#if anyone else wants to write about it

[jaggedjot]

There is a deep rooted bitterness underneath Claudia’s immediately infamous “two blood fat cocks slapping hands” line. After having spent more than a cumulative decade of her life searching for another vampire and being met with nothing but silence or pain, Claudia was welcomed by more than a dozen in one night, only to then be told by Louis that she should not see them again. It must reignite the resentment Claudia felt towards Louis’ open pessimism and misery while they travelled through Eastern Europe. The purposeful crudeness of the line, a sudden sour note after her teasing Louis’ fear “of your own lust”, suggests her frustration at being unable to fulfil her sexual desires. The disagreement the pair have in this scene about the significance of Lestat’s portrait reflects the larger rift in their relationship over Louis’ unwillingness to move past Lestat (“He's a hundred-and-something-year-old painting in a frame.” “They got a fսcking shrine to him!”). Claudia’s life was forcibly shaped time and time again to better serve Louis and Lestat’s love for each other; turned into a vampire so that they could repair their relationship, intimidated and hurt when she encouraged Louis to leave Lestat, made prisoner by Lestat ostensibly for Louis’ welfare, and now the memory of that relationship threatens her newfound kinship. It is galling enough that her long awaited introduction to a vampire community comes as an afterthought tacked onto Louis’ hand delivered invitation (“Come. And bring the petite beauty with you.”, “Monsieur de Pointe du Lac. Our finest seats.”), but the realisation that even that was determined by another man’s attraction to Louis has to be beyond infuriating. 

[somerandomdudelmao]

@tapakah0

This little bunny means the world to me

[frozen-seagrass]

Thinking about Mav being unsure of what Ice's eye color is

Of course he's not going to do the normal thing and ask the man, so he settles for finding ways to get up close and personal to try and see for himself without being obvious (-> he fails)

But every time he gets a close enough look they're different. One day they look blue but the next they look hazel. One moment they look brown but then he turns his head and a different light catches on them and they look almost green

It turns into one big game of "How close will he let me get? How much will he let me see?" And it's not until he's gotten to the point of being a breath away from Ice's face- close enough to brush lips- and standing under the bright white LEDs that he realizes that they're gray

[kacievvbbbb]

I think there's a lot of evidence in canon to suggest that Mihawk doesn't want to be lonely. But he doesn't know how to be around other people without expecting too much of them and always ultimately ending up disappointed when they fall short.

Sometimes when he looks at Shanks, all he can see is failed potential and broken promises he made with no one but himself.

Even now he tries not to linger longer than he has too;

Shanks' future no longer has any room for him and so Mihawk remains stagnant stuck 10 years in the past, alone. He doesn't know how to be anything else.

That is until a couple of pesky cotton candy haired children barge into his castle and into his life and drag him head first into the future too

[betweensaintsandmonsters]

okay okay vampire obi-wan and anemic human anakin who goes to be his meal at like a fancy vampire bistro that pays willing humans to "donate" blood (get bitten) and tastes like shit whomst obi-wan then tries to take care of (in all the ways he can from sunset to sunrise) first so his food tastes good (bc anakin keeps coming back) and then because he cares

sends cookbooks to his apartment, tries to get him to go to the doctor, sends him other little gifts when he sees thinks that make him think of anakin, obi-wan just like wants to take care of his boy because he's clearly not taking care of himself (he signed up to be vampire food so that much should have been obvious) and obi-wan just wants him well is that too much to ask?

they fight about this often. (first: "how did you get my address?" "It's on the form you filled out to be here" "invasion of privacy much?" then: "you could always just... choose someone else?" "and let another vampire suffer from your lack of self care? absolutely not."") ("i don't know why you're putting so much into this? "i must have nothing else to do.") ("if this bothers you so much... just let someone else feed off me." "no.")

anakin stops showing up to be dinner for a few weeks and obi-wan gets worried. but he's not sure how far he's allowed to go in his worry, they're technically just... predator and prey (though obi-wan wouldn't describe them like that) it's just that no one tastes like anakin (that's definitely it) and nobody sasses him like anakin, and nobody is anakin and anakin is missing and clearly if he's been gone this long he can't possibly be okay

(and obi-wan is right, anakin isn't okay. he's in the hospital with an arm that might need to be amputated (but it was obi-wan's favorite place to drink from since he won't touch anakin's neck for reasons he WON'T explain)

(if you asked obi-wan why he didn't bite anakin's neck to begin with, he'd heavily imply there's no reason, but when pressed, it would be that anakin let's out this breathy moan when he's bitten, and it's music to obi-wan's ears, a symphony to his soul, he doesn't think he'd survive it if that was right in his ear, he'd have to kiss the boy then and there, have to keep him, and he can't do that, so his neck is off limits. it is IMPERATIVE anakin does not know this)

and he's lost a lot of blood and he's suffering and not alone because ahsoka and padme keep visiting, but he doesn't know how much he misses obi-wan until he isn't seeing him)

so one night obi-wan goes to anakin's apartment to see he isn't there and hasn't been there in weeks based on sent, and panics because what if he drove his beautiful boy away, or what if someone went after him, and obi-wan can't go in bc vampire rules say he needs permission and also it's good manners.

eventually anakin comes back to him, sans one arm, apologetic because "i know that's where you liked to bite" as if that could possibly be the reason that obi-wan is as upset as he is when he comes in. "i'd understand if you need a different meal," he says, as if that's all he is when obi-wan refuses to bite him because for the first time, he looks fragile and that's heartbreaking

so anakin leaves and obi-wan is gobsmacked, flabberghasted, realized anakin waited to have this conversation as close to sunrise as possible so obi-wan couldn't follow him out of the bar, but he doesn't realize that his vampire would absolutely run into the sun for him (except quin and satine 1000% don't let him "that's not how you get your man, he doesn't want a pile of dust, where's that going to get you, man, think for just a fraction of a second")

so obi-wan send anakin more little gifts, things he can puzzle out one handed as he gets used to being an amputee, trinkets he might enjoy, notes that are meant to make him smile, or that say he'll find somewhere else to feed on the boy if that's going to get him to come back when nothing else has worked. all he wants is to let anakin know that he's he's appreciated, make him feel wanted and loved.

eventually anakin sends him a note back with his phone number and then texts him to come over. he makes obi-wan stand on his stoop for an excruciating amount of time and he gets a lecture about personal space, and respecting people's wishes and "it doesn't matter that you're 300 years old, some people just don't want anything to do with you!" and anakin tries to say all of this with a straight face, before he cracks because he misses obi-wan and it is an act, and he's been in love with this vampire since he decided it was his job to take care of one human that wasn't taking care of himself.

then anakin kisses him and gives him a goofy grin and asks "what are you doing just standing there?"

"are you inviting me in?"

"i guess i am. you're stuck with me though, i'm your problem now."

"darling, you've been my problem for a long time, and i wouldn't have it any other way."

and eventually they fuck, and obi-wan bites anakin's neck, and here's his symphony played out in the most desirable circumstances. and they live happily ever after

(until anakin pesters him about making him a vampire "so i can be your problem, permanently" and they argue about it, but agree that anakin gets a life first "you've gotta be at least 40 before i turn you, i'm not going around looking like i forever robbed the cradle!" "you're not even 40! 25." "nope." "fine, 30 then, final offer." "and if I say no?" obi-wan's grin is feral, like he knows he's lost but he's still willing to play the game. "i know you won't" so does obi-wan)

[magnoliasandbeardedtooth]

thinking about the relationship between sif and the universe, and related theories / headcanons aka I listened to a song and I need to get these feefees out of me

this is a lot of prelude for something that can be shown with just the video clip, but I want to include all the strings that make up this knot

Its not explicitly stated, but I believe it's pretty clear that whenever sif repeats something three times while hoping for something (sharpening the keyknife, carving in general, praying to the change god statue in dormont), he is performing wish craft.

however, he doesnt repeat anything three times when getting the keyknife. he doesnt even need to pray to get it at all, the change god just gives it to him. they say themselves that they dont care for rituals. they never even take credit for the stat buff, they only take credit for the keyknife

when sif changes how they pray at the change god statue, their method more strongly resembles the ritual to make a wish at the favor tree (picking the one you like best), and as a result the buff gets better. it is the wish craft ritual that is the important part of the prayer to that statue, not the change god

one thing that IS explicitly stated is just how powerful wish craft is for those who know the rituals, and how dangerous it is in the wrong hands. between the disappearance of colors (Im pretty sure that was the result of a wish, I may be misremembering), the disappearance of the country, and the king being nearly successful in freezing all of vaugarde in time, it only takes one wish to take out massive chunks of the world at a time

we know that wish craft is very entwined in the culture of the country (the story written about in the journal is told as a cautionary fairy tale, the rituals themselves are so deeply ingrained in sif that the wish to forget the country did not restrict his memory of the rituals, and he can perform wish craft without even being fully aware he is doing it)

it seems reasonable to me that the reason for the country's disappearance was to hide the existence of wish craft and the rituals to access that power from the rest of the world. considering sif didnt even remember his culture AND had good intentions, and still nearly ended the world, seems like that concern is pretty well founded. however, thats not the important theory Im making this post about

the country has knowledge of wish craft in conjunction with worship of the universe. "the universe leads, we can only follow," "the universe willed it," seems pretty safe to say that sif's Universe is the "entity" that is granting wishes

the way wishes are described, they dont seem like something the universe grants based on who worships it. as long as you know the ritual, you get the wish. everyone is part of the universe, after all, worshiper or not

Admittedly, its a bit of a stretch to say that the universe as a collective force has any sense of empathy for human struggles. but using the change god as an example, as spiteful as they are to sif, and unsympathetic to anything other than a human's role in the concept of change, they still show a great deal of care and favor to mira, someone who loves them. it is possible for a deity to care for those that care about it

sif, despite no longer having access to his culture or why he cares about the universe, still loves the universe, very very deeply, just as much as mira loves change. the change god says that sif's deity will never answer him, but I dont think thats the case

and this is the important headcanon that I am making this post for

sif is performing the rituals, so he gets the wishes, simple as. but I feel strongly that his wishes getting granted in very small but noticeable ways, despite not knowing how or why hes doing it, is the presence of his universe helping him, caring for him, even when he doesnt remember it

the strongest evidence for this, and the basis for this whole thing, is exactly how euphrasie breaks down in act 5

at first I only really noticed when she laughs, it reminded me very much of how the change god, a being who uses sprites of other characters and has done a whole possession, laughed during their encounter. they and euphrasie are the only two that use anything other than "ha," and right after this laugh is when her breakdown pauses and she says the lines

"... Soon you'll be able to go back to your normal lives. Away from battle and strife. Finally, you'll all be able to go home!!!"

which, knowing the end of the game is coming, is incredibly relevant. very deliberate

before this pause, her breakdown seems pretty chaotic. the characters and the player are just coming out of one harrowing experience, and are clearly headed for another. the cohesiveness of this glitchy breakdown amongst a mess of the rest of the world doing the same isnt really high up on the list of priorities. none of the characters notice anything beyond the fact that reality is breaking, not even sif. it just sounds like scary nonsense.

but with the context of euphrasie being possessed to talk to sif, every single one of her lines makes perfect sense

(footage from Zhain Gaming on yt)

the universe is there its talking directly to him, it was there the whole time

the Universe loves Sif so much

[fromtheseventhhell]

"I have no sister." The words were knives. What do you know of my heart, priestess? What do you know of my sister? | Jon VI

--metaphorical knives at feigning neutrality regarding his sister

Jon fell to his knees. He found the dagger's hilt and wrenched it free. In the cold night air the wound was smoking. "Ghost," he whispered. Pain washed over him. Stick them with the pointy end. When the third dagger took him between the shoulder blades, he gave a grunt and fell face-first into the snow. He never felt the fourth knife. Only the cold... | Jon XIII

--literal knives from breaking that neutrality to save her

[fulcrvm]

I'd really really love a Retired!Dreamling fic where Dream doesn't immediately become immortal upon becoming human.

I want to see what would happen when Dream and Hob both suddenly realise that Dream can still get hurt in some way, and I want it to take a long time for Hob to convince (beg?) for Dream to actively decide to 'not die'. I think it would be a very painful thing for Hob (who is inherently selfish and greedy, and needs to realise that he can't just ask Dream to be immortal simply because Hob wants him to be) to now justify why he think Death is stupid to a Dream who now can't contact any Endless, and isn't protected by the universe or whatever. I think it'd be very difficult and chracter-revealing considering their last conversation during The Kindly Ones, and I want their love and domesticity to feel earned in the retired setting. And I really want to see Dream have a reason to live fully, without fear, and actively decide to become immortal with his hand in Hob's, no matter how long it takes.

[lorephobic]

literally nobody asked for it, but here's my list of saltburn essays that i've slowly been drafting over the course of the last week which WILL be required reading for anybody trying to engage with me about this movie. my very personal saltburn 101 syllabus just dropped

A Wolf in Deer's Clothing: Saltburn's Attempt at Innocence

an examination of party costumes and our character's last attempts to masquerade as something they're not: felix—an angel, all-forgiving and all-knowing, something to be worshiped; and oliver—a prey animal, prey to class-divide, prey to saltburn, prey to felix.

thoughts about oliver specifically are loosely organized in my #bambi tag

A Midsummer Night's Mare: Farleigh Start as the Ultimate Victim of Saltburn

a farleigh character study, about the ways he was mistreated and manipulated at saltburn, about fighting to stay alive and the scars left behind by knowing when to give in

alternatively titled "QuickStart", may be adapted into a conclusive essay specifically focusing on oliver and farleigh's relationship

The Eye of the Beholder: On Saltburn's Voyeurism & Violence [working title]

how wealth and class pushes the catton's toward the volatile reality of being able to look, but not touch. on desire and the lack thereof, and portraying yourself as an object to be desired

may end up as two separate essays on wealth and aestheticism but i'm pushing toward a conclusive essay about the intersection of the two, which i feel is at the heart of saltburn

alternatively titled "Poor Man's Pudding: A Melvillian Approach to Saltburn's Class", again, may be adapted into it's own essay

Gender-Fluid: A Study in Sexuality and Saltburn's Desire to be Dry

a deep dive into the bodily fluids of saltburn and how oliver upsets the standard of men who are just so lovely and dry. on the creative choice to lean into the messy wetness of sex and desire and the audience's instinct toward repulsion

a celebration of the grotesque and an examination of why we would label it as such

least developed of the four, heavily inspired by @charnelpit's lovely post about the fluids in saltburn

if anybody is actually interested in any of these, i can work toward something closer to a finished piece instead of just bullet points and quotes in a google doc, but mostly this is so i can share my very brief takes on a multitude of themes in saltburn that have been haunting me

edit for people seeing this in the future: all posts about my essays are being organized into my #saltburn 101 tag if you’re interested in following these through to development!

[royalarchivist]

Pac: I wish I had a really nice background story for my- why I'm here. But you know, Felps just crashed the ship and I'm stuck! Fit: You've got an interesting history though, Pac! I mean, look at you escaping that prison! Like, that was not easy for you to do. [...] You've told me lots of stories about yourself and Mike's adventures. You've got a very interesting backstory. Pac: Thank you Fit, thank you. I'm glad to hear that you think it's cool. Fit: I mean– the cannibalism part, that sucks, but it is– It's cool! It's cool.

People keep wondering when Pac's going to tell Fit how he lost his leg, but during their date last week, Fit implied that their characters already had this discussion! Although this could've been an OOC part of their conversation, they've referenced this specific part of Pac's lore in past streams (this is just the most explicit example we've had so far).

[ Full Subtitle Transcript ↓ ]

–

Pac: I wish I had a really nice- um, background story - background story for my- why I'm here. But you know, Felps just crashed the ship and I'm stuck!

Fit: [Chuckles] Well no- you've got an interesting history though, Pac! I mean, look at you escaping that prison! Like, that was not easy for you to do.

Pac: ...No, yeah, you're right.

Fit: You know, and you've been- you have- you've told me lots of stories about yourself and Mike's adventures, like– You've got a very interesting backstory.

Pac: Thank you Fit, thank you. I'm glad to hear that you think it's cool.

Fit: I mean, I mean– the cannibalism part, I mean, that sucks, yeah, but it is– It's cool! It's cool.

Pac: Yeah, right? Yeah- that's- that's not a good part, right? Yeah, I- ugh, yeah, it's a– [He takes a deep breath] Yeah. It's ok.

Fit: Y-yeah, yeah...

Pac: It's ok.

[firethekitty]

the purposeful framing of this panel (and this entire scene of showing all the people who vash has met throughout the story) implies that wolfwood was AS important to vash as rem was. they both have had the greatest impact on him, so much so that their existence changes vash’s entire sense of morality. and rem and wolfwood, besides knives, are the only two people who vash really allows himself to love? people he wants to be with for as long as possible—when he’s so used to running away, used to going out of his way to avoid getting close to anyone. and it's just like idk *throws up violently*

[arandomferretsthoughts]

This popped into my brain and wouldnt leave so I wanted to share it with yall

—

A young boy and his parents are attacked on the street, only the boy makes it out.

It's a rare occurrence, an event like this, the police find the man and arrest him and everyone else is safe.

Bruce Wayne goes home to a mansion that feels larger and lonelier than ever, with only his butler to take care of him.

And yet the young boy finds himself too afraid to leave for more than necessities.

The young boy grows into a young man, he inherits his parents business and starts to leave his house a little more, unwilling to lose this connection to his lost parents but still he finds himself afraid, afraid to be around people, to be seen.

Until one day at a gala he must attend for the sake of the shareholders, he sees a man, a reporter, who holds himself in an odd way, clearly a tall and strong man who could be intimidating if he tried but the man held himself as if to appear smaller and unassuming, Bruce's brain flitters across the idea that the man is hiding something, or more hiding himself.

His brain that has soaked up comics and movies for years so as to not grow bored in his home.

And when he learns of all the good this reporter has been trying to do, he thinks the man would make a good superhero.

When he goes home the thought wont leave him alone, he thinks of a world with a hero, a world that needs a hero, one where his parents murder would have just been one of many, but this hero wouldn't have been there to help, he was too bright, a hero for the daytime, not for the shadows of night.

He thinks maybe he could have been a hero in this world, one that saves other kids from suffering a fate like his own.

One who is afraid and fights anyway.

The next time he leaves his home there's an event at a museum, with some special objects that are in town for a few days. There he sees a woman who knows so much about ancient relics and is so beautiful that he doesn't believe she could be just a normal human.

He thinks she would share her knowledge and kindness with the world given the chance.

While he remains mostly alone, other than his Parental figure/Butler, he also keeps in contact with two friends from when he was in school.

One is now a psychiatrist, with an interest in learning about fear and how it can change people, and the other a psychologist, both working at the city's asylum. 

Harleen is who Bruce considers his best friend, a goofy but kind girl who cares alot about others, she tells him about a patient, without going into much detail, who she claims would be cute if he wasn't so insane. Smiling and laughing while he talks about harming others. 

She got a boyfriend somewhere along the way, a man Bruce is sure abuses her but she can't seem to leave.

The three get in a fight one day, and lose contact, and Bruce supposes you can't have heroes without villains, though he can't bring himself to think of Harley as a villain by her own choice.

On the news Bruce learns of a man working to better science as they know it, a man who always seems to be a few minutes too late, he follows the story until the day something goes wrong and the man is there on time to shield workers from flying chemicals, killing him but saving others, Bruce thinks the man a hero in death, and could have been one in life, one who always made it to where he was needed just on time.

As time went on Bruce tried to get out more in normal ways, one night he went to the circus, he enjoyed it, reminding him of the day when he was little and his parents brought him to one just like it.

It was a few days later that he learned at the next show there was an accident, and a little boy lost his parents, he remembered being small and feeling alone when he had lost his, thankful for the man who cared for him he wished he could do the same for this little boy, but knew he didn't have the skills needed.

He could, however, make sure the boy got somewhere safe, and other kids like him too.

So he held a fundraiser and donated a lot of money into the foster system, doing what he could to make it safe.

And he thought of a world where he could have taken the little circus boy into his home, making it brighter and less lonely.

As he ventured out more and more Bruce travelled through different parts of the city, he saw a group of little children cowering behind one bigger who had just chased off a grown man, Bruce smiled as the kids cheered for the little hero.

It was the news that later told him the boy was dead, a homeless kid who stopped being seen, the little hero was gone.

Bruce held another fundraiser, this one for the homeless shelters and kitchens.

It was the news that told him the boy was not dead, found by the police, with other stolen children. 

Children that returned to a better place.

The day he lost his last parent is the day where he began to feel truly alone, the only person there for him gone, but Alfred would live forever in his memory's as the man who loved and cared for him.

He reached out to Harly again not wanting to be all alone, and they made up, he learned she had gotten free of her abusive boyfriend and had fallen for a woman who's love of nature was refreshing and new.

He knew little about his neighbours, but he tried to get to know them better, he struggled but eventually learned that the woman that lived there was very sick and that the man was not home much, when he learned of the child who spent so much of his time alone, he thought the kid was brave and told him if he ever needed anything to just ask.

The kid needed someone the day when his mother didn't wake up and his father wasn't home. Bruce did what he could, he was no father but he cared for the kid the best he could until his was able to return.

Bruce knew it was expected of him to have a family, someone to give his things and his business when he passed. He tried dating, but nothing ever seemed to work out.

However one day he learned of a child, a son, one the mother hadn't told him about, he tried to gain any sort of parental rights but couldn't get any custody, only visitation, he met the boy, a quiet but fiercely determined child, And he loved his son even without seeing him much.

When the quiet, hermit, billionaire Bruce Wayne, best known for appearing, donating large amounts of money to random causes and then disappearing again, passed away his belongings and company were to be split between two people, Timothy Drake, and Damian al Ghul, when the two met up to split his things, they found writings the man had never told anyone of.

Writings of a world where regular people became heroes, where aliens walked amongst humans, and where magic made lives exciting.

They agreed to publish the story's for the world to see.

To most people, the writings were just an entertaining fiction story that a billionaire wrote with his unlimited free time.

But to the retired reporter who knew his height frightened others, who now rested and found the stories learned that someone had seen how he stood, and what he had done and thought of him as a hero,

To the artefact collector and preserver who learned this man believed she was so knowledgeable about what she had strived to learn everything about, as well as beautiful, that he thought her to be blessed by the gods,

To the old psychologist who mourns her friend, a man who thought that no matter what she went through she'd always make the right choice in the end, 

To the family of a man who lost his life saving others, who this guy they had never met thought so highly of,

To the man that lost his only family to an accident at their circus, he was a man who wanted him get a good home, where'd he'd get anything he ever wanted, 

To a man that went through so much, believed dead for so long to learn this man who he had only seen once, saw him not as a poor homeless kid but as a fighter and protector,

To the boy that new the man for a short time, as a temporary guardian and protector, who made him feel safe and not alone when he needed it most, 

And To the boy who wished he could have known his father, but was kept away by his mother,

The storys showed to them all that this man, who some thought of as cold and egotistical, as he locked himself away and refused to be around others, was actually an anxious, lonely man, who saw what others didn't and cared about everyone in his own odd way.

—

I just thought it was a cool idea I wanted to share with yall, so I hope you guys like it

This is my first post on here, so please be nice,

Also, ignore any spelling or grammar mistakes Dyslexia goes brrr

If you want to know what I think he based the other heroes and character off of, just ask, and I'll figure it out!

Thanks for reading, and have a good day!

Edit:

Thanks for all the nice comments and reblogs :)

I genuinely didn't realize how sad this was, lol. Sorry, not sorry, guys

[wonder-worker]

Thinking about Elizabeth Woodville as a gothic heroine is making me go insane. She entered the story by overturning existing social structures, provoking both ire and fascination. She married into a dynasty doomed to eat itself alive. She was repeatedly associated with the supernatural, both in terms of love and death. Her life was shaped entirely by uncanny repetitions - two marriages, two widowhoods, two depositions, two flights to sanctuary, two ultimate reclamations, all paralleling and ricocheting off each other. Her plight after 1483 exposed the true rot at the heart of the monarchy - the trappings of royalty pulled away to reveal nothing, a never-ending cycle of betrayal and war, the price of power being the (literal) blood of children. She lived past the end of her family name, she lived past the end of her myth. She ended her life in a deeply anomalous position, half-in and half-out of royal society. She was both a haunting tragedy and the ultimate survivor who was finally free.

[stevieharringtonwifeguy]

omega cheerleader steve in his senior year of high school, walking up to the hidden table in the woods in his game day cheer outfit, looking for alpha eddie munson, local dealer. he asks for some weed, and eddie's like okay, thirty bucks. and steve's like oh no 😔 that's so much 🥺 i don't know if i can afford that 😏 but eddie's just sitting there like ???? aren't you rich???

and steve just. blinks at him for a second. tries again. 'oh man, i forgot my wallet, is there any other way i can pay you?' he says, biting his lip and looking up at eddie through his lashes in that way he KNOWS makes all the alphas go wild

'uh. no. come back when you have money man what are you talking about'

so steve sighs and completely drops the act like goddamn it munson im trying to get you to fuck me. and eddie's like oh. OH! why didn't you just ask then??? and steve blushes and looks away, mutters something about it not being what 'good omegas' do, and how he's so horny and eddie smells so fucking good with his chains and his rings and his tattoos steve's losing it

so they end up making out in the woods by the school, steve grinding down on eddie's lap with eddie's hand up his cheer skirt, both so far gone with lust that when they realise neither of them has a condom, steve just shrugs, tells eddie to pull out before he cums, because hawkins high values abstinence only sex education regardless of whether or not that works. so eddie bends steve over the table and slides in, and he gets so caught up in steve's pussy clenching around him when steve cums that he almost doesn't pull out in time, cum splashing against steve's still fluttering hole and absolutely drenching his entire pussy. but that's fine, he's pretty sure none of it actually got IN there, so they're good, right?

and they hook up another couple times after that, WITH a condom this time now that they know it's going to happen, and they enjoy each other's company so much that steve invites eddie to share his heat with him in a couple weeks. except. when the time comes, steve... isn't actually going into heat. which is fine, maybe it's just late. except, eddie points out that he's been pretty nauseous the past week or so, won't kiss him if eddie's been drinking coffee because he says the smell makes him wanna throw up. and now steve's panicking.

eddie calms him down, says there's no use freaking out if they don't know for sure. gets him a glass of water and a sandwich and tells him to finish them both while eddie runs to the nearest pharmacy to pick up a pregnancy test. the cashier glares at him when he checks out, severely judging the metalhead alpha buying like five male-omega pregnancy tests, but eddie barely even notices, head full of images of steve round with his pup, which yeah, he feels bad about given that steve is clearly freaking out. and he's ALSO kind of freaking out, because they're still in high school and he's a trailer trash drug dealer and absolutely not father material. but also. he likes steve so much. and thinking about being with him, having kids with him. it sounds so nice.

when he gets back to steve's house, steve has finished the glass of water but barely touched the sandwich. eddie hands the tests to him, reads the instructions out loud, stays in the bathroom while steve pees on the stick because the omega looked so lost and scared when eddie tried to give him some privacy. eddie distracts him by telling him about his latest campaign while they wait for the test to do its thing, and while steve is busy laughing about the tantrum gareth had thrown after the party spent two real life hours trying to open a door only to find out it wasn't locked in the first place, eddie quickly flips over the test.

there's two little pink lines. they're going to have a baby.

[doshiart]

F1 AU // GALLAVICH

Ian Gallagher is a racing driver, a young star of the McLaren team. Mickey is just a car technician, who only recently joined the team as a trainee.

/long read backstory below/

Okay, I've thought about this a lot. So.. Shameless US but.. huh? living in UK?

First of all, because Formula 1 is more popular in Europe. Secondly, because I want to alter the story of Mickey's growing up. Make it a story about a little boy persevering towards his dreams. And how a simple childhood passion can grow into a potential job opportunity.

If briefly, below I talk about Mickey's developmental stages, along with his final emigration from Ukraine to the UK.

I'm not going into Ian's backstory here. But I'll mention this in more detail at the very end of the post, if you get to the end. Ha ha. Have fun reading!!

---------------

Mickey was six, just a little boy, when he first saw a F1 race on TV. And he was amazed by how quickly the cars could go and how quickly the mechanics performed at pit stops. (Are these even mechanics? Well, they turn the wheels, dad does the same thing in the garage and considers himself a mechanic).

When the next year he went to school in his first grade, then to all the teachers' questions or questionnaires with their “What do you want to be when you grow up?” he confidently answered as clearly as his childish language could, that he would definitely become a F1 mechanic. Even though he received only gentle smiles in reaction to his naivety of being a kid, the desire took root in his little head.

---

As he grew older, he continued to enjoy racing, watching every race weekend he could. And while he was a child this did not cause any particular problems. Mom encouraged him in his interests and every New Year gave him tiny branded cars of the teams he loved. But as he gets older, the more often he hears from dad that he is interested in some stupid things. And he didn't want to hear a word about racing at all. As soon as Mickey mentioned it even once, he was cut off mid-sentence.

These are not real cars.

Real mechanics work in a garage with real cars, not kids' toys for show.

Come down to earth. It’s all somewhere far away and you never even get to one of these races in your life.

---

Well, Mickey talks less about racing out loud anymore. Especially after mom's gone.

Tiny model cars disappeared into the closet's darkness.

His dad began to drag him into their garage more often so that he would get used to work and not wander around idle, lost in his stupid dreams. He had to skip live racing broadcasts as a result. It was sort of suicidal acts to turn this on in the garage on a small TV instead of some dumb music channel with hit songs. Mickey had learnt long ago to keep his mouth shut.

Just listen. Bring it. Grab it. Repair simple details. Don't go under the hood. Don't touch this, don't touch that. And especially don't break anything. Blah blah blah.

Jesus, are you even a man? Take your gentle hands away if you're not ready to get dirty.

---

Despite everything, Mickey still had a dream. One day, he hopes to watch a real-life race. Hear the noise of wheels flying over the track, the roar of engines, the screams of a supportive crowd. He prefers to never talk about his own desire to work as a car mechanic or engineer in F1.

---

Mickey was sixteen when he left after ninth grade for a vocational college to applied mechanics specialty.

Because, well, he had good reasons for leaving school two grades early. At the very least, he was already tired of going to school. He didn't even have any friends there. Yes, he communicated with classmates, but that's not it. It's forced. Just so as not to be an outcast and maintain the status of the Milkovich family by playing dirty tricks at school and bullying others. Did he like it? Absolutely not. These guys were idiots with stupid jokes and always picking on chicks.

They kept asking if he liked any of them and talking about how they looked all the time. Mickey never liked anyone. It wasn't that the girls were ugly, he just didn't find them attractive. But he pushed these thoughts away and ignored them. Left it somewhere near to the tiny race cars in the darkness.

Also, classmates called him into fights on regularly. Not that he was against kicking someone's dumb ass, but that he would prefer better reasons than just trying to prove whose class is above.

Another reason is that, in their family, working with their hands and having a real profession are more valued than going to higher education. Because this is a job for real men. Where will all these managers, lawyers, accountants, stupid psychologists be when their car breaks down? Mechanics will always have work and profit.

As well, Mickey is deeply curious about the workings of the engine and wants to fully understand its mechanisms. He will therefore be able to study this in practice with teachers, rather than with a psychotic bastard who screams at the slightest opportunity.

The only thing Mickey truly wanted to learn at school was English. Not because he loved it. This gave him at least some hope of "breaking abroad for the sake of a good life". Perhaps the main reason for his success was that he had a really great teacher who pushed and encouraged him. Sometimes he would stick around after class and stay just to talk with her. Mickey felt parental care, which he hasn't received lately.

“I believe that you can achieve a lot, Mikhailo. Just believe in yourself.” She told him and he believed her, hugging her a little longer so as not to show his wet eyes.

And well, after leaving school, these words sometimes came to mind during the saddest times, when he returned home after a long day of school combined with an exhausting shift in the family garage. Every time he spoke with his dad, he felt terribly devastated. The dream was literally slipping out from Mickey's hands. A pipe dream, is that what they say? Well, at least he'll try to do something.

---

Mickey was twenty when he graduated and by this time he was actively saving money, hiding it in different places. Also, he planned his escape from home, considered the best routes, and looked at what things he should take with him, confused about whether he would ever return home again.

As he approached his twenty-first birthday, he finally decided to do it. With only a spark of hope, he was ready to leave for nowhere. And okay, Mickey was a realist; he was aware that things might not work out at all and that he would have to return back eventually. But he'll do anything, though, to make sure that this doesn't happen, to avoid having to meet his dad's derisive gaze once more as his goal gets mocked.

After all, a dream is a dream, right? He also had skills and language abilities in his pocket. So he's really ready to do anything to attain even the tiniest success.

---

To get to UK, Mickey had to go through a long journey of transfers from bus to train, from train to plane. He's terribly tired, but here he is. He stands and watches as the new country greets him with heavy rain.

He first found it difficult to adjust to other people's smiling faces. There were a few times when he didn't feel at home because everyone was so friendly and lovely. And these people were incredibly talkative. He'll have to get used to this if he plans to stay here.

The first difficulties he encountered occurred at the department while filling out a form for migrants.

“Mik.. Mikai.. Mikaelo?”

“Mikhailo.” Mickey interrupted.

The employee's eyes stared blankly at him.

He sighed. “Ugh.. Mickey? Yeah, Mickey.”

“Okay, Mickey. Here you are.”

---

Mickey got a job as a mechanic for a small business fairly quickly thanks to his abilities. He was so easily and warmly accepted into the friendly team. Here he first felt respect while working. Mickey got assistance from the job department in extending his visa to stay in the country. His job also provided him with a tiny apartment, deducted from his paycheck.

After a while, feeling a little more self-assured, Mickey started saving money for qualifying courses that would help him in the future.

---

Mickey was almost twenty-four when he successfully obtained all the qualifications that were necessary for the job, as well as to be sure of himself and his knowledge. During this time two full racing seasons had passed. He attended only one race at Silverstone. This was his almost full year in the UK. His skin broke out in goosebumps when he saw the track in person. It wasn't quite what he expected. Mickey literally stood in one place and once in a while cars would drive by. On TV they show a larger overview, but still. He was excited. In this grand prix, a new young racer from the McLaren team took third place for the first time. His name seems to be Ian, and he likes to take risks on the track, driving the car while presenting a strong sense of confidence. And his hair perfectly matches with the team's car.

He missed the second race due to a qualifying exam. But he's not upset. Mickey is closer than ever to his dream. If everything works out, he'll see even more racing. If not, well, then he'll continue to work repairing regular cars. Perhaps he'll be able to attend grand prix events in other countries during his holidays?

But now it's the middle of the season and he's standing in the lobby of the McLaren Technology Center. He's trembling a little and his wild eyes are scanning everything in the immediate area.

Mickey can't believe the reality of what's happening. No he didn't become a mechanic. But.. it's still impressive. He was interviewed and tested to become a temporary vehicle technician for the team as an intern. He was told something about a possible career advancement and access to other things once he completed more qualifications, but he's not sure he heard everything correctly.

Later they tested him on team tests on the track. He's surprised that he was able to concentrate on his speed and did everything exactly as needed.

He actually became… exactly the one who changes the wheels and does minor repairs. He joined the technical team and will also work on pit stops during the races. And well, okay, if everything that's happening isn't a dream, he's really happy. Extremely happy. Of course, the longer he studied, the more he wanted to do engineering and development. But that's the tiny step, right? This is already more than anything he could have imagined. He saw the race in real life from the stands, and now he got the opportunity to see everything from the staff. He'll interact directly with the racing car. He might even hear how the team interacts with racers. Unbelievable.

Through the noise in his ears, Mickey hears someone standing beside him talking in a muffled voice.

“Hey! You're a new technician, right?”

The guy had already taken off his helmet when Mickey turned around. He softly smiles while stroking his fiery red hair.

Mickey stared at him. When he was brought to the track, he thought that some tester was sitting in the car, but not their young star.

“Yeah. Hope so…” He twitched his lip and scratched nose. “You're Ian, right?”

Of course this is Ian, what a stupid question. It's too embarrassing.

The redhead smile became even larger.

“Yeah…”

And just as he was about to add something else, one of the staff called Ian to go back and he hurriedly turned to Mickey and said quickly, “Oh, uh, see ya later then, gotta go.”

---------------

I'm glad I finally wrote and drew this. This idea has literally taken over my head so much that I don't have the energy to write Ian's backstory in the same way. Once again I am convinced that writing is hard work. And I want to say again about my love for writers. YOU ARE INCREDIBLE. For my brain, drawing is easier than writing. But it was fun!

!!!AND!!! THE MOST IMPORTANT THING! If someone suddenly wants to write a big multi-chap slowburn fic or little drabble or do anything, I'll be happy so much with absolutely anything!!

---------------

Let's talk about Ian now. I was actually going to write a backstory for him too. Maybe at least some minor notes, but I'm not quite sure how best to connect his bipolar with racing. Usually because racers drive go-karts from childhood, get into the junior league and generally build a racing career for years. Maybe he had a breakdown somewhere between seasons and it was quickly noticed?? I don’t know… And I think about how the team constantly checks him, which at times upsets him and forces him to prove to everyone that he is fine and able to drive the car.

Most likely, in this AU, Gallaghers are either rich, or Ian has a sponsor, if you know what I mean… From this fact, a whole lot can change in story. And the second thing seems more likely to me.

I was thinking about how Ian joined the McLaren team at the age of 21, and by the time he first met Mickey he was 22. He had been stable for a long time on medication.

So I'm also considering the possibility that somewhere between his 17-19 years he disappeared from the radar and came back when he found a sponsor who could pay for everything he needed and help him get into the F1 league. At first it was the weakest team, until his potential was noticed and he was offered to move to another team. This fact with the sponsor will probably put a lot of spokes in the wheels (ha).

Racer's body is undergoing an enormous physical strain, so they spend a lot of time in the gym. And Ian really enjoys working out with his team.

Another interesting fact: racers have a super-strong neck to be able to cope with gravitational forces during the race. Therefore, special attention is paid to neck in training. (It seems from the moment I found out this my little fixation began…)

---------------

I think there's a lot of pining here or something. They seem to be nearby, but due to different job responsibilities, at completely distinct levels. And I really want to read something like this with so slow burning.

So, I guess you can consider this as a big prompt for writing, if it inspires you.

Thanks for reading! <3

[youregonnabeokay-kid]

SO. i was able to figure out the general structure of the script JLH leaked.

[explanation under the cut]

in order for all this to make sense, the first thing you need to know is that in north america all screenplays (scripts) are written in the same format

knowing this, we can deduce the general structure of the scene and even the length of some of the words

first we need to address the big question everyone's been asking:

are they talking about Bobby or Eddie?

screenplays are always typed in courier font, and in courier the capital letters B and E are identical at their left sides.

so while i enjoy people trying to figure out if the blurry letter in line 24 is a B or an E, the answer is it could honestly be either

where we really need to look is line one. the screengrab is blurry so i've outlined the word "going" and circled the area we should pay attention to

at first, the last letter of the prior word looks like an undistinguishable blob, but there is actually one key thing we can discern from it: the letter can't be y, it doesn't hang low enough

there is a chance that the word is not a name and is "he" which would not rule out Bobby or Eddie. however, that would mean the conversation goes on for at least 14 lines without mentioning "him" by name which is (heavily) frowned against in screenwriting. so chances are they're talking about Eddie

also, with what we know about the characters it's most likely Eddie. can you really see Bobby not talking to Buck because of... well, anything? and we already know that Eddie has a difficult time communicating. so i've decided to go with him for this script but haven't 100 per cent ruled Bobby out

moving on to the actual script itself, anything not highlighted in red is something i'm confident is either the exact wording or something similar. the red sections are the parts that i'm less confident in or know are incorrect somehow

Maddie's first dialogue block is the part i had the most trouble with. with context from the following conversation i figured that she probably asked something along the lines of when [Eddie] will be back at work. the main issue with this section is that the top line is actually six letters shorter than what i have written. this also means that the word that follows "going" has to be at least eight letters long. i tried messing around with the dialogue a bit but couldn't come up with something that would fit the appropriate letter count so for now i just wrote a line similar to what i think the actual line probably is

line six has to be either 12 or 13 spaces long and the first word has to be at least four letters long so i used "really soon" as a place holder, but i'm not completely confident in it

for line eight i initially had "Oh, that's good." but the line was one space short so i changed the "Oh" to "Hey" instead. i don't feel too poorly about this one but it still doesn't feel right to me. if the actual script says "Hey" i wouldn't be surprised if JLH changes it to something else or forgoes the exclamation completely

the final line is just a rough guess of what it could be. i'm not sure how formal the 911 writers are with action lines so i just took a random guess. some writers are extremely formal with action lines while others are more comedic with it (Neil Gaiman is a great example of this). i'm guessing the 911 writers are more the former but i honestly have no clue