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#but like... if he DID hear neil say 'where's and-'
punkshort · 24 hours
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Hard to Handle
Pairing: Joel Miller x f!reader one-shot
Summary: One year after Joel cheats on you and gets someone else pregnant, you run into him for the first time.
Warnings: pre-outbreak au, angst, language, infidelity, female rage, alcohol consumption, open/ hopeful ending but reader and Joel do not end up together
WC: 2.5K
Written for @tightjeansjavi's June writing challenge
"Guess who Neil saw at the pediatrician?"
You cracked open one eye and bringing your hand up to shield you from the sun, squinted over at your best friend, Kate. "Who?"
She grinned and sat up in her lounge chair. "Joel."
You made a face and closed your eyes again. "Don't care."
"He was all alone, Nate said. Looked like he was struggling to keep the baby quiet in the waiting room and he also said he looked tired as shit."
"Good."
"C'mon, aren't you the least bit curious?"
You made an exasperated noise and sat up in your chair to face her. "What's the point? He made his bed, he can lie in it."
Kate sighed and pulled out her phone. "Well, I was curious so I looked him up on Facebook and guess what?"
"I don't-"
"The bitch left him!" she exclaimed, showing you Joel's Facebook profile where it clearly stated his relationship status was single and the profile picture was an old one from high school. You snorted and shook your head.
"It's been almost a year, what do you want me to say?"
"I want you to feel happy that he's fucking miserable, that's what," Kate said, picking up the baby monitor at her feet and zooming in on the screen, checking to make sure her six month old was still asleep.
"Okay, fine. I'm happy he's fucking miserable," you replied before taking sip of your lemonade. "It's not fair to the baby, though."
"Oh, of course not," Kate said immediately, "but after what he did to you, you can't deny that this is karma kicking his ass."
You shrugged and looked down at your hands, picking at something imaginary underneath your nail. It had been almost a year since you left Joel. A full year when you found out, after being together since junior year in high school, that Joel had cheated on you and gotten someone else pregnant.
Well, found out probably isn't the right term. He flat out confessed one morning.
You had woken up and reached out for him, your hand running up and down his bare chest. You inched forward and buried your nose against his side, breathing in deep his natural, masculine scent before slowly dragging your hand underneath the covers to the waistband of his boxers. You didn't even realize he was awake yet until his hand suddenly shot out and stopped you.
"What's wrong?" you asked, sleep still permeating your voice.
"Nothin'."
You opened your eyes and looked up at him. He was wide awake and staring at the ceiling.
"Joel?"
He slowly turned his head to look at you and at the same time, one single tear slid from the corner of his eye. You scrambled up into a sitting position, panic singing in your veins.
"What's wrong?" you asked again, harsher this time. He swallowed and slowly sat up.
"I gotta tell you somethin'."
Your pulse began to race as all the possibilities ran through your mind, but what he said next was never what you had expected to hear.
"I slept with someone else and... she's pregnant."
You remembered in that moment it had felt like time stood still. The birds stopped chirping, the lawn mowers stopping running, the laughter outside your window ceased because the world as you knew it just ended.
After that, your memory was a little hazy.
You were sure you said some terrible things as you packed up all your belongings in a rage. The terms motherfucking piece of shit and fucking loser were tossed around more than once. You do remember preemptively accusing him of giving you an STD because he chased around whores and as you were walking out the door, you told him he would be a terrible father because he was still acting like a child himself.
Joel didn't say a single thing back. He stood there the entire time and took it, each word landing like a blow across the jaw. You weren't sure what pissed you off more: the fact that he didn't say anything or that he didn't even try to make you stay.
After you had a few weeks to reflect on it, you came to the conclusion that he must have been looking for a reason to break up and he was too chickenshit to do it himself, so he found a way to make you do it.
You blocked him on everything you could think of and pushed him from your mind. His name was banned in every conversation you had with your friends and family and as time went on, you managed to heal. You found a cute little apartment in downtown Austin and began hanging out more with your friends. You even went on a few dates with a couple different guys but nothing ever managed to stick, and you were fine with that. You actually preferred it. Being single was something you weren't familiar with and now, in your mid twenties, you were actually having a really fun time getting to know yourself again.
After so much time had passed, you really thought you were over it. Even after Kate shared that news with you, you still barely had a reaction. You were proud of yourself and feeling good. Joel was the furthest thing from your mind when you met some friends out for drinks that Friday night after work. The bar was crowded, but that wasn't unusual. It was one of the most popular spots downtown and your friend, Shannon, got there before the rest of you and managed to grab a small table.
"Are you still seeing that guy? The one with the cats?" Mel asked Shannon, and she shook her head.
"Ghosted me," she replied, making a sour face. You both pouted in return and you rubbed her back.
"Fuck him. There's plenty of other guys out there. Hell, there's plenty of guys right fucking here," you giggled and gestured behind her towards the packed bar. You noticed one guy in particular with sandy blonde hair and blue eyes glancing her way every few minutes and you nudged her foot under the table and jutted your chin in his direction. "Exhibit A."
She looked over her shoulder and smiled shyly before looking back at the two of you.
"I don't know..." she said hesitantly, then bit her lip and looked at him again. This time, the guy winked at her and she blushed.
"Come on, he's cute. Go dance with him," Mel urged, then Shannon grinned and snatched her purse.
"What the hell, can't hurt."
You both giggled as you watched her weave her way through the crowd towards her mystery man. Mel tossed back the rest of her drink with a wince before speaking again.
"Your turn."
You shook your head.
"Nah, I just wanna have a few drinks and go home, I'm not looking for another headache other than the one this vodka's gonna give me in the morning."
Mel opened her mouth to reply but then her eyes flicked to something over your shoulder. "Incoming," was all she said. You rolled your eyes and braced yourself for a shitty one-liner, but you turned out to be very wrong.
"Evenin', ladies," came a very familiar drawl from behind you. Your shoulders immediately stiffened and you slowly looked up. Sure enough, there he was. Joel.
It was Tommy who had greeted you. Joel still had yet to say anything as you glared at him. You met Mel after your breakup with Joel, and while you had told her about it, she never saw what he looked like so she was completely oblivious to what was happening. She had introduced herself to Tommy and was giggling at something he said while you were mentally planning your escape route.
"Lemme buy you a drink," Tommy offered, reaching out a hand. Mel eagerly took it and glanced back at you, frowning a little when she noticed your icy demeanor.
You ok? she mouthed, and you just nodded. She grinned and followed Tommy to the bar, leaving just the two of you.
"Mind if I sit?" he asked. You shrugged and grabbed your purse.
"It's all yours, I was just heading out."
"C'mon, don't be like that," he said. You swiveled around angrily and he held out a refill of your favorite mixed drink as a shitty peace offering. Kate was right. He had bags under his eyes and he looked run down.
"You hand me that drink and I'm dumping it over your fucking head," you snarled. He sighed and set it down on the table.
"I tried callin' but it never goes through."
"Because I blocked you, asshole."
"Yeah, I figured that out," he replied, sounding annoyed now. "Can you please just sit down?" he pleaded, pulling your chair out, but you shook your head and took a step back.
"No, Joel. I don't have anything else to say to you," you told him, then before you caused a scene you turned on your heel and began to push your way to the door, ignoring him calling your name over the music.
When you got outside, you took a deep breath, the cool night air mixing with cigarette smoke from a few bar patrons nearby. You didn't live too far away, so you decided to walk home and text your friends on the way so they knew you were safe. It was about two blocks away from the bar when Joel caught up with you and the idea of him finding out where you lived made you irrationally angry.
His fingers reached out and brushed against your elbow, trying to get you to slow down. You yanked your arm away and skid to a stop. "Don't fucking touch me, Joel."
"I'm sorry, please," he tried, but you shook your head.
"Sorry for what? For ruining my night out with my friends or throwing away seven years together and knocking up some slut?" Your nostrils flared as you glared at him angrily and a few people walking by turned in your direction then murmured amongst themselves when they were out of earshot. Joel glanced around nervously and raked his fingers through his hair.
"Can we please talk? I-I wanna apologize, I wanna make things right-"
"It's too late, Joel," you huffed and crossed your arms.
"Goddamnit, why you always gotta be so fuckin' stubborn?" he groaned, "this is why it wasn't workin', by the way. This is exactly fuckin' why."
"So your answer was to cheat on me? Real fucking classy," you snapped.
"I was fuckin' drunk!" he almost yelled, making you jump. "'Sides, from the sound of it you're havin' the time of your life bein' single. Makin' up for all those years you were stuck with me?"
"Fuck you!" you seethed, pointing your finger in his face. "You fucking asshole! Who the hell do you think you are? And why are you keeping tabs on me, anyway? What I do isn't your goddamn business anymore, so leave me alone!"
He buried his face in his palms and rubbed his eyes aggressively before taking a deep breath and trying again.
"I know, I know. And I'm sorry."
"What are you even doing out at a bar this late, anyway? Shouldn't you be home with your kid?" you said, leaving out the part about him being a single dad now, refusing to give him the satisfaction that you already knew.
"My mom's watchin' Sarah, wanted to give me a break," he mumbled. For some reason, hearing his baby's name made you freeze. Sarah, Sarah, Sarah. "It's just us now," he continued, and you swallowed tightly, finally letting him speak. "She left us a few weeks after Sarah was born. Said she couldn't handle it. I told her it sounded like that post-partum... whatever it's called," he continued, taking a step back so he could rest his tired body against the building behind him. "But she just got more and more distant and one mornin' I woke up to Sarah screamin' her head off in the crib and a note on her dresser."
You clenched your jaw, biting back the instinct to express your sympathy. Even through all your rage you couldn't help but feel a little bad for him. You could see it in his eyes. They weren't bright and playful like they used to be. The past year aged him.
"I made a mistake but I ain't gonna abandon my kid. Don't get how anyone could," he said softly, "she's just so small 'n helpless 'n I'm all she's got."
You took a deep breath and averted your gaze, staring up the street at nothing in particular. Even if you felt bad for him, that didn't change what he did to you: a betrayal worse than anything you had ever experienced. When you opened your mouth to tell him that, he spoke first.
"I still love you."
Your shoulders sagged and you closed your eyes.
"How stupid do you think I am?" you asked quietly. His tired eyes roamed over your face helplessly. "Your baby mama left you and now you're feeling overwhelmed so you thought you'd try crawling back?"
"That's not what this is," he insisted. "I didn't know I'd see you here tonight but now that I have, I couldn't let you leave without tellin' you I've thought about you every single fuckin' day since you left. Even the day Sarah was born, I was starin' down at her wishin' you were her mama instead." His eyes began to glisten, filling with unshed tears as he poured his heart out to you on the sidewalk. "I fucked up, baby. But if-"
"Don't call me that."
He ignored you and kept talking. "But if you gimme one more chance I promise I'll make it up to you." He gazed at you, blinking back his tears while trying to read your expression. "We got so much history together, there's gotta be something left. Somethin' worth fightin' for."
You tilted your head to the side and shook your head sadly.
"Sorry, Joel," you replied, watching as his face fell. "You made your choices, now you gotta live with them."
You turned and began to walk in the direction of your apartment, proud that you stood your ground but still feeling a pit in your stomach as you left. He wasn't wrong. You had a lot of history together and the hardest thing you ever had to do was walk away from him, but you knew in the end, you had to put yourself first.
Before he was out of earshot, you turned back around, spotting him standing in the same spot against the building staring down at his feet.
"Hey," you called out, and he quicky looked up.
"Good luck. To both you and Sarah. I mean it," you said sincerely. "You're doing the right thing, Joel."
He slowly nodded and you turned back around. Pulling out your phone, you saw a missed text from Mel asking where you were.
I'm gonna be okay, but I'm going home.
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ninyard · 1 day
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how do you think jean would be post tsc duology with his sexuality with jeremy like i feel like he’s been put into this submissive role at the nest but idk if that was something he enjoyed
Oh you’ve opened a can of worms anon. Here’s a not so short but typically messy, as per usual, look into Jean’s sexuality.
Firstly, I think there are a million different nuances and anomaly’s and sides to Jean’s sexuality. Jean Moreau: whose first girlfriend was a plane ticket to the United States. We don’t know much about his childhood, but we can only imagine it wasn’t pleasant; If he’s anything like Neil, did he date at all as a kid/young teen?
So - let’s picture it. We’re a little while into Jean’s time with the Trojans, we're a little while into Jean and Jeremy figuring each other out, and the sex conversations comes up.
Now, personally, I don't believe that Jean's response to his trauma is anything like Andrew's - we've seen he doesn't seem to have an issue being touched, and nor does he seem to have an issue with sexuality in general. But things that I believe he does have a problem with?
His sexuality, and knowing what he wants vs what he believes is expected of him.
I think Jean has an incredible amount of shame around his interest in men. Most of it having been beaten into him, instilled by Riko into him. I think his gut response to pull away and reject advances and pretend his interest in men doesn't exist comes mostly from that, or from hearing Kevin say to him that it was far too difficult a life to be the child of a legacy and interested in men. How the public would react, how professional exy teams and the media would respond; it's always easier to be heterosexual. It always has been.
The first hurdle Jean has to jump over is that; allowing himself to desire men, to feel like that is okay, to feel like he deserves the way that Jeremy looks at him. The Trojans help, far more than they even know. Cat and Laila help. All of the queer couples and out-and-proud folks on the team help. Immeasurably. It normalises it for him, and he sees how safe they are, how unpunished they are, and whether its subconscious or not, being around them all really helps destroy his bone-deep shame. But he gets past it. At some stage he admits that his sexuality is unimportant to him, as it truly is, but he feels comfortable enough say well, yes, his attraction does also extend to men. It will never be more important that Exy. But it exists. It just eventually becomes a far smaller deal to him that it had originally been.
Skip some time, some awkward and painful conversations, and Jean and Jeremy are together. How that happens, I don't know - do they hook up first? Do they date for a while before they get there? But, when they get there, there comes this point a handful of times in where Jeremy realises he has been leading their encounters a whole lot more than Jean is. In fact, when he thinks about it, as comfortable as Jean insists that he is, he is not in control at all. He follows Jeremy's lead. Jeremy thinks about Kevin's awkward comment the day he was asked to sign Jean.
"Tell me what you want." Jeremy says, having thought too much about it, having wondered if he was imagining things.
"You," Jean responds, maybe. "That is all."
Jeremy sits back and he looks at him, and Jean looks back with that gorgeous and confused look draped across his pale complexion. Somehow they talk for a little while, and find themselves at the point:
Is this how you actually want to have sex, or is it just how you think I want you to have sex?
And Jean doesn't know. It's the question that sends him spiralling, because he hasn't even realised it. He hasn't noticed how he is simply complacent, uninvested in his own desires and pleasure in order to keep Jeremy happy. It's not that he doesn't get pleasure from it, of course he does, but he will not take a step out of line if Jeremy is happy. I think he might have to stop for a while, stepping back from sex while he tries to understand his relationship with sex itself. He's too used to being used and having expectations put on him that he knows no different. He doesn't know what he likes. He doesn't know if he prefers to top or bottom, to be submissive or dominant, or any other thing like that; it's a no-mans land that he's spent far too long people-pleasing in that he's forgotten that he's allowed to enjoy it as well. So I think that takes a lot of time and unlearning to see his own pleasure as something worthy of investigating.
Jeremy is patient, of course, and while he sees how much of a "step back" Jean has taken in terms of being okay with sex, it's worth it; sure, Jean never much had a problem with it, and maybe bringing it up caused a problem, but it sparks that thought in Jean's brain. That curiosity about whether or not the role that he plays during sex has been built by the nest, or if it's what he genuinely likes to do. As I say, it takes a lot of unlearning for Jean. A lot of unpacking of what happened to him, and a lot of really, really hard conversations.
His body is his own, and he knows that now. It does not belong to Jeremy. Again, not that Jeremy thinks so either, to be very clear. He knows Jeremy doesn't think so. Not one bit. But he has to understand that himself. He doesn't have to read Jeremy's micro expressions to figure out what he wants him to do, he doesn't have to just keep him happy. Intimacy can only exist in an environment where it is reciprocated. And while he cares deeply for Jeremy, if he is ignoring his own desires in order to maintain peace, he is not being genuine. He is simply submitting because that's the only option he's known. That's the only choice he's ever had.
I think Jean loves sex - I think Jean really, really enjoys having sex with Jeremy. I just think it's also evident quite quickly that he isn't even thinking about how he affords Jeremy all of the control in every scenario. Jean is submissive because that's all he knows. And I feel like it takes a while and a lot of talking for him to leave that habit behind and freely, unashamedly, fuck without expectation for him to be a certain way or act a certain way. That doesn't mean he has to be a top or a bottom. It does mean that he has to stop himself from studying every twitch and tell on Jeremy's face to try understand completely what the Captain expects of him.
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avonne-writes · 1 day
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A quick birthday drabble for @swifty-fox 🩷🎂 Happy birthday, dear!
Here's Chick Harding's POV, picking up from the end of my latest HS AU chapter. It’s Gale's 18th birthday 😊
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When Georgia said she was going to go get the birthday cake they ordered for Gale, Neil thought she'd be back in half an hour. But it's been two hours and there's still no sign of her. As he predicted, the boys didn’t really need any distraction at first, but when he hears the sound of them coming down from upstairs, he knows that time's up. He’s gonna have to cover for Georgia or spoil the surprise. From his seat in the old armchair, he increases the volume of the soccer game he’s watching and pretends to be engrossed in it. He hopes that it catches their attention instead of the empty driveway.
As they approach, he hears them rib each other about one of those video games they play online with their friends, then Bucky throws himself down on one end of the sofa, Gale on the other. Bucky stretches his lanky limbs wide and yawns.
"Chelsea-Arsenal?" He says before he has even closed his mouth. "Ugh, that was one shitty game. Look at that corner. Did he wanna shoot a pigeon or something?"
Neil chuckles. He loves that Bucky has no filter whatsoever when he's comfortable, and it fills him with warmth that they are close enough now to share mundane moments like this. It feels like belonging. He feels blessed that he took his chance and asked Georgia out that hazy summer day one and a half years ago. Every day with her and her family has been a gift so far. Even the hard ones.
At the thought, he glances over at Gale, who's staring out the window instead of watching the game. His legs are curled up under him. On the opposite end, Bucky swings his own up on the cushions to sprawl sideways on the couch. He’s too long to fit, but instead of settling down with his knees pulled up, he starts kneading at Gale’s thigh with his feet. Gale ignores him. How, Neil can’t fathom, but the boy looks like he’s so used to that kind of behaviour that it doesn't even register to him.
"Where's Georgia?" He asks Neil after a moment.
There’s an edge to his voice that Neil can’t place, something anxious. Always so hard to read. Neil wishes he could just comfort him with a hug, a friendly clap on the back or a terrible soccer game rerun, but Gale continues to be unreceptive to him. It makes sense, he thinks, stomping down on the anger rising in his chest as he thinks of Gale's father. Gale doesn’t know, but he and Neil had an altercation after they moved Gale out. But Neil can be intimidating if he wants to be. He doubts that the alcoholic bastard is going to cause them trouble again.
"Getting some groceries." Neil lies smoothly.
Bucky groans. "What groceries? Fridge is chock full already, there's nowhere to put it."
"Damned if I know, boy." Neil spreads his hands, faking indifference. It works seamlessly on Bucky, but a hint of sadness appears on Gale’s blank face.
"I would've gone with her if I'd known."
No wonder that Georgia asked Neil to cover for her. She must have known that Gale would want to spend time with her today and to help out wherever he can.
Neil opens his mouth to say something but Bucky beats him to it. "I can take you to Walmart if you want."
Amusement tugs Gale's lips into a smile. "Walmart?"
"Anywhere you want." Bucky straightens his legs to plop them on Gale’s lap. He scratches his chest. "See? Chivalry isn’t dead."
Gale's smile widens, digging into the apples of his cheeks. He shoves Bucky's legs off.
To Neil's relief, the sound of tires rolling on the driveway and a purring engine interrupt the conversation. Finally! She's back, and Neil hasn't fucked up and ruined the surprise yet. He pushes himself up from his seat and stretches, cracking his spine. Bucky yawns again, then gets up to walk off towards the front door with resignation, expecting bag upon bag of food that he’ll have to haul in from the car. Neil is about to follow him when he hears Gale's tentative voice.
"Neil?"
"Yeah, buddy?"
He can count the number of times Gale addressed him directly on one hand. He turns to look at him curiously. Gale is taller than him, but he looks small as he smooths a hand over his long hair in discomfort.
"I was wondering..." Gale clears his throat, then stands up straight and looks Neil in the eye. "...if you knew any part-time jobs you could recommend. Maybe at a garage? Or something. I can learn anything."
Neil hums, impressed. "I'm sure we can find something." An idea occurs to him. "You’re good with spreadsheets, aren't you?"
When Gale nods, he grins. "I think I have just the thing for you."
That draws a smile to Gale's lips too.
The front door opens, and first Bucky, then Georgia walks in, twin grins on their faces, eyes squinting in their joy. Her auburn hair looks windswept, tumbling over her knitted green scarf, and her cheeks are flushed from the cold. Neil wants to sweep her into his arms and kiss her skin warm again, wants to hear her laugh against his chest.
But he’s not the one getting hugs and kisses today. It's not his day, and he doesn’t mind it one bit, because he gets to see Gale's expression shift from curiosity to surprise, then joy as he spots the box Georgia carries carefully to the kitchen. She sets it down on the table and opens the carton to reveal Gale's cake. It’s covered in fondant decorations shaped like his favourite things, and cursive letters wish him a happy birthday in the middle of it.
"Oh." He says when he sees it, then looks up at her.
Neil can’t see his expression but he sees hers crumple for a moment as she pulls him into a hug and kisses the side of his face. She closes her eyes as she holds him close.
"Happy birthday, sweetheart."
Gale mumbles a thank you into her shoulder.
After a moment, Bucky steps closer too and wraps his long arms around them both. That makes them all laugh. For a second, Neil feels out of place, but they pull back from the embrace, and the next thing Georgia does is drawing Neil into one too. She smells like the sweetest flowers and fresh winter air, like Christmas and home. To Neil, she's all that and more.
She gives him a sheepish smile when she steps back. "How did you know I was going to get groceries too?"
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grooviestguru · 8 months
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sometimes i think about how neil's first words to the foxes after baltimore was to immediately ask where andrew was, and i wonder if andrew heard him
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heartyearning · 9 months
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has anyone here read hawk mountain by conner habib? i really didnt like it but i cant figure out if its just due to the narration
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fuckyeahgoodomens · 5 months
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Neil Gaiman and Rob Wilkins at the British Library event The Worlds of Terry Pratchett: Neil Gaiman and Rob Wilkins 21.11.2023
Neil: The weirdest bit, the one moment that I remember as being the strangest, most quintessentially writing Good Omens together moment was when we had to copy edit it. And we copy edited it in the basement of Victor Gollancz, which at that point was in 14 Henrietta Street. And the basement was a basement. There were chairs down there, no tables or anything. So we're sitting in these card chairs in this... my recollection is it did have a carpet. And the carpet was kind of damp. You know, beneath that carpet there was sort of strange puddles of... publishing. And Terry and I just sat there and we were both copy editing away. And then there was a point where Terry looked up and chuckled like anything. I said, 'What are you chuckling about?' He said, 'That joke you put in.' I said, 'Which one?' Because, you know, you want to hear which one. He read it out and I said, 'I didn't write that one'. He said, 'Well, I didn't write it'. And at that point you could tell from our eyes both of us had come to the conclusion that perhaps the manuscript was generating itself. And neither of us was prepared to say this out loud for fear of being thought a bit odd.
(you can watch the whole event here :))
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neil-gaiman · 4 months
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Hello Neil, my name is Zalean. If you have a few minutes, I wanted to tell you a little story. Not really a question and I’m not sure how to use tumblr but I wanted to say thanks so much for coming to Florida a few months back and talking with Art Spiegelman. It was my first time ever figuring out how to buy tickets for something. I lived in, middle of nowhere, Vermont for most my life and had no idea what I was doing, I had never been to anything before, nothing had made me excited enough to do the 5 hour drive. And then you just appeared 20 minutes away from where I am living now.
See, I was just starting to get to know your books and work because I fell in love with Good Omens so deeply when I discovered it during season twos release. Funny thing is, I knew of you all along without even realizing it, Stardust has been my favorite book and movie since I was a kid because it was my dad’s favorite story. Finding out my two favorite things were actually connected, I started trying to get hands on as many of your books as I could. I hadn’t read in years before finding your books. It was eye opening.
The talk event at the Dr.Phillips Center was sold out by the time I knew about it, someone had asked me if I knew of the event when they saw my Good Omens keychains my mom had made me. I called the box office because there is no harm in asking. I explained how I’m an art student at UCF and desperately wanted to be inspired and learn from you both. The customer service people were amazing and ended up calling me back to get me a seat in the orchestra pit before they were released to the public. I drove alone, I walked there alone, I sat alone, and it was worth it. I was so thankful to get a seat and grateful to my professor who was a bit jealous he didn’t know about it but let me leave class early to go because of course the art professor would be understanding for any learning opportunities in the arts. And it was truly wonderful, it seemed real and that’s what I wanted. I didn’t want a show. I just wanted to hear, in some sense, that you were like everybody else. I brought a notebook and pen for any information or story’s that I thought made a difference to my little life. The other people around were wonderful, you inspire kind people.
Like I said, I had never been to anything like this and I didn’t know what to expect. I didn’t know you would have signed books and I only found out because the people next to me came in late. I asked them why they brought the books after it was over and the lights turned on. They did look at me like I had three heads for a moment until they realized I didn’t know there were books to buy, they looked kinda sorry for me but they were so nice. I had never really thought about the importance of someone’s scribble before this but it’s something that proves you were there. It says “Remember when this person made you happy? Remember when they changed your life? Remember when they gave you hope? Look at this and remember.” I hope to see David Tennant and Michael Sheen to get an autograph now that I understand the meaning behind it a bit more but honestly I just love diving into everyone’s projects, the wonder you all create. Oh what fun it is to live a life full of stories!
The people that were sitting next to me let me look at their signed books and hold them. I flipped through some of the big ones, handed them back and expressed my gratitude just to be in the theater. I showed them all my little quotes I wrote down, I never want to forget why I create things and you say so much about never stopping, always creating. Then the women handed me a different book, a smaller book, but when I tried to hand it back, a bit confused, she softly placed it back in my open hands and said “I want you to have it, we have plenty and I want you to love these stories just as much as we do. It’s just starting for you, I want you to remember who started it”. The book she handed me being“The Ocean at the End of the Lane”. The first book I decided to read by you and had just finished a week before. The women had no idea she given me a signed copy of the book that made me want to read again. Your books make the world better. For such a big theater and such a big stage, I just wanted to tell you my little point of view.
The story you told about wishing you enjoyed the past more than you did, I hope you get to enjoy it now, and I hope you want to. And thank you, to you and to Terry Pratchett for creating something special. I convinced my dad to watch Good Omens with me over December break, he loved it.
I forget sometimes that everything is someone's first time, and then I read something like this and feel like I need to remember that better. I'm glad the people beside you were kind.
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armageddidnt · 9 months
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Welcome to My Collection of Random Thoughts during my nth* rewatch of Good Omens Season 2
*only amazon prime knows the exact number at this point but I’m fairly certain it’s in the double digits
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Episode 1: Gabriel’s fly lurking in the box when Aziraphale first takes it inside 👀
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Crowley’s promise of “two minutes” basically means that he’s been homeless and living in his car for the past 4 years strictly so that he can be within 2 driving minutes of Aziraphale at all times in case his angel needs him I’m not crying you are
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So here I think the key word is “fragile,” Crowley knows they are ostensibly safe from their respective sides but that could change at any moment so he’s basically spent the last 4 years in anxiety-ridden terror hovering as close to Aziraphale as he can to try and protect him from heaven, hell, and anyone else that would want to bring him harm after all that business they pulled in season 1 with stopping Armageddon
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Episode 2: I just happened to pause the episode while Aziraphale is lying to the angels about his miracle and LOL Michael really outdid himself here (Sheen, not the Archangel)
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Gabriel trying to swat flies and almost smashing the repository of every single one of his memories
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I’m cAckling
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So if Good Omens exists in Good Omens, does that mean Neil Gaiman and Terry Pratchett exist in Good Omens?? Do you think they based their Aziraphale and Crowley characters on Aziraphale and Crowley??
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Episode 3: So I’m trying to find any hints or foreshadowing of the Gabriel Beelzebub thing bc tbh I did kind of feel like it came out of nowhere which is really the only issue I have with them. I found this one scene where Beelzebub almost ?? seems to be concerned about Gabriel ?? But it’s blink and you miss it and there could be lots of other reasons why Beelzebub doesn’t want to fail in locating Gabriel (pressure from/leverage over heaven, etc) so idk
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More Foreshadowing Fly content 🪰
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Episode 4: So here we’ve seen that Shax can just appear inside the Bentley bc she did it earlier to talk to Crowley. Shax only pretended to be a hitchhiker so she could be invited in because Azirpahale was driving so technically she needed permission to cross the threshold of an angel 👀
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This scene will never not destroy me the 1941 flashback is the absolute sOFTEST thing ever to happen on this show
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We really need more context here I need to see the Crowley-Furfur Monkey Rides
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Episode 5: ahahaha thank you google translate for absolutely destroying my sanity this evening
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POP goes the Ziraphale
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Okay I know you can’t hear it in the gif but just before Nina takes Maggie’s hand, there’s a very quiet miracle noise, like Azirpahale literally MADE Nina dance with Maggie, he said I’m writing a Mina Jane-Austen-Ball-AU and my otp will KISS godDAMMIT
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Azirpahale seems lowkey kind of manic this whole scene tho, he’s controlling literally everyone to force Nina and Maggie together and whenever Crowley says anything that pokes holes in Aziraphale’s Magical Jane Austen Ball Fairytale, Aziraphale just straight up denies it. He wants Nina and Maggie to dance and he wants him and Crowley to dance and he refuses to acknowledge anything beyond that.
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Is this just Shax insulting Crowley for how much of a nuisance he’s been or a reference to his former status as an angel ???
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They’re both completely dismissive of each other when they’re trying to say something important and that’s the main issue they’ve been having this entire season tbh
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Episode 6: I think it’s funny that Crowley describes the angels as bees here because in the book, Neil/Terry describe humans the same way. Guess we have more in common than we thought huh?
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So the metatron was the one who originally decided Gabriel would be memory wiped and not sent to hell, and he was also the one that decided not to sound an alarm about Gabriel for some reason and said ‘just go find him yourself’ instead. The metatron has definitely got his own agenda and you can bet he doesn’t want Aziraphale up there in heaven because he’s a “leader” and he’s “honest” like that’s exactly what Gabriel was and look where it got him 👀
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There’s just something I can’t quite put my finger on about the metatron bringing Aziraphale a coffee from “give me coffee or give me death” and then asking Aziraphale if he’s going to take the coffee he’s giving him…
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I have not seen a single person talk about this since s2 came out but Nina literally calls Maggie “angel” because that’s the term of endearment they hear Crowley using for Aziraphale !!!! I’m still going fERAL over this and I can’t believe no one else is eitHER
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Something about this part of The Final Fifteen compared to this scene from the first episode is so representative of the entire season. Azirpahale keeps saying “my way or get out” and Crowley finally hits a wall and can follow Aziraphale no further. So he does just that. He goes.
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I’m sure a lot of us by now have seen this post that brings up how Aziraphale literally pushes the remains of Crowley into his mouth and swallows and it’s the only thing I see when I watch this now
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We still don’t know for certain if Crowley queued up this song to play on their way to the Ritz or if the Bentley started playing it all on its own and it’s driving me insane
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Basically how I am doing after my Truly-Alarming-Number-th watch of this traumatizing episode/season. WELP hope you enjoyed this garbage dump of my thoughts and feelings time to go cry for a bit again BYE
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averywiseanimatedcat · 4 months
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6 months on it still thinking about how much of a shock that kiss must’ve been to Aziraphale.
The way Crowley steers his cooperation around really gave Aziraphale no warning at all. I was thinking about the development of their body language and it’s interesting to me so have an analysis under the cut.
Crowleys body language doesn’t change all that much over the course of their history. After their initial meetings as angels then in Eden, Crowleys already leaning in, orbiting and slinking around in quite a comfortable, familiar way. He tends to angle his body towards Aziraphale and stands quite close to him. He shows no sign of being fearful or uncomfortable. He quite happily moves in and around Aziraphales personal space without a care in the world even when they hardly knew each other yet.
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Aziraphale however starts out looking guarded and unsure. He often stands facing forward while talking to Crowley sideways.
As we go through history Aziraphale becomes more comfortable. He opens up, starts to angle his body more towards Crowley, stops guarding with his hands and moves into Crowleys space on his own. And he starts to initiate physical contact where it’s not even necessary.
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But the only times I can think of Crowley initiating physical contact before the kiss are ones that could easily be written off as just friendly or something else like
The wall push (which was aggressive)
The magic shop handshake is practical for sealing the deal
The handhold for the swap (mutual initiation, also practical we assume)
Sitting on the arm of the chair and kinda sorta leaning on Aziraphale when Muriel turns up
Crowley also tends to reject Aziraphales touch by removing himself from it like in the 1800’s, dodging with some roundabout footwork or leaning away. With moments like the pub or the shoulder touch he doesn’t have much of a visible reaction. Granted his eyes are hidden but Aziraphale probably thinks he just doesn’t like being touched. And yes, Neil said they like holding hands, but do they know the other likes holding hands?
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And I can hear you say ok then why does Crowley always put himself within touching distance if he don’t wanna be touched? Yeah, he does, but from Aziraphales perspective Crowley has always done this. He’s always been standing close or leaning in. It’s just how he is. Aziraphale is the one who’s changed. He’s become walking megaphone just blasting ‘please hold my hand before I discorporate on the spot pleasepleaselpleaseplease…’
Aziraphale is clearly a physical touch being. He reaches for Crowley in the most stressful or emotionally charged moments. And I think he has been holding back (we can see that on his face) but there’s times where he seems to stop himself mid motion from touching Crowley. Such as after Gabriels appearance and Az is trying to keep Crowley calm
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When Crowley says he’s going to take the humans out
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And when Crowley goes to take Maggie and Nina out of the bookstore when Heaven and Hell are there. There is a safety element here as it’d be unwise for him to show his affection with Heaven or Hell around but Aziraphales first instinct is to reach for him. But Crowley just gets out of the way like he does it all the time. It’s another dance they do, Aziraphale pursues with physical affection, Crowley avoids. And Aziraphale doesn’t want to cross boundaries he’s perceiving Crowley to be putting up around physical affection so he’s holding it back.
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And I think all that is part of the reason Aziraphale looks angry after the kiss. He’s possibly thinking (among many other things) that Crowley has rejected or ignored his physical affection all this time, making Aziraphale think he didn’t want it when he did. And that would be a painful thing to realise when you thought you yearned alone.
So I don’t blame Aziraphale for being upset when he gets this sudden enormous dose of physical contact out of the blue. He had no warning. On the contrary, Crowleys been acting like a big, prickly, demonic cactus. And it would’ve been endlessly confusing to be kissed after years believing the want for even the lightest of touches wasn’t reciprocated.
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miheartsedthings · 2 months
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dom billy x sub reader. angry sex.
He’s had a fight with Neil and takes his anger out on you as stress relief. Full on rough missionary sex where he breaks the bed. Ofc that doesn’t stop him hehe. some after care at the end please.
Took me a minute to figure out how I wanted to do this, but it finally came through! Hope it's everything you hoped for :)
@billysbot
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Use Me.
NSFW 18+ only. DomBillyX SubbyReader
Warnings: Angry sex, punishment, mean/aggressive Billy, dacryphilia, rough play, degradation/praise kink (a blend).
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Billy can’t seem to ignore calls from his dad and he doesn’t know why. When his name pops up on his phone every instinct in him says to ignore it, yet theres some deeper drive pushing him to follow through. He picks up, and then hates himself for it later. That man has a talent for disguising his cruelty as parental concern and being states away from Hawkins hasn’t changed that. He’ll call every other week to ‘check in’, interrogating Billy about his progress in college or how much he’s making at the garage. What bothers him most is when his dad inquires about you. 
“That girl still putting up with you?” or “Sure you didn’t drug her?” and sometimes, “What do you two even do together? Paint each other’s toenails?” 
All of this is accompanied by laughter, playing it off as a joke until Billy shows it bothers him. At which point Neil turns reprimanding. 
“So damn emotional. Did I not teach you well enough how to be a man?” 
Be a man. 
Billy’s told you about growing up under that command and how impossible it was. Neil didn’t want his son to be a man. He didn’t want a loyal, intelligent, passionate kid. The kid he had. He wanted a pet. Someone he could direct and who would follow orders. Take a kick from time to time and never complain, never fight back, only bend further and further. It was impossible to be this without filling up with some poison. Tidal waves of anger and despair. Billy had felt all of it throughout his life and now he’s away. He’s far from Hawkins and his dad but he’s still carrying it around. His weather follows him, storm clouds erupting above his head when Neil calls. Why the fuck does he answer? 
He started the morning with one of these calls and like no other time it’s filled him with so much fury. His anger persisted through the day, making work drag on. Even his workout was intense as he strained his body, full of indignation. He came home still swelled with anger, his mind rolling over questions that were infuriatingly hard to answer. Why did it still matter what his dad thought of him? Why does he care so much when he makes jokes about you? Why does he answer? Why can’t he stop feeling like a failure no matter what he accomplishes? No matter how often you tell him you love him why can’t he stop wondering when you’re gonna leave? Why can’t he truly trust anyone? 
He comes home, sweaty, and miserable, anger seeping from his pores. He doesn’t look at you when he walks into the little apartment. 
“Hey,” you call from the kitchen where you’re leaning against the counter flipping through recipes on your phone. 
“Hey,” he mumbles and disappears into the bedroom, his gym bag on his shoulder. Instantly, the air is tense. You’ve been around Billy long enough to know when he’s close to erupting. You pad over to the bedroom, leaning against the doorjam. His face is red and tight, eyes dark as he strips from his musty gym stuff. He still won’t look at you. 
“I’m thinking about salmon for dinner but I don’t know.” 
He doesn’t respond, tossing his clothes toward the hamper but not in it. You cross the room and correct this. 
“We could order out–”
“I don’t care.” 
His tone is careless and heavy with warning as he marches naked into the bathroom. Your eyes slip down to watch his beautiful asscheeks as he goes. Then the door shuts, cutting off your view. You hear the shower turn on and plop down on the bed, hearing the old frame creak. You’re not sure what’s got him upset this time, but you’d hoped going to the gym would fix it because you’ve been missing his body all day and it’s killing you. If you were allowed to touch yourself when he wasn’t around, you would’ve played with your toys while he was working out. It would’ve been so nice to fill yourself, fucking your cunt with the dildo he’d gotten you for Christmas, imagining it was him. You catch yourself rubbing your thighs together, your lips so wet they slip against each other. 
You lay back and pull up your skirt and your hand goes to your panties for just a moment. Just one squeeze of your clit between your middle and ring fingers, making it pulse. A soft sound escapes and you snatch your hand away, pulling down your skirt. It doesn’t matter how bad you want it, rules are rules and you have to be good. You get up and cross to the mirror on the dresser. Maybe it’s not so unfortunate that he’s mad tonight. He’ll need a release for all that aggression.  
You change into a dress you know he loves on you. The one you’re not allowed to wear out because it hugs you so well, showing off your cleavage and riding up when you walk. Once dressed, you pluck a book you’ve read a dozen times from the shelf and lay on your stomach on the bed, ass facing the bathroom door. You consider taking off your panties, but he likes peeling them off himself. So you lay there, unable to see a single word on the page because all you can visualize is him diving face-first into your pussy. 
He’d eaten you for a solid hour a week before, slow and sloppy while you lay there melting into his mouth again and again. The memory sends a shiver through you. Then, you remember just the other night, you’d aced a an exam he helped you study for and your reward had been getting filled from behind while a vibrating buttplug pulsed in your ass. You came so hard it made you cry. God, you want that again. Behind you, the shower turns off, and your stomach flutters with anticipation. You stop your wiggling hips, sometimes they move on their own but right now you have to be patient.  
The bathroom door opens and you jolt, staring uncomprehendingly at the book in your hand. You hear Billy stop in the doorway, feel his eyes on you, giving you goosebumps. The silence feels like a living thing. It breathes between you and hardly leaves room for your shallow inhales. He moves, and his towel is flung across the bed beside you, flustering your nerves again. 
“What’cha doin?” 
His tone hasn’t softened a bit, and when you look back at him, you’re met with the same cold expression. If anything, his anger has set in further. His brows are a hard line above his darkened eyes, his jaw set. He looks at you, completely unamused and you’re nervous for a moment that you won’t pull this off. Then, your confidence returns, you raise your brows, your face relaxed into perfect innocence. 
“Me?” you ask, your voice kitten soft, “I thought I’d read a little before making dinner.” 
While you speak, you slowly move back onto your knees, your ass poking up for a moment before you sit up, your legs folded under you and sitting on your heels. The perfect little princess pose. Your gaze moves down his chest, eager to see the rest of his naked body, but he grabs your chin, lording over you. 
“Uh uh, eyes up here,” he says. You look up at him, and you know he can see the desire in your eyes. He shakes his head. “You don’t want this right now, angel.” 
His warning makes you salivate. 
“Of course I do.” you say with complete sincerity “Fuck it all out.” 
A thrill pulses down into his groin. He glares. 
“I’m gonna hurt you.” 
“Please.”
He scoffs. 
“Really, baby?” 
You nod, your mind full of fantazises, his cock driving into you, your eyes spilling over with tears, his strong arms forcing you into a hold while he cums on your face or in your ass or- he yanks you out of your thoughts and off the bed. 
“Fuck-so fuckin dumb, you sweet little idiot-get on your knees.” 
You obey, dropping to your knees, back in Princess Position. Finally allowed to look, your eyes are filled with his beautiful dick as he strokes it in your face. Your mouth falls open before he can ask, your tongue lulling out to eagerly flick at the drops of precum seeping from the tip. He grabs a fistful of your hair, sharply yanking you back. 
“Did I say you could taste it yet?” you shake your head. “Huh?” 
“No.” He smacks you quickly across the cheek. “No, sir.” you say, nearly panting from excitement. Your brain goes foggy as you watch him stroke himself. He lifts up his shaft, pushing your face underneath. Instinctively, you gently suck one of his balls into your mouth. 
“There,” he groans. “That’s what you get until you earn my cock.” 
You accept this, setting to work messaging his balls with your mouth, one and then the other, making him groan each time you envelope one of them. Your hands are crossed behind your back, and you know if you move them he’ll punish you, but you want so badly to get a hand around the base of his balls while you suck them. You moan at the thought, and the feeling of his nutsack on your face. 
He pulls your head back and you open your mouth just in time for him to roughly shove his dick down your throat. 
“Fuck,” he groans, pushing your head onto it with both hands. You squirm as it meets the back of your throat and he starts fucking your face harder than you were prepared for. Your throat fills with thick spit, your eyes already stinging. “You’re such a good slut, baby,” he says “Dumb. Fucking. Princess.” 
With those three words he thrusts his cock into the back of your throat three sharp times and on the last time you gag, your throat starting to hurt.
“Ohhh,” he chuckles darkly, then pulls your head back just long enough to stick his fingers down your throat, collect a gooey spread of saliva and slap it across your face, rubbing it over your lips before ramming himself back in. He helps guide your head as you take his length, the sound of his cock churning your throat mixes with his gruff moans. You can't help wiggling, finding friction grinding against your heel. You moan as you work your clit against your heel, your panties so wet they're stuck to you. 
He yanks out his dick and bends to bring his dark eyes level with yours, glaring.
“Are you fucking yourself without my permission?” 
You shake your head. You didn't think it was possible for his expression to harden any more, but it does, and his grip on your hair tightens.  
“You're picking the wrong time to disobey me.”
He commands you to move your heels out to the sides so you're no longer able to sit on them. Then, he reaches down and yanks up the front of your thong, making you yelp as your sensitive pussy is instantly in pain. 
“Hold this.” 
Your hand takes up the thong, now pulled taut up to your belly button, so tight you feel every pulse of blood to your already aching clit. He reaches down and smacks it, making you jolt and yelp again. 
“Don't you move.” 
You nod, and then he's back in your mouth. He slams himself in until your lips are flush against him and then fucks your throat. Spit dribbles from your chin and you struggle to breath as he stuffs your mouth over and over. You can't stop feeling the ach in your clit, screaming for release from the tension of your panties. Billy uses your throat like a stress reliever, unrelenting in the way he pounds into it, his head falling back in pleasure. Your eyes travel up, admiring the rolling mounds of muscle along his body. His strong, arms and chiseled shoulders, all the way up to his throat, where his Adam’s apple is on display, God, you sometimes fantasize about rubbing your clit around that perfect bone. 
Your jaw burns, and your eyes water, clouding your vision. Your mouth is just a hot, softened hole for him to play with. He looks down at you, admiring the empty look in your eye. Meanwhile, your legs are falling asleep. 
“There she is, my favorite little dummy, finally being good for me.” 
A rush of pleasure pulses harshly through your tortured cunt and tears finally spill down your cheeks from the roaming flushes of pain in your body. Billy gives you a few more merciless thrusts before pulling your head back, leaving you slack jawed and panting, drool slicked down your chin. 
“Get up,” he says, grabbing you by the arm he forces you to bend over. You know better than to let go of your panties or move your other arm from behind your back, so you land face first in the duvet while he runs a finger along your horribly tender pussy. 
“Looks like it hurts.” He says, a sadistic thrill in his voice. 
“Yes sir,” you whimper. You don't see the little smile on his face when you say that. 
“Let me help.” 
You think he's going to say you can let go, instead he smacks your ass so hard it genuinely scares you, forcing you to cry out in pain and surprise. The sting is still bright when he does it again and then a third time, drawing pained whimpers every time. You bury your face into the duvet. 
“Better, yeah?” 
You don't answer, and he's not really asking. He shoves two fingers in your pussy, a bittersweet rush of pleasure bumps against your tortured clit. He moans at the feeling of your pussy gripping his fingers. 
“So greedy for me.” 
He grabs you, tossing you on your back so roughly the bed frame creaks again. You quickly correct your hand, pulling it from behind you and placing it on your belly, where he likes it. Your eyes still teary, you're praying he releases your clit, but be doesn't. Instead, he kneels on the ground, a cruel grin taking over his features as he places his hot mouth over the cloth choking your pussy. It's so close to being pleasurable, so close to the thing you want that it actually makes you start whimpering. 
“Please,” you whine, earning a rough slap against your clit, making you cringe in pain. 
“Did I say you could speak?” 
You shake your head. 
“No, sir.” 
“I didn't think so.” He shakes his head “I'm really trying to be nice to you, baby.” 
He grabs you and repositions you on the bed, getting between your legs. Your mind fills with pleading for him, your desperation clear on your face as you impatiently watch him stroke his cock just outside your entrance. 
“Hold that leg back,” he commands and you use your free hand to obey, holding your leg behind the knee while he pushes down the other one, lining up with your cunt. Please, please. But your hopes are dashed when he pulls your panties aside just enough to push his cock in, but not enough to end your suffering. A little sob leaks out as his thick length fills you. 
“Fuck,” he groans, his eyes rolling closed. “Such a perfect pussy.” 
His cock fills you, adding internal pressure to the strain against your clit. His hand comes down over your throat as he picks up speed, staring you right in the eye as he drills into you harder and harder until every smack stings your ass. He fucks you like he hates you and all you can do is take it, tears streaking down your cheeks. Pained little sobs blend with moans as your body is overwhelmed with conflicting tides. Meanwhile, Billy is in pure bliss. His cock stretches your pussy just enough, filling you so much you're kind of amazed you can take all of him inside. 
He grabs the hand holding your panties and gives it a yank, forcing you to yelp in pain, a fresh crop of tears start falling and at the sight of it Billy moans again, keeping up his punishing rhythm. He pounds you into the bed, and after one particularly hard thrust you feel one of the support beams snap underneath you. For the first time all day, you see Billy smile. His hand goes to your panties again and you flinch, bracing for the pain. 
“Want these off?” 
You nod rapidly. 
“Yes, sir. Please.” 
 “So polite, what a sweet little whore you are.” 
He slips your panties off and the relief that washes over you is so immense you start to cry as he gets back to fucking you. 
“Fuck,” you whimper out, unable to help yourself. The contrast is so incredible, and your clit is so sensitive that every brush against his pelvis makes your body shiver. Billy zeros in on this and asks you to touch yourself while he fucks you, your other hand still holding back your leg. All you can handle are slow swirls on your clit, but it's enough to make the shivers roaming your body constant and heavy. 
Your eyes go unfocused as you get lost in the feeling of him fucking into you over and over. It feels so fucking perfect it makes you sob. 
“Baby,” the word dribbles out against your will and his mouth comes down over yours. He's so good to you, helping you keep quiet because he knows you can't help it. He's so thoughtful. Your breath catches as your stomach drops and you feel yourself getting close. A nervous moan purrs onto his tongue while your pussy is slowly turning to liquid gold. 
“Yeah,” he coos against your lips, “Cum on my cock, cum like a slut.” 
Your pussy walls squeeze around him while your whole body thrums from the inside out, humming like a rung bell. You can't help the tears and the babbling words falling out of your shaky lips as you ride the delicious fullness of this feeling. His hand moves to the back of your neck, still roughly fucking you until his orgasm forces him out of rhythm. 
“Fuck,” he pants “fuck, I love my perfect slut.” 
Those words and his perfect cock are enough to set you off again, your eyes rolling back as he drills you into oblivion for the second time. He pumps thick, hot cum into you, coating you inside and then keeps going, groaning loudly. He kisses your forehead, your brain bleary. Your lower body hardly feels like it exists anymore, all you can feel is a luxurious pleasure and all you can see are his gorgeous blue eyes.
Fuck. This is all you need in life. 
Finally, his hips slow to a stop and the two of you are left panting. The weight of his warm body slowly sinks onto you as he breathes onto your chest. You wrap your arms around his shoulders, holding him. 
He kisses your neck. 
“You okay?” he asks, his voice soft and low. You nod. 
“Are you?” 
His arms wrap around you. 
“I needed that so much, baby.” 
You push your hand into his hair, gently stroking his scalp. 
“What had you so upset, lovey?” 
He snuggles into you, still buried inside you as his body recovers. He groans. 
“Fuck it. C’mere.” 
The two of you make your way into the bathroom where he joins you in a shower. You take your time together, washing each other and taking long breaks to mingle tongues in the gathering steam. His hands are so gentle as they move across your body. So different from the way he was in bed, as a living ball of anger. You lean your head against his shoulder, trying to keep your hair dry but at the same time not caring. 
Later, in warmth and the soft leftover smell of your bodies on the sheets, he pulls you into his lap. He takes your hand into his own, his fingers running along your palm as you lay against him, hearing the rhythm of his breathing. 
“Why do I answer?” 
You’re nearly asleep when he asks this to no one, and your eyes flutter open to find the room growing dark. You can hardly see him in the fading light. Maybe that’s what he wants. In any case, he keeps his eyes down at your hands. You know instantly what he means.
“I don’t know,” you say, “There’s probably plenty of reasons.” 
You turn, touching a hand to his cheek and kissing the other one, your lips trail down to his neck where you nuzzle in, amazed, as you always are, by the warmth he collects inside himself. 
“Fuckin stupid thing to do.” He whispers. 
“It’s not stupid.” you say, softly, your fingers slipping up to play with the hair behind his ear. “It’s just more than he deserves. He’s your dad, so there’s supposed to be something to gain from answering his calls. But he’s a failure, so it’s just bullshit every time.” you yawn, “You’re not stupid, lovey. You’re just too generous.” 
He turns, finding your mouth and enveloping it into a slow, lazy kiss as you lounge on the broken bed. His tongue is soft and salty. 
“Hmm,” you hum as the kiss gives way, “I love you, too.”
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xoxo~
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joelmillersmunch · 2 months
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harvest moon (joel miller x reader)
Summary: Joel Miller can't keep his eyes off of you. And damn, that ass is nice.
Ratings/Warnings: Fluff, some cussing, ass staring. Mostly just Joel Miller being in love and Tommy Miller being a little shit. Age gap, but both reader and Joel are grown adults (like reader is 30s Joel is early 50s) Joel has some anxiety, but nothing too descriptive. Canon divergence. I hope that's everything!
Word count: 845
A/N: I was listening to Harvest Moon by Neil Young the other day and thought to myself, "Joel Miller Joel Miller Joel Miller Joel Miller Joel Miller." Yeah, you get the gist. This was in my drafts from a few weeks ago and so I thought I would finish it. I hope you like it! Just something short and sweet. :) Imagine this gif but as Joel Miller and his beautiful greying hair....
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“Darlin’, you know I don’t wanna do this either, but we gotta,” Joel says, a slightly annoyed gruff in his voice. It’s not like he’s annoyed with you, but he’s getting tired of pleading to get this show on the road. He hears you call back something from upstairs and he rolls his eyes, shuffling his way to the bathroom in which you’re currently occupying. 
“Joel,” You start when he enters through the door. “I don’t mind going, and you know that. What I mind is you not tellin’ me till twenty minutes ago!” You say with a scowl. Your eyes lock through the mirror and he softens.
“”M sorry, sweet girl. Tommy didn’t tell me till we were leaving work today. I had about as much of a heads up as you did,” He says. You can tell he’s sorry, so with a soft huff you turn to face him.
“Well, he can’t be mad if we’re a few minutes late then. I’ll be done shortly, honey. Please stop stressing,” You say, giving him a soft kiss to his cheek. And just like that, everything was okay again. He needed you to remind him that everything is okay. I mean, the world is still ending, but everything is okay. Ellie and Tommy are safe. You are safe. He can’t ask for much more than that. He’s been having some anxiety issues lately, but you’ve been his saving grace. You make everything okay. With a nod, he leaves you in the bathroom alone. Sure enough, you emerge from the bathroom just a few minutes later ready to go. You grab your coats and make your way over to the bar.
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Joel can’t keep his eyes off of you. All night he’s been staring you down from a seat at the bar, lightly sipping a beer. You’ve been dancing all evening with your friends..and Tommy. It was per his request for his birthday. “One dance, please. It’ll be so fun!” The younger brother pleads. You laugh and roll your eyes at him. He looks charming in his get up paired with a handsome cowboy hat on top of his head. He’s always been fond of you, but you always laugh it off and tell him to find someone his own age. He’d usually laugh and tell you to do the same, being that Joel is quite a few years older than you. Joel would usually mumble something and pout as you and Tommy continued to poke fun at Joel’s expense. You all know that Tommy’s crush isn’t serious, so you agree and follow your brother in law to the floor. 
The song changes as the two of you find a spot, and a lively dance song starts. Joel watches the two of you from the bar. God, your ass looks so good in those jeans. They fit perfectly, sculpting your hips and figure so well that he can’t help but swoon over you. He watches as you and Tommy hold hands, swinging in circles like two teenagers. Tommy places the cowboy hat on your head and gives a loud, “YEEEEEEEEHAWWWWW,” across the bar. Joel laughs as you buckle over in a fit of giggles. Joel stands up, finishes his beer and slowly makes his way to you as the song comes to an end. 
“Alright, give her back to me.” He says playfully, but you know part of him is serious. Tommy laughs and gives you a pat on your arm.
“Thanks, darlin’. If you get tired of my brother any time soon, you know where to find me.” He says and shuffles away laughing. Joel rolls his eyes and pulls you closer. The next song begins, the simple guitar strum taking him back to a simpler time. Harvest Moon by Neil Young plays overhead softly, and the two of you begin to sway along. 
“That fuckin’ guy, I swear,” He says and you can’t help but laugh at him. He stares down at you, confused as to what you’re making such a fuss about. “What are you lookin’ at?” He asks. 
“You are such a silly man, Joel Miller,” You say and smile at him. You grab the back of his neck to pull his face closer to yours. “There ain’t no man better than you. I want you. I am yours.” You say, and you take the cowboy hat from your head and place it on his. He chuckles and pulls you even closer, savoring the moment. 
Because I’m still in love with you
I wanna see you dance again
Because I’m still in love with you
On this harvest moon
He leans down, cowboy hat slipping down his head, and gives you a slow kiss. The harmonica and guitar sing in the background. Everything feels perfect. 
“My girl, I love you,” He says. He feels you smile against his lips, never taking yours away. “I love you, too.”
Because I’m still in love with you
I wanna see you dance again
Because I’m still in love with you
On this harvest moon
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A/N: dividers by @saradika-graphics thanks so much!!
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lighteyed · 4 months
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it's no big surprise you turned out this way
steve harrington x fem mayfield!reader
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[3.7k] steve comes over for family dinner. it is absolutely not your idea.
disclaimer- no mention of blood relation to max, no physical descriptors of reader, they are sisters in any way you want them to be. trigger warning for shitty parents and billy h*rgrove. this is not a billy safe space.
dividers by @saradika-graphics and @cafekitsune
thanks for reading if you do <3 enjoy teehee
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You drop a kiss on Steve’s head in greeting, which he accepts with a thrilled, in-a-new-relationship, glowing smile, before dropping down beside him and subsequently dropping your news, or rather, your request that’s not really your request, on him. “Neil wants you to come over for dinner.” You tense at the utterance of your stepfather’s name, even if it’s your own mouth doing the uttering.
   His smile dissipates. Only a little, but enough for you to wring your hands together. You want to scoop all the words you’d just said back out from his ears and spoon them into your mouth again. Make him forget it’d ever happened. “Like, like family dinner?” He asks. He can’t fathom a world where he sits placid across the table from Billy Hargrove and passes him the salt respectably and doesn’t end the night with his fist colliding with his face (regardless of the outcome).
   “No, it’d just be you and him, he’s dying to take you out on a date,” you deadpan in response, shaking your head. Steve rolls his eyes, no malice intended. “Obviously family dinner, Steve. You, me, Max, my mom, Neil… Billy.” You force out the final name. He swears he hears your teeth grinding as you say it.
   “Don’t get grouchy on me.” He reaches over and smooths out the upset crease between your brows. Your shoulders relax in response. You’re always so wound up he’s made it his mission to give you that ease he knows you crave. He’s quite good at it, on days where he can steal you away and keep your mind occupied with the lovelier things in life. But there are some things he can’t spare you from, as much as he tries.
   Really, he can only keep you out of that house for so long before your family starts demanding their 17-year-old back.
   For the most part you keep away. Max roams the new mall all day with her friends now that June’s here and summer’s entered Hawkins in full swing, and you drive them there with your mom’s car if she doesn’t need it for the day, or Steve drives you all there and then home again if he’s not at work already that morning. If he has work you loiter in Scoops the entire day, lugging a stack of books acquired from the library and settling in a corner booth, popping your head up once in awhile to check on him and his misery in his new position in that ridiculous uniform. You brighten his days just as much as he brightens yours. And he really, really does. (And you like the uniform, as silly as it is, for the record).
   “’M not grumpy,” you deflate, pressing your forehead into his shoulder. He rubs your back in a nice, soothing way when you lean into him. Ever since he asked you out he’s been taking every excuse to touch you and you’re not complaining in the slightest. He has the softest hands you’ve ever held and they’re perpetually gentle and kind. All the love in the world encased in the hands of some boy from Hawkins, Indiana, a place you never expected to find a home in, let alone find a boy. The boy, if you thought about it long enough. Early days to be thinking about it but you did think about it. Often. For hours. You sigh quietly. “I can tell ‘em you’re busy, you don’t have to come.”  
   “Max knows I’m not busy,” he points out.
   “She doesn’t wanna be there, either. Look, I’ll just say you can’t come-“
   “But I can.”
    You lift back up, wary, but hopeful. A new flower poking its petals up from the earth, tilting right toward the sun.  “I don’t wanna make you miserable.”
   “That’s stupid,” he scoffs. He kisses your head this time, the perfumy scent of your shampoo fogging his brain up in a nice, lovey haze. “How could you make me miserable? You’re like, the best thing I’ve ever had, by a mile.”
   You smile in spite of your gloomy mood. “The fuckin’ Hargroves have an innate knack for misery.”
    “It’s a good thing you’re not a Hargrove then, hm, Mayfield?” He brushes your hair away from your face and  takes your chin in his hand, angling your face up properly to meet his, and he kisses you like he well and truly means it, firm and adoring. You can feel his grin seared into your mouth when you pull away, in spite of your reluctance and Steve’s attempts to pull you back in.
   . “You really wanna come? It won’t be fun. It’ll probably be shitty, actually.” You ask him in a tiny, hesitant voice, too overcompensating to someone who do anything you asked of him. Having Steve there sounds better than not having him there, and better than having to explain why he’s chosen not to come, but you know it’ll be weird. Worse than weird. After what happened back in November, him and Billy go out of their way to ignore one another, and it’s so deliberate it sucks the air out of a room. And even with that, Billy still makes it a point to direct snide remarks to you about Steve every chance he gets: alone, in front of Max, in front of your parents, in front of Steve himself while pretending he’s not there. And it’s gotten worse since you admitted to your mother in confidence that you and Steve were together now, and she told Neil, and Neil told Billy. But there’s no running from being at the same dinner table as him. You know you’re asking a lot. You wouldn’t be asking if Neil hadn’t insisted. In a loud, pointed voice, with a stare that unnerved you. You’d agreed to it hurriedly after that.
   “Well,” Steve leans back, playful, “want to is a bit of a stretch but I can make an exception for ya-“
   “Steve-“ you groan, pushing his chest, but he laughs, pushing himself back forward, smacking another loud kiss on your mouth.
   “Kidding, I’m kidding, c’mere,” his fingers grip your waist feather-light, tickling, as he laughs, and you can’t help but laugh too through your head shakes and faux-exasperated sighs.
  “I’m really asking you if you want to, I know it’s a lot asking you to make nice with Billy.” You interlace your fingers with his and he places them on your lap, all big brown eyes blinking up at you affectionately. You’re a sucker for his eyes. You can tell what he’s going to say before he says it.
   “Nothin’s too much for you,” he says in his sweet, low voice, another kiss pressed to your cheek, his stamp of agreeance left blazing there on your cheek.
   Late into the next day he arrives on 4819 Cherry Lane, as he has so many times before, but he parks right in front and gets out this time. He doesn’t sit by the wheel waiting for you to come running out, sometimes with Max in toe, usually by yourself, breathless and beaming, ready for him to whisk you away as fast as he can without breaking a million laws. He knows it’s not the gentlemanly thing to do, having a girl come to the car by herself instead of going up and ringing her bell, and normally he would, but you insisted he didn’t, not wanting to draw attention to yourself or him, and you were already waiting outside on the front steps when he got there most of the time, anyway.
   And this time, too, you get the door before he can ring the bell, almost ripping it off the hinges when you throw it open to greet him.
   “Thank God,” you mutter. You go to take his hand but remembers yours is sweaty and pull back. The sweater you’re wearing is pretty, complements your eyes and complexion and your everything, and your hair is down and soft-looking. He’d run his hands through it in other circumstances. “It’s not too late to make a break for it,” you lead him into the house quietly, throwing your head back and casting a dark look down the hallway. “Just say the words and we can flee, I won’t blame you.” He’s dressed so nicely, and you don’t even have the time to properly admire him. He did his hair all perfect (he always does but you can tell he put a little extra sparkle into it tonight), he’s in his nicest jeans that mold against his legs slim and fit, his sweater is a navy blue and it’s such a good color on him you might cry. You can see effort written in everything he does, tonight especially. His desire to make a good impression rings in your heart. You want to regard him warmly and turn your gaze on him with the utmost veneration but your skin buzzes with anxiety and it feels like one large, domineering fist is clamped around your intestines. 
   “It’ll be fine,” he says, squeezing your hand. He doesn’t even notice that it’s sweaty, though your anxiety is palpable and he amps up his happy exterior to balance you out. He’s probably just as nervous as you are, deep down. “Parents love me.” It’s an insistent sentence. “And I’m gonna turn on my charm.” He makes a clicking sound with his mouth and snaps his fingers around a little. You stare at him, blank. Neil is rumbling around somewhere in the distance and for the time being you are utterly immune to Steve’s banter.
   Not completely, but enough. “I don’t know if that’s the kinda charm we need here,” you pat his shoulder.
   “But it can’t hurt,” he points out with a raised eyebrow, pointing a finger gun at you.
   “Oh, it can hurt alright.” You steer him into the living room anyway. “Steve is here.”
   You announce it to the open air, waiting to see who comes when you call. Your mom, immediately, rushes out of the kitchen to greet him. She’s never met one of your boyfriends before. Her greeting is enthusiastic, to say the least. And she’s a hugger. It’s nice, actually, Steve thinks, no matter how embarrassed and nervous you are, to be embraced kindly by a mother. It’s familiar, like some distant dream from a faraway past. You have your qualms with Susan, he knows that, but he knows you love her hard, and that’s why you take so much issue with the way she lets herself be treated. It’s difficult to watch you grapple with all of this, all of the time.
  “It’s so nice to meet you, Steve, or Steven? Whatever you want,” she rubs his back as she takes him into the kitchen alongside you.
   “Steve is great, thank you, Mrs. May-“ he clears his throat, “Mrs. Hargrove, I mean.“ It’s hard to reconcile this woman in front of him with the domineering men bearing that same last name. It’s hard to distinguish her as anything but another piece of you and Max. A good piece.
   “The girls talk about you all the time,” Susan says, still smiling.
   “I do not,” Max huffs as she comes out of her room, abashed. She’s in a nice outfit, too. Not as dressed down as she usually is. She tugs at her tied back hair like it hurts.
   “Ma, how tight did you do her hair?” You ask, beckoning Max over.
   “It pops out of every scrunchie!” Susan says, patting her on the head with such clear affection it makes Steve ache a little.
   “Maxie.” You open your arms for her. She stands in front of you obediently as you loosen the hold her hair ties have on her unruly locks, smoothing them out nicely as you tie it back up again, looser.
    Everything’s so nice and homey that the shift in the atmosphere is almost imperceptible when a door creaks open a bit away from you four. But it’s there. He sees you draw back into yourself, your smile, at him talking to your mom and being so sweet, at Max, at the normalcy of this moment, sliding right off your face as Neil walks into the room. You’d almost forgotten him. You could’ve stayed in a bubble with your mom and sister and beautiful boyfriend forever. But Neil comes out from the hallway, from Billy’s bedroom, and Billy follows behind, fully clothed for once, his shirt buttoned all the way up his chest, his expression dark and cloudy. His jaw is tight as his gaze fixes on Steve.
   But Steve, so gracious, sticks his hand out to shake Neil’s, smiling like Neil’s spawn isn’t the worst person Steve’s ever encountered as he introduces himself. “Nice to meet you, sir. Steve Harrington.” He keeps his mouth upturned sweet and polite even when Billy snorts in the background. He doesn’t even look in his direction.
    “Nice to meet you, too, Steven.” Neil’s handshake is more like a clenched fist. You stare at their clasped hands like you want to commit murder. Steven.
   “Steve, not Steven,” you mutter. Max touches your arm in warning before Steve can. You can’t help it. If there’s anyone you’re defensive over besides her, it’s him.
   “Steven’s fine,” he chimes in, keeping that same old good-natured Steve smile on his face. He’s too appeasing and Neil has never deserved it. He rolls his shoulders back and talks to himself in his head. Just one night. For her, for her, for her.
  “It’s the name your parents gave you, of course it’s fine,” Neil claps him on the back, and you know he doesn’t mean anything by it but you and Steve both flinch. From the words and the tap alike. Neil ignores your remark completely as he continues to talk to Steve in a way that makes your skin crawl. He brings Steve over to the dining room table and the rest of you follow suit, settling in around each other. You make sure you sit next to Steve, but you second-guess it when Billy takes the straight across from him. Neil drones on. “Y’know, it’s interesting how all this time, you’ve been driving the girls around for months now, but this is the first time we’re meeting.”
    Steve checks on you out of the corner of his eye. Your jaw ticks. He squeezes your knee but before he can answer, you do it for him. “He’s been busy, that’s all.”
Neil looks toward you. For once. It is not a pleasant look. “For months?” He tucks his hands under his chin.
   “I know you don’t like having strangers in the house after you work,” you say, placating in a way that turns your stomach.
   “That’s true,” Neil says. “Billy doesn’t seem to get the memo on that, so I’m glad someone in this house is paying attention.” The degradation of Billy at the dinner table is nothing new. And you feel bad about it. You’d feel worse if he wasn’t so nasty and hateful to everyone because of it. Neil had run into Billy’s latest flavor, Miranda Brady from your Calculus class, while she was rummaging through the fridge the other night, and he hadn’t been happy. He was polite to her until she’d been hurried out the door by Billy, and then he’d reamed into him in colorful, awful ways. Max and Susan both hadn’t been home, but it was one of those nights where you had been, and you’d lingered by your bedroom door awkwardly, making sure it didn’t get too out of hand. You weren’t sure either of them even knew you were there. Accepting the praise seems wrong. You nod stiffly.
  Billy, however, turns his gaze on Steve, the first acknowledgement he’s gotten in months. “Say, Harrington, you used to be quite the ladies’ man yourself, yeah?” A sick grin creeps up on his face. Steve sees your hand tighten around your fork. You’ve barely shoveled your pasta into your mouth. Max gapes at her stepbrother, her mouth still full of food.
   Steve clears his throat. “I had a steady girlfriend for about a year, actually. I’m sure you remember that.”
   “Yeah, but I mean,” Billy rocks his chair back. “That’s not what they were calling you King Steve for, is it?”
   You lurch forward. Steve drops his hand over your knee again. “I think it was because of the whole captain of the basketball team thing. Or the captain of the swim team thing, I can’t remember when it started. Youngest captain the Tigers had seen in a decade, actually, when I got it sophomore year.” Steve grins again and the cocky charm he possesses but hardly uses much anymore comes out to play, just for a bit. You settle down again. You eat what’s in front of you, calmly. You hear Max gulp down her own food across the table. It’s almost cartoonish.
  “Max, chew first,” Susan admonishes gently.
   “I am,” she retorts, but she’s inhaling everything in front of her.
    Billy  cuts in. “See, that’s interesting, I thought it was because you hooked up with a lot of girls. Like half the class.”
   Steve doesn’t even blink. He takes a sip of his water. “I don’t know what you’re referring to.”
  “Are you trying to upset your sister?” Neil asks him with raised eyebrows.
  He goes quiet again, hardened. “No.”
  “It seems like you’re trying to.”
   His jaw ticks this time. “I’m not.”
   “Do you remember what I said to you? About a half hour ago?”
   His jaw ticks again. His eyes meet Steve’s over the table. Steve feels the merest twitch of embarrassment for him. He knows all too well what it’s like to have a dad who takes a weird sort of pleasure in berating his son. “Yes, I remember.”
   You stare down at your plate, pinching the skin of your palm.
   “If you remember so well, then you should stop talking.”
   Billy stops talking. Neil turns to Steve again. “So, captain of two athletic teams, that’s impressive. I’m sure your college plans are impressive as well.”
   Steve stutters in his answer and you hold your head aloft in your hands, suppressing a groan. Max finishes her food so fast, she’s excused from the table and gone within minutes of that conversation starting. You nearly fall out of your chair in your attempt to kick her shin under the table. She holds her hands up in her retreat while nobody’s looking, mouthing that she’s sorry at you and running away into your shared bedroom. You suppress a groan again.
   Outside, after another grueling hour of Neil dominating the conversation and making dinner unenjoyable for everyone, you walk Steve to his car, fiddling with your hands again. He props himself up against his window and wrestles you out of the knot you’re in.
  “That sucked, I’m sorry,” you say, knocking your foreheads together, your mouth drawn in a thin, perturbed line.
  “It was fine, you’re fine,” he whispers the last bit. That’s what you’re more worried about, after all. You’re worried he’s mad, planning to leave you for someone with a more normal family, people who are warmer, someone capable of being warmer. You’re plenty warm around him, but you suppose you could be better. You start running over all the things you could do better and all the ways he could do better in your head. “Stop thinkin’ so much. Everything’s okay.” He nudges your foot with his.
   “No, I know, it’s just, it’s awkward, it’s not fun, shitty way to spend your night, shitty way for anyone to spend a night.”
   “It’s okay. It was good. I was good, wasn’t I?” He kisses your palm where you’d pinched it earlier.
   “You were great, you’re always great.” You stroke his cheek, lingering on his lips for a second. “You look really nice, by the way.” You’d almost forgotten to tell him. “I like this color on you.” You smooth over and down his arms.
   “Yeah?” He grins, lopsided, tilting his head.
   “Looks good with your hair.” You reach up to tug on the strand that hangs down like an art form over his forehead. You’re the only one he lets play around about his hair.
   “You look beautiful, too, for the record.”
   “I was trying to make this about you.” You poke him.
   “I like when things are about you.” He pokes you back.
   “I hate when things are about me.”
   “Yeah, I’m trying to fix that.”
   You chuckle. “Good luck.”
   He gestures back to your house. “I’m makin’ progress here. I think I get you a little bit better now, after all that.”
  “And what exactly do you get?” You wrap your arms around his waist.
  “Why you’re always so tense and grumpy.” He cups your cheeks like he’s holding the most delicate thing ever to be held.
   “I’m not grumpy-“
   “Just tense, then.”
   You accept that, begrudgingly. “I’m pretty on edge most of the time, I guess.”
   “I try to talk you out of it,” he says softly, stroking your face.
   “You’re the best, I hope you know that.”
   “I try,” he says again, and you nod. “It’s not easy. Night after night.”
   “It’s not.” You bunch up his sweater.
   “I get it, you know? They’re not here as often as yours, but I get it.”
   “Dinner with yours next time?”  
   “Yeah fucking right.” He kisses you for it, though, because you mean it, you’d have dinner with them if he asked just like he did because you asked, a long and languid kiss that he hopes no one’s shifting around the curtains to be privy to. He withdraws first and says, “Your mom is sweet, I’d have dinner with her again.”
  “I’ll let you know when she’s free, take her out, show her a good time,” you tease.
    “If she’s anything like you I’m a goner,” he laments.
    “You’re a flirt, is what you are.”
     You kiss him again, beaming, heart swollen with affection.
    When you go back inside and Susan tells you how wonderful and handsome she thought Steve was, how good he seemed for you, that rush flows through you all over again. You even bring her in for a hug.
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thank u for reading ur super hot n sexy n we're kissing rn
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beauspot · 10 months
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Good Omens Is a Big Deal
With everything going on I haven’t acknowledged how grateful I am for what Neil (and John) did this season. I always saw Good Omens as a romantic story and everyone involved seemed to be super supportive of that. To actually see a follow through on those themes was wonderful though. To see Aziraphale continue to look at Crowley like he’s the earth, the moon, and the stars. To see Crowley continue to save his angel not because he needs them to, but because they love him.
To see them have their dinners, and give the other access to their prized possessions. To see them dance. They love each other. They are in love with each other and it’s not implied or a throwaway line that can be edited out.
It’s the beating heart at the center of the story.
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And they weren’t meant to be. Neil himself will tell you when he and Terry wrote the book Aziraphale and Crowley were meant to be friends and that’s it. Over time their relationship evolved and where a lot of writers would simply ignore that and keep pushing forward Neil pivoted and said “you know what? let’s see where this goes.” The last time I can remember something like this happening was with Hannibal years ago, it’s so rare with queer pairings.
I know everyone was excited about the kiss and it is refreshing to see queer people actually get to kiss, it’s still not something that happens all the time, but that’s not what made them canonically queer to me. If they remained completely asexual and never kissed or showed interest in kissing one another I’d feel the same. While I always felt they were queer what sealed it for me were 3 things:
1. Nina and Maggie, a romantic pairing that parallel our angel and demon break down to Crowley how she and Aziraphale are partners (and it’s clear they don’t mean business partners, does Crowley look like he runs a bookshop?) but they never say what they’re really thinking. They go on to state how that’s all they needed, the obvious implication here being that Nina and Maggie shared their romantic feelings with one another and that Crowley and Aziraphale need to do the same. Upon hearing this Crowley takes that as a sign to confess his feelings.
2. Gabriel and Beelzebub, another pairing that parallels Crowley and Aziraphale who are also clearly in love with one another is something Crowley references while he is confessing his feelings. “If those two lovestruck idiots can go off together, so can we. Because I love you.”
3. Crowley and Aziraphale express plainly to each other that they need the other. Crowley says to Aziraphale he wants to stop pretending they aren’t a team, a group, a them.
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Aziraphale says verbatim “We can be together.” and “I need you.” He doesn’t say “We can work together” or “I need you to help me” or some other cop out that a lot of other shows or movies might come up with to continue to bait their fans, while having plausible deniability.
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They love each other and it’s not platonic.
To me, the kiss serves as a way to seal the deal for people who only understand queer love when it’s punching them in the face. That’s not to say queer people can’t like the kiss, it’s one of my favorite scenes in the show simply because of how heartbreaking it is, but they were a couple to me long before that. And to add onto that by making every other important pairing in the show queer as well? Nina and Maggie being happy sapphics who don’t die at the end. They’re not together, but the implication is that one day they will be. Two non-binary beings—Gabriel and Beelzebub—falling in love and choosing to be with one another forever. The angels and demons are all genderless and no one misgenders them and no one gives a FUCK.
That means so much to me and I genuinely cannot express how thankful I am that this show and this season were made. The only thing I can say is thank you for standing for something, because not everyone does.
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theladycarpathia · 2 months
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Billy’s not expecting the call from his dad.
“Billy?” Hop sounds distant, the faint sound of an idling engine in the background. Billy blinks, because his dad is at work and as far as Billy knows that usually means sitting behind a desk at the station and arguing with Flo.
“Don’t you have paperwork to be doing?” Billy says and Hopper snorts. There’s the sound of background traffic that’s then shut out by the clang of a car door.
“Don’t give me cheek, I am still the chief,” Hopper says as though that means anything in a small town where the most crime that they get is some drunk idiot attempting to rob the gas station.
“Yes, sir,” Billy quips and changes the channel. No one else is home and he’s bored. Jon and Joyce are still at work, and El and Will are doing weird nerd activities. The diner didn’t have a shift for him today and he doesn’t have a date, so he came home. He’d half expected someone to be here, instead of getting stuck with a protein bar and old reruns.
“That’s more like it,” Hopper says and then clears his throat awkwardly. “I was just wondering…are you definitely single?”
“Dad,” Billy says, attention now fully away from the TV set. Hop’s called him before, to ask him shit like do they need milk and to take the trash out. He doesn't call to talk about Billy's love life. They never talk about that, not after that time Hopper came in his room without knocking. “What is your next question, because this could make the next family dinner a little uncomfortable.”
“Don’t be a dick,” Hopper gripes. There’s the sudden cackle of laughter in the background and Billy sits up.
“Are you with someone?” he asks and then sucks in a breath at the implications. “Did you put me on speaker?”
“I may have done,” Hopper says, sounding sheepish. “I just picked up a young man outside the movie theatre and he’s about your age…”
“I’m nineteen!” the mystery guy hollers from the backseat. Hopper keeps talking like the guy hadn’t spoken.
“I don’t know, I just thought he was your type.”
Billy presses a hand to his temple, unable to believe that his dad has just said those words. “What’s my type?” he asks, wondering if he’s going to combust right here and now. Hopper makes that little awkward throat clearing again, like he can’t believe the situation either.
“You know,” he says stiffly. “Sort of…pretty.”
Oh God. Billy can never look Hopper in the eye again.
“You think I’m pretty?” the guy asks curiously, and Billy can’t blame him for sounding a bit weirded out.
“I think you look like a lot of the doe-eyed pretty-boys my son brings home,” Hopper snaps. Despite his obvious discomfort, Billy can’t help the rush of affection at Hopper trying to be supportive. Neil would have beat the shit out of him. Hopper tries to hook him up with appropriately aged delinquents in the back of the police car.
“A lot?” the guy asks and Billy flushes. He then regrets it because he has no idea if he even wants to impress whatever guy Hopper has picked up.
“It’s not a lot,” he says defensively because Hawkins isn’t exactly big on the gay scene. His last boyfriend he met at Tina’s Halloween party and to be fair, if you wear a kilt and not a lot else to a party in October, Billy’s absolutely going to beg you to rail him in the downstairs cloakroom. The relationship hadn't exactly worked out.
“Look, I get the feeling I’m never going to hear the end of this so here’s the situation,” Hopper says, sounding tired. “This is my son, Billy. He’s about to finish high school, he likes cars and burgers and loud music. He has shit taste in men even though he’s attractive, clever and a smart mouth. Billy, this is Steve. I was on my way back from the mayor’s office when I caught him peeing in an alley. Judging by his big brown eyes and the fact that public nudity doesn’t seem to be a problem for him, I thought of you.”
“Aww,” Billy drawls, sitting back on the couch. There are lights in the drive so someone has just arrived home. Which is good because he needs to tell everyone this story so they can give Hopper shit about it over dinner. “Pops, that’s so sweet.”
“Don’t say I never do anything for you,” Hopper says, like he hasn’t already done everything for Billy by getting him out, giving him a home. “I’ll take an extra polaroid when I process him.”
“I had to take a leak!” Steve protests and Hopper sucks in air through his teeth.
“There are public bathrooms, kid, I’ve heard those work pretty well. Billy, help your mom with dinner when she gets home.” Sucks for Hopper, it’s Jon heading up the path, keys dangling from his fingers. Billy can’t wait to tell him this story.
“Or what, you won’t bring me any more dates?” Billy asks, but he’s only half-joking. Hopper means well and kind of fucks it up a lot but this time he might have hit it right on the money. He thinks he might like Steve.
“Do I get a picture?” Steve asks. “Or does the Hawkins Police just pimp out young innocent men with full bladders?”
Oh yeah. He’s definitely going to like Steve.
“I have a picture on my desk,” Hopper admits grumpily. There’s the jangle of keys in the door as Jonathan lets himself in. “You can look at it if you’re good.”
“And what if I’m not?” Steve asks and Jonathan walks in just in time to raise his eyebrows at Billy.
“I can help punish him, if he’s not,” Billy suggests, and Hopper hangs up the phone just as Steve begins to laugh.
This has probably been done before because it's based on that famous tumblr post but it's so dull during school holidays I have nothing to do but write. And I have no in progress Harringrove fics which is probably a problem I should fix.
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more more more more aftg show bloopers (p 4?? I think?) whoop whoop de fuckin whoop
Neil's actor being a huge Duolingo dork and in the behind the scenes while the other actors are fooling around between takes you can often see him with his head bent and hear the little 'ping!'s coming from his phone
also during late night shoots, as it gets closer to midnight he always has a point where he's like SHIT my Duolingo streak. and then just blocks out everyone while his fingers fly over his screen
(fans make compilations of him proudly showing his Duolingo streak to the camera and the number grows as the seasons progress)
(he definitely is the kinda bitch who cares more about maintaining the streak than actually learning languages)
actually omg while we're on the topic of languages
Kevin's actor tenderly reciting his French lines to Matt's actor and Matt's actor is just smitten. and he goes "say something else, love" and Kevin's actor strokes his cheek while saying another one of his lines and Matt swoons
(then Kevin's actor turns to the camera and goes "I just told him that he's a disappointment and is going to get his ass handed to him by ravens if he doesn't do exactly as I say" and, from the ground, Matt's actor goes "hell yeah you did. talk dirty to me any day of the week you sexy, sexy man")
coach's actor is always swearing to the point where they implement a swear jar...really it's just something for the kids to jokingly rag on him about, but he goes with it, and every so often they'll empty the jar to buy the cast and crew pizza
they're filming outside at night and it's cold and in between takes Matt's Aaron's and Renee's actors are all huddled together for warmth and Matt's actor gets pulled aside to get his makeup touched up and the other two just shriek at the absence of his heat and catch up to him to tuck themselves against him again
Andrew needs to snap his fingers in one scene but everyone finds out that day that his actor doesn't know how to snap so he has a little impromptu snapping lesson and of course it turns into everyone else trying to one-up each other with their snapping abilities
Nicky's actor telling everyone what he's going to steal from set (will literally say"[about Allison's bathrobe] damn that shit soft as hell. Ive been needing a new bathrobe actually. I'm stealing this" or "I'm stealing this lighter/bandana/sunglasses/etc") but because his humor is so dry everyone thinks he's joking. until months later. when the prop department can't find shit
Renee's actress is doing something completely mundane but Neil's and Allison's actors start narrating what she's doing like they're in a nature documentary (always with Australian accents for some reason??)
"and our specimen now reclines herself vertically on a piece of furniture us humans know as 'a desk.' this clearly less-developed creature seems not to understand the purpose of such an object. but given that this is her first time outside her natural habitat (the jungle) her lack of familiarity with modern technology is to be expected"
Renee's actress: *flips them off*
"ah and here we witness one of the most common behaviors of this specimen. specialists have dubbed it 'flipping the bird,' and explain it as a nonverbal expression of affection" "oh fuck off"
photo from another cold night-shoot and it's of Matt's and Dan's actors, she's standing in front of him zipped up in his hoodie, just her head poking out and they're having a conversation with other castmates like it's the most normal thing in the world, looking the very image of the couple they play
so much glorious content from shooting the dorm sleepover scene. the most popular thing to come from it is a picture from after they wrapped where the cast and some members of the crew had moved even closer to each other amid all the blankets and are asleep on top of each other
Andrew's actor will sometimes actually eat the ice cream he's given instead of just pretending to eat it, and halfway through the scene he casually mentions that he's lactose intolerant and sends the crew into a worried frenzy
if you haven't clocked it yet, these bitches are competitive. and one day, one thing led to another, and soon a bunch of the actors are all being filmed having a plank-holding competition. Dan's actress is the first to drop and she gets booed at for it because "you're an ex-stripper where tf is that upper body strength?"
she flips them off and goes to sit on Kevin's actor, hoping to squash his plank, but instead he starts doing push ups with her on his back. she grins
(Rikos actor wins that competition btw. and Neil's actor goes on a rant about "we succumbed to the ENEMY? a RAVEN? your characters would be ashamed of you" (he also lost?))
Allison's actress pretending to do a get-ready-with-me using all the stuff on Allison's vanity
Wymack's actor falling asleep in The Dad Pose™ when they're shooting a scene on the bus. and everybody gathers in to take pictures
when Kevin and Neil get all up in each other's faces their actors will pretend like they're going to kiss each other
not really a blooper but just all the actors for the foxes and the ravens mingling together in between takes and it looks so wrong
give me all the actors constantly taking the piss out of their characters
for ex during a scene where the monsters are in the car on the way to Edens, Nicky's actor looks towards the backseat where everyone is in character and goes wow what a fun crowd we are you'd never believe we're about to hit the club
night shoots are a. struggle. for Dan's actress. and the others love to take videos of her just standing on her mark with the most spaced out expression on her face
Andrew's and Neil's actors are shooting one of their typical intense, deep scenes and after one take, as soon as "cut" is called, Andrew's actor grabs Neil's face and starts serenading him with the song that's been stuck in his head all day
Renee's actress getting scolded for sneaking snacks into her costume
when Nicky's actor messes up a line (and he's the least likely of everyone to do it) he starts spewing Spanish
Andrew's actor constantly teasing his brother and Katelyn's actress whenever they have scenes together
like the two of them will just be talking together in between takes and Andrews actor will be behind the camera recording them and saying shit like "look at that MINYARD RIZZ" (or he'll use their actual last name) "hey btw [Katelyn's actor] I taught him everything he knows"
that scene where the foxes are rushing out of the dorm to check on their destroyed cars and Matt's actor just faceplants (Neil's actor: "wow. the dedication")
in one scene or other Allison's actress is drinking an iced drink and during one take she just keeps calmly shaking the ice around in her cup until one by one everyone cracks
in one scene Allison's actress is wearing sunglasses. and in between takes she lies down and on camera you can see Kevin and Matt's actors whispering trying to figure out whether or not she's sleeping because they can't see her eyes
Aaron's actor always using Neil's actor as a pillow during car scenes because they're always next to each other and they're actually hella tight irl
the kids love to steal any props that coach's actor needs to use (pens clipboards etc) before they start rolling just so they can watch him try to subtly fidget trying to find his prop before they get to the point in the scene where he actually needs it
all the actors just taking pictures together in the most brutal settings on set.
like Neil's makeup has his face all busted and everyone wants a selfie with him. they all have a photoshoot with the trashed cars. they have another one in front of the "happy 19th birthday junior" set. Neil is tied up at The Nest while they change his hair and Jean's and Riko's actors take selfies with him. another photoshoot with Neil handcuffed in the police car. all these settings in terrible scenes and the actors are in front of them with grins and peace signs
they're terrible.
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thavron · 6 months
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So I think I've cracked this moment.
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So this moment has bothered me. I've seen several people say this is Crowley breaking up with Aziraphale, but I think it has a different meaning. I think he's saying, "I understand."
Hear me out.
It was actually listening to the song Good Old Fashioned Lover Boy that caused me to have a little epiphany. I love how it's juxtaposed over Crowley rushing back to Aziraphale, indicating that he is the Good Old Fashioned Lover Boy, but there is more to it.
That song was released in 1976, which is a time when being gay or being queer of any kind was deeply frowned upon. Though laws in the UK banning same sex relationships had been lifted by this time, for consenting adults over the age of 21. Freddie explicitly coming out at this time was something that could have ended his career. Freddie danced with the media on this one, hinted but was never forthright and kept his romantic life largely under wraps. This is something that queer people did in general and had to do well into the 90s. They flirted in code, they romanced behind closed doors. They kept their love out of sight.
Much like our Ineffable Husbands.
Editing to add- that the reason this triggered something for me, is that despite the secrecy, Freddie Mercury got up on stage and sang a song about a man taking another man out on a date at the Ritz. Everyone knew. Just no one knew knew. And it wasn't enough to end his career. Much like our Ineffable Husbands. Everyone knows, including them. Just no one says a thing about it.
Which brings me back to A Nightingale Sang in Berkeley Square.
This song is about one magical night. A couple meet, fall in love, feel the magic of their romance, and then as the sun comes up they go home. It is something like a dream that has to be let go with the harsh light of day. But there is hope, because sometimes they can hear the echo of the nightingale. A promise perhaps to meet again.
So I think it is widely assumed that there is more to the 1941 flashback. I tend to concur. I think we will see the origin of why this song is important to them. I suspect the song is about them. They have one magical night, where they are both brave and express their love for each other. But then the sun comes up and they realise that they have to go back to their lives. I think they will acknowledge that the incident with the zombies was a close call, and they need to cool off and stay away from each other. Slow down.
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So 1967 is the first time they have seen each other since. They both know how they feel, they're just waiting for the right time. They shouldn't have met at all, except Aziraphale wants to give Crowley the holy water. I think that explains the awkwardness but also their softness toward each other. It's a meeting of lovers, but the time isn't right just yet. No nightingales are singing. That's what Aziraphale means by "You go too fast for me." Not yet, it's too soon. We're still under suspicion.
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So the end of season one, the world is not over and our ineffable husbands are free. What do they do? They go for date at the Ritz. You can not tell me this is not a date. Sorry, don't believe you. "The Ritz is the most romantic hotel in the world." It's like their whole selling point. It's why it pops up in the lyrics of Berkley Square, and also in the lyrics of Good Old Fashioned Lover Boy. It's the place where magic happens. And for me, the playing of the song, and the reference from God herself, it's saying the time is right. They can finally be together again. This is their moment.
So Season Two. I've read reviews of season two where people liken it to fanfiction. Neil calls it is a bridge season. I think it's the dream. Not actually a dream, I don't think Neil is that unoriginal. But in the song they liken that one magical night to a dream. It's a fantasy that they get to live until the sun comes up. They get to live their dream for four years. They are together and they are in love but they are still living in secret. They still don't acknowledge it. They're still holding back. One of the themes in this series is timing is everything. Maggie and Nina's relationship doesn't work because timing. The magic trick worked the time it mattered. Timing is important, and the ineffable husbands are bad at it. They should have thrown themselves into this but they were too cautious and they missed their chance.
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I think this conversation is when Crowley realises. Not that he is love with Aziraphale, that was established in 1941. But that everyone knows anyway. There is no reason to hide. No one cares that they're an item. Aziraphale has a similar epiphany after his chat with Shax. So they both decide to move the relationship along, but damn do they have bad timing.
Now I am as confused and heart broken as anyone about the final fifteen. And I am certain that there is something that we are not seeing, a trick that we've missed. There are six minutes unaccounted for. Neil says its a continuity error, but he's demon, he lies.
So here is what I think, and why this line "that's the point, no nightingales" is important. At some point during that conversation Crowley catches on. Whether they have a moment of stopped time, or the fact that Aziraphale is acting so utterly unhinged, there is something that happens that we don't see and it clues him in. He is hurt and angry yes, but he understands. What he is understanding is that the dawn came stealing up, and that the interlude is over. The nightingales stopped singing, and they have to go back to work. He gets it and that's how he lets Aziraphale know.
"You're an idiot, we could have been us." He doesn't like the plan, whatever it is. He thinks running would have been preferable, but he is resigned to it.
Then that kiss. One last goodbye just in case the world ends? Desperate longing and years of pent up frustration? I don't think the trick is here. I think this is misdirection. We're all looking at the kiss, we missed the coded message that came right before. I think "No nightingales" may also suggest that this isn't the kiss. The romantic kiss will come later, when the nightingales sing again. And they will, of that I'm certain now.
The song playing in the car, a message from Aziraphale or from the Bentley reminding him to have hope. Two things we know about Crowley. He is an optimist. He loves to rescue his angel. We also know that he is the trusted stooge with the steady hand. Aziraphale will perform the theatrics, he will do the rest. The fact that he waited and didn't just storm off like he did when he was rejected in series 1 tells Aziraphale that he is still here. He's still in this.
That's my interpretation anyway.
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