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gunterfan1992 · 1 year

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Episode Review: "Fionna Campbell"/"Simon Petrikov" (Fionna & Cake, Eps. 1-2)

If you had told me on the day that Adventure Time was canceled that almost a decade into the future, I would still be writing reviews about new episodes, I would have never believed you. And yet, today saw the release of not one, but two new episodes. (It seems that the fun really will never end!) What a world we live in!

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When I first heard that Fionna and Cake would be the focus of the newest Adam Muto-produced Adventure Time spin-off, I was a touch apprehensive. It is not that I disliked the characters... I just worried that they might not be able to anchor ten 22-minute episodes. After all, the two were always something of a funny gimmick. Other than explaining if they were real, what more was there to say about them?

My tentative apprehension started to dissipate when I learned that the one, the only Simon Petrikov would play a major part in the miniseries. Simon was always a strong character, and there was much to his story that still needed to be teased out. His presence in the miniseries signaled one thing: Fionna and Cake would not just be a fluffy romp, but rather one of mythological significance! Needless to say, my interest was fully piqued, and I began to count down the days when the miniseries would debut.

And now that the first two episodes are out, I am happy to say that my tentative fears were likely misplaced. Indeed, if "Fionna Campbell" and "Simon Petrikov" are indicative of the overall quality of this miniseries, we're in for a good time!

So let's dig in!

Airdate: August 31, 2023

Story by: Anthony Burch, Adam Muto, Hanna K. Nyström, Jack Pendarvis, Kate Tsang

Storyboarded by: Hanna K. Nyström, Anna Syvertsson, Haewon Lee, Jacob Winkler

Directed by: Ryann Shannon (supervising), Hans Tseng (art)

The miniseries kicks off with "Fionna Campbell," which follows the story of Fionna the human... No, not that Fionna the Human. This Fionna does not live in a magic land, and it is only in her dreams that she's a swashbuckling hero. Instead, the Fionna we meet lives in a mundane world very much like our own. This Fionna seems to feel as if she fundamentally lacks any sense of purpose. Accompanying her throughout her non-adventures in this alternate reality is Fionna's (non-magical) cat, Cake. The main plot of the episode begins after Cat and Fionna have a strange dream, whereupon Cake begins to act erratically; it is almost like she desperately needs to be in contact with ice of all things. After a series of humorous set pieces in which Fionna repeatedly discusses the dullness of her reality with a variety of uncannily familiar characters, Cake goes bananas and makes a mad dash for an ice cream cart. As Fionna gives chase, Cake dives into the cart, which turns into a magic portal and teleports Cake to a different world...

Of the two episodes discussed in this review, "Fionna Campbell" was the least impactful. Do not misunderstand me: It was still a fun, charming episode, but it did little more than introduce us to our heroines and set up the plot of the miniseries. The issue with this is that it makes much of the episode, on a strictly narrative level, superfluous (for instance, were you to have Cake dart over to Fionna's ice dispenser and have it—rather than an ice cream cart—the overall story would still work just fine). But while much of this episode is technically "unnecessary," it nevertheless mines a lot of goodwill and humor by introducing us to gender-bent "real world" versions of beloved Adventure Time characters (e.g., "Queen" [Queen of Ooo], "Ellis P." [Lumpy Space Prince], "Gary Prince" [Prince Gumball]). Perhaps I am biased as a Marceline fan, but hands-down the best of the gender-bent bunch is Marshall Lee, played once again by the uber-talented and oh-so-witty Donald Glover. (That said, Pen Ward's oddball hobo-vet character, "Ellis P.," is a close second.)

Regardless of any narrative weirdness, I applaud Muto et al. for approaching this Fionna and Cake storyline from a different angle. It would have been very, very easy to simply drop us back into the genderbent world that we have already visited in the main series. This, honestly, is what I was expecting the series to do. Instead, the writers decided to introduce versions of Fionna and Cake that feel more like they are from our world. This makes them solid audience surrogates. Over the course of the episode, I came to see Fionna as a character in and of herself, not just as a female version of Finn. Likewise, Cake felt less like "feline Jake," and more like a goofy house cat (albeit one that has a case of the Zoomies from Hell). "Fionna Campbell," in a word, gives Fionna and Cake a chance to become their own people before throwing them into the wider world of Ooo.

Airdate: August 31, 2023

Story by: Anthony Burch, Adam Muto, Hanna K. Nyström, Jack Pendarvis, Kate Tsang

Storyboarded by: Iggy Craig, Graham Falk, Jim Campbell, Lucyola Langi

Directed by: Steve Wolfhard (supervising), Hans Tseng (art)

After the purposefully abrupt ending to "Fionna Campbell," we are suddenly thrown head first back into the familiar Land of Ooo with "Simon Petrikov."

This episode picks up several years after the main series. Simon is now living a, shall we say, "unorthodox life in a museum-like facility, where he is treated as a relic of the past. He has lost his sense of purpose and direction, and he struggles with loneliness and boredom. Simon, in a word, is depressed. It does not help matters that people keep asking him about "his" Fionna and Cake novels--novels that he repeatedly emphasizes Ice King wrote. Alas, it is no use, and so Simon goes to the tavern owned by Dirt Beer Guy (A+ cameo) to drink his sorrows away. It is here that he runs into a 20-something Finn in all his himbo glory. Finn sees that Simon isn't doing well and insists that he must go on an adventure to reclaim his joie de vivre. Simon reluctantly follows Finn into the most primordial corner of Ooo, where the two are nearly killed multiple times.

At the end of the episode, Simon returns to his museum-home feeling just as bad as he did before. After sneaking off into his closet, we learn that his depression has driven him to create a shrine to GOLB; using the demoniac power of Evil Choose Goose, he subsequently attempts to summon the deity, presumably to reconnect with Betty. But, just like the best laid plans of mice and men, Simon's scheme fails to summon any eldritch abominations, but it does open up the portal we saw at the end of "Fionna Campbell." And out from this portal pops Cake the Cat!

The episode immediately shifts to Prismo's time room, where we see an alarm on the wish-master's remote begin to blink ominously…

Wow, what an episode!

I appreciate the focus "Simon Petrikov" places on depression and the struggle against nihilism. Simon, after all, is a man thrust into a new world. Everything he used to strive for is gone. Even the madness that took his old world away from him is gone. This might sound like a good thing, but interestingly, it seems to have had a deleterious effect on Simon’s psyche: Previously, when Simon was metaphorically locked within the recesses of Ice King's mind, he had something to strive for: He could overcome the crown’s curse and regain his sanity. And then he did! Thus, Ice King ended and Simon was back. But alas, his arrival occurred at the literal end of the story. The big bad was gone. The goal had been reached. All that was left was the ride into the sunset. But Simon could not do that, because even though he regained his sanity, it ultimately cost him his love, Betty.

I won't lie: I found Simon's story to be deeply relatable. For those who don't know, I recently earned my PhD. It was a long, uphill battle, and after I earned that degree… I didn't know what to do. In truth, I still don't know what to do. I have been a student almost my entire life, and now the rest of that life lays out in front of me. I achieved what I originally wanted; it is time to figure out what I currently want. Honestly, it has been an occasionally gloomy time, and I won't lie, I have struggled quite a bit with depression these last few months just trying to figure everything out. In doing so, I have realized just how much of my life I have sunk into my degree. It has been a bit disheartening to realize that while I have a doctorate, but it cost me the entirety of my 20s to get it. So yes, while I did not lose the love of my life to an eldritch demon-god, I still empathize with Simon's listlessness and his existential angst. (As an aside, post-PhD depression is very a real thing, y'all!)

When you have gained what you thought you wanted and lost that which was really important, what do you do? Of course, it is easy to simply collapse in despair. This is capitulation to vulgar nihilism, and it is something that I have struggled with ("Why even bother doing anything..."). At the start of "Simon Petrikov," the titular character is very close to this collapse, too. Indeed, Simon starts off in a dark place, but paradoxically, this darkness holds the seeds that can grow into a life-changing journey. After all, when we are at our lowest, the only (productive) way to go is up. Put most simply, Finn was actually right: Simon needs an adventure to reignite within him that sense of drive and purpose. But the catch here is that that adventure needs to be meaningful to Simon. It needs to spark something unique within his soul. The bizarro arrival of Cake may thus be exactly what he needs. Cake is not just a mystery—she's a mystery that perhaps only Simon can solve, since it was Simon (or, at least a version of him) who dreamed her up in the first place!

Simon now has a purpose.

Purpose.

Once again, Adventure Time is reminding us of the importance of "purpose." Purpose, the show seems to be saying, is what gives meaning to our lives, what motivates us to overcome challenges, and what inspires us to contribute to society. Without purpose, we may feel lost, empty, or hopeless. What, then, is the show suggesting we do to gain this sense of purpose? It is hard to say, given that the miniseries isn't over, but my guess is that the show is emphasizing that while meaning can emerge from even the most chance of occurrences, it is not enough to just recognize these coincidences. Instead, we have to seize them, embrace them, and make them our own. We have to act on our purpose, and not let it slip away. At the end of "Simon Petrikov," Simon is put in this exact spot, and while he might show some reluctance to seize the moment, something tells me that he'll eventually act in a major way.

Am I on the right track? I guess we'll have to wait a few weeks to find out!

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When news about the series first started to leak, I remember there was a lot of hubbub about its more "adult" tone. I was a bit apprehensive when I heard this; part of what I love about Adventure Time is that it is capable of being scary and profound without having to stoop to the shock value of cheap swears and bloody violence. After seeing these episodes, my worries have mostly been put to rest. After all, most of the "swearing" is pretty mild, and it seems to be used rather judiciously. (That said, I did a double take when Cake told Fionna to "Puke [the bad guy] up"—I thought she said another "-uck" word!) On top of all that, it was often just funny! Queenie shrieking "Jesus!" when Fionna ripped her pants off was comedy gold, as was Finn's line about "bust[ing Simon's] balls" back in the day. I'm a bit more ambivalent when it comes to the gorier elements (e.g., Finn killing that mudskipper in a bloody splatter), but that's largely because it feels a bit incongruous with the lighthearted Land of Ooo that we know. Adventure Time was often violent, this is true, but it was rarely gory. That said, the violence in these episodes is not over the top—this isn't Superjail! or anything—and I hope the show continues to maintain that nice balance. Right now, everything mostly feels "right."

All in all, these were solid episodes. In addition to all the positives that I outlined above, there were a variety of other things that made me smile. I'm quite happy that the show is returning to the multiverse lore, as I always felt that was a story thread that the show never explored to the fullest. The various cameos were also delightful (I had a lot of fun guessing who all the gender-bent normies were supposed to be representative of), and I loved the little post-Mushroom War Simon & Marcy moment. And of course, hearing Marceline say that someone is "pissed" is something that I didn't know I needed to hear!

I cannot wait to see what the series has in store for Simon, Fionna, and Cake.

Final "Fionna Campbell" Grade: B

Final "Simon Petrikov" Grade: A

#adventure time #atimers #fionna and cake #fionna campbell #simon petrikov #marceline the vampire queen #princess bubblegum #finn the human #cake the cat #fionna the human #review #miniseries

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