#but do I love it with all my heart? Well yes - the Graz version at least

[love-liberty21]

Look what I got for my birthday:

[samuraiko]

Semi-Useful Notes for Writing for THE ROYAL TUTOR

(Author’s Note: This includes all twelve episodes of the anime (plus the movie), as well as up through Chapter 84 of the manga (18 Oct 2019) and what info I can glean from the Character Book (unfortunately it’s all in Japanese). I will continually update this post as the series progresses and new spiffy stuff shows up, so visit my Master List of my ROYAL TUTOR Stuff to see the latest version.)

While writing A Noble Soul (which is done, by the way!), I had the idea that I personally love the little touches of authenticity that make a story more 'real,' and hey, if nothing else, I learn a few things along the way. (I *am* a researcher, after all!) So I did a lot of searching to find the real-world analogues of the buildings, references, history, and so forth from the series. As you’ll see in the descriptions, I explain how I determined which ones were which.

You’re welcome to post questions, comments, share this, etc. Hope it helps anyone else who wants to write for the ROYAL TUTOR fandom! (Quick question - would everyone prefer me to include chapter references for stuff? It’d make this post much longer, but if the fandom thinks it’d be useful, I can give it a shot.)

So, here we go!

GRANZREICH FAMILY INFO

Viktor von Granzreich, current ruler of the kingdom of Granzreich, assumed the throne at 18 (considering his father’s much later death, this may have been for reasons of health on his father’s part, possible abdication on his father’s part, or other political reasons)

Maria von Granzreich, Viktor’s mother, still living

NOTE: Her sibling (name and gender as yet unmentioned) is the Queen’s parent

Father’s name as yet unmentioned, died of natural causes at ‘a ripe old age’

NOTE: The princes mention in earlier chapters that they do remember their grandfather from when they were small, so his death is relatively recent)

Viktor’s wife (appears only once in flashback, name as yet unmentioned)

NOTE: One of her siblings (not sure if brother or sister) is the parent of Beatrix von Lothringen

(Beatrix also has three younger brothers and one younger sister)

Viktor’s children:

Eins von Granzreich, Viktor’s eldest child and firstborn son

Kai von Granzreich, Viktor’s second son

Currently engaged to Beatrix von Lothringen, first cousin to the princes

Bruno von Granzreich, Viktor’s third son

Leonhard von Granzreich, Viktor’s fourth son

Licht von Granzreich, Viktor’s fifth son

Adele von Granzreich, Viktor’s sixth child and only daughter

LOCATIONS:

GRANZREICH (real world analogue: Austria)

Granzreich population: ~6 million

Side note: Both Viktor and Leonhard are shown riding white horses - these are the famed Lipizzaner stallions, from the Spanish Riding School of Vienna, Austria

Other side note: Viktor’s typical outfit is clearly inspired by the military field uniform of Franz Josef I, Emperor of Austria (the white variant that the princes wear on some of the covers/inside art is the gala/formal version); the three medals shown on Viktor’s uniform are the Order of the Golden Fleece around his neck, what appears to be a simplified version of the Long Service Cross over his heart, and what appears to be a simplified version of a Knight Grand Cross of the Order of Maria Theresa just below that (a round circle with a cross).

90% of Granzreich’s population is Gherman (see below)

3% of Granzreich’s population is Kvel (see below)

Wienner (capital) (real world analogue: Vienna, Austria)

Wienner's population: ~1.3 million

Weissburg/Weisburg Palace (both spellings are used) (real world analogue: Hofburg Palace, Vienna, Austria) - specifically, the part often shown as denoting the palace is the Neue Berg wing

Karl Theater (real world analogue: Carltheater) - operettas

Remnant Theater (possible real world analogue: Raimund Theatre) - operettas

National Opera House (real world analogue: Staatsoper (originally Vienna Court Opera)) - opera house

National Art Museum (real world analogue: Kunsthistorisches Museum - directly opposite the palace, it is the largest art museum in the country; the image of the museum behind Heine when he announces the prize matches the façade of the building)

Granzreich University (real world analogue: there is no University of Austria, per se, but there is the University of Graz (the second largest city in Austria), which is the second largest and second oldest university in Austria)

Wienner University (real world analogue: University of Vienna, the building shown in both the anime and the manga is the main building - this is where Doctor Dmitri (and later Bruno) comes to lecture – it is also recognized as a leading institution for studies in Humanities – Bruno would do well here studying Philosophy!)

Prunksaal (real world analogue: Prunksaal) – the national library (also housed within the palace in another building)

Within the Prunksaal is the Royal Archive, where historical documents, judicial records, going back hundreds of years, and other documents the royal family keeps from one generation to another are preserved; only royals and a fraction of statesmen are permitted to use it (this is the place referenced in the anime that Prince Licht says even princes can’t visit without the king’s express permission)

The plaza/fountain where the KaseKrainer stand is (real world analogue: Donnerbrunnen Fountain in the center of the Neuer Markt)

Granzreich Military Academy (real world analogue: Theresian Military Academy (one of the oldest in the world) - yearly had 100 nobles and 100 commoners enrolled)

Princes are enrolled at the age of 15 (in-series)

Schwarz Palace (real world analogue: Schloss Neuwaldegg, aka Villa Schwarzenberg - at first I thought this was the Palais Schwarzenberg, but double-checking the architecture confirms it's the Schloss) - in-series, given to a general who played a major role in the war 150 years ago by the reigning king, Friedrich IV, and currently Prince Eins’ residence

Kohl Street, the site of Café Mitter Meyer's second location (real world analogue: Kohlmarkt, which is indeed right next to the palace, and leads past the Catholic Church of St. Peter)

The train station (mentioned in-series when Viktor gives directions, as well as the departure point for various trips) (real world analogue: Wien Südbahnhof, Vienna’s main train station)

Wienner Grand Hotel (mentioned in-series as Herman Koenig’s previous place of employ) (real world analogue: Grand Hotel Wien, Vienna’s first Grand Hotel, opened in 1870, and *the* last word in elegance - Herman would have worked in the Kavalierbar, the hotel’s bar/lounge) 

Augustinian Church (Augustinerkirche) (not mentioned in series, just a useful note) - the parish church of the royal court (located next to the Hofburg)

Salzichl (the royal villa and hot springs) (real world analogue: the Kaiser Therme at Bad Ischl, aka the ‘Emperor’s Spa, favoured holiday resort of Emperor Franz Joseph I - and yes, the architecture as shown in the manga is exactly what the villa looks like... Leonhard would his own reasons to love it there, as it also has a renowned pastry shop)

OTHER NATIONS:

Fonsein/Fonseine (both spellings are used, though Fonseine is used more often) (real world analogue: France)

Capital - Fleur (real world analogue: Versailles - while the capital of France is actually Paris, Versailles was the primary residence of French royalty until the revolution, and the art in the manga depicts the Palace of Versailles and its famed gardens (which, as Bruno ruefully notes, are in fact larger than the gardens of Weissburg Palace, aka the Hofburg). Rather than differentiate between Versailles and Paris (approximately 15 miles away), the manga conflates the two of them together, as the map that Claude shows the princes depicts Paris’s center. Also, the manga accurately states it’s a half-day from Wienner to Fleur by train - at a guess, the train station that the princes arrive at is Gare de l’Est.) Some of the famous sights in Fleur include:

The Etoile Arc (real world analogue: the Arc de Triomphe, and as Claude points out, is a monument to France’s endurance through war and hardship, and is carved with bas-reliefs indicating peace and friendship)

The Opera House (real world analogue: the famed Paris Opera House (immortalized in literature by Gaston Leroux in his novel The Phantom of the Opera), stated to have been completed “five years ago” (as the Paris Opera House was completed in 1875, this puts the current date at 1880-ish)

The Art Museum (real world analogue: the museum depicted here is the Louvre, and Claude is not kidding when he says you could spend a week and STILL not see all the art museums in Paris)

The Cathedral (real world analogue: Notre-Dame de Paris - immortalized in literature by Victor Hugo is his novel The Hunchback of Notre Dame, although Leonhard possibly mis-translates Claude’s description as to when it was built - Notre-Dame de Paris was completed FIVE hundred and fifty years earlier, not FOUR hundred and fifty)

The Department Store (real world analogue: because the interior art is so limited, this is likely one of three places - Le Bon Marché, the Bazar de l’Hôtel de Ville (BHV), or Printemps Haussman)

Current queen: Queen Isabelle (distant blood relatives of the same family as the von Granzreichs) (real world analogue: debatable, as post-1870, France was ruled by republican government, rather than a monarchy - also as of Chapter 69, Claude confirms that his mother and father are both abroad (so yes, Isabelle is currently married).

Her son, Claude, first prince of Fonseine, the only child (and a child not much older than Adele, and THIS is Adele's intended fiance!) (I was under the impression she was affianced to someone else already!)

Granzreich and Fonseine have been in friendly relations for the past 200 years through royal intermarriage

AND EINS IS TO BE ENGAGED TO SOMEONE IN FONSEINE (correction - Eins is later revealed to be engaged to the Princess of Belgian (see below); however given the close intermarriages between their real world analogues of France, Austria, Spain, Germany, and Belgium, this may have been a negotiation point between Fonseine and Granzreich for upcoming treaties or other political purposes)

Beyer (real world analogue: Bavaria (southern state in Germany))

Belgian (real world analogue: Belgium)

Current queen: Queen Charlotte (real world analogue: Charlotte, Princess of Wales, wife to Leopold I of Belgium)

Princess Paola, second princess of Belgian (later referred to in Chap 77 as Charlotte) (real world analogue: Charlotte, later Empress of Mexico - possible reason for the name change is to avoid confusion - her brothers are also mentioned in the chapter... real life analogues for them would be Leopold II and Phillippe (their third brother died in infancy)

Viktor confirms in Chap 77 that the two nations are still on good terms

Ghermany (real world analogue: Germany)

Iel (real world analogue: Palestine/Israel)

Kingdom fell 1800 years ago. Kvel is used more as an indication of the Jewish populace rather than a specific nation, both in terms of bloodline and social/religious heritage

Madri (real world analogue: Spain)

Nederland/Neterlanden (both spellings are used) (real world analogue: the Netherlands)

Orosz (manga)/Erosz (anime) (real world analogue: Russia)

Capital - Pietarigrad (real world analogue: St. Petersburg - while the capital of Russia is Moscow, St. Petersburg (at one point named Petrograd) is Russia's second largest city, is Russia's cultural capital, and is the port city referenced here) (and it's 1800 km from Wienner to Pietarigrad, and the railroad route they show IS accurate to travel from Vienna to St. Petersburg!)

Grand Hotel Orosz (real world analogue: Grand Hotel Europe (confirmed via pictures of the architecture compared to the manga; opened in 1875, and one of the three most luxurious hotels in St Petersburg)

Orosz University (real world analogue: Saint Petersburg State University, the oldest university in Russia)

Doctor Dmitri references an art museum while discussing Pietarigrad (real world analogue: the Russian Museum)

Grand Theater (real world analogue: Mariinsky Theatre, the preeminent music theatre of late 19th century Russia, and the site of the premieres of most of Russia's most famous ballets, operas, and other music)

Romano (real world analogue: Russia or POSSIBLY Poland, more on that in a second)

King: Alexander Alexandrovitch Romano (real world analogue: Czar Alexander II)

Crown Prince Ivan Alexandrovitch Romano

Prince Eugene Alexandrovitch Romano

Russian uses patronymic names, so your middle name is a derivative of your parent)

ALTERNATE real world analogue: Poland - since Austria and Russia do not share a border (and mention is made of inspecting mines on the border between their nations), it’s possible that instead Romano (while borrowing heavily from Russian inspiration for names) is actually Poland. (Rationale: what is modern-day Czechia was originally part of the Austro-Hungarian empire, which DOES share a border with Poland.) While Polish is traditionally written in Latin script, it *can* be written in Cyrllic.

I’m still nailing down whether the Romano flag is based on an actual nation flag.

Venezia/Veneto (both are used) (real world analogue: Venice)

Laguna Empire (real world analogue: TBD)

Kingdom of Kataro (possible real world analogue: Qatar)

Yapan (real world analogue: Japan)

Eastern Continent (real world analogue: Asia)

Western Continent (real world analogue: Europe)

GRANZREICH’S ECONOMY:

1 florin = 100 kreutzer (real world analogue: the florin and the kreutzer, ratio the same following Austria-Hungary's decimalization of the currency system in 1857)

A doll costs 55 kreutzer

The Royal Guard makes 30k kreutzer/year (300 florins/year, as per the anime and the manga)

The ransom for Maximilian and Heine was to be 1500 florins, or 150,000 kreutzer… meaning the ransom for Kai at 1 million florins was 100 million kreutzer -- Heine wasn't kidding when he says it's the annual budget for a small country in the 1880s, (In the manga, the ransom is set at 300,000 florins for the prince, and 1500 florins for Heine and Maximilian)

Licht, on the other hand, earns 120 florins working at the cafe... which strikes me as odd because he only works one shift a week (even if a shift is potentially 12 hours). Now, this might actually be him figuring he works full-time, which would make more sense. But this has to be a YEARLY income, there’s no way he makes this much in a month if a member of the Royal Guard makes 300 florins a year.

Rosenberg quotes a rent of 150 florins for a 2br flat... again, this has to be for a year, there’s no way this is monthly.

Economic crisis 30 years ago (real world analogue: the European financial crisis beginning in the 1850s)

Granzreich's main industries: porcelain and wine

Also agriculture, according to the author's notes at the end of Vol 2

1880s TECHNOLOGY:

COMMUNICATION: Cables/telegrams are now fast enough for a 24-48hr message even all the way across Europe -- and crossing the English channel by ferry takes 1.5-2hrs

LOCAL TRAVEL: Primarily carriages, horseback, and walking -- trains are for longer-distance travel

INTERNATIONAL TRAVEL: You can get from London to Perm, Russia within SEVEN DAYS

TRAINS: The Orient Express (1883) went from Paris to Vienna in 15 hours overnight (not much different from now, actually!)

TELEPHONES: The telephone exchange does exist but the infrastructure is still VERY new and not heavily in use yet

POWER: Electricity is rapidly gaining ground for newer construction, but older buildings are still using gas, lamps, candles, etc.

1880′s EUROPEAN CULTURE:

Ballet, opera, operettas, plays, music

Social halls are still separated by 'class' (nobility vs commoner)

Popular dances in Europe at this point include the waltz (DUH, this is Vienna), the redowa, the mazurka, the polka (big shock with Germany next door), the cotillion, and the varsouvienne (another Polish dance)

Social etiquette at an event included the use of 'dance cards' (or fans!) - these were presented with a list of the songs/dances to be held over the course of the event, and if a gentleman wished to engage a lady for one, he wrote down his name (like making a reservation)

There is a TON of information out there about how one does (and does not) behave at a social event during that day and age, and safe bet that our dear princes have had it drilled into them from the time they were small. Some fun ones include:

WHY one wears gloves (because bare hands indicates holding hands, which is SHOCKINGLY intimate)

Not dancing with the same partner more than once (unless you're either engaged or about to be, because it puts you on intimate terms with your partner)

What is socially acceptable to eat at a party (the reason trifles and 'snacks' are served is so no one can embarrass themselves at table)

Games are occasionally combined with dancing (if you've seen AMADEUS, where during the masquerade they're playing Musical Chairs as they dance, and the loser has to pay a forfeit, you get the idea)

[drakorn]

My Current Top 10 Musicals

So, I thought I’d just make a little list of the musicals that I personally consider to be my absolute favourite ones at this point in time. This list will obviously change again when I find a musical that I like more than one on this list. Anyway, here’s my list, if anyone’s interested XD (Btw, I’m only talking stage musicals here, so if you see any musical that was also a movie, I am talking about the stage version).

But first...some honourable mentions that I still adore but didn’t make it into my Top 10: The Phantom of the Opera, Anastasia, Ludwig II, Mozart!, The Lion King and Jesus Christ Superstar.

PS: All of this is opinion-based. Of course, you will disagree with me at some point, that is just natural. And it’s great that everyone has different tastes!

10 - The Lord of the Rings: A LOT of people have not heard about this musical, but it actually exists. It’s nothing fan-made or anything, it’s an actual official musical adaptation of The Lord of the Rings, not the Peter Jackson movies but the actual Tolkien epic. It ran in Canada and the UK and was even supposed to make its way to Germany. Of course, it has changes in it because adapting the entire story into a three-hour stage musical is an impossible task. It’s also the only musical I know of that consists of three acts rather than two. There is actually a cast recording available with the main songs in it. Like, honestly, I personally just love this musical. For instance, take a listen to Galadriel’s big solo:

I know, I’m most likely in the minority here, but for me personally, The Lord of the Rings is one of the best musicals out there and it’s an absolute shame that it’s not performed more often.

9 - Wicked: I am an absolute fan of seeing the story from the antagonist’s point of view and understand all of their motives. Wicked is one of the best examples out there as it takes the classic tale The Wonderful Wizard of Oz and gives it a darker and more serious spin, mainly because the Wicked Witch of the West is now the protagonist. I know, this musical is loved by everyone and makes it into pretty much everyone’s top list, but...honestly, it really deserves it. The songs are amazing and the story is very touching, especially the relationship between Elphaba and Glinda. I love villain origin stories, and to this day, the part where Elphaba decides to embrace her role as the antagonist of the story still sends shivers down my spine. No Good Deed still counts as one of my favourite villain songs. I have seen this musical twice and would gladly go again whenever I get the chance to do so!

8 - Rudolf - Affaire Mayerling: Ok, so this is a little bit of a controversial situation for me. I LOVE historical musicals. I just love them. However, this musical is REALLY not what you would call historically accurate. However, to me, it doesn’t really matter. When I look at it from a musical theatre point of view, it’s actually really entertaining! I have never seen this musical live, only watched the DVD and listened to the cast recordings but I would LOVE to see it live once. The songs are so good! While the story is not the best, the music is phenomenal in my opinion. And it also has one of the most catchy villain songs to be ever put on stage: Die Fäden in der Hand. Yes, this musical has MANY flaws, I don’t deny that. The cheesy and historically non-existent romance between Rudolf and Mary is not really the best thing to watch (seriously, why didn’t they include Mizzi Caspar instead of Mary, that would have made MUCH more sense for the love aspect). But it also has a lot going for it, like the actual songs. It is still one of my favourite musicals.

7 - Dracula: Many people consider Frank Wildhorn’s best piece to be Jekyll and Hyde. I personally think that Dracula is that best piece. Sure, it had a very wonky start and the majority of the good and memorable songs came along when the musical came to Austria, but it’s also the Austrian version that I got to hear and see first (not live unfortunately but hooray to cast recordings). It’s an adaptation of Bram Stoker’s Dracula...but more the Francis Ford Coppola film rather than the actual book. The romance aspect between Dracula and Mina is not the strongest part of the piece by far, however, when the story isn’t about the romance, the music is actually really fantastic! Oh, and it also has my favourite ever confrontation song: Zu Ende. I REALLY want to see this musical live. Why does it never come to Austria again? It had a fantastic run in Graz! And why can’t there be one German-speaking version of this musical that actually sticks to the gothic aesthetic? Oh well, a man can dream.

6 - Artus - Excalibur: Frank Wildhorn seems to be getting on this list very often, eh? Oh well, what can I say? I just love a lot of his source material. Artus - Excalibur is by no means an accurate representation of the Arthurian legend. However, what it does good is: it gives the tale its own spin. It doesn’t even try to be a step-by-step recreation, it’s completely its own thing. And I liked it. A lot actually. I saw it two times, one time in St. Gallen and one time in Staatz. Both times I absolutely loved it. It has great music and a solid story. However, the songs are by far the best part of it. It also has one of my favourite ensemble pieces: Morgen triffst du den Tod. This is one of those musicals I could watch over and over again without getting bored at all. Whenever it gets put on again, I will try to be there!

5 - Les Misérables: Ok, of course this was going to be on here. Les Mis is just the definition of an epic and emotional megamusical that is guaranteed to touch everyone’s heart at some point. Now, the fun thing is, the first time I saw Les Mis was in the cinema...when the movie came out in 2012. I know, shame on me, but I actually really liked the movie. When I was in London, I went to see the stage musical and I was blown away! It was so amazing and powerful! Javert is my personal favourite character. But I also saw Tam Mutu as Javert in London and this guy is just having a total blast in this role. Needless to say that Stars is probably my favourite song in the musical. Also, this musical is very relevant, even in today’s world, just like Victor Hugo said himself. The melodies are great, the story is great and the characters are great. What’s not to love?

4 - Rebecca: Not everyone’s favourite musical but definitely one of mine. I think, one of the reasons why I love it so much is the whole mystery and thriller aspect it has going for it. It truly captured the spirit of Daphne du Maurier’s novel and brought it on stage. The set design is beautiful, the music is great, you can’t go wrong with Sylvester Levay, and Michael Kunze once again delivered with a great script. Plus, the title song has got to be one of the most menacing songs in german-speaking musical theatre, especially when sung by the right actress. It’s a musical I would really like to see live...and one that I would wish, the VBW would finally bring back! Come on, what’s stopping you guys? Tecklenburg had a fantastic run last summer!

3 - The Hunchback of Notre Dame: I love it when Disney decides to just go dark for once. The movie is seen as Disney’s darkest animated movie. Well, it’s nice to see that the stage musical is also the darkest stage musical Disney has put on. While the movie still had a lot of the classic Disney tropes going for it, the musical gets rid of those and adds tragedy on par with Les Mis, meaning, keeping the actual book ending in the show. Also, a surprisingly large amount of Brecht and Greek Chorus was added to the show and it works really well! However, the Disney songs stay and it works as a great combination! Making Frollo the Archdeacon again adds so much more weight to the Hellfire song, and overall all the characters are extremely well-rounded. I have listened to the cast recordings and would really like to see this show live once!

2 - Elisabeth: As I said before, I absolutely love historical musicals. And Elisabeth is my favourite of those. It isn’t exactly told as a history piece but more of a dark retelling in a Danse Macabre style. Seeing the story being told from Elisabeth’s murderer’s point of view was a very clever idea. It also gave us the characters of Death and Elisabeth, some of the best musical theatre characters ever in my opinion. Every single character in this show has great opportunities to shine. The music is phenomenal and this piece single-handedly catapulted Austria and the VBW into the top charts of musical theatre producers. Also...it REALLY makes you want to be a history student! Honestly, it did that with me! As soon as I watched Elisabeth, I wanted to find out everything about the Habsburgs XD Also, this is probably the musical I have seen the most out of any. I believe to have seen it at least 15 times when it was last running in Vienna...and the fun thing is, I didn’t even like it that much when I saw it the first time! That WOW factor hit me later when I was listening to the cast recording...it happens.

1 - Tanz der Vampire: Was that really a surprise for people who follow my blog? Tanz der Vampire is my favourite musical of all time and will always retain this position. It is the piece that got me not only into musical theatre but in theatre in general. It got me into wanting to study Drama and Creative Writing, it sparked a lot of my current interests and influenced a lot of my life decisions. Tanz der Vampire has everything going for it: a great story, fantastic music, very good moral lessons, beautiful and lush sets and probably one of the best characters to ever grace the musical theatre stage: Graf von Krolock, undoubtedly the arch-nemesis of Erik Destler in the race for the rank of best cape-swishing gothic lover. It also has a very untraditional story, breaking clichés and tropes left and right, just as Roman Polanski intended. It has the perfect mixture of being dark and serious but also utterly hilarious. And it has probably one of the longest and most powerful solos of any musical in my opinion: Die unstillbare Gier. I want to see the musical more than I already have, which is 11. It’s just THAT good. For me personally, there is no better musical than Tanz der Vampire.

Ok, I know, a lot of people will disagree with me now, but as I said: this entire list is opinion-based. I would really be interested to know your Top 10 musicals :D