#ch: carmen

[mxrvelouscreations]

sender kisses receiver's inner thighs // Carmen @ Robin

Robin shuddered softly at the feeling, the skin where Carmen's lips met much more sensitive than she had imagined. Her gaze moved from where it had been locked on a spot on the ceiling down, catching sight of Carmen and smiling softly. "Sorry... I haven't done anything like this before... I wasn't sure if you wanted me to be quiet or.."

[butchcarmy]

Blood Orange (Ch 1: The Walk-In)

Carmy Berzatto x Reader (R18)

Rating: E (7.3k words)

links: fic playlist, pinterest board, ao3 link, ch 2

Summary: Losing your job is the worst thing to ever happen to you. Getting hired by Carmen Berzatto is a close second. You tell yourself that The Beef is only temporary, that it's just a replacement until you find something better. It doesn't work. You've stopped listening. You've had a taste of Carmy, and now you don't think you're ever gonna be able to let go. No matter how bad it gets. 

Content Tags: secret workplace relationship/sex, friends/coworkers with benefits, they/them afab reader, miscommunication, mental illness (carmy and reader), dom/sub dynamics, dom carmy (for now), enemies to friends to lovers (eventually), unhealthy coping mechanisms, dysfunctional relationship

A/N: It's finally here! New series! We even get sex in the first chapter! In my other fic, I'm taking care of Carmy. In this one, I'm making him worse. Of course, here's a disclaimer that I DON’T condone or intend to glorify any of this behavior. It's just compelling to write. Enjoy!

You return to The Beef for the first time in years when you're at your lowest.

The only upside to this abysmal situation is that the job was shitty. The job you just got laid off from, to be exact. Retail was never your passion, and there's a certain relief in knowing you don't have to go back to that windowless place. You didn't play an important role in the ecosystem, but it played a pretty crucial role in yours. It kept a roof over your head.

You're sure you could’ve sued them in some fashion for letting you go without any warning, any parachute, but you didn't have the luxury of time. You needed to figure out how you were going to pay rent, and fast.

After the rage boiled over (not to say that it's resolved, the residual anger's leveled into an even simmer), you pulled your hair back, found your cleanest, nicest outfit, and started your job search. With your updated resume in hand and scuffed sneakers on your feet, you've trekked all over Chicago looking for a new job. You weren't optimistic, nor were you hopeful. 

You suppose the only word you could use to describe yourself was desperate, and it was a matter of finding someone that was just as desperate, if not more desperate than you. To put it politely, the odds of that were low. Very low. 

You got laid off that very morning. The rest of your afternoon has been spent walking from door to door to every establishment you could spot. By some cruel twist of fate, none of them were hiring. The ones that were hiring looked unenthusiastic, even adverse to taking your resume. 

“When would you be able to start?” Some of the workers asked. 

“Tomorrow,” was your desperately honest answer. 

“If all goes well, you'll hear from us in a week,” was their response. The unspoken was, of course, the fact that radio silence was more likely than an email or phone call. Places didn't even send rejection letters anymore. 

“Thanks for your time,” you'd say, bringing out a bright smile from a complete lack of reserves, and as soon as you turned around, your face would drop. 

Your hopes were low, nearly non-existent, but damn. Damn. It wasn't looking good for you.

That's why you enter The Beef. You vaguely remember visiting this place a couple years ago, back when you first moved to Chicago. The owner was…pretty nice, actually. You don't remember his name, but you remember having a pleasant conversation with him. Of course, there's nothing you can do if he doesn't have a job opening, but it wouldn't be bad to see a friendly face. Even if that face is from someone who's basically a stranger. 

The doorbell rings when you enter. It catches the attention of the man standing behind the counter, and with how his head jolts up, you'd think the bell functioned as an alarm instead. 

“Welcome,” he says. Your first impression, other than the fact that he seems very, very, tired, is that he's irritatingly attractive. If anything, the eyebags and the greased back waves only add to whatever the hell he's got going on. 

“Hi. Um…” You're briefly caught off guard by his biceps, but you catch yourself. “I was actually wondering if you guys were hiring.”

“We are,” he replies, and it's the best thing you've heard all day. He lights up like the spark of a lighter, bright and instantaneous. It doesn't shake the pervasive exhaustion that radiates off him, though. 

“Thank god,” you mutter, and you want to take it back (it's far too casual), but he cracks an amused smile that makes you want to dissolve like a pinch of salt in a sea of sauce. “Sorry. Do you mind if I talk to the owner? We met a while ago, and—”

“I'm the owner,” he interrupts, and any other words you had planned fall away.

“Sorry?” You repeat. “I swear it was this guy—he had short dark hair, I think—”

“Yeah, he left the place to me. Didn't want it anymore, so.” He shrugs. The light you just saw from him has fizzled away like the end of a sparkler, short-lived and ultimately disappointing. 

“Oh. Got it. Uh…” To your credit, you don't fumble for too long. You have a lot of questions, but you've got more pressing issues. You pluck out a resume from a file folder. “Here's my resume, then.”

He takes it from you, flips it to face him. He's quiet as his eyes lower down the page, and you wonder if it's going to be a guillotine or a pot of gold at the end of this. The only sounds in the entrance are the passing cars outside, the rickety air conditioning, and muffled chatter from the back. 

“You worked as a prep cook.” He says it like a fact, but you know it's a question. 

“Yeah, nothing fancy. Just at some chain restaurants.”

“Right. I see you worked as a line cook at another location. Which one did you prefer?”

“Uh…” They both came with their separate pains. Your honest answer is that being a line cook was one of the most stressful experiences of your life, but if he has a position open as a line cook, you don't want to fuck it up. “They were both fine. I think I was a little better as a prep cook, but I didn't mind either.”

He hums, satisfied by your answer. At least it’s only half of a lie.                                                                                                                    

“How do you work under pressure?”

“Good,” you answer quickly. “Well enough.”

“Willing to learn?”

“Obviously. I mean…” You think you see a flash of a smile, but you're unsure. “Yeah.”

“When'd you be able to start?” You're surprised he's already asking this.

“Tomorrow,” you say, just like you’ve been, and his reaction is different from the others. He nods. He doesn't smile, not like he did earlier, but you can tell this is a good sign. 

Before he can get a word out, there's a sharp, metallic explosion of noises that resounds from the direction of the kitchen. 

“Uh,” he starts, eyebrows pinched in irritation, the voices come in. 

“I told you, you have to say behind!” A woman's voice. She sounds young, but there's no real way to be sure of that.

“How the hell did you not hear me coming?” A Chicago accent, male. Older, maybe. “I was in the middle of having a conversation with Tina—”

“Great, I'm so happy for you, I don't give a shit, now this has all went to waste—”

“Well, who's fault is that?”

“Who's fault is that? You did not just—”

“Guys!” The man you've been talking to gives you an apologetic glance before walking to the back, pushing through the folding doors. You catch a glimpse of the two people arguing on the other side before it shuts. “I'm tryin’ to talk to a new hire here. We can't be like this right now. Not ever, but especially right now.”

Finally, the first sane person I've met all day, you think. 

“Carmy, talk some sense into her,” the older guy shouts, and it gives you a name to the face. “All of this on the floor—”

“You didn't say behind,” the woman repeats, except with more fury in it this time.

“You didn't say behind,” he imitates back. “Carmy—”

“She’s right. Richie, step out,” Carmy says. “Syd, you clean this up.”

“But—” You hear her start to protest. 

“You spilled it, you clean it,” he cuts through, decisive and firm.

“I know, but Richie—”

“Clean it,” he repeats, firmer, darker this time, and there's a beat of silence. 

“...Yes, chef.”

“I told you to step out,” Carmy tells who you assume is Richie. 

“You're just gonna let her—”

“Step the fuck outside right fucking now!” Carmy screams, his patience shooting away like a gunshot. You feel something shrivel inside you, and not in a good way. “Do the one fucking thing you're good at and get out of the fucking way!”

Yeah…definitely not in a good way.

From what you hear, it sounds like Richie has to get wrestled outside by someone, whom you're not sure. After another minute, Carmy returns to the front. 

“I'm sorry about that. Fucking—” He drags a hand across his face. You swear his eyebags have grown heavier in the 5 minutes he was in the kitchen. “What was I saying?”

“Um, I was saying that I could start tomorrow,” you remind him, although the vigor you had just stated it with is a bit fizzled out. 

“Right. Okay. Uh—” He pats his hands on his apron, searching for something. A pen and paper appear in his hands, and he scribbles something on it. This is when you notice his tattoos. A flower on the back of his hand. Surprising. “You're hired. Here's the paperwork you need to fill out, along with the number and email you'll be hearing from me at.”

“What?” You take the sheets, but the smooth paper doesn't feel real in your hands. His handwriting is hasty and dark, like he was running out of time on a test. “I mean, I'm just surprised.”

“Do you not want it?”

“I want it,” you promise, and you feel your cheeks flush. This is a bad time to yet again notice how attractive he is. His pretty eyes, his nose. The little moles under his left eye. “Y-Yeah, I want the job.”

“Good.” He motions towards the sticky note again. “Come in at 8 am tomorrow. You'll be starting as a prep cook, which you've done before.”

“Okay. Okay, yeah, I'll be there.” The reality is setting in now, and an odd cocktail of relief, apprehension, and excitement is settling in your stomach. “Thank you so much.” I just got laid off from my job this morning, so this means a lot, you want to say, but it's too soon. You don't want to say anything that'll make him change his mind about whatever he sees in you. 

“Thank you,” he echoes back. “We need the help. I'll see you tomorrow.”

“See you,” you reply, and with that, the door rings behind you. A customer comes up to the counter, peering up at the menu. You figure this is your cue to leave. He's not looking at you anymore anyway. 

So, I got a job now, you update your friends, texting them on your way home on the metro. As the relieved congratulations come flying in, another remark seems to resound amongst all of them. 

I can't believe you got the job just like that. That place must be desperate, too, is roughly what they've all said. The thing is, they're not wrong. 

You managed to find someone more desperate than you in the job economy. Just one, but that was enough. It makes you think, though. You think about Carmy's weary blue eyes, his brief smile, and his hand tattoos. You wonder if it's just the restaurant that gives him that bone-deep exhaustion, or if it's a smaller part of a bigger picture. 

You think about it for the rest of your commute, you think about it as you smoke on the porch, you think about it as you lay in bed. You think about it as you fill out the paperwork, fingers tracing where Carmy's written his name, number, and email.

Carmen Berzatto

773-555-0901

So Carmy's a nickname, you think. Not about what type of boss he's going to be, not about what it's going to be like working under someone you are obviously attracted to. 

Maybe you should be more worried about this.

If it's bad, I'll just find another job, you tell yourself, and you foolishly believe it.

. . . . .

Your first day on the job starts with introductions. 

At least, that's about as much as you've figured out so far. When he sees you upon arrival, he pauses and stares at you like he's forgotten. Not a great start. Granted, he does snap out of it. That's when he tells you to follow him, which is where you currently find yourself. You're not sure where he's leading to, only that he's introducing you to others as you pass them by.

“They’re working with us starting today,” Carmy tells everyone. “They’re gonna be on prep.”

Right. So that's what you'll be doing. At least he told you that much yesterday.

The catalog of coworkers expands exponentially. You remember Sydney from yesterday, and to her credit, she apologizes about having you witness her fight with Richie, who conveniently isn't here yet. She seems the nicest out of all the bunch, so you decide to let it slide. 

Marcus is pretty nice, too. So are Ebra, Sweeps, Manny, Angel—everyone seems to be pretty alright. It’s obvious they’re standoffish by you being in their space. You find it hard to hold it against them. You’re not really sure how your relationships with them are going to pan out. There are only three that you’re particularly unsure on.

The first and obvious one is Richie. He came in eventually and didn’t give you the best impression, immediately talking over everyone and oozing arrogance. The only salvageable thing is that he’s not even a chef. At least you won’t have to be in the kitchen with him much. You want to avoid the honor of talking to him as much as possible.

Tina is next. She clearly doesn’t enjoy having someone new in the ecosystem, and she’s spent more time ignoring you than talking with you. As you understand it, she’s close to the rest of the staff since they’ve all been together for a while. Minus you and Syd, as you learn she’s only been there for a week. You think Tina will warm up to you…eventually.

Carmy is the last one, and he’s…he’s…

He’s something else.

He has you doing prep for most of the day. After introducing you to everyone and giving you a brief tour, he brings you to your station, scratched up stainless steel.

“You’re going to be cutting onions and carrots today for the stock. The vegetables are in the walk-in I showed you earlier, and when it’s done, it goes on the first shelf.” Carmy’s to your right, set up at his own station. You swear you keep your eyes focused on the vegetables, not his biceps in that shirt, but… “You should already know this, but label everything. I don’t want to see anything without a date. Got it?”

“Yes, chef,” you confirm, snapping out of it. He’s been flinging new information at you like it’s a war and he’s gunning to survive. But so are you. “I’ll do my best.”

“I expect as such.” He slides over a peeler for the carrots and some plastic bins for trash. “It’s just a stock, so don’t worry about an even cut. Just salvage whatever you can, cut off anything that doesn’t look good.” You nod. “Been a year or so since you did this, right?”

“Yeah. I cook regularly, but I’ll need to get back into the groove of things. And I will,” you add hastily. “I’ll combine them into this one when I'm done, right?” You ask, nudging a large plastic container. 

“Correct.” A brief smile flashes across his face. “You're already following quicker than I thought you would.” You’re not sure if he means it as an insult or a compliment, so you decide to take it as the latter. 

“I haven't even chopped anything yet.”

“I know.” His expression is flat again. You resist a laugh.  He plucks an onion from the bin, puts it in front of you. “Show me a rough dice.”

The knife is sharp. You notice this as you place careful cuts into the onion. It's not quite as sharp as his unnerving gaze, which layers pressure upon pressure. It builds up like a pastry puff, thin multitudes of layers expanding upward. You need to be good. You need to be perfect. You don't want to disappoint him, not this early, even though you've barely been here for an hour. 

It's just a shitty old sandwich shop, you tell yourself, but your dicing is uneven and you briefly think about accidentally chopping your fingers off. 

“Not my best work,” you admit, vaguely breathless. Carmy hasn't said anything yet.

“It'll do.” You're waiting for him to say something else, give you some tips, but he doesn't. Irritation prickles to the tips of your fingers. “I'll be back to check in on you later.”

You stand there, motionless and shocked in the aftermath. You're not sure what you expected from today, but being abandoned an hour in was not at the top of your bucket list. 

Man, what the fuck, you think, the thought clear in the silence around you, and that's the last time you can hear yourself think for the rest of the shift. 

There's a prepared stock from yesterday simmering on the stove behind you. It's flanked by boiling potatoes and reducing tomato sauce. The heat from it’s searing your back like a steak, slowly drawing lines of moisture all over the surface of your shirt. Your coworkers constantly invade your space to check on them. You suppose it's not their fault that the kitchen, but it's still irritating. They're also all shouting over each other like it's a competition.

“Who the fuck touched my stock—”

“No one touched your stupid shitty stock—”

“I am trying to find this cutting board, will someone please—”

You move on from the onions with only a thin layer of sweat collected at your hairline. 

Your hands are shaky as they peel the carrots. You know you're not getting as efficient of a shave as you could be, but the caffeine crash from your morning coffee is getting to you. You don't remember the last time you drank water. A cigarette sounds nice. 

“Clean your station, chef.” Carmy materializes next to you. You hear him before you see his hands scooping carrot shavings into a plastic container. It shocks you so much that you almost cut yourself. 

“Sorry, chef,” you reply reflexively. You look down at your station, straightening your tools. You want to ask if you can take your break, but you don't want to look any weaker than you do already. “So, uh, do we get 30's here?”

When you don't get a response, your head snaps up, irritation on the tip of your tongue, but he's not even there. 

Fucking hell, you think, annoyance simmering into something akin to anger, and you go back to finishing your prep. 

You don't see him for another hour after that. It's not even him that tells you to take your 15, it's Syd, who noticed you were half-way through your shift and on the verge of…something. 

“You finished the prep he gave you, right?” Syd had asked. You told her you finished and put it back in the walk-in. “Yeah, then go take your break. Did he not tell you we get 15's here?”

“He didn't,” you say, too annoyed to bother hiding the disdain in your face. Sydney just sighs, rolling her eyes, and you think you love her. 

“Asshole.” She makes a shooing motion at you then. “Go, get a break from this madness. It'll get better, I promise.”

You're not sure if you believe her, but you do step outside to take your break. 

As you stand outside in the back, you take note of tightness in your body that you weren't even aware of. The cigarette smoke calms you, loosens you. Or maybe you owe that to getting out of that hot kitchen. 

This time, you see Carmy before you hear him. You turn to the door to see him stepping out, a pack of smokes in his hand. 

“Hey,” he says. 

“Hey,” you reply.

“Everythin’ goin’ okay so far?”

“Yeah. It's fine.” Other than everything.

“Really?” His surprise just pisses you off further. “Well, that's good.”

“...Yeah.” You decide if your mouth stays unoccupied, you'll start cussing him out, so you put your cigarette back in your mouth. 

“You're bleeding.”

“What?”

“I said, you're bleeding. Your hand.” 

You look down at your hand holding the cigarette, and sure enough, there's a thin, shallow cut oozing blood near one of your knuckles. 

“Shit,” you mutter, quickly sucking the skin into your mouth. When you pull it back, the red refills. “I didn't even notice.”

“Let's get a bandaid on that.” He puts his unlit cigarette back into his pack. “I have some in my office.”

That's how you end up in the enclosed, dark space of his office, seated on the only chair as he leans back against his cluttered desk. The dingy first-aid kit is propped on top of a shaky stack of papers. Carmy takes out a bandaid from it and peels it open.

“Thought I gave you a sharp knife, it shouldn't have cut you like that,” Carmy comments. 

“It was sharp,” you correct. “Guess I just fucked up.”

“It happens,” he says, which surprises you. He keeps surprising you. You just can't seem to figure him out. “Let me see the cut.”

You only realize that he's putting the bandaid on you when he cradles your hand in his. His hands are warm. 

He has so many hand tattoos. You notice the letters on his fingers first, the SOU curled around your palm. You notice the other tattoo on the back of his hand next, since that's the one carefully placing the bandaid on you. 

He wraps it around your finger just right. Not too tight, not too loose. 

“Is that too tight?” He asks, almost in a whisper. He's so close, and he smells like kitchen oil, cigarette smoke, and a faded cologne you can't place. 

“No, it's okay.” You don't mean to talk so quietly back, but you do. You can't stop staring at his fingers. They're long and marked up with silver scars and burns. If you look carefully, you can place the locations of his callouses. 

“Good.” You don’t know why he does it, but he runs his thumb across the seams of where your bandaid overlaps. Surely it’s just to secure it further…surely.

“Thank you.” He’s still holding your hand. You’re unsure if you’re imagining the tension in the air or not. Everything feels more intimate behind closed doors, especially in low light. “I could’ve done it myself.”

“It’s easier if another person does it.” He lets go, finally, and you try not to mourn the loss. “Did you finish prepping for the stock?”

“What you gave me, yeah.”

“Alright. Let’s go take a look at it, then,” he says, like that isn’t the most anxiety inducing thing you’ve ever heard. 

“R-Right now?”

“As opposed to?” He opens the door to his office, and the muffled noises in the kitchen become sharp and clear again, like emerging from underwater. “Come on.”

You don’t know how it happens, but Carmy gets into five separate arguments on the way to the walk-in. FIVE. To be fair, two of them are from Richie.

“I’ve been telling you guys to sharpen your knives, don’t fucking treat them like this,” Carmy shouts, trudging over to someone’s station. “You see this? This is exactly what we should not be doing! How many times have I said this today?! Don’t—“

“Stop going into my office when I’m not there,” Carmy hisses at Richie next. “You keep fucking up where the papers are put, and I can’t find anything! It’s enough of a mess as it is! No—I said—cousin, listen to me—“

“Everyone shut the hell up, clean your stations, and get the fuck back to work!” Is the last thing he shouts before slamming the door to the walk-in behind you. He slams it so hard the wire racks rattle. You decide not to comment. 

The difference in sound is eerie. You’re always surprised by how sound proof these walk-in fridges are.

“Is this the prep you did today?” Carmy asks, touching one of the clear plastic bins. Sure enough, it’s the one you placed there a moment ago.

“Yeah, it is.” You chew the inside of your cheek. You were hoping he would be in an okay mood when he checked your work. It seemed like he was at first, but now?

“It's on the wrong shelf.”

“What?” You stare at it sitting on the first shelf, just like he told you to. “You told me to put it on the first shelf.”

“It goes on the second shelf.” He's pissed, and there's ice in your veins. He huffs as he takes the container and moves it one shelf up, slamming it down unnecessarily. “I told you—second shelf.”

“You literally said it went on the first shelf.” The ice has melted, and it's boiling. 

“No, I didn't.” You wanna punch him. Badly. You know what you heard. “And you forgot to label it.”

“Shit.” That, you did forget. You’re not above owning up to your mistakes, unlike him. “I'm sorry, I was—”

“We always need stuff like this to be labeled,” he interrupts, rude and abrupt. You can hear the thinly veiled anger in his voice. “I told you.”

“I know, I just—“

“Don’t make excuses. Just do better.”

“It’s my first fucking day!” You snap, finally, and it’s like a firecracker in the dead of night. “I don’t expect to be coddled, but I’ve only been here for a couple hours, and you’re just—“

“I told you to put a label on it, to put it on the second shelf, and you didn’t do either of those things.” This is a different type of anger. It’s quiet, contained. Dangerous. And with your outburst, it’s trembling at the edges. 

“You literally hired me yesterday!” You’re exasperated. “You looked at my resume for like two seconds before hiring me, and you’re mad that I’m messing up?”

“You had enough credentials on your resume. You told me you could work well under pressure and learn quickly. Is that true or not?”

“It is true! You just have to give me a chance first!”

“I just gave you a chance,” Carmy snaps back, “and you fucked it up.”

“Oh my god. I just—“ You take a step back. “I don’t have to take this shit.”

“Are you quitting already?”

“I wasn’t going to.” You move towards the door. “But maybe I should, before you fire me. Doesn't seem like you want me, anyway.”

You were planning on exiting the walk-in after that, to leave on cue, but the door doesn’t budge. You and Carmy notice it at the same time. 

Suddenly, there is a new problem.

“Fuck,” Carmy curses under his breath. The two of you are pushing against the door, but it won’t budge. He slams his fist on it and calls out. “Guys, the walk-in door is stuck! Can any of you open it from out there?”

“Carmen?” Richie's voice is muffled from the other end. There's the sound of frustrated efforts on the other end. “It's not fuckin’ budging!”

“Fuck,” Carmy repeats, seething, and you agree. “Call Fak!”

“I already did! He’s gonna be here in 20!”

“20 minutes?!” Carmy shouts. You close your eyes and sigh, audibly. “Don't we have a screwdriver in here or something?! Just take the hinges off!”

“Why do you think I called Fak?! Shut the hell up and be patient!”

“Tell him to hurry the fuck up,” Carmy barks, and that's where their conversation ends. 

“Just what I needed right now,” you mutter under your breath. Carmy's not looking at you, eyes boring into the door that's trapping the both of you in here with each other. “To be locked in a room with you.”

It's quiet for a minute before he speaks, cutting the silence open.

“...I do want you, y'know.”

“You—huh?” He said it so quietly you're not sure if it was a hallucination. 

“We need you here.” He's still not looking at you. “This place—it's fucked.  We don't have enough hands.”

“I can tell,” you say, and you mean for it to come out bitter, but it's soft. Naively so. 

“I want you here. I do.” He doesn't need to say it like that. You don't want to believe it, neither his words or the way hearing it makes you feel. “I need you.”

“Can you at least look at me when you say it?” 

You’re not sure why you say it. You instantly recognize it for how needy it sounds, but you don't get the luxury of embarrassment. Carmy's already turning to face you. 

“I want you,” he repeats, voice low. You think about the paint you'd need to mix to match the color of his eyes. Blue, white, and the slightest bit of orange to desaturate it. You're not sure what type of orange, though. “I need you.”

“Fuck,” you mutter, despite yourself, and it's too late.

“Are you gonna do better?” You didn't even register him moving closer to you. When did your back end up against the shelves?

“I’m gonna do better,” you whisper, “if you stop being such an asshole.”

“It won't happen again,” he whispers back, and you recognize it for the lie that it is. 

You don't really care, though. 

His face is so close to yours that you can see the separate specks of colors in his iris. You watch his gaze fall from your eyes to your lips, and it lingers there before rising again. Any shreds of self respect or control you were clinging onto disintegrate. It doesn't matter if he really means what it says. All that matters is getting your mouth on his.  

“Okay,” you say, a whisper of foolish acceptance, and you're kissing him. 

Or is he kissing you? You don't know who leaned forward first. It's not important. 

“I saw you staring at my hands today,” Carmy says against your lips. Spit makes your mouths slide easily against each other. “Yesterday, too.”

“What the—no you didn't,” you gasp, appalled, heat rising in your face, “how did you—?”

“You're right. I didn't,” he admits with a cheeky grin. You’re really gonna punch him now. 

“God, you're just,” you mutter, “you're such an asshole.”

“I know.” At first, you think he's being smug, but there's a surprising sense of remorse under it. You don't have time to think about it, though, not when his hand is cradling your face. There's no way he doesn't feel how hot your face is. 

“What're you…?” His thumb passes over your lower lip, and the words fall away. 

“Tell me you want this.” Your eyes flicker to his hand, then to his face. His other hand is at the top of your jeans, fingers resting on the edge of your waistband. Excited arousal hits your gut, sizzling like browning butter, warm and toasted. His eyes are dark, caramel on the verge of burning. “If you don't, I'll pretend like this never happened. I'll never touch you again.”

I'll never touch you again, he says, like it's not the last thing you'll ever want. 

“I want this,” you murmur. “Touch me. Please.”

“Good,” Carmy praises, one quiet word enough to sear your insides with heat, blue flame on the underside of a pan. “That's what I thought.”

His hands slip behind you to untie your apron. The strings fall to your sides, and you tug it hastily up and over your head. It falls to the floor next to you. Surely that's a gigantic health hazard, but Carmy's the one who throws it there, so you don't say anything. You lower your gaze to his fingers unbuttoning your pants. The sight of it makes you woozy. You take note of his other tattoos, noticing the letters on his fingers. You watch as the stabbed hand made of ink on his right disappears under the cloth of your underwear.

“Oh,” you breathe. You didn't expect his hand to be so warm, even though you had just felt his heated palm gentle on your cheek.

“You're wet.” The tip of his index finger dips into where your hot folds separate. It strokes at the fluid that's pooled at your entrance, coaxing it out. “When did this happen?”

“Fuck you is when,” you bite back, but it's all bark. “I don't know.”

“Sure,” he agrees, but not really. His condescending smile shouldn't be hot, it really shouldn't, but your pussy throbs against his hand, and he smiles knowingly. “All you need is me to talk and you get wet, is that it?”

“I—” His finger rises upward, splitting you open and flicking at your clit. You buck against his hand. “Don't ask me a question and then touch me like that,” you hiss, horribly turned on.

“Mm, sorry.” It's barely an apology. You throw your head back in frustration. “I didn't mean to.”

“I have a hard time believing that,” you pant. He's pushed your slick up your pussy to your clit, two slick fingers sliding back and forth on your stiff nub. The pads of his calloused fingers are rubbing you almost where you're too sensitive. 

“Then don't. I don't care what you think of me.” You think he's about to get his fingers inside of you, and your breath hitches, but he pulls back. You regret the frustrated whine that is just audible enough in the back of your throat. He does it again, just barely pushing the tips of fingers in before pulling away.

“You—why—do you want me to beg or something?” Your clenched hands raise by your sides to grip the collar of his white shirt and yank him forward. The shock that flashes across his face gives you a sick sense of satisfaction.

“It wouldn't hurt,” he mumbles. Seeing him stagger like this, even if briefly, sends a rush through your head.

“Is that what it's gonna take for you to get those fucking fingers inside me?” 

Like a coward, instead of answering, he leans an inch forward and kisses you. Or maybe that was his answer. That's when he sinks two fingers inside you, long and thick, pushing until your wet pussy's pressed tight against his palm. 

You moan, a pathetic thing, and Carmy swallows the sound of it.

“You're already begging,” he says quietly. He pulls his fingers out. You whine in protest, desperate and angry pleas on the tip of your tongue, but then he's pushing inside again.

That's the last moment of reprieve you get. His fingers start thrusting into you faster, dragging out slick each time he pulls them out. Paranoia suddenly screams that you’re gonna wet the front of your pants at this rate. The aching pleasure is louder than your fear, though. You can’t help the way his fingers are making you moan.

“More,” you plead, “give me another, I can take it.” Your hips are thrusting forward to meet his hand when they push inside. Your clit slaps against the heel of his palm, and you chase the friction. He must notice, because when he obliges and stretches you out with a third finger, he grinds the heel of his palm into your clit.

“You have to be quiet,” he says lowly when you keep moaning. “They’re gonna hear you.” 

“I—I’m trying,” you whine. You’re squeezing so tight down on him. You feel so full. “Your fingers—“

“You’re the one who asked for more.” He slaps his other hands firmly over your mouth. It silences your sound of surprise. “You said you could take it, so here’s what’s gonna happen.” His fingers are slamming into your now, and your hole spasms around them in pleasure. “You’re gonna come on my fingers, and you’re gonna be quiet. Understand?”

You know how soundproof the walk-in is. You had just witnessed it moments ago. But Carmy’s warnings do something fierce to you, bypassing logic straight into anxious, desperate arousal. He’s right, you think. You need to be quiet. You nod quickly in response, so he takes your consent and sprints with it.

To your credit, you try to be quiet. You said you would. But there’s only so much you can do when he’s fingering you so hard your legs are shaking. You’re whimpering into his hand, the sounds muffled.  Your own moans, his heavy breathing, and the slick sound of your pussy getting railed by his fingers—that’s what you listen to as you come.

“Fuck, you’re squeezing down tight,” Carmy hisses, and for an irrational second  you’re afraid you’re hurting him, but one look at his starved expression changes your mind. His three wide fingers are fucking you slowly through your wildly contracting orgasm. In one of his palms, you're oozing slick, and in his other palm, you're smearing with spit.

You should be thinking about how bad of an idea this all is, having sex with your boss. It’s too bad your orgasm is so potent you can’t think at all.

You lean your head back against the cold metal railings of the wire racks behind you. It’s uncomfortable, but a part of it feels good against the coiling heat that’s unraveling in your stomach. The air around you is cold, but you’re hot, far too hot. You don’t remember the last time you’ve finished this hard.

He finally pries his hand off your mouth once you've stopped clamping down on his fingers. His hand lingers at your face before wiping it on the side of his jeans. His expression has this unreadable, unnamed intensity to it, and you can't tell where that ends and where the hunger starts. Although he is looking very, very starved.

His hand that's tucked into your underwear tugs it upward as it leaves, pulling the fabric taut against your pussy. It sticks like paper mache with the glue of your orgasm, molded to your shape. You make an aroused noise that's a mixture of surprise and annoyance.

You're about to complain, something along the lines of “was that really necessary”, but then your eyes are zeroed in on the sheen of his fingers that were fucking you.

“Don't,” you start, suddenly worried he's going to wipe them on his jeans again, but you don't get to finish. He's pushing his index finger into your mouth, and you taste yourself on his skin.

“Good,” Carmy whispers when he feels your tongue wrapping around him. Fuck, hearing him say it like that does awful things to you.

You don't know why you accept it without a fight, but if you're being honest with yourself, this is exactly what you wanted. You start to suck, but he doesn't linger. When he pulls his finger out, your parted lips expect the other two, but he sucks them into his mouth instead. 

God. What do you even say to that? He even has the nerve to look you in the eyes as he pops his cleaned fingers out of his mouth. 

“Let me touch you,” you decide to say instead, because if you think about him and his fingers in—anyway. 

“It's fine. I don't need it.” He's oddly cagey all of a sudden. 

“Let me return the favor, please,” you insist, even adding in some good manners. It seems to still him for a moment, giving you enough time to lift his apron.

Fuck, you think to yourself, the word resounding like an alarm inside your head. His jeans are tented so tightly it looks painful. All this from touching me, you realize. You can see the shape of his bulge under the denim. The silhouette is vague, but...

It's big.

“Carmy? You still in there?”

A voice you don't recognize calls out beyond the door. As soon as you both hear it, Carmy jerks away. You mourn the loss only for a moment before you remember yourself. You're scrambling to get your pants buttoned and your apron over your head. 

“Yeah, I'm still in here,” Carmy shouts back, instantaneously irritable. His back is turned to you, and you want to feel those muscles tensing under your palm. “About fuckin’ time!”

“You're welcome, by the way! I could've left you in here to freeze and die a tragic death!”

“It's not just me in here, Fak.” A beat of silence. “Are you opening it?”

“Am I fucking—Jesus Christ, Carmen, just give me a second! I'm working my magic!”

That shuts Carmy up. Almost. He sighs before turning to look at you. 

“Sorry for getting us stuck in here.” The apology is equally as surprising as the softness of which he speaks. “Shitty first day, huh?”

“It's cool. It's not your fault.” Other than all the shit that was completely your fault, you think, remembering the way you were shouting at each other just a moment ago. “Kinda shitty though, yeah.”

“Yeah.” He sighs again. “If you wanna leave, I don't blame you.”

“I thought I wasn't getting fired.”

“You're not,” he says quickly. “But I'm—this place is a shitshow.” You're not sure which he really means to say, but you hear both. The restaurant, and him especially, are both complete messes. That much was obvious from the beginning. “So if you wanna take off, just…” He shrugs. “Just go.”

Maybe that'd be for the best, if you left. As far as first days go, you've already broken every rule in the book. You messed up your first task, got into an argument with your boss, and then had sex with him. Nothing about this place is particularly inviting, either. This restaurant wears its dysfunction on its sleeve, unabashed in all the ways it lacks. You had left the kitchen with ringing ears from all the noise and a cut on your hand you didn't even notice. 

But here you are. You're not running. Maybe it's because of the fact that you need to pay rent. Maybe it's knowing that just one more pair of hands here could really make a difference. Maybe you're just desperate to keep food on the table. Maybe it's Carmen Berzatto, beautiful, haunted, and angry. Maybe it's all of that, a combined whole that's become greater than the sum of its parts.

Or maybe it's just that now that you've kissed him, had a taste of him, you refuse to let go. Maybe the reason is as shallow as that. 

Carmy's been waiting for you to speak, tired eyes searching your own. You're still not sure what exact colors you need to perfectly recreate the blue you're staring at. 

“Almost done!” Fak shouts. “Just one more hinge!”

“Heard,” Carmy shouts back. He hasn't taken his eyes off you. “So? What's it gonna be? Are you staying or not?”

Blood orange, you think all of a sudden. That's the orange you would need to make the perfect blue to match his eyes. Just a little bit—that's all you would need.

“I'm staying,” you tell him. “I need to pay rent, after all.”

Yeah. That's the reasoning you're settling on. Rent.

“Right. Of course.” There's a glimpse of that gentle smile you've seen flashes of today. It fades away as quickly as it came. “After this, I'm gonna have you learn how to check produce next.”

“Okay, sounds good,” you say as naturally as you can, given the tonal whiplash.

“There should be some that's about to get washed. I'll show you where that is.” The door's shifting. “But before that…” He lowers his voice, leans in close. Is he about to kiss you?

“W-What?”

“Get a new apron from my office. That one's dirty.” Beams of light stream through the entrance of the walk-in, forced wide open. “You need to keep your apron clean, chef.”

YOU WERE THE ONE WHO THREW IT ON THE GROUND, you want to scream. Just when you thought he started being nice, he does something that makes you want to grab him by the collar and shake him.

But you can't. The walk-in's open again, and you see your coworkers crowded by the door. 

“Yes, chef,” you reply, and the words taste bitter on your tongue.

~

@zorrasucia

[friendofcars]

sorry to all the essays and notes and everything (an apology to myself really) but im doing the td3 pov data now instead

[shaymins]

references and icons i made for my characters in my friends current fanganronpa game, Noah and Karma!

[ask-carmenpondiego]

"Ever observant." He nodded, giving a sigh. "Your test will have the opposite effect. It will inform many that you have harnessed this technology, and will begin plans to seize the C5 for themselves. I will be able to see those that act, and hopefully can stop them... But, as they have eyes and ears in the Sun government, I worry they may have some in the agencies that watch you... Or, even within VILE itself."

He shifted his stance, glancing around a bit before back to those green eyes. "You have changed. Hopefully for the better..."

She chuckles, looking at her cybernetic hands and her gold brushed hooves. “I don’t think I changed too much.. I mean physically perhaps. I’ve had some…. complications with some recent heists that required some major recovery. But like my Waldo says, ‘All is right as rain’… unless something catastrophic happens. Hopefully that wont happen. I’m still healing mentally from finally getting my family back. So as far as changing, I think I’m still me. I still feel like me.” She smiles assuringly, her new fangs flashing vaguely into view before getting serious.

“But this test will basically make VILE a beacon. I can’t have that, I just got my kids back and I will not put them in danger again. What can we do to make it have the erasing effect? What needs to happen?”

[dunbonnets]

.ೃ࿐ HAPPY BIRTHDAY ALANA !

reading link | inspo | edited by dunbonnets | june 2023

[roseandpiper]

CARMEN + SOREN

Some days were worse than others. Unfortunately, this was one of those days. The sun had set hours ago, and she was only now getting home from what was supposed to have just been a lunch. The fact that had stretched into the early evening should’ve been her sign to fake an illness and to leave, but apparently she never learned. She stuffed her hands into her jacket pockets as she made her way up to her apartment complex. Staring at the ground and contemplating the patheticness that was her life, she didn’t notice the lone figure standing in her path until she had bumped right into them. 

“Oh,” she uttered in surprise. Blinking, she stared up to find herself facing her new neighbor. The fact that she didn’t know much about them since he’d moved in next door made her feel all the more embarrassed about not paying attention. “Sorry. I wasn’t, uh, paying attention, obviously...” Carmen sighed, not sure if there was a point in saying anything else. Like her, he seemed to keep to himself, and considering the town they were both living in, she appreciated that. But then again, it was what made her a tad curious to know more about him as well. “I’m Carmen, by the way, your neighbor. I meant to introduce myself earlier, but I figured it was better not to bother you while you were moving in.” 

[stxrr-strxckk]

Can I get a kiss? And can you make it last forever...

!!STARR!!

Hey, I'm Star! This is my writing sideblog, my main account is @grimmspirit. I'm pan and I use she/her pronouns! Please like, follow, and reblog if you like these stories <3

Requests? Open!/Closed...

RULES

✭All the works on this page belong to ME! No copying, translating, or claiming my work as your own!

✭I do not write: Incest, scat, noncon/dubcon, zoophilia, or pedophilia.

✭I do write:Platonic and Romantic, fluff, angst, smut, aus, xreader(I am more familiar with gn and fem reader, but I'm willing to try writing male reader), xoc, oneshots, headcanons, and longer fics!

FANDOMS I WRITE FOR

✭Percy Jackson...

✭Percy Jackson: Nothing yet!

✭Jason Grace: Nothing yet!

✭The Bear...

✭Carmen "Carmy" Berzatto:

Work rivals to lovers with Carmen Berzatto... Part I Part II

✭DSMP...(sfw only)

✭Tommyinnit (cc): Nothing yet!

✭Tubbo (cc): Nothing yet!

✭Ranboo (cc): Nothing yet!

✭Quackity (cc): Clip it, chat!

✭Clone High...

✭Jfk: Nothing yet!

✭Joan: Nothing yet!

✭Joanfk: Nothing yet!

✭Cleo: Nothing yet!

✭Confucius: Nothing yet!

✭Kahlopatra: Nothing yet!

✭Harfucius: Nothing yet!

✭The Umbrella Academy...

✭Five: Nothing yet!

✭Ben: Nothing yet!

✭Allison: Nothing yet!

That's all! Feel free to request anything, (though I am hyperfixating on the bear right now...) and please enjoy my page! Remember to reblog, like, and follow to support small authors and encourage us to write more!

XX, Star <3

[isabelpsaroslunnen]

[Original date: 12 March 2018]

I think Carmen Sinek's "Eowyn vs The Nazgul" (https://carmensinek.deviantart.com/art/Eowyn-vs-The-Nazgul-209047696) is the only Merry POV art I've seen of the scene.

[delicrieux]

—𝐞𝐯𝐞𝐫𝐲𝐭𝐡𝐢𝐧𝐠 𝐲𝐨𝐮'𝐯𝐞 𝐜𝐨𝐦𝐞 𝐭𝐨 𝐞𝐱𝐩𝐞𝐜𝐭, ch.1: things of present and future importance

pairing—carmy berzatto x f!reader genre—drama, romance, age gap, boss/employee relationship warnings for this chapter—trauma, anxiety, swearing, and sum depression as dessert word count—2k

uh-oh, carmen is losing it again, this time in front of his new employee, too. 

author’s note: give me this wet dog of a man and give him to me NOWWWWWWWW

masterlist | buy me coffee☕ | read on ao3 . next >

important! some of the dialogue scenes are written as a script & dialogues that overlap are marked in [] <3

there’s a lot of things wrong with this situation, but carmen does not have it in him to care. maybe he never will, and that’s okay, because it’s his fucking restaurant and he knows he could be kinder, could be gentler, could, maybe, keep all of those splinters in his gut from hurting too bad if he took a few deep breaths just how they say in therapy. deep breaths, slow breaths, and then they look at you like you’re a toddler having a meltdown in the middle of the street and suddenly, suddenly, it’s all go fuck yourself and the door slamming shut.

carmen’s an abandoned puppy – disheveled hair and round eyes that have been unloved (by him, most of all), with his head bent and shoulders tense, not sure whether to flee or attack, but offense is the best defense and just like a bad dog he bites when frightened. it’s all teeth and anger and desperation; jaws lock and teeth sink and he doesn’t let go because he’s starving, even if what he’s fighting for is nothing but a cadaver of a place, space, body – brother? no, don’t think of mikey. he’s starving, has been for ages – approval? don’t say that – and that hunger bubbles to the surface when confronted by a minuscule imperfection, like sauce on the stove left to simmer for too long.

it’s a bad first impression, second impression, third, what the fuck, he’s good at food and not very good at math, unless math comes to food and then, maybe, he can sort it out. still bad, still fucking terrible, to be honest, and somewhere in the frying tangles of his mind he knows that yelling doesn’t help, and that yelling in front of the new hire doesn’t bode well for retention. the last enzymes of his sanity warn him – calm down, just, just calm down, carmen, you’re making it worse, you’re making it fucking worse – but the to-go machine keeps beeping, and the kitchen is too hot, and his staff is too anxious, and everything is amplified tenfold by his brother’s looming shadow that exists to him only. don’t think of mikey.

“can someone please turn that fucking thing off?” it’s his voice, laced by such scorn and a barely contained anger that makes him tremble by the pans. he’s losing his mind. sweat collects on his temple and his eyes sting from the fumes billowing onto his face, “sydney!”

“yes, chef.”

sydney’s a trooper, doesn’t bend under pressure like steel, and he sees her maneuvering in his peripherals, quick and agile to not get into anyone’s way, least of all his. briefly, he thinks about burning this place down. he blinks. the beeping stops – she ripped the cord out of the socked, dropped it onto the floor that sent an echo.

the new hire watches this shitshow unfold by her station, eyes wide and weary, ears perked for orders. her hands move – strong hands, swift hands, long fingers and rough palms that cradle a knife the way a mother would cradle a child. she doesn’t look at what she cuts, but she chops and slices and it’s all automatic – trained response? – and if carmen were to take a ruler and inspect the pieces, he’d be impressed to find that most are even and none are crooked. he’d hum, then, skim through the folders of his mind to re-check her experience, re-check the college she went to. he’d say something like, “good work, chef,” and maybe she’d smile at the bare bones of the compliment he’d given her, and when he’d be alone in his dingy office he’d pull out her resume and examine it with more interest because he’d be too embarrassed to ask.

he’ll grow familiar with those hands, with the dips and curves of knuckles and the tiger stripes of scars running down their expanse; he’ll grow familiar with the touch, too, soft despite the callouses, but only to him. not yet, though, not for another few months till a completely expected storm will halt the trains and he’ll have to drive her home. it’ll be weeks after that awkward silence in the car and stolen glances at soaked t-shirt-clad skin.

her form is unfamiliar to him – he hadn’t any interest to look, nor would he find anything curious when all is covered in oversized fabric and a blue apron. at present, she’s his colleague, nothing more, and a young one at that, too young and too talented to be stuck in such a place and with him running it.

but he will look. sooner than expected, and not for any devout reason, unless loneliness can be considered holy.

he’ll feel bad about it, too, and he’ll feel worse when everything escalates, because it always does.

for now, he cooks by the open flame, letting hot oil sizzle on his hands and the fire lick his fingers, and maybe, just maybe, he likes the pain because he knows nothing else. it’s become empirical to him. an indication that he’s still alive. that he’s still in control of something, even if he isn’t.

richie, richie, good fucking god, richie always picks the worst moments to bitch about.

“are you fucking with me?” carmen’s voice, again, a bit higher this time and just a gruff. doe eyes narrow at the bell-tower named richard jerimovich that has the audacity to look clueless, “do not fucking fuck with me right now.”

richie: shove that stick outta [fuck you] your ass, cousin carmen: are you deaf? richie: boutta go deaf if you keep yapping [don’t got time for this]; listen, i just [you just?] came to talk [talk? now? talk?] yes, to talk, look carmen: now you wanna talk? now? you wanna [jesus] fucking talk right now?

the tension in the air is sharp enough to slice through skin. everyone pointedly pretends not to hear this conversation. carmen doesn’t want to hear this conversation, either. there’s a line of people waiting. he reminds richie of that, and richie reminds that oh, he knows, and –

“richie!” it’s sydney, cheeks glowing with sweat and bandana crooked, “not now.”

richie huffs, looks at carmen with a certain exasperation, a wordless question of ‘really? really? you’re letting her run the show, now?’, and carmen needn’t be a genius to know that richie’s gonna bring this up later. he’ll never hear the end of it, he scarcely does now. it’s a headache in the making. his heart skips, or maybe stops, and for a moment he feels white-hot panic shoot through his veins. it passes with a shiver he doesn’t show. he breathes just a tad quicker – not enough air, not enough fucking air, jesus.

richie retreats with his arms raised in surrender, amused and annoyed simultaneously. a quiet follows his departure, and carmen looks at the staff, gaze jumping from one to the other before settling on her. she’s unperturbed by the chaos, working, watching, assessing, and later he’ll learn she wears that face the same way he wears his anger – as armor.

eyes meet and there’s a certain understanding that glimmers in the depths of her iris. but what could she understand? three weeks from now, he’ll come to learn that she’s used to rough edges and loud voices: he’ll learn that she’s the daughter of the chef that made his life hell back in new york, he’ll learn that she took up cooking because she wanted to appease her father, he’ll learn that her parents have split and her mother is sick and that she’s not calm but disconnected and that she tends to live in her head just like him.

but he doesn’t know that now, so he blames the shitty lighting that blinks and buzzes and, “fak, for the love of fucking god, please fix it.”

he said please this time, and it means he’s cooling off. he thankfully misses the quick look the staff shares – a mixture of relief and pity. either would have been devastating to recognize.

the only upside is that the day goes by fast. too much to do, too much to stress about, and carmen’s used to running on nothing but nicotine and adrenaline and an odd spout of desolation, and he manages everything, keeps the pieces glued together until eventually everything becomes too much and then he crumbles. still picks them up gently, like handling broken glass. he visits the storage often. closes the door for a moment and just lets himself breathe, reminds himself how to. doesn’t calm, only collects, reigns in the anger that coats loneliness. don’t think about mikey.

the staff cleans in a similar silence that douses after a storm.

the night's clear, crisp air compounded with cigarette smoke. he leans on the wall of the restaurant, staring into space, listening to the white noise of a restless city. by now, sydney has flipped the CLOSED sign; by now, his new hire is probably thinking about quitting, elbows deep in cleaning detergent as she scrubs the floor. he’ll have to go over her work and double-check. just in case there’s something more to do for hands that are always restless.

he tries to think but his head is scrambled. too many thoughts rushing in and out, loud, obnoxious, too quick to leave a lasting impact. he’s tired. he’s always tired. he wants lay on his bed and let sleep swallow him whole, but he knows that won’t happen. if he sleeps, he dreams of new york, he dreams of fire, he dreams of voices coming from the other room. one, in particular, holds a familiar rasp and drawl, punctuated by laugher, weaving a tale and stop it, don’t think about it anymore, just stop it, don’t think about –

he tosses the cigarette, watching the embers burn.

don’t think about mikey.

he enters through the back exit, stalks through the restaurant like he's haunting the place. briefly stops to stare at the mirror behind the bar. doesn't really recognize the man staring back.

the clock reads 00:30 am.

marcus was the last to leave, or so carmen assumed by the silence that shrouds the place, but as he makes his way to his office, he hears a locker shutting, and the sound rattles him so much his heart beats in his throat. all of that previous exhaustion ignites into anxiety that makes his limbs lock up.

she halts by the mouth of the kitchen, hair matted from sweat and lower lip marked where her teeth sunk, drooped eyes widening a fraction as she regards him. he can only stare at her in return, at her messy hair and pinched eyebrows and the slight downward curl of her lips.

“you could use a coffee,” she utters, and her voice is jarring – not for any unpleasant reason, but for the fact that he didn’t expect to hear it. he’ll grow to like it, crave it, even, because it’s a lovely cadence and it’ll sound even lovelier when she says his name.

he’s frightened by it now, if one can be scared of such a thing. so he bites.

“it’s almost 1 am.”

“right,” she mutters dryly.

“why are you still here?” he questions, and it almost sounds like an accusation, because he thought he was alone, only to suddenly be proved wrong. feels like an invasion of privacy, to be fucking honest, “your shift ended like an hour ago.”

“oh, I, uh, had some things to finish, so…” she trails off, but she still looks at him, and it’s unnerving, really, how she doesn’t budge under the weight of his stare. he bends under hers, though; the floor is spotless, he has nothing left to do. he misses the visible tension in her face, misses the quick swipe of her tongue on her lower lip as she opens and closes her mouth. it’ll take two whole weeks to grow entranced by the sight. misses the polite smile, too, but hears it in her voice anyway, “night.”

her sneakers squeak and echo and the door shuts. silence settles heavy on his shoulders. he’s not sure if he’s more distraught by her sudden appearance or abrupt departure. both somehow feel bad. in less than half a year, he’ll come to realize that the latter is worse.

ch.2: thank you, love you

[mxrvelouscreations]

“  you could’ve gotten yourself killed! you could’ve— fuck!  you scared the shit outta me.  ” // From Carmen to Robin

Robin raised a brow slightly at the other’s reaction, having not quite expected it. She might have gotten herself killed yes, but wasn’t that just the way things were going in Hawkins. After all, they had dealt with the Russians and some crazy monster last year, they shouldn’t have been that surprised when more crazy happenings started. “Hey... i’m ok,” she replied, hoping to try and calm the other down. “See, I’m not hurt.. I’m ok. Question is, are you ok though?” 

[butchcarmy]

ALEXITHYMIA CH 2: alcohol, garlic, and lipstick

Roommate AU: Carmy Berzatto x Reader (R18)

ao3 link ch 1 ch 3 ch 4

Summary: Carmy can’t put into words how he feels about his roommate. It’s only been a couple months, but here he is looking forward to going home and sharing a smoke with them. That’s all it is, though. There are no underlying feelings, none at all, even if everyone around him has something to say about it. 

Or: Carmy is repressed as ever, but through the combined power of vulnerability, weed, and the horny, Carmy too can find love. 

tags for this ch: alcohol use, throwing up, semi-permanent lipstick, accidentally embarrassing carmy in front of all his coworkers

Chapter 2: alcohol, garlic, and lipstick (8k)

He doesn’t get to see them for a couple days after that night on the couch.

This is more the rhythm he’s used to—early mornings and late nights, out of the house so long he never sees them. The next several days blur together into what feels like one very, very long day. When he sleeps, he doesn’t dream. It often feels as if he didn’t sleep at all. 

Their past exchange haunts him. He catches himself slipping, lost in thoughts as he watches the pot simmer. They’ve never had any sort of conversation like that before. Sure, they didn’t really talk about anything, but…

But in that same vein, Carmy can’t stop thinking about it. He wonders if they’re thinking about it, too. The thought feels like a tangled ball of yarn in the pit of his stomach, writhing and messy. He shouldn’t be thinking about it—they’re just roommates, after all. 

He’s restlessly worried about that moment on the couch, and yet, he can’t even muster up the words as to why. 

Because if you finally say it, it’ll all be real, he thinks vaguely, somewhat hysterically to himself, and that’s where it always ends. 

Wednesday evening, he comes in from home exhausted as ever. Nothing new. He feels the strain in his wrist when he shoves his shitty front door open—obviously overdid it in the kitchen. After shoving his sneakers off, he flicks the lights on in the kitchen, and he spots a bright pink sticky note on the counter. 

Now that’s new.

He walks up to it, squinting at the pink that’s almost neon under the fluorescents. It’s a note from his roommate. 

hey carmy, it reads, scribbled on in pen. im going out with friends tonight, so I won’t be back until later + leftovers in the fridge if you want any :)

Carmy makes a small noise of acknowledgement to himself. Picks up the note, puts it back down. 

Running a hand through sweaty hair, he opens the fridge. It’s full of ingredients, perhaps far too many for a guy who barely cooks for himself. Ironically enough, it’s the one who doesn’t cook for a living who keeps the fridge stocked. There's a lot of miscellaneous sauces, near empty coffee creamers, and mysterious tupperwares.

He spots a new tupperware that has another pink sticky note on it, so he grabs that one out of the fridge. 

He pops it open. There’s condensation on the inside of the lid, and it drips onto the floor. Inside sits pasta, potatoes, chicken, onions, and peppers, all cooked into a cheap, yet harmonious meal. It’s a familiar instant pot recipe. 

It tastes familiar, too. The ingredients together taste like home. He’s not sure if it even tastes like his home, although surely his mom cooked something like this. As he stews over the flavors in his mouth, Italian seasoning, garlic, and black pepper, he wonders if maybe this apartment is starting to feel like home. 

The thought is so ridiculous he shakes his head to himself, but…

It feels warm coming home to someone. He can’t deny that he likes that feeling. Maybe he’s settling into this place more than he thought. Maybe he’s…getting more used to having a roommate than he expected.

Maybe I’ll see them tomorrow, he thinks as he stares at his dark bedroom ceiling. He’s so sleepy he can’t even help himself from thinking about them. The lethargy always goes full blast as soon as his back hits the mattress.

Graciously, he doesn’t dream when he sleeps. Unfortunately, he wakes back up again in only a matter of hours. 

When he reluctantly wakes up and squints at his phone, he sighs. 1:14 am. Slapping his phone back down on his side table, he stubbornly shuts his eyes in an attempt to go back to bed. It would’ve been too nice if his body let him sleep throughout the night. 

Then, there’s the sound of the door opening.

He listens to the familiar sound of their footsteps against their old hardwood floor. It’s admittedly a little strange—it’s usually the other way around, with Carmy coming back home so late they’re already asleep. Except for this time. 

They’re in the kitchen, he deduces, carefully listening. It’s easy to hear everything, especially in the quiet of night. As he closes his eyes again, listening, he imagines them. 

The sound of the fridge opening. No, the freezer—it always squeaks when it opens. It shuts. Yes, now that’s the fridge door. He imagines them looking into the fridge just like he was a couple of hours ago, tilting their head thoughtfully to the side. He’s not sure if they know that they do that. 

By all means, it should be disruptive, the way they’re opening and shutting cabinets in the kitchen. And yet, as he lays there, snuggled drowsily into his sheets, it starts to sound like a lullaby. He listens to them, thinking of them cooking, and he begins to drift to sleep.

“Fuck—fuck! Shit shit shit—”

There’s a sharp yelp, and Carmy’s jumping out of bed. 

If he’s being honest, he probably wasn’t actually going to fall back asleep so easily anyway. He rarely ever does. 

He stumbles into the brightly lit kitchen, dressed in sweatpants and a baggy t-shirt. The lights are so bright that he’s squinting, struggling to adjust. 

“Sorry if I woke you up, there was a roach,” they explain meekly before he can think of what to say. They’re standing there, bottle of roach killer in their hand. 

Carmy looks down. As expected, there’s a big dead roach, sitting in a pale pool of roach killer. 

“I…see.” He yawns, a big one that makes the corners of his eyes tear up. “You didn’t wake me up, I was already awake. You just got back?”

“Mhm,” they reply, reaching for some paper towels, and that’s when Carmy really notices their outfit. Black, flashy, clearly meant for a night out at a bar. Dark colors always looked good on them. Their makeup matches, dark and smudged around their eyes. Seeing them dressed up like this makes it nearly impossible to deny how much he likes looking at them. 

He in particular likes the plunging neckline on their thin shirt, dipping right down their chest.

Stop stop stop, he thinks suddenly, tearing his eyes away. He’s lucky they’re not looking at him, instead preoccupied with throwing away the roach corpse on the floor. He looks around almost a little frantically to find something, anything else to talk about.

“What’s this?” Carmy asks, peering into the pan on the stovetop. 

“I, like, really want garlic bread right now.” They lean onto the counter, looking at the pan with him. “So I was making garlic bread. But then that fucking roach came and killed my vibe.” 

This is when Carmy notices that they’re rather drunk.

“Huh,” he says. “Isn’t this, uh, just a piece of bread?”

“Oh.” They pause, lifting the bread gingerly with one finger. “Um, this is so totally a piece of bread. No butter. No nothing.” They start laughing then, leaning harder onto the counter and covering their face. “Fuck, that is so  dumb.”

“You were getting there,” he comments, unable to resist an amused smile. 

“I couldn’t find the garlic powder,” they admit, face turning into a frown. “Or, like, anything else. But I need garlic bread, Carmy. I need this.”

“We have garlic cloves,” he points out.

“You cannot expect me to mince a fuckin’ garlic right now,” they retort, motioning at him with their arms so aggressively they stumble towards him. Instinctively, he puts his hands on their shoulders, and tries not to think too hard about it. 

They’re warm, and they smell like perfume, weed, and alcohol. 

“I think you should sit.” Carmy suggests, an eyebrow raised. He doesn’t think he’s seen them this drunk before.

“Hm. Yeah. Imma do that.” They trudge over to one of their bar stools at the kitchen island, slumping onto it. Their shirt droops, revealing more skin, and Carmy pointedly looks away. There’s the sound of their forehead smacking against the counter, and then a groan. 

“Uh, you ok?” 

“I’m drunk and I want garlic bread,” they whine, flopping their arms across the counter. “But I can’t find the garlic—the garlic powder, and…I’m too stupid to make it right now,” they end in a miserable mumble. 

“I could make you some,” Carmy hears himself saying.

“...Really?” They tilt their head up to look at him, eyes big and full of wonder. “You would do that for me?”

“It’s just garlic bread,” he tries, instantly stricken with embarrassment. He hopes he’s hiding it well enough.

“But you’re making it!” They make a contented noise. “Imagine getting the best chef in the world to make you garlic bread.”

“I can do a lot better than garlic bread. Just so you know,” he says, entirely in an attempt to hide the way their praise makes him feel giddy. 

“I know.” His attempt backfires—their response is so genuine it makes him feel worse. “You could definitely do a million times better than garlic bread.”

“Maybe not quite a million, but somewhere around there,” he says, and then he starts working. 

He starts with a clove of garlic, mincing it quickly on their small wooden cutting board. He stands at the kitchen island with them, eyes flickering between the garlic and their watchful gaze. They’re still strewn across the counter, cheek pressed against the surface. 

“You literally mince garlic so good,” they mumble, eyes glued to his knife. “I wanna do it like you.” 

“I could teach you.” The garlic is chopped thin, and then scraped against the edge of his knife. “Just takes a lot of practice, really.”

“Teacher Carmy,” they say, almost like a song. They’ve got this big, dopey smile on their face that makes Carmy’s heart hurt. “Mr. Berzattooo,” they add, their smile growing more mischievous.

“I don’t think I like the sound of that,” he admits, words tinged with amusement, and they laugh. “I think we should just stick to chef.”

“Yes, chef!” They salute unnecessarily, and he chuckles. 

He takes out the butter—their nice butter, not the spread stuff. Heats it over their pan, scrapes the minced garlic into the hot butter, creating a delicious sizzle.

“You, uh, go out to a bar?” He asks, because he’s curious. It’s easier talking to them with his back turned to them, forced to face the pan. 

“Yeah, just went with a couple of friends. I wasn’t scheduled for tomorrow, so I thought a little fun would be nice. But I must say, bars are not exciting on Wednesday nights.”

“Seems like you got to have a good time anyway.” 

“Mhm, yeah. They had cheap drinks. I got so many.” They laugh. “They honestly didn’t taste that good.” 

“And you kept getting them?”

“It’s just ‘cause they were strong. Sometimes you just wanna get fucked up, y’know? Oh my god, it smells so fuckin’ good right now. What the hell are you doing?”

“It’s just butter and garlic,” he answers honestly. 

“This is the best thing ever. You are literally so nice.” The sincerity in their words is so palpable that Carmy feels his stomach twist. “Anyone would be so lucky to be with you.”

Fuck, Carmy thinks distantly. He adamantly refuses to acknowledge how this comment makes him feel.

“I dunno about that,” he replies, a safe neutral even though he can’t help the embarrassment. 

“Really?” They blow a raspberry at him. “Well, I like having you as my roommate. That’s something, right?”

Carmy’s glad he’s not facing them. He’s not sure what his expression looks like right now. 

“Well. Lucky for me, I guess.” He pauses, listening to the sizzle of the garlic. for a moment. “You’re a good roommate, too. I…didn’t know if I would like having one at all.”

“Oh yeah? You never had one before?”

“Not since culinary school, and they weren’t good.” He sighs at the memory. “But this…I like this.”

“I like it too,” they agree, almost a bit dreamily. “It’s nice not having to be by yourself all the time.”

“Yeah,” he murmurs. “It is.”

He turns around then, garlic bread plated and in his hand, and they gasp, hands over their mouth. 

“Carmy,” they whisper. “Oh my god. Oh my god.”

“You’re definitely drunk,” he says, smiling in endearment.

“Um, yeah. And you just made me garlic bread. To a drunk person, garlic bread is the next coming of Christ.” They slide the plate towards them, staring at it with big eyes. “And you put cheese on it!” 

“Should I not have?”

“Of course you should have!” They exclaim. “You could’ve put some shit on this I’ve never heard of and I would still eat it. You’re a wizard in the kitchen.”

“Well.” He laughs. Shakes his head. “I’m flattered?”

“You should be,” they whisper. They take a huge bite of it, resounding with a satisfying crunch. “Fuck.” They shake their head from side to side as they eat. “This is so fuckin’ yummy.”

“Good, good.” He nods, pleased. He props his elbows up on the counter, gauging their reaction.

“You are so talented,” they gush, continuing to eat urgently. “And so nice.”

Carmy knows he can’t hide the way his ears go pink. 

“Well.” He gives them a shrug he knows looks as half-hearted as it feels. “I do nice things for nice people,” he says finally, mostly because he can't just take the damned compliment.

“I'm nice people?” They repeat, so genuinely earnest that Carmy almost laughs. “That's a relief. I’m, like, so glad you think that, because I can be an annoying piece of shit sometimes.”

“Annoying?” The self deprecation surprises him. They don’t usually talk like this. “I don’t—I don’t think you’re annoying. Have I ever, uh, seemed like I—?”

“Nonono, it has nothing to do with you,” they interrupt with a hiccup, waving their hands. “I just, like, have issues.” They laugh, although Carmy’s positive there’s nothing funny about this. “And I really like you as a, as a roommate,” they stutter clumsily. “So I don’t wanna fuck it up.”

“I, I don’t think you would fuck it up.” There’s something a little unsettling about all this, something that’s putting Carmy on edge. 

“I always find a way! I just do, because, I’m—I’m not good at being a person,” they blurt out, and then there’s tears spilling all over their cheeks, streaked with black mascara. 

Shit, Carmy thinks. 

“Hey,” Carmy says softly, gentle and careful. He looks up at them, concerned eyes searching their watery ones. He wishes he had the words, but they're talking again. 

“I just can’t do anything right,” they sob, bottom lip wobbling. He’s also not sure if he’s ever seen them crying so hard. Their face is scrunched in pain, skin drenched in tears. “I, I, I can't even fucking make garlic bread!”

“You're drunk,” he reminds them, carefully. “Very drunk.”

“I'm drunk, too,” they wail, and Carmy wonders if he said the wrong thing. “I'm a drunk fuck-up! I, I'm too damaged…”

“Damaged?” He echoes. Their own brutality towards themself takes his words away, and all he can do is repeat their cruelty in disbelief.

“My whole life, I've just,” they whisper, and something about it nestles into his chest and stays there. The feeling of it is familiar. “My—my whole life, I—oh, god—” 

They stop with a sharp inhale, slapping their hand on their mouth. It’s a movement that Carmy would recognize just about anywhere.

“Shit,” he curses, and he rushes them to the bathroom. 

They’re still crying as they throw up into the toilet, apologizing profusely. Carmy tries not to look, just focusing on holding up their hair. 

“I’m sorry,” they apologize again before shoving their face back into the toilet. 

“It’s okay. It happens.”  He absentmindedly notices that he’s never touched their hair before. It’s soft—must be well taken care of. “You’re doing great right now, okay?” 

“Thank you,” they sob, tilting their head to the side to rest their cheek on the toilet seat. He lets their hair fall behind them, instead just keeping one hand on their back. “I’m really s-sorry,” they say again, eyes watery and red. 

“It’s okay,” he repeats, because it's all he can say. They seem grateful enough.

I haven’t thrown up like this since college,” they tell him miserably. “I don’t like it.” 

“Nobody likes throwing up,” he reasons, and they make a weak noise of agreement. 

“Last time, I threw up in my roommate’s bathroom—” they pause, as if fighting a wave of nausea, but it seems to pass. “And I barely missed the toilet,” they whisper, like it’s some sort of dark secret. 

“Damn.” Carmy’s not sure if he should be smiling, but he is, just a little bit. “Sounds like you were shitfaced.”

“So shitfaced,” they echo. At least they’re smiling back at him. That’s a good sign. “It was such a mess. I felt so bad.” 

“Were they mad?”

“No, they weren’t. They even cleaned it up for me.” They groan. “I felt soooo bad, Carmy. So bad. I was worried they would forever hate me for that.” 

“Well, if they weren’t mad at you, I’m sure they wouldn’t hate you for it.”

“I just really didn’t want them to hate me,” they say, and they’re looking so intently into Carmy eyes that it feels like he’s bearing his soul to them. “Are you gonna hate me?”

“I'm not gonna hate you because you're throwing up.” Their hair’s falling into their face, and he moves to tuck it behind their ear before he can think about it. Their cheeks are hot to the touch.  “Would I be doing this for someone I hate?”

“Good point,” they mumble. Carmy’s hand lingers behind their ear before moving back to the middle of their back, rubbing little circles. The touch is guiltily electric on his end. “Sometimes I just…think people are waiting for a chance to hate me.”

“I think it’s a bit too late for me to find an excuse to dislike you,” Carmy says. “But…I get it.”

“...You do?” 

“Yeah,” he says, even though he’s not sure what else to say. They’re still looking at him, clearly waiting for him to elaborate. “I’m not used to anyone caring much about me.”

“I care about you,” they whisper. “I care about you a lot.”

Silence settles between them as any words Carmy had disappear on the tip of his tongue. They just keep looking at him, their eyes gentle and searching, and he can’t tear his gaze away. He can’t tear his hand off their back, either. 

“You shouldn't,” he whispers, strangely honest. “I'm not worth it.”

“Too bad.” He can't look away from their gaze, their eyes that are infinitely knowledgeable. “If I can't care about you, you have to stop being nice to me.”

Carmy opens his mouth to protest, but he can't. They seem to know it, too, with the way a knowing smile creeps up their face.

“I don't wanna do that,” he replies finally. 

“Thought so.” Their face glows brilliantly with a smile, and it should be infuriating, but it's not. “So deal with it. Me caring about you.”

He laughs at that, because it's so stupid. 

“Stupid,” he laughs, and they laugh back, their giggles echoing into the ring of the toilet. “Y'know, I fucked up today at work.”

“Oh yeah? What happened?”

“I was cutting onions. I've done it a million times, but for some reason, I fucked it all up. Onions got all over the floor, and I had to redo it all. Well, my sous had to redo ‘em.”

He's not sure why he's mentioning this to them, or why he's even mentioning it for a second time, but he is. 

“I haven't fucked up like that in forever,” he continues, reliving the memory in the back of his brain. The knife hitting the floor, metal against linoleum. “It was stupid. I hadn't done something so fucking, stupid like that in—god knows how long.” 

That can't be the point, he thinks to himself. He can't just bring up him messing up onions just to complain about messing up onions. That's not worth anything, to him or to them. They're drunk, anyhow. Why is he bringing up his issues like this, right now?

“You're allowed to mess up on onions,” they say with surprisingly clarity. Their words carry a measured gentleness that doesn't seem possible from a drunk. “It would be crazy if you never messed up, y'know. Like, ever.”

“But it's been years,” he protests. There's a pressure building. “Years since I messed up like that. And someone had to clean up after my shit. They shouldn't have had to do that.”

“Hm…” They make a thoughtful noise. “It's not like you did it on purpose, right?”

“Of course not.”

“That's what friends are for,” they murmur. “And coworkers. Sometimes. It's ok that you messed up.”

“...” A part of Carmy wants to continue protesting, but it feels futile. “I shouldn't have brought it up, you're still drunk anyway,” he says, mostly to himself, but also because he can't stand to acknowledge it anymore.

“I don't care,” they whisper. “I like it when people talk to me about things.” Carmy feels something twist in his stomach, palpable and physical. 

“I’m probably being annoying,” he mutters, and as soon as the words come out of his mouth, he wants to bash his head in for saying something so childish. 

“No. You’re not.” They respond before he has a chance to take it back. “I want to know you, Carmy.”

“You already know me.”

“Not as much as I would like,” they mutter, eyes fluttering shut, and Carmy has no choice but to swallow the heavy truth. 

“You shouldn't fall asleep here. If you're feeling better, we need to get you into your bed.” He knows it's unfair, changing the subject like this. But he can't bear to look at it anymore than he already has. 

Luckily for him, they relent without any protest. They lean up against him as he helps them to their room. It's a bit difficult to wade through the piles of clothes on the floor, but Carmy's no better. 

“I really didn't mean to get this fucked up,” they mumble once they're laid back in bed. 

“No one does.”

“Maybe not no one,” they mutter, mostly to themself. No comment. They sigh. “What time is it?”

“Uh…2:35,” he says after a beat, searching eyes landing on their bedside analog clock.

“Motherfucker. I'm sorry. Don't you have work tomorrow?”

“I do. But…it's fine.” It's very much not fine, he has to wake up in a couple hours, and yet. Here he is, at the end of it. 

“You're sweet. You really are.” 

“I'm…not sweet,” is all he can get out, voice quiet. 

“Well, I think you're sweet to me. Taking care of me like this.” They outstretch their arms all of a sudden. “Come here? Please?”

He knows what they're asking. They've never hugged before. He’s only a hugger when it comes to family. He's seen them hug friends before, maybe, but him? Never. 

He shouldn't get closer, he really shouldn't. But he ends up doing it anyway, because he tells himself he likes the way they say please.

“Can I hug you?” They ask.

“Um,” he says. He nods.

They smile again, as brilliant as ever, and bring him into a tight hug. They smell like the mint mouthwash they insisted Carmy retrieve for them, along with their perfume.

“Thank you for taking care of me,” they say. He’s never heard their voice in his ear like this before. They wrap their arms around his neck then, and Carmy’s heart feels like it’s in his throat. 

“No problem,” he gets out, feeling a bit breathless. 

Before he can even form the next thought, they’re pressing a sleepy kiss on their cheek before flipping back down on their bed. 

Carmy feels like throwing up, but…not in a bad way.

“Good night,” they mumble, so sweet. “And thank you.”

Something in his brain shuts off after that. He walks to his room like a zombie, and he falls asleep nearly instantly. 

It turns out that going to bed at 2:30 am the night before work is not so fine at all. 

“Sorry I’m late, couldn’t sleep,” Carmy says groggily when he comes in, and everyone’s eyes are on him. They’re staring so intently like there’s something on his face. “What?”

“It’s, uh,” Sydney starts, but Richie swiftly cuts her off.

“Must’ve been a long night, eh?” Richie says with such a shit eating grin that makes Carmy pinch his eyebrows. 

“Fuck’s your deal?” Carmy bites back, gesturing at him. The length of his fuse matches the amount of sleep he got—slim to none.

“Nothing, cousin,” Richie replies, even though he’s still grinning like a mad man. “You better be telling me about it later though, got it?”

“Whatever,” Carmy mutters. It’s too early in the day to be dealing with this shit. “Just catch me up on what I missed.”

The day starts off rough, but he gets through it because he has to. Throughout the day, though, he can’t help but get the feeling that people keep looking at him when he’s not looking. Maybe it’s just his typical paranoia, but… 

“These look good,” Carmy praises. “Really good,” he reiterates, turning the delicate dessert around on its circular plate. Marcus beams, clearly pleased. It’s a small matcha cake with carefully placed layers of ganache and fruit. Carmy takes a bit of it with a fork, rolling the earthy and tangy flavors around on his tongue. 

“How is it?” Marcus asks, eyes firm on him.

“A little crumbly,” Carmy answers honestly. “Did you take my advice from last time?”

“I did,” he replies, frustration evident in his voice. “Think it’s the oven?”

“Maybe. Probably.” Carmy takes another bite. “Try a lower temp. Other than that, though, it’s excellent.”

“Thank you, chef,” Marcus says. “Means a lot.”

“Wouldn’t say it if it wasn’t true.” He claps Marcus on the back, short and quick. “You’ve been working hard. That’s all.”

“Yeah. Yeah, I have.” He pauses then, staring at Carmy. Just like how everyone has been all damn day. “Uh, Chef?”

“What?” He feels the impatience bubbling up in him, frustrated and confused. “People have been staring at my goddamn face all day like I got some shit on it.”

“You do,” Marcus says. “It’s not shit, though. Looks like…lipstick,” he says after a beat. 

“Lipstick?” A rock drops in his stomach. Carmy raises his hand to his face, searching. 

“On your left,” he clarifies. “By your ear.”

He rubs aggressively there, but he pulls his fingers back without any color on it.

“Did I get it?”

“Well, I thought you did.” Marcus makes a noise, thoughtful. “Guess it’s one of those permanent ones.”

“Permanent?” Carmy repeats, a little hysterical. 

“Semi permanent,” Marcus clarifies. He seems amused.

Carmy rushes into their small, shitty bathroom, getting close to the streaked mirror. He angles his head to find the stain. Sure enough, it’s right here on his cheek. It’s a dark, reddish color, in the smeared but recognizable shape of a kiss mark.

“Fuck,” he mutters under his breath. His head feels hot. It must’ve happened last night, when they kissed him right before falling asleep. 

Semi-permanent, he hears Marcus say in the back of his head. Of course it is.

With a wet paper towel, he scrubs at the mark so hard it hurts. Even so, it remains, still clear on his pale, reddened skin. He wishes his hair was long enough to hide it.

“It’s not coming off,” he says, stressed upon returning to Marcus’ station. He hopes he doesn’t sound as hysterical as he feels. Sydney’s there too, chewing on the matcha pastry Carmy had earlier. “Why the fuck isn’t it coming off?”

“You’ll probably need a makeup wipe. I think I have some in my bag if you want one,” Sydney offers. Carmy swears she has a halo around her head. “Just a warning, though, they’re old as fuck. I haven’t worn makeup in a long time.”

“It’s fine. Can I take one?” Carmy runs a stressed hand through his hair. “Can’t believe no one fuckin’ told me. I—I fucking greeted customers like this!”

“It’s cool, Carm. At least it wasn’t a hickey,” Marcus reasons, and Carmy thinks his ears go hot. 

“Thank god,” he replies, sarcastic, and they have the nerve to laugh at him. “Shut up,” he tries, but there’s no real heat behind it. Sydney leaves and comes back with a semi-dried up makeup a minute later. 

“Don’t get mad if it doesn’t work,” Sydney states, a cautionary disclaimer. “It might be one of those that has a specific remover.”

“Are you serious?” The sigh that comes out is full of disdain. “Fuck me.”

“Day’s already almost done, if it makes it any better,” Marcus notes with a cheeky smile, and Carmy just shakes his head.

The makeup wipe doesn’t work. Carmy tries not to get mad, but maybe he does. Maybe just a little bit.

“It’ll come off with enough washes,” Sydney reassures him. Tina’s standing with her now, too, eyeing him like a spectacle. Everyone seems to be enjoying his misery. 

“Just ask your girl to get rid of it for you,” Tina says, an eyebrow raised. She raises a thumb to his cheek, rubs at the mark like a mom. “Damn. Shit’s on there.”

“They’re not—it’s not like that,” he sputters. He’s been trying to get through the day without anyone asking about it, but now that there’s some down time, there’s no stopping anyone. 

“A one night stand?” Tina guesses, eyes widening. She laughs and smacks him on the arm. “Didn’t think you had it in you, boy!”

“It’s not that, either,” Carmy stresses. He knows he’s getting overly flustered about it, but he can’t help it. His eyes flicker towards the clock. They’re closing soon. “Just forget it, okay? Please.”

He can tell from their expressions that neither of them want to forget about it, but by some stroke of luck, they’re considering letting it go. Just for now. That’s enough of a victory for now, so he’ll take it.

At least, it would’ve been a victory if Richie didn’t take that very opportunity to step into the kitchen. 

“Been trying to find you all day, bastard!” Richie hollers, slinging an arm over Carmy’s hunched shoulder. Carmy sighs, expressive in his annoyance. “Looks like this baby’s finally growing up, huh?”

“I’m 30, asshole,” Carmy says, tiredly, but that never works. Richie’s still talking, anyhow. 

“So? Do I know the chick?” Richie’s grin makes Carmy want to punch him.

“No,” he replies, flatly. He’s so tired. “And it’s not what you think. It was just, they’re, uh…”

“Oh shit, cousin!” Richie’s laughing, obnoxiously loud in his ears. “Didn’t think you were capable of—“

“It’s not a one night stand. Already guessed that,” Tina interrupts him. 

“What?” He sounds annoyed, like he has the right to be more irritated than Carmy himself. “Then what’s the secret third option? Or are you lying to my face?”

“They’re my roommate,” Carmy explains, finally.

There’s a beat of silence. And then, uproarious noise.

“You have a roommate?” Is Richie’s first question. The second: “Why the fuck didn’t you tell me?”

“Is, like, dating a roommate a good idea? No offense,” Sydney says, hands raised in defense. “Just wondering.”

“It’s not,” Tina answers for her, sharp eyes narrowed at him. But strangely enough, she’s smiling nonetheless. 

“They’re my roommate, we’re not dating, and I didn’t tell you because I knew you’d be weird about it!” He shouts over the noise, directing the last one at Richie. “Look—they were just drunk, and I was helping them because they were fucking throwing up. Happy now?”

“And they kissed you,” Richie points out. He’s grinning like he knows some big secret.

“Fuck, okay, can we stop fucking talking about this now? It was just an accident, it’ll be gone tomorrow, and we’re never gonna mention this shit again!”

Carmy gets saved by some distant catastrophic noise in the back, somewhere around the freezer. He leaves without a word. Behind him, he hears raucous laughter mostly to Richie’s tune.

Before he leaves for the night, he stops by the bathroom one more to try and get it off. Predictably, it remains stubborn and stalwart through soap, hot water, and scrubbing. The skin under it is red with irritation, and Carmy knows that he's getting nowhere. If anything, he's making it worse. 

His eyes linger on the blotted lipstick on his face. It's smudged, but he can see the cracks and the shape of their lips. His gaze follows the lines of it. 

The memory burns bright in his head for a split second. It bursts in like a flashbang, intense and unavoidable. There's a phantom sensation of their lips on his cheek, the smell of their perfume, the warmth of their embrace, and it's, it's just—

Carmy shuts the lights off and heads out. He needs this lipstick mark gone by morning. 

When he gets home, the apartment is dark. Unoccupied. As he flicks on the lights, he searches for them. They're usually home before him most nights. However, it seems tonight is an anomaly. He walks down the hallway past his room to theirs, and their ajar door reveals an empty bedroom.

“Fuck,” he mutters to himself. Just his luck. 

He opens his phone then, a last resort. He has his messages pulled up, but his thumbs hover over the keyboard and stay there. 

How the hell does he even word this?

Hey, I need lipstick remover. 

No, that isn't enough information. Who knows how many types of remover there could be? What if it isn't the right one? He needs to be more specific. 

Hey, I need lipstick remover for the lipstick you were wearing last night. 

That sounds even stranger. Too specific, although it's the truth. That's what he needs. But he can't just…type that, can he? No, there's no way. 

Is there any way he can get out of saying that there's lipstick on his face from last night and not make it weird? He wishes they were here so he could just show them. Words have never been his forte. There's little hope for him now. 

Please come home right now, he briefly considers typing. It's by far the worst one out of all of them. 

After pacing for a solid five minutes, he decides to send a hopefully neutral message. 

Hey, you out for the night?

It's still pretty weird. Carmy is not a texter. There's not much he needs to talk about that can't wait until he sees them next. They're usually the one texting him, and it's usually only about groceries or bills. However, he tells himself it's fine because there's no note left on the counter. They always leave a note when they go out.

…They always leave a note when they go out. 

This thought resets his pacing around the apartment, frantically looking for the square shape and vivid color of a sticky note. That's how they usually do it, and it's typically on the kitchen counter. So, it's honestly a futile effort to be looking around the whole place, but he does so anyway. 

He looks at his phone. It's been almost 10 minutes, and still no response. 

This isn't unnatural by any means. They always end up responding eventually, but the prickling anxiety is getting pricklier by the second. 

They've got to be so hungover. There's no way they're out again tonight, he thinks to himself, and he's positive it has to be true. 

They're missing, and you're not ever gonna get this shit off your face, his brain adds helpfully. 

That's what finally kicks him into gear and forces him to press the call button. 

It rings for a long time. The more it rings, the longer he stands there in the kitchen, the stupider and more anxious he feels. It's a pitiful feeling to be consumed by, but here he is, unable to resist. 

However, when they finally pick up, he's not sure if he feels completely relieved. A different part of his anxiety is spiking now.

“Carmy?” Their voice carries a trace of static through the phone speaker. 

“Yeah, hey. You see my text?”

“Oh, oops. Sorry, I missed it. Is everything ok?”

“Where are you?” He asks instead. 

“I'm just gettin’ a drink from the corner store. Why? You want me to grab something for you?”

The absolute nonchalance in their voice humbles him, reducing him to complete embarrassment.

“Uh, no, I don't need anything. I mean, uh, I do actually need something from you, though,” he amends hastily. 

“Sure, what's up? I guess it must be important if you're calling, right?”

“I, um—yeah, kinda important,” he says with attempted tranquility, completely ignoring how much he was freaking out earlier.  “So…you got, uh, lipstick remover?”

“Lipstick remover?” Their surprise makes him shrivel. “Well, I have a couple types of makeup remover…”

“I think it needs to be specific?”

“You think it needs to be specific? What exactly are we dealing with here?” Their voice carries bewildered amusement.

“It's, uh…” He swallows. He can't tiptoe around it anymore. “It's…yours?”

“...Huh?”

“You got some lipstick on me last night, and it's not coming off,” he says finally, mortifyingly, and the line goes silent. 

“Fucking—I'm so sorry, my memory is spotty from last night and I, I thought I imagined that, and, uh—” They awkwardly clear their throat. “I'm sorry, I really am. It's not supposed to transfer like that, but I guess it just…”

“It's okay,” he says, despite how hysterical it made him earlier. That part isn't their fault. “It's just, uh, really staying on there.”

“Shit. Of course. It's this super resilient lipstick I use for when I go out drinking, because it's not supposed to come off like, at all, so it comes with this specific remover—I'm sorry, I don’t need to be rambling like this.” They laugh nervously. “I'm on my way home now, but it should be on my desk if you wanna look at it. It's a black tube, which…isn't very specific, I guess. And my desk is really messy…”

“I'll start looking,” Carmy decides. 

“I'm sorry,” they reply miserably. 

“It's okay. You said you were coming home now?”

“Yes. Yes, I am. I'll see you soon, okay?”

“Cool. See you.”

The call ends. Carmy just stands there for a minute. It's like a tidal wave just rushed over him, and now the water is slowly settling to a stand still. 

Black tube, he thinks. How hard can that be?

Very hard, it seems. 

Their room is comfortably messy. Definitely not as messy as his. There's some clothes on the floor, jackets on chairs, underwear he turns his gaze away from (don't imagine them in that lace one lying in the corner or the flowery one or the fucking thong he didn't see anything), but that's about it. Nothing outside of typical clutter, in his opinion. 

The desk, though. The desk. 

He doesn't think he can even see the surface of it. There's just lots of little things scattered across it, from piles of jewelry to stacks of papers and books. It's like an ispy book. 

He stares at it, trying to find a black tube. He quickly realizes how much of a futile effort it's going to be. 

In this moment, he thinks about how he's never spent much time in their room. The two of them usually hang out in the living room. Besides, he's not one to go snooping around in someone's personal space. Until being pushed to his limits and being given explicit permission, that is.

He leans in, peering closer at the scattered items. There's a little bit of everything. Receipts, make-up brushes, scissors, paper scraps, empty water cups, hair ties, empty candy wrappers, lipsticks…none of which are black tubes. 

Maybe it's not on their desk. Maybe it's on a different shelf. 

They said it was on their desk, a voice in his head says, but he’s not listening.

The next closest thing is their nightstand. It's a little messy, but nowhere near as bad as their desk. There's a melatonin bottle, some lip balm, a bedside lamp. He squints, seeing what might be more pills or maybe skincare until a dark tube catches his eye.

When he picks it up, he realizes it's not black, instead being a dark blue. Also, it's not a tube, it's more of a bottle.

The text on it also reads as lube, not lipstick remover. 

…Lube?

It's lube, his brain repeats, helpful as ever. 

I can see that, he thinks back.

“Hello? Carmy?”

A familiar voice has him scrambling to put the lube back. He moves it back to the night stand more quickly than he could have ever expected of himself. 

“Hey, I'm in your room,” he calls back, hoping that his fabricated nonchalance comes off as believable. He steps out of their room into the hallway, and they appear at the end of it. 

The first he notices is how much better they look when he saw them last. To be fair, the last time he saw them, they were sobbing and throwing up into the toilet, drunk out of their mind, but still. It's still an improvement. Their cheeks are flushed from the cold, and their hair is mussed from being outside.

“Hey. Did you find it?” 

“I couldn't find it,” he admits. He steps out of the way to let them through, and then he follows them back into their room. 

“Yeah, sorry, my desk is a fucking nightmare,” they mutter darkly, making a beeline for their desk. “I swear I took it out and put it right here…Ah, yes!”

Miraculously, they pull it out. It looks like a lipstick in itself, and when they uncap it, it just looks like a white lip balm. 

“So, do I just…rub it on?”

“Well—yeah, you should, but it emulsifies with water, so you just use water and then use a cotton pad…” Carmy supposes the confusion isn't too well masked on his face. “Can I see where it is?” They ask tentatively. 

Wordlessly, Carmy turns his head. He supposes they're just glad they didn't see it immediately.

“Oh.” When he turns to face them again, their cheeks are dark with color. It's not a look he's used to seeing on them. “I'm sorry,” they say again with a downturned head. 

“It's okay,” Carmy says again, and he means it. He brings a hand to his cheek subconsciously. “I just…”

“Let me take it off,” they insist, guilt knitted in their expression, and that's how Carmy ends up seated on the toilet seat. 

“Now I'm the one getting patched up on the toilet,” he says quietly. He wonders if it was the wrong thing to say, but it makes them laugh.

“So, um, when did you notice?” They ask. The tube uncaps with a small pop.

“A couple hours ago,” he admits. The balm feels smooth and oily against his cheek. “I had no idea, but my coworkers, uh…”

“Oh my god,” they mutter under their breath. “I just don't think I'm ever gonna stop apologizing for this.”

“It's fine, really,” he insists, even though he was manically scrubbing at his skin earlier. “It was sorta funny,” he adds, even though he was freaking out while everyone else was laughing. They don't need to know. 

“That's good, at least.”

“Yeah. It was—uh…”

He feels their thumb rubbing circles into his cheek, and the words disintegrate like sand in the wind. 

“Sorry, this is just one of those things that takes a little bit of work to get off.” Their tone projects a casual indifference to it, but their voice is so quiet that it feels unfairly intimate. 

“I didn't know lipstick could be this…intense,” Carmy hears himself say. He's far away, still trapped in the feeling of their hand on his face. 

“It's what you need for an intense night out,” they reply with a small smile. He looks up at them then, meeting their dark eyes, but they're concentrated on the spot on his cheek. When they catch him looking, though, they don't look away.

“Are you feeling better?” He asks quietly. He can’t stop looking.

“A lot better. Yesterday was rough, but I'm feeling okay now.” 

“Good.”

“Yeah. Um…” They lean back, breaking eye contact, and Carmy feels a pressure releasing. They grab a wet paper towel and carefully drag it across his cheek. “Thanks again, by the way. For putting up with me last night. I mean, it was more than just putting up, but…y'know.”

“Sure,” he says, much softer than intended. “It happens.”

“I think you're just nice,” they tease, fully intended to be light-hearted, but because Carmy's the way that he is, it weighs heavily in his chest. 

“Sometimes,” he mumbles, because that's all he can bear to say.

Because last night, they looked him in the eyes and whispered that they wanted to know him. That they thought he was sweet, he was kind. They spoke with such earnestness that for a split second, Carmy considered believing them about everything, even though that’s always the wrong thing to do.

Because once he believes them a little bit, he’ll start acting like he’s a good person. He’ll fool everyone around him, even himself. 

Then, the inevitability that is his self-destruction will arrive like it’s always promised. He will mess everything up like he always does, sharp-edged flaws unfurling from the inside out. They’ll slice everyone he was able to fool into getting close enough.

The least he can do is try and give some kindness back before it happens.

“Just take the compliment,” they say with a small grin. “Y'know, I don't remember everything from last night. There's bits and pieces I know that're missing. But from what I do remember…” They make one final wipe at his cheek. “You have to let me be nice to you.”

He remembers, too. 

So deal with it, they had said. Me caring about you.

“How could I forget,” he tries to joke, but his laugh comes out sounding far too breathless. Luckily for him, their laugh, much more tangible and believable, joins his own. 

“I said some crazy shit last night, I know.” They take a seat next to him on the edge of the bathtub. “But I meant it. I like being your friend, Carmy. I hope I didn’t say too much.”

“You didn't say too much. You were just drunk.” He feels a bit stunned. 

“Okay,” they accept after a beat. “I mean, you're right. I was just drunk. Um…” They gesture towards his face. “I got the mark off, by the way.”

Carmy stands up and checks his face in the mirror. Sure enough, it's gone. He feels relief wash over him like a breeze, and another feeling he can't place. It's…It's…

“Thanks,” he says, and they nod. 

“It's the least I could do.” They stand up, too, and walk out of the bathroom. They stand in the doorway for a moment before looking at him. “I'm gonna smoke. You wanna join?”

It's…

“Yeah, for sure. I'll be just a sec.”

Then it's just him in the bathroom, the door shut as he stares at his reflection. The harsh fluorescent bathroom light casts harshly down the planes of his face, creating dark shapes on his face. He stares at the spot where the lipstick mark used to be. The longer he stares, the more the unnamed feeling stretches outwards. 

When it drops in his stomach, that’s when he realizes.

The feeling is disappointment.

~

@zorrasucia

[ciaomarie]

Neighbor Series Ch. 3:

If He Wanted To

Back to Sydney's POV shortly after moving in to the same building as Carmy. By this time her walls are slowly coming down because The Bear is running smoothly and the workplace dynamics are far more healthy. Sydney forgiving him after Friends and Family and the crew having his back helped Carmy be kinder to himself. So less rage. More cuteness. Too bad the actual show is going to rip our hearts out before he gets better! Anyways, here's part 3. Sidenote: Ayo can actually sing.

ALL Sydney wanted was a long hot shower after 12 hours at The Bear. The showerhead in her new apartment had perfect pressure. The scalding water was melting the butter and garlic from her pores. Her vanilla currant scented body wash had just been lathered all over, when she spotted an alien presence. She did a quick spin under the water to rinse off hoping against hope that she just had eye floaters from exhaustion. She gingerly stepped onto the bath mat and grabbed her huge pink terrycloth robe. Okay, it was go time. She scanned the ceiling and there it was!

"Don't move" she whispered.

Sydney dashed to her kitchen and came back armed with a copy of the largest paperback she owned, The Joy of Cooking, and a can of insect spray. The enormous (actually quarter-sized) spider was poised in the top right corner of her bathroom.

"I'm not afraid of you. I work with Richie every day," she taunted the beast.

She aimed the spray and shot. The spider spun down and launched itself at her! With a yelp Sydney dropped the heavy book and ran for cover slamming the bathroom door behind her. She ripped off her shower cap furious with both herself and the stupid spray. This stuff was supposed to kill on contact, not antagonize it!

Soon there was a panicked knock on her door.

"Hey, Sydney! Are you okay?" a man's voiced cried. It sounded like Carm.

Sydney groaned. This is what it means to live above your boss. He gets to find out more of her quirks and weaknesses. Hurray.

She went to the door and cracked it open a few inches.

"Hey! Yeah…I was just trying to kill this big spider. I dropped a book. It's all good now. Thanks!"

The corners of Carmy's mouth twitched and he asked "Well, did you get it?"

"No. The bathroom's his now".

"Just let me get it, Syd."

"Fine."

Sydney let him in and noticed his hair had just been washed and his clothes, thin joggers and surprise, a white t-shirt, were clinging a little to his body. He'd obviously been showering too when he'd heard the commotion. Don't stare. Don't stare. DON'T STARE. He smelled like cedar and musk. DON'T SMELL EITHER.

"Nice robe " he said smirking.

"Are you coming in to help or what?"

"Yes, just get me a paper towel."

Sydney padded into the kitchen to get it leaving a delicious scent trail of her body wash, which Carm inhaled deeply the moment her back was turned.

A moment later with a paper towel in hand he entered her bathroom.

"Why are women's bathrooms always so much better?" he thought as he searched for the spider. Soon he found it running erratically around the tub, obviously maimed by if not yet dead from the spray. With one swooped he had it crumpled in the paper towel and tossed in the wastebasket.

Reentering the hallway he informed Sydney that "It is done" with the seriousness of a hired hitman.

"Thank you. And sorry for interrupting your night. I owe you."

"Yes, you do."

Sydney scrunched her nose, "Okay, what? I don't want it hanging over my head."

"I want a song."

"Excuse me?"

"Either now or within 24 hours, I want a song. I've heard you singing up here and you're good."

"Carmy, that's ridiculous."

"What's ridiculous is you interrupting my shower, for a little spider. So, I'm owed a ridiculous request."

Sydney shook her head giggling, wondering how her life went from melancholy coming-of-age drama for the last couple of years to…this. Her life was now filled with hope, an amazing workplace family, and Carmen Berzatto. With him she was achieving her dreams and if she could only continue keeping her rogue feelings or hormones, or whatever in check everything would be great.

"I'm too tired to argue with you, so fine. A song. Anything in particular?"

Carmen stared at her, thinking for a minute.

"When he owes me, I'm going ask him to wear sunglasses on the inside" Sydney thought trying not squirm.

"Okay, there's this song I've heard you singing all last weekend, but I don't know what it is. The words weren't clear."

"Knocks Me Off My Feet? I was having a Stevie Wonder revival for a few days, but that's a cheesy one. How about anything else?"

"No, thank you. I want Knocks Me off My Feet, chef"

"FINE. For a small spider you only get a verse and a chorus," Sydney grumbled.

Carmy leaned against the opposite wall and waited.

She swallowed, took a deep breath and closed her eyes. When she started singing in her sweet soprano voice she couldn't help smiling and thinking of her parents. This was their song.

We lay beneath the stars

Under a lover's tree that's seen through the eyes of my mind

I reach out for the part

Of me that lives in you, that only our two hearts can find

But I don't want to bore you with my trouble

But there's somethin' 'bout your love

That makes me weak and

Knocks me off my feet

There's somethin' bout your love

That makes me weak and

Knocks me off my feet

Knocks me off my feet

The words cut through to his heart. Somehow when Sydney stopped singing Carmy retained his senses enough to not break every professional boundary. He did not gather her in his arms. He did not kiss her. He did not confess that he missed her on their days off and even sometimes at work when she was out of sight for too long. However, Stevie Wonder couldn't miss the look on his face.

Sydney's eyes met his and in that moment she acknowledged everything she pretended not to see before. And she decided that if this indeed would be something, then he would have to make the first move. Thanks to her father's advice and experiences with Carmen himself, she lived by the motto "If he wanted to, he would".

Breaking his trance, she said "Well, goodnight then."

Carmy blinked a few times and headed towards to door. Then he paused. If he didn't say something now, would he ever? Anyways, whatever truth he thought he was hiding under a partnership or friendship had been reflected back in Sydney's face just as sure as if she could read his mind.

He braced himself.

"May I walk with you to work tomorrow?"

"Yes, but don't we already do that?"

"Sure, but usually I'm just waiting to hear your door open before I leave. Like its a coincidence."

"Oh."

Breathe Sydney.

Okay."

"Goodnight Sydney. And I'll bring breakfast to-go."

After Sydney locked the door behind him, she slumped against the wall and slid to the floor, stunned. Did he just read her mind and decide to make a move? A baby step, but nonetheless a step.

"Great. Now I'm literally sliding down a wall over him, " she chuckled, a little delirious.

Thank God for spiders.

[friendofcars]

Hello! Here is data on point of view distribution across characters in The Dreamer Trilogy (which I will abbreviate as TD3) as a follow up to my TRC data from last year (viewable here). A rather long-winded discussion of the data, methods notes, and some supplemental figures and tables are under the cut. As it was not possible to include all values and stats in this post (nor in the alt text for image IDs), my spreadsheet can be viewed by clicking here,

This project quantifies and visualizes the distribution of chapters and pages in the books of TD3 across characters from whose POVs the story is told. I didn’t have much of a hypothesis going into data collection/analysis, especially not like I did for the TRC data, but I did expect to see Ronan’s POV having the most chapters and pages for the entire series, given the fact that he is the most central of the protagonists. I don’t think page time is the be-all-end-all for a character’s importance, of course, but it is still interesting to consider how spending more time from certain perspectives affects the perceived narrative. I won’t get much into that aspect of analysis in this post, but if anybody would actually like to discuss that, I’d love to!

Results (and Interpretation):

TD3 consists of 173 chapters and 1184 pages (using the U.S. hardcover editions), making the average chapter 6.84 pages. The longest chapter is 16 pages, and the shortest is 1 page.

Figure 1A: The average chapter in Mister Impossible (MI) is considerably longer (9.26 pages) than the average chapter in Call Down the Hawk (CDTH) (6.00 pages) and in Greywaren (GW) (6.40 pages), which makes sense as MI has just 38 chapters while CDTH has 80 and GW has 55 (see Fig. 2). To me, the effect of the longer chapters (and therefore extended time with the current POV character) makes the various POVs feel more temporally distant from one another- not in a narratively incoherent way, but in a way that echoes the sense of isolation experienced by dreamers and weaponized by Bryde as he tries to convince Ronan and Hennessy to abandon their loved ones.

Figure 1B: Chapter length is fairly consistent amongst POVs across the series. Matthew has the longest average chapter length (8.40 page) over a small set of chapters (5 total)- his character development (as told from his own POV) is limited to a small number of instances, which may have stretched his chapters a bit longer. The 'Other' category has the shortest average chapter length (5.13 pages) (Fig. 1B); it includes the typically short chapters from witnesses of Visionary explosions/aftermath (Mags, Dabney) as well as Nathan's manifesto excerpts. (As a side note, I've described the chapters depicting memories from the Barns as 'Mór and Niall.' These chapters do not collectively portray an equal balance of their POVs, but this was the simplest way to categorize them.)

Figure 2A-B: These graphs are representations of chapter distribution across POVs in TD3 in terms of chapter count (2A) and proportion of total chapters (2B). Some observed trends include Declan's proportion of total chapters remaining quite constant throughout the series, Ronan's decreasing, Hennessy's proportion of chapters nearly doubling from CDTH to MI (and staying at a similar proportion to MI in GW), and Jordan's proportion following an opposite trend (consistent proportion in CDTH and MI, followed by a more than 50% drop in GW). Carmen's proportion of chapters also declines after CDTH.

Figure 2C: This graph compares total chapters per character POV over the entire series. We can see that the largest proportion of the series is told from Ronan's POV (53 chapters, or 0.306 of all chapters). To put that in perspective, Hennessy has the next highest number of chapters (26, or 0.150 of all chapters), which is just under half the number of Ronan's. If all characters had an equal number of chapters from their POV (including the miscellaneous POVs as one category labeled Other), they would each have 21.6 chapters, represented by the horizontal dashed line; Declan, Jordan, Carmen, and Hennessy all have chapter counts relatively close to this number.

Figure 2D-E: These are representations of page distribution across POVs in TD3 in terms of page count (2D) and proportion of total pages (2E). Trends are similar to those depicted in 2A-B, but 2E does make Declan's increased proportion of page time in GW salient.

Figure 2F: This graph compares total pages per character POV over the entire series. The dashed line shows that if each character (plus the Other category) had equal page time in the series, readers would spend 148 pages with each POV. Again, page data is similar to chapter data, but comparing graphs 2C and 2F gives a clear visual indicator that Jordan's chapters (on average, 8.11 pages) are longer than Carmen's (on average, 6.08 pages), since Carmen has visibly more chapters in 2C yet nearly the same number of pages as Jordan in 2F.

Figure 3: Figure 3 shows distribution of chapters (3A-B) and pages (3C-D) in CDTH, as well as average chapter length for each character POV (3E). An equal distribution of chapters would have been 13.3 per character, and an equal distribution of pages would have been 80.0 per character. The 'Other' category included chapters from the perspectives of Lock, Breck Myrtle, Shawna Wells, Jason Morgenthaler (and Lin Draper, briefly, in the same chapter), Mags Harmonhouse, and Dabney Pitts. Carmen's average chapter length in CDTH (4.67 pages) is the lowest single-book average for character POVs appearing throughout the entire series. (Nathan's average chapter length is just 1.00 [Supplemental Figure 2], yet his POV only appears in GW via his manifesto excerpts, and while I have attributed these chapters to his POV, I interpret the POV as actually ambiguous. As with Kavinsky's text in TDT, it's not absolutely certain if we are reading from the writer or the reader's perspective [although in TDT, due to the lack of Kavinsky POV elsewhere, it's probably the latter]).

Figure 4: Figure 4 shows distribution of chapters (4A-B) and pages (4C-D) in MI, as well as average chapter length for each character POV (4E). An equal distribution of chapters would have been 5.43 per character, and an equal distribution of pages would have been 50.3 per character. The 'Other' category included two chapters, both with what I deemed omniscient narration. Declan had the shortest chapters in MI (8.20 pages), and Jordan had the longest (11.4 pages, the longest average for a character for a single book in this series).

Figure 5: Figure 5 shows distribution of chapters (4A-B) and pages (4C-D) in GW, as well as average chapter length for each character POV (4E). An equal distribution of chapters would have been 6.88 per character, and an equal distribution of pages would have been 44.0 per character. The 'Other' category included Nathan's manifesto excerpts (3 chapters), 1 chapter from Liliana's POV, and 3 other chapters with omniscient narration. While Ronan never has the longest chapters, his chapters are shorter relative to other POVs in Greywaren, perhaps as a result of the way his chapters are written during his time asleep/in the sweetmetal sea. I have not yet investigated whether chapters tend to be longer while characters are awake vs asleep or dreaming, but that's something that could be measured from the existing data in the spreadsheet! There is also a dramatic drop in Jordan's POV time in GW compared to the previous two books, perhaps because of her increased divergence from Hennessy and desire to establish a life that follows her own narrative.

Other findings: A major difference I noted between TRC and TD3 was the lack of split chapters in TD3. In TRC, the data analysis was made slightly complicated by having to account for the fact that a non-negligible number of chapters would make a distinct and discrete switch between POVs partway through. While I did not observe this in TD3, I did encounter more ambiguous/nebulous POVs as I previously mentioned. The increased presence of omniscience in the trilogy, for me, contributed to the increased sense of scale and stakes compared to TRC. This increased continuity amongst POV (not amongst core/recurring POV characters, but amongst groups of characters/communities depicted in the omnisciently narrated chapters) also contributed to a sense of dissolution of barriers and identities, perhaps thematically in line with Ronan's character development and increasingly holistic perspective of both his humanity and otherworldliness (although Ronan is not necessarily featured in these 'boundary-breaking' chapters). I also briefly looked at occurrences of back-to-back chapters from the same POV; this happens most frequently for Ronan in all three books, mainly in CDTH, and sometimes featuring a dreaming chapter directly before an awake chapter (or vice versa) in immediate succession. Declan (MI), Carmen (CDTH), and Jordan (CDTH) all have a pair of back-to-back chapters at some point in the series; Hennessy has 2 (MI, GW).

Conclusions: In all honesty, despite this project being quite fun and fulfilling and of course, worth doing, I do not think I have any particularly insightful conclusions about the data beyond what I've already discussed. Ronan took up the largest share of the chapters and pages as expected, although I am not sure I expected this to be true by such a large margin. I also was surprised that Declan did not have more chapter/page time, but it is possible that his notable inclusion in chapters from other characters' POVs increases his prominence in the series (and I suppose this is probably true for all characters who frequently appear in chapters outside their perspective). As with TRC, the number of POVs expands as the series develops, often with the effect of increasing the scope of the story's implications, and perhaps, more importantly, showing the story from additional angles that contextualize and/or distort narrative established by other characters' perspectives. I hope you've enjoyed exploring the data as I have, and those interested in my methodology may continue reading below!

Methods:

Data collection was straightforward in the sense that I simply counted the pages in each chapter and then assigned each chapter to a character based on the POV represented. The POV character assignment was more difficult than it was for TRC, as TD3 has more omnisciently narrated chapters, which in itself is easy to categorize, but they often zoom in on or are 'biased' towards the experience of a particular character, so I had to make some decisions as to what, for me, constituted sufficient focus on a character’s internal narration and expression vs. omniscience. In the spreadsheet, I took notes on these more subjectively driven decisions. Again, you can view it here! It also contains data on whether the chapter is from an awake or dreaming POV, and has the first lines of each chapter, among which are some fun repeating patterns. 

For bar graphs with dots, each dot represents a single chapter. You may also notice that the graphs are missing p-values from statistical tests this time around! This is because, since completing the TRC data, I’ve realized that such measures of uncertainty re: significant differences are not appropriate for my dataset, which is not a sample representing a population, but rather a complete group of chapters (so parametric tests are not necessarily helpful or valid). However, I still like to run the tests for my own amusement and to see what the results would be if this were a dataset for which ANOVA and contingency tests were appropriate, so I have standard deviation bars on the graphs where calculable (but no standard deviations in the text of the results section for legibility) as well as the p-values in tables at the end of this post for anyone also curious. I did still calculate the numbers of chapters and pages that would represent an equal distribution across POV characters, which are represented by the dashed lines on the relevant figures. I think this is helpful to visually gauge 'over-representation' and 'under-representation' of character POVs.

Below are the supplemental figures showing all character POVs rather than lumping some together in an 'other' category. The MI data in figure 4 is not expanded below because the chapters designated as 'other' were omniscient and thus would have remained in the same category.

And finally, here are the omitted p-values, if you'd like to pretend along with me that all the chapters in TD3 are not a complete set but rather a representative sample of a greater population of chapters that's out there in the universe. :) When I give a p-value below the 0.05 threshold but still write 'no significant differences amongst any combination of characters, I mean that the p-values generated for the comparisons between each possible pair of characters were all above 0.05, which are distinct from the overall p-value generated from the ANOVA.

[sillygoose067]

Charles’s Angel(s)

Ch. 33

Charles Leclerc x Reader

The next few days pass with a kind of mundaneness, going through the motions of your everyday life as usual. You text and call Charles in between breaks, usually late at night, because, as Sabrina Carpenter said, “I’m working late, ‘cause I’m a singer [and music producer]”. 

Charles sends you a text one night. Are your suitcases packed?

…No,why?, you reply.

You didn’t forget that I’m taking you with me to LA, did you?

Shit. It had completely slipped your mind with how busy you’d been on a recent project. 

…I did. Ok, thanks for the reminder though, I’ll get that done ASAP.

When’s the flight?

Of course, baby. I knew you had a lot on your mind. Flight’s in 2 days, I’ll pick you up around 1:30 pm, we board at 2:45.

…

The day of the flight, the moment Charles steps into your place, you drop everything and rush to him, hugging him tightly. He oofs in surprise but then reciprocates. “I missed you”, you mumble into his hoodie, squeezing him tighter. 

When you part, he regards you with soft eyes and a little smile, cupping your cheek (which you lean into), and bending down to leave a peck on your lips. “I missed you too Cherie.”

By the time you’re boarding the plane, which you find out is somewhat private, meant to transport all the grid drivers to their destinations together, you are a ball of nervous energy. Now that you knew that the other drivers and their WAGs (a term Marie taught you, now that the two of you were a part of the category) would be there, you were worried about first impressions. 

You hear loud laughter coming from inside the aircraft, and Charles manages to drag you in. You feel all eyes turn to you as your boyfriend pulls you along to your seats. You stand awkwardly, unsure of how to act when one of the women rises and welcomes you, taking your hand to come sit with her instead. “Hello! I’m Francisca, but just call me Kika. I’m Pierre’s girlfriend. Come sit with me and the girls so we can get to know each other more. Us women need to stick together, you know?”

Turning to Charles, you silently ask if it’s alright for you to leave your intended seat and join the WAGs instead. You get your answer when one of the other drivers, Max? claps Charles on the shoulder and hands him a Nintendo controller, plopping down into your original seat as Charles shrugs at you.

You get introduced to Kelly, Lily, Heidi, Lily Z., Carmen, and Rebecca, all wonderful, beautiful women. You share stories about your different occupations, and how each person met their partner. You meet P, Max and Kelly’s daughter, a sweet little girl bubbling over in curiosity. When it’s your turn to share, you tell the ladies about California being your home state, and one of your plans being to go to some beaches. 

“Wow! Can we come too?”, asks Kika. 

“Sure, I’m sure Charles won’t mind.”

“Yay! Ok, I’ll just check with Pierre, he should be fine with it.”

“And I’ll talk to Carlos. There’s no way that man’s going to refuse me”, says Rebecca slyly. 

Kelly tells you that unfortunately, she’d already made plans to take Penelope to Disneyland, and Lily, Alex’s girlfriend, tells you that she’d love to come, but she has a golf tournament the entirety of her stay. 

The eight of you bond over how cute your drivers are and predict how the next GP will go.

…

When you land in LA, you’re met with a sweltering heat you certainly hadn’t missed. The staff drop all of you off at our respective hotels. Charles changes out of his sweater and into a T-shirt. You decide to stay in for the day and rest. 

“Wow! An infinity pool! That’s so cool, I’ve never seen one before!”, you exclaim excitedly as you skip around the hotel room– No, actually, the hotel suite because your boyfriend just didn’t know how to even pretend to be broke. Not that you minded, duh. Poor man had to follow you around as you yanked him around by the arm. 

You both take some cooling showers and change into some thinner clothes for the sake of not melting into the ground from the heat.

Refreshed and lazing around in each other’s comfort, Charles rolls on top of you. “Oof”, you groan. He simply ignores you and lays his head on your stomach while you run your fingers through his hair. “Cheri, I think I’m going to take a nap like this.”

You let out a horrified shriek. “Charles! I will literally die if you do that. You DO know that you have a huge head… and a lot of it is from your ego.”

He tickles you in response and you squeal, squirming to get out from under him, but his weight on top of you traps you, his fingers relentles. When you finally manage to take a breath, cheeks flush and glowing, hair askew, Charles pulls out his phone and snaps a picture of you. “What was that for?”

“Mmm, I finally have the perfect lock screen wallpaper, duh.” He sticks his tongue out at you.

You hum, unable to move yet. “Your fingers are evil”, you comment. 

Your boyfriend just lifts his head and smirks, mirth in his eyes. “Really? You’ll be saying something VERY different about my fingers in a few months.”

You just quirk an eyebrow, confused by what he means when it hits you. Somehow you find it in you to smack him. “Charles, ewwww!” And the little bitch just cackles. You mumble something into your arm. 

“What was that baby?”

You whine, refusing to repeat, but he pokes your stomach again and you’d rather not be tickled again while you’re already so weak from the last round. “I said… it might not take a few months…”, and somehow you manage to turn even redder while you watch his eyes widen and pupils dilate.

[pacificwaternymph]

Hey so um. Surprise?

I know this differs a lot from my usual content but if you want something done right you do it yourself ig-

Anyway, platonic Gray and Carmen for the soul <3

CH: 1/1

CW: Talk of death, talk of attempted murder (past)

Word Count: 5016

Rating: Gen

Relationships: Carmen Sandiego | Black Sheep & Graham Calloway | Crackle

Characters: Carmen Sandiego, Graham Calloway, Zack, Ivy, Player

No Archive Warnings Apply

Summary:

…She should leave him. He’d get picked up by the authorities, sure, but VILE would have him out in no time. Trying to drag him with her would only slow her down, and she couldn’t afford to be slow right now. She had places to be, things to steal and heists to ruin. She didn’t have time to feel bad about a person who would have dragged her back to VILE without a second thought had their positions been reversed.

By the time Chase Devineaux reached the train, all he found was an empty compartment.

-

Carmen doesn't leave Graham on the train to Paris. It changes... well, not everything. But certainly a lot.