with the seiyuu.

As expected of MAPPA! That's exactly Willy!

His shoulders look so small its weird

They did a good job casting and drawing him but I don't personally think he's attractive at all

I couldn't take him seriously since his voice is the same as kakashi's

He is fine and MAPPA animated him well. I don't look at him from sexual way.

They really nailed Willy and I appreciate his character way more than in the manga

MAPPA MANAGED TO FIT IN THE STAIRWELL SCENE WITH PORCO AND PIECK. WAS IT EVERYTHING YOU HOPED IT WOULD BE? 247 Responses

MAPPA gave some of us a good surprise by repurposing the stairwell scene with Porco and Pieck (and I think most of us agree they’d have been fools to omit it completely). 38.1% were very grateful for it’s inclusion. 37.2% think they executed it well and had a nice chuckle from it. 9.7% were disappointed in the adaptation of Pieck’s ass, and 10.9% actually didn’t care about this scene anyway.

Everyone's making too much of a fuss over it. Nice scene though

I wish they had actually animated her scurrying around

My bisexual ass simps for Porco AND Pieck

It was everything I hoped for and more. Thank you Mappa

I always knew MAPPA wouldn't dare cut the scene where Pieck scares the crap outta Porco 😂. Poor guy could have fallen down the stairs.

That was a cute and fun scene. Pieck is really sweet and Porco was more friendly and open hearted than his manga counterpart. I really loved it!

YES! YES! YES! YES! Y E S!

Pieck Ass

MAPPA INCLUDED AN ANIME-ONLY SCENE OF A DRUNK TOWNSMAN PRAISING ZOFIA (MISTAKING HER FOR GABI), WHICH INCLUDES SOME SYMBOLISM ABOUT BAD LUCK. WHAT DO YOU THINK OF THE ADDITION? 244 Responses

Anime-only scenes are always hit-or-miss with manga readers, and this one seems to have been no exception. Overall, 32% of respondents thought it added a nice layer to the life of Eldians on the mainland. 18.4% were appreciative of a little more Zofia content. 16.4% liked the scene well enough, but didn’t feel it was necessary. 12.7% feel that it will serve as more fodder for Gabi’s characterization. Smaller amounts either didn’t care about it, or felt that it was completely unneeded and pointless.

I don't remember it not being part of manga, but this scene was good.

They skipped so many scenes from the manga and then add this... really not necessary

I've appreciated every little addition they've added so far, but I wish we could all quit associating black cats with bad luck. It's a major reason why they have a hard time getting adopted in real life. :(

Yet another bitter reminder of why I despise Gabi so much

OOF

I really liked the additions they made, they’re really making us like all these characters more and it’s going to hit even harder when things go down.

UDO’S SARCASM IN THE ANIME IS MUCH MORE PLAYFUL THAN HIS GLOOMY CYNICISM IN THE MANGA. DO YOU THINK THIS MAKES HIM MORE LIKEABLE? 243 Responses

Udo shows a lot of distaste for the way that Eldians are treated both in the manga and in the anime, although it seems to have gone a bit more overlooked when we initially met his character. The anime team upped the sarcasm in Udo’s fatalistic views and the fandom seems to be very receptive to it! 44.9% of respondents feel that it makes him stand out a lot more than it did in the manga, and 34.2% are simply enjoying this more lively rendition of his character. A handful of others prefer his demeanor better in the manga, while others really don’t care about Udo at all.

I adore him in the anime. It’s gonna hurt seeing him squashed.

The answer is: Yes!

It hurts more 'cause he'll die

To me it kind of felt like anger disguised as playful sarcasm, which actually made it scarier to me because you never know when he's gonna snap like he did last time.

MAPPA OMITTED THE SCENE SHOWING ZEKE AND COLT PLAYING BASEBALL. AS MANGA READERS, THIS ONCE SPARKED A LOT OF DISCUSSION ABOUT WHETHER EREN AND ZEKE WERE WORKING TOGETHER. DO YOU THINK ITS REMOVAL WAS A GOOD MOVE? 243 Responses

Overall, there doesn’t seem to be much panic in the omission of Zeke and Colt playing baseball, although some write-in responses indicated that they were more saddened by the lack of development between Zeke and Colt, rather than the foreshadowing of the Yeager brothers working together. 39.5% feel that since we already know Zeke has an affinity for baseball, the foreshadowing works well enough without this extra scene. 28.8% feel that we should simply wait and see if MAPPA rearranged this like it has other scenes. 13.6% think that this will make things even more of a shock for anime-only viewers, while a smaller handful feel that it ruins all ability to even speculate about it.

It would be too obvious if it was in the same episode and I think Eren's scene is enough for people to make a conection between baseball and Zeke

I missed it because it fleshed out Zeke and Colt’s relationship. Specifically the thing Zeke says about being a big brother.

I'm more sad because it was cute than for the potential foreshadowing. The foreshadowing is at least partly still there without it.

It's looking like a "show it later in a flaskback" angle.

It would probably be too obvious in an anime format

I'm more disappointed about the content of the conversation between Zeke and Colt

Since it was obvious last episode that the injured soldier was Eren, it’s good to actually hold another plot twist in the air that nobody will see coming as a replacement

WITH KIYOMI NOW INTRODUCED, HOW DO YOU THINK MIKASA WILL ACKNOWLEDGE THE AZUMABITO SYMBOL? 240 Responses

The symbol on Kiyomi’s kimono is the same one that is branded on Mikasa’s wrist in the manga. But the anime team retconned this detail and Mikasa’s mother showed her the symbol through embroidery instead. So it begs the question of how this will be acknowledged in the anime, given Mikasa doesn’t (knowingly) walk around with an embroidered Azumabito symbol on her clothing. 41.7% feel that she will verbally acknowledge the symbol as something her mother showed her when she was little. 25% are anticipating MAPPA retconning things back to having the symbol branded on Mikasa’s wrist again instead. 15.8% think she will have the symbol embroidered on a piece of clothing she is wearing, and others feel it will be acknowledged in a different way, or the scene will be omitted altogether.

Either canned entirely so they can focus more on adapting the more labor intensive parts or acknowledged in another way

Anyone who thinks they’ll retcon to a tattoo is super wrong. Japan has a huge taboo on tattoos because of the Yakuza (Japanese Mafia) so they’re 100% keeping with the embroidery

I don’t even remember where Mikasa first saw the symbol…

I think it would be fine if they use the embroidery but they could just change where the tattoo is located

WHAT DID YOU THINK ABOUT THE INCLUSION OF PIECK AND PORCO DURING THE DAYTIME FESTIVAL? 245 Responses

With Pieck being a fan favorite and Porco lacking in as much screen time in comparison, we asked how you all felt about the inclusion of them in the short festival scene. Most responses were positive, with 38.8% getting a kick out of the implication that they, too, were mooching off of Reiner for free food, 35.1% just loving that they’re getting more screen time altogether, and 17.1% feeling that it was a huge improvement over Reiner being solo in the manga. A small chunk of respondents felt it was better the way it was depicted in the manga.

Doesn't matter, Falco is really the only one who deserves to live

I preferred it in the manga when Reiner was alone with the kids, but it's a nice addition to give them more screentime. Especially to Porco

Their moments together show the close-hearted bonds they have.

HOW DO YOU THINK THE ADAPTATION OF CHAPTERS 99 AND 100 WILL GO? 100 IS ONE THE COMMUNITY’S ALL-TIME FAVORITE CHAPTERS. 244 Responses

The Declaration of War has been one of the most anticipated animated episodes since its chapter’s publication. With MAPPA at the helm, we asked how confident you guys were in how it will be adapted. Nearly 70% of respondents are wholly confident in MAPPA’s ability to pull this off, regardless of whether they’ll have to cut some lines or are able to keep everything in. 25% remain cautiously optimistic.

I'm really scared, but hope that they can make it justice

No idea how they adapt that much dialogue in one episode

I hope the declaration of war gets the best adaptation possible.

IN A RECENT INTERVIEW, WE GOT A GLIMPSE OF SOME NEW MUSIC THAT HASN’T YET BEEN IN THE ANIME. COMPOSER SAMUEL KIM MADE A WONDERFUL FAN COMPOSITION BASED OFF OF THE SNIPPET IN THE INTERVIEW.... DO YOU THINK THAT HIS MUSIC IS WHAT WILL BE PLAYED DURING THE BUILDUP TO THE DECLARATION OF WAR? 228 Responses

For those of us who are OST nerds, we wait in anticipation of which track will be used for the iconic Declaration of War scene and how it will impact the overall execution. 37.3% who listened to the fan composition of a new song feel that no other song would suit the scene and are hopeful this is, indeed, what will play. 22.4% are hanging on for YouSeeBigGirl/T:T (or at the very least a rendition of it) due to the significance it has between Eren and Reiner. 19.3% feel it will play during Willy’s play, but not the Big Moment itself, and 11.4% simply aren’t invested. Some write-ins indicated they don’t want to be spoiled on any of the new music until it’s paired with the appropriate scenes.

I hope that it will be Vogel im Kafig but this track fits great too, and I think that this track is more likely to play during the buildup scene

Not gonna listen. If this is indeed the DoW music, I want to hear it first during the scene itself.

It'll be edited around for the play but the climax at the end could very well match the trailer they used it in for DoW

Whatever MAPPA decides to play, I'll be content with I'm sure.

I prefer to wait and be suprised by the ost than listen to it before and it feeling like deja-vu

YouSeeBigGirl would be great for some nostalgia but this new soundtrack seems intriguing, maybe MAPPA has more surprises for us

Im thinking the ost might be completely different but i am open to it being played because it does sound nice

No ost spoilers for me

WHICH SCENE FROM THE PREVIEW ARE YOU MOST LOOKING FORWARD TO NEXT EPISODE? 243 Responses

The top three most anticipated clips from the preview include Eren starting to transform, Willy declaring war and Eren and Reiner’s conversation in the basement. Of course, these are all more or less interconnected, so the vast majority of respondents are looking forward to the buildup toward and the climax of the DoW (as expected). A small number are looking forward to smaller scenes such as Falco realizing he’s been used and Willy’s play in general.

I'm hyped for the declaration play!

ADDITIONAL THOUGHTS ON THE EPISODE?

I LOVED IT MAPPA IS DOING A GOOD JOB!!!!

I loved the humanization of all the characters

The perfect calm before the storm. Everything from here on out will be an unstoppable train

I'm just so happy to see the story animated!

It was a mandatory filler episode for the declaration of war, important stuff happening but pretty boring overall.

This episode seemed shorter and kinda empty, but considering what's coming, I totally forgive and understand it.

Its just a really great episode The pacing was perfect I was actually more invested with Magath's and Willy's interaction in the anime rather than the manga The visuals for the scene when Eren and Dr. Jaeger were talking were beautiful Udo's character was fleshed out more I'm still waiting for Armin It just presented things differently from how i read into those scence, and i liked that. Overall just really exited for the next episode and for chapter 136 to come out

The ending got me so HYPED for the next episode!! It was really well done.

the eyeshots of Eren's grandpa were epic

The episode was trully wonderful and I enjoyed every part of it. MAPPA is doing great job and I get a feeling that with the new soundtrack the episodes feel more serious than the ones created by WiT. I love Pieck. I never understood what was so ""cute"" about her in the manga. I saw her only as intelligent, skilled, tough warrior woman. Now I finally see her cuteness. I love how sweet and calm she is. Pieck reminds me of Tsuyu from MHA. They share similar energy. I'm grateful to MAPPA for making the bonds between the warriors stronger. This way the anime onlines will feel more sympathy to them. Pieck and Porco won't be just cold warriors, but nice folks.

Watching Falco and Gabi together is so satisfying to watch after knowing he confesses his love before inheriting the jaw Titan oooof love them so much

WHERE DO YOU PRIMARILY DISCUSS THE SERIES? 232 Responses

Thank you again to everyone who participated! We’ll see you again next episode!

#snk poll #snk polls #shingeki no kyojin #attack on titan #snk #aot #snk spoilers #poll results

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