babyanderson · 1 year ago
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this is sucky and long and i didn’t know how to end it :(
abby was out on a mission, leaving you alone for the day. the only way of contacting her was a walkie-talkie placed next to you on your shared bed. you remember her saying something about it being for “emergencies only”, you’re not sure if this was an emergency. fog fills your mind more by the second and the joyful feeling in your tummy becomes almost too much as you lean back against abby’s pillow, reaching for the walkie-talkie and whispering into it. “mama..mama…mama hear me?” you giggle, moving to lay on your stomach, kicking your fuzzy sock clad feet in the air. you gasp as you hear your mama’s voice, a bit fuzzy because of the distance.
“i hear you, baby. you okay?” she says back, you can hear the smile in her voice, which made you smile at the device in your hand.
“i good, mama! i jus’ thinkin ‘bout mama n when mama gonna be back?” you giggle softly, now fidgeting to lay on your back, fiddling with the hem line of abby’s your shirt.
“good. thinking about you too, sweetie. i’ll be back soon, okay? pinky promise. gotta go though, angel. gonna be okay?” you can hear manny shout something in the distance, he says the “f word”, which makes you gasp. you pout at her words and sigh.
“okay, mama. i be okay, mama, i been drawin’! an’ playin’ with alice with mel, too, mama-*yawn*,”you say dreamily into it as you hear abby giggle into her walkie talkie.
“that’s amazing, baby. can’t wait to see your drawings! nap time now, though, okay? i’ll be back when you wake up, promise,” abby replies. you both say your goodbyes and you get tucked into your bed, slowly drifting off.
you wake up to a soft shake on your shoulder, blinking up at the blonde next to you.
“mama!” you exclaim, climbing into abby’s lap. she wraps her arms around your waist, hugging you gently.
“hi, sweetheart. missed you so much,” you hug her back tighter, quickly jumping off her lap to grab your drawings, showing them to abby proudly.
“mama, look. this one me an’ you, this one me an’ you an’ alice an’ this one me with purple hair,” she giggles once more and pulls you back into her lap, kissing your forehead, letting you talk about your day some more.
“love you, mama,” you place a kiss on abby’s cheek, smiling widely up at her.
“love you most, baby,” she replies, laying down on your bed, your head resting on her chest as your breathing syncs with hers, feeling your eyes get heavy as you drift back off together.
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bunniesnuggie · 2 years ago
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*•°Character List°•*
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Who I write for, please remember writing is just hobby, I only write for characters I like too!! I have a rules list here! pls note all my work is little!reader only!!! also i will do fem caregivers i just can’t think of many rn :3
The Last of Us (video game)
♡ Abby Anderson
♡ Ellie Williams
Stranger Things
♡ Eddie Munson
♡ Robin Buckley
♡ Jim Hopper (the daddy issues are real🫣)
Scream
♡ Ethan Landry
♡ Amber Freeman
(all will be non-ghost-face au unless specified)
Outerbanks
♡ JJ Maybank
Marvel
♡ Bucky Barnes (Sebastian Stan too)
♡ Natasha Romanoff
♡ Valkyrie
♡ Gamorra
♡ Wanda Maximoff
♡ Pietro Maximoff (ATJ version)
♡ Peter Parker (andrew and tom)
(i headcanon toms peter to be a little so i will write him both as a little and cg, if requested he can be either one or a flip! but still only x little! reader, so they’d be little friends/siblings when he’s regressed :3 )
Harry Potter
(I’m 20 so i imagine them all aged up to be in their 20s)
♡ James Potter
♡ Remus Lupin
♡ Siris Black
Miscellaneous
♡ Corky (Bound)
♡ Hazel Callahan (Bottoms)
♡ Sandy Milkovich (Shameless)
♡ Shane McCutcheon (The L Word)
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this was all i could think of right now, but i’ll add more to it as time goes on💕☺️
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weekendwarriorblog · 4 years ago
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The Weekend Warrior 4/23/21: MORTAL KOMBAT, DEMON SLAYER, TOGETHER TOGETHER, STREET GANG, SISTERS WITH TRANSISTORS
Ugh. Trying to maintain this column as a weekly entity during the final few weeks of the longest Oscar season ever has been really hard, and I’m not sure that will change once the Oscars are over either, because I look at the number of movies being released both theatrically and streaming over the next few weeks, and it makes my head hurt. Sorry for the kvetching, it just is what it is.
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There are two big theatrical releases this weekend, Warner Bros’ MORTAL KOMBAT and DEMON SLAYER THE MOVIE: MUGEN TRAIN from FUNImation Entertainment, both which have already been released internationally. I also probably won’t be able to watch or review either before this column gets posted.
Mortal Kombat seems like the easiest sell being that it’s based on the popular Midway Games video game franchise introduced in the early ‘90s that led to a series of films, books, comics and you name it. It was a very popular fighting game that had over a dozen iterations including one in which MK characters fought against DC superheroes.
The very first Mortal Kombat movies opened in 1995, right amidst MK-mania, and it was directed by one Paul W.S. Anderson, his very first movie in a long line of video game-related movies, including a number of Resident Evil and the recent Monster Hunter. There are a lot of people who love those games, and yes, even people who love that and other movies, but to others, who may have been too old to get into the games when they came out, the whole thing about different fighters fighting each other just looks kind of studio. Even though I’m interested to see what producer James Wan brings to this reboot, I just don’t have much interest otherwise.
Unfortunately, and this is pretty daunting, Warner Bros. wasn’t sending out screeners to critics until Wednesday with a review embargo for Thursday night at 7pm, which is never a good sign, and yet, it continues Warner Bros. continuing the trend of being one of the only studios that screeners EVERY movie to film critics rather than just making them pay to see it on Thursday night or Friday. I hope to watch it and maybe add something Thursday night, time-permitting. Not sure you heard but the Oscars are Sunday.
As far as box office, Mortal Kombat opens on Friday but also premieres on HBO Max, and I’m not sure there will be as much urge to see MK on the largest screen possible, as there was with Godzilla vs. Kong. Because of that, I think the cap for this one over the three-day weekend is about $10 million but not much more and probably more frontloaded to Friday than we’ve seen in some time.
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Mini-Review: As you can imagine from my statement above, I don’t hold the Mortal Kombat games or other iterations in any particular high esteem, so I’m basically jumping into this movie, directed by Simon McQuoid, just as a movie and not necessarily as a video game movie.
It starts off promising enough like a samurai movie with a flashback where we watch Hiroyuki Sanada’s hero sees his wife and son be killed by Joe Taslim’s character that will later become Sub-Zero. The general principle seems to be that there’s a world where people from other worlds fight each other to gain complete control. The hero is Lewis Tan’s MMA fighter Cole Young, presumably a popular character from the game? He is also soon attacked by Sub-Zero presumably because he’s marked with a dragon tattoo that deems him a champion of these fights, but he needs to find someone named Sonya Blade (Jessica McNamee) to help him get to the “Mortal Kombat.” At the same time, he meets the movie’s most entertaining character, Kane,
played by Australian actor Josh Lawson, mainly because he swears constantly and cracks wise -- he’s a bit like Wolverine, actually, and he’s actually the best part of the movie.
Otherwise, everyone and everything is always so deadly serious that everyone else we meet just doesn’t have much impact, because frankly, none of these names or characters mean jack shit to me. Sure, some of them sound vaguely familiar but I was more interested in the great Asian actors who turn up including Tadanobu Asano’s Lord Raiden, who is gonna claim Earth if its champions lose at Mortal Kombat. And Sub-Zero basically just shows up and tries to kill everyone.
As with far too many action movies, the action itself is great, the writing and acting not so much.
As it goes along, things become more epic and fantasy-driven but that also makes the dialogue seem even worse. Similarly, the fight choreography is pretty great, but the movie still leans way too heavily on visual FX to keep it more interesting for anyone not too interested in MMA… like myself. When all else fails, they can show off Sub-Zero’s cool ice powers every chance possible as well as the other’s powers, but some of them (like Lord Raiden) just made me think of this as a rip-off of the great Big Trouble in Little China.
The thing is I’m not a fan of the video game nor of MMA, so Mortal Kombat really doesn’t have much to offer me. The whole thing just seems very silly, just like almost everything from the ‘90s. (How’s THAT for a bad take?)
That said, I thought the final battle was great, and I enjoyed some of the gorier aspects of the fights, too, and it all leads to my favorite part, which is the three-way fight between Cole, Sub-Zero, and… actually I’m not sure if it’s a spoiler or not, but it’s a pretty cool fight that almost makes up for some of the dumber characters introduced earlier on. (LIke that guy with four arms. I know he’s a character in the games, but I didn’t even care enough to look up his name.)
It’s perfectly fine that they decided to go Rated R with the movie since most of the nostalgia for this movie and franchise will be towards older guys, but at times, the CG blood is so hinky it feels like the decision to go R-rated was made well after it was filmed.
Even though I went in with the lowest of expectations, I still found most of Mortal Kombat kinda trite and boring, maybe something I’d appreciate more as a teenager but not so much as a grown adult. But what do you expect for a movie based on a video game that’s just a bunch of “cool fights”?
Rating: 5.5/10
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And yet, Demon Slayer could be the surprise breakout of the weekend, considering the theatrical success FUNimation has had with theatrical releases of the My Hero Academia movies into theaters in 2018 and 2020, and the hugely successful Dragon Ball Super: Brolly, which grossed $31 million domestically after a surprise $20.2 million in its first five days in roughly 1,200 movies. In fact, it made $7 million its opening Wednesday in January 2019, and FUNimation is hoping that Demon Slayer will have a similar success by opening it for a single day (Thursday) in IMAX theaters before Mortal Kombat takes over on Friday.
Demon Slayer has already grossed $383.7 million internationally compared to Mortal Kombat’s $10.7 million, and you cannot ignore the huge popularity that anime has seen over the past few decades. In fact, a bunch of screenings for Demon Slayer in NYC have already sold out, although you have to bear in mind that these are 25% capacity theaters. Even so, I still think this can make $4 to 5 million on Thursday and another $7 to 8 million over the weekend, depending on the number of theaters. Yes, it will be quite frontloaded, and I’m not sure what the cap is on theaters and how that will affect how it does over the weekend, but expect a big Thursday and a more moderate weekend but one that might give both Mortal Kombat and Godzilla vs. Kong a run for the top of the box office.
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Also hitting theaters before streaming on Netflix (on April 30) is THE MITCHELLS VS. THE MACHINES, the new animated movie produced by Chris Miller and Philip Lord, following their Oscar win for Spider-Man: Into the Spider-Verse. It’s a little weird to open a new animated movies, presumably in select theaters, when such a hugely anticipated animated movie like Demon Slayer is opening, but Netflix won’t
The movie itself is directed by Michael Rianda and Jeff Rowe, and it involves a family named the Mitchells, whose eldest daughter Katie (voiced by Abbi Jacobson) is leaving home for college, so her father (voiced by Danny McBride) decides that he’s going to drive her there and use it as the chance for a cross-country family trip. Meanwhile, it’s set up how the world becomes overrun with robots when a tech giant creates a new personal assistant.
I wasn’t sure whether I’d like this even though I’m generally a fan of all of Lord/Miller’s animated movies including both Cloudy with a Chance of Meatballs movies. It took me a little time to get into the family and the general premise. In some ways it reminded me of Edgar Wright’s The World’s End where it’s trying to merge these two disparate genres, but when they actually merge, it just doesn’t work as well as it may have seemed on paper. That worry is soon expunged, because Rianda finds ways to integrate the two ideas over time.
On the trip, the Mitchells run into their perfect family neighbors, the Poseys -- voiced by Krissy Teigen, John Legend and Charlyne Yi -- and you’d think they might be a bigger part of the movie then they actually are. I’m not sure I would have liked doing the family-vs.-family thing so soon after last year’s Croods movie, but I did love the dynamics of the Mitchells being a very relatable imperfect family with Danny McBride being particularly great voicing the family patriarch. It even has a really touching Pixar’s Up moment of Katie’s father watching old home movies of them together when she was younger.
In general, the filmmakers have assembled a pretty amazing voice cast that includes Conan O’Brien, Olivia Colman, Fred Armisen and Beck Bennett. Actually the weirdest voice choice is Katie’s younger brother Aaron, voiced by Rianda himself, and it sounds like a strange older man trying to be a kid, so it doesn’t work as well as others.
What I genuinely liked about Mitchells vs. the Machines is that it doesn’t go out of its way to talk down to overly sensitive kiddies or skimp on the action while also including elements that parents will enjoy as well, and to me, that’s the ideal of a family film.
While some might feel that The Mitchells vs. the Machines is fairly standard animated fare, it ends up being a fun cross between National Lampoon’s Vacation (cleaned up for the kiddies) with Will Smith’s I, Robot, actually, and yet, it somehow does work. It’s a shame that it’s really not getting a theatrical release except to be awards-eligible.
Next, we have two really great movies I saw at Sundance this year and really enjoyed immensely…
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So as I mentioned, I first saw Nikole Beckwith’s TOGETHER TOGETHER (Bleecker Street), starring Ed Helms and Patti Harrison, at Sundance, and it was one of my favorite movies there with Helms playing a middle-aged single guy named Matt, who hires the much-younger Anna (Harrison) to be his surrogate, because he wants a baby. It’s a tough relationship thrown together due to each of their respective necessities.
Part of what drives the movie is how different Matt and Anna are, him being quite inappropriate with his suggestions and requests but not really having a working knowledge of female anatomy, pregnancy, delivery etc, but being really eager to raise a child and having the money that Anna clearly does not.
While I was familiar with Helms from The Office, The Hangover, etc. I really didn’t know Patti Harrison at all. Apparently, she’s a stand-up comic who hasn’t done a ton of acting, comedic or otherwise. That’s pretty amazing when you watch this movie and see her dry sardonic wit playing well against Helms’ generally lovable doofus. What I also didn’t realize and frankly, I don’t really see this as something even worth mentioning, is that she’s a trans woman playing a clearly CIS part, and she kills it. I certainly wouldn’t have known nor did it really affect my enjoyment of the movie, yet it still seems like such a brave statement on the part of the director and Harrison herself. The thing is that Harrison isn't just a terrific actress in her own right, but she brings out aspects of Helms that I never thought I would ever possibly see. (If it isn't obvious, I'm not the biggest fan of Helms.)
The movie has a great sense of humor, as it gets the most out of this awkward duo and then throws so many great supporting actors into the cast around them that it’s almost impossible not to enjoy the laughs. There’s the testy Sonogram tech, played by Sufe Bradshaw from Veep, who tries to maintain her composure and bite her tongue, but you can tell she’s having none of it. Others who show up, including Tig Notero, Norah Dunn and Fred Melamed. Just when you least expect it, Anna Conkle from Pen15, shows up as one of those delivery gurus that make the two of them feel even more awkward.
What’s nice is that this never turns into the typical meet cute rom-com that some might be expecting, as Beckwith’s film is more about friendship and companionship and being there for another, and the lack of that romantic spark even as chemistry develops between them is what makes this film so enjoyably unique. Beckwith’s sense of humor combined with her dynamic duo stars makes Together Together the best comedy about pregnancy probably since Knocked Up.
Another great Sundance movie and actually one of my two favorite recent documentaries AND one of the best movies I’ve seen this year is… you know what? I haven’t done this for a while so this is this week’s “CHOSEN ONE”!! (Fanfare)
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(Photo courtesy: Robert Fuhring/Courtesy Sesame Workshop)
Marilyn (Mad Hot Ballroom) Agrilo’s STREET GANG: HOW WE GOT TO SESAME STREET (Screen Media/HBO Documentaries) is a fantastic doc about the long-running and popular PBS kids show that’s every bit as good as Morgan Neville’s Mr. Rogers doc, Won’t You Be My Neighbor? Which was robbed of an Oscar nomination a few years back.
Let me make something clear on the day I’m writing this, April 21, 2021, that this is my favorite movie of the year, the only one I’ve already given a 10/10, and the end of the year might come around, and I have a feeling it will still be my #1.
You see, I was raised a Sesame Street kid. It’s not like I didn’t read or play outside or not get the attention of my parents or family, but there was so much of my happy, young life that I could attribute to my time watching Sesame Street, and when you watch Marily Agrilo’s amazing doc, it all comes rushing back. There is stuff in this movie that I haven’t seen in maybe 50 years but that I clearly remember laughing at, and there’s stuff that got into the mind of a young Ed that influenced my love of humor and music and just outright insanity. Sure, I loved The Muppet Show, too, but it was a different experience, so to watch a movie about the show with all sorts of stuff I had never seen or knew, that’s what makes Street Gang such a brilliant documentary, and easily one of the best we’ll see this year. Of that I have no doubt.
From the very origins of the show with Joan Cooney developing a show that will be entertaining and educational to the kids being plopped down in front of the TV in the ‘60s and ‘70s, so they can learn something, it’s just 1:46 of straight-up wonderment.
Besides getting to see a lot of the beloved actors/characters from the show and many of the surviving players like Carol Spinney aka Big Bird/Oscar, you can see how this show tried to create something that wasn’t just constantly advertising to young minds.
More than anything, the show is a love letter to the bromance between Jim Henson and Frank Oz, and you get to see so many of their bits and outtakes that make their Muppets like Burt and Ernie and Grover and, of course, Kermit, so beloved by kids that even cynical adults like myself would revert childhood just thinking about them. Then on top of that there’s the wonderful music and songs of Christopher Cerf and Joe Raposo and others, songs that would permeate the mainstream populace and be remembered for decades.
The movie is just a tribute to the joy of childhood and learning to love and sing and dance and just have fun and not worry about the world. I’m not sure if kids these days have anything like that.
It also gets quite sad, and I’m not embarrassed to say that in the sequence that covers the death of Mr. Hooper, I was outright bawling, and a few minutes later, when Jim Henson dies in 1990, I completely lost it. That’s how much this show meant to me and to so many people over the decades, and Brava to Ms. Agrilo for creating just the perfect document to everything that Sesame Street brought to so many people’s lives. This is easily the best documentary this year, and woe be to any Academy that doesn’t remember it at year’s end.
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The other fantastic doc out this week, though I actually got to see it last year, is Lisa Rovner’s SISTERS WITH TRANSISTORS (Metrograph Pictures), which will play at the Metrograph, both on demand and part of its Digital Live Screenings (available to join for just $5 a month!). This is an endlessly fascinating doc that looks at the women of electronic music and the early days of synthesizers and synthesis and some of the female pioneers. It’s narrated by Laurie Anderson, which couldn’t be the more perfect combination.
The movie covers the likes of Suzanne Cianni; Forbidden Planet composers Louis and Bebe Barron, who created the first all-electronic score for that movie; the amazing Wendy Carlos, who electronically scored one of my favorite movies of all time, Kubrick’s A Clockwork Orange; Delia Derbyshire, who was also the subject of Caroline Catz’s short, Delia Derbyshire: The Myths and Legendary Tapes, which tragically, I missed when it premiered at the SXSW Film Festival in March. Derbyshire was also famous for creating the iconic theme to “Doctor Who” while working at the BBC Radiophonic Workshop in the '60s. Others who appear in the movie, either via archival footage or more recent interviews are Pauline Oliveros and Laurie Spiegel, who I was less familiar with.
The point is that as someone who was a fantastic for electronic music and synthesizers from a very early age and for someone who feels he’s very familiar with all angles of music, I learned a lot from watching Rovner’s film, and I enjoyed it just as much a second time, because the footage assembled proves what amazing work these women were doing and rarely if ever getting the credit for what they brought to electronic music, something that still resonates with the kids today who love things like EDM.
An endlessly fascinating film with so much great music and footage, Sisters with Transistors can be watched exclusively through the Metrograph’s Live Screening series, so don’t miss it!
Hitting Shudder this week is Chris Baugh’s BOYS FROM COUNTY HELL (Shudder), which I didn’t get a chance to watch before writing this week’s column, but Shudder in general has been knocking it out of the park with the amazing horror movies it’s been releasing on a weekly basis. This one involves a quarelling father and son on a road who must survive the night when they awaken an ancient Irish vampire.
Also hitting theaters and streamers and digital this week:
THE MARIJUANA CONSPIRACY (Samuel Goldwyn Films)
MY WONDERFUL WANDA (Zeitgeist Films)
WET SEASON (Strand Releasing)
CRESTONE (Utopia)
VANQUISH (Lionsgate)
BLOODTHIRSTY (Brainstorm)
SASQUATCH (Hulu)
SHADOW AND BONE (Netflix)
And that wraps up this week. Next week? No idea… I know there’s stuff coming out but I probably won’t think about it until after THE OSCARS!!!! On Sunday.
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str9led · 6 years ago
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Lexus RX - Attention - edited by Victor Jory from Victor Jory on Vimeo.
Mill+ Director Andrew Proctor joined forces again with Team One. Tasked with creating a film that separates the Lexus RX from the competition, the Mill+ team generated CG billboards around the practically shot city of Chicago to bring the newest vehicle in the Lexus’ line up into the spotlight.
Agency Agency: Team One Account Executive: Hannah Deverich Creative Director/Art Director: Philipp Dietz Senior Producer: Amy Gershwin Chief Creative Officer: Chris Graves Creative Director/Copywriter: Jon King Account Supervisor: Kellen Laker Project Manager: Claire Lynch President: Julie Michael Business Affairs Manager: Jessica Solorzano Group Creative Director: Jason Stinsmuehlen Executive Producer: Sam Walsh Product Insights Manager: Jeremy Wenninger Associate Producer: Emily Wold
Production Production: Mill+ Director: Andrew Proctor Executive Producer: Pete King Senior Producer: Brittany Gauran Line Producer: Gabriel Blanco Production Coordinator: Matthew Fulton Director of Photography: Pete Konczal Senior Producer: Jay Kelman Shoot Supervisors: Jay Bandlish and Andrew Pellicer Editorial Editorial: The Mill Editor: Victor Jory Edit Assist: Ryan Burbank, Joshua Sneider VFX Production VFX Production: The Mill Asset and Tracking Producer: R Anuraj Asset Coordinator: Noan Vinod VFX Creative VFX Creative: The Mill 2D Lead Artist: Martin Karlsson 3D Lead Artist: Monique Espinoza Tracking Lead: Murali Krishna Reddy Tracking Supervisor: Balasundaram Senthil Murugan Asset Supervisor: Anish Mohan 2D Artists: Dylan Streiff, Roxy Zuckerman, Stephen Paragone, Abby Riegel, Nitin Babu, Prajeesh E, Rahul Bhardwaj, Subodh Kumar 3D Artists: Ravikumar Singapur, Ramki T, Sudhir Verma, Venugopal A, Abhishek Kumar, Gokul Navaneethan, Jadheer T P, Leela Shanker, Upasana Choudhary Animation: Dave Rogers, Patrick Kipper, Duk Chung Design: Dave Rogers, Eunhae Yoo Art Department: Bradley Rhone, Kevin Diaz
Colour Colour: The Mill Colourist: Gregory Reese Executive Producer, Colour: Linda Jackson Colour Producer: Diane Valera Production Coordinator, Colour: Jessica Amburguey Colour Assist: Gemma Parr, Zack Wilpon, Logan Highlen Music and Sound Music and Sound Design by: Human Senior Producer: Kamela Anderson Creative Lead and Sound Designer: Gareth Williams Composer: Ed Dunne Track Title: Night Shades Voice Over Recording Studio: Juice Studios Voiceover: Minnie Driver Sound Mixer: Bob Gremore
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babyanderson · 1 year ago
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mols’ masterlist 🎀
♡ abby
missin’ mama
scary movies
what did u get me??
poorly baby
christmas eve
♡ ellie
sheepies
bathtime
lego store
♡ ellie & dina
cookies
♡ ellie & abby
bad day
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babyanderson · 1 year ago
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scary movies
it’s a brisk september morning, and according to abby, it’s spooky season! she brings down all the blankets, pillows, stuffies and leans down over your sleeping body, placing a little kiss on your cheek.
“baby? gotta wake up now, sweetie,” she whispers, tucking your hair behind your ear. you blink a couple times, looking up at abby’s freckled face.
“hi, mama,” you sigh, sitting up with a scrunched nose. “what we doin’?” abby smiles down at you, kissing the top of your head. she had a feeling you’d wake up small. over the years you’ve been together, she sometimes realised before you did.
“gonna have a lazy, movie day, angel. sound good?” abby picks you up from under your arms, placing you on her hip, walking you both downstairs. you rub your eye with the back of your hand, trying to fight off the sleepiness.
“sounds good, mama. what we watchin’?” you say quietly into her neck, holding onto her shirt tightly. she shrugs and lays you down on the sofa, handing you the remote.
“want you to choose, baby. gonna make us some breakfast. pancakes? or waffles?”
“both, mama!” you giggle up at her, still rubbing at your eyes.
“both? you’re sure? you’re really really sure?” abby giggles back. you nod quickly, and she kisses your forehead again, nodding back at you.
“of course, little angel. pancakes, waffles, whipped cream, sprinkles, the whole lot, yeah?” you nod even quicker and she walks into the kitchen, leaving you to decide on a movie.
as she walks back in, plates and a bottle of milk in hand, he looks up at the tv and stops in her tracks. the blue haired girl in front of the big pink house caught her by surprise. coraline.
“sweetie, sure you wanna watch this? know it scares you when you’re small..” she sits down next to you, handing you your plate.
“‘know, mama! but like it!” you exclaim, giggling softly. abby shakes her head, still smiling.
“whatever you say, baby.”
45 minutes later, empty plates on the coffee table in front of you, you were hidden in her chest, having abby cover your ears.
“it’s okay, baby! want me to turn it off?” she whispers, biting back a laugh. you shake your head, peeking out and whimpering when you see ‘the other mother’ on the screen, hiding back in her chest.
“mama..wan’ watch bob burgers ‘stead..” you whisper, nibbling on the nib of your bottle, looking up at abby.
“of course, baby. wanna watch a halloween episode?” she asks, eyes widening as you quickly pull away, nodding quickly, bottle still in your mouth.
halfway into the episode, your bottle is empty and your eyes feel heavy, and abby notices.
“wanna go to sleep, angel?” she whispers, running her hands through your hair gently. you hum softly, eyes closed. abby takes your bottle out of your mouth, replacing it with a pink paci, kissing your forehead once more.
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babyanderson · 1 year ago
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tinkin bout wearin mama abby's clothes!!!!! wanna put on her shirts and be all giggly while she says they r too big for her little girl <3
omg omg omg love this so much:((
wearing her shirts when she’s on patrol or when sleepin cause they smell like her n n so cosy n comfy!!!!!
omg omg omg n n n playing dress up!!! wearing her shirts n n her trousers n her shoes n n she braids ur hair so u look exactly like mama!!!!!
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babyanderson · 10 months ago
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hi! jus had a bad fight w my parents so wld love some fluff w abby &/or ellie comforting u with yummy food and stuffies :((( ty!
hi love! m sorry you had a fight with ur parents i know what it’s like :( but can talk to me about anything!! always!!! hope u love this <33
cgs!ellabs x little!reader
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settled down on the sofa, you flick through the endless shows and movies on netflix, fighting back tears threatening to spill from your eyes. you sniffle as someone catches your eye, walking into the room. ellie, followed by abby, walk in, their hands behind their backs. they both sit either side of you, facing you.
“hi, baby. whatcha doin’?” ellie asks, leaning in to place a kiss on your cheek. you lean back into abby’s chest, her arm wrapping around your waist.
“lookin’ for movie. what you got?” you ask, leaning up to look behind both of the girls. they gasp, hiding it even more, making you smile. you look up at abby, frowning.
“mama? mama tell me? please?” you ask more, your bottom lip stuck out. she shakes her head, kissing your forehead.
“know you’ve had a bad day, baby, so your mama and i wanted to make you feel a little better. wanna see what we got?” abby says, making you nod quickly. they both bring their hands in front of you, showing you what they got. abby holds a stuffed pink bunny in her hands and ellie holds boxes of muffins, cookies and a whole fruit salad consisting of strawberries, watermelon, grapes, mango - everything!!
your eyes widen as you tackle abby into a hug, then the same to ellie.
“woah- baby! careful! crazy girl,” ellie exclaims, kissing all over your face. you giggle, sitting back on abby’s lap, the bunny on your own.
“thank you, mama!” you kiss abby’s cheek.
“thank you, mama!” you kiss ellie’s cheek.
you sit back on the sofa, your bunny in your lap and your mamas by your sides, cuddled under your blankets.
“ooh! i love this episode!” ellie says as the fifth episode of your show came on.
“mama, you say that after every one! silly,” you giggle, leaning your head against abby’s shoulder. taking a cookie from the box, you hold it up to abby’s mouth. she takes a bite and then so do you.
“feeling any better, baby?” she asks as you nod, cuddling into her warm body.
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babyanderson · 11 months ago
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uh huh!!! cuz finkin bout askin abs what she get me for chrismas n she say i cant kno yet caus is not chrismas yet n n n nnnn wrapin presents for under da treeeee
thank u for the request!! i’m sorry it took so long to do this:(
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“mama,” you tap on abby’s arm softly, wanting her attention. she smirks, still facing forward towards the tv. you’re sat in between her legs on your shared bed, abby’s finger’s tracing shapes along your back.
“i know what you’re going to ask, baby. i’m not telling you. christmas is two days away. you can wait,” she smiles down at you, sighing as you whine into her chest. every day for the past month, you’ve been asking and asking abby about christmas. what did she get you? what did nora get you? what did mel get you? does abby want to know what you got her?
“but- please! won’ tell anyone!” you say, looking up at abby through your eyelashes. she shakes her head, picking you up to sit you on her lap. “i’m not telling you, baby, but, you can help me wrap everyone else’s presents, if you’d like,” she offers, making you snap your head up to look at her, nodding feverishly.
you’re both now sat in front of each other, on the floor of your bedroom, the presents piled up next to you. you hand abby the presents and she wraps them, it’s a good system.
“who’ this for, mama?” you ask, passing abby a squeaky chew toy. “this one is for alice. you like it?” you hum in agreement, leaning over to squeak it a couple times. you close your eyes and pick up the next present, opening your eyes to look at it. you wave the shark plushie up at abby, her nose in it’s mouth.
“hey!!! off my mama!!!” you gasp, dropping the shark.
“oopsies..” you whisper picking it back up. you gasp once more, feeling abby’s hands on your cheeks and her lips all around your face. you giggle loudly, wiggling on her lap.
“mama!! mama, stop!!! mama, i busy, no kissin’!” you exclaim, abby pulling away slightly. “but you’re my baby! cutest little baby!! my baby!!” she says back, kissing all over your face once more and you wriggle around in abby’s lap, hitting her chest lightly in a fit of giggles. she pulls away, looking at you seriously.
“okay, we gotta finish these presents now,” she says, looking over your shoulder to the mountain of presents that are yet to be wrapped. “mama, you the one that distractin’ us,” you laugh, reaching for another present to give to abby, now situated on her lap. “mama, sleepy. go to sleep? ‘s nap time?” you whisper, your eyes fluttering shut, leaning against abby’s chest. she leans down to whisper back to you. “can go to sleep if you want, baby. want me to put you back in bed?” you shake your head. “wan’ stay with mama.”
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babyanderson · 11 months ago
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this is extremely self indulgent as i’ve had the plague since last monday :( love u guys
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poorly baby
abby gasps as she steps into your bedroom, looking at your pale, sleeping face. you had mentioned that you weren’t feeling too great before, and she wanted to come check up on you. she sits down next to you, stroking your face gently. she places her palm on your forehead, frowning at the heat coming from your head. you flinch slightly at her touch, waking up.
“hi, my baby. how are you feeling?” she asks softly, watching you sit up. you shake your head, reaching for abby’s hand to hold in your lap. “not good, mama. my head hurtin’” you whisper, climbing into abby’s lap. she pouts down at you, kissing your forehead. “poor baby. you hungry? have you eaten at all?” she asks softly, you shake your head. “not hungry. jus’ want sleep,” you say, your head against abby’s chest. “you’re really warm, baby. stay here, okay? i’ll be back in a minute,” abby whispers back down at you. your eyebrows furrowed, you look up at her as she lays you back down against your pillows. “mama? where you goin’? no, have to stay here, mama,” your voice is hoarse and you finish your sentence with a cough. “just going to get you something, okay? won’t be long.”
minutes pass and you hear the familiar, heavy footsteps coming up the stairs, making you sit up quickly. abby enters the room, holding a mug and a plate of buttered toast. she hands them to you. “you eat these and drink this, baby, and i’m going to get changed and we can cuddle and watch all the movies you’d like, okay?” you nod and place the plate on your lap and the mug on your bedside table. half a slice gone, you pick up the mug, unsure of what’s inside. your nose scrunches in disgust as you take a sip. “mama? mama! mama, this ‘gusting!” you call out, wincing at the pain in your throat. abby rushes back in at your shouting. “what-what’s up, baby? you okay? hurting?” she says frantically, sitting next to the bed, placing her hand on your forehead, your back, your chest, searching for an up in your temperature or something that indicates you’re getting more unwell. you look up at her, your jaw clenched together. “what this? mama, it ‘gusting. poisoning me?” your eyes narrow as she sighs, her face falling into your lap. she comes back up, deadpan. “it’s tea, baby. need to drink it to make your throat better,” she says, defeated when you shake your head and place it back on your bedside table.
she climbs into bed with you, immediately pulling you into her chest. “what should we watch?” she asks, handing you the tv remote. “hmmm…tangled?” you put the movie on and lay back, your headache getting softer and quickly going away. abby always makes u feel better <333
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babyanderson · 11 months ago
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christmas eve
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cinnamon and apple fills the air of your shared living room as you place the final present under the tree. “all done!” you exclaim, lifting your arms up at abby. she picks you up, resting you on her hip. “well done, baby!” she says, pressing a kiss on your temple. you yawn softly, gently rubbing your eye with the back of your hand. “sleepy, baby?” abby asks, pouting as you nod and hide your face in the crook of her neck. “can’t be sleepy yet! still have things to do and things to put out for santa!” she tickles the side of your tummy, making you jump and wiggle in her hold. “mama! not even sleepy..” you whisper, cutting yourself off with another yawn. “yeah, okay, sleepy girl.”
“stand back, baby.” abby bends down to open the oven, getting out the tray of cookies you two had baked previously out of the oven. you swing your legs as you sit on top of the counter, taking sips of your warm milk. abby turns around, gasping. “hey! hands off, missy. that is for santa..” she says, pretending to be serious, making you giggle. “this is no laughing matter! can’t have my baby on the naughty list, can i?” that stops your giggles. “no, mama! i’m not on the naughty list, am i? want santa to get me a kitty..” you say worriedly, looking up at abby who now feels a little guilty. she shakes her head, picking you up. “no, baby. you’re the bestest little baby. my bestest little baby,” she says, kissing all over your face, making you giggle once more. “should we go get our pyjamas on? get ready for bed?” abby asks, taking you both into your bedroom to put on your new matching christmas pyjamas!! “look at you, baby! look so cute, come here,”she says lovingly, picking you back up and spinning you both around. “matchin’!” you exclaim, looking at both you and abby in the mirror.
abby places a plate next to your fireplace, and a glass of milk next to it. you put 3 cookies onto the plate before looking up at your mama. “i have a cookie, please, mama?” you ask gently, tugging on abby’s index and middle finger softly. she leads you to the kitchen, feeding you a cookie and filling up your bottle with milk. “ready for bed, baby?” she asks, placing a kiss on your forehead as you nod. when you’re in your bedroom, abby tucks you in, laying bedside you with two books in her hands. she asks you which one you’d like for your bedtime story. you choose ‘how the grinch stole christmas’, your favourite ever.
as abby reads the story, your eyes begin to feel heavy with sleep as your breathing matches with hers.
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