#colorful stripe case

[enemymag]

My take on Oni Lloyd + some hcs

Onis generally aren't that fluffy, but because of Lloyd's dragon part the fluff is extremely (it gets everywhere).

Onis can take after big cats in a way, tiger stripes, manes, spots, etc.

Lloyd is wayyy taller than average in this form. He's normally around 5"5ft but he's about double that when transformed.

He prefers getting around on all fours (sixes?), easier to maneuver, faster, etc. Plus no need for carrying weapons when you got knives as fingernails (he has to trim them anytime he de-transforms)

Also his allergy to soybeans gets worse when in his Oni form.

Anyways goodbye I'm going back into the tumblr abyss

[jack0fheart]

For one of my illustration classes I had to recreate a scene from a children’s book. I recreated the scene of the girl from “A Bad Case of Stripes” when she’s turning into a monster.

December 28th, 2023

[lewdssyum]

Sir pentious and 🍕

a hungry snake needs his dinner(s)

[nappingmoon]

yay green yay green yayyyyy green

[eris090]

I made Pyro a drag persona because they're one of the easier ones. I'm MUCH happier with how this one turned out.

(I meant to give them burn scars but idk how to draw those so they ended up looking more like a sprinkled cupcake-)

Kaleido!

-Whats happening in real life and what's happening in pyrovision are often completely the same during performances

-The filter of their mask, since it's different from the one they wear on the battlefield, is clogged with glitter

-Whenever they breath glitter comes out

-( ^ their lungs would be more fucked than spys thanks to this if it weren't for medic)

-They often keep lollipops/suckers between their tits

-Their favorite acts are Scout's because his are goofy

-They just naturally have huge hips

-They can't lip sync but their favorite song to dance to is Sunshine, Lollipops, and Rainbows by Lesley Gore

[the-kipsabian]

[scarlett-bitch69]

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[iraprince]

gonna show u guys a little opalescent highlight hack i threw together today

rainbow gradient above your main figure (i usually have all my main figure folders/layers in one big folder, so i can clip gradient maps + adjustments to it!). liquify tool to push the colors around a bit. STAY WITH ME I KNOW IT LOOKS STUPID RN I'M GOING SOMEWHERE WITH THIS

THEN: set it to add/glow (or the equivalent in ur drawing program), lower the opacity a bit, and apply a layer mask. then u can edit the mask with whatever tools you like to create rainbow highlights!!

in this case i'm mostly using the lasso fill tool to chip out little facets, but i've also done some soft airbrushing to bring in larger rainbow swirls in some areas. it's pretty subtle here, but you can see it better when i remove the gradient map that's above everything, since below i'm working in greyscale:

more granular rambling beneath the cut!

u could also just do this with a brush that has color jitter, but what i like about using layer masks for highlight/shading layers is how simple and reversible it makes everything. i can use whatever brushes i want, and erasing/redoing things is super low stakes, which is great when i often approach this stuff with a super trial-and-error approach.

example: have u ever thrown a gradient w multiple colors over an entire piece, set it to multiply etc, and then tried to erase it away to carve out shadows/highlights? it's super frustrating, bc it looks really good, but if u erase something and then change ur mind later, u basically would have to like. recreate the gradient in the area u want to cover up again. that's how i used to do things before figuring out layer masks!! but masking basically creates a version of this with INFINITE undo bc u can erase/re-place the base layer whenever u want.

anyway, back to rambling about this specific method:

i actually have TWO of these layers on this piece (one with the liquified swirls shown above, and another that's just a normal concentric circle gradient with much broader stripes) so i can vary the highlights easily as needed.

since i've basically hidden the rainbow pattern from myself, the colors in each brushstroke i make will kind of be a surprise, which isn't always great -- but easily fixable! for example, if i carve out a highlight and it turns out the rainbow pattern in that area is way too stripey, i can just switch from editing the mask to editing the main layer and blur that spot a bit.

also, this isn't a full explanation of the overall transparency effect in these screencaps! there's other layer stuff happening below the rainbow highlights, but the short version is i have all this character's body parts in different folders, each with their own lineart and background fill, and then the fill opacity is lowered and there's multiply layers clipped to that -- blah blah it's a whole thing. maybe i'll have a whole rundown on this on patreon later. uhhh i think that's it tho! i hope u get something useful out of this extremely specific thing i did lmao

[lonepower]

under the category of things that decidedly do not bother me, though: for once the wild sexual dimorphism of an alien race is great and not annoying. i genuinely love that the nightbrothers are so brightly colored compared to merrin & running around with their tits out while she's covered head to toe in fabric. absolute bird of paradise behavior A+++++

[adiladedesign]

Rainbow Stripes Collection

Pastel Rainbow Stripes Collection to add a touch of colors to your life!

[tetibright]

(via Custom name colorful stripes Case-Mate iPhone case | Zazzle)

[describe-things]

Making this its own post to further spread the correct information.

The name Mickey Mouse is Public Domain.

Trademark is a separate thing from copyright. Trademark means you can't trick people into thinking your version of Mickey Mouse is sanctioned by Disney.

You do not need to rename Mickey Mouse to use this character.

He's literally named in the title card (along with two alternate outfits for him and Minnie that are also Public Domain, which means, yes! You can give him gloves!).

The only way the name "Mickey Mouse" would still be copyrighted would be if he hadn't been named yet in Steamboat Willie, which very clearly isn't the case, because his name is the largest thing on the title card:

[ID: A screenshot from the Web Archive’s video player showing the video paused at 00:04, showing the title card that reads:

“Disney Cartoons presents A Mickey Mouse sound cartoon: Steambie Willie, A Walt Disney comic by UB Iwerks, recorded by Cinephone system, copyright MCMXXVIII”.

On either side of the text are Mickey and Minnie, smiling at eachother. Mickey is holding up a hat in one hand, and a cane in the other with a wide grin of greeting. He has a white face, a buck tooth in his open mouth, white gloves, and light grey shoes and shorts, with the shorts having dark buttons and darker vertical stripes. Minnie has her hands clasped as she smiles at Mickey with lowered eyelids in a flirting pose. She has the same hat as mickey, with a flower stick behind it. She has two circles on her chest like a bra or bow, with a polkadot skirt with a wavy edge. She is wearing light grey heels. End ID.]

There is also a public domain poster with color, which means this design is also Public Domain. And again, this one also names him Mickey Mouse -- making the name Mickey Mouse Public Domain! And this alone would have made the name Public Domain even if he hadn't been named in Steamboat Willie! And, he again has gloves!

[ID: A color poster reading, "Celebrity Productions Inc. Present a Mickey Mouse Sound Cartoon. A Walt Disney comic drawn by UB Iwerks. The World's Funniest cartoon character, a sensation in sound and synchrony.". Mickey is drawn with one hand on his hip and the other in the air. He is wearing yellow gloves with a button in the center of the palm, red pants with white buttons, and large brown boots. He has a red blush on his nose and cheek. His tongue is red, and his black pupils have a white triangle on the side. The background is pale tan. End ID.]

There is also literally nothing stopping anyone from giving any of these characters new color designs with entirely new outfits. That's what the Public Domain is for. Don't think you can only use these characters in black and white, you just can't use versions that Disney still owns the copyright to.

[lynxgriffin]

Eldritchrune - Dreemurr of Demons

1 | 2 | 3

Story Setup Eldritchrune Masterpost

Asriel ventures back to Hometown while on the trail of trying to find out what happened to Kris, and stumbles across an unusual man who's all too excited to share his demon-warding knowledge! But it's unclear so far whether this knowledge will actually be of help to him...

Yaaay all done with this series back with the Dreemurrs! This one was definitely the longest, but also had some important info! What I'll tackle next is a mystery to me right now...

Alt text for these pages is under the read more:

Page 1 Panel 1: Exterior shot of a back alley in Hometown, with old barrels and boxes stacked behind medieval buildings. Asriel walks down the alley, wearing a striped shirt, glasses and scruffy blond hair, and carrying a large canvas bag over his shoulders. The annoying dog trots happily beside him.

Panel 2: The annoying dog drops his nose to the ground, sniffing at some interesting smell.

Panel 3: The dog bounds off ahead of Asriel to a haphazard collection of trinkets, boxes, jars and displayed charms, all partially covered with colorful cloths. A man is kneeling under one of the tent setups. Asriel walks to catch up with the dog, asking, "What's got your interest this time, dog?"

Panel 4: The man pops up from his odd collection and turns to Asriel with arms spread and a big smile. He has short curly hair, and is dressed in a medieval robe with a cape slung over his shoulders, and bone designs in his sleeve cuffs. He answers, "Just the finest assortment of handmade charms and magical meals made by yours truly, THE GREAT PAPYRUS!" The dog happily circles Papyrus, tail wagging.

Panel 5: Asriel is a bit taken aback by the introduction, but waves in greeting anyway, and responds with "…Oh! Howdy!" The dog sits in front of Papyrus, panting and wagging his tail.

Page 2 Panel 1: Papyrus leans down with a big grin to pet the dog and ruffle its face. "What a bright and clever fellow! Such a sweet face!"

Panel 2: "You're a good, good boy, aren't you?" Papyrus continues. However, the dog glances over to the side, as something has got his attention:

Panel 3: It's one of the charms Papyrus has on display: a large femur bone decorated with paint, beads and feathers.

Panel 4: The dog leaps up and snatches the charm in its mouth. Papyrus looks agape at this thievery, eyes cartoonishly wide. "Wh-HEY! That's my SPECIAL demon-warding charm!"

Panel 5: The dog goes running off further into the alley, the bone still in its mouth. Papyrus shakes his fist at it and yells after it: "You thieving scoundrel! I take back all the nice things I said about you!"

Panel 6: Papyrus quickly turns back to Asriel with a more apologetic look; even now he can't be too mean. He says, "I apologize, I didn't mean to yell at your dog. I'm sure he's normally better behaved!" Asriel waves off the apology with tired bemusement. "No, it's fine. He's not really my dog." Under his breath, he adds, "He just keeps following me around for some reason…"

Panel 7: Papyrus stands back up and gestures to his odd collection. "In any case, you at least are welcome to my little shop-in-the-works!"

Page 3 Panel 1: Papyrus leans in close to Asriel, observing him, and getting a bit into his personal space. "You look a little familiar, though! Are you perhaps related to Mr. Dreemurr?" Asriel nervously adjusts his glasses, and replies, "Heh, yes. I'm Asriel, his son."

Panel 2: Asriel holds up a hand and gives a little sideeye to the alley around them. "But, uh…I actually don't want my parents to know that I'm back in town, so I'd appreciate you keeping quiet about me being here."

Panel 3: Papyrus mirrors that sideeye, hands on his hips, as if recalling some recent incident. "Ahh…I know well the trials of avoiding family. Especially when they decide to try out some terrible new jokes."

Panel 4: Papyrus makes a lip-zipping motion with his hand and mouth. "Not to worry, my lips are sealed!" Asriel smiles back, and says, "Thanks, I appreciate it."

Panel 5: A wider shot of the two still standing within Papyrus's collection of tents and trinkets. Papyrus asks, "So, if it's not to see your folks, what brings you back around Hometown?" Asriel glances around them, and replies, "I'm looking for something. Or well…kinda hoping I don't find something here."

Page 4 Panel 1: Papyrus points up one finger, looking as if he's already solved this problem. "If you don't want to find it, then looking for it seems rather counterintuitive!"

Panel 2: Asriel looks a little taken aback by that logic. "Yes, well… Okay you have a point, but…"

Panel 3: Asriel keeps glancing behind him, as if expecting to see someone there. "This is kind of the next step in a trail of research I've been doing."

Panel 4: Papyrus puts a hand to a chest and puffs himself up, imitating his heroic poses from Undertale. "Well, if your research involves handmade charms and tasty foods both designed to ward off demons, evil spirits and the like… Then I'll be your most cited source!"

Panel 5: Asriel crosses his arms and raises his eyebrows, intrigued by this. "Really."

Panel 6: "You know a lot about demons, huh?" Asriel asks as he sits himself on one of the rugs within the tent setup. Papyrus keeps up his self-congratulatory pose. "I, the Great Papyrus, am a bonafide expert in such subjects! Sad that so few around here seem to recognize my talents."

Page 5 Panel 1: Asriel holds his hands up, willing to follow this strange thread wherever it might lead. "Well, I've got a question that all my research hasn't been able to answer for me, so perhaps you can…"

Panel 2: A pause as Asriel holds on to his thoughts, hands closed in front of his face. Papyrus sits down on the rug across from him.

Panel 3: Asriel lowers his hands, his face deeply serious. "How do you kill a demon?"

Panel 4: Papyrus looks back at him with an equally serious expression, then…

Panel 5: The seriousness is gone as he gives a casual shrug, and gives an answer. "Oh, that's simple. You don't!"

Panel 6: Asriel looks a little bit baffled, and disappointed. "…You don't?"

Panel 7: "No, silly. They're immortal, like angels!" Papyrus keeps up the casual shrug, as if this information is obvious.

Panel 8: However, Papyrus then seems to become aware of why this is being asked. He looks around the area frantically, his head whipping back and forth. "Why?! Are there demons around here that my detection flatbreads missed?!" Asriel offers an amused smile back. "Heehee… no, I don't think so."

Page 6 Panel 1: The seriousness returns to Asriel's face as he scratches at his nose, lost in worried thought. "I just…have this real bad hunch. I'm trying to prepare myself for all potential outcomes."

Panel 2: Papyrus ignores the seriousness of the situation, and just seems impressed. "Preparation! The hallmark of the truly intelligent!"

Panel 3: Asriel is still set on getting some information, and continues his questions. "Thanks. So, if you can't kill them, what do you do about them?" Papyrus holds up a finger again, happy to keep explaining: "Well, you got two options! First, you can banish them back to their own plane!"

Panel 4: Papyrus continues, "However, that's really only the ideal option if you're the one that summoned them in the first place. Otherwise it's a whole ordeal." In the background, Papyrus's point is illustrated with a little graphic of a cult member holding up a hand in rejection of a demon within a summoning circle. The demon looks confused and perturbed by the rejection.

Panel 5: Asriel says, "I see. What's the other option?" Papyrus continues his explanation across the two panels: "You bind the demon to something! Quickest and easiest thing to do is bind them to an object! Buuut, problem with that is, if your object gets broken or destroyed, now your demon's free and even angrier than before."

Panel 6: To illustrate his point, another background graphic shows a shocked human with a broken jar in front of them. A demon rises out of the remains of the broken jar, looking angry and ready to strike.

Page 7 Panel 1: Papyrus again continues his explanation across two panels. "Hardest and most time-consuming thing to do is to bind them to a place! Good option if you have the prep time, but then you can't really use that place anymore. Better pick a restaurant you hate and hope no one there minds you standing outside it chanting for three days straight."

Panel 2: To illustrate his point further, a scene (perhaps a flashback) shows Papyrus with his arms raised outside of a restaurant, supposedly chanting angrily at it, while another person stares back at him from the doorway, hands on their hips in annoyance.

Panel 3: Asriel watches as Papyrus finishes up the rest of his explanation: "Aaaand, last thing you can do is…bind the demon to a person! Which…"

Panel 4: Papyrus stops suddenly. For the first time, he looks actually disturbed and hesitant.

Panel 5: Asriel watches quizzically, waiting for him to continue.

Panel 6: When he doesn't continue, Asriel tries to prompt him on, tilting his head towards him. "…And?"

Panel 7: Papyrus quickly waves his hands in front of him, smiling nervously, clearly trying to dismiss the whole idea. "But you know, we don't need to go into the details of that!"

Panel 8: Asriel says nothing, but remains in nervous thought, one hand covering his mouth. It's clear that this is sticking in his mind the most.

Page 8 Panel 1: Asriel remains sitting with a hand to his chin in thought, but Papyrus has moved on to better advice. "But as I always say, an ounce of prevention's worth a pound of cure! You're much better off trying one of my charms or meals to-go!"

Panel 2: Asriel lets himself smile more at this suggestion. "Y'know? I'm sold. And also a bit hungry."

Panel 3: Asriel gets up, and drops a handful of coins into Papyrus's open hand, which Papyrus looks at in surprise. Asriel says, "Give me your best demon-warding meal."

Panel 4: Papyrus stares down at the coins in his hand, his eyes cartoonishly big and shiny, full of excitement. "WOWIE!! My FIRST ever sale!" he says with a big smile.

Panel 5: Papyrus leaps up and begins to rummage through some of the boxes and barrels around his collection. "This calls for my finest delicacy!" Asriel watches him from a few steps back, and mutters under his breath, "…First ever?…"

Page 9 Panel 1: Papyrus straightens back up, gesturing to a small sack that he is holding in one hand. He looks pleased with himself. "Spiced candied yam bites, from my home country!"

Panel 2: "Each one will purge you of evil spirits for a whole ten hours!" he continues. He hands the small sack off to Asriel, who takes it from him and says, "Sounds like a good deal." In the background, the annoying dog pops back up from behind some other boxes, holding something in its mouth.

Panel 3: Asriel hefts the bag over his shoulder again, and holds up the sack of treats in acknowledgement of the exchange. "Well, I know where to come if I need more info and good charms."

Panel 4: Papyrus stands proud, both hands on his hips, happy at being able to spout off his knowledge to a stranger. "Yes, yes! Tell all your friends about the fantastic advice and the culinary masterworks of the Great Papyrus!" he says excitedly.

Panel 5: Asriel heads off back into the alleyways, and waves goodbye to Papyrus. The annoying dog follows close behind his steps. Papyrus enthusiastically waves to the two as they leave, and says, "Safe travels to you and your annoying dog!"

Page 10 Panel 1: Papyrus turns back to his collection of trinkets and boxes with a determined look, hands on his hips. "And now to see where that criminal canine buried my special charm…" he says to himself.

Panel 2: While continuing on through the alleyways, Asriel opens the small sack and pulls out one of the candied yam bites.

Panel 3: Asriel glances back down at the dog, and notices that he's carrying something that's making a tinking noise. It's partially hidden from view. "Oh boy, what did you steal now?" he asks with a wry smile.

Panel 4: Asriel takes the yam bite and pops it into his mouth with a crunch…

Panel 5: …Only to then make a face, his eyes wide and his mouth scrunched up, as if tasting something indescribable.

Panel 6: "What IS this flavor?" Asriel asks to himself, although all but his back foot are off-panel. The focus is on the annoying dog, who is shown to be carrying a strange, heart-shaped metal lantern on a chain.

[werezolft]

The Dead Boy Detectives (and crew), have been occupying my thoughts the past few weeks. I’ve watched the show on repeat, rewatched Sandman, actually started reading the Sandman graphic novels (currently on Seasons of Mist, the introduction of the Dead Boys), and I’ve started drawing the episodes in the style of old teen detective novels.

I started these before getting super into behind the scenes details. I went down a bit of a rabbit-hole last night, and was delighted to learn that show-runner Steve Yockey wanted the show to be reminiscent of The Hardy Boys, one of the main influences of these covers.

The accuracy of their depictions varies, I don’t think they always really look like themselves. But I had a lot of fun.

I hope to continue designing these for a bit while the obsession holds, and maybe I can properly bring in purples, Crystal’s hero color.

[Alt Text:

Image 1: A series of covers on a white background. From left to right, "The Case Of The Dandelion Shrine", "The Case Of Devlin House", "The Case Of The Dandelion Shrine" (alt cover), "The Case Of The Hungry Snake", and "The Case Of The Lighthouse Leapers".

Image 2: Three teenagers, Charles, Crystal and Edwin explore a blue green cave with a skull covered in dandelions on a center shrine. Charles holds a flashlight, Crystal is climbing in while her eyes have gone white during a psychic episode, and Edwin is playing lookout. At the top of the page in yellow italics is the text “Dead Boy Detectives” and below in off-white bold caps “THE CASE OF THE DANDELION SHRINE”.

Image 3: Edwin, Charles and Crystal peering around the corner of a yellow-green wooden hallway, looking at the silhouette of a man swinging an axe. They have varying worried expressions. At the top, in yellow italics is “Dead Boy Detectives” and in off-white bold caps “THE CASE OF DEVLIN HOUSE”.

Image 4: Crystal and Niko stare at each other across a green hallway. Niko has her left hand raised and is surrounded by glowing images, stars, hearts, moons, butterflies, rainbows, and sparkles. The cast a faint pink light. At the top in yellow italics is “Dead Boy Detectives”, and in off-white bold caps “THE CASE OF THE DANDELION SHRINE”.

Image 5: Charles and Edwin tied to chairs in a golden yellow room. Charles has an iron collar chained to his neck, and his wrists are bound. Edwin is in a white tank top, and his mouth is gagged with a clothe. On the wall is the shadow of the witch Esther, with her cane. In the corner is a large cabinet, Niko peers out of. On top of the cabinet is perched a crow, Monty. At the top, in yellow italics “Dead Boy Detectives” and in off-white bold caps “THE CASE OF THE HUNGRY SNAKE”.

Image 6: Edwin, Charles and Crystal stand on stairs overlooking the gray sea and red sky. A giant angler fish, Angie, is staring at them. In the corner, on top of the hill is a classic red and white striped lighthouse. At the top, in yellow italics “Dead Boy Detectives” and in off-white bold caps “THE CASE OF THE LIGHTHOUSE LEAPERS”.

Image 7: A series of book covers on a white background: “Alfred Hitchcock and the Three Investigators in The Secret of Skeleton Island”, “Nancy Drew Mystery Stories, The Ghost of Blackwood Hall”, “Nancy Drew, The Mystery at Lilac Inn”, “The Hardy Boys, While the Clock Ticked”, and “The Three Investigators in The Mystery of the Coughing Dragon”.

[cherry-bomb-00]

Human things that non-humans find confusing or curious about part 1

I have seen little content on this topic, so I wanted to put my point of view, since it seems curious to me how brothers react or think about those little things about our human race.

-Human hair.

The brothers find it curious how hairy humans can be, and they also find it adorable how sometimes our hair falls out. They see us as a small kitten or puppy that loses their hair, and also because they hair don't falls out nor are they very hairy like humans, it is a small trait that they finds cute.

-Flexibility

We humans can achieve incredible flexibility, something that demons and angels cannot, since they have perfect bodies, so they movements are a little more limited when it comes to flexibility, so it surprises them that humans can stretch and flex. So well, the brothers for some reason like how MC's flesh and skin stretches, flexes or bends, and sees how the flesh forms small mounds or wrinkles slightly when their makes a flexible movement.

-Mimicry

In nature, mimicry exists to survive the environment, in the case of humans it is imitating gestures, behaviors and the language of another species or another person is a habitual behavior of the human being. This is a way of adapting to the environment and feeling part of a social group, so the demon brothers find it curious and even adorable, when we unconsciously imitate them with light gestures, behaviors or body language, also seeing how we talk to inanimate objects, such as telling a cup not to fall when it is wobbly or imitating a sound that we find funny or familiar, they finds all of this fun and interesting, even Mammon compares us to a flock of crows.

-Shiny thing

To our beloved demons, see with curiosity how we humans love shiny things, see how we find colored stones and our eyes shine, that seems adorable to them, and even more so when we collect any type of shiny stone, crystal or anything shiny. Sometimes even the brothers give us shiny things just to see how our faces shine with joy.

-Imagination

Another thing that surprises the demon brothers is our great imagination, that with anything, no matter how simple it is, we can entertain ourselves, such as grabbing branches and using them as a weapon to play, or when we are walking and want to avoid stepping on the stripes that is on the ground of the street, those little things make them see us so innocent and creative, since it is something that they do not think of or are very simple to do, and this trait in their little human makes being with them is funny.

I hope you liked it, I may do more parts, see you

[pangur-and-grim]

Hello Greer!

I’m a long-time foster who recently came into possession of half a litter of nine kittens— at eight weeks old they’re EXTREMELY neonatal (the biggest ones are around 20 ounces) and I suspect there are multiple fathers given the wide array of colors. I was wondering if you could guess what their dads looked like! You don’t have to, of course, it’s just idle curiosity on my part.

(Kittens from three weeks ago, with their mother.)

(Kittens from yesterday when we took our half of the litter).

There are two Siamese (one seal point, one tabby point), one black, one spotted tabby, one mackerel tabby, a third grey tabby whose markings I don’t know, and three solid greys.

We think there was at least two fathers, one to explain the coloration of the black kitten and one to explain the Siamese. Is it possible there was only one? Or even three?

(As a tax, here’s the smallest and most Belephegor-like kitten. At eight weeks old, I swear she felt like less than a pound! All the smallest ones are staying with their mom and the old foster.)

hmm.....there might just be the one father?

let's start with the mother: she's shorthaired, dilute black, agouti but carries the recessive for solid-coloured (since she has solid kittens), mackerel tabby but carries the recessive for classic tabby, non-pointed but carries point.

now if there's just the one father, he could be shorthaired, black but carries dilute, agouti but carries solid (OR just pure solid), ticked tabby but carries the recessive for classic tabby, non-pointed but carries pointing. in other words, a guy that looks like this:

or this:

HOWEVER there might also be the silver/inhibitor gene at play, given the unusual look of this kitten in the back.

though that could also be a fever-coat, which would mean the kitten will eventually grow out of it and look solid-coloured.

if the kitten does have a silver undercoat and ghost striping that doesn't fade with age, then it's a smoke (which is what silver is called in sold-coloured cats), which would mean the father is a silver ticked tabby:

or a black smoke, with a ticked ghost pattern:

the litter could all be explained by one father, but that doesn't mean there aren't multiple. in any case, they're a batch of very cute and colourful kittens!