#comkid

[kontadodju]

Trying to make myself OC post more so under the cut is all my current stories / OC groups and short “descriptions” (not rlly I’m just talking) on them, alphabetical of course (also it’s long!! But labeled so like, if u actually read it u can skip around pretty easy I believe):

4Corners

An older dream that I wanted to return to for making a new story cuz I wanted new stories and new OCs cuz I like to play. With my toys. From my brain. But anyway 4Corners is named like that cuz there’s 4 sections/big cities of this world where they line up together like a cube (I guess the world would be a cube then…) and each section is like a different dimension almost. There is the aliens section with a pink sky and hazy atmosphere with buildings all stacked together, the human section that is more like a “typical” IRL city bit very tall in buildings as well, another alien section that the sky is white/hazy and they have more technology and a ruler, and then the mystery zone that I need to work on. The main character is like, Ben 10 sort of? Idk how to explain it but he’s a human who for some reason transforms into an alien-like form for unknown reasons. And the other character is a human that was raised in the (pink) alien section. They will cross into each others sections and also like, battle with the leader of the (white) alien section. Still very rough! It’s an old dream so it’s been a while!

A Black Catharsis

I mentioned before, this is my story that I converted from my Ash TS4 save to be an actual OC story and not a gameplay. Malachi of course is the MC and so far what I have is his backstory (still working out some timeline details tho) and then some key events from my gameplay. It’s still about Black vampires eating racists 💁🏽‍♂️. It’s also a specific revenge tale as well - one of Malachi’s main goals is to kill the vampire who caused his turn. But also like, part of it with his past is not that it’s seen but it’s brought up and I want to like, just exhibit how he changed from then to who he presently is. Cuz like, he’s getting revenge on the guy who turned her but she actually likes being a vampire - there’s specific circumstances about it for both of these things so like I swear I’m tryna make it make sense lmao.

Across the Skin

Of course. My classic. My childhood magnum opus. I still love u girl 😭. Idk what to do. I used to actually like write a lot abt this story in middle school. I still am playing around with the logistics of it - even more so a bit cuz I made New Truth in the same universe as it so it helps to have some cleared world rules there. I always consider bringing back some of the older rules and putting them back but idk how that’d look. The very basic skeleton is still the same tho: Olma and Vince are going into a remote location to study under other psychics to learn powers (or rather, Olma is, and Vince is forcing himself to go along). But the rules of powers and the psychic society I still need to make more solid, it’s an important part of why things happen how they do.

Against My Better Judgment

This one is a group. It’s just like, Riath letting Vikki live in their house, only God knows why. Because I still don’t 😭. Like from their personality I need to know WHY Riath would do that. I also need to do some more logistics stuff. Like how does Dr. V do these things? How did he create life and make Vikki and Richie? How does Richie work as an android of sorts? Hm. More questions like how and why does Vikki leave and hide not being a natural human? What is the scale of tech in this story? Much to think about 🤔

Agtiu Lineup

One of my mains rn I feel. I only have like, one character’s full “arc” and motivations planned best so far (Mériga). I plan this one as having separate parts / “arcs” that would be like: the intro, the parts that relate to each character (but I don’t know when, I just know Mériga’s would be like, third?), and the end. I have some of the world building - aliens that interfere in the evolution of planets to try and help them return to the Earth and then send mech-type shit (or w/e the best word is idk) to random people on the world because of like, monsterous threats (like typical mech stuff). So like I have species lore and some world lore (honestly I have common world lore across a few of my stories where like, it’s our same world but slightly better in certain aspects but like, the same in others 😑 - cuz I want my characters to like, have my real life ethnicities instead of being “coded” but the formation of both of them are inherently tied to colonialism - “US” and Africa 😒 so that parts always i try to work on too)

BINDS WORLDWIDE

Newer story cuz it’s actually me trying to rework my reptile fan iteration (if you know u know) cuz I wanna do more of what I want and i want more negros of course. I’m trying to make it as separate as I possibly can but it’s hard cuz there’s some stuff that’s like intrinsically tied to the same ideas that makes my specific stuff I wanna build upon not work if I don’t try to fit it in. So far I’ve worked around the family history by just making changes like making it a fake world instead of set in a more realistic based location, and by fully leaning into how I changed the family drama past for my own purposes. (Also they are spies.) I don’t know what to do about the mutant stuff yet… like what will they look like. How does it happen? Why are they hiding? If I keep animals then I feel like that’s very obvious and I don’t like that. It’s not even that like I’m ashamed or something cuz like if I got asked “is this the inspiration” I’d be like “oh totally” but I really wanna make it more of my own thing rather than a sort of “rip-off” yknow? Like truly I think there’s some fun ideas that don’t have to do with the source inspo that I really wanna play with!

Castle (still tryna think of a proper title)

A much newer story based off a more recent dream. I’m still trying to figure out the setting because when it was a dream the world of it kept shifting back and forth from a human world to a sea creature/mermaid world, and certain important parts were heavily based on which world but all of it relevant to the plot of it. I’m thinking right now it will be a sea world, but also sci-fi techno at the same time. Like the mermaids have a cyber city. Which like, I totally could, but I’m not fully sold on it lowkey. Besides that tho, this story is about a rebellious prince who wants nothing to do with his monarchy, and is trying to escape it. He works on machines that he should not be and hides it with the help of his one friend he has been allowed to have and a new friend who infiltrated his castle. His father is the antag of course. He’s very weird abt keeping the family line and following very strict rules, like typical “we need a pure line” type story shit yeah? Still working on it.

Comic Kid

Group! Zoey and Zack! I just like them. Chillin. Still just being my cool couple OCs 👍🏽. I wanna still build a little bit of sumn out, maybe I’ll bring back the other charas from the original as background charas idk!

Destroy Deviolck City

Story about a society of a panopticon (in the sense of, broadcasting for entertainment tho). I have not watched the Squid Game, but because everyone is talking abt it. There’s maybe a similar vibe based off my osmosis impression. Idk I’m just kinda sayin shit here. But anyway, how the panopticon society works is the very rich / powerful leaders will capture random people in out them in this prison structure where they will record them for their entertainment and also keep people in line through this. However, the prison structures use old buildings as their structure, so there’s pockets where people can go from their assigned room into secret rooms with less watch and this is where certain ppl (such as the protag team) plan to escape and destroy the prisons. So far I’m planning a span of three years of the story (cuz Saint starts as 13 but I imagine within the story she becomes 16 at some point). I’m still working on some important background characters cuz they are central to Saint and Malik’s stories particularly. And I still need to work more on the specifics of the society. And if there are creatures. Cuz this story is another based off a dream (v old tho but I’ve been working on this story since I had that dream so it’s more solid) and in the dream there’s like, an iguana man. And I think that’s cool. But maybe it wouldn’t work. Idk. It could 🤷🏽‍♀️

Every Day Infinite

Another new one! This one is about an immortal from another dimension where the timeline of the world went backwards in a magic apocalypse, and so when he comes to a world more similar to our real world (but not a 1 to 1 cuz I can’t keep using the same base worldbuilding / history for all my stories - esp cuz most of them aren’t connected. Well. I can. But I do not want to do that.). From this he can acclimate sort of…he first is transported during like. Knight times n shit. In like (the equivalent of) Europe. But in ends up in the (equivalent of) the “US”. Don’t have solid world stuff for it yet but the world he’s from has more stuff. And I have bro’s backstory from it too n I rlly like it! This ain’t even half of the base of it tho. There’s another guy, and he is on a mission to find what happened to his sister, and this causes. Some problems. (Still working on it). There’s also a mind reader and a witch. Lots of stuff with this one.

Hey Rider

Another ex-ts4 one! This is based from my Horse Ranch save! Another where I slightly change world history to make things better cuz I thinkkk I can make it work here. Still tryna figure some details out with it but that’s my base plan for that! So far what I have it stuff that happened in my game of course and also some things I had planned to happen later. I like the gameplays I’ve made into stories cuz I get to play with the backgrounds I imagined for the characters more when I’m doing everything rather than them just being my Sims in a game I can’t fully control even with mods. Although some of the stuff being out of ur control adds extra stuff that’s fun to add so I might end up doing another TS4 to story/group conversion in the future idk!! 🤷🏽‍♂️

Match to Mine

And another one of my mains I feel. Fully original world building based off AfAm and Kriolu culture, afrofuturism, and just some ideas I have of a more stable type of world (but not in all aspects - cuz like I want there to be a bit of outside conflict so it’s not totally perfect, but I also didn’t want oppression to be a part of the conflict of the narrative. At the end of the day this story is set in a beautiful world where problems rely more on things out of anyone’s control and interpersonal relations). Even with what I said tho, there is metaphorical reference to the reasons for the formations of my cultures (similar reasoning to what I mentioned on my Agtiu section but in a different direction). For my worldbuilding, I have a world map with regions, how time works (world clock), and some styles of the world so far. I also have the social standards / values set as well. This story is very fun to build the world for because of just how much I can build with it without having to work in relation to colonialism and imperialism in the story, and I can make a story with a world that doesn’t have them in it.

Meridevisán

My OC world. Newer-ish cuz I made it cuz I wanted certain misc OCs (Séti Ténta Ávi) I had to be in the same world and interact regularly. The base of it centers around ideas I had for Séti as a standalone cuz that was the most built out one, and it works well for the other two characters so I’m glad I put them together. How it works is that Angels and Devils are formed from a random selection of aspects that humans can have (additionally tho Devils can be conceived tho, but not Angels - might change tho cuz like, I think I had a reason but I forgot so it’s like, who cares). (Mermaids are conceived tho, not formed.) Séti is formed newly and trying to figure out who he is and what is purpose it to be, Ávi has been formed and is helping him (in his strange type of way), and Ténta is also along for helping Séti out (and being helped as being newer to land!). It’s an OC group so there’s no like set story that’s just a basic setup.

New Truth

This one is more of a group than a story which I find funny just cuz of its connection to what I concussed my magnum opus as a young teen. It’s just about weird college art people. Shiloh as a psychic being OCD attacked by their powers while not knowing about/understanding them. The rest of the characters are just regular lmao. They’re tryna help them 🙏🏽. If this was more of a story, then maybe I’d have like, an Olma and Vince cameo as helping Shiloh with their powers or something big like that. Would defo be post ATS tho for sure.

SUED

OC group from my first actual OC group when I was a kid! There’s only two characters left and their story is totally different than original (it makes my sister sad cuz she really like these OCs of mine so lowkey I consider bringing them back but idk what I would do). The original story was about 8 people in like, a school that are forced to live as story characters for certain genres (it’s kinda like EAH but like, more weird). The current group is the 2 of those characters I have left being scammers lmao. Honestly my original idea is better (but it’s also a whole story n not just a group) so honest maybe I’ll return to the original premise to fix it up and make it better idk!

The Manifesting Collection

My “cartoon story”. I have mentioned somewhere??? (No one prob has seen it lmao) that this is also a dream story! From when I was 12! And in the dream it was formatted as a two season show and I like to think abt that (not happening tho, I am not an animator lmao and plus I’m still working on it). The format is like, episodic with an ongoing plot in the background that comes into the foreground at the end of the first “season”. Still need to do world and world building logistics. But I like this one. This is like, one of my few stories where I can’t make the characters adults tho cuz if the tone and their like, teen behavior that’s inherent to the story 😭. It stresses me out idk why except that I get stressed by ridiculous things that don’t matter (OCD slay!!! ✌🏽) (idk I like making adult characters more now cuz I can do more stuff and it’s more fun for me. I still like the TMC kids tho cuz it doesn’t get so heavy with their story)

The Turn Around

Last of the ts4 games turned story/group! It’s my Dial save! My favorite legacy/main save I played for like 3 years yayyyy 💕. I think it can work well as OCs for the reasons I mentioned on my “description” for Hey Rider. I love the Dials and I’m so excited to work on them as OCs. I wanna make a proper timeline and I wanna figure out how to draw them! I’ve tweaked a bitttt of my notes so far but there’s still quite a few changes I need to make, but it’s coming together so far. I am gonna like retcon stuff I can’t make work cuz of how aging works in the sims yknow, not being realistic at all, but also just cuz since I’ve had this save for so long there’s things I need to change because I forgot the original reasons certain things happen so I gotta make it up now, but it’s not like these changes are bad so it’s not a big deal except when I really really wanna remember a specific detail cuz I remembered I liked it even tho I don’t remembered what it was 😭. With changing this game into a story, I’d say the vibes I want to evoke are like a family drama type of thing. Cuz I mean that’s kinda what legacy saves are right? And I picked the title I have because I wanna reference their last name without straight saying it. It seems like something you would see on a Tv line up so I like it 👍🏽

Traced in Thickets

My true main story at the moment. I’ve been working on Traced since like 2021 😭 I wish I was faster and better at this typa thing - it’s okay tho, that’s the process plus I’m still having fun! I have like the basics of the worldbuilding down for sure - it’s a combination of my typical method of “real world but some things are improved” and “I just made a buncha shit up” because like, part of the base world building is that different Earths of different dimensions are combining! (So like, I actually have a reason for humans existing I guess lmao. I really like humanoid characters over creature like ones okay? 😭). I have written like, the base outline of the first part of the story so far, and I have backgrounds kinda done so far too, but I don’t know how I wanna move into the next part. There’s like specific scenes in my head that would happen and certain points and some sort of an end, but it’s still not fleshed out like that yet. Idk, cuz like at the end of the day this actually a bit of a road trip story if I’m being honest, and those can kinda go however yknow? A road trip story about figuring your life out. Much to think about still.

When You Got Here

This is actually like. Technically a classic sims to story group for me. TS3 even! Not TS4! How it went was that when I was like 11 or something I finally got to get the Supernatural pack (which I was obsessed with as a kid) and I wanted to do like that no adult challenge or w/e. I made four supernatural sims from species i wanted to play with and tried to do that. But I didn’t not understand how to do kids, so it kept not working how I wanted too lmao. And then I just made them OCs and I’ve had them since then. The current version has two parts - the part when I was a teen so they are teens and it’s like the actual plot of being supernatural in the human world (their world is a mirror world to the Earth but with supernaturals), and then the second part where they are adults and just like, reflecting upon how they got there (so I guess like the actual plot and then just like an epilogue and “extras”). I actually have some key stuff done for this one but I haven’t actually written it down cuz I’m so bad at that. Like it’s been years and it just lives in my head (dangerous, because of my terrible memory). So I will have to actually write it at some point. May share when I do so! 👍🏽

// and for Misc OCs:

Anredvel Istotn

Do yall. Remember the dark days. Where I did M H A works…I didn’t even like it 😭 sometimes u do weird shit when ur a teenager. But it’s okay, because 1. It made me start shading my artwork, and 2. I have this OC 😁. I don’t do much with them but hey that’s misc OCs for you. Fairy that I want to dress up in outfits 🫶🏽 and make have anxiety lmao

DeKayde Ilha

Fun fact I never shared before but DeKayde is the third rework iteration of my retired OC Sahi Theba. Very very different from then they’re actually the only one left from the original idea but it’s sooo divorced so it’s like this is basically a completely different OC but I still associate them with each other

Inageiduyc

The evil fairy demon. I don’t do anything with them but they’re funny. They kill people but not actually it’s like, they trap ppl in a time loop of sorts to kill them but then let them free when they get bored 😭💀 they just like tormenting humans!

Ryn Ollora

My SDV farmer I miss them cuz I don’t be playing video games like that but I still think abt them cuz they’re fun 🫶🏽 No one likes them (except Evelyn my GOAT!!) they are very strange still. I just would make them fish mostly all the time (I’m a chickenshit the mines are scary and I’m lazy I don’t wanna spend time digging around for things to make the townspeople like them 😑) (this is why I only play puzzles, smash bros, and the sims fr…)

Silica

“Christian” daughter of the devil in the apocalypse. Maybe if you was here for a bit u know I started writing her story and posting it as a poetry series but I never finished it. What I was going for with her is like rejection in relation to Christianity and such themes, and I’m still kinda at that angle but that was when I was still experiencing a terrible Catholic school experience / when it was still a fresh wound but now it resonates with me less cuz I make my religion my own more now and time has put the religious specifics of my problems quite further from me now. But I still wanna play with the ideas I had started planning with her. Maybe I’ll try to write the poetry series again one day…

Tajah Syleno

Renamed from Yca Syeilno, same character obviously I just wanted to give them a first name I didn’t make up and simplify the spelling of their last name. Still an influencer-type, still a bad bitch, still my fun dress up doll! I should draw them again some time.

Thunas Ipyirus

My knight girl who is on a quest to just live her life (running theme with my characters I fear…) - she wants adventure and excitement! I actually have written much about this character cuz I developed her further for a writing class I took in high school - I actually wrote a scene!! The catalyst of her story is that she finds an enchanted sword that lights a flame when she wields it and this pushes her to try to adventure.

// Okay that’s all of it 👍🏽

[enicomputer]

Rádio MEC estreia nova programação na faixa infantojuvenil

Novidades incluem programas e quadros semanais inéditos EBC Publicado em 01/03/2025 - 17:00 Brasília Versão em áudio Reprodução: © Rádio MEC/Divulgação A partir deste mês de março, a Rádio MEC estreia uma nova programação infantojuvenil com atrações inéditas na Rádio Animada. A faixa da MEC AM apresenta conteúdos de qualidade para a garotada aos domingos, das 8h às 10h, reprisando aos sábados, no mesmo horário, com janelas de 10 minutos de segunda-feira a sexta-feira, às 8h20.

As novidades começam neste domingo (2), com a estreia da temporada 2025 do Perguntar e Pensar, com um novo ator mirim, Theo Gonzales. Produzido pela Sociedade Brasileira de Psicanálise do Rio de Janeiro em parceria com a Rádio MEC, o programete está no ar desde 2008. No ano passado, recebeu o Prêmio do Público do Festival ComKids como melhor podcast infantojuvenil. A partir do dia 10 de março, de segunda a sexta, os pequenos ouvintes conferem os novos quadros semanais da Rádio Animada, apresentados em janelas de 10 minutos: Maritaca, na segunda-feira; Brasil, Canções e Regiões, na terça; Casa Bem-assombrada, na quarta; Quadros de literatura e divulgação científica, na quinta; e dicas culturais, na sexta. Já no dia 16, a Rádio Animada estreia sua nova temporada, com a exibição dos novos programas na íntegra aos domingos, e reprises aos sábados. Entre os destaques estão Maritaca e Brasil, Canções e Regiões, que participaram do Prêmio Rádio MEC 2024. Compõem também a faixa o Casa Bem-assombrada, o Perguntar e Pensar e quadros de divulgação científica, literatura e dicas culturais. Vencedor do Prêmio Rádio MEC 2024 como melhor programa para a infância, o Maritaca traz contação de histórias, dicas de livros e música em episódios de 25 minutos. Neste ano, a MEC AM veiculará 20 edições do programa, que também recebeu relevantes reconhecimentos da crítica especializada, como o Prêmio APCA de melhor produção em entretenimento em rádio em 2016. O Brasil, Canções e Regiões é uma série de programas de aproximadamente 50 minutos, de conteúdo cultural bilíngue português/espanhol da Rádio Butiá Brasil, rádio web integrante do Movimento da Canção Infantil Latino Americana e Caribenha. Os episódios apresentam artistas de dez capitais brasileiras por meio de canções, histórias, receitas e informações acerca da sua geografia e aspectos socioculturais. A produção radiofônica foi vencedora do concurso Ibermúsicas 2023 na linha de Ajudas ao Sector Musical em Modalidade Virtual. Criado e produzido por Tim Rescala, o quadro Casa Bem-assombrada fez parte da primeira temporada, em 2011, do programa Blim-Blem-Blom, da Rádio MEC. A pequena radionovela, com episódios de cerca de 5 minutos, apresenta uma aventura vivida por três crianças que, atraídas por um canto misterioso, encontram uma casa que parece abandonada. Em abril, a Rádio MEC FM estreia a nova temporada do Blim-Blem-Blom. Sucesso de público e crítica, o programa divulga a música de concerto, seus compositores e intérpretes com abordagem voltada ao público infantojuvenil.

Sobre a Rádio MEC

Conhecida de norte a sul do país como A Rádio de Música Clássica do Brasil, a Rádio MEC é consagrada pelo público por sua vocação direcionada à música erudita. A tradicional estação dedica 80% de sua programação à música clássica e leva ao ar compositores brasileiros e internacionais de todos os tempos. A Rádio MEC oferece aos ouvintes a experiência de acompanhar repertórios segmentados, composições originais e produções qualificadas. Ainda há espaço também para faixas de jazz e música popular brasileira, combinação que garante a conquista de novos públicos e agrada a audiência cativa. A emissora pode ser sintonizada pela frequência FM 99,3 MHz e AM 800 kHz no Rio de Janeiro. O dial da Rádio MEC, em Brasília, está em FM 87,1 MHz e AM 800 kHz. O público também acompanha a programação em Belo Horizonte na frequência FM 87,1 MHz. O conteúdo ainda é veiculado no app Rádios EBC. Os ouvintes têm participação garantida e podem colaborar com sugestões para a programação da Rádio MEC. O público pode interagir pelas redes sociais e pelo WhatsApp. Para isso, basta que os interessados enviem mensagens de texto para o número (21) 99710-0537.

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[gamereporter]

Estúdio SpaceFrog conquista reconhecimento internacional com jogo educativo Docemática

O estúdio de jogos SpaceFrog, sediado em Curitiba, celebra uma vitória significativa no cenário internacional ao ser consagrado campeão na XV edição do Festival comKids 2024. O jogo “Docemática”, desenvolvido pelo estúdio, conquistou o 1º lugar no Júri Popular e o 2º lugar no Júri Profissional na Categoria Game, destacando-se entre diversas produções digitais e interativas de países da América…

[laopiniononline]

NTV celebra su segundo aniversario conectando a Chile con su cultura y diversidad.

Nueva publicación en https://ct2.cl/9u

NTV celebra su segundo aniversario conectando a Chile con su cultura y diversidad.

La señal cultural familiar de TVN se ha posicionado entre lo más visto de las señales infantiles y culturales y festejará su aniversario con entretenidos estrenos.

Hoy cumple su segundo año al aire el canal cultural familiar de TVN, NTV, y lo hace consolidando su posición como un referente en la televisión chilena, con una programación rica en contenido cultural, social, artístico y científico.

Desde su puesta al aire, el 08 de agosto de 2021, NTV ha estrenado más de 200 programas, de los cuales el 90% corresponden a producción nacional, lo que refleja el compromiso del canal con el talento local y el fortalecimiento de la identidad cultural chilena. El restante 10% de producción internacional ha enriquecido la oferta con perspectivas globales y diversas.

El impacto de NTV en la audiencia ha sido significativo, ya que desde su estreno hasta junio de 2023, se ha posicionado como el canal más visto entre las señales culturales y, en el mismo rango, es el tercer canal más visto entre los canales infantiles, solo superado por Discovery Kids y Cartoon Network.

Más de 12 millones de personas han sintonizado NTV en estos dos años, convirtiéndolo en un potente competidor y un referente en la industria. Ha sido galardonado  en muchas  ocasiones, destacando el reconocimiento de “Deportes Sin Límites” como el Mejor Programa de Deportes en los Premios Red TAL 2022, así como la nominación al Emmy Internacional de “Sueños Latinoamericanos”.

En nuestro país, en tanto, la  “gala de las estrellas” premió a NTV por promover la cultura astronómica de nuestro país y ganó en los  “Best Branding Awards” 2022, donde destacó entre diferentes marcas del mercado nacional al ganar la categoría “Best New Brand”, que premia a casos exitosos de creación de una marca nueva en nuestro país. Sin ir más lejos, actualmente cuenta con 4 nominaciones en el Festival de programación infantil comKids, Brasil.

La directora de Programación de NTV, Mariana Hidalgo, expresó que “es un orgullo y una gran responsabilidad para el equipo hacer NTV día a día. Entendemos el compromiso que tenemos de profundizar la misión pública de TVN y, con ello, hacer una televisión de calidad que entretenga, aporte con experiencias y promueva el conocimiento”.

Para celebrar su segundo aniversario, NTV presentará una  programación de estrenos que iniciaron ayer con “Edad Media en el Arte”, una serie de microprogramas de la Fundación Actual, donde el artista y crítico de arte César Gabler analiza la obra y trayectoria de doce artistas chilenos contemporáneos. Estreno el lunes 07 de agosto después de “Entrada Liberada”.

“Los Cuenteros, en Ruta”, conducido por el afamado escritor Andrés Montero y la periodista y narradora oral Nicole Castillo, debuta hoy a las 22 horas, mostrando viajes por los recónditos lugares de Chile para explorar las historias locales transmitidas de generación en generación, poniendo en valor la narración oral, e  inmediatamente después, debuta entre los estrenos internacionales, “This is Philosophy”, programa español de cultura y filosofía conducido por el multifacético artista español Álvaro Carmona.

El jueves 10 de agosto, antes de la medianoche,  es el turno de “Mi Bello Pueblo”,  serie documental francesa sobre culturas del mundo, protagonizada por niños, niñas y adolescentes de distintas comunidades rurales, incluido Chile.

El viernes 11 de agosto, a las 22 horas,  “Selva Viva Patagonia” trae de vuelta a la televisión al “bichólogo” Alfredo Ugarte y Felipe Sotomayor, explorando el extremo sur de Chile, mientras que el domingo 13 de agosto, llega a  pantalla “Bocas Abiertas”, un magazine y canciones que, con humor, abordarán los mitos y verdades de la salud bucal.

 “Buscamos conectarnos con la audiencia día a día. NTV es de acceso libre y gratuito. Estamos en cable, en TV digital abierta, en las plataformas digitales de TVN, TV satelital, IPtv. Nuestros contenidos están en  redes sociales y también disponibles en Youtube. Nos alegra ver que las audiencias, las organizaciones y estamentos  valoran nuestra programación, y seguimos en nuestro desafío permanente de ofrecer contenidos innovadores, donde las fronteras entre lo cultural, lo infantil, lo adulto y la entretención dejen de existir”,  afirma Mariana Hidalgo.

[diario-vespertino]

La niña Qom del videojuego creada por una vecina de Claypole

Daniela Magalí Fernández, la creadora del videojuego con perspectiva medioambiental, nos cuenta cómo sus orígenes culturales influyeron para crear a Laidaxai, la niña qom que va por aire, por fuego, por tierra y por agua adquiriendo habilidades gracias a sabios consejos ancestrales. Laidaxai nació a inicios de la pandemia y quizá por eso su misión fundamental es salvar a su pueblo de una muy extraña enfermedad que los invadió. Para eso deberá atravesar una serie de pruebas del Árbol Negro. Ella, una niña qom, cuyo nombre significa "Morena", va por aire, por fuego, por tierra y por agua adquiriendo habilidades gracias a sabios consejeros y consejeras ancestrales. Uno de ellos le dice que no tema, que no permita que el miedo llegue a su corazón. Su valentía, tal vez, yace en la misma fuerza que empujó a su creadora Daniela Magalí Fernández para construir su mundo en un videojuego con perspectiva medioambiental y con el desafío educativo de demostrar la plurinacionalidad de nuestro país. "Qué alegría, al fin una niña por aquí", dice el trailer de esta aventura poco habitual, repleta de color y autogestión. ¿Cómo se construyó?¿Cuál es el secreto para pasar todos los niveles? El mismo juego responde con el enigma: "Deberás confiar en tus poderes y en la naturaleza". Máxima, la abuela de Daniela, vivía en Sol de Mayo, Chaco. En sus historias orales había cierto toque místico, anécdotas de la Guerra de la Triple Alianza contra el Paraguay, las curaciones con los yuyos y hasta mantenía ciertos conocimientos del guaraní: “Inconscientemente nos había dejado un montón de esas cosas”. Desde Claypole, provincia de Buenos Aires, la creadora del videojuego “Laidaxai y el Árbol Negro”, empezó a indagar sobre sus orígenes, sobre las pistas que Máxima había sembrado. “En Chaco forjé un poco más mi identidad como diseñadora gráfica y de imágen y sonido. Pero me pregunté qué hacer con toda esa información de manera innovadora. Fue así que vinculé los conocimientos del pueblo de mi abuela con los videojuegos”, nos dijo. A sus 29 años, Dani se ganó una beca estatal de $20 mil y con eso, y solo dos meses en pleno auge del COVID 19, desarrolló lo que ese mismo 2020 sería presentado pero que recién dos años después fue reivindicado: “Al inicio, gracias a una conocida, tuve una mesita improvisada en Tecnópolis. Ahora ya está presente mucho más grande, hasta con televisores para que las niñas y los niños interactúen”, contó. 

−También te aplaudieron en la ComKids de Brasil, ¿cómo asimilás que hoy tenga tanta llegada y que lo hayas hecho con tan poco presupuesto? −No era una cantidad razonable, es cierto, pero era pleno auge de la pandemia. Había cosas más importantes que dar recursos a los videojuegos. Además, cuando una recién inicia se acostumbra, lamentablemente, a no recibir nada. Pero me pone contenta que incluso haya llegado a la muestra Aux Futurs Ancestraux de Francia, allá se indignaron al saber que lo hice con menos de cien dólares. Lo cierto es que a veces uno termina haciendo las cosas por placer o por alguna necesidad puntual. −Elegiste una niña no casualmente. ¿Qué mirada tenés de la participación de las mujeres como creadoras de videojuegos? −Tengo experiencias buenas como malas. Hay un punto en que suelo preguntarme, “¿cuánto más tengo que hacer para que validen algo de lo que hago?”. Me pasa en varios ámbitos en lo que frecuento, no solo con los videojuegos. Hay veces que un varón hace una cosita y a una que hace como veinte la siguen presionando para mucho más. Se nota ciertos privilegios en algunos ambientes machistas donde una tiene que demostrar cada rato sus habilidades. ¡Es bastante agotador! Si sos una chica en los juegos creo que hay una presión extra. Así como se avanzó en el cine, en el mundo de los videojuegos tiene que haber una mayor mirada de las mujeres y diversidades, sobre todo en la creación de contenidos y personajes. vinculé los conocimientos del pueblo de mi abuela con los videojuegos. EDUCACIÓN BILINGÜE Y ANCESTRAL Por el momento, Laidaxai está disponible solamente para jugar en la PC. Pero más allá de su posible aplicación con más recursos y tiempo a otros soportes, es fundamental desmembrar el espíritu educativo y cultural de este juego. Cinthia Dolores Longo, y su hermano Roger Alcides Longo, fueron los responsables de darle traducción y cosmovisión a nuestra protagonista. Al hablar con Cinthia nos sintetizó que cuando las niñas, niños y adolescentes jueguen con Laidaxai “van a aprender sobre la cosmovisión qom, qué es lo que la comunidad ve viva en lo profundo del mar, la tierra y el cielo. Van a ver por qué se respeta cada partícula del mundo y por qué hay que pedir permiso al entrar al monte para arrancar una plantita y de lo contrario atenerse a las consecuencias”. Cinthia Longo es docente bilingüe de la Escuela N°72 “Cacique Pelayo” de Fontana, Chaco. Esa institución tiene primaria, secundaria y otro nivel más con talleres de oficios de manera gratuita donde asiste gran porcentaje de estudiantes qom. Para ella no fue sencillo tomar el desafío, y lo resalta, por la partida de su padre en la pandemia y también por un embarazo de riesgo, pero lo hizo: “Me emociona esto. Nunca imaginé que formaría parte de un videojuego en mi vida. Tuve esas dificultades personales pero Dani me tuvo paciencia. En el fondo estaba convencida de que tenía que hacerlo, por la educación que me dio mi papá y la que yo quiero dejarle al bebé que viene”. A sus 38 años, tras 18 años de trabajo en las escuelas, cree fundamental la difusión de su cultura. 

−Nos enseñaste que Laidaxai significa “morena” pero, ¿cómo se lee? −Es el nombre que su creadora le dio. La equis en su pronunciación es como una “g” pero gutural, más cerrada. Algo similar, podríamos decir, a Laidagai.  −¿Qué valor cobra para vos que las raíces qom giren internacionalmente con este juego? −En general no nos toman mucho en cuenta a nosotros porque somos de una cultura mucho más pasiva, creo que debería haber muchos más líderes políticos que muestren esto. En Chaco hablamos el qom como el mocoví y el wichí. Hay cada vez más compañeros traduciendo o representándonos en diversos espacios.  Creo que este juego viene a exigir eso, que nos presten más atención. Lo primero que suelen mostrar de nosotros es nuestra artesanía, cómo moldeamos el barro, las medicinas del monte o los canastos que usamos. De ahora en más, estamos en un videojuego. ¿Cómo se construyó?¿Cuál es el secreto para pasar todos los niveles? El mismo juego responde con el enigma: "Deberás confiar en tus poderes y en la naturaleza". Este año el plan de estudios de la Cacique Pelayo gracias a Daniela, Cinthia, y todo el equipo que hay detrás, estará atravesada por el videojuego como material didáctico. En la feria de ciencia de esa escuela chaqueña las niñas, niños y adolescentes qom podrán verse identificados y jugar con su propia lengua esta aventura: “Ahora será algo transversal, le vamos a mostrar a los chicos nuestros propios relatos, es realmente un paso muy grande para nosotros”, cerró Cinthia. ¿QUÉ NOS ENSEÑAN AL JUGAR? El respeto por el medioambiente, su mirada anticolonial, la libre vestimenta de Laidaxai, la infancia como protagonista, la pluriculturalidad de nuestro país son tal vez los tópicos más importantes del mensaje de este videojuego y jugar también, claro. “siempre trato de que los personajes no tengan esas características de los juegos clásicos como el hecho de que las princesas tienen que tener vestido”, nos resaltó Dani y continuó: “Quiero deconstruir los personajes y que en el futuro las niñas se sientan representadas y con la libertad de vestirse como quieran. No será un juego con millones de copias pero ya hay madres y padres que me dicen que es lo que quieren enseñarle a sus hijos e hijas. La sociedad está cambiando”.  − Vos tuviste una experiencia con una heroína puntual…  −Claro, una de niña busca personajes para identificarse y yo la verdad veía mucho Disney. Si ven mis rasgos van a entender por qué me decían que me parecía a Mulán, era además mi heroína. Siempre noté que a nosotras, las niñas, nos daban esas muñecas que no se movían como los Power Rangers, no tenían articulación y no entendía por qué. En el juego me pasó lo mismo. La “PlayStation 1” tenía un juego donde había una Mulán quieta, no hacía nada… −¿Qué te generó eso?  −Me preguntaba: “¿Por qué Mulán tenía que estar ahí parada y el juego era vestirla para su casamiento?”. Literal, el juego era para que se case. Ella era la que defraudó en la película a toda su familia porque eligió ser una luchadora en lugar de ser una princesa. Esta idea se contradecía en el juego. Esta propuesta, con perspectiva qom y feminista, nos abre paso a indagar nuevas historias, nuevas aventuras para nuestras infancias y adolescencias. Es la construcción de personajes que identifiquen a nuestro país para dejar atrás la vieja normalidad de vestir muñecas como único juego de las niñas. Ella, Dani, esa que fue niña nos mostró con lo que tenía al alcance que Mulán existió, existe y existirán de a montones: “Hay que pensar a las y los personajes en su contexto, con características físicas y psicológicas desde ese lugar. A Laidaxai la diseñé para esa nena, pensando en mí, en esa que se frustró con muchos de los mensajes de Disney”.  ::: Nelson Santacruz para Revista Citrica::: Read the full article

[cinema-neilton1962]

A Spcine Play prolongou a gratuidade do catálogo até o final de 2020. A plataforma de streaming conta com diversos clássicos do cinema brasileiro, séries, shows, bate-papos e conteúdos exclusivos que podem ser acessados de qualquer lugar do Brasil. Dá pra ver ainda produções das principais mostras e festivais de cinema de São Paulo, como o É tudo Verdade, o In-Edit e o ComKids. Fique em casa e navegue por esse catálogo incrível sem pagar nada. Acesse: www.spcineplay.com.br Fonte:@spcineplayoficial (em Tijuca, Rio De Janeiro, Brazil) https://www.instagram.com/p/B_pmEKlFrUq/?igshid=em3i927w1ga2

[artwalktv]

Directed, Produced and Written by ALOIS DI LEO In a forest of gigantic trees, Oquirá a six year old indigenous girl, will challenge her destiny and learn to understand the cycle of life. Animation TIAGO ROVIDA & HENRIQUE LOBATO Original Music by TITO LA ROSA Editing HELENA MAURA & ALOIS DI LEO Sound Design and Mix DANIEL TURINI & FERNANDO HENNA Additional Music GUSTAVO MONTEIRO AWARDS - 33rd Anual Chicago Children’s Film Festival - Best of the Fest (2016) - 33rd Anual Chicago Children’s Film Festival - 1st prize for the Best Animated Short film given by the Adult Jury (2016) - 25ª Festival Biarritz Amérique Latine - Prix TV5 MONDE (2016) - 16ª Goiânia Mostra Curtas - Best short film by the popular Jury of the 15ª Mostrinha (2016) - ANIMA MUNDI 2016 - Prize for Best sound Concept - Curta Cinema 2016 - Rio de Janeiro International Short Film Festival - Best Director - Baixada Animada 2016 - Jury's Honorable Mention - MONSTRA - Jury's Honorable Mention - Animae Caribe - Most Outstanding Animation - Animae Caribe - Most Outstanding Regional Animation - Foyle Film Festival - Runner Up - BEST SHORT ANIMATION - Shorts Shorts Film Festival & Asia - Best Animation - Mostra Ecofalante de Cinema Ambiental - Jury's Honorable Mention - Lanterna Mágica - International Animation Film Festival - Best Director - Lanterna Mágica - International Animation Film Festival - Best Sound - 16a Mostra Cinema Infantil de Florianópolis - Jury's Honorable Mention - Mostra Internacional de Cinema de São Luís - Best Screenplay - Mostra Internacional de Cinema de São Luís - Best Sound - Mostra Internacional de Cinema de São Luís - Best Editing - Rhode Island International Film Festival - FIRST prize for Best Children’s Animation - Festival comKids – Prix Jeunesse Iberoamericano 2017 - 2nd Place Best Fiction 12-15 years - FEST 2017 New Directors, New Films Festival - FESTinha Award 3 - 7 to 12 years old - 45 Festival de Cinema de Gramado - Best sound design - FICI - PRÊMIO BRASIL DE CINEMA INFANTIL - 1° place animated stories - MUMIA 2017 - Best Film National Category - Quirino - Best Animation Design MAIN FESTIVALS - Annecy Film Festival (Jun 2016) - 39th Clermont-Ferrand International Short Film Festival - Young Audience Programme 2017 - Cinélatino 29er Reencontres de tolouse - 63rd International Short Film Festival Oberhausen - 45th Festival de Cinema de Gramado - Grande Prêmio do Cinema Brasileiro 2017 - 33rd Anual Chicago Children’s Film Festival - 25ª Festival Biarritz Amérique Latine - ANIMA MUNDI 2016 - Curta Cinema 2016 - Rio de Janeiro International Short Film Festival - Seoul International Cartoon and Animation Festival - SICAF2016 (Jul 2016)Seoul, North Korea - 24th Curtas Vila do Conde IFF (Jul 2016)Vila do Conde, Portugal - 27º Festival Internacional de Curtas-Metragens de São Paulo (Aug 2016)São Paulo, Brazil Mostra Brasil - Heartland Film Festival FINALIST (Oct. 20-30, 2016) - 24th Stuttgart International Festival of Animated Film - Short Shorts Film Festival & Asia 2017 - ZLÍN 2017 - 57th International Film Festival for Children and Youth - 60th CINE Golden Eagle Finalist - 35th Carrousel international du film de Rimouski - 19o FESTCURTASBH (Festival Internacional de Curtas de Belo Horizonte) - 16ª Goiânia Mostra Curtas - KLIK! Amsterdam Animation Festival 2016 - Brooklyn Film Festival - Olhar de Cinema - 12ª CineOP – Mostra de Cinema de Ouro Preto - Lanterna Mágica - Festival Internacional de Animação - 15th Vancouver Latin American Film Festival - 11ª CineBH - FINALISTAS FESTIVAL COMKIDS – PRIX JEUNESSE IBEROAMERICANO 2017 - 16a Mostra Cinema Infantil de Florianópolis - SPARK ANIMATION 2016 - Foyle Film Festival - Cardiff Independent Film Festival - MONSTRA (Lisbon, Portugal) - 20ª Mostra de Cinema de Tiradentes - International Film Festival Rotterdam 2017 - Educational Programme - Go Short - International Short Film Festival Nijmegen - Educational Programs - Bienal Internacional do Cinema Sonoro - BIS - Athens International Film + Video Festival - Nashville Film Festival - Sixth international Animation Festival Chilemonos

[whileiamdying]

Directed, Produced and Written by ALOIS DI LEO In a forest of gigantic trees, Oquirá a six year old indigenous girl, will challenge her destiny and learn to understand the cycle of life. Animation TIAGO ROVIDA & HENRIQUE LOBATO Original Music by TITO LA ROSA Editing HELENA MAURA & ALOIS DI LEO Sound Design and Mix DANIEL TURINI & FERNANDO HENNA Additional Music GUSTAVO MONTEIRO AWARDS - 33rd Anual Chicago Children’s Film Festival - Best of the Fest (2016) - 33rd Anual Chicago Children’s Film Festival - 1st prize for the Best Animated Short film given by the Adult Jury (2016) - 25ª Festival Biarritz Amérique Latine - Prix TV5 MONDE (2016) - 16ª Goiânia Mostra Curtas - Best short film by the popular Jury of the 15ª Mostrinha (2016) - ANIMA MUNDI 2016 - Prize for Best sound Concept - Curta Cinema 2016 - Rio de Janeiro International Short Film Festival - Best Director - Baixada Animada 2016 - Jury's Honorable Mention - MONSTRA - Jury's Honorable Mention - Animae Caribe - Most Outstanding Animation - Animae Caribe - Most Outstanding Regional Animation - Foyle Film Festival - Runner Up - BEST SHORT ANIMATION - Shorts Shorts Film Festival & Asia - Best Animation - Mostra Ecofalante de Cinema Ambiental - Jury's Honorable Mention - Lanterna Mágica - International Animation Film Festival - Best Director - Lanterna Mágica - International Animation Film Festival - Best Sound - 16a Mostra Cinema Infantil de Florianópolis - Jury's Honorable Mention - Mostra Internacional de Cinema de São Luís - Best Screenplay - Mostra Internacional de Cinema de São Luís - Best Sound - Mostra Internacional de Cinema de São Luís - Best Editing - Rhode Island International Film Festival - FIRST prize for Best Children’s Animation - Festival comKids – Prix Jeunesse Iberoamericano 2017 - 2nd Place Best Fiction 12-15 years - FEST 2017 New Directors, New Films Festival - FESTinha Award 3 - 7 to 12 years old - 45 Festival de Cinema de Gramado - Best sound design - FICI - PRÊMIO BRASIL DE CINEMA INFANTIL - 1° place animated stories - MUMIA 2017 - Best Film National Category - Quirino - Best Animation Design MAIN FESTIVALS - Annecy Film Festival (Jun 2016) - 39th Clermont-Ferrand International Short Film Festival - Young Audience Programme 2017 - Cinélatino 29er Reencontres de tolouse - 63rd International Short Film Festival Oberhausen - 45th Festival de Cinema de Gramado - Grande Prêmio do Cinema Brasileiro 2017 - 33rd Anual Chicago Children’s Film Festival - 25ª Festival Biarritz Amérique Latine - ANIMA MUNDI 2016 - Curta Cinema 2016 - Rio de Janeiro International Short Film Festival - Seoul International Cartoon and Animation Festival - SICAF2016 (Jul 2016)Seoul, North Korea - 24th Curtas Vila do Conde IFF (Jul 2016)Vila do Conde, Portugal - 27º Festival Internacional de Curtas-Metragens de São Paulo (Aug 2016)São Paulo, Brazil Mostra Brasil - Heartland Film Festival FINALIST (Oct. 20-30, 2016) - 24th Stuttgart International Festival of Animated Film - Short Shorts Film Festival & Asia 2017 - ZLÍN 2017 - 57th International Film Festival for Children and Youth - 60th CINE Golden Eagle Finalist - 35th Carrousel international du film de Rimouski - 19o FESTCURTASBH (Festival Internacional de Curtas de Belo Horizonte) - 16ª Goiânia Mostra Curtas - KLIK! Amsterdam Animation Festival 2016 - Brooklyn Film Festival - Olhar de Cinema - 12ª CineOP – Mostra de Cinema de Ouro Preto - Lanterna Mágica - Festival Internacional de Animação - 15th Vancouver Latin American Film Festival - 11ª CineBH - FINALISTAS FESTIVAL COMKIDS – PRIX JEUNESSE IBEROAMERICANO 2017 - 16a Mostra Cinema Infantil de Florianópolis - SPARK ANIMATION 2016 - Foyle Film Festival - Cardiff Independent Film Festival - MONSTRA (Lisbon, Portugal) - 20ª Mostra de Cinema de Tiradentes - International Film Festival Rotterdam 2017 - Educational Programme - Go Short - International Short Film Festival Nijmegen - Educational Programs - Bienal Internacional do Cinema Sonoro - BIS - Athens International Film + Video Festival - Nashville Film Festival - Sixth international Animation Festival Chilemonos

[robertoninob]

INTI’S CALL - AN INTERACTIVE EBOOK

Discover the magic of the Quillasinga territory, in this interactive adventure together with the Child of the Moon and his friend the magic hummingbird. https://www.elllamadodeinti.co/

Official Selection: COMKIDS Festival 2017 (Brazil)

Crea Digital grant - Interactive ebook production by the Colombian Ministries of Culture and Communication (2016)

–

Juanete Comunicaciones

2016

[richardanarchist]

Directed, Produced and Written by ALOIS DI LEO

In a forest of gigantic trees, Oquirá a six year old indigenous girl, will challenge her destiny and learn to understand the cycle of life.

Animation TIAGO ROVIDA & HENRIQUE LOBATO Original Music by TITO LA ROSA Editing HELENA MAURA & ALOIS DI LEO Sound Design and Mix DANIEL TURINI & FERNANDO HENNA Additional Music GUSTAVO MONTEIRO

AWARDS - 33rd Anual Chicago Children’s Film Festival - Best of the Fest (2016) - 33rd Anual Chicago Children’s Film Festival - 1st prize for the Best Animated Short film given by the Adult Jury (2016) - 25ª Festival Biarritz Amérique Latine - Prix TV5 MONDE (2016) - 16ª Goiânia Mostra Curtas - Best short film by the popular Jury of the 15ª Mostrinha (2016) - ANIMA MUNDI 2016 - Prize for Best sound Concept - Curta Cinema 2016 - Rio de Janeiro International Short Film Festival - Best Director - Baixada Animada 2016 - Jury's Honorable Mention - MONSTRA - Jury's Honorable Mention - Animae Caribe - Most Outstanding Animation - Animae Caribe - Most Outstanding Regional Animation - Foyle Film Festival - Runner Up - BEST SHORT ANIMATION - Shorts Shorts Film Festival & Asia - Best Animation - Mostra Ecofalante de Cinema Ambiental - Jury's Honorable Mention - Lanterna Mágica - International Animation Film Festival - Best Director - Lanterna Mágica - International Animation Film Festival - Best Sound - 16a Mostra Cinema Infantil de Florianópolis - Jury's Honorable Mention - Mostra Internacional de Cinema de São Luís - Best Screenplay - Mostra Internacional de Cinema de São Luís - Best Sound - Mostra Internacional de Cinema de São Luís - Best Editing - Rhode Island International Film Festival - FIRST prize for Best Children’s Animation - Festival comKids – Prix Jeunesse Iberoamericano 2017 - 2nd Place Best Fiction 12-15 years - FEST 2017 New Directors, New Films Festival - FESTinha Award 3 - 7 to 12 years old - 45 Festival de Cinema de Gramado - Best sound design - FICI - PRÊMIO BRASIL DE CINEMA INFANTIL - 1° place animated stories - MUMIA 2017 - Best Film National Category - Quirino - Best Animation Design

MAIN FESTIVALS - Annecy Film Festival (Jun 2016) - 39th Clermont-Ferrand International Short Film Festival - Young Audience Programme 2017 - Cinélatino 29er Reencontres de tolouse - 63rd International Short Film Festival Oberhausen - 45th Festival de Cinema de Gramado - Grande Prêmio do Cinema Brasileiro 2017 - 33rd Anual Chicago Children’s Film Festival - 25ª Festival Biarritz Amérique Latine - ANIMA MUNDI 2016 - Curta Cinema 2016 - Rio de Janeiro International Short Film Festival - Seoul International Cartoon and Animation Festival - SICAF2016 (Jul 2016)Seoul, North Korea - 24th Curtas Vila do Conde IFF (Jul 2016)Vila do Conde, Portugal - 27º Festival Internacional de Curtas-Metragens de São Paulo (Aug 2016)São Paulo, Brazil Mostra Brasil - Heartland Film Festival FINALIST (Oct. 20-30, 2016) - 24th Stuttgart International Festival of Animated Film - Short Shorts Film Festival & Asia 2017 - ZLÍN 2017 - 57th International Film Festival for Children and Youth - 60th CINE Golden Eagle Finalist - 35th Carrousel international du film de Rimouski - 19o FESTCURTASBH (Festival Internacional de Curtas de Belo Horizonte) - 16ª Goiânia Mostra Curtas - KLIK! Amsterdam Animation Festival 2016 - Brooklyn Film Festival - Olhar de Cinema - 12ª CineOP – Mostra de Cinema de Ouro Preto - Lanterna Mágica - Festival Internacional de Animação - 15th Vancouver Latin American Film Festival - 11ª CineBH - FINALISTAS FESTIVAL COMKIDS – PRIX JEUNESSE IBEROAMERICANO 2017 - 16a Mostra Cinema Infantil de Florianópolis - SPARK ANIMATION 2016 - Foyle Film Festival - Cardiff Independent Film Festival - MONSTRA (Lisbon, Portugal) - 20ª Mostra de Cinema de Tiradentes - International Film Festival Rotterdam 2017 - Educational Programme - Go Short - International Short Film Festival Nijmegen - Educational Programs - Bienal Internacional do Cinema Sonoro - BIS - Athens International Film + Video Festival - Nashville Film Festival - Sixth international Animation Festival Chilemonos

[facualva]

“Way of Giants” - “Caminho dos Gigantes” from SINLOGO Animation on Vimeo.

Directed, Produced and Written by ALOIS DI LEO

In a forest of gigantic trees, Oquirá a six year old indigenous girl, will challenge her destiny and learn to understand the cycle of life.

Animation TIAGO ROVIDA & HENRIQUE LOBATO Original Music by TITO LA ROSA Editing HELENA MAURA & ALOIS DI LEO Sound Design and Mix DANIEL TURINI & FERNANDO HENNA Additional Music GUSTAVO MONTEIRO

AWARDS - 33rd Anual Chicago Children’s Film Festival - Best of the Fest (2016) - 33rd Anual Chicago Children’s Film Festival - 1st prize for the Best Animated Short film given by the Adult Jury (2016) - 25ª Festival Biarritz Amérique Latine - Prix TV5 MONDE (2016) - 16ª Goiânia Mostra Curtas - Best short film by the popular Jury of the 15ª Mostrinha (2016) - ANIMA MUNDI 2016 - Prize for Best sound Concept - Curta Cinema 2016 - Rio de Janeiro International Short Film Festival - Best Director - Baixada Animada 2016 - Jury's Honorable Mention - MONSTRA - Jury's Honorable Mention - Animae Caribe - Most Outstanding Animation - Animae Caribe - Most Outstanding Regional Animation - Foyle Film Festival - Runner Up - BEST SHORT ANIMATION - Shorts Shorts Film Festival & Asia - Best Animation - Mostra Ecofalante de Cinema Ambiental - Jury's Honorable Mention - Lanterna Mágica - International Animation Film Festival - Best Director - Lanterna Mágica - International Animation Film Festival - Best Sound - 16a Mostra Cinema Infantil de Florianópolis - Jury's Honorable Mention - Mostra Internacional de Cinema de São Luís - Best Screenplay - Mostra Internacional de Cinema de São Luís - Best Sound - Mostra Internacional de Cinema de São Luís - Best Editing - Rhode Island International Film Festival - FIRST prize for Best Children’s Animation - Festival comKids – Prix Jeunesse Iberoamericano 2017 - 2nd Place Best Fiction 12-15 years - FEST 2017 New Directors, New Films Festival - FESTinha Award 3 - 7 to 12 years old - 45 Festival de Cinema de Gramado - Best sound design - FICI - PRÊMIO BRASIL DE CINEMA INFANTIL - 1° place animated stories - MUMIA 2017 - Best Film National Category - Quirino - Best Animation Design

MAIN FESTIVALS - Annecy Film Festival (Jun 2016) - 39th Clermont-Ferrand International Short Film Festival - Young Audience Programme 2017 - Cinélatino 29er Reencontres de tolouse - 63rd International Short Film Festival Oberhausen - 45th Festival de Cinema de Gramado - Grande Prêmio do Cinema Brasileiro 2017 - 33rd Anual Chicago Children’s Film Festival - 25ª Festival Biarritz Amérique Latine - ANIMA MUNDI 2016 - Curta Cinema 2016 - Rio de Janeiro International Short Film Festival - Seoul International Cartoon and Animation Festival - SICAF2016 (Jul 2016)Seoul, North Korea - 24th Curtas Vila do Conde IFF (Jul 2016)Vila do Conde, Portugal - 27º Festival Internacional de Curtas-Metragens de São Paulo (Aug 2016)São Paulo, Brazil Mostra Brasil - Heartland Film Festival FINALIST (Oct. 20-30, 2016) - 24th Stuttgart International Festival of Animated Film - Short Shorts Film Festival & Asia 2017 - ZLÍN 2017 - 57th International Film Festival for Children and Youth - 60th CINE Golden Eagle Finalist - 35th Carrousel international du film de Rimouski - 19o FESTCURTASBH (Festival Internacional de Curtas de Belo Horizonte) - 16ª Goiânia Mostra Curtas - KLIK! Amsterdam Animation Festival 2016 - Brooklyn Film Festival - Olhar de Cinema - 12ª CineOP – Mostra de Cinema de Ouro Preto - Lanterna Mágica - Festival Internacional de Animação - 15th Vancouver Latin American Film Festival - 11ª CineBH - FINALISTAS FESTIVAL COMKIDS – PRIX JEUNESSE IBEROAMERICANO 2017 - 16a Mostra Cinema Infantil de Florianópolis - SPARK ANIMATION 2016 - Foyle Film Festival - Cardiff Independent Film Festival - MONSTRA (Lisbon, Portugal) - 20ª Mostra de Cinema de Tiradentes - International Film Festival Rotterdam 2017 - Educational Programme - Go Short - International Short Film Festival Nijmegen - Educational Programs - Bienal Internacional do Cinema Sonoro - BIS - Athens International Film + Video Festival - Nashville Film Festival - Sixth international Animation Festival Chilemonos

[tonin-terets]

“Way of Giants” - “Caminho dos Gigantes” from SINLOGO Animation on Vimeo.

Directed, Produced and Written by ALOIS DI LEO

In a forest of gigantic trees, Oquirá a six year old indigenous girl, will challenge her destiny and learn to understand the cycle of life.

Animation TIAGO ROVIDA & HENRIQUE LOBATO Original Music by TITO LA ROSA Editing HELENA MAURA & ALOIS DI LEO Sound Design and Mix DANIEL TURINI & FERNANDO HENNA Additional Music GUSTAVO MONTEIRO

AWARDS - 33rd Anual Chicago Children’s Film Festival - Best of the Fest (2016) - 33rd Anual Chicago Children’s Film Festival - 1st prize for the Best Animated Short film given by the Adult Jury (2016) - 25ª Festival Biarritz Amérique Latine - Prix TV5 MONDE (2016) - 16ª Goiânia Mostra Curtas - Best short film by the popular Jury of the 15ª Mostrinha (2016) - ANIMA MUNDI 2016 - Prize for Best sound Concept - Curta Cinema 2016 - Rio de Janeiro International Short Film Festival - Best Director - Baixada Animada 2016 - Jury's Honorable Mention - MONSTRA - Jury's Honorable Mention - Animae Caribe - Most Outstanding Animation - Animae Caribe - Most Outstanding Regional Animation - Foyle Film Festival - Runner Up - BEST SHORT ANIMATION - Shorts Shorts Film Festival & Asia - Best Animation - Mostra Ecofalante de Cinema Ambiental - Jury's Honorable Mention - Lanterna Mágica - International Animation Film Festival - Best Director - Lanterna Mágica - International Animation Film Festival - Best Sound - 16a Mostra Cinema Infantil de Florianópolis - Jury's Honorable Mention - Mostra Internacional de Cinema de São Luís - Best Screenplay - Mostra Internacional de Cinema de São Luís - Best Sound - Mostra Internacional de Cinema de São Luís - Best Editing - Rhode Island International Film Festival - FIRST prize for Best Children’s Animation - Festival comKids – Prix Jeunesse Iberoamericano 2017 - 2nd Place Best Fiction 12-15 years - FEST 2017 New Directors, New Films Festival - FESTinha Award 3 - 7 to 12 years old - 45 Festival de Cinema de Gramado - Best sound design - FICI - PRÊMIO BRASIL DE CINEMA INFANTIL - 1° place animated stories - MUMIA 2017 - Best Film National Category - Quirino - Best Animation Design

MAIN FESTIVALS - Annecy Film Festival (Jun 2016) - 39th Clermont-Ferrand International Short Film Festival - Young Audience Programme 2017 - Cinélatino 29er Reencontres de tolouse - 63rd International Short Film Festival Oberhausen - 45th Festival de Cinema de Gramado - Grande Prêmio do Cinema Brasileiro 2017 - 33rd Anual Chicago Children’s Film Festival - 25ª Festival Biarritz Amérique Latine - ANIMA MUNDI 2016 - Curta Cinema 2016 - Rio de Janeiro International Short Film Festival - Seoul International Cartoon and Animation Festival - SICAF2016 (Jul 2016)Seoul, North Korea - 24th Curtas Vila do Conde IFF (Jul 2016)Vila do Conde, Portugal - 27º Festival Internacional de Curtas-Metragens de São Paulo (Aug 2016)São Paulo, Brazil Mostra Brasil - Heartland Film Festival FINALIST (Oct. 20-30, 2016) - 24th Stuttgart International Festival of Animated Film - Short Shorts Film Festival & Asia 2017 - ZLÍN 2017 - 57th International Film Festival for Children and Youth - 60th CINE Golden Eagle Finalist - 35th Carrousel international du film de Rimouski - 19o FESTCURTASBH (Festival Internacional de Curtas de Belo Horizonte) - 16ª Goiânia Mostra Curtas - KLIK! Amsterdam Animation Festival 2016 - Brooklyn Film Festival - Olhar de Cinema - 12ª CineOP – Mostra de Cinema de Ouro Preto - Lanterna Mágica - Festival Internacional de Animação - 15th Vancouver Latin American Film Festival - 11ª CineBH - FINALISTAS FESTIVAL COMKIDS – PRIX JEUNESSE IBEROAMERICANO 2017 - 16a Mostra Cinema Infantil de Florianópolis - SPARK ANIMATION 2016 - Foyle Film Festival - Cardiff Independent Film Festival - MONSTRA (Lisbon, Portugal) - 20ª Mostra de Cinema de Tiradentes - International Film Festival Rotterdam 2017 - Educational Programme - Go Short - International Short Film Festival Nijmegen - Educational Programs - Bienal Internacional do Cinema Sonoro - BIS - Athens International Film + Video Festival - Nashville Film Festival - Sixth international Animation Festival Chilemonos

[santamistura]

“Way of Giants” - “Caminho dos Gigantes” from SINLOGO Animation on Vimeo.

Directed, Produced and Written by ALOIS DI LEO

In a forest of gigantic trees, Oquirá a six year old indigenous girl, will challenge her destiny and learn to understand the cycle of life.

Animation TIAGO ROVIDA & HENRIQUE LOBATO Original Music by TITO LA ROSA Editing HELENA MAURA & ALOIS DI LEO Sound Design and Mix DANIEL TURINI & FERNANDO HENNA Additional Music GUSTAVO MONTEIRO

AWARDS - 33rd Anual Chicago Children’s Film Festival - Best of the Fest (2016) - 33rd Anual Chicago Children’s Film Festival - 1st prize for the Best Animated Short film given by the Adult Jury (2016) - 25ª Festival Biarritz Amérique Latine - Prix TV5 MONDE (2016) - 16ª Goiânia Mostra Curtas - Best short film by the popular Jury of the 15ª Mostrinha (2016) - ANIMA MUNDI 2016 - Prize for Best sound Concept - Curta Cinema 2016 - Rio de Janeiro International Short Film Festival - Best Director - Baixada Animada 2016 - Jury's Honorable Mention - MONSTRA - Jury's Honorable Mention - Animae Caribe - Most Outstanding Animation - Animae Caribe - Most Outstanding Regional Animation - Foyle Film Festival - Runner Up - BEST SHORT ANIMATION - Shorts Shorts Film Festival & Asia - Best Animation - Mostra Ecofalante de Cinema Ambiental - Jury's Honorable Mention - Lanterna Mágica - International Animation Film Festival - Best Director - Lanterna Mágica - International Animation Film Festival - Best Sound - 16a Mostra Cinema Infantil de Florianópolis - Jury's Honorable Mention - Mostra Internacional de Cinema de São Luís - Best Screenplay - Mostra Internacional de Cinema de São Luís - Best Sound - Mostra Internacional de Cinema de São Luís - Best Editing - Rhode Island International Film Festival - FIRST prize for Best Children’s Animation - Festival comKids – Prix Jeunesse Iberoamericano 2017 - 2nd Place Best Fiction 12-15 years - FEST 2017 New Directors, New Films Festival - FESTinha Award 3 - 7 to 12 years old - 45 Festival de Cinema de Gramado - Best sound design - FICI - PRÊMIO BRASIL DE CINEMA INFANTIL - 1° place animated stories - MUMIA 2017 - Best Film National Category - Quirino - Best Animation Design

MAIN FESTIVALS - Annecy Film Festival (Jun 2016) - 39th Clermont-Ferrand International Short Film Festival - Young Audience Programme 2017 - Cinélatino 29er Reencontres de tolouse - 63rd International Short Film Festival Oberhausen - 45th Festival de Cinema de Gramado - Grande Prêmio do Cinema Brasileiro 2017 - 33rd Anual Chicago Children’s Film Festival - 25ª Festival Biarritz Amérique Latine - ANIMA MUNDI 2016 - Curta Cinema 2016 - Rio de Janeiro International Short Film Festival - Seoul International Cartoon and Animation Festival - SICAF2016 (Jul 2016)Seoul, North Korea - 24th Curtas Vila do Conde IFF (Jul 2016)Vila do Conde, Portugal - 27º Festival Internacional de Curtas-Metragens de São Paulo (Aug 2016)São Paulo, Brazil Mostra Brasil - Heartland Film Festival FINALIST (Oct. 20-30, 2016) - 24th Stuttgart International Festival of Animated Film - Short Shorts Film Festival & Asia 2017 - ZLÍN 2017 - 57th International Film Festival for Children and Youth - 60th CINE Golden Eagle Finalist - 35th Carrousel international du film de Rimouski - 19o FESTCURTASBH (Festival Internacional de Curtas de Belo Horizonte) - 16ª Goiânia Mostra Curtas - KLIK! Amsterdam Animation Festival 2016 - Brooklyn Film Festival - Olhar de Cinema - 12ª CineOP – Mostra de Cinema de Ouro Preto - Lanterna Mágica - Festival Internacional de Animação - 15th Vancouver Latin American Film Festival - 11ª CineBH - FINALISTAS FESTIVAL COMKIDS – PRIX JEUNESSE IBEROAMERICANO 2017 - 16a Mostra Cinema Infantil de Florianópolis - SPARK ANIMATION 2016 - Foyle Film Festival - Cardiff Independent Film Festival - MONSTRA (Lisbon, Portugal) - 20ª Mostra de Cinema de Tiradentes - International Film Festival Rotterdam 2017 - Educational Programme - Go Short - International Short Film Festival Nijmegen - Educational Programs - Bienal Internacional do Cinema Sonoro - BIS - Athens International Film + Video Festival - Nashville Film Festival - Sixth international Animation Festival Chilemonos

[slamko42]

“Way of Giants” - “Caminho dos Gigantes” from SINLOGO Animation on Vimeo.

Directed, Produced and Written by ALOIS DI LEO

In a forest of gigantic trees, Oquirá a six year old indigenous girl, will challenge her destiny and learn to understand the cycle of life.

Animation TIAGO ROVIDA & HENRIQUE LOBATO Original Music by TITO LA ROSA Editing HELENA MAURA & ALOIS DI LEO Sound Design and Mix DANIEL TURINI & FERNANDO HENNA Additional Music GUSTAVO MONTEIRO

AWARDS - 33rd Anual Chicago Children’s Film Festival - Best of the Fest (2016) - 33rd Anual Chicago Children’s Film Festival - 1st prize for the Best Animated Short film given by the Adult Jury (2016) - 25ª Festival Biarritz Amérique Latine - Prix TV5 MONDE (2016) - 16ª Goiânia Mostra Curtas - Best short film by the popular Jury of the 15ª Mostrinha (2016) - ANIMA MUNDI 2016 - Prize for Best sound Concept - Curta Cinema 2016 - Rio de Janeiro International Short Film Festival - Best Director - Baixada Animada 2016 - Jury's Honorable Mention - MONSTRA - Jury's Honorable Mention - Animae Caribe - Most Outstanding Animation - Animae Caribe - Most Outstanding Regional Animation - Foyle Film Festival - Runner Up - BEST SHORT ANIMATION - Shorts Shorts Film Festival & Asia - Best Animation - Mostra Ecofalante de Cinema Ambiental - Jury's Honorable Mention - Lanterna Mágica - International Animation Film Festival - Best Director - Lanterna Mágica - International Animation Film Festival - Best Sound - 16a Mostra Cinema Infantil de Florianópolis - Jury's Honorable Mention - Mostra Internacional de Cinema de São Luís - Best Screenplay - Mostra Internacional de Cinema de São Luís - Best Sound - Mostra Internacional de Cinema de São Luís - Best Editing - Rhode Island International Film Festival - FIRST prize for Best Children’s Animation - Festival comKids – Prix Jeunesse Iberoamericano 2017 - 2nd Place Best Fiction 12-15 years - FEST 2017 New Directors, New Films Festival - FESTinha Award 3 - 7 to 12 years old - 45 Festival de Cinema de Gramado - Best sound design - FICI - PRÊMIO BRASIL DE CINEMA INFANTIL - 1° place animated stories - MUMIA 2017 - Best Film National Category - Quirino - Best Animation Design

MAIN FESTIVALS - Annecy Film Festival (Jun 2016) - 39th Clermont-Ferrand International Short Film Festival - Young Audience Programme 2017 - Cinélatino 29er Reencontres de tolouse - 63rd International Short Film Festival Oberhausen - 45th Festival de Cinema de Gramado - Grande Prêmio do Cinema Brasileiro 2017 - 33rd Anual Chicago Children’s Film Festival - 25ª Festival Biarritz Amérique Latine - ANIMA MUNDI 2016 - Curta Cinema 2016 - Rio de Janeiro International Short Film Festival - Seoul International Cartoon and Animation Festival - SICAF2016 (Jul 2016)Seoul, North Korea - 24th Curtas Vila do Conde IFF (Jul 2016)Vila do Conde, Portugal - 27º Festival Internacional de Curtas-Metragens de São Paulo (Aug 2016)São Paulo, Brazil Mostra Brasil - Heartland Film Festival FINALIST (Oct. 20-30, 2016) - 24th Stuttgart International Festival of Animated Film - Short Shorts Film Festival & Asia 2017 - ZLÍN 2017 - 57th International Film Festival for Children and Youth - 60th CINE Golden Eagle Finalist - 35th Carrousel international du film de Rimouski - 19o FESTCURTASBH (Festival Internacional de Curtas de Belo Horizonte) - 16ª Goiânia Mostra Curtas - KLIK! Amsterdam Animation Festival 2016 - Brooklyn Film Festival - Olhar de Cinema - 12ª CineOP – Mostra de Cinema de Ouro Preto - Lanterna Mágica - Festival Internacional de Animação - 15th Vancouver Latin American Film Festival - 11ª CineBH - FINALISTAS FESTIVAL COMKIDS – PRIX JEUNESSE IBEROAMERICANO 2017 - 16a Mostra Cinema Infantil de Florianópolis - SPARK ANIMATION 2016 - Foyle Film Festival - Cardiff Independent Film Festival - MONSTRA (Lisbon, Portugal) - 20ª Mostra de Cinema de Tiradentes - International Film Festival Rotterdam 2017 - Educational Programme - Go Short - International Short Film Festival Nijmegen - Educational Programs - Bienal Internacional do Cinema Sonoro - BIS - Athens International Film + Video Festival - Nashville Film Festival - Sixth international Animation Festival Chilemonos

[cactus-man]

Inscrições para obras infanto-juvenis do comKids Interativo 2018 estão abertas até 10 de maio Inscrições para obras infanto-juvenis do comKids Interativo 2018 estão abertas até 10 de maio O Festival comKids Interativo está com 

[omradio]

Media docena de contenidos de Pakapaka son finalistas de un festival  Un total de seis producciones propias de Pakapaka quedaron como finalistas en la octava edición del Festival comKids–Prix Jeunesse Iberoamericano 2017 y definirán su suerte entre el 14 y el 19 de agosto en San Pablo (Brasil) luego de superar un filtro de 168 contenidos de diferentes países.