#but have you seen the amount of scenes zoro and nami have together???? i am so scared there is someone there wanting to make them canon

[beanghostprincess]

Do you think there’s a chance OPLA will make non canonical ships into canon? I saw people noticing zo/lu got a lot more obsessed with each other scenes together and said it’s possible. Or mish/anks with how the actor openly supports the ships, with likes, comments, being open to fan bringing it up. What do you think?

Nah 😭 First things first, I HIGHLY doubt our dearest (sarcastically) (derogatory) Net*lix is going to make queer couples if it's not necessary. We're lucky we didn't get the show canceled with the amount of sapphic energy Nami and Kaya had going on, honestly. Two girls holding hands is enough to get a show canceled on that platform. And if they do make queer couples canon they're not going to be between the main characters, keeping in mind how much they're risking doing so.

And also,, I don't want any of the ships to be canon, either. The whole point is to not make romance between the straw hats in canon so it doesn't take the spotlight of their development and you view their dynamics however you want. I'd be annoyed if something as awesome as the next arcs that are to come get sidelined because Net*lix wanted romance. I mean, I wouldn't be annoyed if they made Namivivi canon or at least confirm some main characters to be queer, but it just feels like they'd do it to put their "we are so woke and cool we made your favorite character LGBT" pin and then... Do nothing about it later. As per side characters, idk, maybe there are some non-canon couples here and there and I don't really care but I wouldn't want it to be with the main characters. Especially with Luffy. Do not touch Luffy.

Luffy has such deep bonds with all characters in different ways, and you can see them as romantic, but making it canon just takes away that magic by putting a label on his feelings, something that I feel he wouldn't even do.

Worst case scenario they make Vivi x Koza or Zoro x Nami canon because if Net*lix doesn't have its daily unnecessary romance in shows it dies or smth.

So I don't think it's happening and I don't even want it to happen. The next arcs are so damn good and I really don't want to have to deal with ship wars or shit like that next season.

[sanjiafsincedayone]

Why SaNa over other ships?

Now, this is not to hate on other ships or downplay them, because what shipping really comes down to is often simply preference. What characters or dynamics you enjoy and what reasons you might have for liking different things. 

No, this is simply my own reasons for why I like SaNa and also why I think they could make sense and thirdly why it’s possible Oda could be setting it up to actually happen in canon. It’s all just my views and I apologize if I forget a moment or add something that is more head canon, but again, this is my reasons and they will always be partially biased. (And there are too many to remember them all properly, so if you want to add feel welcome to do so.)

I think Sanji and Nami is a lovely ship even based just on fan content and the community. But we also get some great moments in the manga, and I personally think there is potential for Oda to make an actual romance work between them.

1. Why I like Sanji and Nami

I personally fell in love with Sanji before I even started to watch or read One Piece, simply based on his voice actor (Hiroaki Hirata), his design and his fighting style. So obviously I already have a bias towards Sanji (SanjiAFsincedayone having a bias towards Sanji? Who knew?). I didn’t ship Sanji with Nami from the start and even now I am a multi shipper who enjoys fan content with Sanji as a main part of several pairs, most prominently ZoSan.

So, when did I fall for SaNa then? Well, I have talked about it in various posts before which you can find in my Masterpost - SanjiAFsincedayone, but for me shipping Sanji and Nami more seriously didn’t start until Thriller Bark. 

Sanji took a knife in the back for her as she is dressed in a wedding dress, even this one scene is enough to explain why someone might like to ship them together.

I for sure saw many SaNa moments before that, and felt Nami seemed special to Sanji, but I didn’t think it would have a big chance of happening and I preferred other ships above it when consuming fan material. Again, shipping is after all mostly fantasy and wanting more of something in a romantic/sexual way. Thriller Bark was when Sanji and Nami’s interactions caught my attention properly and I started to look a bit closer and actually note the way Oda wrote them and their moments. Going back after and rereading I think there is a lot of interesting things even before that. But the wedding theme and bridal carry and how Oda showed them in Thriller Bark was just too on the nose to ignore.

What got me into shipping Sanji with Nami were mainly three things. 

1. Their dynamics getting more interesting over time and Sanji and Nami being two of the most well written and interesting characters in One Piece. 2. Sanji consistently seeming to have a preference for Nami in combination with my belief that he is after true love and isn’t just a pervert forever doomed to be alone. 3.  The manga showing the potential of it actually happening and them finally catching my attention in Thriller Bark. Basically there are moments to follow and look at in the actual story as well, which in turn also leads to more fan content and material for shippers.

So point 1 and 2 really is mostly about my preference and how much I enjoy watching them together and how well I imagine they would fit together. I think their personalities and desires overlap well with them being able to understand and compromise for each other while aslo being on a similar level of intelligence and communication. They also have their kindness and empathy as a highlighted shared theme for their characters.

Them talking about the Children in Punk Hazard or Sanji helping Nami turn in the argument between both Luffy and Vivi and Luffy and Usopp are some examples. Or Nami letting Sanji smoke in her body because she knows how hard it is for him. Small gestures like this show both understanding and a willingness to compromise.

I think they are fun and have a relationship that right now might need working on, but it’s clear how much they care for each other and how they actually appriciate each other a lot.

Simply put I think they are interesting together and I think they could work as a romantic couple in the future, where their dreams and family oriented views migh allign. Again, from how I view them as characters and interpret their wants and possible futures I think Sanji and Nami is a good match. They can have a restaurant either traveling the world or docked close to both Cocoyashi and Zeff, Nami can tend to her mikans together with Sanji and they can manage a restaurant for a living. I also think they are the most parental members in the crew and has shown some possible signs of wanting to settle down with families. This would also work well as a final contrast to their less than happy childhoods (You might also want to check out my post (Part 3) Sanji x Nami hints - Thematic parallels).

There is a lot of potential in their dynamics and how different they seem while they also seem willing to adapt and try to understand each other that make them interesting as characters of romantic plots. At the same time they have enough in common to relate to each other and work well together. Again, as a fictional ship within the fandom there is a lot of great artists, writers etc. that truly explore them and make Sanji and Nami a great and fun ship with an active fandom to engage with.

Of course there are more shallow reasons like them matching in age and being good-looking but really I could ship Sanji with almost any woman if it was only about the looks. I mean, Purin is basically made to be a perfect match for Sanji, but I personally find his dynamic with Nami much more interesting and his dedication to Nami is of course unpraralleled thanks to the time Oda has spent on them over many years.

I love Sanji and Nami as individual characters and with the amount of moments between them there is also a lot to explore and enjoy in the manga. It makes them interesting in a third aspect for me, which is of course analysis and the potential of them actually ending up together and looking closer at the way Oda writes them from a story perspective. For me what we have gotten from Oda in terms of Sanji x Nami moments is very interesting and I see potential there even though it would need more development to truly work for the current story.

But, again shipping doesn’t have to mean anything for the actual story... There are crack ships or slash ships that surely will never happen but that could still be great and fun to explore for the fans. Honestly, everyone is free to ship whatever they want. We all have different taste after all.

So, what about the manga then? 

2. Why do I think they could make sense as a romantic couple even in canon?

First, my own view is that Sanji is someone who seeks true love, and as briefly shown with both Violet and Purin it seems like he would take an actual relationship seriously if given the chance. I also think it would make him happy and thus as Oda might want to create happy resolutions for the strawhats I think Sanji ending up with someone has quite a big chance of happening. This is combination with his preference for Nami and in turn Nami truly caring for him (though not yet in a romantic way) is something that makes me think it could happen. Other ships have potential too depending on how Oda decides to develop them, but considering how he keeps adding moments for SaNa in the way he does as of now I still think SaNa is the most likely ship for Sanji.

As I mentioned earlier I also think Nami has shown some possible inclinations for wanting a family (or at least being a great mother if we look at her with children in many arc, not the least Punk Hazard) and maybe even getting married eventually. 

If she ends up with someone we will need to see a more obvious attraction and want for romance from her no matter what ship we might consider. She has at this point not shown a lot, but I do think the thematic parallels she shares with Sanji in combination with how their moments are written has the potential to grow into something more. 

As a romantic pair I think Sanji and Nami would be happy, he would adore her and take care of her and both of them would probably find that ideal. In fact it’s already a big part of their dynamics and seem to make them both happy. They also seem to try to understand and show interest in knowing each other as seen with several scenes and general attention towards each other’s backstories. They also challange each other in different ways and we have seen them compromise a few times. I think compared to many other relationship in the manga Oda has shown more personal moments between them. So a romantic additional aspect is not too far off. Not that Oda would make it happen now, but that he would lay down the groundwork for it to work by the end of the series.

In short I think they would make each other happy, but also challange and grow thanks to the other. I think their dreams of traveling the world with Nami drawing her map and Sanji cooking on all the seas and finding All Blue and then settiling down together close to both their “homes” in East Blue with a restaurant and family seems to fit them both. It wouldn’t always be easy, but I think they would actually enjoy their dynamics with Nami bossing Sanji around most of the time.

Now this all sounds nice and all, but it’s of course just my imagination based on biased interpretations of the manga. So where do I get it from?

3. The way SaNa is portrayed by Oda

Now this is really the biggest point... Because again, I can ship whatever characters I want and it is just for fun. It doesn’t have to happen for me to enjoy it or I wouldn’t ship Sanji with Zoro. But with Sanji and Nami there are legit reasons in addition to my preference that makes me think it could happen in the manga.

It might take years to actually go through it all in order with my additional interpretations, but I will try to go through the basics themes and moments that to me could indicate SaNa over any other Sanji or Namji ship.

I think the obvious thing to talk about first is simply how Sanji definitely has a romantic (and sexual) interest in Nami. No matter what other character you might see with either of them, this has been shown consistantly over the whole manga. You may argue that Sanji might be interested in others equally, and though I wouldn’t agree it’s a fair point. However from a story perspective it would still need to be resolved. It’s highly unlikely for Nami to end up with anyone unless Sanji ends up with someone else and gets a happy ending too.

As for Sanji’s interest in Nami I personally think Oda has paid a lot of attention to it in a way that makes it the most likely ship for Sanji. He might yet add moments between other ships and develop them (most notably San/Pu of course), but in my opinion the way Oda has added Nami in other potential romantic moments with Sanji it seems Nami is above every other woman so far.

Most importantly I think we have seen: 

Sanji leave Violet who actually seemed to show interest in him to run off to save Nami (and the crew, but the point is that Oda chose to highlight and add this moment with focus on Nami to begin with).

Sanji being more focused on Nami even when Vivi and Robin has been on the ship or at the same place. Oda definitely puts Sanji with Nami above other women at least in amount of moments and involvment.

Sanji being very concerned with Nami in front of Purin and being shown happy with her (the bridal carry for example) and saying he loves her right in front of Purin.

Sanji having stronger reactions to Nami than other women. This could just be my way of seeing it, but I do think we have seen the strongest reactions from Sanji when it comes to Nami. Not the least with turning into a literal devil when he heard she was kidnapped by Absalom. For example compare Sanji rushing after Nami in both Skypiea and Thriller Bark even to him going after Robin. Or his reaction to Nami getting sick in Drum. We simply have a lot of strong reactions from Sanji towards Nami in different ways and more importantly Oda seeming to add focus on them. 

We also have him reacting to things like “women’s tears” or calls but only indicating Nami might be calling him personally. For example Sanji hearing Tashigi cry or saying he trusts Violet or Robin even though they are lying but for Nami adding things like “I think I heard Nami call out for me” or moments like “I leave my Nami to you”. Basically the way Oda writes it there often seems to be added a more personal stake in Sanji’s reactions and moments with Nami compared to with other women.

So from Sanji’s point of view, and the way Oda has written them so far, I think he puts Nami above every other woman. But more importantly, Oda shows us moments between them that he doesn’t add for other ships as consistantly or in romantic looking ways. Keep in mind that both Nami and Sanji are main characters, but they are not Luffy. Oda choosing to not use Luffy (who will obviously have strong moments with all of his nakama, like how he had his own time with Sanji both in Baratie and WCI) for some of these moments but rather insert Sanji or Nami instead for each other’s stories makes it more relevant. Because it’s not an obvious choice in the same way. It’s a choice based on their characters and dynamics within the world, not because of their roles as main hero or heroine. Here are some examples.

1. Their first meeting. Sanji is for the first time seen in love cook mode and he basically seem ready to leave everything behind for Nami. Right away his reaction to Nami is stronger than what we have seen from him and it seems to hold true even with time.

2. SaNa having interest and plot relevance to each other’s back stories. Sanji getting involved with hearing Nami’s back story and saving his sister.  Also, calling her “sister” which indicates a platonic familiarity where he puts Nami above Nojiko romantically (yes, despite flirting some with her). Nami in turn also getting involved and showing interest in Sanji’s backstory, pushing to go with Luffy to save Sanji and being the one to remind us of Sanji’s past and character traits.

3. Sanji getting personally tantalized by using Nami. This has happened several times, the first with Kuroobi in Arlong Park, but also with Mr. 2 in Alabasta, Absalom in Thriller Bark and then in Fishman Island (Zou too, but that wasn’t just Nami) and on Zou. You can check my post (thought not updated fully) Sanji and Nami – Fights and danger for a more detailed view. (Even in movies like Strong World Sanji has a direct talk with Shiki about Nami and it seems most people are aware of Sanji being extra sensitive to Nami.)

4. Sanji asking Nami if she is jealous or if she loves him, indicating again that he is interested to know is she is interested in him. Once even responding “I love you too”. In general Nami responding in these situations in a more “positive way” or Oda showing Sanji interpreting her actions as more romantic. For example the “proposal” or the hug in WCI.

5. Romantic looking moments or themes. Now this is of couse not something that has been done mutually between them and thus aren’t actually romantic scenes. But the tropes and common use for many of the things that Oda has chosen to use for Sanji and Nami are romantic in nature. Of course the two forced marriages are the strongest examples with them rescuing each other from getting married to someone else. But we also have the switch body trope, the slap and of course smaller gestures like the bridal carries or the way Oda drew the hug between them in WCI. I am not saying that SaNa is the only ship with romantic looking moments, because San/Pu And San/Violet obviously has some as well. However, considering the amount SaNa moments and the fact that he has left Violet and Purin in particular for Nami seems to make the SaNa moments trump any other ship. At least for me personally SaNa as it is now and as Oda has portrayed it in comparison to other Sanji ships gets in the way of Sanji ending up with someone else unless Oda starts to make some changes.

I want to make some emphasis on how Nami and Sanji seem to get some “bigger” moments between them in almost every arc. Again, compare this to Sanji with other women, or even Nami with other crew members.

Baratie - Their first meeting and Sanji’s reaction to Nami and interest gets focus. Arlong Park - Sanji shows interest in Nami’s past and Kuroobi mocks Sanji by specfically mentioning Nami. ( Loguetown Arc, Reverse Mountain Arc, Whiskey Peak Arc and Little Garden mostly have small moments, like Sanji asking if Nami is jealous or Sanji giving Nami his jacket.) Drum Island - Nami is sick and we see Sanji worry and care for her and in the end even sacrificing himself for her. Nami worries about him too. Alabasta - Sanji fighting Mr. 2 looking like Nami and lots of small moments like Sanji asking Nami if she loves him.

Jaya - Nami showing interest in Sanji’s back story. Small things like Nami hiding for the bugs behind Sanji or Sanji. Skypiea - Sanji being hell-bent of saving Nami and making the others look for her. Then him saving Nami and Usopp from Enel and Nami being worried in return. (Both times Sanji gets hit by Enel Nami is there and worries.) Then a lot of small moments like him giving her a flower and Nami pulling Sanji’s ear for flirting with Conis. Long Ring Long Land - Nami encourage Sanji be the ball and win, but mostly small moments like Sanji getting annoyed with Aokiji for flirting with Nami or him sitting next to her and trying to kiss her. Water 7 - Sanji leaving his love letter to Nami and Nami being worried for (and impressed with) Sanji. Enies Lobby - Sanji losing against a woman, Nami being understanding and then stepping in to basically revenge him. Also Sanji hearing it as Nami loving him and then him showing up to save Nami and Usopp from Jyabura.

Post-Enies Lobby - Not much, but Sanji stepping in to make Nami and Zoro stop fighting and make Nami understand Zoro’s pov. Thriller Bark - Sanji just being extremely focused on Nami and worried about her throughout the whole arc. Also him getting specifically selected by Luffy to save Nami. Of course the wedding theme with the bridal carry and Sanji’s reaction to Nami. Also Sanji’s Zombie protecting Nami (and later kicking Robin) and his “obsession with Nami” being mentioned. Sabaody Archipelago - Another smaller arc, but we do get Nami worried about Sanji possibly drowning. And smaller moments like Sanji being angry for Nami being put in danger by the Fishman Riders or him telling Franky to take care of Nami as he runs to protect Zoro. When they return we of course also get the nosebleeds, and Sanji daydreaming about Nami’s development.

Fishman Island - Sanji’s reaction to Jinbei and Arlong. Also the fishmen pointing out that Nami might be their weakness due to Sanji’s “over reaction“ to her falling. Punk Hazard - The body swtich, Sanji’s body saving Nami and Sanji being careful with not hurting her etc. Also them working together to save the children, Sanji listening to Nami’s request and saying he loves her more because of her kindness. Also small things like Sanji giving his jacket to Nami again. Dressrosa - Sanji leaving Violet behind to save Nami, insisting that he should be the one to save her and then him getting attacked by Doflamingo and Nami getting worried and not wanting to leave him. Sanji basically tries to sacrifice himself for Nami for the 4th time (Drum, Skypiea x2, also maybe in Thriller Bark). Zou - We get a lot of focus on Nami and Sanji together, and then of course when Sanji is gone Nami is the driving force for his plot. Once again Nami is also used to taunt Sanji (inside Capone). Then Nami is both the one to mention Sanji being from North Blue and to listen to Pekom’s talk about his family. Not to mention her insisting on going with Luffy to WCI and having a fight with Zoro as she defends Sanji. Whole Cake Island - The way she pushes for them to find Sanji, her hapiness when they find him and her hurt and the slap. We even get something like Nami being tantalized with Sanji by both Purin and Brulee. The only strawhat besides Luffy who gets a personal story thread with Sanji and a personal resolution for their conflict is Nami. The tension seems personal and combined with Sanji having another love interest but choosing Nami above her it does seem like Nami is the more natural choice both for Sanji and for Oda. 

There is also a distinct increase in romantic-looking moments between them, with them touching more than ever before.

Wano - Even after WCI it doesn’t seem like Oda is stopping the SaNa moments. Sanji manages to save and carry Nami three times in the beginning of Wano. On top of that we have the bath scene and of course a lot of small moments and mentions between them like Sanji asking Usopp to take care of “My Nami-san” or Sanji jumping in abobe Nami to save her from arrows. 

How many times have we had Sanji be the one to go after Nami or save her? By his own choice, by being the one present or even by Luffy asking Sanji to go. Oda puts Sanji next to Nami a lot, and I think it’s possible he might be doing it for a reason.

Who knows what we might get, but the fact that we have as much as we do really seems to show Oda having a preference to put them together in various ways.

The point is they have a lot of time and moments dedicated to them from Oda despite them both being secondary characters. At this point it’s possible Sanji is the person Nami has moments with the most in the story besides Luffy (and perhaps Usopp) as they often end up together. Of course this is including them thinking about and talking about each other as well, and not just direct interacting. For example counting the body switch and Nami being worried and focused on Sanji while on Zou. Oda doesn’t have to, but he has chosen to write it like this. On top of that he adds romantic interest from Sanji and romantic looking moments between them.

I could go on, and there are plenty of moments and examples to find between Nami and Sanji that are interesting to look a bit deeper at. You can check out my Masterpost - SanjiAFsincedayone for some of them. But as it is now here are the main points for why I think SaNa at least has a bigger chance to happen than other ships with the two of them as it is now.

One-sided attraction and romantic interest from Sanji’s side that needs to be resolved in one way or another.

Nami seems special to Sanji. Even small things like only using -san for her and -chan for others is a detail that makes her stand out to him.

Great involvement in each other’s stories. Oda likes adding Sanji and Nami in moments together both for interaction and explenation about each other. For example Sanji is also often used to save Nami.

Interactions of understanding and changing dynamics between the two, like them compromising for each other or wanting to know about the other’s past. Matching personalities and a possible future.

Romantic themes and moments, mainly the weddings, but also the amount of times Sanji has saved Nami and things like the hug being drawn in a very romantic looking way with Nami being more focused on.

Tension and urgency. This is basically Sanji and Nami having a lot of focus on each other in dire situations and Oda showing it with specific mentions.

So, to summarize, I like Sanji and Nami both as indvidual characters and together. I enjoy them as a ship and to explore their dynamics in a romantic way no matter what they might end up as in the story. Anyone should be able to respect that people have different preferences. Additionally I think and speculate that they would work well and could happen in the manga as well. This is obviously a biased interpretation and opinion. 

I might be wrong, but you should be able to respect that too as we have yet to get anything objectivly confirming any ship. We don’t know if any ship with end up canon at all. Maybe Sanji and Nami will remain a ship that never becomes canon, but even so they are a ship that is definitely worth enjoying.

I hope you found this post interesting and can enjoy your own ship and fandom while also seeing that it’s ok for others to like something different than you. Thanks for reading.

[tooweirdforyou]

Maybe how mihawk and ace and zorro would handle a fem! s/o's crazy and mean ex. Like I am feeling down about mine. Anytime hes sees with someone new, instant asshole, screaming at me in of the person I'm with. I feel with him around no will want to stick around. I just need heavy fluff

Mihawk, Ace + Zoro And A Fem! S/O With A Mean Ex

A/N : absolutely hope that this makes you feel better. I’ve never dated but I can’t imagine what that feels like ;-; I hope everything gets better and I’m so sorry this took so long to get out for you :(

Summary : these three boys and their reactions to your mean and crazy ex bothering you.

note : this seems like one of those emergency requests I’ve seen, so I wanted this out quickly but never got around to it :(

Warning : triggering scenes, harmful / harsh wording, etc.

Law, Shanks + Crocodile » Here!

-

Ace

Raging flames.

That is all that can be seen when a bystander passes the three of you in the streets on an island.

Ace is standing in front of you, keeping you behind him in a protective stance as his jaw and fists are clenched tightly, flames erupting from his body.

And the unconscious body of your ex lying down on the floor.

-

You and Ace were just exploring a new island the Whitebeard Pirates docked at, Marco picking up some medical supplies and a few others just seeing what they could find.

The two of you strayed off and stuck with each other to go sight-seeing, and unfortunately..

This happened to be the same island your ex lives.

And so when you two are walking and you hear an all too familiar voice, your blood runs cold.

“Well, well, well, if it isn’t little [Name]. Come back for more?”

Ace would be so confused and just glances back at the male who walks up behind you. “Do you know this guy, [Name]?”

“Who’s this? Your new boyfriend? Doesn’t look all that great to me.”

You bite down on your tongue to prevent yourself from saying anything but Ace can immediately sense something is wrong when he feels your grip on his hand tightening.

“Cat got your tongue? I bet you are speechless. You must be thinking to yourself, how you could go after some worthless guy like him and perhaps come back to me, begging me to take you back.” The condescending laugh is heard as he smirks at you.

Ace’s sharp glare is immediately sent to your ex and flames are slowly building with each passing second.

“If you do beg me, I may or may not consider it. It depends on how low you go down on your knees for me. But then again, I might have to reject you just so I can admire your horrendous face full of fear and sadness as you wallow in regret for—“

You were too busy looking down and feeling yourself shrink at his words to even notice Ace had pulled away from you.

And at a distance he stood, towering over your ex with pure hatred and anger burning in his eyes, with his fist in flames.

“Shut up. If you ever even look in [Name]’s direction again, I won’t hesitate to burn you to hell.”

Anger quickly subsided as Ace turns from the unconscious male and faces you with pure worry and concern.

“Hey, are you okay?”

All you could do was stare in shock, unable to process anything that happened as Ace takes your hands in his and brings it to his face.

“Don’t listen to a word he said, okay? Come on. Let’s go get some ice cream before heading back to the ship.”

-

Mihawk

“[Name]? What the hell are you doing here?”

The all too familiar voice makes your eyes widen out of its sockets, stopping you in your tracks from wandering the halls of Mariejois.

Turning back to face the one you least expected and absolutely dreaded most, color drained from your face when you finally came face to face to your ex.

“[Ex Name].. I didn’t realize you’re stationed here.. how are the other marines?” You try to make some light conversation but just wanted to eagerly run away.

The male only scoffs and rolls his eyes. “Better now that you’re gone, I’ll admit. Now why the hell are you here?”

“Actually..-“

“And why is that any of your business?”

Hearing the new voice cut in, your ex scoffs and turns to face the owner before his eyes widens.

“A warlord?! What are you doing out here? Whatever! Just get out of here, you pirate! This doesn’t concern you!”

Mihawk exhales quietly in disappointment, clearly becoming annoyed at the male’s loud and head-aching yells.

Making his way over to you, Mihawk gently grabs your hands in his. “Is this man bothering you, mi amor?”

Glancing to the shocked expression of your ex, you have a shy nod. “H-He’s my ex..” you mumble out, rubbing the back of your head as you grasp his hand tightly.

“I see.” Mihawk nods in understanding before closing his eyes and turned to face the marine, who was recovering from shock.

“Y-You?! Dating her?” He let out a dramatic scoff. “Of course you’d go after a pirate. It’s such a disappointment to see you stray from the Navy, [Name]. But whatever, you’re just— AGH!”

“That’s enough out of you now.”

Wielding his smallest sword, the mini cross that hung around his neck in a necklace, Mihawk gave one slice into the air before the loud cry of pain was heard.

Staring down at the fallen marine, he looks unimpressed at the lack of strength shown and how easily the marine fell from just a measly swing of his arm.

“Don’t you ever dare to utter a word or mind a thought about my [Name]. Otherwise I’ll have you buried six feet underground. Is that understood?”

Slipping his cross back together into his necklace, he turns over to your with his lips in a firm line but his expression softened in the slightest.

“Let’s go, my dear. We’re done here.”

Bringing his hand to the dip of your back, he began to guide you out of the large palace to head back to his castle and perhaps enjoy a nice evening together with some wine.

-

Zoro

Zoro may not be the smartest, but he certainly picks up on certain behavioral cues, especially yours after having been together for so long.

So when the Sunny is sailing the seas and come across another pirate ship, which causes Luffy to seek after them to converse and greet them.

At first, everything’s alright, the Pirates were somewhat friendly like the Straw Hats, until the Captain goes to board the Straw Hat ship, to personally greet each member.

But when the captain goes by you, his kind smile is immediately dropped to one of a frown of distaste. “[Name].”

You couldn’t even express how you felt. Shock? Misery? Pain? Disbelief? Were you usually this unlucky to have to come across your ex like this? How could you not recognize the Jolly Roger of the ship?

His next words seem to snap you back from your thoughts. “Blanking and zoning out once again. I see you haven’t changed much, [Name].” He tuts, shaking his head and turns away dramatically.

“It’s a shame you can never grow. Still the same old, same old. It’s truly a shame.”

Biting your lip, you look away and took a step back, ignoring him as the others watch with confusion.

“Eh? How do you know this guy, [Name]?” Nami asks, tilting her head.

Zoro, who was resting against the mast and listening to everything, opens his eye to glance at you. He clearly noticed your discomfort and pained expression, but withheld from doing anything.

His eyes only drifted to the cause of your discomfort.

The others weren’t too sure how to react, only sensing that something happened between the two of you. With the tension in the air, even Luffy could tell.

It wasn’t until his next words that something in them all snapped.

“Honestly, you’re better off having just stayed in your pathetic lonely life at your small island. This pirate life is not meant for you. After all,”

Eyes boring right into your soul, his stare pierced your body and his words pierced your heart.

“No one wants a pathetic and useless weakling around, right?”

Mere seconds later, the Captain, your ex, was knocked right into the railing of the ship, successfully denting the wood and breaking the pieces off with the amount of force brought into the impact.

Your ex was laying there, shifting in and out of consciousness and blood dripped from cuts over his body.

Zoro, with a hand gripping Shusui, was standing in front of the crew, no one even flinched at the movement but you. Your eyes were widened in shock, unable to say a word.

“I’ll have you know, [Name] is nothing like that. She’s grown, a hundred times stronger than you and I will make sure to kick your ass if I ever hear her name come out of your lips again.”

The other straw hats were all watching with heavy glares piercing the opposing pirate ship and specifically the Captain, each member getting ready to attack as needed.

“Get the hell off my ship, now.” Luffy demands, his voice cold, quiet and the most intimidating stare that would even make an Emperor tremble.

It didn’t take long for the opposing crew to pick up their captain and flee in a panic, especially when Luffy cracked his knuckles.

Releasing a small breath of relief you didn’t even know you were holding, you felt someone dragging you away from the deck and the crew, and you look up to find Zoro.

Finding that he was pulling you to the bedroom, he forces you over to the bed and then pulls you on top of him when he laid down.

“Just sleep with me. Forget everything he said and everything that happened.”

-

A/N : I hope you liked this, and I apologize you have to deal with that. So sorry this took so long.

I might allow emergency requests, it depends, I’ve never seen too much of it. I hope everything’s okay though.

[creative-type]

Building up to Arlong Part I

“Just wait ‘till the Arlong arc.”

I think anyone who’s been in the One Piece fandom for any length of time has read some variation of the above sentence. It’s almost universally agreed that the Arlong arc is the tipping point from the series, elevating One Piece from okay to great. Detractors, newcomers, and the generally curious are all told to hold off their judgment until seventy chapters into the series, which seems like an absurd amount of time for a reader to get hooked.

In an interview with several of Oda’s former editors (English summary here, about three-quarters down the page) it’s stated that One Piece met some initial resistance in Japan among the staff at Shonen Jump, with some of the editors not seeing the appeal and others having to convince them of its “awesomeness”. 

It’s hard to imagine the manga garnering such a reaction today, but I think it’s important to keep in mind that One Piece is Oda’s first serialized work. He had been an assistant and written several one shots, but he’d never had to put together a long-form story before. He was learning and growing as an author and artist as he went along. 

Just compare the art in these two pages

.

.

Both are establishing shots of new locations, one of Usopp’s hometown and the other the Marines setting Luffy’s first bounty. The amount of detail outside the marine base blows the idyllic hills of Syrup village out of the water. It can be jarring to see how sparse early One Piece panels are when you’re more used to the cluttered, chaotic pages of later chapters.

But I think it would be impossible for Oda to make the jump from “meh” to “this is amazing” without some proper buildup. Early One Piece arcs contain bits and pieces of what makes the series so beloved, and as each arc progresses Oda takes what he’s learned and adds it into an ever-improving whole. So let’s take a look at these early chapters and find the diamonds scattered among the rough.

Romance Dawn

Chapter 1 is arguably the best crafted stand-alone story in these early chapters. That makes sense. As a pilot chapter for the series I’m sure it was written and rewritten dozens of times for maximum effectiveness, and I think it gets across everything it needs to without belaboring the point.

Romance Dawn is a glimpse of the quality that Oda would later produce on a more consistent basis. The characters are fun and have hidden depths, the art is simple but dynamic, and the bait-and-switch where Shanks doesn’t initially beat the crap out of the mountain bandits is a surprise considering the genre. And if haki was indeed planned from the beginning it’s also the first instance of Oda’s famous foreshadowing ability. 

Considering future backstories it’s a little surprising that no one important to Luffy dies, but the familiar themes of inherited will, dreams, and sacrifice are present. The lack of uber-tragedy sets Luffy apart from a lot of protagonists and fits with his lighthearted, carefree characterization and the more whimsical nature of the series, while still hinting at the darkness that exists within the world. 

Alvida

Chapter 2 is also a stand-alone story, but it’s much more generic. Following a common trend during these early chapters, it’s more focused on establishing Luffy as a character than any of the antagonists, and world building is minimal. Alvida is so boring that Oda completely repurposed her design and personality when she was reintroduce in Louge Town, and at this point Coby is a walking, talking foil to Luffy with little to no personality of his own. 

There are a couple of things to note, though. One, Luffy’s characterization is remarkably consistent to what we see later in the series. Here we see him smile as he faces death, while later in the chapter Luffy insults Coby and calls him a wimp in a scene that’s reminiscent of his interaction with Shirohoshi during the Fishman Island arc. He also doesn’t help Coby until Coby stands up for himself, subtly enforcing the idea that Luffy is not a hero. 

Second, we can see the embryonic form of Oda’s later paneling and page layouts. The above scene reminded me of a picture I pulled for my analysis of Chapter 218.

You can’t see it here, but in Chapter 218 Oda tilts his panels to match the rocking of the Going Merry, using an unconventional panel format to convey the chaos the Straw Hats are experiencing while also giving the eye an easy path to follow.

Chapter 2 has the “fade to black” Oda commonly uses when transitioning scenes, but the format is the traditional three lines of (mostly) rectangular panels. Despite the huge whirlpool you don’t get a sense that the situation is dangerous.

Also note the sheer amount of information conveyed in the sequence from Chapter 218 compared to the Chapter 2 despite them sharing basically the same layout. There are four separate panels of the same whirlpool - adequate enough in showing the passage of time, but visually kind of boring, which sums up the art in general during these early chapters.

Shells Town 

The Shells Town arc shares a lot of the same flaws as the Alvida encounter, but has the benefit of a longer page count, which is helpful in fleshing out the story. Coby starts to grow into his own, and Zoro is introduced. The focus is still on establishing Luffy’s ideals as a pirate and Morgan is a one-note villain, but the world is starting to grow, namely with the complex morality of the marines.

We also get our first taste of Oda’s specific brand of Tragic Backstory (tm). Zoro’s flashback is arguably the weakest of all the Straw Hat’s. The pacing is rushed and I personally find the segue in and out of the present day to be a little jarring, but the bones of it is sound even if the execution is iffy. 

The fight against Morgan doesn’t last long, but outclassed as he is, he at least puts up a better showing than Alvida. There are some neat camera angles and perspective tricks that Oda uses that sell Luffy’s flowing, so-long-as-it-works-I’m-going-to-do-it fighting style. 

Again, this is but a taste of things to come, and short as it may be the Morgan fight is fun. Oda has said he gave Luffy the gum-gum fruit to help keep things from ever getting too serious, and reading these early chapters I believe it.

Orange Town

I would call the Buggy arc the first “standard” One Piece arc. At fourteen chapters it’s decently long by East Blue standards. It’s is leaps and bounds better than anything we’ve seen thus far, and we have the flashy bastard himself to thank.

Pre-comic relief Buggy manages to straddle the line between menacing and likable. One thing I do appreciate about One Piece villains is that they’re generally not given an excuse for their evilness (a trend that is admittedly starting to reverse post timeskip). We are never told why Buggy, Kuro, or Kreig set out to be pirates, and frankly we don’t need to know. Buggy is given a reason for his animosity towards Shanks, but it’s never used as a justification for his more jerkish behavior.

And he is a jerk. A clever, reasonably powerful, flashy jerk, but a jerk all the same.

With this added characterization, Buggy has the honor of being the first charismatic and memorable villain of the series, and is also the first instance of camaraderie within an enemy organization. In all honesty, I think the only thing separating Orange Town from the Cocoyashi village is emotional stakes. Buggy’s opinion notwithstanding, there is no Tragic Backstory (tm). The little dog comes closest, but the effectiveness of Shu depends entirely how much one cares for sad animal stories (I am immune, and subsequently don’t much care about Laboon either).

More importantly, it’s here that we see the first primitive instances of Straw Hat interaction, and some of the stuff that happens when Oda lets all the different personalities bounce off of one another is pure gold

Also Luffy shoves an old man face-first into a wall for his own good. I feel like that ought to be mentioned every time someone tries to call him a hero.

But the thing that really stands out in Orange Town when placed within the overarching plot is Oda’s burgeoning skill at playing the long game in regards to his storytelling, specifically in regard to Nami.

The Alvida, Morgan, and later Gaimon’s arcs are largely self-contained little stories that serve to flesh out Luffy as a protagonist. When Zoro was recruited the audience was informed of his history and character motivation almost immediately. During Nami’s first conversation with Luffy in chapter 9 we learn that she’s 1) raising 100,000,000 berries to buy a village, 2) loves money and tangerines, and 3) hates pirates. We don’t learn the reason for any of these things until her backstory is revealed in chapter 78.

There are obvious parallels to Robin’s recruitment much later, but really this is Oda something does quite often. Vivi and Law were both around for awhile before the meat of their stories were told. Having someone familiar around for big conflicts helps give a face to the nameless masses. It would have been really hard for Oda to make the reader care about the average Joe in Cocoyashi village without having a pre-established connection in the form of Nami, and it would be really hard to care about Nami if the audience hadn’t been given the time to get to know her first.

By waiting so long to let Nami develop as her own character, the emotional stakes missing from Orange Town are fully present during the much-beloved march to Arlong Park. The latter cannot exist without the former.

I said in the opening that 70 chapters is an absurd amount of time to get hooked into a story, but in some ways I can completely understand why it would take that long. One Piece isn’t built on slick one-liners or “cool” characters. It’s fun and goofy and doesn’t take itself too seriously. Hints of future intrigue and mystery are strewn along like bread crumbs down a path, organically delivered as the world unfurls bit by bit. There’s a methodicalness to it that catches the reader by surprise, yet makes perfect sense as the crew goes from island to island.

Orange Town is just the beginning of this in action, but once again this is getting pretty long. I’ll finish the road to Arlong Park in another post. Thanks for reading :)   

[forcedapotheosis-blog]

Gloomy Days Chapter V

Alright fellas, apparently it’s the day of double updates. I felt a lot better with writing this chapter, hope that you might like it, too. Have a fantastic day!

Disclaimer 1: I don’t own One Piece or any of its characters

DIsclaimer 2: This seems to be Chapter 7, chapter 5 and chapter 3.4 because somewhere along the line, I messed up. It’s the seventh post of Gloomy Days and .. oh, I don’t know. Try not to pay too much attention to it D:

Chapter VII / V / III.4 - Second Chances

Where the Hell am I?

The question was not really as surprising as it should be, considering the person that was asking. After a good time of wandering around, it became blatantly obvious that he got lost within the mansion while he was looking for the bar. The exact bar that was in clear line of sight just a few minutes ago. The exact bar that the obvious blonde hair of Sanji could have been seen at. Still, he got lost. Besides that, he felt awfully naked without his trusty companions made of tempered steel at his hips. For the record, he had gotten lost in places that were much more simple than this opulent and imperial mansion, and his evergrowing thirst for booze didn't help. As did the fact that meeting Sanji after years of separation did indeed have a lasting effect on him, as much as he wanted to deny it.

They had been brothers in all but blood for many years until the rot began to tear the crew apart. Even the strongest metal could be destroyed by corrosion, a mountain could be ground down by waves. With the bonds of friendship, it was just the same. When people stopped to be true towards one another, to keep a thing going only for the sake of it being what they used to be, even the strongest ties tended to lacerate. The swordsman had used the long time apart to reflect on it, something that none of his former crewmates would have believed.

Damn cook, I bet he's at the bar now, flirting with some broad and having booze, while I'm .. somewhere, I guess. Think I didn't leave the house, did I? Why does everything here look so unfamiliar?!, he was of a mind to just punch his way through the walls until he found some people and just a few years ago, he would've done it in an instance. Today should have been a special day for his former navigator, though, and if he accidentally broke the skull of her groom, she'd probably not be too happy about it.

That, and I still owe her a load of money. This fact was more a problem now than it used to be. When they were still travelling together, there was booty to be had, money to be stolen from other pirates. Now that he pursued his dream of becoming the greatest swordsman in the world on his own, things went .. a little slower. Falling back into his old ways as a pirate hunter, he found out the hard way that the World Government didn't actually like to pay bounties to ex-pirates. Scratching that off of his list, he worked as a bouncer for a few months, as his former captain did. Sadly enough, the paycheck wasn't even close to cover his drinking habits. That, and his employers didn't like that he slept on the job. To keep himself floating, he resorted to teaching swordsmanship, although that also didn't work out as well as he was expecting. If people got monstrously strong in a relatively short amount of time, they sometimes lost perspective. This loss of perspective did dawn on him when he broke both the arm and the wooden sword of a pupil during a practice session, after seeing that, the large influx of new people that were drawn to his name suddenly subsided.

I wonder when the ceremony is going to start, I might just be able to hear them .. until then, why not take a small nap? Can't do anything wrong with not moving any further away, right? Right?

It was all the more unfortunate that simply taking a nap wasn't as good since he left the crew as it used to be. On the outside, the green-haired swordsman was a killing machine, a force of nature when it came to battling their foes, but still waters used to run deeper than one might have thought. The events of their separation did make a lasting impact on him, traces of that even haunted him up until this very day.

"YOU GODDAMN MORON!", he shouted out in an unusual fit of rage when the first punch was thrown. The cook didn't even try to react to it and faced the consequences. His balled up fist came crashing down on Sanji's face and sent him flying straight into the ship's rail. A lesser man would've lost consciousness from the force of impact alone, but even though Zoro would never admit it, the cook was as tough as nails. Thus, he was able to simply shrug it off and stand up as if nothing happened, rubbing the place of impact in an apathetic manner.

"We're done yet?", the indifference in his voice enraged the swordsman even more, didn't the moron see that he was trying to help him?!

This scene was just the climactic finale of the developments that had occured within the crew since Brook's final death. The situation got from bad the worse and here they were, under the cover of the moon. The swordsman's blood was boiling because of the scene he had witnessed just minutes before. Not only did that dumb cook hurt himself in the process, but he hurt the one woman who might actually be able to unconditionally feel for him. Not in any physical way, of course, but that somehow made it even worse.

"YOU GET BACK IN THERE AND APOLOGISE!", he shouted again, at least showing enough foresight to not draw his swords. Things would have gotten really messy if both of them unleashed all they had.

"What does it matter? And why do you care, of all people? This crew's finished, marimo. Robin knew it, even Franky and Chopper left. This is it, deadlock for our dreams. Just stay out of my way, I'm going to hop off at the next harbor and you'll never have to see me again. It's just a matter of days.", he pulled out a cigarette and put it between his lips, though he didn't have a chance to ignite it as the swordsman took his next swing. A mean hook that impacted on the right side of his head and smashed him to the ground again, throwing the cigarette from his lips.

Zoro was quite surprised about the whole situation himself. Usually, he pretended not to care at all, especially when regarding the cook. This time though, it was different. When Usopp left the crew after his fight with Luffy, there were more pressing concerns to be taken care of and things worked out in the end, anyway. He was so sure about it that he didn't feel the need to intervene. The same thing happened again when the cook was doing his spiel with his wedding, though he pretended not to give too much of a concern about the situation, he was certain that Sanji's abilities would be more than sufficient to resolve it in their favour. Yes, it did need the invertention of Nami, Luffy, Chopper and Brook, but things worked out.

This time, he couldn't see the light at the end of the tunnel. He had to do something about it or the whole thing would go to Hell. It probably already was.

"You didn't answer my question. Why in the world do you care?!", Sanji's indifferent facade was finally crumbling, his hands were balled into fists and after the first two, free hits, he was finally ready to defend himself.

"Shut up, go in there and apologise if you don't want me to kill you.", the anger wasn't exactly subsiding, but at least the swordsman had found a way to use it in his usual manner. Focussed on the enemy, he raised his hands in the style a boxer would.

The fights between these two always had something comically serious, as if two storms were wrestling with each other, two unstoppable forces of nature. Surprisingly enough, none of them had ever been hurt within their encounters, but both of them knew that this time, the outcome could be different. One of them might die.

For an outsider, it would have looked as if two mortal enemies were engaging each other, they wouldn't have known what was lying underneath. After all that happened, this fight was still a show of mutual respect. None of them was giving quarter or a second of relieve to the other and besides the fact that Zoro wasn't using his swords, he went all out. Even blocking or evading attacks became secondary as they traded crushing blows that would have killed a lesser man. In this situation, they broke bones and tore flesh apart, but none of it was lethal. These men were evenly matched and it seemed that the only condition of losing was to go in the defensive.

After a few minutes of all-out combat, the swordsman and the cook were breathing heavily, bleeding from a dozen or more minor wounds and ignoring a plethora of broken ribs and other bones. Still, they went at each other in a final clash in which they traded hits again. Sanji's shinbone came crushing into Zoro's ripcage, again, and unfolded enough kinetic energy to throw him into the ship's rail, but the trade-off was that he wasn't able to defend himself against the swordsman's devastating right. The impact let him collapse backwards and blurred his vision. After all, none of them was in the condition to continue this fight much longer and they did make one hell of a noise out there.

Getting back up, Zoro knew that another one of those kicks would damage his internal organs enough that it might kill him. If the broken ribs hadn't already began with puncturing his lungs. Too bad that showing weakness or admitting defeat was not his strong point. At least the cook wasn't looking much better, if any better at all. He had taken so many htis to his head that he was sure to have a concussion and blood was running down his nostrils and his mouth. The situation would have proven dire if all the noise they made didn't alert one of their remaining nakama. She bursted out of her cabin, her eyes still teary from the conversation they had, before the fight between these two 'brothers' escalated.

"STOP IT, PLEASE!", she started crying the moment she realised what was happening. And against any better judgement, even after all the things he said .. or more, didn't say and didn't do when the whole world came crushing down on them, she still ran up to the now sitting Sanji and fresh tears filled her big brown eyes. "Please, Sanji-kun, please stop ..", this provided Zoro with yet another proof that he was doing the right thing here.

Sure, it wasn't easy for Nami and Sanji when things started out, but somewhere along the way, his relentless pursuit of fulfilling all of her wishes made her open up. So much, in fact, that it seemed for a while now that she had made the conscious decision of being with him, openly caring for him. And he was about to throw it all away. Zoro knew that the cook understood his trail of thoughts when their eyes met. The navigator was sitting right next to him and visibly wanted to comfort, to embrace the cook. Maybe a simple touch could have changed how things went, maybe it could have been more than a hope spot. The moment passed, though, and Sanji worked himself up, aching every step of the way, carefully averting his gaze from the red-haired woman next to him. This scene reminded Zoro too much about what had happened minutes ago, when she was on her knees and begged him not to go.

Still, he wasn't even looking at her, the one remaining person he desired more than the All Blue itself. Zoro's lips silently formed the words 'Stay. For her.', but to no avail.

The Sunny was in the middle of the ocean right now and Sanji had suffered some devastating blows, yet he still refused to give in. To do what's best. The last chance for a second sunrise vanished into thin air when the cook jumped into the air, his face full of regrets and his visible eye the source of neverending tears. He skywalked out of sight within the next moments, leaving behind shattered bonds and two broken hearts. Hers and his own.

"Excuse me, sir, are you alright?", he was opening his healthy eye, actually being happy to have been awoken from this haunting dream. The swordsman took his sweet time to reply, first and foremost beginning to inspect who was talking to him. Hrm .. too handsome for his own good.

"It's alright, just took a little nap before all the .. fuss.", he didn't know how to assess the cautious laughter that followed his remark, but an idea already began to form.

"Haha, oh, my good friend, you're absolutely right. I, too, find it a little distracting from the more important things. The wedding probably is blown out of proportion. Many of the guests aren't here to meet Nami, anyway, they're here to attend my parents.", he was holding out his right hand towards Zoro to help him get to his feet, but the swordsman declined by shaking his head, getting up on his own instead.

"Thanks, I'm .. good. My throat's terribly dry, though, where's the bar?", he was leaning his head to both sides, making his neck crack in a manner that visibly sent shivers down the other man's spine. Yet, he continued to smile.

"Sure, my friend. Right down this hallway, you can't miss it. Before you go, though, may I ask you something? Since I don't know you, I assume that you belong to my dear Nami's guests, is that right?", Zoro nodded, moving his right hand in a small circle instead of just telling him to go on.

"That's great, I'm really excited to finally meet most of her family and friends! Judging from the hair and the rough exterior, I assume that you're Roronoa Zoro, is that right, too?", again, the swordsman just nodded. How much did she actually tell that guy about her past? The scion of an old and influential family, getting married to a former pirate? Even if the guy himself wanted it, his parents might not be as excited about this prospect.

"You might not want to write it on your shirt, though. People can get a little weird when they're in the company of pirates. Or .. former pirates.", in contrast to Luffy, who's bounty had been erased by his grandfather, Zoro's was still active. That also was the main reason that he wasn't able to collect bounties from the people he hunted down.

"Oh, don't worry about it, my friend. Nami trusted me with these informations about her past, none will hear them from my lips. It would cast quite the shadow on our marriage and I really don't want to put her through this stress. I mean, even if it was to come out, I'd still stay by her side, but the act of calming the waves would be a distressing start for a life in wedlock, don't you think?", still, the swordsman wasn't really sure what to think about him. He was as tall, dark and handsome as they could get, definitely not a bad catch. And he had money and even though he knew about her past, he seemed understanding enough. A nice companion for her future.

"Yeah, better that way. What's it you want to know? Just going to remind you that I'm really getting thirsty right now.", well, he mostly was thirsty, but he also wasn't terribly delighted to be a part of this conversation right now. As far as he could see and feel it, there was nothing really wrong about this guy. Quite on the contrary, even. I've got the impression that he actually is genuine.

"Well, my friend, it might be the wrong time to fill you in on this, but since you're one of her closest friends, maybe you'd know a way to lift her spirits. During the time she was writing your invitations, especially during the last one she wrote, she actually broke down and started to cry. See, she wrote all of them during the nightly hours, away from our bedroom and in isolation. When I heard her crying, I rushed to her bureau, but she just wouldn't let me in. So .. I mean, you don't have to answer me, but I'd love to know what that could have been about. The next day, everything went back to normal and I didn't ask what was going on, thinking that she'd open up to me when she felt like it, but that did not occur yet.", for the first time now, the groom had Zoro's full attention. After meeting so many wealthy and powerful people, it felt refreshing to meet someone who at least seemed to be a reflective, true-to-himself person. Yet, Zoro didn't want to get pulled into this. He had tried to intervene once and it failed, he wouldn't try a second time. That, and if he said anything, just about anything wrong here, it might be his fault that this nice bubble that Nami had built for herself would burst. How would he react when confronted with the swordsman's theory that her heart, in fact, might still be beating for another man? Probably not what you want to hear on the day of your wedding.

"Sorry, can't help you with that, but I'm sure it's going to work itself out. This way to the bar, right?", it was obvious by now that he wanted this conversation to end. If in any way possible, without leaving a broken groom behind. Not going to carry that cross. Every other, but not this one. I'm not even going to try to fix this mess for you, freaking perverted cook.

The groom nodded in a sad fashion before he forced himself to smile again.

"This way, my friend. Well, I already said that it'd be alright if you wouldn't want to answer that question. Just .. see, I want Nami to be happy, in the best of all cases, I would want her to be happy with me. I just fear that if there's an unspoken thing between us, the marriage might suffer from it. That's not what I want, neither for her, for me nor for my parents. So, one last time, my friend: Is there something I should know about her past? Did she have bad experiences with another man?"

Whatever this is going to be, I'm not playing a part in it.

"Give it a rest, man. It's probably nothing and you'll have a nice, clean marriage waiting for you. This way to the bar, now?", again, he was pointing at the wrong direction. For the third time or so.

"My friend, this way. And I'm sure that you'll understand that it's rather difficult to put this situation to rest. You've known her longer than I did, that I'm sure of, so, shouldn't it be a shared interest of us to see her happy? I .. see, my friend, I know that I told you that you don't have to answer me, but I simply can't stop thinking about her crying in the night. I'm sure that it wasn't the only time that it happened, either. Sometimes, when she wakes up, her eyes appear to be swollen. She's always quick to cover it up, even telling me that it's because of an allergy, but you wouldn't believe that either. Especially not during the Winter."

Hell, can't he just leave me alone? I don't want to be a part of this!

It was then that another thought occured to the swordsman. For all his life, he never believed in fate, in some kind of god or a divine plan. Even if godlike things existed, they wouldn't care about humans, wouldn't they? So far out of touch with their own creation, nothing they would think or do would matter to him.

But what if .. No, no, no. We're not going down that road. I've tried it once and I failed. We're not going to do that again. Whatever happens between all of them, it doesn't concern me anymore. I really need some sake right now.

The gnawing doubt was still there, though. What if there was some kind of a divine force that lead people through their lives? Not even all the time, only appearing when they were straying from their paths? Would these powers be able and willing to grant second chances?

ARGH! They better will, because that frenzied woman will have my head if this doesn't work out!

Finally having made a decision, Zoro stopped in his tracks, turning around to the still waiting groom.

"You know .. Cassian, was it? I don't like it, because you seem to be a nice guy, but you forced my hand in this. Yes, there once was another man. Do with that information what you will. I'm just telling you right here and right now: You're not big enough to fill the hole that he left."

With these words, he started moving towards the bar, now in dire need of a drink because Nami would almost certainly kill him and dying blackout drunk didn't seem like such a bad thing.

"Hey .. my friend, that's not the way to the bar."