#but why especially Americans?

[silverspleen]

STUPID SHIP MEME DRAWINGS.

I just think they should kiss maybe?

Obsessed (positive??) with the dynamic of guy who betrays his country so he can run off with the militia he's been working with because he gets a case of loyalty feelings so bad he goes and blows himself up X morally upstanding traumatic backstory woman having the worst fucking time of her life (again) who really just needs someone to be as fanatically loyal as possible to her, as a person who is really into the inherent eroticism of the hierarchical military power dynamic focus on loyalty and the use of "yes ma'am" as I love you.

Obsessed (negative) with the propaganda implications that we seem to have ignored of the fact that the three most important people in an arabic woman's life are 2 (two) white guys and her brother, who betrays her and becomes a villain in the later games, and the fucking insidious-ass narrative choice of placing one of said white guys in said militia as like, the tacit fact that this organization is ok only because the western white guys are cool with it. Stop introducing more ULF people just to kill them!!! I SEE YOU WRITERS!!! YOU CAN'T HIDE FROM ME!!!!!!

because, once again, the character dynamic? I am sick for it. He dropped a building on himself for her and then came back???? He came back???? He could have gone anywhere but he came back to her???? I'm unwell. I think I have covid. I need to go lie down.

Anyway my city now my characters now smashing them together like barbies watching that .gif of them staring at each other eighty times reading all the fanfiction goodbye

you shouldn't blow yourself up in the furnace I want to blow myself up in the furnace for you as my own personal choice and you should order me to do it because you're such a good leader what is wrong with youuuuuuuuuuuuuuuuuuuu aaaaaaaaaaaaaaaaaaaaaarrrgh *gnaws on furniture*

WE DON'T EVEN GET TO SEE HIM COME BACK TO HER. THANK YOU FIC WRITERS YOU KNOW THAT REUNION MUST BE SO ANGST THE COMPLEX DYNAMIC OF SACRIFICING YOURSELF FOR SOMEONE AND MAKING IT OUT AND BACK TO THEM AGAIN!!!!!!! THE GUILT! THE YEARNING! THE LOYALTY! I AM GOING TO EXPLODE.

[fictionadventurer]

The more I learn about Civil War politics, the more I'm convinced that Lincoln's most impressive and useful leadership trait was that he never let his pride get in the way of doing his job.

Other people in Lincoln's position would have come to Washington with something to prove. They'd have resented the insults and tried to disprove them. They'd have tried to seize power and credit, rejected help, spent a lot of time trying to reach a certain level of respect.

Lincoln's response to, "You're just a backwoods lawyer with no executive experience who makes too many dumb jokes," was pretty much always, "Yeah. And?" He had no interest in petty personal power plays. He had a country to run. There was a war on. It didn't matter what people thought of him so long as the job got done.

He was aware of his personal shortcomings and was always willing to accept advice and help from people who had more knowledge and experience in certain areas. He presided over a chaotic Cabinet full of abrasive personalities who thought they were better and smarter than him, but he kept working with them because they could get the job done. For example: Stanton was absolutely horrible to him when they were both working as lawyers. Just incredibly mean on a personal level. But when Lincoln needed someone to replace Cameron, he swallowed his pride and appointed Stanton as Secretary of War, where Stanton proceeded to be mean to everyone in the world, but he whipped that department into shape and kept it running efficiently through a very chaotic war. Pretty much no one except Lincoln would have been able to put up with that. He could put up with people who were personally difficult if they could do the job he needed them to do--which he was only able to do because his own ego didn't get in the way.

Lincoln's example is a prime demonstration of how humility isn't underrating yourself--it's being so secure in your own abilities and identity that you don't need to attack anyone or defend yourself to prove your worth. He knew his shortcomings, but he also knew his strengths. He was willing to give other people credit for successes and take blame upon himself for failures if it kept things running smoothly. He was secure enough in his own power that he could deal generously--but firmly--with people who tried to undermine him. In a city full of huge egos, in a profession that rewards puffed-up pride, that levelheaded humility is an extremely rare trait--which is what made it so impressive and effective.

[syn4k]

DOC WHY DID YOU PUT THE "SPAWN WITHER" NOTEBLOCK ON THE OUTSIDE OF THE BOX NEXT TO THE GRIAN AND SCAR ATTRACTING SIGN YOU ARE SHOOTING CHEKHOV WITH HIS OWN GUN HERE ARE YOU SERIOUS

YOU HAVE A SIGN SAYING DONT GO IN BUT THATS NOT IN THATS OUT. THIS IS OUTSIDE. OUTSIDE OF THE BOX. THEY WILL BE FOLLOWING THE RULES IF THEY STAY OUTSIDE AND PRESS THE WITHER SPAWNING BUTTON. DOC. DOC.

[problemswithbooks]

BNHA Ch. 429

So, I guess Toga is dead, and people are losing it.

I get why people liked her--she was actually queer, being pan/bisexual. She was representation for them and that's rare in shonen manga. But here's the thing--she was bad representation at best and insulting at worst. Nor do I think she was made queer because Hori really wanted to represent a queer girl. Himiko was always the author's poorly hidden fetish--she just was. She liked girls as much as boys because Hori wanted to draw a girl touching sexually on another girl. You can see this in how he draws her and Ochako in solo pics together.

I mean, people seem to understand this when it comes to Momo and her outfit being overly sexual or that both Himiko and Hagakure's Quirks either leave them naked or they have to be naked to use them. These are excuses to draw girls in a sexual manner. Himiko being into other girls is the same thing and that's the kindest interpretation.

Given how Himiko acts and her Quirk being heavily coded sexual desire, and therefore her use of it against someone unwilling being sexual assault, it could just being playing into harmful stereotypes of predatory gays.

As a queer person myself I just found Toga insulting. She was designed to be overly sexual and give the male author a female character that he could draw being suggestive with his other female characters. When he did flesh out her character, her backstory was eventually the trope/fear of straight people, that gay people will be so overcome with their lust that they end up sexually assaulting them.

In the end Ochako accepts this part of Toga and says she'll giver her blood forever, but as much as a lot of readers took that that as some deep lesbian confession, for me it really fell flat. Hori never really gave any of the main kids time to actually learn about their villain or show how that changed their minds toward them. Shoto only works because Touya is his brother (even though he admits he barely remembers him). But Ochako goes from not thinking of Toga at all pre-first war, to one thought about her during her speech, to suddenly caring about her so much she--given how Toga's quirk is coded, is willing to essentially fulfill Toga's kink for the rest of their lives.

It's weird and it comes out of nowhere. It's made even stranger because Toga doesn't actually change or show remorse for anything she did, which included personally hunting and murdering people before she joined the LOV. None of the death and destruction she is also partially responsible for is brought up either, something that Ochako was rightfully upset about during the first war when less people and property had been destroyed. Ochako just accepts everything about her suddenly and her past serious crimes are forgotten so they can cuddle and cry.

Am I shocked Toga died--a little. I didn't think Hori would have the guts to kill off a young girl character, especially one that he clearly got a lot of joy drawing in sexy poses. But at the same time, once he killed off Shigaraki and ended Touya's story with his slow death, I'm not surprised he went the same route with Toga.

This isn't Naruto--Hori isn't really kind to characters that do something wrong, especially if they don't try and change. Enji, Bakugo, Hawks, and Aoyama all sort of got punished for what they did. Enji is the worst off, being permanently crippled, missing an arm and burned everywhere. Bakugo's hand is damaged, his heart weaker, plus he feels bad that Izuku lost his Quirk so they can't compete the same way he wanted them to. Aoyama, despite doing way less wrong and even helping his class during the forest raid, still leaves school because he doesn't feel he earned being there yet. Hawks lost his Quirk and even though him running the HPSC could be seen as good for him, Hawks always wanted a break, but now he has one of the most time consuming and stressful jobs out there.

So, if this is what characters who actively did good things and even changed and fought to be better get, what would characters who never changed and never did anything positive for anyone but their friends/themselves get?

Before the last Arc started, when so many people said the LoV were 100% going to be redeemed I had doubts and always thought it wouldn't make sense with how the story presented redemption or treated other non-LoV villains in the past. That if the main LoV did get some happy ending where they were bffs with the main cast it would clash with how other characters had been treated.

That doesn't mean that I think how Shigaraki, Toga, and Touya ended up in the manga was well done. I think their endings fit far better then a last minute redemption would have, but at the same time you can feel how rushed everything has been since the end of the first war arc. Hori was done with this story months if not years ago, yet he was contractually obligated to finish it. Because of that I think he left out as much as possible. As much as I think he's written some pretty obsessive stuff, particularly towards women, I can't really fully blame him cutting corners or the story being shit at the end.

We know Manga authors, particularly those that work with Jump are treated like shit. That they suffer incredibly long hours at times not even getting to go home for days. We've gotten messages for Hori saying he's sick quite a few times. On top of that, weekly story telling is not a great way to tell a cohesive narrative. Ideas probably change week to week or at least month to month and you can't go back and change the last chapter no matter how much you need or want to. Then you remember he also gave a lot of ideas to the people who made the movies, which would also change his plans for how he wanted the main story to go.

The story is bad--it has been for a while, but I think a lot of people put their hopes on their favorite characters getting a happy ending, even when there were signs that probably wasn't going to be the case. I know how much it sucks when a character you love gets a shitty ending (Stain was my fav, but he got an absolute dogshit ending) but at least, knowing what I know about the industry I can't really blame Hori the way I see some other people doing. Criticize it, sure, but saying Hori hates his readers or is horrible writer isn't true. BNHA was popular for a reason--he's great with characters and the beginning of the story had some great pacing. We'll never know, but I wouldn't be surprised if BNHA could have been amazing if Hori had been treated better and the story hadn't needed a chapter every week.

If anything BNHA has taught me how much a story suffers when authors/artists are treated like crap and forced to work past burnout.

[the-everqueen]

me [takes your face gently between my hands]: hob gadling would not be a history professor at any number of british universities because of how humanities academia works and even if he were, rose walker would not be his student or advisee.

[ratnix]

Something that I think is really funny is that the word Anaklysmos (Riptide) doesn't even exist, it's just a combination of a suffix that means above and the verb κλύζω which means to ripple😭 [Help, even my Greek keyboard doesn't even recognize the word]

I read these books when I was 12 and as a native Greek speaker that also studied ancient Greek for 6 years, I fully thought this was an actual word because it sounds Greek but it's not 😭 Mf Rick Riordan gaslit me in my own language. Apparently he asked an ancient Greek professor and told him that this was the closest word he could use but like, my question is why😭? There are so many already existing words that are related to the sea and even if they don't directly translate to 'Riptide', just pick a Greek word and paraphrase it when translating it to English like it's not hard 😭

[maddy-ferguson]

people on twitter falling to their knees because celebrities are posting pro-israel insta stories how old are you that this matters to you

[archivist-the-knight]

also a good way to go into fantasy society worldbuilding or just worldbuilding in general is just to remember "no animal is inheritly evil, no human is inheritly cruel and deserving of punishment for being alive, and no species is deserving of a death penalty simply for how they look. no matter what."

like. if you have a species that say. is being ruled by an evil overlord and as such rules under a very violent society. however if person of that species is taken outside of this society, they can become a better person and learn from their misdeeds. if a member of the species isn't raised inside the walls of this violent society, they'll turn out just how their parents raise them, not how the society expects them to act.

but if you have a society where the species inside of it is "inheritly" seen as evil or stupid, where even raising a child out of this environment they are still mean no matter what. stop. that does not make sense. that gives off a very weird message. it's way more compelling and thoughtful if you state that its an upbringing, or a society, that makes someone who they are, not that its "inherit." holds up hands. back away from the stage a little. no one is inherently evil no matter what even if you dont like them. and especially even if you dont find them pretty or "cool."

[punkeropercyjackson]

Boutta check in my brutal honesty autism card and say that Hobie's big ass crush on Gwen was NOT subtle at all,he was being so classic 'cocky flirty punk dude' with her and gave her his sweater to borrow which is like the biggest unspoken 'i wanna be your boyfriend' move in the book,and neither was the (probably) accidental subtext of him liking Miles too that follows 'edgy and hardcore boy who's actually a huge softie has a thing for the cutesy and innocent ray of sunshine and is more protective and complimentary towards them than he is anyone else to show it' to a fuckin' T4T and the only reason people don't read it as either is that he's super handsome so they decided that meant he's a grown man instead of the cute lil black boy he is

[hybbat]

I think a factor a lot of farming/crafting sims completely forget to include is the aspect of, not just being self-sustaining, but being part of a community and providing for that community. They sometimes put in side quests and stuff where you hand out resources to folks, but, like, a lot of the time you don't need to actually farm much because you aren't even selling your products, or they don't sell for much.

The simple solution, and easiest way to add depth to the farming (because another common problem is the farming lacks depth and can be fully automated without really interacting much with it like it's a chore to eventually overcome rather than the main gameplay loop) is having a rating system. 1-5 stars, higher yields, special yields, one or all of these depending on how well you care for your animals or fertilize your crops. While it can be tedious due to the game's unecessarily slow scaling, I think tale of two towns did this the best by including all of these for the animals and different actions for attaining each. It should feel like more than just a daily button click.

A good farming sim should have you spending lots of time actually working your farm, not because of the scale of the farm, but because of the depth of the care you can put into it. And the time off the farm should be spent interacting with the community in a more in-depth and cyclical way that makes your character feel a part of it. That's the key to those cozy vibes.

[iaminjail]

day 17 - alternate universe

guys i fw genderbend aus sooooooo hard i love the girlypops

[miaoqing]

binghe is literally just whiny, dramatic, and lazy. like. the abyss is a BREEZE compared to going grocery shopping

[bitegore]

fucking hate it when people who are hateful little bigots make posts that are completely irrelevant to the thing that they are hateful cunts about and those posts are actually really good but i know they want me personally actually dead and in the ground so i cant be like Yeah

[theswisscheeserag]

One interesting phenomenon I’ve observed as a mixed Asian person is that white people are overall more ok with irl racism than me and less ok with fictional racism than i am. If fictional anti Asian racism appears in a context that is condoned by the plot white people will be like “well i CAN’T watch this movie anymore, it’s too uncomfortable” whereas I’m like well if i only watch movies that respect Asian people as full people i can watch about 1% of media. And i think it’s good that white people are forced to watch historical media that makes them uncomfortable with the racism in it that still pervades the culture. But while I’ll grit my teeth through Mickey Rooney’s scenes in Breakfast at Tiffany’s, they want to act like that part of history happened. (I am more bothered by the child marriage plot line in that movie!) I’m glad these things aren’t ok anymore, but I’m not going to pretend they never happened by putting on blinders, unlike many white people i know would like to do.

And if the racism ISN’T condoned by the plot they’ll still be upset about “being forced to sit through exploitation” and unnecessary cruelty when the point could have gotten across more subtly. Whereas I’m like. Yeah that is how painful and uncomfortable that is! Thank you for depicting it!

Oh but if someone calls me “beautifully exotic” and makes a pass at me? If someone says they won’t even try to pronounce my mom’s name? They’re from a different generation, they didn’t realize what they said was hurtful, they’re still good people with some misguided ideas. Or else it IS bad, but not worth making a scene over.

It feels like for them it’s not really about ally ship , but not feeling personally uncomfortable. So they’ll “confront” racism in fiction when it is pumped directly into their eyes and it makes them feel uncomfortable to be forced to think about the racist society they’ve benefited from, but they won’t face any real backlash for pointing it out. But they won’t confront it irl when it’s something that’s easy for THEM to look away from and would it be awkward to talk about, but makes me and my family feel like the smallest person in the room.

[courfee]

put your ‘on repeat’ playlist on shuffle & let your friends pick their favorite of the first five songs!!

thank you for the tags @otrtbs @drowninginthoughts27 and @messymoony <33

no pressure tagging @where-is-vivian @likeprongstostars @snarky-magpie @that-bitch-kat3 @pretentiouswreckingball :)

[enter-drfrog]

I still have so many other notes from Peter Pan Goes wrong the other night, but one of my favorite things in the preshow was Trevor making fun of American accents. He was looking for the hammer and I think a little kid said something about the way he said it so he corrected himself in an American accent and then said it sounded ridiculous