#but they all do this and it's not just beetles

[squinch-depraved]

Jschlatt. But Y/N is being a brat. Thank you for your time. Have a good day.

okok you sweet thing thank you for your patience here we go

CW: killing bugs, aggressive facefucking, he smacks you once but its chill i swear

you had only agreed to a camping trip because you thought you would get to eat s'mores. but you were thoroughly disappointed when tucker forgot the marshmallows, crossing your arms and leaning back on the log you were sitting on with a harrumph, shrieking when you spilled backwards onto the rough pine needles behind you. schlatt helped you up as you giggled, chuckling softly himself.

"i texted you five separate times about the damn marshmallows, tucker," ted spoke through gritted teeth, eyeing his childhood best friend angrily.

"oh, you mean the marshmallows that were your job in the first place? you got everything else for 'em, ted, chocolate, graham crackers, but somehow you forgot the marshmallows for s'mores and I'M the one at fault!" tucker responded, chucking the pinecone he was playing with down at the ground in front of him.

"sshhhh!!" ted glanced at you, deep in a conversation with schlatt, and glared back at the man. "get up, let's walk down the trail to the general store and get some so we can have dessert," he grumbled, standing up and extending down his hand to help steady tucker as he followed suit.

the two men let you and schlatt know where they were going before heading a few dozen yards away to the rv where tucker and emma were sleeping to invite her along. she agreed and they set off, the couple holding hands and listening intently while ted made theatrical hand gestures and explained whatever tangent he was on.

it was quiet for a bit after ted's voice faded away, only the crackling fire punctuating the comfortable silence between you two, and schlatt tended to it solemnly, occasionally adding more wood to keep it big enough to last until they would return. he figured they'd be gone an hour and flicked his eyes to look at you about five minutes in.

you were still on your back, legs draped over the log you fell off, staring up at the brightest stars beginning to appear in the sky as dusk began to fall. he thought you looked angelic, and he startled you when he cleared his throat to speak.

"sorry," he started, shifting to face you more from his seat above you at the picnic table.

"you're good," you mumbled as you shook your head slightly, training your eyes back on the moon high above you.

"do you know if ted was kidding when he said we only have one tent?"

you laughed, remembering the sleeping arrangements, and shook your head. "do you see another one besides the one we have up?" you gestured broadly behind you somewhere, and, sure enough, schlatt saw a rather large rounded tent a small distance away.

he groaned and squashed a beetle on the ground with his boot, grinding the toe into the earth and smearing the bug beneath him. "i shouldn't have agreed to this," he complained. "two dudes above 6 foot in a tent plus you? no offense, toots, but we're not gonna all fit."

you sat up in shock, not at what he said, but at your clear view of his cruelty towards the feeble creature whose home he was invading. "why would you do that??" you shouted at him, weakly grabbing at his ankle and trying to move his foot by force. he picked his foot up and swiftly yet relatively gently shoved you in the chest with it, planting you on the ground once again.

"the fuck are you doin'?" he laughed mockingly. "it was just a bug, y/n, relax." he said it with a cruel smile and turned away to tend the fire pit. you growled quietly in frustration and sat up again, climbing to sit on the surface of the picnic table so you were almost eye-level with the tall man when he turned back to face you. you were quiet, apparently, and he hadn't heard you moving, so when he saw you there, he let out an embarrassing noise at the jumpscare and immediately began pretending it was something in the woods.

"no, i think that was actually a, um. a creature in the wilderness or something," he fumbled when you asked, sniffing his mustache a few times.

you continued to make fun of him, laughing at his stupid jokes and handing him small sticks to add to the burning pile. when he asked you to hand him his drink, just a few feet to your left, though, you said, "no."

he turned around slowly to look at you after adjusting the fire, as if giving you one final chance to pass it to him. "not askin' for much, toots," he warned.

"i don't feel like not killing bugs is asking for much, but here we are," you yawned. it was getting darker now, maybe 20 minutes had gone by since the rest of your friends had left. "reach for it yourself."

he sighed and grabbed the drink, taking a long sip of whatever he and tucker had concocted while ted, emma, and you worked on dinner. it was quiet for what you thought was almost too long before he spoke.

"are you gonna keep givin' me trouble all night?" it sounded more like a threat than a question. he was still facing the fire, watching the smoke, and you couldn't help but flush at his words.

"i dunno, depends what my prize would be," you teased as you slowly walked two fingers up his back. he shivered and whipped around, grabbing your hand so tight it hurt.

"don't do that, you don't get to pull that cutesy shit after bein' a bitch earlier," he chided down at you. "and i know you'll enjoy hearing what i'd do to you, you stupid whore, so i'm not gonna say anything. but i also know you're just gonna keep pushin' til you find out."

you moaned and bit your lip unknowingly, blinking up at him. he groaned in a mixture of disgust and attraction as he dropped your wrist and turned away.

after minutes of schlatt just tending to the fire, ignoring your increasingly desperate attempts to capture his attention again, you saw a beetle similar to the one he killed earlier crawling on the table an arm's reach from you. a wicked smile spread across your face before you composed yourself and reached down to coax it onto your finger.

quickly and quietly, you guided the little creature onto his shoulder and tapped him, stifling a laugh. he turned, huffing, an annoyed expression adorning his face, and jumped slightly when he saw the bug. for the second time that night, he shrieked, and he swatted frantically at his shoulder blade as you cackled at him.

"you stupid bitch!" he laughed incredulously when he was sure it was gone, turning around fully to tower over you. he put his arms on either side of you and leaned in, breath reeking of whiskey hot on your face as he spat his words at you through gritted teeth. "i'm gonna give you one last warning before i fucking ruin you."

he usually wasn't this patient! you smiled coyly at him and ran your hand across the top of his thigh featherlight, mimicking a skittering spider. his leg twitched and he looked at you, dumbfounded by your blatant desire to piss him off. your smile only got bigger after a moment when he rolled his eyes and smacked you playfully before turning to check the fire was still safe. he didn't know how long he had before your friends got back anymore, and he was going to have to take the risk of being caught if he was to punish you like he wanted.

he gestured for you to get off the table and sat down himself, facing outwards and gesturing for you to kneel between his legs. he looked like a god from this angle, chops framing his face perfectly; the firelight cast a glow on him that just called for you to worship at his feet. you shifted your legs underneath you on the cold ground in an attempt to get some friction at the sight of him undoing his pants and pulling out his cock, but he quickly snapped his fingers and pointed at his crotch before saying, "now. choke on it, doll."

you smiled slightly, shaking your head. unfortunately for you, schlatt was done with your little game. "not fuckin' playin' anymore, you stupid hole, i can be mean if that's what you really want. last chance," he almost pleaded. he was really scared of going too hard with you in the middle of the woods and not being able to get you help if needed.

you stuck your tongue out at him and he grunted, shaking his head as he grabbed you by your hair and shoved your head down his entire length. he used your head like a fleshlight, guiltily reveling in the sloppy noises your lips were making, along with the occasional whimper and moan— and don't get him started on the tears that fell from your eyes as you blinked up at him, those would be something he pictured every time he was by himself for years to come.

"god, toots, i should really plug your mouth up with my cock more often, huh?" schlatt let his head fall back and gripped your hair tighter when he felt you nod with him still in your mouth. he scoffed and peeked at the fire again. "yeah, you love this shit. you lil' whore," he mumbled.

in addition to slamming your mouth up and down on his shaft, he began fucking up into your throat, grunting rhythmically with every thrust after a bit. your throat was incredibly sore, but you were the one that asked for this, so you couldn't complain.

schlatt's groans echoed off the trees, and the nightlife of the forest sang in symphony with him as the dark settled over the campsite. "god, y/n, fuck," he panted, staring up at the universe above him. he wasn't sure if the stars were real or from how good you were making him feel.

but, since all good things must come to an end, schlatt froze when he heard ted's voice coming back from what he thought was a good distance away. "fuck," he muttered. he tried to pull you off but you continued to lick and suck his tip. "fuckin' stop that, y/n! i'm serious, they're almost here," he scolded.

"dude, we already saw! you're the only light source for like several hundred yards! it's cool though, take your time!" tucker called from the rv.

a faint, "dude!" and a smack was heard, followed by laughter. you grinned up at schlatt, who looked mortified, and stood up while he put himself back in his pants.

"come over here with my marshmallows, guys! i was promised s'mores!"

ilyyy thank you for your patience part two should be up sometime in the next few days mwahhhh

[gamblersdoll]

I LOVE THE NEW THEME!!

Request for you DV! What if Sanemi and cooing? Maybe he had a s/o with a praise/ degradation k1nk?

-⭐️anon!

hey baby! thank you!

cw: cooing, bent over his knee, spanking, praise slipping into degradation.

sanemi liked to think to himself that he could teach people things.

like how certain beetles can be alive for longer periods of time, or anything about his time as a wind hashira, or just anything within the demon slayer corp.

but your question was how, and why did he have you like this, bent over his knee and a skirt pulled up. one of his bigger hand holding both of yours behind your back, and another soothing your nerves by tracing shapes in your fleshy ass.

“you want to be a good girl again, dont you?” he asks, peering over at you to see if too much blood was rushing to your head, to see if there were any signs that his knee was digging too much into you.

you nod, knowing that it was something small to you, but big for him. what was it, thinking about it? oh, allowing the demon slayer corp. to make you the smallest skirt and not saying anything about it. “i— im sorry, ‘nemi.”

“yeah? you want to be my good girl again?” he asks again, venom starting to circle around his words that made it hard to hide. he sees you nod, clicking his tongue and swatting your left cheek. you yelp, of course; he was a big bruly man after all. he massages the assaulted one, leaning down and cooing at your ear.

“you have to learn how to speak up, baby.” he warns, moving his arm to your right and slapping that one, meanwhile keeping an eye on you. “or is it that you loved getting a skirt that only covers your ass by a wish, slut?”

you shook your head, knowing he had the jealousy and temper of a bull seeing red and it being mating season. “oh? so you just thought not to say anything? you gotta have me do everything for you?” he coos again, leaning back up and slapping both cheeks, six times each.

you squirm, legs trying to pull you away from his grasp, but he puts your legs underneath his right thigh. “runnin’ away will only get you in more trouble, baby.” he reminds, coming back to massage your thighs, and your backside again. “what are we going to do for now on, mm?”

“speak up about things..” you pitifully say, the air trickling on your red and raw ass was just torture, but he kneads the pain away.

[weirdmarioenemies]

Name: Firefly

Debut: Wario Land 4

Did you know? I can post anything I want on the internet. This is the first WME post of autumn, and here I am posting a firefly, an icon of summer magic! Hee hee! I am posting it because it is an incredibly darling firefly, even if to be honest it doesn't really resemble one at all, just a Cartoon Bug with a glowing light. But a great cartoon bug! Big ol' peepers, what could be either antennae or mandibles beneath, and feet that look like they may be wearing white gloves. Hot Dog!

I am being a bit rebellious on this post besides my seasonal antics, as well. If you asked the Super Mario Wiki (and you can imagine it as one of those tall suited object-headed fellows with the logo as the head, if you're into that) what this creature's name is, it would say "Hotaru". That's what the page calls it, after all. But that's just Japanese for Firefly! So that is what I will call it, with a disclaimer that it is an unofficial localization. And that's okay. You agree that it's okay. Thank you!

Do you call them fireflies or lightning bugs? Maybe something else? These two common names embody their Elemental Powers, which they do not actually have, but it's fun that they're two somewhat distinct elements. They should get a common name for all of the RPG elements! The larvae live and hunt in the soil, so there's a reason to give them an Earth related name, in a world where some weirdo decided that lurking in the dirt was more notable than glowing. And for Water, the larvae of some species are aquatic!

I kind of don't like any of the common names too much. I default to firefly, and it's fine enough, but... I don't know! I think I would call them glowbeetles. It sounds even more magical to me, like a creature that would exist as fantasy worldbuilding, while also being more accurate! It's a travesty that so many people don't realize these are beetles! They are! So I like "glowbeetle", even if it is a little weird to say. I like what it represents.

My manager is reminding me that I have not actually been talking about Wario Land 4 like I was supposed to. He's not paying me to talk about REAL bugs. He's SUPPOSED to be not paying me to talk about Wario Land 4! On it, boss!

For such a zany and over-the-top game, the firefly is surprisingly normal! If Wario touches the drool from a ghostly carnivorous plant's mouth, he will turn into a zombie. The way to reverse this status is by coming into contact with bright light. So a Firefly will appear to help! No fire. No lightning. Just good ol' light, like in real life. Its glow will make Wario no longer dead, so his funeral will have to be postponed until further notice. Perhaps it's a metaphor for how the wonders of nature make one happy to be alive! Whatever the case, this is just a regular cartoon bug who shows up, does its natural behavior, SAVES the player through its natural behavior, and leaves. That's incredible!

[twiniverse]

Look, here's the thing, and the last thing I'll say on it:

Pearl was never confirmed to be a lesbian. Not once.

"but she was repulsed by-"

Greg Universe (who she actively disliked at the time) and Bill Dewey.

These are the only two men we see her react to.

Greg Universe and Bill Dewey.

The only women we see her openly attracted to are Rose Quartz and a woman who looks very much like her.

I get it. People think I don't, but I do. It's easy to assume things are canon because we don't have all the information. And it's hard to see contradictions to what we thought was our comfort canon. But we all have to take a step back, take a deep breath, and remind ourselves that we can still have these headcanons, they can still be comforting. Rebecca was a closeted bisexual for a lot of the show's run. She very much related to Pearl. It's likely Pearl was always bi and we just didn't see it. And that's not the end of the world.

We still have the lesbian wedding. We still have Garnet, Rhodonite, Lemon Jade, Bismuth. Blue and Yellow. Pink Pearl, Yelp and Blip. The heaven and earth beetles. Spinel! I know how you guys love Spinel. THERE WAS A LESBIAN WEDDING ON SCREEN THAT WAS A HUGE PART OF THE PLOT. The lesbians are not starved because Pearl might be attracted to a man.

CAN PEOPLE BE DISAPPOINTED? Yes! Absolutely! But people also need to stop acting like Rebecca Sugar personally strangled their pet to death. She drew some art of her own characters that didn't even make it into the show. You can still look at the show and say 'Okay, she's still portrayed in a way that I believe is lesbian in the show'. You can still hold onto that. It's okay.

We just need to stop attacking the opposite sides of this. It's okay that she might be bisexual, it's okay that people prefer her as a lesbian and might be disappointed. It's NOT okay to start up with "your side is completely homo/biphobic". It's toxic and it needs to stop. We do not need to go to war over sketches someone made of their OCS.

[physalian]

On Writing a Compelling Fetch Quest, as told by TFP

Save for a single recap episode, season two of Transformers Prime is one long high-octane fetch quest, gunning for weapons and tools and eventually the keys to restoring Cybertron.

See this post where I’ve already gushed about this show but I just rewatched season 2 and it does absolutely everything right when so much of the tension could just come from the macguffin of the week.

Full Spoilers Ahead.

—

Season 2 begins with an amnesiac Optimus convinced he’s still best buds with “Megatronus” and that he’s still Orion Pax, factory reset to before he became a Prime with no knowledge of the war or Autobots or Decepticons. In this version of the lore, he was an archivist, the skills of which come into great use as he can decode ancient encryptions that Megatron’s had sitting locked in a vault and unable to crack for, seemingly, eons—unknowingly helping the enemy murder all his friends.

The information contained in this “Iacon Database” prompts the fetch quest that takes up the entire season. After the three part season debut (6 part if you count the 3 part season 1 finale as one long movie) where Team Prime ventures on their own fetch quest to restore Optimus’s memories, the board is nearly set. But first, a couple other episodes catching up with C-tier villains and bringing in some shiny new characters.

In these episodes, Megatron’s second-in-command, Starscream, who’s been rogue for quite some time, loses his ability to transform after trying to screw over Bumblebee. A “loose cannon” for Team Prime returns not quite as a main character, but more present than his lone episode in season 1, and Starscream’s replacement, Dreadwing, makes his debut. And, the other rogue character, Airachnid, is temporarily disposed of.

The board is now set: Autobots, Decepticons, and Starscream.

We begin at episode 11, where Megatron decides it’s a grand idea to infect his ship with zombie fuel to speed up some repairs, and the ship gains a life of its own, decoding the rest of the Iacon Database that Optimus left sitting behind, a job left to a different ‘Con, Soundwave, who’s no Optimus but doing his best. In that episode, the humans of Team Prime sneak aboard the wayward ship, steal the only four coordinates of the Fetch Quest that are available, and get the heck out of dodge.

Episodes 12-15: Four whole episodes occurring simultaneously, everyone available on both teams, every major player, Starscream included, all racing to these four locations to pick up either mystery weapons or tools of varying mass destruction. Each episode is intercut with dialogue and details from the other units, all coming to a head with the near-death of the Team Prime “Tank,” Bulkhead.

What’s in these four episodes is just a taste of the tension that the rest of the season will take on, kind of like a tournament arc pitting unlikely foes against each other over the MacGuffin of the day. My favorite is Wheeljack (robot cowboy samurai) and Ratchet (grumpy medic) vs Soundwave (aforementioned decrypter replacement who does not speak). The episode is visually gorgeous with a showdown on a cliff at sunset with the most beautiful golden hour for the fight (pictured above).

Every MacGuffin brings a new twist to the fight of their episode, of the four, 1 goes to the Bots, 1 goes to the Cons, 1 goes to Starscream, and 1 gets destroyed.

In the Wheeljack episode, Ratchet comes up with an idea to sneak a virus into Soundwave so they can steal the rest of the Iacon Database from the Cons, which proves a success.

Enter episodes 16-19, where we take a break from the pacing of the fetch quest to bring in another new character, Smokescreen, let Bulkhead heal up, let Wheeljack almost get murdered horrifically by giant bot beetles, and teach a little girl about how revenge does not bring peace. Oh and do away with the C-tier villains, they (almost) all die.

Episodes 20-23 are the last five coordinates for the quest: A fancy new sword to sell toys for Optimus in an absolutely badass episode where he cuts a whole mountain in half, and the 4 literal keys to restoring Cybertron.

The new tension comes from both making sure that Team Prime gets all four keys, and making sure that Megatron does not find out how important they are.

Team Prime gets 1, Megatron gets 1, Team Prime gets another, and then Starscream comes in out of nowhere to steal the 4th, and then sneaks into the base of Team Prime to steal the other 3.

I cannot remember the exact quote but after a yell of absolute anguish and frustration, Optimus collects himself enough to say: “The fate of our world now lies with Starscream, whatever his intention.”

Because, Starscream can’t do shit alone. He just has a very powerful bargaining tool to either buy back the Bots favor, or buy back his place with the Decepticons. Underscoring the importance of who has the keys is this: Whichever side restores Cybertron will have effectively won the war, able to then brand the other side officially as traitors, for a whole new reign of absolute authority. The stakes could not be higher.

Episode 24: The second and far superior flashback episode taking a look exclusively at Starscream’s role throughout the series and all his fabulous shenanigans, as Megatron puts him on trial to decide whether he should just kill his traitorous little SIC.

While these flashbacks are being displayed literally on a screen like they’re connected via HDMI cable, Dreadwing (Starscream’s interim replacement) finds out that not only did Starscream get his twin killed way back in season 1, but then raised his corpse and left the zombie wandering around the fifth dimension, and Megatron knew about it, and lied. (Dreadwing is a fantastic lawful evil character, this post is just ridiculously long already without giving everybody bios)

The episode ends with Dreadwing betraying his whole side to give Team Prime intel, and a magical MacGuffin hammer (that they initially lost in the earlier stages of the Fetch Quest) to level out the playing field, he then goes back to his team and monologues a bit too long before trying to kill Starscream himself (as Megatron still won’t) and gets murdered for his efforts, when he was absolutely right.

At this point, Starscream is back with the Decepticons, they have all they keys (but not yet the knowledge of how they work or where they go to), and they believe that they have a free shot to fly back to Cybertron as the Autobots don’t have any way to get there themselves.

Enter the finale: Episodes 25 and 26. We’re almost there.

The magic MacGuffin hammer Dreadwing gave the Bots can fix or craft almost anything (with limited uses) and they use it to make their wormhole portal into a much beefier version—a space bridge—to portal themselves to Cybertron with every single weapon they’ve collected over the course of the Fetch Quest in their arsenal.

This is a mission they’ll either win, or die trying, they have to steal back the keys and reach the lock before Megatron does, and Megatron just figured out where the lock is.

The Bots manage to do it all, get the keys, take out hoards of faceless minions in their way, they’re a the lock, all they have to do is turn it on.

When out of seemingly nowhere, Megatron executes his backup plan: The whole season, he’s had Soundwave quietly scoping out the Bots’ secret base, and the homes of their human allies. Due to a grave mistake on Ratchet’s part, those humans are not protected at the worst time possible, and they get kidnapped.

Megatron delivers an ultimatum: Cybertron, or three human children?

Rather controversially, Optimus chooses the children, but destroys the lock so Cybertron can’t be revived by either side.

Episode 26 then ends with the reveal that Megatron discovered the location of their base, and as they all scramble to different corners of the earth, Megatron nukes it, and Optimus with it.

—

What I think TFP does really well with the MacGuffins is that, by and large, they themselves are never the point of their episodes. The writers knew audiences wouldn’t be sated with just the objects themselves carrying the story, which is what every fetch quest story should be:

The MacGuffin itself does not mean shit to the audience, 9 times out of 10. It could be swapped out for something else and largely not impact its purpose in the story. What matters is what it means to everyone who wants it, and what they’re willing to do to get it.

In TFP's case, these MacGuffins cannot be replaced. Several show up more than once to give unique advantages to different fights or become incredibly useful 11th hour tools—the setup and payoff with them is fantastic.

Yes, some of these “relics” are dangerous weapons, but in the background of the whole season there is so much subtext. Optimus’s guilt and Megatron’s manipulations over what he did while he had no memory. Various rivalries between sides coming to a head. The Starscream wild card that continued to take everyone by surprise again and again. Optimus’s increasing impatience to finally end this war and set aside the rivalry to try and kill Megatron for real this time, several times.

Regardless of who had what item, the balance of power between both sides was shifting constantly. The Bots would get a slight advantage, and the Cons would match it immediately. The Cons would win a battle, but then infighting would cost them the next one. Optimus’s fancy sword was shattered the very next episode when Megatron made his own using a stolen hand of a dead Prime to power the magic creation hammer—a nice bit of commentary on mutually assured destruction. Megatron never would have gone that far if Optimus didn’t get his own uber powerful weapon first.

Nor was every battle over the MacGuffin-of-the-day the same. Different players, different environments, different rules at play depending on the power of the MacGuffin itself, or the ulterior motives of either side.

And there were consequences, too, as this series is pretty mature. Dreadwing dies pretty graphically, a different dead Bot gets turned into a ghoul and his (totally canon) husband loses his shit over seeing a filthy human wearing his metal skin around.

If you won’t watch this show because you think the franchise is lame, I can’t change your mind, but if ever there was an entry into the franchise that proved how good it could be—and there is a time and a place for the camp of G1—TFP would be it.

[cotton-could]

The depth of the Beetles brothers

My favourite sibling relationship in KND is definitely the Beetles brothers and I feel like they don't get the recognation they deserve, they're very adorable and is by far the most healthy sibling relationship but it does have some interesting aspects. Lemme break it down:

🍼; Wally had to step in to parent Joey

I find it interesting how the normally irresponsable Wally is suddenly the most responsible boy when his brother is concerned, almost like he's fulfilling the role his parents failed to fulfill. Wally's parents are oblivious at best and painfully irresponsible as seen in the D.O.D.G.E.B.A.L.L episode, where both parents doesn't even react to a grown and elderly wizard attacking their baby, they don't even get mad at him. I know it's "haha adults are being dumb and useless 😂" but this doesn't paint them in a good light since Joey needs someomeone to rely on and clearly he can't rely on his parents (I'll talk about it later), Wally on the other hand, he protects him, scolds him, looks after him and raise him, despite being the eldest brother, he acts more like a stern but loving father than a brother. The guy went berserk when he thought his baby brother was hurt, a clear contrast to their parents' reactions when Joey was in real danger. Wally became the "adult" Joey needed at such a young age...

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🧸; Wally is Joey's comfort and safe source

What I find most endearing in their relationship is that Wally of all people is Joey's source of comfort. He knows how to take care of himself as seen in D.O.D.G.E.B.A.L.L but this trait is apparently forgotten because in S.A.F.E.T.Y he doesn't use his dodgeball skills but actually, the trait wasn't forgotten, it's because he feels safe and protected with Wally. Remember his brother was knocked out when he was fighting against the wizard while his parents did nothing but in S.A.F.E.T.Y he didn't even tried to crawl away from danger, he's either paralyzed or searching/waiting for his brother but after seeing his older brother, he's cheerful and smiling again.

So when his source of comfort is shattered (when Wally gets mad at him), he just crawls away from him while crying and refuses to hear his apology. And this is despite the fact that Joey has seen his mom get mad (who's scarier than his brother when angered) at Wally and didn't cried. And this makes sense because his mom isn't his source of comfort like Wally.

Joey probably considers Wally his best friend, as he's always there for him when he needs it and gets to be vulnerable.

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🍬; Their parents' irresponsability are what makes their bond strong

Similar to the previous point but now more focused on the parents. They're trying, their dad works 2-3 jobs and the mom is a housewife but.... they're very irresponsable. They let a baby fight a wizard (I know they were tied but they didn't even tried to break free or telling the wizard to back off) and let a baby wander around all alone without bothering to look after him. It's one thing to be busy and to try but it's another to leave a baby who's at oldest a year old, see his brother without thinking of the possibilities he might get run over, kidnapped, get lost, crushed, etc... Yes, he knows how to defend himself but he's still a naïve baby, this would make Joey finding safety in Wally more understandable.

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🥧; He brings the best side in Wally

It's undeniable Wally is a good person but he always does his hardest to keep his sweeter side hidden, even with Kuki, so when it comes to apologizing.... He pretty much needs to go through painful experiences or get his pride in shambles to do it but with Joey it's a different case. He's not only openly affectionate with him (when he always avoid to do it with his friends and sometimes acts disgusted when he receives affection) but he genuinely apologizes to Joey in front of his friend/ally and the villain, he shows vulnerability in an environment he knows his pride would be destroyed and taken advantage by the villain of the episode but he doesn't care because his brother comes first. He calls Hoagie out when he asked Joey to dance, whispering him he's doing it because he wanted to be nice. Wally is not the nicest kid and it speaks volume of how much he cares about his brother's feelings when he wants to show his softer side.

And let's not forget how he spent the whole episode using his own body as a shield for Joey, not caring about the competition he's been trying to win because his baby brother is hurt, etc... When Joey is in the picture, Wally drops all his foolishness and becomes serious and responsable.

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🍟; Wally's parental role is taking a toll on him

It wasn't really focused on the show but from what we saw, it can be assumed he's also playing a fatherly role to Joey but... in the scenes he was shown crying, he takes it a bit too far, he's reacting how Joey should be (the cut was fake but still) and has a meltdown after destroying the robot because his brother is hurt but he reacts more like he failed Joey.

And I get him, because in the whole episode he was a jerk to him, made him cry, Joey didn't really accepted his apology, he indirectly caused Joey's "cut" and is bleeding. None of it were positive interactions at all and it kept getting worse, even if he protects him, it feels like it's not enough. If it weren't for Hoagie, Wally wouldn't even forgive himself at all and would think he's a failure of a brother because he couldn't prevent his little brother from getting hurt.

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🧃; Wally's hidden jealousy

This one isn't that big of a story but it's still interesting. While he has a positive relationship with Joey, it's implied he's jealous of him and we can see that in S.A.F.E.T.Y when Joey unintentionally stole the spotlight from him, telling him to go home and eventually snaps at him.

And in D.O.D.G.E.BA.L.L he might be secretly in denial about not really defeating the wizard but Joey. When Hoagie tries to inform him, he immediately refuses to hear him because deep down he knows Joey did it.

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🍭; In spite of this, Joey does admire Wally and is his hero

In a blink-or-miss moment, Wally does his silly dance before preparing himself and in the next few scenes, Joey is seen the make the same dumb dance as Wally for the whole episode (which Wally is completely unaware of).

Joey's reason to be here in the first place is because he wanted to see his brother in action and to root for him. He does have/mimick some of Wally's habits such as being a great fighter, being aggressive to enemies he can take down, being bored of his dad's stories and the silly dance.

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🍊; Wally is actually the father figure Joey needed

They may bicker and stuff but it's clear they love each other. With their parents being irresponsable and Joey not having an adult to rely on, Wally is the closest thing he has to a father figure. He's not the perfect one because of his anger issues but considering his age, it's justified but despite that, Wally is a good influence and presence in Joey's life. Wally takes great care of him and is always gentle when handling him even when he's mad at him (like carefully putting him on the floor instead of dropping him on the floor). Yes, Wally can be very harsh on him but it was mostly out of love, anger and concern (he could've been more tactful about it but his anger was understandable). And Wally has more emotional responsability than most adults in KND as he apologizes to Joey and makes up for his harsh behavior with hugs protecting him from danger. And his actions are what made Joey forgive him, he rejected his apology but after seeing how Wally will put himself at risk so he can be safe was what made him realize that Wally does care about him even when he gets mad at him.

It can be unfair for Wally to fulfill such a heavy role at such a young age but it's clear he doesn't regret it and knows no one else would look after him. He never took it out on Joey and this shows the maturity Wally has.

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Hope you guys liked my post about them, those 2 makes me so ill, I love those sillies so much! If anybody makes content of them or Joey content, please tag me, I'm a huge Beetles Brothers and Joey enjoyer.

[flecks-of-stardust]

[image description: a lineless digital doodle of a dark colored beetle in flight. Its front two pairs of legs are raised, with little marks around the end of its feet to emphasize them. It is almost as if it is excitedly raising its arms. A written ‘Wheeeeeeee’ curls around the right side of the beetle. end image description]

obsessed with how insects do this when they fly

[whilomm]

oh okay heres one:

"sleepaway camp"= you go there for at least a few days, a week, sometimes several weeks, and sleep there, as opposed to a """camp""" where you go for the day and your parents or whoever picks you up afterward (those arent really camps, but like. idk when i went to "space camp" it was a weeklong but not sleepaway). in the U.S. at least, the typical image of a sleepaway camp involves staying in cabins, dunno how common it is/what it looks like in other countries.

for the first few i just mean like. not necessarily a stealth church camp, just like. idk, a camp where theres also an Assumption Of Christianity and just general vibes without being actually church camp. So, there might not be daily services and jesusy dedicatwd activities, but maybe theres still a prayer said over meals and shit. Which i assume might exist...

(oh and @reblogforsamplesize if u wanna)

[poorly-drawn-mdzs]

It's the 6 month anniversary of this blog! Check out these cool bugs I found.

(EDIT: Check out this amazing fanart by thecornermushroom!)

Part 2 - Part 3

[maridotnet]

Prev | Next Chapter 1 | Chapter 2

hi i finally found my sketchbook!!!!!! they bonded a lot while we were gone

this page sponsored by @peakwonderfulness (MULTIPLE years ago at this point i believe!!!) on kofi, thank you for your support and your patience <3

[maulfucker]

making a whole clone squad to fit my "pair of clones named watch and learn" joke

[crow-with-a-pencil]

One year anniversary of the kelp blorbo who changed my brain chemistry forever

Happy birthday Beetle :)

[stackthedeck]

the potential of these two is devastatingly unexplored

[hballegro]

update time

WE'RE IN THE HOME STRETCH NOW GAMERS

incase its not clear, anything with the blue shit on it is not yet painted at all yet. margaret's hair will be easier than the other two's because its blurry and its mostly shapes instead of individual hairs. my entire day was spent just painting these idiots' clothes.

also worked on bjs mouth and moustache more. still wanna fix up hawkeye's mouth and eyes a little but thats tomorrows issue, i need rest.

I am very sleepy. i will go to bed at 1 instead of 2 am tonight [no i wont, but i WILL lie down at 1 instead of 2]

tomorrow, we finish. i realize it looks like theres a lot of blue on the screen but you must understand. doing blurry un-detailed things takes less than half of the time it takes to do a small portion of a face. i will persevere

[brittlebutch]

the evolution of the operator symbol over the course of the series is so endlessly fascinating to me, because like. Alex came up with the symbol and only ever really used it on his hypergraphia papers, which we don't really see him do much (if at all) after season one

but Brian,, Brian uses that symbol constantly. It's basically a signature by the end of the series - he leaves it on Tim's medical records, and on the back of Alex's photo of Amy, and on the note he left for Jay about Benedict Hall - he even uses it in his final video to unveil his name - it's self-referential, but he doesn't ever really seem to use it to denote The Operator the way Alex did?

Like, to me it really does seem like he basically appropriated it. "This is the symbol you created for the thing that was hunting you, but now I'm the thing that's hunting you" - like, hh fuck dude, Looking At You

[carnivalcarriondiscarded]

hello again everyone i'm putting on my tinfoil jester hat & passing out Hefty grains of salt. its batshit theory time!

in short: i think Julie is gonna get violent & might end up killing someone - or she'll at least try. and i'm pretty sure something terrible is gonna happen to her.

in long: hoo boy. strap in

first off, i'd like to say that i love womens' wrongs And rights! all of this is said with utmost affection & respect for Julie. i love it when characters do terrible things, its interesting and so tasty for the story and their development <3

second disclaimer: most of this is just based off of what we have / know as of now. which is, admittedly, not much! so despite having short arms, i may be reaching very far! i'll get the based-on-knowledge part of my thoughts out of the way before getting into the more abstract I'm Just Making Shit Up At This Point part (educated guessing, yk yk!)

not sure where to start so i'll begin with what starting this line of thinking - flower symbolism. I've gone a little bit into it in a previous post from a while back (where i just made observations about the neighborhood map), but i'll restate the relevant parts. there are two flowers in the neighborhood with greek myths attached, and similar ones at that: the hyacinths outside of the Post Office, and the sunflowers outside of Frank's house.

most people know the hyacinth myth! Apollo, while playing metal frizbee with his (male) mortal lover Hyacinthus, Apollo's thrown discus bounced off of the ground and accidentally hit Hyacinthus in the head, killing him - then Apollo turned the spilled blood into the hyacinth flower. in another - popular - version of the myth, the wind god Zephyrus was jealous and blew the discus off course to kill Hyacinthus. as for sunflowers: Clytie, a nymph, was in love with Apollo and grew jealous of his relationship with a princess, Leucothoe. Clytie informed Leucothoe's father of the relationship, and he buried Leucothoe alive as punishment. Apollo turned his murdered lover into a sunflower. two flowers attached to greek myths about Apollo falling for a mortal, and that mortal gets murdered by a jealous non-mortal.

next, I would like to bring attention to This Concept Artwork from 2021. now i'm not gonna use this as a definitive "oh this exists so it must mean-" but there are always elements of concept work, especially Canon concept work, that sticks or can allude to themes or information that will be revealed later in the story. concepts are concepts for a reason - it means there's a solid idea that's being explored in depth, most times for use (especially that deep into the story crafting).

specifically, right now i'd like to look at the type of flower Julie is holding. pansies. normal ones + the primary fucked up pansy. pansies are symbols of love - both romantic and platonic, but predominantly platonic. it can also symbolize nostalgia, thought, admiration, remembrance, and can even be used as an "i'm sorry" flower. in victorian times, it was often used to represent forbidden/secret love.

stick with me, i'm getting to the point i promise

now, another thing is how much of Julie's character (meta-wise & in regards to the WH show as a production) is centered around love. her house is the "cutest" or most feminine one in the neighborhood, and it's downright infested with hearts, from the windows to the bushes to the chimney. she exists as Frank's foil, and it's almost definitive that she was meant to be Frank's love interest (there's just. so much evidence that there's no way that's not it). and just look at her! she looks like a love interest! if WH was a real show that i sat down to watch, i'd see her and immediately go "oh, ok, that's her base role"

this contradicts with what we know of her character - Julie seems big on platonic love, loving her friends, but other than that? she very much steps around what her house/character design is trying to say. she's hopscotching right over what the production wants from her. the only thing she kinda sticks with is the whole flower thing

but. but but but. i wonder! after the update, I'm pretty confident that the neighbors are influenced by the "script" and the workshop, even if they're not aware of it. see: the difference in how they act in the "recovered media" (where they behave more like they're characters playing out a bit, their dialogue has no natural lulls and it just sounds like a (really good) script) vs the 14 audios & the phone calls (natural dialogue, they seem more layered & like actual people instead of just characters, there's no set shenanigan - they're just doing their own things). and we can assume that the latter audios are from the neighbors off-script off-the-air.

despite this, they still somewhat try to fill their roles. the question is: how much of that is authentic, and how much is them still feeling that pressure to perform? just like how We as people feel pressure and expectation from societal rules/norms, even if we're not conscious of it. like, say... kids growing up thinking being queer is wrong, even if they've never been directly exposed to / made aware of homophobia/transphobia. We fill in the absence of being told "this is right" with "it must be wrong", and We act accordingly

so apply that to sapient puppets who were (again, most likely) made with set relationships, dynamics, and character details in mind. they're meant to be This Way, even if they want to be That Way, and that internal "programming" has to conflict, at least a little. like how I've seen Clown mention that homophobia will/may be a theme, and the only way i can see that happening among puppets who have never been directly exposed to it is if the above happens: they feel pressure from something they're unaware of. expectation from a "higher" plane of existence. as above, so below.

OKAY NOW WE'RE GETTING TO IT I PROMISE! blend this all together into Frank & Eddie catching feelings. they weren't meant to fall in love. they're not supposed to be together. it's - from the perspective of Playfellow & society (in the time period WH was active/created) - wrong.

Julie is supposed to be with Frank. Frank is supposed to be with Julie. in a way, they are together - they're best friends. they're foils. they were created to compliment each other and click. in the media audios, they're almost always together. if one of them is in a scene, so is the other.

so what happens if Frank starts to pull away? if he starts to spend more time with Eddie - what if Julie feels like she's being pushed out? what if she asks Frank to come play, only to be told he already has plans with Eddie, and if Julie tries to join in, what if Frank tells her no?

if it were me in this situation, I think I'd start to panic a little. everything has always been the same - it's always been Frank and Julie. that's how it's supposed to be. Frank and Eddie, well that's just - that's just wrong! and if, at this hypothetical point in the story, things are tangibly starting to degrade/go wrong, Julie might cling even harder, panic even more.

you see where I'm going with this? what i meant with the flower symbolism and what it could point to?

their world is falling apart, and Julie's one constant - Frank, her best friend, her grumpy rock - is pulling away. for Eddie. the mailman. and so what if the jealous "lover" takes action? Julie can make things go back to normal. she needs Frank, and in her mind she's losing him, but she can't lose him. she can't. and maybe that little whisper of expectation that she can't hear but feels nonetheless, fuels this fire. it makes her feel justified, makes her feel the need to act and "correct" this. maybe if she gets rid of the distraction, Frank's love and attention will be hers once more.

i mean, people do insane things when they're under that much pressure. from current probably-horrible events, a loss of control in their own life, their closest person seemingly distancing themselves, subconscious pressure from societal expectation. especially when it comes to love - platonic or romantic. w/ Julie, i'm pretty sure it's platonic in regards to Frank. though she is bi, so you never know! could be both!

and maybe it won't be about Frank & Eddie, if any of this turns out to even a little right. maybe there's a factor I'm not considering or haven't seen yet. but i really do think that there are things pointing to it.

like yeah, the Concept Art linked above. the caption saying "liar", the specific species of flower, Julie holding it over her mouth as if keeping a secret, the hammer. not sure if the person standing over her is her primary puppeteer, an abstract, or something else (it seems cracked?) but that's not what this theory is about!

then there's the flower patch - both behind her in the concept art, and the one behind her house on the map. it's striking me now that the two look very similar. they have mostly the same flowers, even. blue/yellow/white/orange "daisies", some daffodils, what i think are roses (it's hard to tell specifics on the map). an odd choice to make them so similar (unless it's coincidence!).

when I first saw the patch, my immediate thought was "holy shit is that a body dump?!" bc it's oddly green compared to the rest of the map, it's placed at a noticeable distance behind Julie's house - as if it's supposed to be "hidden", and it's the lushest spot in the neighborhood. now, to provide a counterargument to my own claim: it could be very green because that's how things are shaded, it looks like it's at a distance from the house bc the map is 2D, and its the lushest spot bc Julie's all about flowers - also, i doubt flowers would spontaneously grow since we can assume none of them are real. it's a puppet world of props. but who knows.

(and okay this might or might not be relevant but we can assume Julie is the one who made the chalk drawings on the path, right? i think there's a spiral in front of her house. just making a note of it.)

and there's just how much "pressure" seems to be on Julie compared to the others. she doesn't match her house. she doesn't fit her "role" the way she's meant to. AND OH AND I ALMOST FORGOT - by the swingset, there's now a bowling ball and what looks like red scissors. idk about you guys but i associate scissors with Eddie. he's all about crafts, after all! now i'm really reaching but hey? murder weapon? Julie does seem fond of bowling balls... that's a perfect bludgeoning weapon to have on hand (in abundance!)

in conclusion, i just think Julie has major potential to do some deliciously fucked up stuff. in fact, i hope she does! it could be handled/done in an absolutely fascinating way, and could have intriguing consequences.

who knows, maybe i'm right about her trying to get rid of Eddie (not out of malice or anything, just fear & pressure), and there'll be a whole thing where he keeps on coming back, completely unaware that she tried to off him, bc he's a puppet and it's probably really tough to kill something that wasn't really alive in the first place. i mean, in This Observation post i made about some new map secrets, there's a strange window shine on the Post Office door that could be spelling out either "nexus" or "new us". that plus the apparent extra hands/faces behind the door... Eddie is quite accident prone. who's to say he's not used to being replaced by himself? it's not like he'd remember. or is that the reason his memory is bad? holy shit wait - no wait this is a tangent. sorry. this post is about Julie lmao maybe i'll make a different post for this Eddie Thought i just had bc ough. ough...

and also, before anyone tries to come at me - because there's always people who twist words to Start Shit or misinterpret/miss the point - i'm not saying that Julie is like... homophobic. or hates Eddie. or is a "jealous crazy-" just. yk? and if you think that, maybe reread the post. or take a reading comprehension class &lt;3

AS FOR THE SOMETHING TERRIBLE HAPPENING TO JULIE. this is based on Two things and also Vibes. this section will be mercifully short compared to the rest of this clusterfuck of a post

so in the Livestream Trivia doc compiled by @/theneighborhood watch, yes i'm referencing this again sorry, there's this tidbit:

that, plus This Artwork, which features Julie (they're her shoes!) standing at the edge of an apparent chasm (the edge of the set, i assume) paints an interesting hypothetical picture. maybe she wanders a little too far and falls off the edge of her world. maybe she discovers something and Wally has to do something he doesn't want to do, but "needs" to. hey, who knows. maybe she is gonna hurt / try to hurt someone, and in an attempt to save them / stop her, Wally pushes her - either accidentally or on purpose, either way the end result would be the same. now I'm just pulling things out of my ass so lets move on lmao

then there's the Unknown Record in the website's media section. i actually recorded the audio and sped it up - i'll post that video later - and it seems to be an excerpt from Alice in Wonderland. the only part of it i've been able to clearly pick out is "Alice found herself falling down.... down... down..." followed by, presumably Alice speaking - who's high pitched voice reminds me of Julie's. so that's another point in the Julie Goes Bye-Bye Via Rapid Descent theory. or just goes temporarily missing! it could be that the only relevant part of the above trivia tidbit is the "falling down a cavern", and not the "never seen again" part. but it could. be. both.

though! though. Clown has stated that if all the neighbors were to take on roles in Alice in Wonderland, Wally is the one who would be Alice. which follows his direct connection to the spiral/eye pit, and the phrase "down the rabbit hole". so it could be either or. it could be both! it could be neither! this is all speculation, which brings us to....

the end! we made it! i hope you're still carrying your Hefty grains of salt! soon you'll be able to fill a large chicken-shaped shaker with it all!