#carlo allegri

[cillianmurphyfanatic]

Cillian Murphy from the film The Wind That Shakes The Barley photographed by Carlo Allegri for a portrait at the Chanel-Getty Images Studio in the Chanel Celebrity Suite at the Four Season Hotel during the 31st Toronto International Film Festival [TIFF] in Toronto, Canada. (September 7, 2006)

Cillian Murphy as Damien O'Donovan in The Wind That Shakes the Barley (2006) dir. Ken Loach

[dozydawn]

“Gold medal winner Michelle Kwan skates from the medal podium with bronze medalist Irina Slutskaya of Russia and silver medalist Lu Chen of China following behind after their performances in the women's free skate program at the World Figure Skating Championships in Edmonton, Canada.”

Photographed by Carlo Allegri, 1996.

[abirdie]

Gael García Bernal at Cannes in 2004, promoting Diarios de motocicleta, photographed by Carlo Allegri.

[cillian-murphy-archive]

CILLIAN MURPHY PHOTOGRAPHED BY CARLO ALLEGRI AT THE TORONTO FILM FESTIVAL (2006)

[teenagedirtstache]

[sigurism]

What's the story behind those beautiful blue eyes?

Cillian Murphy

[ferrari-desmosedici-wwe-fc]

TotoCT parte 1

(votate in base a chi vi piacerebbe di più)

[kristenbellpix1]

By Carlo Allegri, 2012

[alwaysrickman]

Alan Rickman at the 56th Annual Emmy Awards / (c) Carlo Allegri

[chiesovic]

Juveblr End of the Year Ask Game

Do you have a favorite match (or matches) of the year (Jan. 22–Dec. 22)?

Do you have a favorite flop (or flops) of the year (Jan. 22–Dec. 22)?

Do you have a favorite off pitch moment of the year (e.g., Chiesa-Vlahović reunion, R.I.P. Arthur, Rabiot vs Referee...)?

Rank these Juve flops from bad (1) to catastrophic (5): Juventus v Villareal 0-3 (21/22); Juventus v Inter 2-4 (21/22); Maccabi Haifa v Juventus 2-0 (22/23); Monza v Juventus 1-0 (22/23); Sampdoria v Juventus 0-0 (22/23).

Rank these Juve signings from "Um chile anyways so..." (1) to "I would like to thank not only God but Jesus" (5): Arek Milik; Dušan Vlahović; Angel Di María; Paul Pogba; Filip Kostić.

Rank these Juve ships (or friendships, if you prefer) from 🤢 (nauseated face emoji) (1) to ❤️ (red heart emoji) (5): Dyblahović (Paulo Dybala & Dušan Vlahović); Vlahesa (Dušan Vlahović & Federico Chiesa); Chiellucci (Giorgio Chiellini & Leonardo Bonucci); Allegriot (Massimiliano Allegri & Adrien Rabiot); Locatellow (Manuel Locatelli & Yellow Card).

Your memory is erased and you are forced to (re-)experience one Juve game + aftermath/trauma for the first time, which would you pick – Juventus v Lazio 2-2 (21/22) + Chiello and Dybala goodbye OR Juventus v Salernitana 2-2 (22/23) + VAR madness?

Your memory is erased and you can (re-)experience one Juve game + aftermath/euphoria for the first time, which would you pick – first post-Vlahović transfer Fiorentina v Juventus 0-1 (21/22) + Venuti 90+1' own goal OR Juventus v Inter 2-0 (22/23) + Rabiotgoal and Fagiogoal?

You are the new Juventus president and you have the power to yeet a current player into the sun immediately and with no repercussions, but you can only pick one. Who would you choose?

You are the new Juventus president and you have the power to make a current player sign a contract that binds him to Juventus in perpetuity, but you can only pick one. Who would you choose?

You are the new Juventus president and you can finally bring #AllegriOut to completion, but you can only hire Jay the Zebra as his replacement. Would you still do it?

Would you rather: let Mattia Perin criticize your outfit every day OR have Carlo Pinsoglio wake you up with a football chant every morning?

Would you rather: let Adrien Rabiot be in charge of organizing your sock drawer OR have Manuel Locatelli narrate your entire day in his most monotonous voice?

Would you rather: let Juan Cuadrado be in charge of your Instagram stories OR have Paul Pogba pick your next haircut?

What are your wishes for 2023?

What is your wildest 2023 prediction?

[scarletwitchie2]

le-jolie.tumblr

Angelina Jolie photographed by Carlo Allegri, 2011

[monkeyssalad-blog]

Lea Padovani by Truus, Bob & Jan too! Via Flickr: Italian postcard by Nannina, Milano. Lea Padovani (1923-1991) was an Italian stage and film actress. She appeared in 60 films between 1945 and 1990. She starred in the French crime film Le Dossier noir/Black Dossier (André Cayatte, 1955) which was entered into the 1955 Cannes Film Festival. Lea Padovani was born in Montalto di Castro, in 1923. Against her father's advice, Lea enrolled at L'Accademia d'Arte Drammatica, the National Academy of Dramatic Art in Rome, which she left in 1944. She made her debut as a soubrette in Garinei and Giovannini's revue 'Cantachiaro'. The following year, she was part of Erminio Macario's company in 'Febbre azzurra'. She demonstrated excellent acting skills and enjoyed great success. Her meeting with Macario led to work in the film industry. She made her film debut with the female leading role in the comedy L'innocente Casimiro/The Innocent Casimiro (Carlo Campogalliani, 1946) starring Erminio Macario. In 1946 she began her long and successful career as a theatre actress with Armand Salacrou's 'Un uomo come gli altri' and with Jean Cocteau's 'I parenti terribili' in Luchino Visconti's Milanese revival. In 1953, she was alongside Ruggero Ruggeri on a tour to London and Paris with 'Enrico IV' and 'Tutto per bene'. In 1954 she was awarded a special Nastro d'Argento (Silver Ribbon award) for her theatrical performances. From 1947 Lea Padovani appeared in international films, such as Una lettera al Alba/Letter at Dawn (Giorgio Bianchi, 1948) and the British social drama Give Us This Day (Edward Dmytryk, 1949) with Sam Wanamaker. Orson Welles originally cast Lea as Desdemona in his 1952 film production of Othello back in 1948. After Welles began the filming in Venice, producer Montatori Scalera informed Welles that he wanted to make Verdi's opera, not the Shakespearean play, so the money ran out and the film was shelved. By the time the film was made years later, Lea had been replaced by Suzanne Cloutier. She starred in the French crime film Le Dossier noir/Black Dossier (André Cayatte, 1955) which was entered into the 1955 Cannes Film Festival. A big hit was the comedy Pane, amore e...../Scandal in Sorrento (Dino Risi, 1955) in which she co-starred with Sophia Loren and Vittorio De Sica. In the 1950s, Padovani also took part in several TV dramas, including Piccole done (Anton Giulio Majano, 1955), Il romanzo di un giovane povero (Silverio Blasi, 1957) and Ottocento (Anton Giulio Majano, 1959-1960). During the 1960s, the stage and television became more important than her film career. In 1990, she made her last film, La putain du roi/The King's Whore (Axel Corti, 1990) with Timothy Dalton and Valeria Golino. Shortly before her death, the actress told writer Renzo Allegri about her encounters with Padre Pio in the late 1950s, asking for help for one of her lovers, who was terminally ill with cancer. She died in 1991 of a heart attack. In 2006, director Oliver Parker directed the film Fade to Black, based on the novel Fade to Black by Davide Ferrario, inspired by a fictional story involving the actress, played in the film by Paz Vega, and the director Orson Welles, played by Danny Huston. In 2012, a theatre named after Lea Padovani was inaugurated in Montalto di Castro by Mayor Sergio Caci and Culture Councillor Eleonora Sacconi. Sources: Wikipedia (Italian and English) and IMDb. And, please check out our blog European Film Star Postcards.

[southeastasianarchaeology]

Discover the Royal Legacy of Deves Palace’s Grand Villa

The Grand Villa of Deves Palace, a blend of Thai and European heritage, offers an immersive historical experience. Explore its rich legacy and architecture on guided tours. #DevesPalace #ThaiHistory #Bangkok #HistoricalSites

via Thai PBS, 08 June 2024: The Grand Villa of Deves Palace, built nearly 130 years ago during King Rama IV’s reign, has reopened as a cultural museum. Originally a residence for Queen Sirikit’s ancestors, it features European-influenced architecture by Italian architect Carlo Allegri. Now owned by the Aniruth-deva family, the villa showcases its rich heritage through artifacts, décor, and…

[teenagedirtstache]

[sigurism]

Heath Ledger 1979-2008

[micro961]

Angelo Iannelli: “Elettronica”

In radio un nuovo singolo per l’artista romano d’adozione, estratto dal nuovo album “Vicini margini” previsto per la fine di maggio

«In un famoso film di Godard, “Fino all’ultimo respiro”, la protagonista Patricia, citando il libro “Le palme selvagge” di William Faulkner, domanda a Michel cosa sceglierebbe lui tra “il dolore” e “il nulla”. Lui risponde che sceglierebbe il nulla, perché “il dolore è idiota” e rappresenta “un compromesso”: “o tutto o niente”, aggiunge Michel. Da questa scena è scaturita una riflessione interiore che mi accompagna da tanto tempo: forse proprio da qui è nata “Elettronica”, la cui protagonista, tra il dolore e il nulla, sceglierebbe una terza via: sé stessa. E non ci pensa più.» Angelo Iannelli

La riflessione interiore di Angelo Iannelli ha portato alla creazione di "Elettronica", un brano che esplora la terza via tra il dolore e il nulla: l'affermazione di sé stessi senza esitazioni, che conduce, inevitabilmente, a “guardare” di meno gli altri; è da qui, infatti, che nasce il grido dell’Io narrante: “Ma ogni tanto guarda pure me”.

Il brano, scritto dallo stesso Iannelli, è stato prodotto dai Fratelli Cosentino, già noti per le loro collaborazioni con artisti come Ariete e Franco 126, e sarà incluso nel suo prossimo album "Vicini margini". L'album è previsto in uscita il 24 maggio 2024 e sarà pubblicato da Matilde Dischi, con distribuzione a cura di Artist First.

Angelo Iannelli è nato a Benevento ma vive a Roma da molti anni. Cantautore, scrittore, attore, nonché autore teatrale e cinematografico è una figura poliedrica nel mondo artistico contemporaneo. Autore del testo dello spettacolo teatrale “Dalla notte del mito all’Eneide, nei luoghi e nei tempi di Virgilio”, interpretato insieme a Michele Placido e Alessandro Haber, ha recitato in numerose serie tv, tra cui “Squadra antimafia”, “R.I.S.”, “L’onore e il rispetto”, “Che Dio ci aiuti” e “Il clandestino” (2024). Ha pubblicato il romanzo “Bar Binario” (Aracne editrice, 2016), il saggio scientifico “L’Io diviso. Dai medici-filosofi alla letteratura, al teatro e al cinema del Novecento” (Aracne, 2013) – presente nel catalogo di alcune tra le più prestigiose Università e biblioteche internazionali (Sorbonne Université, Harvard, Princeton, Library of Congress, New York University) – e il saggio “Il Metodo V.D.A.M. Una pedagogia attorica” (2023). È autore del documentario “Intervista a Carlo Merlo, il maestro delle Star” – in cui sono approfonditi i più importanti metodi contemporanei di recitazione – e di diversi cortometraggi indipendenti di cui ha curato la sceneggiatura e la regia. Nel 2016 è uscito il suo primo album musicale, “Il cannocchiale”, seguito da numerosi singoli tra i quali “Il bambino di Aleppo”, “Comico dell’arte”, “GPB”, “Malbene”, “Così scappi da te” e “Come a Hollywood” (2023). Ha collaborato, tra gli altri, con l’illustratore, animatore e regista Michele Bernardi (Colapesce, Vasco Brondi/Le luci della centrale elettrica, Tre allegri ragazzi morti), che ha realizzato il videoclip de “Il bambino di Aleppo”, con Alessandro Canini (Venditti, De Gregori), con Riccardo Corso (Cristicchi) e con i Fratelli Cosentino (Ariete, Franco 126). Dei brani di Iannelli hanno parlato, mediante recensioni, interviste, live in diretta e brani in rotazione: RAI Isoradio, RAI Sport radio, Tgcom24, Mediaset Infinity, Radio Lattemiele, Il giornale, La Repubblica, Il messaggero, Leggo, TGR Lazio e diverse altre testate. Attualmente insegna Lettere in una scuola superiore di Roma ed è Docente di discipline cinematografiche nell’ambito del “Piano Nazionale Cinema”. Il 10 maggio 2024 esce in radio “Elettronica”, singolo estratto dal suo nuovo album “Vicini Margini”, in uscita il 24 maggio per Matilde Dischi.

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