#chalaang course

[toptopic4u]

The Chalaang- Your Digital Marketing Virtual Assistant |

The Chalaang- Your Digital Marketing Virtual Assistant 1.3 K VIEWS Register For Our Online Courses Select Course—Advanced PhotographyMakeupRadio JockeyAdvanced DJContent WritingBasic Graphic DesignStock MarketReal Estate BrokerE-SportsBasic DJBasic PhotographyAdvanced Graphic DesignPodcastSoftskills Language Of…

[tellywoodtrash]

ishqbaaz 17.09.18 lb

dang starting off with anika standing outside the room cordoned off with all the crime scene tape. kindaaaaa gutting.

also, is there a point of all this tape? like... it’s in their HOUSE... who’s to know if anyone goes in and tampers with the active crime scene as it is rn? shouldn’t the police have finished up all the crime scene investigation, cleaned up the scene and left the room free for use? if not, post guards there to prevent trespassing. yeh kya baat hui ki tape maar diya aur chal diye?

shivaay’s just zombie walking through the house. cool.

oh, what’s this? what’s he gathering himself for?

greaaaaaaaaaaaaaaaaaaat. he’s going to do “biwi nahi ho” waala jaap, to make her feel even worse. bitch did you even have a proper conversation with her about nancy in your fucking bed???????? how the fuck do you think she feels about THAT?

“main nahi chaahta ki duniya tumhe khooni ki biwi kahe.”

uh that’s nice and all, but that’s what they’re gonna call her anyway. since it’s now official record (as per the statements given by EVERYONE  to the police) that she’s your wife.

LMAO “NAYE SHEHAR MEIN CHALE JAO”. WOW. GHAR SE HI NAHI, SHEHAR SE BHI NIKAAL RAHA HAI.

(which is what he threatened chachi with on anika’s bday. seems like it’s his go-to plan in any given scenario in this universe.)

lol of course this dheent won’t go.

main hoti toh mast shimla jaake khud ka ek chotaaaa sa bed and breakfast kholti. and it’d have a tiny apple orchard too... and the bnb would have its own resident doggie, a giant floofy sheepdog. maybe two, three bunnies as well... a few chickens that’ll provide eggs...

ok sorry. i got carried away by the dreams of a new life fully bankrolled by a murder suspect billionaire husband. *sigh* some girls have all the luck.

“tum apni zindagi ko mushkil mein daalna chaahti ho!”

LMAO WASN’T THAT ESTABLISHED SINCE THE DAY SHE VOWED TO MAKE YOU PUT THAT MANGALSUTRA ON HER, BY HOOK OR CROOK?

“kyunki aap mere pati hai.”

i swear to the lord above, every time i hear this bs, i lose 8 years off my lifespan.

there. she said it once more. at this rate by the end of this track, imma be dead by 32. (and the show will still be on. and these two fuckers will STILL BE AT IT.)

“agni ko sakshi maanke aapki har pareshaani aur mushkil mein saath dene ka vachan diya hai maine.”

uhhhhhhhhhhhh lmao no you didn’t? you weren’t even fucking conscious during the phere. pata nahi TAB iske hosh thikaane nahi the, ya AB nahi hai.

whatever i’m giving up on her bs and just enjoying his excellent hangdog face.

oh suddenly she has a phd in clinical psychology and is a therapist.

“naa main aapka saath chodungi, naa aapka haath.”

lmaooooooooooo his face is like ‘srsly what the fuck i gotta do to get this chick off my back????? nancy ka toh khoon maine nahi kiya, lekin shaayad ISKA karna padega.’

some more puppy face.

+ 10 to her for asking consent (though maybe -3 for not actually waiting for a solid yes.)

oh good for you, shivaay! you haven’t regressed into not knowing how to hug back! i’m proud of you!

damn he really needed that hug. my poor broken son.

great, the world’s most sasta CSI team is on the case.

“we have to prove shivaay is innocent.” “how?” “by finding evidence that he is.” LMAO WOWWWWW AISE TOH HUMNE SOCHA HI NAHI OM!!!!!!!!!!! THANKS CAPTAIN OBVIOUS.

ummmmmm no shivaay. you can be proven innocent without knowing who the real murderer is. that’s exactly what om just said.

tight security my assssssssssss.

om is literally the worst detective ever.

.......... ARE YOU KIDDING ME? THOSE TWO WERE NOT SOBER. THEY WERE SLOSHED BEFORE YOU EVEN JOINED THEM.

lmaoooooooooooo ofc noone believes him. aur banaa milaavati punch har party ke liye.

bro, just the display for the cameras were damaged. the cameras should still be doing their fucking thing. just hook it up to a new display system.

oh goooody! shivaay’s trespassing into the crime scene and adding some more of his dna and shit in there. brilliant!

LMAOOOOOOOOOOOOOOOOOOOO THAT SASTA ZOOM OUT/SUPERIMPOSED IMAGE. (look closely in upper left window and wave at shivaay!)

AND ISN’T THAT THE BUILDING HE MAAROFIED CHALAANG FROM BUT WITHOUT THE CGI ADDED 30 FLOORS????/

ALSO THE OBEROI GROUNDS ARE SO LARGE, THERE’S NO WAY ANY BUILDING IS CLOSE ENOUGH TO CATCH WHAT’S HAPPENING INSIDE THE HOUSE. WHAT COMPLETEEEEEEEE RUBBISH.

oh boy. bhavya’s not happy at the reports. looks like she’s going to have to arrest mr. oberoi, who she’d just gotten around to liking.

oh god now who’s this ARMAAN SAXENA???? (also pfffffffffft, such a typical tellywood “rich person” name.)

i love how this building ka cctv footage focuses more on oberoi mansion than its own premises.

good to see officer dad still be supportive to bhavya.

LMAO COOL. NOT SUSPICIOUS AT ALL.

THIS IS HIS BIG PLAN??????? SETTING OFF THE FIRE ALARMS??????? 

.... how did they check the entire building to know it’s a false alarm sooo quickly?

also lmaooooooo are you telling me alllll the security footage of this big commercial complex is stored in a laptop???????/ that shivaay is now just putting a usb drive into and taking??????????????? LOLOLOLOLOLOL. AMAZE.

whaaaaaaaat the fuck are they even getting from this one mile away ka footage?

LMAO THAT DHUNDLA FIGURE BEYOND THE CURTAINS? REALLLLLY?????

ok come the fuckkkkkkkkkkk on, that’s soooooooooo obviously mohit. like fuck, it could not MORE obviously be him. look at the build and height.

btw so glad this episode has had no mohit (beyond this) so far. phew.

are these fuckers blind????? how can they not tell that this is mohit????? he’s got like 3 inches and 5 more kilos of solid muscle on him compared to shivaay.

LMAO WHY DOES FWDING A DIGITAL VIDEO FILE PRODUCE THE TAPE WINDING WAALA NOISE?

wow rudra has no issues watching someone get murdered. everyone else is flinching and looking away but he’s watching it with eyes wide open.

DUDE YOU’RE SO IDIOTIC, IT’S NOT YOU, YOU DUMBASS. LORD.

anika and om’s only tassalli is “yeh (tu) nahi ho sakta.” provide proof you idiots.

shivaay is on his ownnnnnn trip. godddddddddddd.

rudra’s been studying law from like... tv or something. he has some bare minimum knowledge, but most of it seems to be from watching too many late night CID/crime patrol/saavdhan india reruns.

great. om’s panicking. that should be reassuring for shivaay. that his wall is falling apart.

this one is imagining himself chakki peesing and peesing and peesing already.

LMAO OK THE POLICE SIRENS RIGHT AT THAT MOMENT ARE NOT HELPING.

MOHIT IS STILL IN THIS FUCKING HOUSE??????????? WHY THE FUCK??????????????????

of course it’s gonna be shivaay’s fingerprints. mohit kachcha khilaadi thodi hai.

lmao i reallllllllllly love how bhavya tells mohit and rudra to stfu every time they act too smart. this itself has made me a bhavya fan. you go girl. shut down their mansplaining.

fucking dumbasses, trying to teach her her job. ACP BANNA HALWA HAI KYA???????

WHY THE FUCK ARE YOU PPL THINKING OF CALLING THE COMMISSIONER INSTEAD OF A FUCKING LAWYER???????????

again, bhavya having to explain her job to these fucking idiots. lord. i hate men.

ofc tej doesn’t help. or let om do anything to help. he can literally die in a fire.

daaaaamn that wall of oberois.

also feeling more sexual tension between om/bhavya than rudra/bhavya.

lol kunal just has some kinda weird sexual chemistry with literally everyone huh.

DO NOT TELL ME SHIVAAY’S DUMB ASS RAN AWAY AGAIN. PLEASE.

OMFG. THIS FUCKING IDIOT. WHAT THE FUCK IS EVEN WRONG WITH HIM????????????

[the-rsace]

How the Pandemic changed Cinema

The last 18 months have been quite unique in recent history. COVID – 19 a respiratory virus pandemic has affected almost 200 million people and 4 million have died. Wave after wave the pandemic rages on. Most parts of the world have experienced varying periods of locked downs.  Lifestyles have altered. Ubiquitous connectivity has ensured that while physical contact has been limited to immediate vicinity almost all the people have remained connected to one another through mobile phones and Internet. Economic activity had fallen substantially in the first few months of the pandemic and it is returning towards Pre-Covid levels fast. Many people are working from home, students are studying online and physical activity has been severely restricted. Hospitality, travel, restaurants and organized retails are the worst sufferers. Media & Entertainment too have witnessed a digital moment. India is no different. Almost all of us have spent more time during the past few months before a TV, computer or mobile phone screen. Zoom calls, WebEx video conferences, virtual meets and video chats have become the new social activity. Amidst several re-runs across channels and watching news (or what masquerades as news) many of us are catching up on new programming on one of the dozen odd streaming platforms. Of course, avid cinegoers are missing their regular cinema visits. Some of us who are fond of plays and concerts are getting our fix via virtual concerts. As we gradually and grudgingly begin our usual routines will entertainment return to its earlier magic? Indeed, but a lot more online. Cinemas have remained shut and are just beginning to open haltingly. Exhibitors and cinegoers alike are keeping their fingers crossed that soon they will be able to see the favourite film stars on the Big Screen. As vaccinations pick up, more and more people will resume their normal life. Entertainment will once again become its normal self. Though people are now up and about in large numbers yet a big percentage of us are staying indoors except for emergency outings. Obviously, we are spending more time keeping ourselves informed and entertained.  There’s a paradigm shift from analogue to Digital. Newspapers are read as much online as in print. Streaming services like Netflix, Amazon Prime. Disney Hotstar, Zee 5, Sony liv, etc. have seen a 50% spike in viewership. In the last 34 months several new series have streamed on these new streaming (OTT) platforms even as old favourites like Big Boss, KBC and Music contests continue to attract large TV audiences. Although a scepter of regulation looms large on digital content, for the time being Indians are enjoying their dose of realistic, often violent and bold drama on OTT. The recently concluded IPL has attracted more viewers than ever before. TV advertising and viewership is back to normal. Interestingly in the last 12 weeks. A dozen odd films including Dil Bechara, Sadak 2, Gulabo Sitabo, Shakuntala Devi, Khali Peeli, Raat Akeli Hai, Serious Men, Chalaang, Lakshmi Bomb and Radhe have premiered on streaming platforms and more are in the pipeline. Millions have watched these films and some have proved popular as well. Movies are getting released directly on digital platforms without waiting for the cinemas to open. There is a debate going on between cinema owners and producers whether this is a breach of business protocol. Well to put this in the right perspective let’s understand some ground realities. In 2019, India produced 1800 films out of which only 600 found a theatrical release. Most others struggled to get viewership on TV or online. With only 9000 screens India is a hugely under screened country-China has 60000 and the US has 40000 screens. Logically not more than 6 films should be released every week in cinemas. On the other hand, the larger budgeted films or even some smaller eclectic movies do need large screen viewing.  For such films the streaming platforms are God sent. In the next few months this sabre rattling will give way to the same uneasy equilibrium as before. The top 100 films (in all languages) will garner maximum eyeballs and revenue share. Another 200 odd films will get a patch theatrical release, some films even getting as few as one or two shows a day. Earlier the only possible source for these filmmakers was to try and sell to one of the satellite channels or since the past two years it’s the streaming platforms. Since one does not, thank God for small mercies, require a license to make a film India has been overproducing movies far beyond what can be consumed both financially and time wise. Multiplex owners actually need the top 50 films to shore up their balance sheet so ultimately, they too will have enough content once the people start going out more. In the years to come theatrical release of films will be restricted to selected films. Films which need a shared cathartic experience in a darkened auditorium. These films would either be large space epics what Hollywood calls Event Films. Spectacles, superhero films with all the bells and whistles like Imax, Atmos sound and other sensory thrills. A few big star action, adventure or drama films will be a part of the big screen specials. In due course a visit to the cinema will become a special outing. Social distancing and masks to be intact. One thing is certain budgets will have to come down for both films and Broadcast TV. Advertising revenue is shifting fast from analogue media to digital. Social distancing and other precautionary measures are now becoming necessary in the post Covid world will mean reducing crowding on film and TV studios. This will mean leaner crews and the end to the entourage economy perpetrated by the stars. Elaborate health precautions and sanitization regimes are now mandatory for studios and cinemas alike. Most of marketing will shift to online promotion and Digital Out of Home (DOOH) reducing the extensive marketing budgets to more manageable ones. Start to finish filming in a sanitized location will be preferred. These films will have smaller budgets and arguably a little diverse content.Films are the fountainhead of all other forms of modern entertainment. The larger-than-life stars and the glamour and glitz of showbiz make cinema perennial. The formats change, technology changes, the screen size changes but storytelling never goes out of vogue.  By next year end the Film Industry will be back with its 10% CAGR. A recent PWC report says the Indian Media & Entertainment Industry will grow to over Rs 4 lakh crore in 2025. One can only hope that this actually happens. Amit Khanna (Writer, Film Maker, Media Guru)

[pratik99994]

How the Pandemic changed Cinema

The last 18 months have been quite unique in recent history. COVID – 19 a respiratory virus pandemic has affected almost 200 million people and 4 million have died. Wave after wave the pandemic rages on. Most parts of the world have experienced varying periods of locked downs.  Lifestyles have altered. Ubiquitous connectivity has ensured that while physical contact has been limited to immediate vicinity almost all the people have remained connected to one another through mobile phones and Internet. Economic activity had fallen substantially in the first few months of the pandemic and it is returning towards Pre-Covid levels fast. Many people are working from home, students are studying online and physical activity has been severely restricted. Hospitality, travel, restaurants and organized retails are the worst sufferers. Media & Entertainment too have witnessed a digital moment. India is no different. Almost all of us have spent more time during the past few months before a TV, computer or mobile phone screen. Zoom calls, WebEx video conferences, virtual meets and video chats have become the new social activity. Amidst several re-runs across channels and watching news (or what masquerades as news) many of us are catching up on new programming on one of the dozen odd streaming platforms. Of course, avid cinegoers are missing their regular cinema visits. Some of us who are fond of plays and concerts are getting our fix via virtual concerts. As we gradually and grudgingly begin our usual routines will entertainment return to its earlier magic? Indeed, but a lot more online. Cinemas have remained shut and are just beginning to open haltingly. Exhibitors and cinegoers alike are keeping their fingers crossed that soon they will be able to see the favourite film stars on the Big Screen. As vaccinations pick up, more and more people will resume their normal life. Entertainment will once again become its normal self. Though people are now up and about in large numbers yet a big percentage of us are staying indoors except for emergency outings. Obviously, we are spending more time keeping ourselves informed and entertained.  There’s a paradigm shift from analogue to Digital. Newspapers are read as much online as in print. Streaming services like Netflix, Amazon Prime. Disney Hotstar, Zee 5, Sony liv, etc. have seen a 50% spike in viewership. In the last 34 months several new series have streamed on these new streaming (OTT) platforms even as old favourites like Big Boss, KBC and Music contests continue to attract large TV audiences. Although a scepter of regulation looms large on digital content, for the time being Indians are enjoying their dose of realistic, often violent and bold drama on OTT. The recently concluded IPL has attracted more viewers than ever before. TV advertising and viewership is back to normal. Interestingly in the last 12 weeks. A dozen odd films including Dil Bechara, Sadak 2, Gulabo Sitabo, Shakuntala Devi, Khali Peeli, Raat Akeli Hai, Serious Men, Chalaang, Lakshmi Bomb and Radhe have premiered on streaming platforms and more are in the pipeline. Millions have watched these films and some have proved popular as well. Movies are getting released directly on digital platforms without waiting for the cinemas to open. There is a debate going on between cinema owners and producers whether this is a breach of business protocol. Well to put this in the right perspective let’s understand some ground realities. In 2019, India produced 1800 films out of which only 600 found a theatrical release. Most others struggled to get viewership on TV or online. With only 9000 screens India is a hugely under screened country-China has 60000 and the US has 40000 screens. Logically not more than 6 films should be released every week in cinemas. On the other hand, the larger budgeted films or even some smaller eclectic movies do need large screen viewing.  For such films the streaming platforms are God sent. In the next few months this sabre rattling will give way to the same uneasy equilibrium as before. The top 100 films (in all languages) will garner maximum eyeballs and revenue share. Another 200 odd films will get a patch theatrical release, some films even getting as few as one or two shows a day. Earlier the only possible source for these filmmakers was to try and sell to one of the satellite channels or since the past two years it’s the streaming platforms. Since one does not, thank God for small mercies, require a license to make a film India has been overproducing movies far beyond what can be consumed both financially and time wise. Multiplex owners actually need the top 50 films to shore up their balance sheet so ultimately, they too will have enough content once the people start going out more. In the years to come theatrical release of films will be restricted to selected films. Films which need a shared cathartic experience in a darkened auditorium. These films would either be large space epics what Hollywood calls Event Films. Spectacles, superhero films with all the bells and whistles like Imax, Atmos sound and other sensory thrills. A few big star action, adventure or drama films will be a part of the big screen specials. In due course a visit to the cinema will become a special outing. Social distancing and masks to be intact. One thing is certain budgets will have to come down for both films and Broadcast TV. Advertising revenue is shifting fast from analogue media to digital. Social distancing and other precautionary measures are now becoming necessary in the post Covid world will mean reducing crowding on film and TV studios. This will mean leaner crews and the end to the entourage economy perpetrated by the stars. Elaborate health precautions and sanitization regimes are now mandatory for studios and cinemas alike. Most of marketing will shift to online promotion and Digital Out of Home (DOOH) reducing the extensive marketing budgets to more manageable ones. Start to finish filming in a sanitized location will be preferred. These films will have smaller budgets and arguably a little diverse content.Films are the fountainhead of all other forms of modern entertainment. The larger-than-life stars and the glamour and glitz of showbiz make cinema perennial. The formats change, technology changes, the screen size changes but storytelling never goes out of vogue.  By next year end the Film Industry will be back with its 10% CAGR. A recent PWC report says the Indian Media & Entertainment Industry will grow to over Rs 4 lakh crore in 2025. One can only hope that this actually happens.

[bharatiyamedia-blog]

From Greek God To Anand Kumar, Hrithik Roshan's 'Chalaang' Will Get A Thumbs Up From Viewers

http://tinyurl.com/y3pvmnkt Tremendous 30 Star Solid: Hrithik Roshan, Mrunal Thakur, Aditya Srivastava, Amit Sadh, Pankaj Tripathi, Nandish Singh Director: Vikas Bahl Produced By: Phantom Movies, Nadiadwala Grandson Leisure, Reliance Leisure Tremendous 30 Field Workplace Overview: From Greek God To Anand Kumar, Hrithik Roshan’s ‘Chalaang’ Will Get A Thumbs Up From Viewers Field Workplace Expectations: Hrithik Roshan returns to the silver display after greater than 2 years. There are sure to be giant expectations from his movie. However Tremendous 30 is just not the movie the place you search for an ideal opening and record-breaking lifetime numbers. So only a double-digit begin and adequate phrase of mouth to make it a worthwhile sufficient enterprise for all producers, distributors and exhibitors is what the commerce is anticipating from the movie. HR’s star energy and Anand Kumar’s inspiring story are in fact the strongest elements for the wager right here. Field Workplace Impression: Anand Kumar’s story of creating 30 underprivileged and poor youngsters clearing the IIT-JEE entrance examination is thrilling from the phrase to go. However the movie is greater than that. What you noticed within the trailer was a trailer for a purpose and what you will notice now on the silver display is a movie for a purpose. As the primary half of the movie ends and it’s the interval, you realise that a lot has occurred already aside from what you got here to noticed. However there’s one thing that retains you hooked and that’s what the victory of movie. It has a lot extra to supply together with what it promised within the trailer. Anand Kumar as an excellent mathematician, making it to Cambridge College however failing to cross the monetary boundaries, turning a papad-wala, being the star face of “Excellence Teaching Courses” however ultimately realising his precise goal and preventing all the percentages with utmost ardour and dedication of creating it true. It’s the story of Anand Kumar and the efficiency of Hrithik Roshan for which you need to watch the movie. The story is without doubt one of the finest underdog tales ever however the best way Hrithik has lived the character of Anand is sheer brilliance. A good-looking hunk like Hrithik Roshan who’s lovingly often known as Greek God by his followers has tailored the physique language of Anand so properly that it’s simply unbelievable. His critics and trolls, all should go and watch Tremendous 30 as a result of his efficiency will seal your lips endlessly. Aside from him, Pankaj Tripathi is pure as ever. It’s a deal with to look at him on display all the time and he mesmerises you together with his efficiency in Super 30 but once more. Mrunal Thakur appears lovely and has some actually pretty moments. Aditya Srivastava is spectacular and his scenes with Pankaj Tripathi are magically entertaining. Others lend good help. Vikas Bahl has given an ready remedy to the movie and it’ll go in his among the finest works. Though, the morning present didn’t actually have sufficient folks watching the movie however those that watched actually loved it. Field Workplace Prospects: After Shahid Kapoor in Kabir Singh, it’s Hrithik Roshan in Tremendous 30 who’s going to make the viewers loopy. The mass attraction of the movie is in fact far lesser than Kabir Singh but it surely has good probabilities of touching the 100 crores mark. The movie has been launched in 3000-3500 screens and received 25-30% common occupancies in morning exhibits. Going by the preliminary, and the competitors from The Lion King, Judgementall Hai Kya, Arjun Patiala in upcoming weeks, I count on the movie to do enterprise someplace in 95-105 crores vary. Android & IOS customers, obtain our cell app for quicker than ever Bollywood & Field Workplace updates! (function(d, s, id) { var js, fjs = d.getElementsByTagName(s)[0]; if (d.getElementById(id)) return; js = d.createElement(s); js.id = id; js.src = "http://connect.facebook.net/en_US/sdk.js#xfbml=1&version=v2.8&appId=379203805755441"; fjs.parentNode.insertBefore(js, fjs); }(document, 'script', 'facebook-jssdk')); Source link

[thechalaang]

Entrepreneurship is one of those professions where giving up what you enjoy does not make sense for many people. However, if starting a business was simple, everyone would do it. Many entrepreneurs do not start their businesses for a variety of reasons, including an unwillingness to work harder than most or fear of venturing into uncharted territory.

[toptopic4u]

A Guide to the Big Bull Market

Secrets to Big Bull Market – Learn with Chalaang 1.3 K VIEWS Register For Our Online Courses Select Course—Advanced PhotographyMakeupRadio JockeyAdvanced DJContent WritingBasic Graphic DesignStock MarketReal Estate BrokerE-SportsBasic DJBasic PhotographyAdvanced Graphic DesignPodcastSoftskills Language Of…

[thechalaang]

You are one-of-a-kind, and you, like everyone else, have the potential to become India's finest travel vlogger. How? These pointers will assist you in becoming the finest travel vlogger possible. Watch the full video! Call us at - 9168400500.

[thechalaang]

To make it big as a gamer in the promising digital gaming industry, a few basic skills are essential. What are those? Let us take a look at them. You can develop those skills by enrolling in the Chalaang e-Sports course today!

[thechalaang]

If you are a passionate gamer who spends hours playing FIFA, GTA, etc., and want to transform your passion into a full-fledged career, here are some tips that will help you envision your career as a game animator.

[thechalaang]

These factors together contribute to your commercial value in gaming and enable you to pitch yourself for better-paying prospects in India’s ever-growing and prospering gaming industry. Enroll in Chalaang’s online e-Sports course if you want to become a game designer and build the capabilities to earn well.