#carriage scene part two??

[anxious-bisexual-0]

Ok. Random thought.

Maybe there’s another carriage scene in p2?

HERE ME OUT

It could be the scene from the book but different??? He follows her to the church/place to drop off Whistledown, confronts her, but they’re married by this point?.So the suspicion of him going into a carriage alone with her and doesn’t care.

Then of course the whole “yeah it’s me” but then he’s so mad and so turned on that they fuck in the carriage on the way home????

Like in the book with her dress open and her ON him,,,,,,

IDK I KNOW IT’S A STRETCH AND HIGHLY UNLIKELY BUT GODDAMNIT THAT WOULD BE HOT

Either way, I need to see angry Colin

[alexalblondo]

No but what if Lord Debling asks her to marry him at the ball in front of the Queen and the whole ton while Colin is a bit away talking to Eloise and everyone stops to listen and Pen and Colin make eye contact and she tries to answer. To say yes. But there is no sound coming out of her mouth and Colin starts pushing through the people and Pen cannot speak. There is no sound. And she panics and she turns around and rushes out toward her carriage and Lord Debling stands there dumbfounded with everyone else while Colin starts running and he catches up with Penelope when she‘s already in the carriage and he jumps in as it starts driving and they sit there and just staring at each other and he‘s breathing so heavily. And she‘s breathing so heavily. And his eyes are wet. And her eyes are wet. And she looks at his mouth. And she licks her lips. And he looks at her mouth. And he surges forward. And she surges forward. And the episode ends.

(Bridgerton returns June 13th)

[dollypopup]

if the end of episode 4 / part 1 of season 3 isn't the lady whistledown reveal and colin's blowup/meltdown about it. . .what are we even doing here? i saw someone go 'ooooh what if debling proposes and penelope says yes and that's the cliffhanger?'

my sister in christ, that literally holds ZERO weight and tension in polin's story. debling is an afterthought. a nothingburger to create extra drama. he is literally disposable as a character because we KNOW penelope and colin are endgame. that relationship will fall apart and the how of it. . .doesn't matter.

but lady whistledown? lady whistledown is the guillotine of their relationship and it has been hanging above their heads on a fraying string for YEARS now. it affects EVERYTHING that comes after. she is penelope's mask that has to be peeled off. she will flay colin's gentlemanly exterior clean to the bone.

just like. . .idk, think about the narrative structure for a second. it's being framed as a romcom, right? what does every romcom need?

a meetcute, a growing closeness, some external drama, a big relationship stresser / test, an *oh* moment, a reconciliation, a happy ending

debling is the external drama, not the stresser. debling cannot threaten polin's ship as endgame, or polin in general, because he literally does. not. matter. he was created by shonda to drive home the point that penelope is now post-glow-up (which also doesn't matter, because their relationship (debling and pen's) goes against the very heart of bridgerton as a concept, which is to fall in love in unconventional ways. oh how did the two of you meet? at a ball? dancing together? HOW riveting (not)), he is not meant to be the stress or fracture in polin as a pairing

meetcute? flashback of polin as kids growing closeness? the lessons, reveals he's a writer, the kiss external drama? she's dancing with other peeps big relationship stressor? LADY WHISTLEDOWN *oh* moment? AFTER LADY WHISTLEDOWN REVEAL. when he sees who Penelope is as a FULL person and falls for her anyway reconciliation? AFTER LADY WHISTLEDOWN REVEAL!! at their engagement ball when she publishes about Cressida not being LW even though she said she'd stop and he realizes he loves her even if she's upset him, the same way Penelope realizes *she* loves *him* even if he's upset her happy ending? you guessed it. AFTER. THE. LADY. WHISTLEDOWN. REVEAL (and honestly, probably the death of Lady Whistledown. because it depresses me to think that Penelope's ultimate happy ending is to continue writing petty gossip for the rest of her days when she could be fucking her hot husband on various beautiful beaches around the world and they write novels together)

lady whistledown is. the unearthing of her as another side of penelope. the secret cracking open, colin's facade fulling fading, his fury and humanity made tangible, penelope's nuance, her strengths and weaknesses and fears and hopes now barefaced. the harms she committed, the triumphs she accomplished. the strain it has on them as a pairing, the dynamic shift it introduces

i will eat my SHOES if part 1 doesn't end on the lady whistledown reveal because if it doesn't. . .what are we even doing here?

[bunny-xoxo]

Bridgerton …!!

[i-cant-sing]

Time Traveller AU pt3

Part 1 is here. Part 2 is here. Part 4 is here. Find the AU masterlist here! Check out my MASTERLIST here.

"This is so unnecessary" you whispered to the man sitting behind you. "Everyone's staring." Your eyes scanned over the mass of people in town, as your horse passed through.

You thought you would get your own horse, but Baldwin had other plans apparently, as he just picked you up from your armpits and plopped you in front of him on his horse.

You could feel him smiling from ear to ear. "I think they're just in awe of your beauty. I would suggest getting used to the stares, now."

You rolled your eyes. "Dont flatter me. I know how I look, besides- I was referring to us sharing a horse. Its unnecessary and its why everyones looking at us."

"I think its unnecessary to get another horse for you. You dont know how to ride them, and believe me when I tell you- these horses are wild. I dont want you to get hurt when they kick you off." He teased.

You scoffed. Alright, maybe you werent an equestrian, but how hard would it be to ride a horse anyways? Didnt Baldwin learn to ride one when his right arm was paralysed and he had to do with his thighs mostly to control the horse?

"Still, I couldve gotten a carriage. Or better yet walked? Maybe even ride a horse with someone else-" You quieted down as you felt a pair of lips peck behind your ear.

"Dont even think about it. Why would I let anyone touch you, be this close to my princess-" his arm snaked around your waist and pulled you back closer to him. "Wouldnt you prefer your soon-to-be-husband to help you instead?" He whispered as his hand slowly found its way to rest on your belly, giving it a gentle squeeze.

Heat rose to your cheeks as you pulled his hand away and smacked it when it tried to touch your waist again. "Behave, Baldwin." You admonished with a smile as people looked at you. You dont want to create a scene (especially not one where history would report some lady smacking King Baldwin).

You getting flustered and angry only made him chuckle, as he leaned down to give the back of your head a kiss.

Enough with the PDA already. Arent medieval times supposed to be more conservative?

Ugh. Your lips formed into a thin line. Maybe he'll back off when you reach Salauddin and he sees how other Muslims act.

With some entourage accompanying you guys, you travelled away from the kingdom for almost an hour or so until you crossed that one sand dune beyond which Salauddin and his people were camping.

Before reaching the dessert, you had asked Baldwin if he had something that you could cover yourself up with. You want to adhere to the customs and not accidentally piss off one of the greatest Muslim rulers. Sure, you could've worn something more concealing before leaving the castle, but neither of you wanted people to know that you two were going to meet Salauddin.

Baldwin nodded and in one swift motion, he had removed his cloak and wrapped it around you, bringing the hood over you.

"But- what about you?" you looked back at him with wide eyes. People didnt just wear full length clothes back then just because of modesty, but also to protect their skin from sun damage.

He smiled. "I'll be fine, princess." No, you wont. And you're not risking yet another historical change by having the king of Jerusalem getting skin cancer.

Immediately, you tore off the bottom of your tunic and made a keffiyeh (a headdress) which covered both his head and his face. "There, now we can go."

From the keffiyeh, only his eyes were visible, which crinkled up. "Did you cover me up because you dont want women staring at me in awe?"

"What? Of course not. You just recovered from leprosy. Your skin would be sensitive to the harsh sun and heat of the desert-" He cut you off by laughing lightly.

"Whatever you say, princess. Whatever you say."

As you neared the camps, you saw men dressed in battle armour coming out of the tents, and you from the way he walked, the way he dressed, even his mere presence could make you recognise Salauddin from a mile away.

The horse stopped and Baldwin got down first before helping you down. You followed him as he walked towards Salauddin, who was standing there with his arms crossed over his chest. An erie silence settled all around you, the sound of air whooshing being the only thing audible for a few moments. Salauddin stared into Baldwin, while men from both sides glared at each other, one hand on their swords, ready to fight.

"Salam alaikum." Baldwin spoke first.

Peace be upon you.

You heart dropped for a second when Salauddin didnt reply back immediately. With your hood covering your face, you couldnt exactly see his expressions, only resorting to his body language and sounds to anticipate his mood.

Salauddin's lip quirked up. "Walaikum asalaam." He opened his arms and both men embraced each other for a few moments and you could feel the tension around you finally melting away as men from both sides finally started conversing with each other normally now that their kings were talking amicably.

Salauddin patted his back and raised a brow at you. "Who taught you the keffiyeh to cover that sore face of yours?" Baldwin chuckled. "My fiancee- Y/n, princess come here will you?" You walked closer to Baldwin. "This is Y/n, and we're both here today to invite you to our wedding. Darling, say hi, will you?"

You gulped. "Assalamu alaikum".

Salauddin's ears perked up. "Walaikum asalam. That was perfect pronunciation. Have you been taught by Arab scholars?"

"About that..." Baldwin chuckled nervously. "Y/n, why dont you go there with the ladies? They seem pretty eager to meet you." Salauddin nodded his head and a couple of women, all wearing burqas approached you. "This is princess Y/n. Take good care of her." Salauddin told them as they took you to their tent, where only women remained.

Meanwhile, Salauddin let Baldwin in to his tent.

"So, whats the secret?" Salauddin asked as he sat down, beckoning Baldwin to do the same.

He took a deep breath. "Y/n is... a Muslim."

Salauddin blinked at him. "What?"

"She's Muslim." He repeated. "So could you just tell me about the Islamic wedding ceremony? Nikkah, right?"

Salauddin stared at him. "Are you joking?"

"No."

"You cant marry her, Baldwin."

"Why not?"

"Because she's a Muslim and you're Catholic!"

"So? I havent seen it stop Muslims from marrying non muslims."

"No- only muslim men can marry non muslim women. It doesnt work the other way around."

"Salauddin, thats sexist."

"Its not sexist- nevermind, I cant help you understand it. But no, you cant marry a Muslim woman."

"What if... shes not Muslim?" Salauddin gave him a puzzled look. "I... believe Y/n may be using religion as an excuse not to marry me."

"If she doesnt want to marry you, why do you wanna marry her?"

"She does want to marry me, she's just... confused. Look, Salauddin. She cured me- CURED leprosy. This doesnt happend to anyone. She- she has something holy about her. How else do you explain this miracle?"

"So what? You think God and what- Jesus? chose this girl for you? That they gave her healing hands to cure your disease? You think shes of divinity?"

Baldwin smiled softly. "I do." Salauddin rolled his eyes. "Youre infatuated with her, Baldwin. Its temporary. She performed some magic, or tricks and you think she's divine? Do not make a fool of yourself."

"Then explain how I suddenly got well, Salauddin. Youve travelled the world, you sent me your best Arab healers, you believe in sciences- explain to me how I was cured of my incurable disease."

Salauddin gazed at the young king. "Let me guess, she claimed that she's been sent by Almighty God to cure the King and save Jerusalem, and in return, you must marry her or give her your throne to fulfil some prophecy?"

Baldwin chuckled, leaning back against the ottoman a bit. "Actually, she's been denying that she did anything to help me, she keeps on making excuses to marry me, she avoids my affection- and if I'm being honest, attention." Salauddin's eyes furrowed a bit. What game are you playing?

"Maybe... Black magic?" Salauddin is well aware of witchcraft, its been mentioned by his religion too.

Baldwin shrugged. "She's far too angelic to be associated with that. I'm sure there would be prominent signs if she was involved in any sort of magic or witchcraft."

Salauddin was about to reply but just then, his guards came running in.

"Salauddin! There's a sandstorm coming!" Immeadiately both kings sprung up.

"Tie up the animals! Tell everyone to get in and take cover!" Salauddin barked orders at his men.

The women in your tent were immediately informed of the situation and they quickly started taking measures, with the men outside helping to nail down the tent and gathering the baby animals and children, bringing them inside the tent.

You got up to leave and go to Baldwin, but the women pushed you back down, telling you its not safe to leave.

"The storm is here! You can't leave now!" Well, alright then. You plopped back down on your seat, when you heard someone cry out loud and your eyes immeadiately saw the liquid on the floor.

Of course it was the pregnant lady.

The woman had went into labour and everyone rushed to help her. Everyone but you. Nuh uh, youre not meddling in this time, lest anyone else accuses you of having magic healing hands.

Another harrowing scream pierced through the room, with the harsh winds threatening to blow away the tent adding on to the tension.

Maybe I could just stand near them, just to make sure they are using proper hygiene. Or actually just to see how midwifes worked in the past. Yes, its for science.

You stood near the midwifes, out of their work field because you dont want to be an obstacle. Of course, you may have had caught the sight of the poor woman and her... vagina, which youre ashamed to say has made you sick to your stomach because child birth is not a beautiful phenomenon and fuck this shit youre never having babies.

After almost an hour, the baby was finally out. The stench of sweat and blood and the nightmarish sights you'd caught glimpses of had made you want to throw up when suddenly the enviorment turned gloomy. And it hit you.

The baby wasnt crying.

The mother who was previously crying from labour, was now crying due to a different kind of pain.

You felt for her, you truly did. Carrying a child for 9 months, making sure to take every precaution, not to mention the constant prayers for a healthy baby (and for some, specifically a boy) otherwise the mother would be blamed.

The midwife put the dead baby in the bassinet beside you before tending back to the grieving mother, who was still bleeding from down there.

"Poor Fatima." You heard one of the women whisper to her friend. "To wait for 8 years before she finally conceived... only for her child to die before he could even take his first breath."

Your heart broke as you heard them, the woman sobbed inconsolably. You turned your head to look at the baby in the bassinet and subconsciously, you wondered what went wrong.

Doesnt look like he was choked by the umbilical cord... and he doesnt look cyanotic either, so he probably wasnt dead inside the womb. Your eyes widened. Maybe-!

Your hands went to pick up the baby before halting mid air. No. No. I cant interfere- I cant mess with history more than I already have. I cant save a child who was destined to die-

Your head whipped to the woman who let out a shrill, devastating cry, begging God to let her son live.

Fuck it. You picked up the baby. Maybe this baby was destined to live.

Immeadiately you checked for breathing before putting the baby on a table nearby and placed two fingers on the left side of his chest, starting compressions.

"1. 2. 3-" you muttered under your breath, trying to recall what was drilled into your head when you were attending first aid classes. Pinching the baby's nostrils, you breathed into his mouth, eyes watching as his chest rise and drop. You repeated the compression set 2 more times when the baby finally took a huge breath and began crying.

Picking up the baby, you ran towards the bucket of water and started cleaning the baby's head and face off the mix of blood and amniotic fluid, while massaging his back and his feet to encourage him to breathe on his own.

After a few minutes, you turned around to cover the baby with a cloth swaddling him up nicely and thats when you finally looked around you.

Everyone was staring at you in shock, the sound of the baby crying echoing the silence.

Shit. You rocked the baby gently as you handed him to his mother, who also looked at you in shock with tear streaks on her cheeks. I hope... they didnt see me do CPR.

Yes, damage control. Thats what you need to do. You cleared your throat. "Um- yes, Allah has blessed you with a beautiful son. Lets be grateful to Him." And the women slowly began talking again and agreeing, some saying that they'll go give sadaqah (charity to please God) while others were going to go pray.

When you turned around, you saw Baldwin and Salauddin standing at the entrance of the tent, the former having a beaming smile while the latter looked in surprise.

Maybe it was the stench of sweat and blood in the room, maybe it was emotional situation you went through (high key nauseating), or maybe it was the mix of amniotic fluid and blood on your mouth from when you saved the baby, but the next moment, you lost consciousness.

-

When you woke up, you noticed you were in a different, much bigger tent. Rubbing your eyes, you sat up with a groan.

"You're finally awake." You looked up to see Salauddin sitting at his desk in the other corner-

Salauddin? Your hands went to draw your hood over your face but you realised your (or well, Baldwin's) cloak had been replaced with a cotton niqaab that veiled your entire face except for your eyes.

Standing up, you looked in his direction. "Where's Baldwin?"

You heard him chuckle darkly. "He left."

"He left?" You heard him walk over to you, and instinctively you took a step back, narrowing your eyes at his audacity.

He towered over you, face neutral as he looked down at you. His hand gestured to his right, where a chess set was placed on a table.

"Do you play?" He asked, eyes never leaving yours.

Hesitantly, you nodded. He sat down, beckoning you to do the same.

"Ladies first." He let you start the game. "I should tell you though- if you wish to leave out of this place alive, you'll have to win."

What the shit? Is this some sort of psychological game? Or is this actually happening? I mean, people in the medieval times were crazy. Just because he's muslim shouldnt excuse him from insanity.

You picked up the white pawn. "Where is Baldwin?"

"I told you, he's gone." He moved his black pawn. "He sold you to me."

You looked up at him. What? "Focus on the game. You do not wish to know what will your fate be if you were to lose this game." You immediately picked up your bishop and moved it.

Salauddin clicked his tongue as he took your bishop. You moved your pawn again. "Why- why would he sell me? I'm his fiancee." You asked, your eyes never leaving the board. You're playing for your life here.

"Well, when we saw you use black magic to save that baby- oh, I took your other pawn too, mhm-" He smiled as he looked at your furrowed brows. "And then I told him that you cant be a muslim if you were using black magic."

"Black magic? When did I use it?!" you asked exasperatedly as you lost your knight.

"We saw you muttering something when you were "saving" that child." Muttering? When was I muttering? "One of the ladies even said they heard you whisper some repetitive words to a tune too."

Repetitive words-? You wanted to bang your head against concrete when you realised he was referring to you doing compressions to the rhythm of Stayin Alive by the BeeGees. This one is not your fault because the instructor taught you guys that.

"I was not doing black magic. Even so, who are you to decide if I am a Muslim or not?" You moved your other knight.

"I am Salauddin Ayubi-"

"So?" Salauddin looked at you.

So? So? No one has ever dared to ask him questions.

"Your real name is Yusuf. Salauddin is just a laqab, hm?" Your eyes never left the board as you made your move. "Do you think you're above me? Above Baldwin? Above anyone?" You didnt let him answer as you gestured at him to continue the game. "I dont recall you being a prophet. I dont remember you being a caliph even. So, Salauddin tell me what gives you the right to judge if I'm a muslim or not?" You asked as you took his pawn.

Salauddin narrowed his eyes at you, making his bishop take another pawn of yours. You didnt let it deter you as you practically snatched the same bishop of his with your rook. "Just because youre a muslim, you think you have the right to judge me?"

He scoffed at your words, making his move but you took yet another black pawn. "I am a Muslim. I was born in a Muslim family-"

"Exactly." You took more of his black pawns as he took your white ones. The board was mostly empty now. "You were born in a Muslim family. Do you honestly believe your Lord is happy with you because you were born in the right family? Is that the essence of what being a Muslim is?" Salauddin now looked at you but you didnt let your eyes stray away from the chess board. "Are you a Muslim because you were born in a Muslim family? Or were you born in a Muslim family because Allah knew you wouldnt find your way if you werent? If you were born in a catholic family, youd be a catholic? Lets say you are a Muslim, how do you know youre a good enough Muslim who can judge me? How do you know Allah will let you in heaven when youre on Earth declaring so and so is doing magic and isnt a muslim? Only Allah can judge us, not you Salauddin Ayubi." You stated calmly as you made your final move. "Thats checkmate."

You finally looked at him, your eyes holding satisfaction at his distressed face, though he masked it well.

How you wished to reveal to him that he was playing against a grandmaster whose parents made her take chess as a hobby since she was 6 because they believed it would make her smart and get into good colleges (it did. Thanks mom and dad.)

"Salauddin, we can play chess all you want but dont lie to me. You know I wasnt doing magic, and you know that I know that Baldwin wouldnt just leave me behind. So please, tell me, where is Baldwin?" Before he could reply, you continued. "Remember, lying is a sin."

At this, his eyes finally showed amusement. "He's outside, helping the women sew a niqaab for you. He wants to embroidery a flower in or something." You rolled your eyes at that. Of course, leave it to Baldwin to do cute romantic stuff.

Salauddin leaned back in his chair as he studied you. "So, how did you bring the baby back to life?"

"I prayed to Allah." He quirked a brow at you. "I also cleared his nostrils. They were plugged with fluid, so he didnt know or couldnt breathe with his lungs. Then I just warmed up his body a bit and he was crying- the baby was never dead. You know that no one can be saved from Azrael if Allah has written for that person to die."

Angel of death.

He gave you a nod, though his eyes watched you curiously. "How were you so sure that I knew you were a Muslim?"

You shrugged. "I just did." Why wouldnt you know when he was playing chess with you to check your psychology? Not to mention, he allowed you to be covered with a niqaab even when you were unconscious and let you stay in his tent? If he even doubted that you were a non muslim, you more than likely wouldve been treated far badly.

Salauddin chuckled. Of course, youd keep your secrets. "Then you know that as a Muslim woman, you cannot marry anyone of another faith."

"I dont plan on marrying Baldwin." You scoffed. "I already rejected him and have tried to sway his mind, but hes set on his decision. I think he actually believes that Im an angel or something divine."

He quirked a brow at you. "So he's forcing you to marry him?"

"I wouldnt say force- well, actually I would say that. But he doesnt treat me badly or anything. He's very sweet, even when I avoid him."

Salauddin clicked his tongue. "I could help you." You looked at him. "You are a Muslim, a part of the ummah. I could-"

"No. If youre suggesting starting a war, no." "Well, not a war, youre not that important." Damn. He grinned at your offended eyes. "I meant, I could send some people to sneak you out or-"

"No, if Baldwin finds out youre involved in any way in my escape he would-" you cant risk an extra crusade happening because of a damsel in distress, aka you. It would put the fate of Jerusalem at risk as well as the fate of the Ayyubid dynasty.

Wait. Ayyubid dynasty. They ruled over Egypt, Syria, Palestine, Yemen and so on. But Egypt was the learning center of the Islamic world during this time because they focused on arts and education which meant they hosted the world's greatest scholars there.

"Salauddin, can you get me to Egypt?" The king of Egypt, or sultan of Egypt looked at you quizzically. "I can, but why? Do you have family there?"

"What? No, I'm not running away to Egypt. Look, I just-" you cant explain to him about your escape plan that you were going to use the help of scholars to help you make the tools which you can use to fix your broken time machine. So, you lie. "You're someone who enjoys learning, right? I know you like history and sufism, and I would just love to get to know more about it."

With his head resting on his palm, he studied you. You intrigued him, and although he sensed you had ulterior motives, he agreed. "I cant take you there personally because I am busy here, but I could send you there with some trusted men." You smiled under your veil. This is exactly what you want. And almost as if he could sense your glee, he continued. "Your madly-in-love fiance wont send you alone, or at all."

"Let me worry about Baldwin, and he'll agree because I'm not running away. I'll work on my escape another way in which no one has to die." You said, finally standing up and walking out of the tent to find Baldwin who was sitting with the other veiled women, his eyes focused on the needlework.

"Baldwin." You called out with your hands behind your back as you walked upto him.

He looked up and his eyes practically sparkled at the sight of you. "Princess!" He stood up and immediately went to hug you but you stopped him before he could, nodding your head at onlookers. "Oh right, sorry." He smiled sheepishly, scratching the back of his head, ears turning pink as the women giggled.

He then picked up the niqaab he'd been working on, the blue cloth matched the color of his eyes. "Look, I made that flower." There was embroidery done on the sleeves. And of course, amongst the mass of tiny, delicate pink and white flowers, Baldwin made the biggest, slightly wonky flower.

It brought a smile to your lips. Gosh, he's such a-

You shake your head. No. No. You cant.

"Its beautiful, Baldwin. Thank you." He grinned at your praise, nodding his head as he folded it up. Still holding the embroidered niqaab in his hand, he walked over to Salauddin and shook his head. "We should get going now. Thank you for hospitality, Salauddin." The Kurdish nodded. "Of course. You're always welcome. And if you have any more questions about our traditions and rituals, dont hesitate to reach out to me. Although your wife to be seems quite knowledgeable on the subject herself." Your eyes widened every so slightly. Did Salauddin- did he just acknowledge that you're not as dumb as he thought you were.

Baldwin smiled before leading you towards his horse, helping you get on it.

Salauddin watched as your entourage left, and his mouth twitched.

You have piqued my interest, Y/n. He called his right hand man.

"We still have spies in Baldwin's castle, right?" The man confirmed. "Excellent. Have them find out all they can about lady Y/n. And prepare a small entourage ready to go to Egypt."

"Wont we be staying here, sultan?" The man asked, confused as to why Salauddin would be leaving Jerusalem this early.

"We will, but I will make a short trip in between."

Of course, Salauddin cant just let you go to Egypt alone. The sultan will have to make proper arrangements to welcome you there.

And to find out what you're really there for.

He returned to his tent, his eyes landing on the chess board. Walking upto it, he looked at how you had defeated him.

Salauddin smirked, using his finger to knock down the white king.

It'll be fun to make Baldwin jealous.

Part 4 is here!

[wh0reforcoriolanussnow]

Guilty || Billy the Kid x oc!reader

Summary: For the longest time you've felt like you have always been second to your older sister, Dulcinea. That however, soon changes when an outlaw, William H. Bonney—known to many as Billy the Kid—comes to town.

Warnings: smut!

Wc: 2,930

A/n: please send through more requests for Billy please! also the smut scene is lowkey inspired by the bathroom scene in euphoria season 2 with nate and cassie....

Divider by @pommecita

"I'm Billy. I just wanted to introduce myself," You hear a man spoke as you near the door. Your sister lets out a small scoff, "Well that is not a very good reason to ambush someone in the street," Dulcinea quipped.

"You have another motive," You hear your sister say as you press yourself against the door to listen more closely to the conversation. "I'd like to see you again," At his words, your eyes widen. Who was this mysterious man? "Why?" And there was a gap of silence.

You stepped out from your previous spot as all eyes were now on you. "Are we ready to go?" You ask your sister as she gives one final look to the man named Billy. You take your chance to look the man up and down.

He was a very good-looking cowboy. Your eyes roam around his body before you snap out of it as your name was called out, "Sofía, let's go” Billy watches you, his lips parting as he drinks in your appearance, he put two and two together and figured you were Dulcinea's sister.

You looked very similar to Dulcinea, more prettier perhaps in his opinion. Billy tips his hat slightly to you as you give him a small smile before walking towards the carriage. Dulcinea stares at you as you sit beside her, she slams the door shut and the carriage begins to move.

You couldn't help but look back to where Billy still stood. "Don't even think about it," Your sister firmly says as you roll your eyes. She was directly telling you to back off with Billy. Something that she has always done with every guy you and her have come across.

While Dulcinea was looking away, you sneaked a look and found Billy looking straight at you. Your cheeks begin to warm up as you send him a little wave to which he smiles before mounting his horse.

The next day, you decided to accompany your maid into town to buy a few things. You were secretly hoping to see that man again, Billy was his name. He looked unfamiliar to you, so you wanted to find out more about him.

"Isabel, have you heard of a Billy here?" You ask her as you inspect an apple in your hand. There was no response from the older woman. Isabel continued to look through the assortments of fruits laid out in front. "Isabel." You put the apple down as she sighs.

"Yes. I know of a Billy. And you should stay away from him, he is bad news, mi hija." She shakes her head whilst muttering incoherent words under her breath. Your eyes suddenly begin to look around, hopeful that you would get a glimpse of him. And you did.

He was across the street, tying his horse to the post. "I'll be back," You didn't bother waiting for a response before you pick up the fabrics of your dress and walk across the street.

You stop when you see your family carriage pull up in front of him, your view of him blocked. You furrow your eyes in confusion as to who else came into town. Mother and father were away and only you and Isabel left the house this morning, which meant that it was your sister.

What was she doing here? Dulcinea said she had no interest coming into town today saying she was too busy. Just as quickly as the carriage came, it quickly left. Billy's eyes were glued onto the carriage before his eyes begin to wander around, eventually landing on you.

You probably looked strange just standing in the middle of the streets, staring at him. Billy freezes slightly, his eyes looking you up and down. A smile makes it onto his face before he tips his hat at you once again.

"Sofía!" You move your attention away from Billy and see a friend of yours, Lucía, walking your direction, a huge grin plastered on her face. "What are you doing here?" She gives you a funny look as you clear your throat, your eyes flickering to where Billy was, only to find his figure disappearing into the building.

"I'm shopping, with Isabel." You give her a smile. "And where is she?" Lucía looks around as she links arms with you. "Right this way," You say as you walk with her. "Do you know of a man named Billy?" You suddenly ask her.

She would know. She knows basically everything about everyone in town. "Billy?" She says to herself, "I've heard of that name, can you tell me what he looks like?" Lucía looks at you.

"Well he's tall. Very tall. He looks like he's my sister's age. Brown hair, blue eyes and- oh- very good looking," You jokingly fan yourself as Lucía laughs, you joining along.

You stop in your tracks when you see Billy mounting his horse. You quickly nudge Lucía, "Look! There he is, that's the man I was telling you about," You cock your head over to where Billy was. Lucía's mouth hangs open, her eyes moving from him to you. "What?" You raise an eyebrow at her weird behaviour.

"You're talking about Billy? That Billy?!" Her voice begins to become louder as you slap your hand over her mouth. "Shh! He can probably hear you," You whisper yell at her as the two of you watch Billy ride off.

"So you know him?" You ask your friend as she gives you the 'really' look. "Of course I know him! Everyone in this county knows about him, except for you apparently," Lucía shakes her head. "What? Why? Who is he?"

Confusion was etched into your face as Lucía facepalms herself. "Sofía, haven't you heard of Billy the Kid? The famous outlaw that has been travelling from town to town? Surely you have heard of him, mi amiga."

Now that you thought about it, his name was familiar to you. You recall your parents talking him at home, but it never clicked in your head that that was the Billy they were talking about. "Yeah, I have," You kick a rock infront of you, your eyes watching where it lands. "Why do you wanna know about him anyways?" She asks you as you shrug.

"Dulcinea was talking to him last night, just got curious, that's all." Lucía didn’t buy it one bit but chose to leave it alone. “You’re not wrong you know,” She breaks the silence as you turn your head to her, a puzzled look on your face.

“About Billy being attractive,” She cracks a shy smile before you nudge her and the two of you start laughing out loud. “Sofía! I’ve been looking everywhere for you. Come on, hurry up.” The old woman scolds you, pushing you towards your carriage as Lucía chuckles, waving you goodbye.

~

You couldn't stop thinking about him. How could you not? The fact that he was a notorious outlaw further fueled the fire that was ablaze in the lower pit of your stomach. A sudden knock at the front door of your house made you pause your train of thoughts.

You were slightly confused at the idea of a visitor today. Mother and father were gone and you weren't expecting anyone over. You stand still in your spot before you hear footsteps leaving Dulcinea's room. Quickly walking out of your room, you grab ahold of your older sister's arm.

"Who's here?" You ask her and a smile you knew all to well crept onto her face. "Billy. Remember that guy you saw a two nights ago? I invited him over," She says nonchalantly. Your eyebrows crease in bewilderment.

"You know who exactly he is right, Dulcie?" Her nickname slips out of your mouth as she faces you front on, arms crossed. "Yes, I do, Sof," She points her chin up the tiniest bit, something she did whenever she was questioned.

"Then what the hell is he doing on our doorstep? Father would kill you if he ever found out that an outlaw stepped foot into our house-" "Which is why you will keep quiet." Dulcinea interrupts you, her tone sharp. You could see it in her eyes, rage brewing.

You loudly scoff, examining her features. "You know father would never allow it, plus, you already have someone you’re forced to marry soon," You narrow your eyes at her as she rolls hers. "Oh please, father will come around. Billy is not what people perceive him to be. I think father will like him," Is all she says as she turns around, making her way to the front door.

You exhale from your mouth before you make your way back to your room. You were dying to see Billy, but knowing Dulcinea, she would not let you be in the same room with him because you knew she liked him. And whoever Dulcinea liked, was off-limits to you, her innocent, little sister.

For the next couple of hours, you entertained yourself in your room. It was late at night when you figured that Billy had already left. You walked out of your bedroom, turning the corner before you collide with somebody.

You lose balance and readied yourself for the harsh impact but you were pulled back up by your forearms. "Fuck- I'm so sorry, sweetheart-" "It's fine. It's fine." You screw your eyes shut knowing whose voice it belonged to as you blew a loose strand of hair out of your face.

"What are you doing?" You ask him, your eyes looking around for any sign of your sister. "I- uh was 'bout to leave," Your lips form an 'o' before you slowly nod your head, silence following.

Your eyes were on everything but him. And his eyes were on you, studying your features that were similar to Dulcinea in some ways. "You're real pretty aren't cha, doll?" Your eyes snap to his after the pet name he just gave you, your mind slightly going blank before you process his comment.

"Am I?" Your voice dripped with playfulness as you tilt your head at him. You knew damn well Dulcinea could walk this way at any moment and see the two of you; she would let hell loose. "Mhm, prettier than your sister, I'd say. But don't go telling her I told you that." He winks as you furiously blush.

Your eyes falter down to your dress as you adjust the skirts of it slightly. "Y'know, I actually wanted to talk to you when I saw you in town earlier today," Billy's words make you look up at him.

"Really? Why didn't you?" You tilt your head at him as he kisses his teeth before opening his mouth, "Your sister, had me occupied for a bit and when I saw you, you were talkin' to someone else." He shrugs as you slowly nod.

"Well, I'm right here. What did you wanna talk about, Billy?" Your voice all of sudden was quiet. Billy smiled in satisfaction at his effect. "You uh- married?" He steps closer to you as he slightly cranes his neck to study your features.

You gulp. "N-no," You shake your head. He slowly nods his head, tucking his hands in his pockets. "You seein' anyone?" He asks, though his tone had a tinge of possessiveness in it. "No." Billy stares at you, his mind all over the place.

You were only 2 years younger than him but surely such a pretty, respectable, young lady like yourself would be married off to someone already, or seeing someone at least. "Good," He mutters as you couldn't help but smile. "Why's that, Mr. Bonney?" He looks around before he does something that catches you off guard. He grabbed your jaw and kisses your lips. Hard. You take a second to process what was happening.

He was kissing your so feverishly as if you were going to disappear. You stumble back at his rough force before he leads you down the hallway, his lips never leaving yours for a second. "The door on the left," You manage to say in between the kisses as he pulls you into your room.

Hands frantic, Billy skillfully undid the laces of your dress yanking it down to expose your chest as he wets his lips at the sight. He barely got your dress off before his hand grabbed your thigh and wrapped it around his waist.

He pushed you back against the door as you gasp, his mouth latching on to your nipples, your head thrown back at the sensation. Your hands toyed with Billy's hair as you tried containing your moans knowing your sister was still in the house.

"Don't keep quiet darlin'" He says against your skin before you feel him ripping your underwear. Your jaw dropped but you soon let out a loud moan as he slid into you. He groans against your neck, allowing you to adjust at the size, and when you do, he pumps into you at an almost inhumane speed.

You let out quiet moans as Billy grunts. Your hair was all messed up from being pushed up against the wooden door. "Oh my- Billy-" You breathed out, pushing him further into you with the heels of your foot around his waist.

""Fuckkk, feel so good baby" He grunts in you ear as you couldn't help but smile. A sudden knock on the door made you gasp in terror. Billy slapped his hand over your mouth at lightning speed to shut you up. "Sofía?" Dulcinea calls out from behind the door, another knock.

You stare wide eyed at Billy who quietly curses. "Sofía, are you in there?" Your sisters calls out for the second time as you panic. "Y-yeah?" Your voice was shaky. If Dulcinea found out that you fucked Billy, it would be over for you.

Although you were more free to do things than your older sister, you don't think your parents would be too happy to know their youngest daughter had sex with an outlaw, in their house. And you don't think Dulcinea would ever forgive you. She must be serious with Billy since she invited him over, something she never did with any of the previous guys.

"Why is the door lock?" The door handle rattles as you shut your eyes, feeling the tears coming. "Uh just a s-second! I'm changing!" You call out to her. Billy gently lets you down, zipping his pants as you attempt to tidy your appearance but fail miserably when the laces on your dress become tangled.

"Billy! Help me!" You whisper yell as tears were brimming your eyes. Billy's features soften when he sees you, quickly untangling the lace. In a matter of seconds, it was undone. He cupped your face in his big hands, your cheeks wet from tears.

"Shh, don't cry, sweetheart," He hushed, wiping your tears as you cover your mouth to quieten the sob that escapes. "She's my sister, she'll kill me!" Your voice was shaky as he pulls you into his chest, his hand in your hair.

"Sofía!" Dulcinea yells out, banging on the door as you flinch. You pull back from Billy as your eyes look around your room for a place to hide Billy. Settling on the panel room divider you push him behind it, "Wait here until she leaves, then you can sneak out of the window." You quickly say as he nods.

Before you turn back around, he grabs your hand. "Hey- it's okay," He assures you, his hand caressing your cheek as you slowly nod. "Finally!" Dulcinea exclaims as you didn't dare to make eye contact with her. She takes in your appearance.

"You okay? You look like you just ran a marathon," She raises an eyebrow as she touches your forehead but you pull back, a confused expression on her face.

"I'm fine, I just don't feel well." You gulp, tucking the loose strands of hair behind your ears, clearing your throat. "Right... Go tell Isabel and she'll give you something." Dulcinea says, you could tell she wasn't fully buying it.

"What did you want me for?" You finally meet her sharp eyes, "Oh. Have you seen Billy around? His horse is still outside and he was supposed to leave about an hour ago," She folds her arms, leaning against your door as her eyes wander around your room.

You clear your throat, slightly moving in front of her to block her view. "No, I haven't seen him. He probably went to take a look at the other horses in the stable," You lie through your teeth as your sister stares at you suspiciously.

"Okay," She says as you discreetly let out a sigh of relief. She gives you one final look before pushing herself off of the frame and walks down the hallway. You shut your door, locking it just as Billy comes up to you making you jump.

"I think you should go," You say to him. His hands rest on your shoulders, "I wanna see you again," He says softly, lifting your chin up to look him in the eyes. "Me too," You smile before he leans down to place a final kiss on your lips.

"What about tomorrow? Come see me in town," He suggests as you open your window. "I'd like that," You both smile at each other as he readies himself to leave. Just as he leaves through your window, he tips his hat at you. "Bye, Sofía," "Bye Billy," You chuckle lightly before he leaves and you shut your window.

[sm-baby]

Most exciting part of the trailer for the next TADC episode for you?

More so an Analysis rather than things I'm excited about X3

I watched the sneak peek on loop I can process everything! Waahh!! I'm so excited for episode 2 💞 only a few weeks away! 💕

I wanna get this out of the way, I love Lizzie Freeman and Alex Rochon's Improv work on this promo 😭 they were really put in a booth together, were told to say things to promote episode two, and came up with that 😭 Genius.

The environment work is GORGEOUS! I love the look of everything, the world-building, the colors! It looks like a full-fledged movie guys! Absolutely beautiful and WONDEROUS work from the Glitch team-- it's so beautiful for half a year of work??? God damn!!

Haha! As an in-universe creation, Despite his little gags, Caine is genuinely such a good AI to make something so cool!

You'll also notice that Ragatha is taking charge of talking with the princess! That would make sense for such fellow beautiful well-mannered women!

More on them later at the end! :3

Dream sequence theory

Also, we all agree that these ones are all part of a dream right? Pomni is panicked, the strange sort of "slow woozy wobbly" animation exactly like a dream... even the dolly zoom!

Then she is sent to the cellar with a an abstracted arm, but that shouldn't be the case since Caine could easily fix an abstracted arm with a snap of a finger.

And then she wakes up, freaked out!!

Wahaha! Shout out to the Showtime server for pointing this out while we were discussing!

This is either and "end of episode prize" from Caine, or he jumps in mid-episode to hand them a helpful item, ooorr he's telling them that that's their objective for the adventure :3

also!! people have pointed out that Zooble isn't with the carriage with the others! Either this means that Zooble was given a surprise roll in the adventure, or she's off to have a fun solo adventure with Caine! Ohh! How exciting!

Zooble is a favorite character of Goose's, so to learn more about him and why Goose loves them so much would be so exciting!!

Whats up with Jax?

hunched down, writing in the sand, hugging his knees, this topped with Goose's two-word description of the next episode to be "I"m nothing"... Oh Jax is gonna have a MOMENT...

We all know that no one likes the dude and he's going to get worse. I'm unsure if this will make me like the guy, but I'm optimistic!

I'm open to understanding and seeing another side of him that would make me like him! I already quite like how this scene is framed, how lonely he looks, the acting in these few seconds already tells me what kind of guy he is.

...despite one of the gummis being tied up in the corner

If i had to hypothesize, this probably stemmed with Jax acting out, you know, the usual "being a nuisance" to make everyone miserable,

Then It escalates

This gets on Ragatha's nerves, first starting out as a silly "haha cute interaction" between them and it escalates while the episode goes on where Ragatha genuinely gets mad at him and tells him to stay put while they do the work.

Speaking of Ragatha, She seems to be quite fond of the Princess! There is a part of me that wonders if she wants to sort of-- "prove" herself in a way, as a leader or otherwise. Ragatha does give me the "smart yet nice kid in class that everyone copies off of" energy... TwT This poor woman.

I don't know, just the way The Princess bends down and holds her hand, it's sort of sweetly mentorly or motherly in a way. I'm not saying this to infantilize Ragatha, I respect her so much as a mature 30-year-old adult, I say it as a testament to The Princesses' character. Princesses, Queens, and any sort of royalty have been characterized as the sort of "mother/father of all" sort of character type, which is sweet! And would be quite interesting!

I know that people are quick to do the shipping with these two, but I kind of like the idea of Ragatha wanting approval and validation.

BUT THATS JUST A THEORY!! A FILM THEORY!!! ANDDD CUT!!

[love-byers]

i am afraid no one gets him like i do. yes he's a whore slut rake boy but he's also not

colin may need to occasionally go to horny jail but what he really yearns for is love and connection. he has always yearned for it. sex is good but sex on its own is not fulfilling to him. marina broke his heart, he truly wanted to care for her and love her and be loved. even before he fell for penelope he wrote about his sexual encounters so beautifully unlike any man of that era ever would. after a while he lost interest in it because it lacked something, love and genuine connection. he's a romantic people!!! he's a hopeless romantic trying to be a flirtatious bachelor, and it's a facade he can't keep up! he's a writer, a dreamer, he wants something pure and true. at the gentleman's club he says something i find so beautiful and pure, he questions why men must act nonchalant about their sex life when it is one of the only things in life with true meaning. and he gets LAUGHED AT!!! the part of the carriage scene where pen strokes his face and hair and he completely melts into her touch is, don't get me wrong, HOT!!!!! but it was even sweeter to me because it's not just that he is so horny for penelope he can't stand it anymore, but he is getting what he's yearned for. the connection, the touch that means something. the touch that carries love with it. this is also why the dream and kiss with pen got him so down bad. he unexpectedly felt something he had been yearning and searching for maybe without realizing it, love and connection! and once pen accepts his confession, he is head over heels in love obsessed and ready to marry her.

what lady whistledown wrote about him not being his true self really embodies his arc this season. colin in earlier seasons was acknowledged as having never been to a brothel and not being this all knowing sex god he pretends to be in 3. who colin truly is is someone who wants his sexual encounters to mean something, who sees sex as a moment of connection between two people rather than just pleasure. for that time, that was pretty beautiful.

and also the fact that when he's with the sex workers they are the ones all over him pleasing him, but with penelope he is pleasing her. he yearns for love, to feel and give love, not just to receive it.

COLIN BRIDGERTON GET BEHIND ME I WILL PROTECT YOU

(this is directed at people mostly on tiktok who watched the show with their eyes closed complaining about how they wanted colin to be a virgin and hate that they made him sexually experienced & a man whore KEEP MY SONS NAME OUT YO MOTHAFUCKING MOUTH)

[grace-williams-xo]

I HAVE FINISHED THE FIRST FOUR THIS IS GONNA BE MY MESSY THOUGHTS POST. SPOILERS AHEAD. [Part two rambles, addressing some of these.]

I want Cressida to be happy and I want her and Debling to work things out sue me I do

More than that I ship Cressida and Eloise,,,, frothing for them to kiss actually

Benedict my happy smiling boy with no thoughts behind the eyes I love you

I still want Sophie to appear late in the season

Anthony is so in love and obsessed with Kate it is grotesque like that man has not had a thought about anything other than his wife since he married her

Despite being the world’s biggest Kanthony lover,,,, I have to admit that their absence works better than I expected

Francesca and Eloise’s little friendship moment in ep 1 was so sweet [EDIT: I meant Francesca and Penelope smh my brain]

Francesca has my entire heart I want her to continue to thrive happy in part two

It’s not that I don’t like the Mondrich’s or their plot… it just feels very disconnected. Hopefully this improves

SO happy about Pen and Delacroix’s continuing friendship I always want more of that I love them

Anthony is gonna kill Colin when he gets back, Kate saying no is gonna be the only reason he doesn’t (I can’t fully explain it, I just feel like Anthony is gonna be mad)

Despite what I said in point 6, we do need kanthony in every episode of part two

Kinda loving Portia Featherington this season, sending her thoughts and prayers every time Prudence and Phillipa breathe, but also scared how she’s gonna react to Pen marrying Colin

When Colin finds out about LW,,,,,,

I like how late the introduction of Marcus was, and how slow burn that is

The first threesome scene wasn’t that bad imo and the second one, where he’s not involved, is so blink and you miss it and he’s clearly not into it anyway so also not that bad

This is going to be the longest 27 days of my life

P.S. I don’t know what to say about Polin. I was screaming at Colin for 90% of it. The carriage scene, the proposal; chef’s kiss.

[lady-buggerinton]

My Top Five Polin Scenes in Part One (and why!)

My darling gossipers, so far this show is making literally all of my hopeless romantic dreams for this couple come true and who knows what kind of angst and drama were in for in part two, so before things gets too real I just wanted to go into (too much) depth on my favorite scenes and a few swoon-worthy details from part one! *whips reigns on carriage* shall we?

5. Drawing Room Lesson/Journal

Pen's brain: TOUCH ALERT! HIS HAND IS ON MY BACK.

This scene is so best friend coded with the way they are bantering and flirting the whole time. There's an adorable contrast between Penelope's fear of being discovered and Colin being like it's chill!(when in fact it is not Chill because they get interrupted after 5 minutes of gazing into each others eyes)

He just clearly wanted to be completely alone and behind closed doors platonically with his very beautiful friend (who looks like an angel in this scene) to pretend they are courting. Nothing suspicious about that!

I love how he's so into the lesson to the point that he has set out the lemonade as a prop and brought her to Bridgerton house in the first place specifically because she said it was where she was most comfortable (previously, but he's doing his best, and probably hoping she will become comfortable again, ouch)

Colin being the "dashing suitor" for her to flirt with (loser) and when she's resistant to fake flirting with him he hits her with the, "you don't have to be embarrassed, you know me!" trying to put her at ease. And he succeeds! Penelope is so comfortable during this scene when she's opening up about how it's hard for her to get her personality across, it's so sweet and honest.

And this is when the ROMANCING really starts, I love how it's Penelope who takes the lead here. mostly by accident, but the poor man is still left in shambles.

I do kind of wish for this scene they had gone with a more back and forth flirting moment, and seen them both get a little taste of how overtly flirting with each other would feel rather than her little poetic moment, but it was sweet to see her expose a corner of her feelings for him and watching him get a tad flustered at the compliment.

Ok, while it was rather uncool of her to read his journal, I love this part so much. Because I am no better, I would 100 percent do this given the chance. Her examining the space where he spends time, her running her hand over his pirate coat, (who wouldn't) the quiet yearning of that action. As a snoop myself, this was wish fulfillment.

Penelope being hit with a confusing mix of jealousy and intrigue by the contents of the journal entry, the way she stops reading for just a second and then gives in and devours his writing, not being able to hold back from getting inside his head. Don't think about how she probably missed his letters.

Colin's anger here is warranted, and I liked how he didn't come across as aggro-angry Colin from the books but is still justifiably upset that his privacy has been violated. He is likely aware that there are certain DETAILS he wouldn't want her to be reading, like how he's a lonely lonely sad little man trying to be rakish and roguish because his beautiful platonic friend isn't writing him back and encouraging him like she usually does.

Can I just mention that bandaging a wound is an excellent trope and it's such a good romancing vehicle: the care, the tenderness, the touching! the GRUMPINESS! But my favorite thing about the wound bandaging is his reaction to her complimenting his work, of which he hasn't shown ANYONE. He's just so shocked that she likes it, and clearly starved for her encouragement/anyone to be interested in his travels.

I think its also worth noting that this is THE moment that Colin thinks back to when he's considering activating his chaos tendencies by rolling up to the red ball to interrupt her proposal, so I'm gonna interpret that as him recalling his first realization/admittance to himself that he has feelings for her beyond friendship.

It wouldn't surprise me since it is after this moment that we see the hints of jealousy start to manifest at the full moon ball (looking for her, asking her if she likes a suitor, he's not subtle with it). Can't blame him, he was just touched with intimacy and care, and told his creative outlet is well-written, he is being ROMANCED to the max and he can't handle it.

We also have our first "please" as Pen asks to help, and as we will see, these two can't say no to each other once the magic word is spoken! I hope this theme makes a comeback in part two (please please please)

4. Market Scene

ok, besides a semi-silly looking wig on Colin (reshoots) this scene is first of all, so beautiful.

SHE IS SO FINE IN THIS SCENE I CAN'T EVEN THINK. She looks like a preraphaelite painting and I'm gnawing at the bars of my enclosure.

I literally kept saying "wow" out loud. It actually makes the scene very silly to me because she keeps talking about how she'll never snag a husband and I'm over here on one knee begging for a chance.

If Penelope has been Colin's cheerleader and #1 supporter for their whole friendship, this is where that flips. This scene is all about Pen feeling dejected about her prospects and Colin trying to lift her spirits -basically by saying she doesn't need to work on anything because he already likes her so much without her doing anything but I digress!

There is nothing hotter than your crush talking about a shared memory! Literally nothing! You can see her absolutely light up here when he talks about their first meeting like "I can't believe he remembered" and "Shit, I'm trying to not be in love" and it makes me ache for her.

I am very sad we didn't get a meet cute flashback (hello romcom!!) but this was the next best thing. He's also definitely still in Rake Mode with the way he is being charming and flirty, but there is a core of genuine feeling here as he is trying to get her find her confidence and be more like the non-self conscious children they once were. I believe a lot of the rift between them was directly because she had such strong feelings for him and couldn't just connect with him as friends due to the pedestal she put him on, this scene shows that without that as a barrier, they are able to connect much more naturally.

"Living for the estimation of others is a trap, once you break free the world opens up," he says, and he's starting to realize this idea but hasn't quite put it into practice. I think seeing Penelope struggling to be something she's not, just like he is, shows him how it's not working for either of them. This I think kickstarts his self-reflection and eventual rejection of external pressures later on, leaving him open to pursue other passions.

Ok but what I LOVE most in this scene is his subtle digging for information about her that she isn't forthcoming with. He asks her why she wants a husband and where she feels most comfortable, peppering her with questions and also giving her zero personal space. He's very curious about her and what is going on inside, but she's not exactly open with him at this point, giving short and simple answers.

She's genuinely not used to someone asking her this many questions about herself, receiving this kind of devoted attention, and she clearly doesn't know quite how to respond. In fact, the dynamic has always been reversed, where she was encouraging and inquiring about him, so this switch is just excellent. there have been little moments throughout the series where he asks about her and she always seems to deflect to talking more about him, so it's nice to see this shift.

Also fun detail, the grecian statues behind them are a little nod to the eros and psyche vibes of the scene as cupid is trying to find a match for his psyche, but is slowly beginning to fall for her, his curiosity the first step towards total downfall.

When he asks about Eloise is where Pen just completely shuts down and says she has to leave, and the "before we are noticed" with the little smile? I have fallen in love. She's clearly using that as an excuse to dodge the question, and it is almost an inside joke, sadly. As if she's saying "No one would believe you are courting me anyway haha". And yet he's clearly bummed she's leaving, he was having such a good time, and she leaves him hanging, wanting to know more. I also absolutely love the Rae side eye, lethal!

3. Candy Tent

Post-kiss insanity is on full display here. The way she beckons him with a sexy head tilt and he came running, the way his hands give away his nervousness and his eyes keep locking on her helplessly. Just FULL ON crush mode. The soft "How are you?" he missed her!

Also outfits are incredible here, the pearls in the hair, the painted vest, Colin inventing the color brown, it's a rococo dream. The plushy pink of the tent, the ambiance, everything is just in a word: sumptuous? never used that but it feels right here.

Pen's giddiness here is just adorable, she's experiencing blatant interest for the first time and I couldn't be happier for her. But someone else is very peeved, indeed. He's trying to play the part of supportive friend while also just kind of feeling a lot of "confounding feelings"

The way he is trying to be so casual and attempting to keep up his swagger, but his true feelings are showing through BAD kind of harkens back to how Pen would interact with Colin in s1 and 2, with barely contained affection and hope. The script has been FLIPPED and it feels so good!!

I literally squeal every time he asks her if she's formed an attachment to Debling, this is the shit I signed up for!! Her saying Debling is not "unpleasant to gaze upon" and watching Colin just completely glitch out with jealousy. He's like AND WHAT ABOUT ME! Must be frustrating to be the most eligible bachelor of the season, and yet your very beautiful crush friend is complementing another man on his looks. When your crush expresses interest in someone it can be truly insanity inducing, so I feel for him here.

Pen is oblivious completely, she doesn't think any of what she is saying is negatively affecting him, in fact she thinks this news will make him happy! His lessons worked, she didn't care about being perceived and it is having the desired affect! and yet, he's miserable. Mission accomplished unsuccessfully if you will.

He does ALMOST a good job of hiding his feelings, but if Pen were not completely convinced he couldn't have feelings for her, I think she would've picked up on the vibes here. He's way less enthusiastic about the lessons, and is giving fairly curt responses, when before he was yapping on about being yourself and such.

Then of course the blatant staring at her mouth, being the yearning sort of man he is and likely recalling their kiss in detail, reminder it's been at least a week since. She's romancing him without even trying. It also makes sense for "food motivated" Colin to have Penelope + cake equals critical override of his facial expressions and his literally standing there slack-jawed with lust.

His soft "good luck", when she leaves and the fact that he doesn't mean it AT ALL.

I've seen it talked about, but it makes a lot of sense that Penelope wasn't as affected by the kiss as he was. I'm sure she enjoyed it, but for her the kiss was an end (more on that later) and for him it was the moment he admitted his feelings (which were already growing slowly). so it makes sense the yearning is very colin-sided in this scene.

Apart from the yearning, it's also just sweet to see them in cahoots and discussing this development with Debling like its a little group project, and its the perfect scene to show Down Bad Colin, and I love it. She also clearly wants him to share with her in her success, still wanting to be close to him in any way she can, which if I think about too much I'll cry.

Bonus points for him eating the cake later on, such an intimate detail, he just wants to be close to her in any way he can. CRIMINAL! ARREST HIM!

2. First kiss/Dream Sequence

Ok I'm combining these scenes because they happen back to back and sort of like a mirror of each other, sue me. This first kiss scene is, as Whistledown says, RECKLESS. It's nonsensical, it's desperate, and it's beautiful.

This scene has only improved upon rewatches, it really has everything. Best kiss scene on Bridgerton and possibly in anything ever? no doubt no doubt?

The silly back and forth on the "You're not going to die" and the way she doesn't back down when he seems to get embarrassed, but instead says what? The Magic Word! "Please" she says, which of course is both of their activation word. His expressions here definitely mirror the book, where as soon as she asks him to kiss her, he's a bit taken aback by how much he realizes he wants to already.

This is such a low moment for Penelope, and it's one parts embarrassing and two parts brave of her to ask him to kiss her. In her position, she doesn't even have her pride left, so why not ask the boy you love to kiss you? nothing will come of it anyway, and he probably won't even do it, so why not ask? And what are friends for!

then the moment comes, and the music swells, as does the tension as he closes the distance between them, her shocked face and shallow breaths as she realizes its actually going to happen, the way he lifts her face to his with his hand under her chin. It's just pure romance. and this thing between them, this space that has never been crossed, is being crossed, and it feels insane. reckless. intimate!!

What I love is the shot that focuses on his face after they deepen the kiss, he's intent and confused by how good this feels, how little like kindness this is for him as soon as their lips touch. Like we will see later, he just kind of mind-blanks and forgets what is happening.

Whatever he thought they were has just crumbled with this kiss, and he leans his forehead against hers, no awkwardness when there is such tenderness. which is why he's so shook when she whispers "thank you", and rushes off. he's like "wait why is she thanking me? where am I? weren't we doing something here?" The hopeful strings as it focuses on his dumbstruck face, the earth literally shifting under his feet in that moment. UNREAL.

THE DREAM: I won't say a lot about the dream sequence but I just had to throw it in here because it shows how aligned they are romantically. They are both HUGE romantics, and he has orchestrated this sort of do-over kiss where he's really going for it and proving to her that he wants this too, he wants her. And she's enjoying herself, clearly, which we know is something Colin wants more than anything. It's a great way to show his inner feelings with the lack of an inner monologue that a book brings. And this is clearly a sort of parody of Bridgerton itself, or at least the books. It's over the top, a little silly, and exactly what we all want to see.

This dream also isn't just ripping off clothes, it's emotional, a key element is him expressing how he's been thinking about her, consumed by her. This kiss also isn't as innocent and patient as the first kiss, and it's full of Reciprocation, she can't stop thinking about him either. AND NEITHER CAN I!!!

Both of these kiss scenes also set up our contrasting feelings, where Pen views their first kiss as an end of a dream, a bittersweet act to finally let go off him, the dream of him. And then his dream shows the opposite, how she's ignited something in him that begins his dream of her, awake and asleep. Dream-swap! Also the hand on the wall behind her to catch her from hitting the wall. no comment.

1. Carriage Scene

Yeah like what can I say! It's incredible! I honestly have no idea how they can top this scene, but honestly if this is the best love scene they share in the season I am 10000% content. All of my little qualms with how they did the season melt away when I watch this scene because this was what was crucial to nail and they NAILED IT. TO THE WALL BABY. YAY.

And how did he gain access to the carriage (and Penelope)?? by saying please!! we love the magic word!! I do like the confession a lot, especially the "what if I did have feelings for you?" and the way he gets to his KNEES, a truly inspired moment.

How he completely dies inside when she says they are friends, and still accepts it with grace. There were SO many obstacles to him expressing his feelings to her this night, and he just red rovered each one, and we are all very grateful.

Something about this scene is just built different, I like a lot of the love scenes in the show, but this one has some kind of secret ingredient that we didn't know we'd been missing. Maybe its the location, the context, the way they are just grasping at each other desperately (which if you think about how Penelope thought this was a one time thing in the books and she wanted to make the most of it, actually don't think about that)

He's also just so sweet about it, he's not angry, or insistent, he's just honest and intent. and she's just bewildered and INTO IT.

The lightning is gorgeous, the way it looks like Penelope is catching on fire and glowing. the catharsis, the giving into passion. The way she smiles like her dreams are coming true (because they are) before he just completely attacks her. What else can I say but EEEEEEEEEEEEEEEEEEEEE!!!

so many of the kisses are so tender and gentle, and they just build and build and build in intensity as they get lost in each other.

on a more horny note, so many moments here actually make me physically roll my eyes back in my head with how insane they make me. The desperate boob grab, the consensual nod, the way his hand slips under her dress, they were truly so insane for this. something tells me they knew I've waited literal years for this, so they knew they had to make it good.

Someone said Nicola should get an Emmy nom for moans, and she should, somehow they don't come across as cartoonish at all, and it doesn't take me out of the scene like some "noise making" does in these types of scenes. and for the record I'm not jealous at all, of either of them. in fact, no sooner did my head hit the pillow that I was met with complete and total darkness....not even a dream....

Like everything I could say has already been said, but it was so much better than I thought it was going to be, blew my expectations out of the water and DELIVERED. and DEVOURED. and RUINED ME. AND I AM VERY GRATEFUL.

Anyway that's all, I'm very afraid for part two so I needed some escapism, why am I already nostalgic for the good ol' times when Polin was happy for 6 minutes. thanks for reading! <3

[howtofightwrite]

I'm writing a scene where character A gets ambushed by an assassin. A gets injured and starts bleeding out. B swoops in to save them in the nick of time, but A starts fading in and out of consciousness. B transports A using a horse-drawn carriage (setting is 1890's London, so no cars) to a safe place for medical attention. Would the carriage be safe enough for transportation or make things worse? Also, any ideas where the wound could plausibly be located on A? (Stab/cut, no guns.)

Okay, so this is a good news/bad news situation.

The good news is that blood loss is really easy to understand. If someone pokes a hole in you, and you start leaking, you'll generally keep leaking at a pretty consistent rate until you manage to stop the leak, or until you start getting additional holes poked in you.

Now, joking aside, moving around, and staying active can accelerate bleed out. Especially if you're engaging in activity that keeps your heart rate up. For example: Running, or fighting. But, normally, you're going to keep losing blood at a fairly consistent rate. (Now, it's worth noting, as you lose blood, your body will actually increase your heart rate to keep oxygen going to your brain. This means that the rate of loss isn't completely consistent. You'll also start hyperventilating.)

The fun part about blood loss is it can actually turn into a math problem. If you know the volume lost per interval, you can calculate roughly how long it will take to die. Just take 2,000, then divide that by the blood lost in milliliters per interval (so, for example, minutes), and then you will know how many minutes your character has before they bleed to death. (Technically you can go over that two liters lost a little bit. (In sloppy napkin math, this means that you'll slightly overestimate how long the character will last.)

Here's the problem.

Hypovolemic shock has four recognized stages. These stages are bracketed by how much blood you've lost. Stage one is up to 15%, Stage two is 15-30%, Stage 3 is 30-40%, and Stage 4 is 40% or more. You might know that the human body has roughly five liters of blood in it, and if you were paying attention you'll notice that two liters is 40% of five liters.

As a quick aside, Stage 1's only symptom is that you'll be a little paler than usual. Otherwise you're basically fine (even if you don't feel particularly great.) To put this in context, you can (almost) lose a liquor bottle's worth of blood without serious side effects.

Once you hit stage 2 and 3, you'll see some mental issues. Anxiety and restlessness at Stage 2, confusion and impaired reasoning at stage 3.

Loss of consciousness (and comas) are symptoms of stage 4 blood loss.

This is the bad news. If you are losing consciousness from loss of blood, you have already lost so much blood that your body (and possibly your brain) are already dying. Humans can lose a frightening amount of blood before it incapacitates them. And, that fun little math problem earlier, the time to death that you're calculating, is also the time to loss of consciousness, because there's a tiny margin between, you bled to the point that you're drifting in and out of consciousness, and, you have bled to death.

There's still some hope here, but it's not great. First aid for hypovolemic shock is to stop the bleeding. It kinda makes sense, because if you don't, they'll bleed to death and after that, it won't really matter. That means, if you're swooping in to the rescue, the first thing you need to do is stop the bleeding, as best you can. When you're already looking at someone in stage 3 or 4, you're not going to stop it in the field, and the best you can do is buy time. But that is a critical step.

This leads to a really important question. How long did it take your character to lose two liters of blood?

Because, if they lost that much blood duringthe fight (which is, actually possible with some arterial hits), there is no medical science that would keep them alive long enough to get them to a surgeon. Not in 1890, and even in 2024 it'd be touch and go with modern emergency trauma packs.

This is a mortal wound.

Now, if you slow it down, and they're bleeding out over the course of the ride, that's entirely feasible. You'll probably want to read up on the exact stages of hypovolemic shock, keep in mind that the stages do transition from one into the next. And, keep in mind that, “slipping in and out of consciousness,” is basically the end. At that point they're about to die. Immediate surgical attention could still save their life, but they need a hospital. This is beyond the scope of what a back alley clinic could reasonably deal with.

I know I didn't address it earlier, but, “where,” could be pretty much wherever. So long as it didn't sever an artery, because at that point they would be dead. Arterial nicks could result in serious bleeding over time. Really, any serious, persistent blood loss that refuses to clot could create a situation like this. Deep tissue penetration, particularly when it damages internal organs, can be pretty nasty, and surprisingly hard to stop a bleed. If someone is hemorrhaging internally, that's going to require surgical attention to keep them alive, and any effort to stop the bleed will really be wasted effort (because they'll continue bleeding into the chest cavity), though, unless your characters have a pretty solid grasp of anatomy, they're unlikely to know that.

The real issue here, from a practical application, is just the, “swooping in at the last minute.” If you're really coming in at the last minute, you've got a minute to make peace with their death, and move on. If you get there sooner, you have more of a scene. You have more options to spool out the drama, and subvert expectations.

Consider, alternately: Your character comes in to disrupt the assassin, and the pair make their escape. While escaping, the character who's been injured discovers they're bleeding. Leading their rescuer to realize that the situation is much worse than they initially thought, and having to change route to a hospital, while the injured character starts to become less coherent.

In this alternative, you can carefully track how quickly the character is bleeding out, so that they're getting into the hospital right around the time it's starting to become touch and go. With a real possibility that they'll die, either before or during surgery. (Also, with added stress that now your character needs to keep them safe in a public space, while that assassin is still on the loose, and they can't move the injured character to someplace more secure.)

So, you've got options, and now you've got a math problem you can play with to figure out how quickly your characters will expire after you poke new holes in them.

-Starke

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[clevercloudpoetry]

You know what was one of the best things about the first part of Bridgerton season 3? The Smiles.

The smiles that Colin and Penelope had whenever they were with each other. They smile differently when they are together. They smile like the sun has finally decided to shine upon them.

Their bond is very special as we have seen from the first season but the way two smile at each other, especially after the carriage scene just filled my heart with so much happiness that I couldn't stop smiling.

[herinnerwolf]

i love how penelope and colin have finally crossed that friendship line that has defining them for two seasons and at the same time they are STILL friends. they will always be. they love each other, but that will never erase the strong bond that allowed that love to bloom. and it is not a weakness, if anything, it is what makes them even more special. the romance part of the carriage scene followed by them laughing like they've always done since S1 proves how those two aspects blend together wonderfully.

[your-mums-nuts]

I actually think making Colin so against Whistledown in the show is so they can justify his reaction later on. Now, I like romancing mr bridgerton- but let it be said that Julia Quinn’s idea of peak romance is Colin angrily gripping Penelope’s arm so hard it will bruise, and tossing her around as he sees fit.

In the show, they wouldn’t dare do this with polin, but it is also necessary to have Colins reaction to Whistledown be big and dramatic because everything in this show is big and dramatic.

I think there’s a lot of fans who also only just started to like Colin this season, at least from what I’ve noticed. So having him be a mean, physically hostile brute towards Penelope in part two would kill any warm feelings for these new fans.

Me personally, I want a confrontation (preferably a second carriage scene) none of this ‘I need time to think and we’re on break until then’ shit. We’ve had enough awkward estrangement with Eloise.

I also don’t really think Penelope needs to have another ‘does he love me?’ Season. Especially with how isolated she is without Eloise, and how harsh Portia was towards her this season with all this ‘be realistic Penelope you’re not going find love.’

We’ve had two seasons of it guys, give her her mans already.

[howbrightthemoon]

Nicola on the broken furniture scene

Firstly, LOVED this interview so much. Their interaction was so sweet and the interviewer asked great questions about fan expectations, the broken furniture, Nic's favourite rom-coms, and Penelope's championing moment for all the wallflowers. And Nicola got me giggling kicking my feet she's such an angel🥹

I had to clip this part about the furniture for scientific reasons tho, this is the most I've ever seen her talk about it.

Laura: "Speaking about your relationship on screen with Colin; this season is so romantic and so spicy, and I've heard a bit of a rumour that some furniture was broken during filming. [Nicola giggles] Can you confirm and also tell us what happened?" Nicola: "Yeah it definitely was. It's really funny. We had one scene which was extensive, it took two days to film. It's a famous scene from the books. [...] it's a closed set so there's only about four other people in the room, and there was a camera above us, and we were [gestures] mid action, and the piece of furniture just collapsed between us and it snapped. I've got a picture of it, and I'll share it when the time comes."

Two days to film, compared to three days with the carriage scene.

FROM THE BOOKS ("stay" scene?).

CAMERA. ABOVE. THE ACTION. help

now I'm waiting patiently for Nic to release the pic thank yewwww

[thecandlesticksfromlesmis]

my hopes going into the remastered showing of Les Mis 2012

they remove Suddenly and add in a new, cooler song version of that one chapter where Hugo compares prison (or society? I don’t remember) to a man drowning at sea

They remove the Santa sex scene and instead add in a Pride and Prejudice moment between Javert and Valjean where Javert helps Valjean into a carriage and then flexes his hand while walking away

they put back in Grantaire’s part of drink with me and take out the two coffins in front of the barricade (a bit too much)

More of that cow

They give everyone on the barricade at the end hand warmers too :(

They cgi Marius actually blowing up the barricade

anyway! These are just what I’m hoping for! Not too much to ask 🙂 will report back after the movie! So excited!