this photo from delainey's Instagram is so cuuuute
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Soft Spot
Look how pathetic he is when it comes to his Boy.™️
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Be my companion, Louis.
Drew the scene that has been living rent free in my head since the moment it graced my screen.
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The first and only time Lestat ever tells someone not to scream because of him (probably right after clawing his outraged way out of the abandoned hot topic that I can only assume was built over his snoozing spot)
Kudos to @stlelios and @pimini whose posts appeared on my for you page and launched these images directly into my mind’s eye
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making stupid memes while waiting for s2 ep3 of iwtv to drop
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There is a deep rooted bitterness underneath Claudia’s immediately infamous “two blood fat cocks slapping hands” line. After having spent more than a cumulative decade of her life searching for another vampire and being met with nothing but silence or pain, Claudia was welcomed by more than a dozen in one night, only to then be told by Louis that she should not see them again. It must reignite the resentment Claudia felt towards Louis’ open pessimism and misery while they travelled through Eastern Europe. The purposeful crudeness of the line, a sudden sour note after her teasing Louis’ fear “of your own lust”, suggests her frustration at being unable to fulfil her sexual desires. The disagreement the pair have in this scene about the significance of Lestat’s portrait reflects the larger rift in their relationship over Louis’ unwillingness to move past Lestat (“He's a hundred-and-something-year-old painting in a frame.” “They got a fսcking shrine to him!”). Claudia’s life was forcibly shaped time and time again to better serve Louis and Lestat’s love for each other; turned into a vampire so that they could repair their relationship, intimidated and hurt when she encouraged Louis to leave Lestat, made prisoner by Lestat ostensibly for Louis’ welfare, and now the memory of that relationship threatens her newfound kinship. It is galling enough that her long awaited introduction to a vampire community comes as an afterthought tacked onto Louis’ hand delivered invitation (“Come. And bring the petite beauty with you.”, “Monsieur de Pointe du Lac. Our finest seats.”), but the realisation that even that was determined by another man’s attraction to Louis has to be beyond infuriating.
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Louis and Daniel's live reaction to Armand bragging about his sexual life in never not funny .
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