Bambi (1942)
"You know, just the other day, I was talking to myself about you, and we were wondering what had become of you."
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later, Paul Murry took over drawing original Mickey Mouse serials, with stories written by Carl Fallberg and Don Christensen among others. The 1980s saw numerous Murry reprints; the 1990s and more recent times saw new Mickey Mouse stories by Noel Van Horn and (usually only drawn by) Cesar Ferioli, as well as some Gottfredson serials not previously anthologized in comic book format.
Lil Bad Wolf stories began in issue No. 52
(January 1945) and remained a regular feature for more than ten years, continuing to appear in the majority of issues even after the continuous run stopped. Carl Buettner (1945-1946), Gil Turner (1948-1956), and Dick Matena (2005-
2008) are generally regarded as the most notable Wolf creators featured in the title. In the 2000s, Big Bad Wolf often supplanted his son as title character of the stories.
Bucky Bug stories began in issue No. 20 (May
1942) with a series of newspaper reprints; original Bucky stories started a while later, in issue No. 39 (December 1943). Bucky stories were monthly through 1950, were not seen for several decades, then returned on an occasional basis from 1988 onwards, with a mixture of old and new material.
By the mid-1950s, Walt Disney's Comics and Stories was the best selling comic book in the United States, with a monthly circulation of over three million. [2] Mark Evanier described the highJUNGLEWOODNETHERRACKNETHERWARTAAAENCHANTMENTTABLECHORUSFLOWERAAAAAAAREDSTONEREPEATERREDSTONECOMPARATORAATRiPWiREHOOKCOMMANDBLOCKSTiCKYPiSTONAAALiENSSPECiESFAiRiESDEiTiESGODSCLOWNSAAAROBOTSANDROiDSARTiFiCiALiNTELLiGENCESAAABRAiNSPOWERSiNTELLiGENCEQUOTiENTSAAAAAWORMSTAPEWORMSTUBESTUMORSCANCERSAAAHOSTSENTiTiESPARASiTESBACTERiASFUNGiSAAAMiCROORGANiSMSMUSHROOMSSURGERiESAAAASCiENCESPHYSiCSWiTCHCRAFTSMAGiCSAAAAAAAVOODOOSHOODOOSWiZARDSWARLOCKSAAAAAACULTSSECRETSOCiETiESALTEREGOSAAAAAAAAAAiNNERDEMONSCROSSROADDEMONSAAAAAAAAAMEDiCALTREATMENTS CLONES
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"Das schwarze Loch" ist eine Reihe von Comics, die 1980 und 1981 im Ehapa Verlag veröffentlicht wurden. Sie basiert auf dem gleichnamigen Disney-Kinofilm und erzählt die spannende Geschichte der Besatzung der Palomino, die sich auf eine abenteuerliche Reise in das mysteriöse Universum hinter dem schwarzen Loch begibt.
In den drei Ausgaben dieser Reihe erfahren die Leser mehr über das unbekannte Universum hinter dem schwarzen Loch. Mit packenden Abenteuern und fesselnden Charakteren begleiten sie die Crew des Raumschiffs auf ihrer Mission, in dem unerforschten Gebiet neue Erkenntnisse zu gewinnen. Auf gruselige Geheimnisse und mysteriöse Ereignisse treffen sie dort - aber auch auf Hoffnung, Mut und Freundschaft.
In den Vereinigten Staaten erschien die Comicserie, die aus vier Heften bestand. Ursprünglich geplant waren eigentlich sechs Ausgaben.
Von dem vierten Heft gibt es nur eine Auflage von etwa 200 Stück, die dementsprechend teuer gehandelt werden. Die Ausgaben 5 + 6 erschienen in den Vereinigten Staaten allerdings nie.
Die US-Ausgaben 1 + 2 wurden bei Ehapa zu Band 1 der Heftserie zusammengefasst. Die Teile 3 bis 6 mit dem Titel Beyond the Black Hole wurden hier zu Band 2 und 3 zusammengefasst. Die deutsche Ausgabe ist damit vollständig, im Gegensatz zur US-Serie.
Zeichner der Geschichten war Dan Spiegle, Texter Carl Fallberg.
"The Black Hole" is a series of comics published by Ehapa in 1980 and 1981. It is based on the Disney cinema film of the same name and tells the exciting story of the crew of the Palomino, who embark on an adventurous journey into the mysterious universe behind the black hole.
In the three issues of this series, readers will learn more about the unknown universe behind the black hole. With thrilling adventures and captivating characters, they accompany the crew of the spaceship on their mission to gain new insights in the unexplored area. They encounter creepy secrets and mysterious events there - but also hope, courage and friendship.
The comic series was published in the United States and consisted of four issues. Originally, six issues were planned.
There is only a print run of about 200 copies of the fourth issue, which are therefore sold at a high price. Issues 5 + 6 never appeared in the United States.
The US issues 1 + 2 were combined by Ehapa into volume 1 of the series. Parts 3 to 6 with the title Beyond the Black Hole were combined here into volumes 2 and 3. The German edition is thus complete, unlike the US series.
The stories were drawn by Dan Spiegle and written by Carl Fallberg.
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Uncle Scrooge #36
Carl Barks, Carl Fallberg, Thad Komorowski • Marco Rota, Daan Jippes (a) • Jonathan H. Gray (c)
Is Scrooge McDuck always sharper than the sharpies? In “Treasure Above the Clouds,” he’s battling with playboy plutocrat John D. Rockerduck for ownership of an awesome Incan treasure—but in “Peril of the Black Forest,” Scrooge fights his own nephews for possession of Duckburg’s woodlands!
FC • 32 pages • $3.99
Uncle Scrooge #36 preview. Is Scrooge McDuck always sharper than the sharpies? #comics Uncle Scrooge #36 Carl Barks, Carl Fallberg, Thad Komorowski • Marco Rota, Daan Jippes (a) • Jonathan H.
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Carl Fallberg et Ken Champin
1954
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Walt Disney’s Comics and Stories #178 -June 1955
writers: Bob Karp, Carl Barks, Don Christensen, Carl Fallberg
artists: Carl Barks, Al Taliaferro, Frank McSavage, Jack Bradbury, Tony Strobl, Paul Murry, Gar Barks
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Cuentos de Walt Disney - Ano XX - No. 455 - Editorial Novaro - July 11 1969 . . . 0 - Cover reprinted from Mickey Mouse 114 - art by Paul Murry 1 - Mickey Mouse - El Pirata Barbanegra (Mickey Mouse Meets Blackbeard the Pirate) - 21 pages - reprinted from Mickey Mouse 114 Gold Key August 1967 - script by Carl Fallberg - art by Paul Murry 2 - Donald Duck - 4 ½ page strips - 2 pages - reprinted from unknown 3 - The Junior Woodchucks - El Misterio Del Gigante Que Crecía (The Growing Giant Mystery) - 4 pages - reprinted from Mickey Mouse 114 Gold Key August 1967 - script by Vic Lockman - pencils by Tony Strobl - inks by Steve Steere . . The Growing Giant Mystery is one of the few stories that features the nieces April, May and June. . . #cuentosdewaltdisney #blackbeard #editorialnovaro #novaro #mickeymouse #goofy #hueydeweyandlouie #cartoons #cartooncharacters #disney #waltdisney #disneycomics #mexicancomics #comicsinspanish #espanol #hueydeweylouie #juniorwoodchucks #mickyandgoofy #aprilmayjune #paulmurray #goldkeycomics #whitman #westernpublishing #whitmancomics #tonystrobl #carlfallberg #viclockman #piratesofinstagram #ElPirataBarbanegra #pirates (at Portland, Oregon) https://www.instagram.com/p/CAtuIJHBmbO/?igshid=b288wh24yxlt
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📑 For Mun talks about Muse list!
📑 Favorite part of your muse’s backstory?
((Hm, well I can tell you my favorite chapter of “The Life and Times of Scrooge McDuck” is “The Prisoner of White Agony Creek,” with the implied Scroldie sex scene and the “Between the legs” joke. What can I say? I’m an adult. Of the original 12 chapters, maybe the happy ending, after Scrooge accepts Donald and the boys as his family and dives into his money for the first time in years. Also when he finally strikes The Goose Egg Nugget and asks himself what being rich will cost him.
As for DuckTales 2017, they haven’t really covered too much of his backstory so far. Well I’ll say “The Outlaw Scrooge McDuck” was a pretty decent episode. Possibly on my personal top 10. I kinda like that Scrooge and Goldie had a few encounters outside of The Klondike, some of which are only mentioned in the book “Solving Mysteries and Rewriting History.” As I’ve said before, IMO the show is at its best when it goes its own completely original direction, instead of trying to do what’s already been done.
Though in the case of the ‘87 backstory the parts lifted from the comics were the best parts, i.e. Scrooge earning his first dime shining shoes, which was first established in a Carl Fallberg story called “Getting That Healthy, Wealthy Feeling.” What they came up with on their own was just too ridiculous, i.e. the whole elephants running over coal to make diamonds scene, having him burying him his lucky dime and finding a gusher of oil. Having said that you have to consider at that point in time that there really weren’t any full stories dealing with Scrooge’s past. Don Rosa’s “Life and Times” wouldn’t be around for another 5 years and Rosa was just establishing himself as a writer at the time. There were just several facts spread here and there throughout the comics. So being the first canonical Scrooge biography story [aside from Jack L. Chalker’s “Informal Biography of Scrooge McDuck,” a little completely prose little pamphlet published in 1974 which the writers probably weren’t familiar with] I rate it E for effort.
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Segundo a editora Goody, no dia 3 de julho chega aos pontos de venda de periódicos o quinto número de Mickey, com uma capa da autoria de Paolo Mottura, alusiva a uma das BD reproduzidas na publicação.
Com argumento de Matteo Venerus e os desenhos do próprio Mottura, Mickey e a Conquista do Grand Slam envolve um mistério que remonta às origens do ténis. É também um oportunidade dos leitores reverem o Horácio (Horace Horsecollar, no original) e a Clarabela (Clarabelle Cow).
Para os leitores que tiveram o prazer de conhecer Fabio Celoni no XIV Festival Internacional de BD de Beja e se deleitar com a sua arte, a revista contém uma surpresa – o seu primeiro trabalho para a Disney. Com argumento de Fabio Michelini, Os Três Porquinhos e a Fada do Bosque é uma das últimas bandas desenhadas italianas do Porquinho Prático (Pratical Pig), Cícero (Fifer Pig) e Heitor (Fiddler Pig). Ao contrário de outros países, em Itália não se produzem BD com os Três Porquinhos como protagonistas desde 1994. Atendendo à atual linha editorial da Goody, bandas desenhadas que não pertençam propriamente ao universo dos ratos nem dos patos, serão ocasionalmente publicadas na revista Mickey, ou não fosse o personagem icónico que representa toda a Disney.
A série X-Mickey regressa com as 4 bandas desenhadas do seu 14.º número. Bruno Enna, Augusto Macchetto e Stefano Ambrosio encarregam-se dos argumentos, enquanto os desenhos estão a cargo de Marco Mazzarelo, Massimiliano Narciso, Silvio Camboni e Stefano Turconi. Registe-se que a Goody tem publicado integral e cronologicamente esta série, desde o seu início.
Destaca-se ainda a série norte-americana destinada ao mercado externo Sir Lock Holmes (The Sleuth, no original), um clássico das décadas de 70 e 80 do século passado muito apreciado pelos leitores. Mickey e a Misteriosa Missão de Sir Lock foi escrita pelo norte-americano Carl Fallberg, estando os desenhos a cargo do estúdio argentino Jaime Diaz Studio.
Clique nas imagens para as visualizar em toda a sua extensão:
:::: MICKEY #5 ::::
Pág. 5
MICKEY
E A CONQUISTA DO GRAND SLAM
Texto de Matteo Venerus
Desenhos de Paolo Mottura
Pág. 39
X-MICKEY :
A NOITE DO LOBO
Texto de Bruno Enna
Desenhos de Marco Mazzarello
Pág. 67
X-MICKEY:
PERGUNTA AO PATOLOBO #14
Texto de Augusto Macchetto
Desenhos de Massimiliano Narciso
Pág. 71
X-MICKEY:
DEBAIXO DE CHUVA
Texto de Stefano Ambrosio
Desenhos de Silvio Camboni
Pág. 91
X-MICKEY:
AS HISTÓRIAS DOS LIVROS PREDADORES – TEMPO BEM GASTO
Texto de Stefano Ambrosio
Desenhos de Stefano Turconi
Pág. 103
O PLUTO ESPACIAL
Texto de Nino Russo
Desenhos de Roberto Ronchi
Pág. 108
SIR LOCK HOLMES:
MICKEY E A MISTERIOSA MISSÃO DE SIR LOCK
Texto de Carl Fallberg
Desenhos de Jaime Diaz Studio
Pág. 116
OS TRÊS PORQUINHOS
E A FADA DO BOSQUE
Texto de Fabio Michelini
Desenhos de Fabio Celoni
Mickey #5
vários autores
Editora: Goody
Páginas: 132
Encadernação: capa mole
Dimensões: 135 x 190 mm
PVP: 2,50€
[sc name=”banner_flex”]
Mickey 5 #bandasdesenhadas #goody #mickey Segundo a editora Goody, no dia 3 de julho chega aos pontos de venda de periódicos o quinto número de
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later, Paul Murry took over drawing original Mickey Mouse serials, with stories written by Carl Fallberg and Don Christensen among others. The 1980s saw numerous Murry reprints; the 1990s and more recent times saw new Mickey Mouse stories by Noel Van Horn and (usually only drawn by) Cesar Ferioli, as well as some Gottfredson serials not previously anthologized in comic book format.
Lil Bad Wolf stories began in issue No. 52
(January 1945) and remained a regular feature for more than ten years, continuing to appear in the majority of issues even after the continuous run stopped. Carl Buettner (1945-1946), Gil Turner (1948-1956), and Dick Matena (2005-
2008) are generally regarded as the most notable Wolf creators featured in the title. In the 2000s, Big Bad Wolf often supplanted his son as title character of the stories.
Bucky Bug stories began in issue No. 20 (May
1942) with a series of newspaper reprints; original Bucky stories started a while later, in issue No. 39 (December 1943). Bucky stories were monthly through 1950, were not seen for several decades, then returned on an occasional basis from 1988 onwards, with a mixture of old and new material.
By the mid-1950s, Walt Disney's Comics and Stories was the best selling comic book in the United States, with a monthly circulation of over three million. [2] Mark Evanier described the highJUNGLEWOODNETHERRACKNETHERWARTAAAENCHANTMENTTABLECHORUSFLOWERAAAAAAAREDSTONEREPEATERREDSTONECOMPARATORAATRiPWiREHOOKCOMMANDBLOCKSTiCKYPiSTONAAALiENSSPECiESFAiRiESDEiTiESGODSCLOWNSAAAROBOTSANDROiDSARTiFiCiALiNTELLiGENCESAAABRAiNSPOWERSiNTEiGENCEQUOTiENTSAAAAAAAWORMSTAPEWORMSTUBESTUMORSCANCERSAAAHOSTSENTiTiESPARASiTESBACTERiASFUNGiSAAAMiCROORGANiSMSMUSHROOMSSURGERiESAAAASCiENCESPHYSiCSWiTCHCRAFTSMAGiCSAAAAAAAVOODOOSHOODOOSWiZARDSWARLOCKSAAAAAACULTSSECRETSOCiETiESALTEREGOSAAAAAAAAAAiNNERDEMONSCROSSROADDEMONSAAAAAAAAAMEDiCALTREATMENTS AND
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Disney Masters Collection - Mickey por Paul Murry em mãos
Disney Masters Collection – Mickey por Paul Murry em mãos
Em quatro dos diversos volumes da coleção Disney Masters da Fantagraphics são reunidas algumas das melhores estórias do Mickey produzidas entre 1953 a 1966 pelo mestre Paul Murry [1911-1989] – celebrado como o “Outro Homem do Camundongo” (depois de Floyd Gottfredson) – quase sempre em parceria com o roteirista Carl Fallberg [1915-1996].
Com sua imensa produção por mais de 30 anos à frente do…
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Uncle Scrooge #36—Cover A: Jonathan H. Gray
Carl Barks, Carl Fallberg, Thad Komorowski (w) • Marco Rota, Daan Jippes (a) • Jonathan H. Gray (c)
Is Scrooge McDuck always sharper than the sharpies? In “Treasure Above the Clouds,” he’s battling with playboy plutocrat John D. Rockerduck for ownership of an awesome Incan treasure—but in “Peril of the Black Forest,” Scrooge fights his own nephews for possession of Duckburg’s woodlands!
FC • 32 pages • $3.99
Uncle Scrooge #36—Cover B: Michel Nadorp
Carl Barks, Carl Fallberg, Thad Komorowski (w) • Marco Rota, Daan Jippes (a) • Michel Nadorp (c)
FC • 32 pages • $3.99
Continues this beloved series’ legacy numbering at #440!
By popular demand, a classic 1970s duck adventure written—but not drawn—by Carl Barks gets new Barks-style art from fan favorite Daan Jippes!
Variant cover by Andrea Freccero!
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Preview: Uncle Scrooge: Treasure Above the Clouds
Uncle Scrooge: Treasure Above the Clouds preview. Collects IDW’s Uncle Scrooge issues #35-37. #comics #comicbooks
Uncle Scrooge: Treasure Above the Clouds
Giorgio Fontana, Carlo Gentina, Evert Geradts, Carl Fallberg, Carl Barks, and Jerry Siegel • Marco Mazzarello, Carlo Gentina, Carmen Perez, Marco Rota, Daan Jippes, Romano Scarpa, and Sandro Del Conte (a) • Jonathan Gray and Andrea Freccero (c)
In “Treasure Above the Clouds,”Scrooge battles playboy plutocrat John D. Rockerduck for ownership of an…
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